Album Review – Corpus Diavolis / Atra Lumen (2017)

Open your mind and follow the black light formed of ritualistic Black, Death and Doom Metal by this extremely talented horde hailing from France.

Musically conceiving a ritualistic feeling into the vibes of Black Metal, the unstoppable French horde known as Corpus Diavolis has never been tempted to lose themselves on their own musical maelstrom since their inception in 2008 in the city of Marseille, located in the always beautiful Provence-Alpes-Côte d’Azur. After the release of their debut EP Nightsky Orgia in 2009 and their highly acclaimed full-length albums Revolucia in 2010 and Entheogenesis in 2013, the band led by multi-instrumentalist Daemonicreator brings forth now in 2017 Atra Lumen, a monumental opus tailored for fans of the darkest side of music.

Atra Lumen, which means “black light” in Latin, blends the band’s unrelenting Black, Death and Doom Metal with concepts such as Shamanism, ceremonial magic, tarot, the esoteric journey of English occultist Aleister Crowley and the philosophical transcendence of Chilean-French artist and spiritual guru Alejandro Jodorowsky, penetrating your skin, your mind and your heart and, consequently, enfolding you in a dark and mystical aura from start to finish. Each one of its eight tracks is unique, obscure and ominous, showcasing not only the talent of each member of Corpus Diavolis, but also how vicious and mesmerizing their creations feel when every distinct sound is thoroughly put together.

We’re invited to enter the gates of the underworld to the sound of the opening track, named Revelations Before Dawn, where doomed beats and a menacing ambience warm up the listener before Daemonicreator begins vociferating like a demon, with guitarists Analyser and Lord Khaos, together with bassist Funeral, delivering pure old school Black Metal through their instruments. The low-tuned riffs by Analyser and Lord Khaos and the rhythmic blast beats by drummer IX generate a hellish atmosphere in the Black Metal feast The Ardent Jewel of His Presence, once again showcasing all the potency and malignancy of the music by Corpus Diavolis; followed by L’Oeil Unique, or “the one eye” from French, uniting the most obscure forms of Black and Doom Metal (feeling almost like Blackened Doom), with highlights to the precise drumming by IX and to the Stygian way Daemonicreator declaims the song’s lyrics.

Signs Of End Times displays a truly devilish start to another powerful, full-bodied creation by Corpus Diavolis, before all hell breaks loose and Daemonicreator begins growling his blasphemous words potently, not mention the amazing job done by the duo of darkness Analyser and Lord Khaos with their demonic guitars. The next track, nicely entitled Wine of The Beast, brings forward more Doom Metal beats and somber passages by Daemonicreator and his followers, sounding slow-paced and diabolical at times, and faster and full of hatred at others. Furthermore, as a fan of extreme music, do you think you have the guts to drink the wine of the beast? Before you can even answer that, bells tolling ignite another evil aria of Black Metal titled Flesh to Flesh, again offering the most obscure elements of Doom Metal added to their already darkened music, with Analyser and Lord Khaos leading the sonority with their cutting old school riffage.

With sheer irreligiousness emanating from its riffs and blast beats, Thy Glorification is a violent, straightforward tune that leans towards Norwegian Black Metal where we can enjoy another nefarious performance by Daemonicreator on vocals, while the instrumental pieces get heavier, more impactful and more aggressive as the music progresses. And last but not least, Sick Waters, which presents a horror-inspired cinematic intro, is a very atmospheric chant focusing on the devilish gnarls by Daemonicreator and the steady but potent beats by IX. Moreover, the song’s beautiful fusion of the aggressiveness of Black Metal with the mournful aspects of Doom Metal closes the album in a blackened way, leaving us all eager for more of the extreme spawns by Corpus Diavolis.

Not only you can follow this awesome horde of esotericism and wickedness through their Facebook page and purchase your copy of Atra Lumen at several locations, such as the band’s own webshop or BandCamp, the ATMF’s webshop or BandCamp, the Season of Mist’s webshop, Amazon or Discogs (and pay attention as the physical copy of the album is limited to 400 copies only in digipak format with an extensive booklet), but Corpus Diavolis are also going to be one of the attractions at the first ATMF Festival, which will take place at the Eresia Metalfest on July 2 this year in Resia, located in the province of Udine, in Italy. In a nutshell, all you have to do to relish the extreme music by Corpus Diavolis is open your mind and your heart, surrender to their ritualistic sounds, and follow their black light formed of Black, Death and Doom Metal, as simple as that.

Best moments of the album: The Ardent Jewel of His Presence, Signs Of End Times and Thy Glorification.

Worst moments of the album: Flesh to Flesh.

Released in 2017 Aeternitas Tenebrarum Musicae Fundamentum

Track listing
1. Revelations Before Dawn 6:22
2. The Ardent Jewel of His Presence 5:52
3. L’Oeil Unique 5:54
4. Signs Of End Times 4:12
5. Wine of The Beast 6:27
6. Flesh to Flesh 4:52
7. Thy Glorification 3:37
8. Sick Waters 6:46

Band members
Daemonicreator – vocals, synths, theremine
Analyser – lead guitars
Lord Khaos – guitars
Funeral – bass
IX – drums

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Metal Chick of the Month – Elena Vladi

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I’m coming down to feel you, to touch you, to be you, to kill…

Ladies and gentlemen, the heavy music scene in Hollywood, one of the most famous neighborhoods in the world located in the central region of Los Angeles, California in the United States, has recently crowned a new queen, and we all shall bow to her beauty, to her loveliness, and in special to her kick-ass music. Hailing from Mother Russia, here comes the multi-talented artist Elena Vladimirova, better known as Elena Vladi, the lead singer of Nu-Metal act Red Queen and a woman that knows better than anyone else how to provide a fiery fusion of stunning looks and electrifying music, making the work from such distinguished woman even more delectable. The Russian Red Queen is among us, and your life will never be the same again after being infected by her scrumptious venom.

Like any true queen of darkness and lust, there’s little to none information available online about the personal life of Elena, which makes perfect sense for a woman that wants to keep mystery as one of the main ingredients in her promising career. All we know is that she relocated from Russia to the United States in a not-so-distant past and joined her partner in crime Patrick Crisci in order to form what used to be known as Experimental Hybrid Black Metal project Demona Mortiss, but that gradually morphed to Nu-Metal band Red Queen. Let’s say that the band, which used to play a dark fusion containing elements from Gothic, Doom and Death Metal the likes of Tristania and Dimmu Borgir, is now highly recommended for fans of Slipknot, Korn, Deftones and Lacuna Coil, just to give you a better idea of the remarkable change in their sonority through time.

Before we talk about Elena Vladi in more detail, let’s take a quick look at the history of Red Queen. Previously known as Demona Mortiss, the project was created by Elena in 2009 as an Experimental Hybrid Black Metal project as already mentioned, obtaining a significant amount of followers in a short span of time, especially in Europe, before officially changing the name in 2013 to Red Queen. Demona Mortiis were Elena on vocals and synths, Patrick on guitars and Trent Gouveia on drums, and although there are no official albums under the name Demona Mortiis you can still enjoy some of their blackened compositions on YouTube like Lost, Inverted Heaven and Phasmophobia, this one live at the Viper Room in Los Angeles in January 2013.

Not only the name of the project and music direction changed in Red Queen, but the lineup also suffered a few changes. Red Queen are now only Elena on vocals synths and lyrics, and Patrick on guitars, synths, bass and drums, also being responsible for the overall production of the band, with guest musician Grey Soto playing some guitar parts in a couple of songs. This dynamic duo released back in April 2016 their debut EP entitled Star Blood, containing five classy and sexy songs (Asyphyx, Naked, Star Ruby, Insidious and Alchemy), as well as an amazing cover version for Hold Me, Thrill Me, Kiss Me, Kill Me, the classic 1995 single by Irish Rock icons U2 from the Batman Forever soundtrack album. If you want to take a better listen to Star Blood and purchase it, you can go to Red Queen’s official webstore or BandCamp page, and also find it on iTunes. When asked about what inspired her to write the music found in Star Blood, Elena said she gets her inspiration from movies and books, from the cosmos and a variety of “conspiracy theories”, and from her own emotions, always aiming at intriguing people. Well, let’s say she succeeded in that hands down, and if you want to know more details about Red Queen you can check this short and sweet 2015 Q&A interview with Elena Vladi and Patrick Crisci, and also listen to their music at their YouTube channel and ReverbNation page.

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Apart from her career with Demona Mortiis and Red Queen, our Russian bombshell can be seen as a guest musician in distinct projects that have almost nothing to do with the musicality bred by Red Queen, showcasing her versatility as an artist and her will to go beyond any boundaries that she might face in terms of creativity and experimentation. For instance, her stunning voice embellishes the chaos found in the song You Can’t Save Me, So Stop Fucking Trying, from the 2012 album Vanitas by British Industrial Black Metal/Grindcore band Anaal Nathrakh, as well as in two composition from the 2012 albums Evolution and (R)Evolution, by American Electronic duo Blood on the Dance Floor, those being Love Conquers All and La Petite Morte (The Little Death), respectively.

Albeit music might be the primary focus in her life, our Gothic diva also extends all her talent to fashion modeling and graphic and web designing for living, also being proficient at tarot, rune and aura reading, as well as other forms of divination, chakra balancing and necromancy. In addition to all that, Elena lets her geek side flourish through her admiration for Astronomy, String Theory and Quantum Physics, not to mention she also excels in guidance to Spiritual Ascension. And as many other female metallers such as Angela Gossow and Alissa White-Gluz, our voluptuous queen doesn’t eat meat and considers veganism a part of human evolution. In case you’re curious to see Elena modeling instead of singing, click HERE to watch a short clip of when Elena was invited to participate in a cover shoot for volume 34, issue #33 of LA Weekly (released on July 5, 2012), for a special article entitled “Everything You Wanted to Know About Metal” (which is obviously not true, but as that’s not our main goal in this essay let’s simply ignore that). Pay attention to the music in this video, as it’s Elena and her Demona Mortiis playing a beautiful cover version for Confide in Me, by Australian singer Kylie Minogue. The great success achieved by the cover with Elena translated into this specific issue being the best-selling one of 2012. You can enjoy the read by clicking HERE and going directly to page 55, titled ALL HAIL “Metal subgenres explained, from thrash to pornogrind”.

Her passion for modeling can also be seen in the underground publication Gothic Beauty, as for example in their issue #42 when Elena was the cover girl of the magazine, and in tons of pictures modeling for Heavy Red, a Los Angeles-based fashion company established in 1999 by lead designer Tyler Ondine specialized in Gothic fashion and sexually sophisticated clothing, always aiming at being the cutting edge of Gothic clothing including corsets, dresses, gowns, shirts, skirts, coats, hoodies, club wear, lingerie and jewelry. Elena has been one of the faces of the company since relocating to the United States, helping Heavy Red achieve a new level of elegance and darkness in line with the company’s vision of Couture Noir.

The “Russian Queen of Nu-Metal” also focuses her efforts in improving the merch store at the official Red Queen website, working on getting more skirt and other clothing designs for the fans of the band. Furthermore, Elena is also planning on opening her own jewelry shop, named Vladi Fashion Jewelry, where she’ll sell her trial collection of royal necklaces and will expand into rings and more jewelry options later. She thinks every woman (including herself) loves jewelry, and therefore she wants to share her vision of beautiful designs with other women through her new store. And if you think that’s already a lot coming from only one woman, let me tell you that she is also trying to find time for her side project under her name, which according to Elena would be quite mellow and electronic, and fully written and produced by herself. I guess we can never get enough of our stunning queen, don’t you agree? And sorry to say that, Elena, but it looks like the less free time you have for yourself, the better it is for us fans.

Elena Vladi’s Official Facebook page
Elena Vladi’s Official Twitter
Elena Vladi’s Official Instagram
Red Queen’s Official Facebook page
Red Queen’s Official Twitter
Red Queen’s Official VKontakte page

“I am a full blooded Russian… Russians are crazy, we all know that, I expect respect and you shall receive the same in return…” – Elena Vladi