Album Review – Exuviated / Déliquescence EP (2019)

Get ready to be smashed by 26 minutes of first-class Death Metal brought forth by a talented five-piece act hailing from “Hellgium”.

Forged in the fires of Marche-en-Famenne, a Walloon municipality located in the Belgian province of Luxembourg, in the year of 2009, when they released their debut EP entitled An Era’s Condemned, the unstoppable Death Metal squad comprised of Jean-Philippe Sonnet on vocals, Cédric Grandhenry and Renaut Van Oeyen on the guitars, Pierre Pish Minet on bass and Ahephaim on drums, collectively known as Exuviated, are ready to smash our heads once again with the ruthless music from their brand new EP Déliquescence. Featuring a beyond obscure artwork by the band’s own vocalist Jean-Philippe Sonnet (Threadbare Artwork), Déliquescence not only cements the name of the band in the underground extreme music scene, showing why they’ve already shared the stage with several renowned acts like Six Feet Under, Dark Tranquility, Suffocation and Cattle Decapitation (not to mention their concert at the always insane Wacken Open Air Festival), but it also paves a promising path for the band in the future, all in the name of our good old Death Metal.

Get ready for a heavy and demonic feast of Death Metal made in Belgium (or “Hellgium” as the band likes to call it) in the opening track Rupture, with Cédric and Renaut initiating the devastation with their flammable guitars while Jean-Philippe growls in a true Unleashed-inspired style before a somber break brings fear to our hearts, exploding once again into visceral extreme music until we’re treated to the instrumental piece Trouble, showcasing atmospheric guitar lines intertwined with heavier riffs and tribal beats. And this grim ambience sets the tone for the berserk Errance, where Jean-Philippe gnarls and shrieks demonically while Ahephaim sounds like a stone crusher on drums. In other words, this is ass-kicking Death Metal with a modern twist, offering over seven minutes of intricate and devilish sounds, ethereal passages and sheer violence and rage.

The next track, entitled Absence, is a more cinematic instrumental tune where the band seems like in a musical trance, and with Cédric and Renaut, together with Pierre, generating a vile atmosphere with their stringed weapons perfect for the absolute destruction that follows in Abîme, a classic Death Metal extravaganza infused with several modern extreme styles such as Deathcore and Grindcore, feeling and sounding dense throughout its entirety, with highlights to the amazing job done by the skillful Ahephaim with his brutality and refined technique on drums. Furthermore, it’s impressive how Exuviated are capable of composing Death Metal songs with over six minutes each and never sound boring or repetitive, proving how talented those Belgian metallers are.

In a nutshell, Déliquescence, which is available in full on Spotify and on YouTube, will certainly please all fans of both classic and contemporary Death Metal, leaving us all eager for more of Exuviated’s music in a not-so-distant future. Hence, let’s show our utmost support to the band by following them on Facebook, by subscribing to their YouTube channel, and mainly by purchasing a copy of their brand new incendiary EP from BandCamp, from Apple Music or from Amazon. And may Exuviated keep turning Belgium into “Hellgium” for many years to come, filling our ears with the visceral and violent sounds of our beloved Death Metal.

Best moments of the album: Errance.

Worst moments of the album: None.

Released in 2019 Independent

Track listing
1. Rupture 7:33
2. Trouble (Instrumental) 2:21
3. Errance 7:09
4. Absence (Instrumental) 2:58
5. Abîme 6:27

Band members
Jean-Philippe Sonnet – vocals
Cédric Grandhenry – guitars
Renaut Van Oeyen – guitars
Pierre Pish Minet – bass
Ahephaim – drums

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