Album Review – Eshtadur / Mother Gray (2017)

Overflowing rage, despair and electricity, the brand new album by this implacable Colombian act will certainly help the band cement their name in the Extreme Metal underground scene worldwide.

Formed in the fall of 2005 in Pereira, the capital city of the Colombian department of Risaralda, Melodic Death/Black Metal act Eshtadur has been on a roll since their inception, making a name for themselves in all four corners of the world with their unrelenting fusion of extreme sounds in the vein of bands such as At The Gates, Behemoth, Soilwork, Dimmu Borgir and Septicflesh, always adding imposing and symphonic elements to their music to make it even more impactful to our ears. For instance, the band has already toured Colombia, Peru and Mexico, they headlined a stage at Rock Al Parque (which is not only the largest rock festival in Colombia and one of the most important in Latin America, but also arguably the largest free rock festival in the continent) in 2016, and they’re getting ready for their first ever US dates and many other festival appearances in the coming months.

Having already released the full-length albums Dominated by Dummies, in 2011, and Stay Away from Evil and Get Close to Me, in 2013, as well as their debut demo Rebellion of Angels, in 2007, and the EP Oblivion, in 2015, the band comprised of Jorg August on vocals and guitars, Alejo Bet on guitars, Victor Valencia on bass and Mauro Marin on drums is effectively expanding their exposure to the metal scene worldwide with their third full-length installment, the excellent Mother Gray, featuring a classy artwork designed by French artist Sylvain (Razorimages), guest guitar solos by Christofer Malmström (Darkane), and an endless amount of electricity and rage flowing from all their instruments, all led by the desperate growls by Jorg.

The heavy and dark guitars by Jorg and Alejo ignite the aggressive opening track Belong To Nowhere, a high-end fusion of Symphonic Black Metal with Death and Melodic Death Metal where Mauro sounds possessed with his demonic blast beats while Jorg screams in a rabid and desperate manner throughout the entire song. Building an instant connection with the previous tune, Plaguemaker keeps the menacing aura crafted by the band even stronger, displaying a good balance of guitar lines, growls and potent drumming, while the keyboards in the background give it a Dimmu Borgir-inspired vibe; followed by the Melodic/Symphonic Metal aria Cornered At The Earth, where the band engages in their most sinister mode by deepening their growling and strengthening their beats, culminating in a violent and gripping rhythm boosted by its dark lyrics (“Gray the future and gray the earth / Dust in the soil, foil the religion / And the permanent conclusion of being the one who brings pest /Back to the world”). Whereas the Doom Metal-inspired Desolation brings forward a melancholic intro that slowly grows into an imposing sonority, as heavy and dense as it can be, with some faster moments to keep it fresh and vibrant. Moreover, the desperation flowing from the vocals is outstanding, going on and on until the song’s visceral ending to the sound of deep and putrid roars.

Getting back to a faster and more melodic sounding but still presenting the band’s characteristic symphonic elements, also showcasing fiery guitar riffs and solos as well as total havoc blasted by Mauro’s insane beats, the powerful Time Hole To Paris will certainly generate some sick mosh pits during their live concerts, while in March Of The Fallen we face an epic and somewhat funereal beginning to yet another ominous creation by Eshtadur, an eccentric “waltz” of Dark Metal with its keyboards and vocals taking the obscurity to a whole new level, again presenting more of those putrid gnarls before all is said and done. And as their “formula” seems to be one Stygian song followed by a sonic demolition, it’s time to speed things up again with the high-octane chant The Day After I Die, presenting slashing guitars blended with epic keys and rabid growls, without a single second of peace during its five minutes of sheer devastation.

As the first bonus track added by Eshtadur to Mother Gray, we have another symphonic extravaganza that will attack our senses named Heavens to The Ground (originally released in their 2015 EP Oblivion), with the guitars by Jorg and Alejo and the drumming by Mauro being in absolute sync, while the song’s keys make sure the atmosphere remains eerie for the otherworldly vociferations by Jorg.  The second bonus offered by the band is entitled Last Day Of The Condors, also from their EP Oblivion, sounding slightly similar to its predecessor (in special its guitar and vocal lines), not as tasty but still very enjoyable. And lastly we have a very cohesive, potent and fresh version they recorded in 2014 for Survivor’s hit Burning Heart (check out the original version HERE) featuring guest musicians Björn “Speed” Strid (Soilwork) and Christopher Clancy (Mutiny Within) on vocals, and Per Nilsson (Scar Symmetry) and Allan Marcus (Arecibo) on lead guitars. Survivor might be better known by the usual rocker for the all-time Rocky Balboa-classic “Eye of the Tiger”, but this song also represents all the passion Survivor had for rock music, not to mention this cover version is Eshtadur’s own tribute to Survivor’s longtime frontman Jimi Jamison (R.I.P.), who died of a heart attack in September 2014.

If you enjoyed all the fury blasted by Eshtadur in Mother Gray, I highly recommend you go check their Facebook page and YouTube channel for more of their kick-ass music, and if you want to purchase Mother Gray (which you can listen in its entirety on Spotify), you can grab your copy of the album at the Bleeding Music Records’ BandCamp, on iTunes, on Amazon, or at several other locations such as Barnes & Noble and ImportCDs. As mentioned in the beginning of this review, Mother Gray overflows rage, despair and energy, and as you’re more than aware of, those are some of the main elements which make us love Heavy Metal so much. In other words, Eshtadur nailed it with Mother Gray, surely making all metalheads in Colombia proud of their music.

Best moments of the album: Belong To Nowhere, Cornered At The Earth and Time Hole To Paris.

Worst moments of the album: None.

Released in 2017 Bleeding Music Records

Track listing
1. Belong To Nowhere 3:27
2. Plaguemaker 4:28
3. Cornered At The Earth 5:01
4. Desolation 6:50
5. Time Hole To Paris 5:21
6. March Of The Fallen 7:32
7. The Day After I Die 5:06

Oblivion/Burning Heart bonus tracks
8. Heavens to The Ground 3:26
9. Last Day Of The Condors 3:15
10. Burning Heart (Survivor cover) 4:33

Band members
Jorg August – vocals, guitars
Alejo Bet – guitars
Victor Valencia – bass
Mauro Marin – drums

Guest musician
Christofer Malmström – guitar solos

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Album Review – Sinners Moon / Far Beyond The Stars EP (2017)

What are you waiting for to fly far beyond the stars with the brand new (and extremely fun) EP by this Symphonic Metal squad from Slovakia?

If you’re a fan of the music by bands such as Nightwish, Epica, Sonata Arctica, After Forever and Kamelot, among several others, you’ll be happy to know that an up-and-coming Symphonic Metal band hailing from Sereď, a town in southern Slovak Republic, is back with their imposing sounding in a brand new EP that not only lives up to the legacy of the genre, but that also offers some interesting variations and surprises that keep it truly entertaining from start to finish. I’m talking about Sinners Moon and their EP titled Far Beyond The Stars, another solid step in their recent but already exciting career and a highly recommended option for fans of the fusion of heavy music with operatic vocals and fantasy.

The fact the Sinners Moon managed to keep the exact same lineup (Simona and Derick on vocals, LukeN on guitars, Viktor on bass, Jarthuusen on keyboards and Jan on drums) that recorded their 2015 full-length opus Atlantis also helped the band in maintaining a high level of cohesiveness and dynamism in their new EP. As a matter of fact, one of the most complex songs in Atlantis, the 8-minute aria Fly to the Moon, works as the prequel to the music found in Far Beyond The Stars, proving LukeN and his bandmates are extremely focused when creating the music by Sinners Moon, always trying to give it a purpose and a soul.

The first half of the EP presents the trademark musicality by Sinners Moon, with their metal symphony permeating the air form the very first second in the intro Awakening (The Suite), creating the perfect ambience for the title-track Far Beyond The Stars, an electrifying fusion of Symphonic Metal with the more traditional version of Scandinavian Melodic Metal, where frontwoman Simona delivers her passionate and delicate vocal lines in contrast with Derick’s demonic gnarls. Moreover, LukeN is on fire with his guitar, making a flammable duo with Jarthuusen, and if you love Melodic Metal I’m sure you’ll feel energized by the song’s powerful lyrics (“Reach out your hand for the stars high above / We are hungry to find this world left aside / Please take me there we will fly to the moon / Far beyond all the stars we will touch them together”). Then in the awesome Travelers the rumbling bass by Viktor is quickly joined by Jarthuusen and LukeN, generating an amazing metallic vibe while Jan keeps the song’s pace at a thrilling level. In addition, the guitar riffs fired by LukeN provide Simona all she needs to declaim the song’s beautiful lyrics in a compelling way (“Dreams of love, dreams of life / Somewhere else we gain our hopes / With this heart and these hands / We will build a ourselves a new home / Never give up, never give in on our ways”).

After that blast of Symphonic Metal, the band brings forward two welcome surprises in Far Beyond The Stars, starting with their cover version for Skúsime To Cez Vesmír, which translates as “let’s try it through the universe”, by Slovak 80’s rock band Tublatanka (watch a vibrant live version of Tublatanka playing it in 1989 HERE). Sinners Moon added their own symphonic twist to this excellent rock song, with highlights to the amazing job done by Jan on drums as well as the electrified vocals by Simona. And the second treat of the EP is the opening track Far Beyond The Stars in a smooth and lovely piano-ballad version, with total focus on the beautiful voice of Simona, being the perfect soundtrack for being “captured” in a warm and comforting embrace by the person you love the most.

In summary, after all the epicness and imposing sounds found in Atlantis, it looks like Sinners Moon wanted to take an “alternative break” from all the seriousness that surrounded that album and show fans of heavy music a more relaxed side of the band, and let’s say they nailed it in Far Beyond The Stars, which can be purchased on BandCamp, at the Slovak Metal Army webstore or at Discogs. Also, don’t forget to visit the band’s Facebook page and YouTube channel for more of their top-tier metal music, and if you’re already addicted to their symphonic sounds you should definitely go for the deluxe digital version of the album, including a bonus demo track from their early days (before the lineup was even solidified) titled Dawn Of War, which by the way displays an above average overall production and a high-end sound quality for being just a demo, as well as few bonus featurettes including a special digital EP wallpaper, a digital booklet and a “thank you” note from the band. With that said, what are you waiting for to grab your copy of this fun EP and fly with Sinners Moon far beyond the stars?

Best moments of the album: Travelers and Skúsime To Cez Vesmír.

Worst moments of the album: None.

Released in 2017 Slovak Metal Army

Track listing
1. Awakening (The Suite) 1:42
2. Far Beyond The Stars 4:19
3. Travelers 4:10
4. Skúsime To Cez Vesmír (Tublatanka cover) 4:24
5. Far Beyond The Stars (Piano Version) 5:08

Deluxe Digital Version bonus track
6. Dawn Of War (2009 Demo Version) 5:47

Band members
Simona – vocals
Derick – growls
LukeN – guitars
Viktor – bass
Jarthuusen – keyboards
Jan – drums

Album Review – Behind the Shadows / Demons (2017)

Offering fans of heavy music an amalgamation of diverse metal genres and subgenres, this very interesting project hailing from Greece is ready to rumble with their brand new full-length album.

Here’s a very interesting project hailing from the always prolific city of Alexandroúpoli, the capital of the Evros regional unit in East Macedonia and Thrace, in Greece, offering fans of heavy music a unique amalgamation of diverse metal genres and subgenres to the point each one of their songs sound very distinct when compared to their other creations. I’m talking about Symphonic/Power Metal act Behind the Shadows, who started as Mind Mirror in the year of 1997, but who since 2008 has been blasting metal music under their new name for admirers of both heavier sounds and more melodic lines, as you’ll be able to see in their brand new album, titled Demons.

Comprised of Gian, the band’s mastermind who takes care of guitars and bass, and Pasxalis Nikiphoridis on vocals and on lead and rhythm guitars, Behind the Shadows had some fantastic support from several musicians from the Greek scene to bring Demons into being. For instance, the album features guest vocalists Zion (Crossover, Hocus) and Christos Kaliatsas, and guest guitarists Dimitris Haidemenos (Lost in Neverland), Stratos Vrachiolias (Defision), Sotiris Pavlidis (Bacchanalia) and Kyriakos Mpouloumpasis, all providing their personal share of electricity and feeling to the music found in the album. As aforementioned, the final result in Demons is really good, with the music being cohesive, diverse and, above all, as metal as it can be.

And their heavy and epic symphony begins in full force in the opening track, the excellent Become The Apocalypse, where the dynamic duo Gian and Pasxalis do a great job with their potent vocals and riffs, specially during the song’s catchy chorus, not to mention the series of kick-ass solos by guest guitarists Dimitris, Stratos and Kyriakos. Coma To Hell, also featuring Kyriakos on lead guitar, presents a darker and more lancinating vibe, sounding like the early days of Metallica and Megadeth with a Death Metal twist, with the band relying on the song’s brutal drumming as their heavy artillery, therefore enhancing the impact of this hellish creation considerably; while in the vicious Power Metal hymn Piece Of Shadows, Gian and Pasxalis keep blasting pure metal from their guitars, with the harsh growls bringing more obscurity to the overall result. Moreover, pay good attention to the traditional Heavy Metal guitar duo the likes of Iron Maiden during the whole song as the icing on the cake. And featuring guest musician Zion on vocals adding an extra touch of “thrashiness” to the music with his hardcore attitude, The Beast Rises From The East brings to the listener a vibrant and heavy-as-hell sonority, with both Gian and Pasxalis delivering slashing riffs and bass lines nonstop.

Zombie Flesh Eaters, featuring Christos on vocals, is another kick-ass hybrid of Power Metal and more extreme forms of music such as Death Metal, sounding visceral from start to finish with some electrifying guitar lines by Gian and Pasxalis, keeping the momentum going for the title-track Demons, where cavernous growls bring ferocity to the music while the guitars bring melody and balance to the final result, feeling quite epic at times, not to mention the awesome contribution by Stratos and Sotiris on lead guitar. Then elements from Thrash Metal and Hardcore can be seen in the fast-paced tune Necrophilia, a devastating tune perfect for their live performances with a frantic flow, followed by Holy Lie, perhaps the song with the highest amount of extreme elements from Death and Black Metal, in special it’s demonic drumming and deep growling. Furthermore, their work on guitars is simply superb in this dark and melodic chant.

Crucified For The Innocences keeps the album’s quality at a good level through its flammable riffs, hellish growls and piercing rhythm, with once again the guitar solos stealing the spotlight so thrilling they sound. Moreover, there’s not even a single second of peace during the whole song, which is always a good thing in metal. Sweet Darkness, the second to last track in Demons, definitely lives up to its name, with its eerie intro morphing into a tempest of heaviness and aggressiveness led by its gruesome growls, culminating in an amazing Extreme Metal extravaganza; and lastly, Nightmare is as vile and demonic as its predecessors albeit not as creative, falling flat after a while but nothing that could truly harm the overall quality of the album.

In summary, it doesn’t really matter if you’re a fan of traditional Heavy Metal, dark and piercing Black Metal, modern Death Metal or Symphonic Metal, as Behind the Shadows will always have good music to offer you from their metallic arsenal. You can take a very detailed listen at their music at their BandCamp page, where by the way you can purchase Demons, as well as on ReverbNation, and continue to support bands like Behind the Shadows to keep underground Greek metal (and of course metal in general) alive and on fire.

Best moments of the album: Become The Apocalypse, Piece Of Shadows, Demons and Sweet Darkness.

Worst moments of the album: Nightmare.

Released in 2017 Independent

Track listing
1. Become The Apocalypse 5:18
2. Coma To Hell 4:34
3. Piece Of Shadows 4:51
4. The Beast Rises From The East 6:51
5. Zombie Flesh Eaters 4:13
6. Demons 4:54
7. Necrophilia 4:09
8. Holy Lie 4:29
9. Crucified For The Innocences 5:22
10. Sweet Darkness 3:48
11. Nightmare 4:04

Band members
Gian – rhythm guitars, bass
Pasxalis Nikiphoridis – lead & rhythm guitars, vocals

Guest musicians
Dimitris Haidemenos – lead guitar on “Become The Apocalypse”
Christos Kaliatsas – vocals on “Zombie Flesh Eaters”
Stratos Vrachiolias – lead guitar on “Become The Apocalypse” and “Demons”
Sotiris Pavlidis – lead guitar on “Zombie Flesh Eaters”
Kyriakos Mpouloumpasis – lead guitar on “Become The Apocalypse” and “Coma To Hell”
Zion – vocals on “The Beast Rises From The East”

Album Review – Angelwings / The Edge Of Innocence (2017)

Let the Gibraltarian angels of Symphonic Metal spread their wings and fly as high as the sun to the sound of their dense, melodic and absolutely amazing debut album.

Gibraltar, a British Overseas Territory located on the southern end of the Iberian Peninsula, might be home to only around 35,000 people, but it surely has its importance in the world of heavy music since 2013 when the excellent female-fronted Symphonic Metal act Angelwings was born. Originally conceived as a cover band for Finnish Symphonic Metal icons Nightwish by a group of experienced musicians that had been in the Gibraltar local music scene for some time, and who had played in different bands a wide variety of musical genres, Angelwings soon evolved to a much bolder and interesting project, becoming then the first ever Symphonic Metal band hailing from the small but stunning Gibraltar (you can even get some nice-to-know details about the band and each one of its members on this special article from The Gibraltar Magazine).

It didn’t take long for Angelwings to start working on their own original material, with their first demo track titled “Wonderland” being posted on YouTube in January 2015, consequently attracting attention from local and international media. Two more demos have followed since, “Memories” and “Forbidden Love”, increasing the band’s exposure in places like Argentina, Spain and the UK, which led the band to support Heavy Metal legends Saxon at the Hard N’ Heavy festival in Gibraltar in June 2015 and to perform at the Gibraltar Music Festival in September 2015. Now in 2017 the world has just witnessed the birth of Angelwings’ debut full-length opus, titled The Edge Of Innocence, an album that beautifully represents their deep passion for symphonic music, their undeniable capacity of creating captivating songs, and their extreme dedication to the band as a whole, paying a very detailed attention to everything that surrounds them, from the intricate songwriting to the band’s logo, the album’s cover art and design, their outfits and their live performances. In other words, Angelwings can be considered a role model to underground metal bands, and after listening to The Edge Of Innocence you’ll see why the sky is the limit for the band’s aspiring wings.

The band’s skillful keyboardist Glenn Cano ignites the symphonic journey titled Wonderland with his melodic keys, being joined by the rest of the band until the smooth vocals by lead singer Divi Cano bring sheer joy to our hearts. Furthermore, this amazing born-to-be-a-hit composition will please all fans of Symphonic Metal the likes of Nightwish and After Forever, as well as fans of the more alternative sounds by Evanescence, with its singalong chorus sticking deep into your mind so catchy it is (“Empty castles / In a foreign land out / In the darkness / My dark bliss / Empty castles / A never ending thrill / In the darkness / My dark bliss”). As symphonic and epic as the opening track, but showcasing heavier riffs by guitarist Paul P. Cano and stronger beats by drummer Mark Brooks, Game of Life has a somewhat Pop Rock vibe without losing its metallic essence, making it perfect for some good radio exposure; while Forbidden Love is a gripping power ballad where Divi steals the spotlight with her delicate but potent vocals, always supported by the solid instrumental crafted by the rest of the band (in special by Glenn and his spot-on keys), not to mention Paul’s soulful guitar solo.

Then a melancholic, serene intro led by the smooth piano notes by Glenn evolves into an enfolding ballad named Memories, which will undoubtedly touch your heart, with Divi once again showcasing all the beauty in her vocals while the atmosphere remains dense and captivating from start to finish. Following that comforting moment we have Lilith, bringing forward traditional Symphonic Metal with a passionate performance by Divi, intensified by the excellent job done by Paul on the guitar and the song’s epic vibe, and The Fallen, where the band enhances the progressiveness of their already well-engendered Melodic Metal, also bringing hints of modern Hard Rock added to their pleasant musicality and with bassist Darren Fa together with Mark and Glenn generating a dark and dense ambience with their respective instruments. And epicness and melancholic walk hand in hand in the full-bodied creation entitled Nile Goddess, where Glenn is once again the one responsible for the music’s initial shape. Moreover, the duo Divi on vocals and Darren on bass creates an interesting paradox of sounds, both being effectively supported by the song’s thrilling guitar lines and intricate beats.

Eerie sounds kick off the longest of all songs, the title-track The Edge of Innocence, a symphonic journey through the realms of fantasy and madness where the whole band is in absolute sync, providing Divi all she needs to shine with her emotional vocals. Simply enjoy the song’s majestic aura led by the charming Divi and the beyond talented Glenn, before being stunned by another kick-ass traditional Symphonic Metal aria titled Embracing Fantasy, which offers the listener an outstanding marriage of guitars, bass and keyboards, while Mark keeps the song’s pace as epic and emotive as possible, culminating in a atmospheric ending. And closing this exquisite and enthralling album the band brings forth more of their characteristic melody and feeling in The Legend & the Myth, a “half ballad-half waltz” creation presenting once again a mesmerizing performance by Divi, leaving the doors open for another round of high-end Symphonic Metal by Angelwings in the near future.

If you want to know more about this promising quintet from Gibraltar, go check what the band is up to on their Facebook page, listen to their music on YouTube, SoundCloud and Spotify, and grab your copy of The Edge Of Innocence at the Pride & Joy Music webstore at the MBM webstore, on iTunes or on Amazon. I’m sure that, after The Edge Of Innocence, the Gibraltarian angels of Symphonic Metal will spread their metallic wings and fly higher and higher in their career, becoming one of the most important and inspiring names in modern symphonic music.

Best moments of the album: Wonderland, Memories, Lilith and Nile Goddess.

Worst moments of the album: The Fallen.

Released in 2017 Pride & Joy Music

Track listing
1. Wonderland 4:35
2. Game of Life 3:57
3. Forbidden Love 4:09
4. Memories 4:44
5. Lilith 4:19
6. The Fallen 5:15
7. Nile Goddess 6:34
8. The Edge of Innocence 8:29
9. Embracing Fantasy 6:02
10. The Legend & the Myth 5:46

Band members
Divi Cano – vocals
Paul P. Cano – guitar
Darren Fa – bass
Glenn Cano – keyboards, orchestrations
Mark Brooks – drums

The Headbanging Moose Show – Thursdays @ 20:00 UTC exclusively at Midnight Madness Metal e-Radio

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Attention, metalheads!

It’s time to rumble with THE HEADBANGING MOOSE SHOW every Thursday @ 20:00 UTC (with a reprise on Saturdays @ 19:00 UTC) exclusively at Midnight Madness Metal e-Radio, your London-based web radio blasting the best of heavy music nonstop 24/7!

Presented by Gustavo Scuderi, The Headbanging Moose Show will bring to you the cream of underground metal music, giving you a short and sweet background on every band played on the show. No silly jokes, no shenanigans… THIS IS PURE F****N’ METAL!

So remember, EVERY THURSDAY @ 20:00 UTC (with a reprise on Saturdays @ 19:00 UTC) tune into Midnight Madness Metal e-Radio to enjoy one hour of kick-ass underground metal from all over the world, courtesy of The Headbanging Moose!

Here are all the options where can blow your speakers with Midnight Madness:

Official website
Facebook
Twitter
Online Radio Box
Tunein
Streema
Listen2MyRadio
Radio Garden
Streamitter.com

Don’t forget to follow The Headbanging Moose on Facebook to know beforehand which bands will be played on the show every week.

And if you want to have your new album reviewed at The Headbanging Moose AND played at Midnight Madness Metal e-Radio, simply get in touch with us through our CONTACT US page.

Album Review – Madness Of Sorrow / N.W.O. The Beginning (2017)

Depicting the corrupt and sick system in which humanity is living, the new album by this Italian duo of Gothic and Horror Metal will certainly entertain you with its high dosage of acidness, energy and creativity.

Although the ceaseless danger of the emergence of a totalitarian world government (the conspiracy theory known as the New World Order) might incite fear in our hearts, it also fuels the creativity from artists all over the world, including Italian Gothic/Horror Metal band Madness Of Sorrow with their brand new release, titled N.W.O. The Beginning, the fourth studio album in their career. Depicting the corrupt and sick system in which humanity is living, focusing specifically on corporations, sex and serial killers, and featuring a dark and acid artwork by Italian artist Graziano Roccatani, N.W.O. The Beginning will take you on a journey through the shadows of our decaying world, showcasing how exciting heavy music can be when powered by controversial and disturbing topics.

Formed in March 2011 by multi-instrumentalist Murihell (aka Muriel Saracino) from the ashes of Italian Gothic Metal/Hard Rock group Filthy Teens in the region of Pisa and Livorno, in Tuscany (but currently located in Val d’Aosta, a region of northwest Italy bordered by France and Switzerland), Madness Of Sorrow are constantly delivering high-quality music for fans of Gothic and Horror Metal, starting with their debut album Signs in 2011, which by the way led them to play in 2012 in Milan with Italian Gothic Metal icons Cadaveria, followed by Take the Children Away from the Priest in 2013 and more recently III: The Beast in 2015. The project takes now one step further with N.W.O. The Beginning, their first album featuring new singer Prophet (aka Diego Carnazzola), widening their music horizons and venturing on new sounds unexplored by the band in their previous releases.

The intro N.W.O. welcomes the listener with an eerie voice talking about the aforementioned conspiracy theory, working as a warm-up for Salomon, where Prophet blasts powerful growls as well as dark, clean vocals while Murihell delivers a Gothic, industrial and obscure musicality, blending the styles by Mercyful Fate and Ministry (which translates into pure wickedness, of course), followed by the excellent Inside the Church, a song that should sound fantastic when played live, bringing elements from Thrash and Death Metal in its riffs and beats, not to mention its awesome accelerated pace and catchy lyrics and chorus. And despite almost sounding as a ballad, You’re Not Alone also presents the darkened elements commonly found in the music by Madness Of Sorrow, being a very good example of a song by an extreme band that could be played in any radio station, with highlights to the top-notch clean vocals by Prophet.

Speeding things up again, the duo offers a fast-paced and aggressive tune drinking from the fountains of Thrash and Gothic Metal entitled Necrophilia, with the slashing guitar lines by Murihell together with Prophet’s demented screams being all that’s needed to ignite some fun mosh pits during their live concerts. More modern and Gothic than all previous songs, Slut brings forward lyrics that are extremely porn and nasty, in line with what the music proposes, but that for obvious reasons cannot be played on any radio station; whereas R.I.P. is a song where Murihell showcases all his talent and passion for metal, sounding more melodic, rhythmic and leaning towards more traditional Heavy Metal, with even some hints of Symphonic Metal coming from its background keyboards. In Zombified, smooth but dark keys and low-tuned bass lines build a demonic ambience perfect for Prophet to darkly declaim the song’s wicked lyrics in a solid display of contemporary Gothic Metal for fans of the genre.

Keep Your Head Down, an interesting composition by this skillful duo from Italy, offers more of their Gothic and Symphonic Metal, albeit being slightly repetitive in my opinion (in special its chorus), whereas in DNA what feels like Gothic Metal at first becomes a vicious display of Dark and Industrial Metal with elements from Thrash Metal, proving how versatile the duo is. Moreover, Murihell does an amazing job on drums and guitars, paving the path for Prophet and his raging vocals to thrive. And with a Down with the Sickness-inspired beginning, but bringing forward elements from Melodic Death Metal in its guitars and beats, the awesome S.O.S displays a rockin’ rhythm and effective breaks throughout its three minutes to keep the sound always fresh and vibrant, therefore turning it into one of the best songs of the album (if not the best), flowing into a tribal Outro that also presents the band’s trademark obscure sounding.

In summary, the New World Order might fortunately be just a theory (at least for now), but Madness Of Sorrow are an exciting reality and the music you’ll find in their new album is highly recommended for facing our everyday issues and struggles due to its elevated amount of energy and creativity. You can find more information about them at their official Facebook page, and enjoy their music on YouTube as well as on Spotify. And in order to grab your copy of N.W.O. The Beginning, simply go to iTunes or to Amazon. But hurry up, before the New World Order is finally born and comes to destroy our freedom, our music and arts in general.

Best moments of the album: Inside the Church, You’re Not Alone and S.O.S.

Worst moments of the album: Keep Your Head Down.

Released in 2017 Independent

Track listing
1. N.W.O. 0:35
2. Salomon 3:26
3. Inside the Church 3:36
4. You’re Not Alone 3:21
5. Necrophilia 3:26
6. Slut 3:23
7. R.I.P. 3:26
8. Zombified 3:37
9. Keep Your Head Down 4:26
10. DNA 3:46
11. S.O.S 3:11
12. Outro 1:26

Band members
Prophet – vocals
Murihell – guitars, bass, drums

Live lineup
Prophet – vocals
Murihell – guitars
Hades – bass
Kronork – drums

Album Review – Nighon / The Somme (2017)

Inspired by cinematic music and all extreme forms of metal, this up-and-coming Finnish squad presents their new concept album with stories from World War I, World War II and the crisis we see in our world today.

Greatly inspired by cinematic music and all extreme forms of metal, blending darkness with light in a unique and aggressive sound, Finnish Symphonic Shock Metal troopers Nighon are releasing their second full-length opus, entitled The Somme, a concept album with stories from World War I, World War II, the similarities between those events and the crisis we see today in our world. Sounding much more extreme than Nighon’s 2014 debut album Cor Oblivionis, The Somme is supposed to be heard in its entirety without any pauses or breaks, in order to provide the listener an in-depth, detailed view of the whole concept behind the music.

Formed in 2008 in Pietarsaari, Finland, this up-and-coming sextet not only delivers high-end music to metalheads all over the world, but they also host their own podcast called Nighon Propaganda-cast, where the idea is to provide uncensored content and a free flow of information, discussing themes such as literature, politics, several different types of music, nature and arts in general, among others. The diversity of topics found in their podcast will give you an idea of how creative the band is, and how much they’re all willing to explore new ideas and transform everything into good heavy music. Furthermore, if you’re ready to war, The Somme might be the perfect soundtrack for you to rise up, bringing a precise balance between heavy, melodic sounds and a more-than-meaningful content.

The album starts with the ominous intro Marseille 1914, narrating the tragic event that happened on June 28, 1914, when Archduke Franz Ferdinand of Austria and his wife Sophie were shot to death by a Bosnian Serb nationalist during an official visit to the Bosnian capital of Sarajevo. The killings sparked a chain of events that led to the outbreak of World War I by early August that same year. After that history lesson, The Greatest Of Catastrophes (a blend of the outbreak of World War I and the Ukraine crisis) brings forward modern Symphonic Metal with hints of Industrial and Melodic Death Metal, exploding into a thrilling musicality led by the potent clean vocals by Alva Sandström and showcasing a great balance between mechanized sounds and more melodic, powerful lines, therefore enhancing the song’s impact. The Dirge goes straight to the point, being utterly ferocious through the growls by Nico Häggblom and the brutal riffs by Michael Mikander and Björn Johansson, not to mention how potently the bass by Mats Ödahl will hit you in the face, with Alva once again bringing  light to all darkness blasted by the rest of the band. And just as symphonic and rampant as its predecessor, Lest We Forget presents all instruments exhaling a truly metallic vibe, in special the bass lines by Mats and the nonstop beats by Mika Paananen. However, in my opinion the only problem is that the song never decides if it’s a power ballad or a traditional heavy tune, getting a bit confusing at times.

Medic works as an eerie bridge to the vicious Blow Them To Hell, an aggressive composition tailored for fans of Dimmu Borgir where Nico growls deeper than ever, while Mika continues to deliver his arsenal of blast beats, not to mention the elements from Black Metal added to the musicality which end up increasing the song’s overall darkness even more. During World War II, there was a German naval base along the Kåfjorden, which branches off the main Altafjord, another short, ominous bridge to Scharnhorst, inspired by a battleship from Nazi Germany and displaying a well-balanced fusion of modern metal music and old school Death and Black Metal. Michael, Björn and Mats make sure our necks break in half with the headbanging sounds coming from their strings, with the musicality also presenting a good amount of epicness to help the band tell the desired story during the song’s almost nine minutes.

Leaning towards traditional Melodic Death Metal with hints of Industrial Metal (which ends up giving it a more menacing aura), Reclaiming Ravenpoint presents an amazing vocal duo by Nico and Alva, with their harsh growls and clean vocals complementing each other’s performance beautifully. Even weirder than the other instrumental passages and bridges, You Do Not Know What The Night May Bring consists of a phantom voice repeating the song’s name like a mantra, before the neck-breaking chant Minor Secundus comes crushing with its amazing guitars, bass and drums. However, what seems to be pure heaviness evolves into a more melodic sonority thanks to the vocals by Alva and the song’s electrifying vibe, which only makes the whole experience of listening to such excellent tune even better.

Tragédie reminds me of some of the best songs by Lacuna Coil, being one of the fastest and most dynamic of all songs with Nico firing his hellish screams in contrast with Alva’s delicate but potent voice. This full-bodied creation by Nighon not only feels like a movie score, but Mika’s precise performance once again on drums deserves our humble appreciation. And their dark symphony of war goes on in I Fear For Tomorrow, featuring Mathias Lillmåns (Finntroll, Magenta Harvest, Chthonian), with the extremely aggressive vocal lines and heavier-than-hell riffs being the highlights of the song. Nevertheless, despite being a good composition with a decent pace, it lacks more creativity to ignite the spark inside us metalheads. Lastly, the title-track Somme, inspired by the Battle of the Somme, a battle of World War I fought by the armies of the British and French empires against the German Empire, showcases a touching beginning with the mournful sound of the bagpipes signing to the end of the conflict, morphing into a power ballad with Alva leading the music while Michael delivers the most beautiful solo of the entire album, with the music smoothly flowing into an impactful ending.

You can get more details on the music by Nighon at their Facebook page and SoundCloud, and purchase The Somme at the Inverse Records’ webstore, at Record Shop X or on Amazon. It seems that our leaders and rulers never learn the lesson, with the threat of a new war always haunting the innocent in our modern-day society, and if you want to learn a little more about the wars from the past and their outcomes, The Somme might be an interesting source of information for your studies, with the advantage of being loud, fast and heavy, of course.

Best moments of the album: The Greatest Of Catastrophes, The Dirge, Minor Secundus and Tragédie.

Worst moments of the album: Lest We Forget and I Fear For Tomorrow.

Released in 2017 Inverse Records

Track listing
1. Marseille 1914 1:24
2. The Greatest Of Catastrophes 4:01
3. The Dirge 4:43
4. Lest We Forget 5:11
5. Medic 0:52
6. Blow Them To Hell 6:03
7. Altafjord 0:44
8. Scharnhorst 8:36
9. Reclaiming Ravenpoint 5:32
10. You Do Not Know What The Night May Bring 2:09
11. Minor Secundus 4:47
12. Tragédie 4:29
13. I Fear For Tomorrow (feat. Mathias Lillmåns) 5:47
14. Somme 7:09

Band members
Nico Häggblom – harsh vocals
Alva Sandström – clean female vocals
Michael Mikander – lead guitar
Björn Johansson – guitar
Mats Ödahl – bass
Mika Paananen – drums

Guest musician
Mathias Lillmåns – additional vocals on “I Fear For Tomorrow”

Album Review – Scenario II / A New Dawn (2017)

There’s a new dawn rising in the world of melodic extreme music thanks to a talented Dutch sextet who will guide you through dark scenarios of a post-apocalyptic world in their new album.

Rating4

s2_and_front_hrOriginating from Eindhoven, a city in the province of North Brabant in the south Netherlands known as the birthplace of Philips electronics, Melodic Dark Death/Thrash Metal act Scenario II aims at crafting distinguished heavy music for fans of the genre, always bringing spherical melodies fashioned with the frequent use of female vocals, grunts, twin guitars, quick riffs and killer drums. Inspired by bands like In Flames, Arch Enemy, Dimmu Borgir and Amorphis, the band will guide you through dark scenarios of a post-apocalyptic world in their new album, titled A New Dawn, comprised of eleven full-bodied compositions showcasing all the refined skills of each musician involved.

Since their inception in 2006 from the ashes of another Dutch band named Aura, Scenario II have acquired excellent recognition in the underground of metal music, with very positive reviews stemming from their debut album Uniforms of Death, released in 2009. That considerable success led the band to share the stage with renowned acts such as Volbeat, Dark Tranquillity, Anathema, Testament, Trail of Tears and Moonspell, among others, energizing the band to keep moving forward and keep writing new material for their fans, therefore culminating with the release of A New Dawn. In addition to that, Scenario II might be one of the most democratic bands in the world of heavy music, having three men and three women in their lineup, proving once again that it doesn’t matter your gender, age, race, religion or sexual orientation, you are always welcome in heavy music.

The ominous and cinematic intro The Darkest Hour introduces us to the post-apocalyptic landscape proposed by the band, with the title-track A New Dawn and its metallic guitars a la Terminator by Mark van Doren and Simone van Straten, together with the harsh growls by Bas de Kruyff and the angelic voice of Myrthe van Beest, generating a modern Melodic Death Metal feast with Symphonic and Black Metal elements that will please all types of metalheads in the world. Supremacy begins in an atmospheric way, with the growls by Bas de Kruyff giving a nice touch of aggressiveness to the musicality while bassist Liza Hoek and drummer Bas van den Boom maintain a thunderous sound in the background; followed by the heavy Awake, a visceral Melodic Death Metal tune with the gentle vocals by Myrthe bringing harmony to the music.Moreover, both Mark and Simone have excellent performances with their sharp riffs, which together with the electronic and symphonic elements, as well as the song’s hellish atmosphere, make it one of the best of the album.

scenarioii_largeRapture follows the aggressive path of its predecessor, being a dense composition showcasing elements of Melodic Death Metal, Symphonic Black Metal and sheer Black Metal, in special its guitar lines, with Bas van den Boom being once again very technical behind his drums, never letting the energy level go down. Then we have the serene, atmospheric instrumental bridge The Promised Wasteland, building a direct link with Hysteria, an epic and symphonic creation by Scenario II, bursting despair and anger through the potent screams by Bas de Kruyff, with the vocals by Myrthe bringing yet again peace to our souls. And flirting with old school Death Metal we have Endgame, again displaying a solid performance by Bas van den Boom on drums, who together with Mark and Simone fire tons of progressiveness through their instruments, enhancing the song’s taste and electricity, not to mention all its breaks and variations which help turn it into the best of all songs in my opinion.

The whole album exhales rage and hopelessness, and in Disclosure it couldn’t be different than that, with Bas de Kruyff and Myrthe being in great sync complementing each other’s vocals, while Liza blasts her bass guitar in a delicate but powerful way. In Nocturnal, we face a heavy and flammable sonority thanks to the guitars by Mark and Simone, as well as the rhythmic and blast beats by Bas van den Boom; and it doesn’t matter how fast or slow the music is, the band always keeps a sinister and obscure atmosphere in the background. Last but not least, the ferocious but very melodic Stand Ablaze, a climatic ending to a very professional and exciting metal album, blends the harmony of Melodic Death Metal with the potency of Epic Metal, with Bas de Kruyff leading the musicality with his precise growls.

There’s a new dawn rising in the world of melodic extreme music thanks to this talented Dutch sextet, and if you want to know more about Scenario II you can visit their Facebook page, YouTube channel and SoundCloud. You can grab your copy of A New Dawn at the band’s official webshop in digital or physical format, as well as through their BandCamp page, on iTunes or on Amazon. The post-apocalyptic music blasted by Scenario II in A New Dawn keeps up with the legacy of Dutch metal, being harmonious, heavy and gripping at the same time, and it will surely maintain their inner fire burning for more amazing music in the following years, which is always what we want to see when the band in question is as talented as this up-and-coming squad.

Best moments of the album: A New Dawn, Awake and Endgame.

Worst moments of the album: Supremacy.

Released in 2017 Hysteria Music

Track listing
1. The Darkest Hour 2:09
2. A New Dawn 5:16
3. Supremacy 4:12
4. Awake 4:06
5. Rapture 4:46
6. The Promised Wasteland 1:48
7. Hysteria 5:11
8. Endgame 5:19
9. Disclosure 5:32
10. Nocturnal 4:30
11. Stand Ablaze 4:04

Band members
Myrthe van Beest – female vocals
Bas de Kruyff – vocals
Mark van Doren – guitars
Simone van Straten – guitars
Liza Hoek – bass
Bas van den Boom – drums

Midnight Madness Metal e-Radio Promo Hour Of The Day – From Monday To Friday @ 8pm GMT

http://midnight-madness.is-a-rockstar.com/Great news for all of you metalheads!

FROM MONDAY TO FRIDAY @ 8pm GMT, one of our kick-ass partners, Midnight Madness Metal e-Radio, broadcasting directly from London, England, will blast the best of underground metal music reviewed here at The Headbanging Moose during the PROMO HOUR OF THE DAY!

So remember, FROM MONDAY TO FRIDAY @ 8PM GMT tune into Midnight Madness Metal e-Radio to get your daily shot of the cream of the underground metal music crop, from Hard Rock to Black Metal, from Folk Metal to Thrash Metal, from Doom Metal to Metalcore, and so on! You’ll have the unique pleasure of listening to the superb music by bands like Charm Designer, Neverworld, Majesty Of Revival, Nervosa, False Coda, Atonismen, Diabolizer, The Silent Rage, Terrifier, Gaerea, and tons of other amazing metal acts from all over the world!

Here are all the options where can blow your speakers with Midnight Madness:

Official website
Twitter
Online Radio Box
Tunein
Streema
Listen2MyRadio
Radio Garden

And if you want to have your new album reviewed at The Headbanging Moose AND played at Midnight Madness Metal e-Radio, simply get in touch with us through our CONTACT US page.

The Year In Review – Top 10 Hard Rock/Heavy Metal Albums of 2016

“I don’t know where I’m going from here, but I promise it won’t be boring.” – David Bowie

The unexpected death of the most badass musician in history, Motörhead’s heart and soul Lemmy Kilmister, on December 28, 2015 was a harbinger of all the bad, shocking and revolting things that would turn the year of 2016 a true nightmare for mankind. That dark prophecy was confirmed less than two weeks later, more specifically on January 10 when we lost another true star in rock music to cancer, the unparalleled chameleon David Bowie, just two days after the release of his final masterpiece Blackstar. If that was not enough to make 2016 a miserable year, we also had to endure the passing of other icons who, despite not being metal, have always inspired countless bands and artists in heavy music. We lost Prince, Leonard Cohen and Keith Emerson (Emerson, Lake & Palmer), to name a few, all irreplaceable losses to music in general. In addition, important names in the history of Heavy Metal also left us in 2016, such as Nick Menza (Megadeth) and Jimmy Bain (Rainbow, Dio), not to mention the disbandment of amazing groups like Eths (who are by the way part of our top 10 this year), Crucified Barbara and Bolt Thrower. And I’m not even going to talk about all other types of disasters and tragedies that happened all over the world, as the list is too macabre and grievous to be remembered in full.

Fortunately, 2016 was considerably generous for us headbangers in terms of the quantity and quality of albums released throughout the entire year, especially for diehard fans of old school Thrash Metal. Except for Slayer and Exodus, all other prominent names in Thrash Metal blasted the world with their high-speed, thrilling music, led by another superb album by Testament. Even Metallica released a decent album this year, just to give you an idea of how fruitful 2016 was for this rebellious type of music. Having said that, it’s time for The Headbanging Moose’s Top 10 Hard Rock/Heavy Metal Albums of 2016, excluding EP’s, best of’s and live albums. And even if 2017 is as hideous as 2016, let’s never forget the wise words by Bill S. Preston, Esquire and Ted “Theodore” Logan. Be excellent to each other, and party on, dudes!

testament_brotherhood-of-the-snake1. Testament – Brotherhood Of The Snake (REVIEW)
Join the Brotherhood of Thrash Metal spearheaded by one of the heaviest, most technical and most electrifying bands on the entire planet.
Best song of the album: The Number Game

cover2. Charred Walls Of The Damned – Creatures Watching Over the Dead (REVIEW)
A magnificent lecture in Heavy Metal by four electrified beasts.
Best song of the album: As I Catch My Breath

Cover3. Eths – Ankaa (REVIEW)
One of the most prominent and innovative French bands of all time returns with a true masterpiece of complexity, darkness and heaviness.
Best song of the album: Nefas

cover4. Primal Fear – Rulebreaker (REVIEW)
Who said rules must be broken for a metallic eagle to spread its wings and soar high in the skies of heavy music?
Best song of the album: Rulebreaker

megadeth_dystopia5. Megadeth – Dystopia (REVIEW)
And the dystopian world portrayed in the brand new album by the iconic Dave Mustaine and his Thrash Metal army is beyond awesome.
Best song of the album: Lying In State

abbathsoloface_6386. Abbath – Abbath (REVIEW)
The one and only Abbath takes a new step in his career with a brand new band an album.
Best song of the album: Fenrir Hunts

death angel_the evil divide7. Death Angel – The Evil Divide (REVIEW)
Fast and furious anthems, dark mid-tempo songs, austere lyrics and endless stamina. This is how Thrash Metal should always be done.
Best song of the album: Hell To Pay

anthrax_for all kings8. Anthrax – For All Kings (REVIEW)
A classy and electrifying Thrash Metal album especially crafted for all of us, the real kings of heavy music.
Best song of the album: Breathing Lightning

front9. Axel Rudi Pell – Game of Sins (REVIEW)
You might be a sinner, but don’t be a fool and go relish another magnificent album by Mr. Axel Rudi Pell and his loyal henchmen.
Best song of the album: Falling Star

nervosa-agony-201610. Nervosa – Agony (REVIEW)
Brazil’s meanest power trio returns with another marvelous blast of their kick-ass high-octane Thrash Metal.
Best song of the album: Theory of Conspiracy

And here we have the runner-ups, completing the top 20 for the year:

11. Blaze Bayley – Infinite Entanglement (REVIEW)
12. The Silent Rage – The Deadliest Scourge (REVIEW)
13. Neverworld – Dremasnatcher (REVIEW)
14. Ancesttral – Web Of Lies (REVIEW)
15. Front – Iron Overkill (REVIEW)
16. Dö – Tuho (REVIEW)
17. Be Under Arms – Doomed To Life (REVIEW)
18. SystemHouse33 – Regression (REVIEW)
19. Gojira – Magma (REVIEW)
20. False Coda – Secrets and Sins (REVIEW)

As in Heavy Metal the artwork is just as important as the music itself, like what always happens with bands such as Iron Maiden, Megadeth, Metallica, KISS and tons of other metallic titans, we decided to list the Top 10 Cover Artworks of 2016. There are several reasons for an album art to be considered outstanding, such as its strong connection with the music like Iron Maiden’s Powerslave, its visual impact (usually associated with its controversial content) like Slayer’s God Hates Us All, or its perfect minimalism and finesse like Pink Floyd’s Dark Side Of The Moon. Do you agree with our list?

1. Anthrax – For All Kings [by Alex Ross]
2. Primeval Mass – To Empyrean Thrones [by Karmazid]
3. Witches Of Doom – Deadlights [by Carlo Muselli]
4. Ragehammer – The Hammer Doctrine [by Robert A. von Ritter]
5. Howls Of Ebb – Cursus Impasse: The Pendlomic Vows [by Agostino Arrivabene]
6. Testament – Brotherhood Of The Snake [by Eliran Kantor]
7. Henriette B – Tales of Reality (EP) [by Pierre-Alain D.]
8. Skáphe – Skáphe² [by H.V. Lyngdal]
9. Diabolizer – Apokalypse (MCD) [by Robert A. von Ritter]
10. Hostis – Hostis [by Zvonimir Grabić & Milena Nićić]

Rest assured in 2017 we at The Headbanging Moose will keep providing you the best of the underworld of Death, Thrash, Black, Symphonic, Epic, Power Metal and all other genres and subgenres of heavy music, as well as our view of the biggest names worldwide. There are already brand new albums confirmed for 2017 by Kreator, Sepultura, Grave Digger, Battle Beast and more, which means at least musically the new year promises to be really good. Thank you very much for your precious time, and keep on rockin’! Au revoir!

Metal Xmas and a Headbanging New Year! See you in 2017!

Well, before we go, here’s a special gift from Iron Maiden to all metalheads all over the world… A nice festive yule log fireplace to keep our hearts warm during the entire season!