Interview – Alcides Burn (Burn Artworks)

Let us all burn together with the talented Brazilian artist Alcides Burn, from Burn Artworks, in this exclusive interview where he talks about his work, his passion for drawing and heavy music, and more.

Alcides Burn (Burn Artworks)

The Headbanging Moose: Could you please start by telling our readers who Alcides Burn is? When and why did you decide to become a graphic designer, and when exactly did your passion for heavy music start impacting your work as a designer?

Alcides Burn (Burn Artworks): Hi, at first I would like to thank The Headbanging Moose for the opportunity to present my work.

Well, I’m Brazilian, from Belém-PA, but I’ve lived in Recife for many years, I always liked to draw and I’ve always been a fan of horror movies, giant monsters, and stuff like that. In the 1990s it was when I started listening to metal, I remember the first time I saw an Iron Maiden album cover, I was impressed with it and from that time on I decided to create arts.

I started drawing art for bands of friends until I’ve got a computer from an uncle and went digital.

THM:  Did you have any idea of what you were doing in your early days as a graphic designer for metal bands? How did things work in the beginning for you? What were your biggest challenges as a rookie in such competitive market?

AB: In the beginning there weren’t as many artists as nowadays, and I really wouldn’t have imagined that I’d become a well known artist as now. As I said, I was lucky to have a very good computer at a time that it was very expensive and difficult to get one, and I always studied a lot, I used to burn the midnight oil learning and studying hard, then I made an album cover for Queiron, a band from São Paulo. That opened doors, that was when I actually started this work, after that other bands came up.

THM: You were also (and still are) a vocalist for a few Brazilian Death Metal bands like Inner Demons Rise, Next Pain and Subinfected. How did you manage your duties as a musician and a designer at the same time with your previous bands, and what lessons did you learn that you can apply to your active band Inner Demons Rise nowadays?

QUEIRON (Brazil) CD Cover

AB: The bands were not my top priority, I’m also an advertising professional and a concert producer, so these projects came up during my spare time and they were getting harder to manage in my busy schedule. Due to that reason I’m not in a band anymore. I’ve spent 10 years in the band Inner Demons Rise, I had a lot of fun, I learned a lot, a lot of the production experience I’ve learned I used to apply to the band, but unfortunately my work as a designer started to grow and I had to leave the band, but I still talk every day to my bandmates that are also my personal friends.

THM: While checking some works you’ve done for several bands from different parts of the world, I noticed most of the time there’s a lot of chaos, fire, death, demons, darkness and other obscure or evil elements in your art. What attracts you in those elements, and do you think that can limit your reach, I mean, what if a Symphonic Metal band or a Hard Rock band approach you to hire your services?

AB: Well, my mind has always been a little devilish (LOL), I’m a Death Metal fan, mainly from the 1990s, and album covers like Monstrosity (Imperial Doom) and Dismember (Like an Ever Flowing Stream) have always impressed me, creatures, the scenarios, and like I said, horror movies, monsters, I think I couldn’t follow a different path. However I’ve already designed for Melodic Heavy Metal bands, like “The Black Knight” from the band Wizards here from Brazil among other artists, sometimes I feel even lacking in creating such works.

THM: What are your favorite bands, as well as favorite artists and designers? How much have they influenced your work since the beginning? And can you list your favorite album artworks of all time, telling why you like them so much?

AB: That’s a trick question, but let’s go:

Some of my favorite bands are: Paradise Lost, Moonspell, Monstrosity, Deicide, Gorefest, A-HA, Dream Theater, Angra, I think these are the ones I listen to most.

Favorite artists: Seth Siro Anton, Wes Benscoter, Dave Mckean, Travis Smith and Braisl I enjoy many works by several artists, Marcelo Vasco, Gustavo Sazes, Rafael Tavares, Carlos Fides among others.

About favorite albums: Paradise Lost – Gothic, Moonspell – Wolfheart, Deicide – Legion, Gorefest – False, Monstrosity – Imperial Doom, Dream Theater – Image and Words, Angra – Fireworks. There are many (LOL)

THM:  Apart from heavy music, what else serves as an inspiration for you? Any movies, books or other things that are worth mentioning that had a significant impact in the way you draw or paint?

AB: Movies, lots of movies, I’m a movie buff, I watch at least 2 or 3 movies a week and everything around me, if I step on the street and see something that I know can turn some art, I quickly snap a picture.

THM: If I have a band and I’m searching for an artist to design the cover art for my new album, what should I do to contact you? And how does the entire process work, from the very first contact until the final version of the artwork is ready?

AB: Well, you can contact me through my email: alcidesburn@gmail.com or by my Facebook and Instagram: @alcidesburn.

The process is very simple, I usually create the art based on the album title or from a song lyric or an idea that the band has in mind. I have a conversation with the band to understand the idea and then just go for it, I present a draft of the idea to the band and as soon as they approve I finish the artwork.

THM: Your list of clients is quite extensive, including underground bands from distinct parts of the world such as Neuroticos (Japan), Zerozonic (Norway) and Iconoclasm (Belgium), renowned international acts like Keep of Kalessin (Norway), Obituary (USA) and Tim “Ripper” Owens (USA), countless underground Brazilian bands and even some big names in the Brazilian scene like Krisiun, Nervochaos and Torture Squad. From all those bands and artists, which ones do you think were able to extract the best of your art?

AB: I think the one that has had the most repercussions so far was the Keep of Kalessin, that one people still talk about, this art will be part of the second edition of the book Arte Arcana – Lucifero, where I will be among the great artists of the world.

The book can be purchased at this link: https://heavymusicartwork.com/arte-arcana-lucifero. There is an art that I made for Rebaelliun band shirt that I also like it a lot. I recently created another art for them and I liked the result. The ones I made for Krisiun, total respect to the band, I like it a lot and the guys are very good people and Nervochaos that despite being something simple it was a very cool experience.

I have a special affection for all of them, they are important bands that I like so much.

REBAELLIUN (Brazil) T-Shirt Design

THM: There was no social media and the access to the internet was extremely limited when you started around 20 years ago. What are the advantages and disadvantages for you of the advent and unstoppable growth of social media in recent years? How do you keep up to date with everything that’s going on, new techniques, new software or anything else that you can apply to your work?

AB: I usually say that the internet is a necessary evil, and you have to know how to use it in your favor, I try to use it to show my work to the world, I try to forget other subjects, I open my Facebook to advertise my arts and talk about movies.

Other than that the internet made it very easy for people who work with arts. Today you have a multitude of images, plugins, textures and software that helps a lot, but as I said: the real world is there, and if you have a good point of view you can bring a lot for your art.

THM: You were born in the city of Belém, in a region of Brazil not very famous for its metal music (in the state of Pará), and you currently reside in the Northeast of Brazil, where although there are several metal bands the scene remains completely underground. How does that impact your work? And what bands can you recommend form those regions, especially the ones you’ve already worked with?

AB: I left Belém at the age of 1 and I do not know the city until nowadays, but I hope to do it so soon.

The coolest thing is that I have several friends there, I’ve done arts for bands there like Disgrace and Terror, Anubis and Eternal Darkness, the latter two I’m creating for their new work at the moment.

The Northeast is strong, there are lots of bands that I have worked with and I like them a lot like Decomposed God, Pandemmy (both from Recife), Headhunter D.C., Malefactor (from Salvador), Sanctifier (from Natal), there are a lot of fucking good bands here.

I think it’s a little bit hard for me to live in Recife, an example if you live in São Paulo, you have a lot more contact with this world because it’s a metropolis, there are a lot more shows, more producers and more bands, you see. But I love the Northeast and Recife.

THM: What does the future hold for you as a graphic designer and also as a metal vocalist? Do you see yourself working with more and more international bands, or do you prefer becoming a reference in the Brazilian scene?

AB: As a vocalist I only intend to have some projects, I need them, but nothing too serious, just recording, maybe going on stage a few times nothing more than that, nothing that takes my time.

As for the graphic designer, absolutely. I want to show my work to the world, to have more international bands in my portfolio, that would be great!

THM: Thanks a lot for your time, Alcides. It’s an honor for us to interview a metal artist like you for the first time on our webzine. Feel free to send your final message to our readers, including the best ways for bands and musicians to contact you if they’re interested in having your art representing their music.

AB: I’d like to thank you so much for the opportunity to talk about my work. Spaces like these are of extreme importance for the Metal world. Every zine, blog, website is a source of information that never must die.

To contact me, in addition to the social networks I’ve mentioned, my site is: www.burnartworks.com. In it you’ll find my works. Thank you!

Links
Burn Artworks Official Website | Facebook | Instagram

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Metal Chick of the Month – Melissa Bonny

Feel the fire dancing with your soul, now you’re alive…

I honestly find impressive the huge amount of excellent metal bands hailing from the glamorous Switzerland, a country of only around 8 million inhabitants, but that has already provided the world remarkable acts such as Celtic Frost, Eluveitie, Gotthard, Hellhammer, Krokus, Sybreed and my favorite Swiss band of all time Triptykon, as well as tons of amazing underground groups already reviewed at The Headbanging Moose like Voice of Ruin, Henriette B, Way Of Changes and Black Diamonds. We already had a while ago the absolutely stunning Vanja Šlajh as our Metal Chick of the Month, and now it’s time to get back to the “Land of Milk and Honey” to pay a tribute to another fantastic Swiss metaller, a rising star named Melissa Bonny, lead singer of the up-and-coming Swiss bands Rage Of Light and Evenmore.

Born in Montreux, a traditional resort town on Lake Geneva in Switzerland, on January 23, 1993, Melissa started her life in music when she was only 6 years old by singing in a school choir for several years.  When she finished school, she spent most of her free time making music by herself or with some friends and took part in several events in her area, singing on stage, alone or accompanied. She also mentioned that one of her favorite pastimes was to make parodies of famous songs, and that the unexpected success of those parodies convinced her that she should move forward with her music career. That was when she started looking for a band, singing during a short time with a cover band from Valais, a canton in southern Switzerland, in 2012 before being recruited that same year by Symphonic Folk Metal band Evenmore as their lead vocalist, which gave her the opportunity to release her creativity while writing music and the chance to broaden her horizons and perform on great stages before well-known bands such as Lacuna Coil, Eluveitie and Xandria.

Owner of a potent and versatile voice, which allows her to sing as a mezzo-soprano or to do guttural growls the likes of Angela Gossow and Alissa White-Gluz, Melissa is highly influenced by several amazing metal acts, in special female-fronted groups like Delain, Eluveitie, Arch Enemy, Nightwish, Within Temptation, The Agonist, Amaranthe and Epica, as well as bands with a very epic and melodic sonority such as Kamelot and Sonata Arctica. For instance, among her favorite albums you’ll find several classic releases that perfectly represent her passion for dark and imposing metal music, including the albums The Black Halo by Kamelot, Origins and Helvetios by Eluveitie, and Shadows Of The Dying Sun by Insomnium. As you can see, Melissa nurtures a profound admiration for more contemporary Melodic Metal, where the music is joined by an exciting theatrical piece that became a trademark of almost all bands from her playlist.

Her list of favorite songs obviously includes many compositions found in her favorite albums, and you’ll notice that all of those songs have an epic vein, a potent punch and a detailed focus on the overall harmony. You can bang your head together with our dark-haired muse and feel the energy flowing from modern classics such as Kamelot’s March of Mephisto (featuring the one and only Shagrath, from Dimmu Borgir, as a guest vocalist) and The Haunting (featuring the stunning Simone Simmons, from Epica); Epica’s Storm the Sorrow; Arch Enemy’s You Will Know My Name; Sonata Arctica’s Only the Broken Hearts; Delain’s Get the Devil Out of Me; After Forever’s Energize Me; and my favorite from this list, The Agonist’s kick-ass hit Thank you Pain. We have to admit this is a damn good playlist of modern-day metal music, don’t you agree?

Although Melissa is already working on her own solo material, which had been left aside for several months, let’s focus on her two bands, Evenmore and Rage of Light, as those are already a reality in the world of heavy music and also where Melissa has been shining bright with her fantastic vocal range and mesmerizing looks. Let’s begin with Evenmore, a Symphonic Folk Metal band from Romont, a municipality and capital of the district of Glâne in the canton of Fribourg in Switzerland, formed in 2011 which, since its creation, has for ambition to offer its audience intense moments while listening to its musical creations. Apart from Melissa, the band is composed of guitarist Landry Pernet, bassist Frederic Jorand, drummer Florian Bard and pipes/whistles player Matthieu Bopp.

It was in June 2014 that Melissa and her bandmates from Evenmore relased their first EP, titled The Beginning, comprised of four distinct songs, including the excellent The Black Knight. Welcoming new instruments and aiming at creating a beautiful balance between metal and traditional music, Evenmore worked hard on developing their Celtic vein, culminating with the release of their first full-length album in 2016, named Last Ride, which received many positive feedback thanks to the versatility and the quality of its compositions, transporting the audience into a story that evolves song after song. From that album, you can enjoy Melissa’s unique vocals in the songs The Ride Begins, Eleana and Breaking The Silence. Furthermore, if you prefer watching the band live to actually confirm if they have what it takes to succeed in the world of metal, I recommend you go to YouTube to check some good quality footage from their live concerts, such as the songs Winter is Over at the Grande Salle de Cojonnex in Montreux in 2014, The Ride Begins at the famous Z7 in Pratteln in 2015, and also Last Breath at the Rocking Chair in Vevey in 2014. Hence, after listening to such powerful tunes, you’ll see why Evenmore already had the pleasure of sharing the stage with renowned acts like Lacuna Coil, Eluveitie and Xandria in their short but solid career.

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In regards to Swiss Trance Metal act Rage of Light, this hybrid project was actually conceived several years before our ebony growler joined the band in 2015. Rage Of Light was born in 2007 from the desire of its creator, multi-instrumentalist Jonathan Pellet, to combine two music styles that he loved for a long time, those being metal and trance, inspired by the Swiss trance scene of the early 2000’s and by the sound crafted by Melodic Death Metal bands. However, due to his duties with the bands Dysrider and Nodafreth, Jonathan had to put Rage of Light aside for a few years, until reigniting it again between 2011 and 2015 by writing new material and recruiting Melissa for the vocal duties and his bandmate from Nodafreth, Noé Schüpbach, for the guitars. The trio released in 2016 their debut EP, titled Chasing a Reflection (which can be enjoyed in its entirety HERE), comprised of four original songs, Beautiful Slave, Deception, Sick and Requiem, and a cover version for Lollipop (Candyman), a hit single from the 90’s originally recorded by Danish Dance-Pop group Aqua. You can compare Rage of Light’s version with the original one by clicking HERE, but I guess I don’t even need to point out that the new version by the Swiss power trio is a billion times better.

And it seems that Rage of Light truly enjoyed giving a new arrangement and taste to a classic hit, as earlier this year they released a stunning version for Amon Amarth’s unparalleled hymn Twilight of the Thunder God, which you can take a shot at the end of this tribute to Melissa. In my humble opinion, this is the perfect example of a cover song that’s already fantastic musically speaking, but that its official video makes it even more majestic thanks to the alluring solitude and passion exhaled by Melissa up in the Swiss Alps. If I were you, I would definitely keep an eye on Rage of Light’s BandCamp page, as I’m pretty sure this very entertaining project will soon publish more of their excellent material and maybe even another vibrant cover song for an old classic.

As aforementioned, Melissa is also working on a solo project which hasn’t taken its final shape and form yet, but that doesn’t mean you cannot have a good time watching her videos from her own YouTube channel, where she covers some of her favorite bands and artists, such as these versions for Kamelot’s March of Mephisto, Hozier’s Take Me To Church and Epica’s The Second Stone. If any of these cover songs are an indication of what’s her solo project is about to be, I guess we can be more than excited for her original material then, don’t you agree?

Melissa is obviously a very normal woman with more-than-usual habits, hobbies, likes and dislikes, just like any of us. In one of her interviews, she stated that among her favorite activities besides making music and her bands we’ll find travelling, hanging out with her friends, cooking, and watching several TV shows such as Vikings, The 100 and Game of Thrones. Well, let’s say those TV shows are indeed a great source of inspiration for Melissa when writing her music and obviously when performing live, as you can see in the official videos as well as all the unofficial footage of Evenmore playing live. Who knows, maybe one day the guys from Vikings or even Game of Thrones will get to watch her amazing performances with Evenmore and Rage of Light, and we can then enjoy our Swiss Valkyrie kicking ass on one of those shows with her stunning looks and magnificent voice.

Melissa Bonny’s Official Facebook page
Melissa Bonny’s Official Twitter
Melissa Bonny’s Official Instagram
Melissa Bonny’s Official YouTube channel
Evenmore’s Official Facebook page
Evenmore’s Official Twitter
Evenmore’s Official YouTube channel
Rage of Light’s Official Facebook page
Rage of Light’s Official BandCamp
Rage of Light’s Official YouTube channel

“Boredom follows me but I’m too fast!” – Melissa Bonny