Album Review – Progenie Terrestre Pura / starCross EP (2018)

Embark on an exciting journey across the stars with the new concept album by this Italian Atmospheric Black Metal act, representing a further evolutionary step in their distinct career.

Initially announced as a complementary EP to last year’s album oltreLuna, the new album by Italian Atmospheric Black Metal act Progenie Terrestre Pura (which translates as “Pure Terrestrial Progeny”), entitled starCross, turned out to be an even more powerful and impressive opus than this Veneto-based band comprised of Emanuele Prandoni on vocals, Davide Colladon on guitars, drum programming and synths, and Fabrizio Sanna on bass could have imagined. Featuring a classy artwork by visual artist Kuldar Leement, starCross uses its 30 minutes to tell a precise story, as the EP is an all-round concept release based on a tale written by the band’s mastermind Davide Colladon.

In order to make the release fully understandable beyond the Italian borders, the band decided to use English for the first time in their career. The music, either, is very different from what could be heard on everything Progenie Terrestre Pura (also known as “q[T]p”) ever released since their inception in 2009. “starCross represents a further evolutionary step for qTp”, says Colladon, “its sound is extremely connected to the story it tells, which is pretty dark. My intention was to recall thrilling sci-fi masterworks such as Ridley Scott’s Alien, Grant Morrison’s Nameless and the Dead Space videogame saga.” In other words, get ready to embrace fear, madness and despair in the darkest Progenie Terrestre Pura release to date, and prepare yourself for what might be your last trip across the stars.

The band wastes no time in starCross by offering us Chant of Rosha, an atmospheric, futuristic intro from outer space, enfolding us and taking us to the whimsical world of Progenie Terrestre Pura, warming up our senses to the breathtaking Toward a Distant Moon, an explosion of the most disruptive elements from Black Metal led by the razor-edged guitar lines by Davide, with Emanuele’s enraged growls creating an electrifying paradox with the excellent background choir, remaining vibrant, ethereal and aggressive from start to finish for our total delight. And that electricity keeps permeating the air, as the music builds a cinematic connection with the also impactful Twisted Silhouette, starting in an eerie manner with a dark narration before all hell breaks loose, with the song’s demolishing beats together with Davide’s crisp riffs and Fabrizio’s thunderous bass building the perfect stage for Emanuele to fire his harsh growls, also adding tons of progressiveness to its core. In the end, you’ll get deliciously lost in all the madness, wicked noises and flammable sounds blasted by the band throughout the entire song.

Progenie Terrestre Pura starCross A5 Digipack Edition

The Greatest Loss also showcases a modern and creepy intro that morphs into a blend of Atmospheric Black Metal with Industrial Metal, with all mechanized elements and nuances bringing an extra touch of lunacy to the overall result. Furthermore, Davide does a superb job with his guitar and synths by generating a menacing ambience perfect for Emanuele’s growls, with the last part of the song being a heavier version of the industrial music played by bands like Ministry and KMFDM. And finally, q[T]p’s last blast of obscure, futuristic movie-inspired music comes in the form of a bizarre outro named Invocat, where future meets past with electrified and cold, mechanic sounds being complemented by a background Gregorian chant.

Do you have what it takes to join q[T]p in their metallic space odyssey? If the answer is yes, you can get to know more about the band, their tour dates and future plans on their official Facebook page, and purchase starCross (available for a full and detailed listen on YouTube and on Spotify) from their own BandCamp page, as well as from the Avantgarde Music’s BandCamp page or Big Cartel as a very, very special A5 Digipack CD, showcasing a brand new  artwork (courtesy of Italian artist Ballak., who gave a face and a spaceship to the main character of the starCross concept, Robert I.C. Cross) and including the storyline of the EP in its entirety. You can also buy it from other regular retail places such as iTunes, Amazon and discogs (in vinyl or CD format), but if I were you I would certainly go for the A5 Digipack edition of the album, because if you’re going on a musical voyage through the stars, you better be armed with the best weapon and soundtrack available at the same time, right?

Best moments of the album: Toward a Distant Moon and The Greatest Loss.

Worst moments of the album: None.

Released in 2018 Avantgarde Music

Track listing 
1. Chant of Rosha 2:22
2. Toward a Distant Moon 6:41
3. Twisted Silhouette 8:02
4. The Greatest Loss 7:50
5. Invocat 4:31

Band members
Emanuele Prandoni – vocals
Davide Colladon – guitars, drum programming, synths
Fabrizio Sanna – bass

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Album Review – Mad Agony / Mad Patrol (2018)

Join this mad patrol of Italian metallers where drinking beer, slamming into the pit and showing your passion for heavy music are the only rules you need to follow.

Forged in the distant year of 1991 in the metallic pits of Padua, a city in Northern Italy’s Veneto region, Italian Heavy/Thrash Metal squad Mad Agony went on a huge hiatus starting in 1993 due to the departure of one of its founding members, but their inner passion for true heavy music didn’t die at all, leading the band to rise from the ashes in 2011. After their rebirth to the world of heavy music, the band released in 2013 the full-length album Chernobitch, gaining positive feedback from fans and critics worldwide and, consequently, inspiring them to keep recording heavy music in the following years, culminating now in 2018 with the release of their second full-length installment, titled Mad Patrol.

Comprised of “Mad” Max Zane on vocals, Samael Von Martin on lead guitar, Andrea “Babetz” Babetto on rhythm guitar, Dani D3vine on bass, and Demian De Saba on drums, Mad Agony play a wild and straight-to-the-face fusion of several styles such as Heavy Metal, Trash Metal, Hard N’ Heavy, Hard Rock and even Black Metal, with their songs being characterized by endless amounts of electricity and being highly recommended as the playlist for any fun rock n’ roll party where drinking all the beer you can until you drop is mandatory. Put differently, Mad Agony don’t aim at reinventing the wheel with Mad Patrol, but just to keep partying and carrying the flag of Heavy Metal proudly in honor of the golden years of the music we all love so much.

The headbanging riffs by Samael and Andrea rev up the engines in the opening track Cold Stars, an old school fusion of the classic Thrash Metal played by Anthrax with the more visceral music blasted by Forbidden where Mad Max lives up to his own nickname with his rabid screams, and with the music ending powerfully with a flammable solo by Samael. Then crushing guitar lines kick off an epic and impactful ode to Thrash Metal by Mad Agony, titled Circle Of Fire, also bringing hints of the Power Metal played by bands like Grave Digger and Running Wild and, consequently, being highly recommended for admirers of 80’s traditional metal music; whereas in Let Me Die we’re treated to a mid-tempo sonority showcasing rumbling bass punches by Dani and steady, fierce beast by Demian, with its rhythm reminding me of the classic “Bang Your Head” by Quiet Riot. It gets a bit tiring after a while, though, but nothing to worry about.

More Beer is one of those old school thrashing hymns with a beyond fun theme, with the whole band destroying their instruments during the faster pieces, while the slower parts are spearheaded by the slashing riffs by Samael and Andrea; followed by Party Time (Zombie Version), a Rock N’ Roll party by Mad Agony where Mad Max couldn’t sound more inspired on vocals while Samael fires pure awesomeness through his riffs and solos. And in Warriors Of The Whales, which by the way has an amazing name, the vocals by Mad Max sound somehow inspired by the great Udo Dirkschneider, becoming an awesome option for slamming into the pit during their live performances, with Demian being utterly brutal on drums.

Antiochia – Back To Bare Metal is a classic instrumental Heavy Metal extravaganza showcasing potent drums and electrified guitar riffs and solos, before Mad Agony get back to a more Rock N’ Roll and Hard Rock vibe in the flammable You Bring Me To The Ground. Simply grab your beer, slam into the pit and have fun with this exciting tune, with highlights to its catchy chorus and the exciting pace led by Damien and his solid beats. And lastly, we have Metal Thrashin’ Mad, their cover version for the classic by Anthrax from their 1984 album Fistful Of Metal (check out the original version HERE). Needless to say, Mad Agony’s version is just as incendiary, entertaining and old school, with the demented vocal performance by Mad Max being the icing on the cake.

You can get more details about Mad Agony and their unrelenting metal music through their official Facebook page, and purchase your copy of the well-crafted and upbeat Mad Patrol from the band’s own webstore (where you can buy the way buy the special edition with a bonus live CD) showing your support to such obstinate band and, as a consequence, keeping the flame of underground metal burning brighter than ever. And besides, how not to be tempted to join a “mad patrol” of Heavy Metal? You have to be really mad not to take part in such distinct squad.

Best moments of the album: Circle Of Fire, More Beer and Metal Thrashin’ Mad.

Worst moments of the album: Let Me Die.

Released in 2018 Independent

Track listing      
1. Cold Stars 5:11
2. Circle Of Fire 4:33
3. Let Me Die 5:07
4. More Beer 2:24
5. Party Time (Zombie Version) 2:55
6. Warriors Of The Whales 3:48
7. Antiochia – Back To Bare Metal (instrumental) 6:13
8. You Bring Me To The Ground 3:24
9. Metal Thrashin’ Mad (Anthrax cover) 2:51

Disc 2 – Live Somewhere And Nowhere
10. Chernobitch 4:26
11. Back In Town! 3:04
12. Subconscious Fear 5:41
13. Presence 4:24
14. Boundaries Of Death 6:58
15. Iron Fist (Motörhead Cover) 2:56
16. Mad Agony 3:56
17. Mad Agony (feat. Pietro M Rock) (Video version) 4:20
18. Trick Or Treat (Fastway cover) 4:50

Band members
“Mad” Max Zane – vocals
Samael Von Martin – lead guitar & backing vocals
Andrea “Babetz” Babetto – rhythm guitar & backing vocals
Dani D3vine – bass & backing vocals
Demian De Saba – drums & backing vocals

Album Review – Sinatras / Drowned (2017)

A concentrate of Hardcore, Thrash and Death Metal mixed with an old school Rock N’ Roll attitude, courtesy of five talented and restless Italian musicians eager to bring more fun to the world through their creations.

Rating4

coverFrank Sinatra, born in Hoboken, New Jersey on December 12, 1915, was an American singer, actor and producer who was one of the most popular and influential musical artists of the 20th century. Death N’ Roll quintet Sinatras, born in 2014 in Vicenza, a city in northeastern Italy in the Veneto region, from an idea of Emanuele Zilio (now known as Lele Sinatra), guitar player for 20 years in Italian Metal/Hardcore band Strange Corner, and featuring expert musicians with different musical roots from Rock N’ Roll to Progressive Death Metal, bringing forth a classic but yet personal musicality tailored for fans of Carcass, Entombed, Pantera and Hatebreed, among others. What do these two entities have in common? Well, apart from carrying the same “family name”, let’s say that they can quickly put you to dance to the sound their high-end electrified compositions.

In less than five months after the project’s inception, thanks to the experience both live on stage and during studio sessions, Sinatras were able to write and record their first demo, called Six Sexy Songs, opening several doors for the band and inspiring them to release now in 2017 their debut full-length album, titled Drowned, a concentrate of Hardcore, Thrash and Death Metal mixed with an old school Rock N’ Roll attitude, featuring a simple and effective artwork by Mirko Marchesini (aka Minkio Sinatra) and eleven impactful songs with catchy choruses and immediate appeal. So start spreading the news, as Sinatras are ready to be the “number one, head of the list, cream of the crop at the top of the heap” in the world of heavy music.

In the opening track, Drowned, the band already blasts a frantic fusion of Thrash and Death Metal with the rebellious Rock N’ Roll played by Motörhead, with frontman Fla Sinatra playing really well the part of the demented vocalist with both his sick growls and clean vocals while Lele and Minkio make a great guitar duo with their roaring riffs. Leaning towards modern Thrash Metal, we have 24/7, a song about anger (“The value of our life is decreasing / and the stupidity grows faster / we are angry 24/7. / THEM! who? THEM! convicted in a false heaven”) perfect for their live performances, with highlights to the tempo changes effectively led by drummer Pisto Sinatra; followed by Cockroach, a badass song with Fla sounding extremely vile on vocals, maintaining their musicality at a high level of aggressiveness. Once again we face great guitar lines a la Pantera by Lele and Minkio, including a fiery solo to add more feeling to the overall result.

Something to Hate, one of the heaviest of all tracks, bursts violence through the deep growls by Fla and the song’s cutting guitar riffs and solos, with its drums played frantically as the music demands, whereas Flow, one of the best tracks in Drowned, brings forward an amazing blend of Southern Rock and Thrash Metal, sounding like a hybrid of Pantera, Chrome Division and Volbeat with a thrilling rhythm and catchy-as-hell vocal lines, not to mention the hints of progressiveness that end up enhancing the song’s punch even more. You Spin Me Round (Like a Record), an awesome version to the cult hit from the 80’s by Dead or Alive, delivers harsh growls and fast beats that will certainly please even fans of the original version, and in Los 43, a solid Rock N’ Roll composition with a catchy vibe and a good performance by all band members, Sinatras provide us what’s perhaps the harshest lyrics of the whole album (“Chaos, new world order / Despise, in your disorder / Homicide, deicide, burned gasoline, / Thrown in a pit as an animal / Death, is what you search Tears, are what you get / Genocide, misery, pain and slavery left to rot in their own reality”).

sinatras-2017Miss Anthropy is the closest the band gets to modern American metal music, being fast and furious with Pisto crushing his drums and also less harmonious than the rest of the album with some moments being pure Death Metal. It falls flat after a while, though, but nothing to worry about. On the other hand, Back in Frank is in my opinion the most complete and exciting of all songs, a perfect combination of Thrash Metal and Rock N’ Roll that also brings elements from Death Metal and Southern Rock, with both Lele and Minkio firing sharper-than-a-blade riffs while Fla delivers his strongest vocals overall. If you don’t get pumped up by this insane tune, you should definitely go see a doctor. Anyway, in Blind Fury, the name of the song summarizes its rhythm and approach, being an infuriated, modernized version of Death Metal with technical guitar lines, fast-paced beats and in special the metallic punches by bassist Lispio Sinatra, before Spiral Hell nicely concludes this fun and very cohesive album by Sinatras, with the whole band delivering more deranged music to the listener. Its heavy and melodic lines are boosted by the song’s potent vocals and backing vocals (as well as its excellent guitar solo), turning it into a nonstop tune for slamming into the pit with the band.

Are you ready to “start spreading the news” with this lunatic metal act from Italy? You can do that by visiting their Facebook page, YouTube channel and ReverbNation to know more about the band, and purchase Drowned at their BandCamp page, at the logic(il)logic Records webstore, on Amazon, at CD Baby, at Discogs, and several other locations. In summary, Drowned offers to you the most electrifying elements of old school and modern metal music, courtesy of five talented and restless Italian musicians eager to bring more fun to the world through their creations.

Best moments of the album: Drowned, Flow and Back in Frank.

Worst moments of the album: Miss Anthropy.

Released in 2017 logic(il)logic Records

Track listing
1. Drowned 5:52
2. 24/7 4:34
3. Cockroach 4:16
4. Something to Hate 4:48
5. Flow 3:31
6. You Spin Me Round (Like a Record) (Dear or Alive cover) 3:17
7. Los 43 4:18
8. Miss Anthropy 4:09
9. Back in Frank 4:19
10. Blind Fury 2:25
11. Spiral Hell 4:23

Band members
Fla Sinatra – vocals
Lele Sinatra – guitars
Minkio Sinatra – guitars
Lispio Sinatra – bass
Pisto Sinatra – drums