A 17-minute nonstop head crusher of cacophonous chaos, furious, catchy riffs and inhumanly ape-like shrieking vocals. That’s how good primeval Grindcore should always sound.
When the total running time of an album with 21 songs is only around 17 minutes, you know those 17 minutes will be as intense as hell. Founded in 2006 in Bristol, a city and county in South West England, Grindcore/Hardcore Punk trio Atomçk has evolved from their primitive noise roots into a uniquely eccentric and offbeat brand of Grindcore, culminating now in 2017 with the release of the full-length album Every Room In Britain, a nonstop head crusher of cacophonous chaos, furious, catchy riffs and inhumanly ape-like shrieking vocals, as if Cornelius, the son of Caesar from Planet of the Apes, decided to rebel against his father in his teens to form a Hardcore band.
Most probably the shortest intro of all time, the quick sonic havoc Rot Induction wakes our inner monsters up for the boisterous one-minute tunes Full Of Sell and Fuck Off Back To London, both presenting a solid Grindcore devastation with brutality flowing from all instruments. Furthermore, just try to follow the lyrics of the latter with the band (“Graffiti tours / Fuck off back to London / Moustache barbers / Fuck off back to London / Bad film clubs / Fuck off back to London / Cultural erosion / Fuck off back to London now”). In Back Office Savings we have the ultimate shrieking and slamming feast, courtesy of the demented “apes” Linus, Luke and Carl, and then you might wonder how they could possibly sound more violent than this in less than a minute, right? Well, their answer comes in the form of the songs Preston Slayer Fans and Young Professionals. And when you least expect, you’ll begin to deeply enjoy their primate-inspired screeches.
Every Room sounds slightly more rhythmic than its predecessors, but still insanely brutal, with its demonic guitars going along really well with their demented gnarls; followed by the incomprehensible, anarchic chant titled Community Payback, the thunderous bass lines of the “bridge” Bare Minimum Customer Service, and the amazingly violent, fast-paced tempest named Robot Cannibal. What about those lyrics, can you follow them (“What to do / I’m not sure / Might as well / Kill something / Didn’t work / The last time / Never mind / We have to / Do something / Someone must / Be murdered / Blind idiot god / Demands meat”)? Or should I ask if you’re still alive after so much savagery?
Misery Trance presents menacing low-tuned sounds accompanied by their trademark monkey-frog-hybrid screams, while in Waiting For Junko they speed up their pace and offer more of their Grindcore dementia. And the slamming party goes on with Two Grand Bro and Glass Floor, showcasing Mike Patton/Barney Greenway-inspired vocals in a turbulent manner, which is also the case in the demented Pro Area 1. Then after four seconds of noises in Micro Aggressions we’re treated to Self Defeater, with its fun lyrics (“No tolerance / For dogma / But be careful / With the use / Of language / Or thou shalt / Be cast out”) and deranged drumming. In Purged the trio proves why they’re the masters of sick Grindcore, destroying everything and everyone that crosses their path in less than one minute, whereas Another Nails In The Coffins brings forward more of their insane Mike Patton-ish vocals. How can Linus screech like that during their live concerts? That should be an interesting event to watch. Anyway, there are still two more minutes of pure aggression and wicked growling in Every Room In Britain, starting with Fastard and followed by Anguish Champion, closing this berserk and totally crazed album on a high note.
Portraying an elegant artwork by Luke Oram, Every Room In Britain can be relished in full on Spotify and purchased at several different locations such as the SuperFi Records BandCamp or webstore, the WOOAAARGH! Records BandCamp or webstore, and the Rip Roaring Shit Storm Records BandCamp or Big Cartel, as well as on iTunes, on Amazon, at the Boomkat webstore or at Discogs. It definitely feels like there are more places where you can buy the album than minutes of music in it, don’t you agree? Now please get up from that couch, stretch your muscles and get ready to jump up and down and slam like an ape to the hurricane of extreme sounds blasted by Atomçk, because that’s what entertaining high-end Grindcore is all about.
Best moments of the album: Fuck Off Back To London, Preston Slayer Fans, Robot Cannibal and Waiting For Junko.
Worst moments of the album: Misery Trance and Bare Minimum Customer Service.
Released in 2017 SuperFi Records
1. Rot Induction 0:04
2. Full Of Sell 0:54
3. Fuck Off Back To London 1:07
4. Back Office Savings 0:49
5. Preston Slayer Fans 0:46
6. Young Professionals 0:53
7. Every Room 0:51
8. Community Payback 0:34
9. Bare Minimum Customer Service 0:09
10. Robot Cannibal 1:48
11. Misery Trance 0:55
12. Waiting For Junko 0:55
13. Two Grand Bro 0:55
14. Glass Floor 0:38
15. Pro Area 1:01
16. Micro Aggressions 0:04
17. Self Defeater 0:38
18. Purged 0:56
19. Another Nails In The Coffins 0:53
20. Fastard 0:42
21. Anguish Champion 1:11
Linus – vocals, machines
Luke – guitars
Karl – drums