Metal Chick of the Month – Patricia Pons

I am a mecha, eternal live. Everything dies while I’m still alive.

The summer might be almost over on the Northern Hemisphere, but here at The Headbanging Moose we’ll help you keep things warm with the fiery and multi-talented Spanish singer Patricia Pons, the frontwoman of Valencia-based Melodic Death Metal squad SynlakrosS, and obviously the chosen metaller to be our Metal Chick of the Month. Owner of a powerful voice and displaying a wild and flammable look by blending several styles such as Gothic and cyberpunk in her attire, Patricia is ready to conquer the world of Heavy Metal together with her bandmates through the uniqueness of their music, and I’m sure you’ll love to read about how she does that, how she prepares for the band’s live performances, among other fun topics. Are you ready to enter the cyberworld of Patricia and her SynlakrosS?

Born on December 10, 1984 in Valencia, a port city located on Spain’s southeastern coast and the third-largest Spanish city after Madrid and Barcelona, Patricia loves metal music, anime and arts from the bottom of her heart, and if possible she wants to have them all at the same time, just to give you an idea of how creative and talented our multi-colored hair growler is. Also a proud vegan, Patricia makes sure she spreads the word of veganism and its benefits anywhere she goes, again connecting that philosophy to her music and arts whenever possible. First, let’s talk about her career as the frontwoman of Spanish act Synlakross, which basically represents her life in heavy music since she entered the band in 2010. Actually, before SynlakrosS, she was part of a band named Kakuseisha, a project that didn’t last long (due to the departure of its Italian guitar player) where she played keyboards and was also responsible for the melodic and guttural backing vocals.

According to the band itself, SynlakrosS (stylishly spelled with capital S at the end) is a “storytelling” Melodic Death Metal band formed in 2008 in Valencia, Spain “whose proposal seeks to inject a good dose of energy through songs that transport your mind to a world of adventure with a good deal of rebellion.” Although the band was conceived in 2008 by bassist Pablo “Roro” and drummer Tiko Martinez (who by the way played together with Patricia in Kakuseisha), it was only after 2010 when the band reached its desired shape and form that things started to take off for those Spanish metallers, having already released a self-titled demo in 2011, their first full-length album Melodichrome in 2013 and more recently the full-length Death Bullets for a Forajido, in 2016. In 2015, SynlakrosS won the metal award at the Granitorock Festival, receiving national recognition and opening the doors for the band to share the stage in 2016 with Canadian metallers The Agonist. Patricia herself describes the music by SynlakrosS as “Passionate Metal”, or even “Killer Metal Music”, because they simply love what they do. If you want to see and listen to Patricia kicking ass with SynlakrosS, there are several official videos and fan-filmed footage from their live performances. For instance, you can enjoy the official videos for the songs Billy The Kid and Paper In A History, the audio for their excellent cover version for Nightwish’s classic Wish I Had An Angel, the playthrough video of the song Beauty From The Deep, as well as excerpts from their amazing live performance at Granitorock Festival in 2015 with the songs On The Bridge TV and Dragon Egg.

Apart from SynlakrosS, Patricia has already lent her powerful voice to a song named The Great Heresy, featured on the 2015 album Fuck Your God by Canadian Black Metal one-man army Episcopal Holocaust, sounding very different from her regular work with SynlakrosS, as Melodic Death Metal and Black Metal, despite being both part of the overall concept of extreme music, are not usually associated and have very little in common musically speaking. And, by the way, it’s amazing for The Headbanging Moose to see she has some sort of connection with Canada. In addition to that, she’s also more-than-ready to join Spanish Melodic Thrash Metal band Keldark as a guest vocalist on the song Fear the Fear, which will be part of their upcoming album The Brotherhood, to be released later this year.

Patricia’s main influences in music might sound very different from one another, but if you pay good attention to the details of each one of her favorite artists you’ll see her own voice is some sort of amalgamation of all their styles with her own personal twist. Among her biggest influences, we’ll find names such as Floor Jansen (After Forever, Nightwish), Dani Filth (Cradle of Filth), Kate Bush, Tori Amos, Anders Friden (In Flames), Dez Fafara (DevilDriver, Coal Chamber), Jonathan Davis (Korn), Sandra Nasic (Guano Apes), Cristina Scabbia (Lacuna Coil) and Liv Kristine (Theatre of Tragedy, Leaves’ Eyes), and their respective bands, as well as other bands like Nobuo Uematsu, Koji Kondo and Dream Theater. For instance, the first album she bought with her own money was the classic Fallen, by Evanescence, and the first concert she’s ever attended as a fan was In Flames. In one of her interviews, Patricia made sure she explained a little about her main influences, saying she never listened to them singing just as men or women, she focused on the voice itself and enjoyed every part from their performances.

She’s also influenced and inspired by a ton of other non-music stuff, including books, videogames, films, anime and manga, with her favorite movie being The Matrix, her favorite book being Clive Barker’s 1988 horror novel Cabal, and her favorite writers being Edgar Allan Poe, E. T. A. Hoffmann, H. P. Lovecraft and Mary Shelley, among others, all present not only in her music but also in her stunning looks. In addition, Patricia mentioned in one of her interviews that her personal visual trademark is also highly influenced by the fact that she’s a woman proud of being in Heavy Metal (and proud of being a woman, of course), and she wants people to see that when looking at her. That’s also visible in her hair style, always showcasing unique, vibrant colors by Manic Panic España, the iconic hair coloring company that works with 100% vegan dyes with zero ammonia, such as Siren’s Song and Psychedelic Sunset, two of her favorite colors.

Regarding her live performances with SynlakrosS, as aforementioned they had the pleasure of opening for Canadian metallers The Agonist during their Spanish dates in Sevilla, Madrid and Bilbao in 2016, but they’ve also played in several other locations in Spain like Avilés, Barcelona, Valencia, A Coruña, and so on. However, Patricia wants the music by SynlakrosS to reach new heights, allowing them to play all over Europe as well as in many other parts of the world. In order to provide the audience the best experience possible with the music by SynlakrosS, Patricia said she not only does a series of vocals warm-ups, just like any other vocalist, but she also works on all types of physical warm-ups and stretching, as she’s a very dynamic musician with a flammable stage performance.

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When asked about the metal scene in Spain, Patricia believes that, although Spanish Metal is underrated, the only thing musicians and bands like SynlakrosS can do to change this situation is to work hard, creating high-quality music and touring as much as possible until people see the true value of their music, as well as understand the importance of learning English, as in Spain that’s their pending subject. In addition, she mentioned that the support underground bands have from the media is almost nonexistent, as big magazines and radio stations only talk about international (and sometimes national) big old bands, also saying that unfortunately if you’re a small band and you want promotion, you have to pay for it no matter how amazing and well-done your music is. When specifically asked about the Valencian Metal scene, Patricia said that although they have some amazing bands in the region, the scene is not a popular one. In her opinion, bands and metalheads in Valencia aren’t united and there’s some sort of competition between them. Lastly, when asked where the music style by SynlakrosS is more accepted, if it’s in the north or south of Spain, she said the reception from metal fans has always been great in both regions, mentioning cities like Bilbao and the whole region of Galicia as good examples of places where their experience was very positive in the north, and Seville in the south as having a very warmth and welcome attitude from the fans towards the band.

One topic that’s always discussed in heavy music is the growing presence and importance of women in heavy music, and of course Patricia has been doing her part in opening more space for women in a style usually dominated by men. She thinks that, although most women in metal are vocalists, there are more and more excellent female guitarists, bassists, drummers and other instrumentalists appearing in the scene every single day, all linked to the increasing interest of the society for metal music. However, one of the biggest problems for her is that, no matter how talented a female musician might be, there’s always an unsuitable question or comment from a sexist male fan directed to that female artist, such as “take off your shirt!” or “do you have a boyfriend?”, things that are completely off topic and add nothing to the music being presented. Even when she’s facing that type of situation, she keeps the atmosphere light by saying that when a man screams she’s beautiful, it’s because he hasn’t seen her at 8am with no makeup. That’s a very polite way to say “fuck off” to those inconvenient guys, don’t you think?

Patricia also said that instead of pointless questions like that, she would love to be asked why she became a vegan and why she doesn’t drink or smoke. She said that becoming a vegan was a spiritual change for her, while stopping drinking, smoking and using drugs started when she decided to focus on her voice and on being more professional as a musician. She said there was a case in her family where a person had issues with drugs, and that made her think about it, that it wasn’t what she wanted for her life. Regarding alcohol, she said no one in the band drinks before going out or playing live, being an example to other metalheads that you can still be crazy and have a great time without being drunk or high.

If you’re already a fan of SynlakrosS, what I’m about to say won’t be a surprise to you, but if you’re a newcomer to their world of Alternative Metal I’m sure you’ll be impressed by the fact that Patricia is a professional illustrator and designer, having graduated from EASD Valencia (or Escola d’Art i Superior de Disseny de València) in 2009 in Fashion Design, and doing merch for different metal bands and her own art with manga style with macabre, Gothic and fantastic inspiration. She’s, for instance, the designer responsible for all the graphic art found in SynlakrosS’ 2016 album Death Bullets for a Forajido, including the cover art, inspired by the Wild West concept mixed with the band’s metal essence. You can check a few pieces designed by Patricia on her own DeviantArt page, such as this amazing “Demon Girl”, and who knows, maybe if you have a band she can be the next artist to provide her lines and colors to represent your music.

Last but not least, it doesn’t matter if you understand Spanish or not, there are several interviews on YouTube with Patricia and the other guys from SynlakrosS where they talk about the band’s current status and future plans, their inspirations in music, the metal scene in Valencia and in Spain in general, the evolution of women in metal, among other topics. You can check for example the videos Keep Calm And Listen Synlakross con Entrevista!, 2 Rockeros Entrevista con SynlakrosS, and Tertulia con Synlakross, all showing a very relaxed and uncompromised side of the band, and all a good inspiration for lovers of rebellious and electrifying metal to learn one of the most important languages worldwide. In other words, wouldn’t you love to understand what the charming and skillful Patricia has to say about all kinds of topics?

Patricia Pons’ Official Facebook page
Patricia Pons’ Official Twitter
Patricia Pons’ Official Instagram
SynlakrosS’ Official Facebook page
SynlakrosS’ Official YouTube channel
SynlakrosS’ Official Instagram
SynlakrosS’ Official SoundCloud page

“In Spain, if you want promotion, in general, you have to pay, no matter how amazing and well done is your music.” – Patricia Pons

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Metal Chick of the Month – Alissa White-Gluz

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This is War Eternal, Alissa!

In order to properly celebrate the first awesome year of The Headbanging Moose, no one would have been a better choice for our Metal Chick of the Month than this Canadian girl. She’s at the same time the Beauty AND the Beast, an inspiration to many women all around the world, and her convictions and talent are truly taking her to stardom. From the beautiful city of Montreal, Quebec, here comes Alissa White-Gluz, founder and former lead singer of Canadian Metalcore band The Agonist, and currently the frontwoman of Swedish Melodic Death Metal icons Arch Enemy.

This vegan straight-edge kick-ass Québécois was born on July 31, 1985, and although she claims she has never taken any singing lessons her voice has become really powerful and versatile throughout the years, elevating her status as one of the most influential Heavy Metal female singers of the past decade, even leading to some comparisons with the one and only Angela Gossow. Well, those comparisons don’t seem to have been in vain, because on March 17, 2014, she was chosen to be the replacement for Angela herself and became the voice of Arch Enemy. In Alissa’s own words, “I am very honored and happy to announce a new chapter in my life and musical career beginning now; I have joined forces with one of my all-time favorite and globally respected bands, ARCH ENEMY. ‘Wages of Sin’ was the first metal album I ever bought, and it was love at first listen. It is not often that you get a phone call from your favorite band asking you to join! I am thrilled to have the opportunity to work with such amazingly talented musicians whom I also consider great friends. I look forward to being able to write and perform at a whole new level now with ARCH ENEMY! Music is forever, metal is limitless and this is only the beginning!”

Arch Enemy have recently released their first album with Alissa on vocals, entitled War Eternal, but there was a lot more of our Heavy Metal diva prior to that. She founded The Agonist back in 2004 with guitarist Danny Marino and bassist Chris Kells (when the band was still known as The Tempest), and recorded three excellent full-length albums and one EP with them: Once Only Imagined (2007), Lullabies for the Dormant Mind (2009), The Escape EP (2011), and Prisoners (2012), with Lullabies for the Dormant Mind being in my opinion their best album in terms of musicality, lyrics and creativity. In regards to Alissa’s performance in all The Agonist albums, she was always so electrifying and full of energy that it’s impossible to not get completely mesmerized by her voice and moves, as you can easily see in their official videos for Thank You, Pain, …And Their Eulogies Sang Me to Sleep, and Panophobia. By the way, I consider the video for Thank You, Pain, with its outstanding production, good storyline and, of course, Alissa kickin’ ass, one of the most professional and beautiful videos I’ve seen in a long time.

Besides her work with The Agonist, Alissa has also been featured as a guest musician in the following albums: Canadian Folk/Melodic Death Metal band Blackguard’s Profugus Mortis,  Canadian Melodic Black/Death Metal band Erimha’s Irkalla, Canadian Industrial Death Metal band Synastry’s Blind Eyes Bleed, American Melodic Power Metal band Kamelot’s Silverthorn and also in the single Sacrimony (which the amazing official video can be seen here), and more recently in Dutch Symphonic Metal band Delain’s The Human Contradiction. She was also a live guest singer during Kamelot’s recent 2011/2012 tours, as well as, along with Swedish singer Elize Ryd (Amaranth), replaced Anette Olzon while she was sick for a one-time Nightwish concert in Denver on September 28, 2012. An interview with both artists talking about that experience can be seen here and on Nightwish’s Showtime, Storytime (DVD), on the documentary footage section.

Also, in 2006 Alissa appeared on Canadian Idol singing a cover of Queen’s Bohemian Rhapsody, and in January 2012 she was featured as a coach on an episode of MTV’s Made. I don’t know if these can be considered part of her music career, as those TV shows are useless and do not bring any real benefits to real musicians, but anyway she was there and it was an alternative way for her to be exposed to different audiences that are not really into Heavy Metal.

While Alissa was with The Agonist, she toured the world with many different famous bands such as Epica, Kamelot, Sonata Arctica and Danzig, which is very demanding and time consuming, and now with Arch Enemy the frequency and intensity of world tours have just increased, making her eating habits and exercising more than essential for a professional and powerful onstage performance. That’s one of the reasons why she maintains a strong exercise routine, working out between 5 and 6 times a week, especially to strengthen her muscles. Alissa mentioned she loves working out, which is in her opinion the best remedy for anxiety, depression, self-esteem issues etc., and it’s one of the things that make her feel a happier and healthier person. I agree with her 100%, as I also love working out and feel the same results as she does, and also because The Agonist and Arch Enemy are always in my workout playlist.

Another important part of her life is her veganism, which according to Alissa herself is her most powerful source of energy and health. Although she was a vegetarian all her life, she decided to become a vegan when she was a teenager and carry that flag forever more, always mentioning that her family has been a huge inspiration for her. “My parents, along with my brother and sister, are vegetarians. I wasn’t raised in any way where I was forced to be a vegetarian too. I always had the choice. My mom would say, ‘I don’t eat the stuff, so I won’t cook it, but if you want to eat it, you can. Let me tell you why I don’t eat it.’ So she was open about it.”, she said. “From a young age, I learned what a non-vegetarian diet entails. I made the decision early on that I was going to stick to the lifestyle. It’s easier to stick with something like that than change it, if you’ve always done it. I’m grateful that my parents were open-minded with me.”

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In regards to her personal life, Alissa has mentioned during some interviews that among her favorite bands and musicians are Devin Townsend, Gwen Stefani, Muse, and, of course, Arch Enemy. Hence, it’s always interesting to see non-Metal bands or artists among the playlists of Heavy Metal icons (see other examples here and here), which makes us feel less “guilty” when singing any songs that are currently part of the top 40 list. Among her favorite places she has already traveled to, we have Japan, Peru and Austria, and in terms of movies she said her favorite one is still The Little Mermaid, which is by the way the reason why she started singing. I just don’t remember Ariel or Sebastian doing any guttural during the movie, but that’s just a minor detail, right? Moreover, our Heavy Metal goddess has been selected multiple times as one of “the hottest chicks in metal” by Revolver Magazine. Why am I not surprised at all with that?

Last but not least, Alissa is not only an animal lover (I believe she has two rescued kitties at home), but beyond that she’s an important animal rights activist just as her idol Angela Gossow, having already received an award from peta2 for her work in an international campaign advocating against the hunting of Canadian seals. Honestly, that’s for me her biggest achievement in life, even more important than her contribution to heavy music, and something she’s probably very proud of.

She mentioned in some interviews that she’s been active with a lot of different organizations helping kids, third world countries and animals, but that her true passion is in animal rights. She also said she started doing fundraising for peta2 and WWF when she was still in high school, and that the partnership between peta2 and her started when they used some stock footage in The Agonist’s first music video, Business Suits and Combat Boots. Since then the organization and Alissa have been working together to promote veganism and fight against animal cruelty as much as possible through different campaigns, protests, lectures, and many other activities. So don’t waste your time, go support peta2, get involved, do something good for this fuckin’ world, and you might end up meeting Alissa somewhere, an amazing person and one of the best frontwoman of the recent history of Heavy Metal. How about that?

Alissa White-Gluz’s Official Facebook page
Alissa White-Gluz’s Official Twitter

““The biggest thing for me is animal rights. That’s the number one factor that sort of means everything in my life, more than music or anything else. I think it’s a huge problem, and I think it’s refreshing to meet people, now and then, that actually do care about their impact on the planet, and not just care about themselves.” – Alissa White-Gluz