Album Review – Accept / The Rise of Chaos (2017)

Let total chaos and destruction rise to the sound of the brand new album by the unstoppable Teutonic masters of Heavy Metal.

I guess I might have already said that with different words in my review for the excellent Blind Rage, from 2014, but I can guarantee you that you can buy any album by German Heavy Metal institution Accept from the Mark Tornillo-era without even listening to a single second of it, and you won’t regret your decision at all. Quite the contrary, you’ll always be treated to the cream of Teutonic metal music, just like what happens with pretty much every new release by traditional German acts such as Rage, Grave Digger, Kreator, Primal Fear and Helloween, and that trend goes on in 2017 with another sensational release by Wolf Hoffmann, Mark Tornillo & Co., titled The Rise of Chaos, the fifteenth studio album in their unparalleled career.

The Rise of Chaos, which by the way was released just one day after their memorable performance at Wacken Open Air this year, is their first album with guitarist Uwe Lulis (Grave Digger, Giftdwarf) and drummer Christopher Williams (War Within, Blackfoot), replacing Herman Frank and Stefan Schwarzmann, respectively. The album is also the first of their career to feature the amazing art by Hungarian artist Gyula Havancsák, from Hjules Illustration and Design (who has already worked through the years with iconic bands like Grave Digger, Destruction and Annihilator), perfectly representing the chaotic and desperate situation our society has been through lately, as well as all the power and electricity flowing from the top-tier Heavy Metal played by Accept.

The initial guitars by the flammable duo Wolf and Uwe already send a clear message of the old school feast that’s about to start in Die by the Sword, showcasing classic kick-ass Accept with a modern twist to avoid sounding outdated. It’s simply impossible not to raise your fists and sing its blackened, catchy lyrics together with the band (“We’re sinking deeper in a world of darkness / It’s kill or be killed from the day we are born / We’re an evil seed from the soul of a serpent / An evil breed in a valley of thorns”), I should say. In Hole in the Head the whole band keeps blasting sheer awesomeness in the form of our good old Heavy Metal, with Christopher being precise and groovy on drums while Mark sounds, as usual, fantastic with his raspy, melodic vocals in this mid-tempo dark tune. And the title-track The Rise of Chaos, an apocalyptic hymn poised to become a classic, could be considered the epitome of the new Accept that was reborn with the superb Blood of the Nations, from 2010, bringing fast and thrilling riffs, spot-on bass and drums, and a classy performance by Mark on vocals.

Inspired by the November 1978 Jonestown deaths, in which over 900 members of the Peoples Temple, who were followers of Jim Jones, died, many of whom committed suicide by drinking a mixture of a powdered soft-drink flavoring agent laced with cyanide and prescription drugs Valium, Phenergan, and chloral hydrate, while the rest of the members, including 89 infants and elderly, were killed by forced ingestion of the poison, the rockin’ tune Koolaid is a beyond fun composition by Wolf and his crew, perfect for their live performances or to sing by yourself while driving on the highway (“Running through the jungle / Way back in ’78 / Here’s the story of the people’s temple / And my great escape / Communing with a madman / The promise of utopia / White nights, suicide drills / Shades of things to come”). Perhaps the most important message in the end should be: don’t drink the Koolaid, no matter what the preacher says! Anyway, back to the album we have No Regrets, one of the heaviest songs of all where Christopher speeds up the pace while bassist Peter Baltes keeps his bass rumbling in the background. This is traditional and straightforward German metal the way we like it, with highlights to the excellent guitar solo face-off between Wolf and Uwe; followed by Analog Man, a song that’s not only an ode to the 80’s, but it definitely feels it was actually written in the 80’s. What a fun metal hymn to sing along with those “old school sons of bitches trapped in this digital hell”, with Mark’s amazing vocals being effectively supported by the song’s traditional backing vocals. There’s no way not to get addicted to its cheesy lyrics (“I was born in a cave, when stereo was all the rage / Gatefold vinyl and eight tracks ruled the world / Now there’s flat screens in 3D / My cell phone’s smarter than me / I can’t keep up, my brains are beginning to burn”), and what to say about the dial-up internet sound at the end?

And Wolf, Mark and the rest of the guys are absolutely on fire, delivering another powerful tune full of electrified riffs, potent drums and a true headbanging rhythm, titled What’s Done Is Done, which can be described in short as four minutes of top-notch Accept for our avid ears, whereas the trademark guitar lines by Wolf ignite one more blast of awesome Heavy Metal named Worlds Colliding, with Mark putting his heart and soul into delivering the message from the song’s lyrics in the most beautiful way possible. Moreover, the guitar solos provided by Wolf and Uwe throughout the song are just superb, adding a lot of electricity to this already kick-ass composition. But if you’re a fan of their faster creations, then Carry the Weight is tailored for you, with Christopher keeping the energy level really high while Wolf and Uwe continue their slashing attack, resulting in a more-than-recommended alternative to cheer you up when facing tough times and situations (as Mark says during the song, don’t carry the weight of the world on your shoulders). And closing another flawless album by this iconic German institution we have more old school Heavy Metal in the form of the solid tune Race to Extinction, where an imposing intro turns into a dark and harmonious display of classic metal sounds led by Mark’s vigorous voice and the sharp riffs by Wolf and Uwe.

What else can be said about Accept and their unstoppable Heavy Metal killing machine that hasn’t been said yet? They have delivered to us, crazy metalheads, four first-class albums of old school metal music in a row since Mark joined the band back in 2009, and based on the amount of passion they put on creating each one of their electrifying songs it doesn’t seem that they’re planning to call it quits anytime soon. If you want to add The Rise of Chaos to your Accept collection (and you certainly should), there are several awesome options available at the Nuclear Blast webstore, all of them bringing to you the best soundtrack imaginable to watch all the chaos and destruction caused by mankind rise. And if the world as we know it is indeed coming to an end, can we ask it to “wait” until Accept release at least one more album of superior Heavy Metal like this one?

Best moments of the album: Die by the Sword, The Rise of Chaos, Koolaid, Analog Man and Worlds Colliding.

Worst moments of the album: None.

Released in 2017 Nuclear Blast

Track listing
1. Die by the Sword 5:00
2. Hole in the Head 4:01
3. The Rise of Chaos 5:16
4. Koolaid 4:58
5. No Regrets 4:20
6. Analog Man 4:10
7. What’s Done Is Done 4:08
8. Worlds Colliding 4:28
9. Carry the Weight 4:33
10. Race to Extinction 5:24

Band members
Mark Tornillo – lead vocals
Wolf Hoffmann – guitar
Uwe Lulis – guitar
Peter Baltes – bass guitar
Christopher Williams – drums

Album Review – Grave Digger / Tunes of War (1996)

Don’t forget to grab your sword and shield before listening to this masterpiece.

Rating2

Tunes_of_warIt looks like the end of the 90’s was a special period for concept Heavy Metal albums: we had the perfect Cruelty and the Beast, which I talked about a couple of months ago here, and another masterpiece from the German Power Metal band Grave Digger, the album Tunes of War. I guess I don’t need to say how awesome an album entirely dedicated to Scotland and its struggle for independence from England can be, right? It was also the first album in the band’s trilogy of concept albums inspired in the medieval times which was continued by Knights of the Cross (1998) and Excalibur (1999).

I had the pleasure to talk to all members of the band during a special acoustic performance at a Heavy Metal pub in São Paulo (Brazil) back in 1996, one day before their full gig for the Tunes of War tour. They explained me how the album was created, all the ideas they had, their trip to Scotland to better understand the country’s history and so on, and that’s probably the reason why Tunes of War is so good and precise: it follows the true facts that happened between the 11th and the 18th centuries with the Scottish clans, and all the horror, blood and death in their path for freedom.

Tunes of War starts with THE BEST intro of all time, The Brave,  a mighty Heavy Metal version of “Scotland the Brave” (or “Alba an Aigh”, in Gaelic), considered by many the unofficial Scottish national anthem. There’s no way a regular person won’t feel inspired and ready for war while listening to it. What the band did with this song was amazing, and a perfect intro to one of their best songs of all time, Scotland United. It’s an instant classic with a chorus tailored for any army in the world (“United, united we stand / United, forever and ever!”). The next song, The Dark of the Sun, also has a strong melody with its lyrics exalting the Scottish warriors, while William Wallace (Braveheart) has one of the most furious riffs I’ve ever listened to in my life, and as you can see its dedicated to the life of the great William Wallace, one of the main leaders during the Wars of Scottish Independence who was spectacularly portrayed by Mel Gibson in the Oscar-winning masterpiece Braveheart (which I saw for the 1000th time this week).

Grave_Digger-Tunes_Of_WarIn The Bruce (The Lion King), the band shows a very obscure side, almost as if they were a Doom Metal band, getting back to their traditional Power Metal with The Battle of Flodden. Then comes a very beautiful but sad ballad, called The Ballad of Mary (Queen of Scots), where we see Chris Boltendahl’s voice in a completely different way. By the way, this song has such dark and melancholic lyrics that it might suddenly make you cry especially if you can feel all the pain in it. The Truth, Cry for Freedom (James the VI) and Killing Time are considerably short songs, but very effective in the whole storyline, and all amazing for any of the band’s live performances.

The last few songs are kind of paradoxical: while Rebellion (The Clans Are Marching) is just perfect with its amazing riffs, lyrics, and one of the greatest chorus in the history of Heavy Metal (“The clans are marching ‘gainst the law / Bagpipers play the tunes of war / Death or glory I will find / Rebellion on my mind!”), Culloden Muir sounds quite boring if compared to all other songs. There’s still an outro called The Fall of the Brave, which in my opinion perfectly represents the end of a battle with all the corpses and blood on the war field, and if you have the special edition you’ll be able to enjoy three of Grave Digger’s old classics, all excellent for a beer and some mosh pits: Heavy Metal Breakdown, Witchhunter and Headbanging Man.

Grave Digger has always had wonderful front covers (take a look at this one from Heart of Darkness, for example), and in Tunes of War it’s no different. Regarding the lyrics, as I said, they are all profound and tell the whole story in the best way possible. Of course, nothing would be possible without Grave Digger’s awesome musicians, especially their leader and founding member Chris Boltendahl, owner of a unique voice in the world of Heavy Metal.

To sum up, a brilliant concept album from one of the greatest Power Metal bands in the world, and by far their best album of all time. Only Iron Maiden’s The Clansman is more brilliant than the songs from Tunes of War, but it’s just one song anyway. Moreover, this winter in Canada has been one of the worst of all time, with frigid temperatures and extremely stressful morning and evening commutes due to all the snow, ice storms and freezing rain, so why not getting ready for this “ice cold battle” on the streets enjoying this great album in your car? I definitely will.

Best moments of the album: Scotland United, William Wallace (Braveheart) and Rebellion (The Clans Are Marching).

Worst moments of the album: Culloden Muir is the only song that is not totally awesome in the whole album.

Released in 1996 GUN Records

Track listing
1. The Brave (Intro) 2:23
2. Scotland United 4:35
3. The Dark of the Sun 4:33
4. William Wallace (Braveheart) 5:01
5. The Bruce (The Lion King) 6:58
6. The Battle of Flodden 4:06
7. The Ballad of Mary (Queen of Scots) 5:00
8. The Truth 3:50
9. Cry for Freedom (James the VI) 3:17
10. Killing Time 2:53
11. Rebellion (The Clans Are Marching) 4:05
12. Culloden Muir 4:08
13. The Fall of the Brave (Outro) 1:56

Special digipack bonus tracks
14. Heavy Metal Breakdown
15. Witchhunter
16. Headbanging Man

Band members
Chris Boltendahl – Vocals
Uwe Lulis – Guitars
Tomi Göttlich – Bass
Stefan Arnold – Drums