Album Review – Master’s Call / Morbid Black Trinity EP (2019)

Behold the rise of a new Black Metal entity from the UK and their debut EP, encompassing the darkness of faith, body and spirit with three powerful tracks that each tell a different potent story.

Originally conceived by guitarists John Wilcox and Dave Powell in the birthplace of metal itself, Birmingham, England, in 2014, but only reaching its full shape and form in 2016 after recruiting lead singer Shayan, bassist Adam Tricklebank and finally  drummer James Williams, Wolverhampton-based Black Metal unity Master’s Call walk forth through the flames beyond the gates with conviction and grit on their side, going against all odds and standing strong no matter what. For instance, vocalist Shayan, born in Tehran, the capital of Iran, where rock and metal music are banned (especially where anti-religious lyrics are concerned as the country’s hardline Islamic government considers it blasphemy), didn’t stop writing and performing Black Metal even with the potential risk of jail or even execution, proving how obstinate and passionate for extreme music Shayan and his bandmates from Master’s Call are.

Now in 2019 it’s time for this unrelenting British horde to unleash hell with their debut EP Morbid Black Trinity, an album highly recommended for fans of bands like Cradle Of Filth, Dimmu Borgir, Conjurer and Behemoth, encompassing the darkness of faith, body and spirit with three powerful tracks that each tell a different potent story. Recorded and mixed by Neil Haynes at The Parlour Studios in Northampton, mastered by Peter In De Betou at Tailor Maid Productions (Necrophobic, Dimmu Borgir, Watain) in Sweden, and featuring a creepy artwork created by the band’s own John Wilcox and Adam Tricklebank, Morbid Black Trinity is not just another fantastic extreme music album from the independent scene, but a beyond solid statement that Master’s Call are among us to stay and to keep spreading darkness and rage in the name of their beloved Black Metal.

An ominous intro morphs into a thrilling fusion of Black and Death Metal the likes of Behemoth in the first track, From Once Beneath The Cursed, led by Shayan’s sulfurous roars and James’ thunderous beats, while Dave and John extract the most metallic sounds you can imagine form their scorching hot guitars. Depicting the incarnation of a physical embodiment conjured from the underlying madness, hate and evil of the world, the entire song couldn’t sound more imposing than that, with poetry and darkness flowing as one from its vile lyrics (“Rise oh ferocious beast that lies within / At last we have reached the time to strike this mortal coil / So let loose the pain, gathering the serpents below / Sweet death shall conquer them all / May its annihilation bless our hearts / For we have snuffed long in slumber / Of the prison of life that you call a gift / We’ll burn it! / Scorch the solar as we have awakened”).

Rising from the depths of hell once again, Master’s Call offer our avid ears the fulminating The Spire Cranes, representing the holy buildings that tower high to cast the reach of their oppressive symbols of faith afar, but can be broken down through the cracks in their holy walls. Dave and John’s riffs dictate the song’s vibrant rhythm while James keeps crushing his drums mercilessly and Adam makes the ground tremble with his bass lines, all enfolded by Shayan’s deep, demonic vociferations. And lastly, the icing on the cake comes in the form of almost seven minutes of visceral Blackened Death Metal blasted by Shayan and his horde in My Eyes Are The Night, with Dave and John bringing hints of Thrash Metal in their amazing riffs, sounding violent and somber from start to finish. Assuming the perspective of a hunter that stalks the night, preying on victims who have lost themselves amid the atrocities of the world, by manipulating them into sacrificing themselves for the false hope of a greater existence beyond our own, this austere aria of darkness makes it impossible not to break your spinal cord headbanging to the brutal beats by James, ending the EP in a beyond demonic vibe.

In a nutshell, the gates to the underworld are open thanks to the awesome music crafted by this unstoppable group of musicians from the UK in Morbid Black Trinity,  and if you want to know more about such up-and-coming act you should definitely follow them on Facebook, and of course if you’re already a longtime fan of both classic and modern-day Black Metal go grab your copy of their debut EP directly from their BandCamp page. Although short in duration, Morbid Black Trinity already shows all the potential Master’s Call have and how furious and obscure their music can be, leaving us eager for more of their malevolent compositions in the form of another EP or full-length release and, consequently, pointing to a bright (or maybe I should say dark) future for this sharp and dauntless Black Metal entity.

Best moments of the album: From Once Beneath The Cursed.

Worst moments of the album: None.

Released in 2019 Independent

Track listing
1. From Once Beneath The Cursed 5:50
2. The Spire Cranes 5:07
3. My Eyes Are The Night 6:41

Band members
Shayan – vocals
Dave Powell – guitars
John Wilcox – guitars
Adam Tricklebank – bass
James Williams – drums

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