Album Review – Exodus / Tempo of the Damned (2004)

Thirteen years ago Exodus returned with another incredible lesson in Thrash Metal.

Rating2

Tempo of the DamnedSometimes excellent bands go on a huge musical hiatus due to unforeseen reasons, making their fans at the same time really sad and anxious for a possible return someday. However, some of those bands return with very low-quality material and the damage to their careers is almost incurable, as for example what happened with the disappointing comebacks of Running Wild, with the weak album Shadowmaker, and Guns N’Roses, with the controversial Chinese Democracy.

Fortunately, that’s not what happened to Thrash Metal masters Exodus. Quite the contrary, when they got back to life with their first new album since the interesting Force of Habit, from 1992, they kicked some serious fuckin’ass. Tempo of the Damned might not be the best Thrash Metal album in the history of music, but it’s probably the best of the past two decades in terms of creativity, riffs, and of course, violence. With the return of Steve “Zetro” Souza on vocals, Tom Hunting smashing his drums, and especially an inspired Gary Holt absolutely on fire, Tempo of the Damned is the epitome of what’s best in modern Thrash Metal.

Are you ready for a sonic massacre? Well, the first track, Scar Spangled Banner, is even more than that. For over 6 minutes, we have a perfect representation of the “new” Exodus: extremely politicized and intelligent lyrics (“We the people, for no people / Secure the blessings of tragedy / Do ordain we have established / The scar spangled banner”), awesome riffs and solos, creative variations, and a lot of speed. The second track of this brilliant album, War Is My Shepherd, is another fuckin’ carnage, perfect for an intense mosh pit with Zetro doing a pretty good job on vocals.

Then we have the incomparable hit Blacklist, my favorite track of the album and certainly on my top 5 songs in the history of Exodus, with the best vengeful lyrics in Heavy Metal (“You’d better start runnin’ / Cause you know that I’m comin’ / Cocked and loaded and I never miss / I’m onto your game / And I’m layin’ the blame / And I’m addin’ your name to my blacklist”) and a riff that is beyond perfect for banging our fuckin’ heads until we drop. Shroud of Urine keeps the album at a high note, followed by another pure Thrash Metal song called Forward March, where Gary Holt and Rick Hunolt deliver us some truly amazing solos.

Culling the Herd is slower than the previous tracks (maybe for us to take some air), but it is also a great Thrash Metal song. The shortest song of the album, Sealed with a Fist, focus on all the “beauty” of marriage and it’s highly recommended for a friend’s wedding if you like to play pranks on people. The next track, Throwing Down, shows us why Gary Holt is one of the most underrated riff masters in the world, with outstanding riffs and solos. Seriously, when are people going to recognize Gary’s unparalleled contribution to the world of music?

Exodus2004The album ends with the good song Impaler (written by Metallica’s own Kirk Hammett, and it should have been feature in Bonded By Blood if Kirk Hammett hadn’t taken its main riff with him to be used on “Trapped Under Ice”), and the title-track Tempo of the Damned, which can be called a “musical beast” due to its boisterous rhythm, crazy riffs, fast percussion, and of course its very controversial lyrics paying a “tribute” to all types of religions and churches. And if your neck is still attached to your body when this brutal song is over and you have the special digipack version of the album, you can relax and enjoy a very nice cover for AC/DC’s classic Dirty Deeds Done Dirt Cheap, where Zetro simply nailed it with his visceral voice.

Finally, did you notice the length of the songs in Tempo of the Damned? Most of them surpass the 5-minute barrier, something unimaginable for almost all Thrash Metal bands in the world, with some songs having even over 7 minutes. That’s why after this album was released many people started calling Exodus as the “Pink Floyd of Thrash Metal”, and also fans started demanding that Exodus were included in the “Big 4”, making it more like a Big 5 (or even a Big 6 with Testament included too), due to the undeniable quality of their music. I honestly don’t care if they make it a Big 5 or Big 6; what really matters to me is that Exodus keep on delivering us many more “lessons in violence” such as Tempo of the Damned in their career.

Best moments of the album: Scar Spangled Banner, Blacklist and Tempo of the Damned.

Worst moments of the album: It’s hard to choose a bad song in the album, because there are none. I would select Impaler as the “least amazing” tune, though.

Released in 2004 Nuclear Blast

Track listing
1. Scar Spangled Banner 6:41
2. War Is My Shepherd 4:27
3. Blacklist 6:17
4. Shroud of Urine 4:52
5. Forward March 7:32
6. Culling the Herd 6:07
7. Sealed with a Fist 3:36
8. Throwing Down 5:01
9. Impaler 5:25
10. Tempo of the Damned 4:22

Digipack bonus track
11. Dirty Deeds Done Dirt Cheap (AC/DC cover) 3:52

Band members
Steve “Zetro” Souza – vocals
Gary Holt – lead and rhythm guitars
Rick Hunolt – lead and rhythm guitars
Jack Gibson – bass
Tom Hunting – drums

Concert Review – Exodus & Testament (Phoenix Concert Theatre, Toronto, ON, 04/15/2015)

A magnificent lesson in Thrash Metal, directly from the dark roots of Toronto.

OPENING ACT: Shattered Sun

Testament-Exodus-2015It’s somehow ridiculous that there was ONLY ONE CONCERT scheduled from the Dark Roots of Thrash II Tour in Canada. Fortunately for me, but not as much for most of our headbanging brothers in B.C., Alberta and other distant locations, the city chosen was Toronto, Ontario, more specifically the Phoenix Concert Theatre. Well, at least for the first time in months we didn’t have any snow, rain, bitterly cold temperatures or any other of the wonders of the winter on a concert night in the city. Quite the contrary, the weather was beyond perfect for a lesson in Thrash Metal.

The attraction responsible for warming up all thrash metallers at the venue was American Metalcore band SHATTERED SUN, who by the way are managed by Chuck Billy’s own company Breaking Bands LLC. Although Metalcore is not among the most reasonable options for pumping up a crowd avid for brutal old school Bay Area Thrash Metal, they had a good performance and didn’t disappoint the crowd with their mix of heavy and melodic music, with the addition of keyboards being a fresh element to the night. I can’t tell much about their setlist, only that they’re promoting their soon-to-be-released new album entitled Hope Within Hatred, which should be available within a few days. If you’re a fan of the genre, here’s a good choice for your collection.

Band members
Marcos Leal – vocals
Daniel Trejo – guitar
Jessie Santos – guitar
Joseph Guajardo – bass
Henry Garza – keyboards, samples
Robert Garza – drums

EXODUS

IMG_0229

Exodus @ Phoenix Concert Theatre, Toronto, ON, 04/15/2015

Holy. Fuckin’. Shit. EXODUS do not only kick fuckin’ ass when they’re on stage, they ALWAYS teach us motherfuckers a lesson in fuckin’ violence. It’s incredible how such an old band (in a good way, of course) still sounds so fresh and captivating until today, and that’s in my opinion mainly due to the fact they keep releasing awesome albums like their latest installment, the absurdly excellent Blood In, Blood Out. And that, ladies and gentlemen, is how the madness started, with two of the best songs from the new album: the insane Black 13 and the mosh pit-anthem title-track Blood In, Blood Out, which worked so well live to the point if they had left the stage after only two songs it would have been awesome anyway.

Right after that frantic start, Exodus offered us a sequence of Thrash Metal classics to drive all fans crazy into the circle pits (adding some bruises to our personal collections), with highlights to masterpieces such as A Lesson in Violence, The Last Act of Defiance and my favorite Exodus songs of all time, the impeccable Blacklist (“You’d better start runnin’ / Cause you know that I’m comin’ / Cocked and loaded and I never miss / I’m onto your game / And I’m layin’ the blame / And I’m addin’ your name to my blacklist”), The Toxic Waltz and Strike of the Beast, the latter including a smaller version of the infamous wall of death for our total delight. However, I was truly happy to see they didn’t “forget” about the Rob Dukes-era and added two of the most exciting songs of that period, Iconoclasm and Children of a Worthless God. Maybe next time they can play even other songs from that era, such as “Hammer and Life” and “Deathamphetamine”?

IMG_0218

Kill the Kardashians, Gary!

In regards to the band members, there were tons of highs, but one significant low. Actually, the low was not the band’s fault, as bassist Jack Gibson wasn’t allowed to enter Canada due to issues with the law. We accept Justin Bieber living here doing all the shit he does, and I don’t care he’s Canadian, but we cannot let good old Jack into the country? That’s ridiculous. Anyway, the dude that replaced him (sorry, I forgot his name, but he also helps Exodus when Gary Holt is with that “other Thrash Metal band”, and Gary even played an excerpt of “Raining Blood” just to remind the crowd about that) did a pretty good job supporting Gary Holt, Steve “Zetro” Souza & Co. during the entire concert. Talking about Zetro and Gary, I guess they can be considered the “new” dynamic duo of old school Thrash Metal so in sync they’ve been since Zetro’s return last year. While Zetro leads the fans into the mosh pits with his raspy voice (is it true it was his first time in Toronto in 10 years?), Gary simply delivers the most motherfuckin’ extraordinary riffs and solos in the world of heavy music. I’m not going to extend my speech about how great Gary is, as I believe I’ve already said enough in previous album and concert reviews, but there’s one thing that must be mentioned that enhanced his performance even more last night: who didn’t love his KILL THE KARDASHIANS T-shirt?

As Zetro said immediately after Exodus played the classic Bonded by Blood, we are all bonded not only by blood, but by our passion for Heavy Metal, and he’s 100% right. We love metal music, we love Exodus, and we cannot wait for them to get back to Toronto to teach us another lesson in Thrash Metal. Remember we are all part of Exodus’ “blacklist”, which means it shouldn’t take long for that to happen, I hope.

Setlist
1. Black 13
2. Blood In, Blood Out
3. Iconoclasm
4. Children of a Worthless God
5. A Lesson in Violence
6. Salt the Wound
7. The Last Act of Defiance
8. Blacklist
9. Bonded by Blood
10. War Is My Shepherd
11. The Toxic Waltz
12. Strike of the Beast

Band members
Steve “Zetro” Souza – vocals
Gary Holt – lead and rhythm guitars
Lee Altus – lead and rhythm guitars
Jack Gibson – bass*
Tom Hunting – drums, percussion

*Missed the concert for not being allowed to enter Canada due to issues with the law.

TESTAMENT

IMG_0248

Testament @ Phoenix Concert Theatre, Toronto, ON, 04/15/2015

There was an essential short break between concerts for recovering our energies and enjoying a cold beer, and I’m being serious when I say “essential” because what TESTAMENT did during their flawless concert was inhuman. Playing only songs from their first three albums, The Legacy (1987), The New Order (1988) and Practice What You Preach (1989), Chuck Billy and his crew showed no mercy on our bodies and souls with an avalanche of old school Thrash Metal classics. How not to go wild with songs like Over the Wall, Do or Die or The New Order? Although their latest albums (The Formation of Damnation and Dark Roots of Earth) are Heavy Metal masterpieces, being able to witness a tour only composed by old classics is always interesting.

IMG_0250

Testament @ Phoenix Concert Theatre, Toronto, ON, 04/15/2015

From all songs in their setlist, I would say my favorites were Eerie Inhabitants, C.O.T.L.O.D., Practice What You Preach, and especially the devastating tunes Disciples of the Watch and Into the Pit. The song already has “pit” in its name, but it was when Chuck demanded we all slammed into the fuckin’ pit that things got pretty serious. In summary, it was an amazing setlist, which ignited some nonstop headbanging and lots of smiles among the fans who answered Chuck’s call and were having a great time into the circle pit.

Moreover, there’s one thing that amazes me in Testament, and that’s the musicians involved. All five are superb with their instruments, delivering top-notch Heavy Metal, which always makes me wonder why there are metalheads in the world that still don’t know who Testament are. Chuck’s voice is unique (as thunderous as it can be), Gene Hoglan redefines the meaning of the word “stone crusher”, and I have no words to describe Alex Skolnick. Honestly, I didn’t know if I slammed into the pit or if I stayed there just watching him play his guitar so jaw-dropping his technique is (not even when he suffered from technical difficulties he looked less incredible). Watching Gary Holt AND Alex Skolnick delivering the most awesome Thrash Metal riffs and solos you can imagine on the same night was a true blessing. Those guys definitely practice what they preach.

Setlist
1. Over the Wall
2. The Haunting
3. Burnt Offerings
4. Raging Waters
5. The Preacher
6. Do or Die
7. First Strike Is Deadly
8. A Day of Reckoning
9. Apocalyptic City
10. Eerie Inhabitants
11. The New Order
12. Trial by Fire
13. Into the Pit
14. Alone in the Dark
15. C.O.T.L.O.D.

Encore:
16. Practice What You Preach
17. Disciples of the Watch

Band members
Chuck Billy – vocals
Eric Peterson – guitar
Alex Skolnick – guitar
Steve Di Giorgio – bass
Gene Hoglan – drums

This slideshow requires JavaScript.

Album Review – Exodus / Blood In, Blood Out (2014)

Welcome back to the family, Zetro!

Rating3

ExodusBloodInBloodOutDid any sane and healthy living creature on this planet actually expect American Thrash Metal masters Exodus would not deliver us another great lesson in Thrash Metal with their brand new album, the motherfuckin’ awesome Blood In, Blood Out? Think about it, the band has the one and only vocalist Steve “Zetro” Souza returning since their 2004’s masterpiece Tempo of the Damned, they’ve been providing us the cream of Thrash Metal for years in a row with boisterous albums such as Shovel Headed Kill Machine and Exhibit B: The Human Condition, and they have the guitar genius Gary Holt more inspired than ever with absolutely no mercy of our necks and souls. Even the sick album art is pure old school, not to say totally badass. As the band itself states in this album, “this is a fucking dynasty of thrash notoriety”.

Although Blood In, Blood Out features some very special guest musicians, it’s the “Pink Floyd of Thrash Metal” themselves (as many of their songs go way beyond the 4 or 5-minute barrier most Thrash Metal bands are used to) who truly conduct the whole album almost flawlessly, with highlights to the wicked return of Zetro, of course. I mean, Rob Dukes is a great guy, an excellent frontman and his hardcore voice was perfect for the type of music Exodus generated in the past few years (I’m not even going to say how much I love all of the Exodus albums with Rob on vocals), but Zetro kind of brings back that 80’s thrashier attitude all fans learned to love, and that became the band’s trademark.

Gary, Zetro, Lee, Jack and Tom might have thought “why not kicking things off with the past and present of Exodus in the same song?” That’s exactly what you’ll hear in the excellent Black 13,  where their first guest musician, American hip hop producer Dan the Automator, is responsible for an industrial sounding intro before all hell breaks loose with those insane Thrash Metal riffs only Exodus can generate. It follows a similar pattern as their latest albums, mixing the thrashier musicality of Tempo of the Damned with the melody and violence of Exhibit B: The Human Condition. Pay attention to Zetro’s voice and to the outstanding bass lines by Jack Gibson, those are truly amazing elements in this badass track, followed by another powerful tune, the title-track Blood In, Blood Out: I heard people complaining about its “silly” lyrics, that they’re too basic comapred to precious gems such as “Scar Spangled Banner” and “Blacklist”, but it’s lines such as “If you have the pedigree, welcome to the family” and “Tonight we’re gonna rage and make Paul Baloff proud” what make it so delightful. Can you imagine the humongous circle pits this song will generate when played live? Besides, the whole band is kicking ass here, in special Gary Holt and Lee Altus with their amazing guitar solos.

Collateral Damage once again focus on an old school sonority, and will probably cause some awesome collateral or brain damage to the fans so fuckin’ heavy it is. I simply love the backing vocals and how Tom Hunting accelerates the whole damn thing with his pounding drums. The next track, Salt The Wound, sounds a lot like some tracks from Tempo of the Damned, especially its riffs and acid lyrics (“Full of puss / You’re a Judas and a troll / Lance the boil rooted deep within”). In addition, this song has their second guest musician, albeit it’s just a guitar solo by Metallica’s own Kirk Hammett. At least he didn’t have enough time to screw up everything with his horrible technique.

The massacre goes on with the fast Body Harvest,  with Zetro’s desperate screams during its chorus adding even more violence to it, plus some great guitar solos after four minutes; and BTK, with their last guest, Mr. Chuck Billy (Testament) on vocals doing only some screams and deep growls (and nothing else). This song is based on the story of Dennis Rader, better known as the BTK killer, whose infamous signature means “Bind, Torture, Kill”. Well, I still prefer their song about serial killers Leonard Lake and Charles Ng, entitled “The Ballad of Leonard and Charles”, from Exhibit B: The Human Condition.

exodusWrapped In The Arms Of Rage is direct old school Thrash Metal, perfect for live performances, while My Last Nerve is an excellent example of how even when they slow down and get more melodic, their music is still so violent and awesome it’s impossible to stand still. This is how slow riffs and harsh vocals should be blended together to make an amazing headbanging tune, turning it into one of the top moments of the album. Exodus get back to old school destruction in Numb, a true lesson to all new bands on how Thrash Metal should be played, with a flawless and complex instrumental and with highlights to the job done by Tom Hunting, who seems pretty inspired during the entire album.

The last part of Blood In, Blood Out begins with Honor Killings, another awesome combination of harsh vocals, great backing vocals, insane riffs, and violent lyrics. The deep heavy sound of the bass lines in this song is really outstanding, thanks to a brilliant work by Jack Gibson. Then we have Food For The Worms, with another great vocal performance by Zetro augmented by the song’s dark lyrics, and it’s always impressive how these guys keep on thrashing nonstop like metal machines. And last but not least, Exodus offer us an interesting cover version for British Heavy Metal band Angel Witch’s Angel Of Death, from their 1980 debut album Angel Witch.

I guess I don’t need to mention once again that Gary Holt is an underrated beast, a billion times more awesome than most worshiped metal guitarists I know. The guy is playing with Exodus AND Slayer at the same time, crafting great music like everything in Blood In, Blood Out, and he NEVER has a bad or uninspired day on the guitar. That says it all. Anyway, you can purchase the album in several different webshops and physical stores, and if you live in a blessed city in the US you can check Exodus live touring with Slayer and Suicidal Tendencies, which is beyond spectacular for any Thrash Metal fan in the world. And if you haven’t welcomed the “Hatriot” back to the Exodus family yet (I had the pleasure to see him back live during their concert at Heavy Montréal 2014) and/or would also like to thank him for contributing to such an amazing album like Blood In, Blood Out, this tour will be a very good opportunity to do so.

Best moments of the album: Black 13, Blood In, Blood Out, My Last Nerve and Honor Killings.

Worst moments of the album: BTK.

Released in 2014 Nuclear Blast

Track listing
1. Black 13 (feat. Dan the Automator) 6:21
2. Blood In, Blood Out 3:42
3. Collateral Damage 5:28
4. Salt The Wound (feat. Kirk Hammett) 4:25
5. Body Harvest 6:29
6. BTK (feat. Chuck Billy) 6:56
7. Wrapped In The Arms Of Rage 4:30
8. My Last Nerve 6:11
9. Numb 6:14
10. Honor Killings 5:43
11. Food For The Worms 6:23

Limited Edition bonus track
12. Angel Of Death (Angel Witch cover) 4:39

Band members
Steve “Zetro” Souza – vocals
Gary Holt – lead and rhythm guitars
Lee Altus – lead and rhythm guitars
Jack Gibson – bass
Tom Hunting – drums, percussion

Guest musicians
Dan the Automator – industrial intro on “Black 13″
Kirk Hammett – guitar solo on “Salt the Wound”
Chuck Billy – additional vocals on “BTK”

Concert Review – Heavy Montréal 2014 Day 2 (Parc Jean-Drapeau, Montreal, QC, 08/10/2014)

A scorching hot Sunday of impeccable heavy music in Montreal.

DEATH ANGEL

IMG_2880After a good night of rest I was ready for more Heavy Montréal at Parc Jean Drapeau on Sunday. However, not only I was able to arrive really early that day (missing only a couple of minor bands), but also the sun was a lot hotter and the lineup  a billion times heavier, turning that day into some kind of heavy music survival camp, which was totally awesome.

The first attraction I was able to check on Sunday was American Thrash Metal band Death Angel, who at 1:30pm delivered a very consistent concert at the Heavy Stage, mixing some old songs with new ones from their most recent album from 2013 in their SETLIST, with highlights to the title-track The Dream Calls For Blood, one of the songs with the highest response from thousands of thrash metallers already present at the festival. And, of course, the energy lead singer Mark Osegueda emanates throughout the entire show was more than admirable.

Band members
Mark Osegueda – vocals
Rob Cavestany – lead guitar
Ted Aguilar – guitars
Damien Sisson – bass guitar
Will Carroll – drums

EXODUS

IMG_2883When American Thrash Metal beasts Exodus started their sonic Armageddon at 2:15pm at the Molson Canadian Stage, especially with the return of Steve “Zetro” Souza on vocals, the smile on the faces of all fans perfectly represented what Exodus are: a nonstop Thrash Metal machine ready to rumble until there’s no one standing anymore. I’ve always considered them the “extra” element that would transform the Big Four into a Big Five, and everytime I see them live I believe in that even more.

Despite not playing any new stuff from their upcoming album Blood In, Blood Out (which I really cannot wait to take a listen to), their short but superb SETLIST was a perfect lesson in Thrash Metal: Bonded By Blood, Blacklist, Toxic Waltz, Piranha, Strike of the Beast, among other masterful songs, were the soundtrack for intense circle pits, furious headbanging and constant beer drinking.

All band members were on fire, especially the returning Zetro (and his HUGE belly) and the riff master Gary Holt, a man that deserves a lot more recognition in the world of heavy music than he actually has. Maybe the only issues with their concert were sound of the guitars, which were too low compared to the drums, and the fact they had only 45 minutes to play. Anyway, the “Exodus Atack” might have been short, but it was indeed extremely effective.

Band members
Steve “Zetro” Souza – vocals
Gary Holt – guitar
Lee Altus – guitar
Jack Gibson – bass
Tom Hunting – drums

EPICA

IMG_2886After the BEASTS from Exodus, it was time for everyone to relax (and bang their heads, of course) with the BEAUTY Simone Simons and her bandmates from Dutch Symphonic Metal band Epica at 3:00pm, at the Heavy Stage. Their SETLIST was also pretty short, but instead of playing their classics they decided to offer their fans a concert full of new songs from their brand new album, the excellent The Quantum Enigma, which worked really well for them: everybody watching their performance truly enjoyed songs like The Second Stone, The Essence of Silence and Unchain Utopia.

Obviously, everyone had their eyes fixed on the stunning Simone, who is not only extremely gorgeous, but an awesome singer and a very sympathetic and charismatic frontwoman. Her headbanging was also amazing, especially due to the effect her beautiful long red hair had on that. Lastly, Simone mentioned they’re getting back to Canada in October with Machine Head and Children of Bodom, this time for a full 2-hour concert. Are you going to miss that unique opportunity?

Band members
Simone Simons – lead vocals
Mark Jansen – rhythm guitar, grunts, screams
Isaac Delahaye – lead guitar, backing vocals
Rob van der Loo – bass
Coen Janssen – synthesizer, piano
Ariën van Weesenbeek – drums, grunts, spoken words

BODY COUNT

IMG_2898I skipped Symphony X not only because they’re quite boring, but also to breathe some fresh air, watch good-quality wrestling matches at the Heavy Mania Stage, drink a couple of beers, and get ready for American Crossover Thrash band Body Count. At 4:30pm there they were at the Heavy Stage, or I should say that Body Count was literally “in the house”: that was a very entertaining concert, full of classics such as Body Count’s In the House, Disorder (my favorite of their SETLIST), Cop Killer and Talk Shit, Get Shot.

I must say that Ice-T, the mastermind behind Body Count, is a motherfuckin’ great frontman. Even after all those years, the man still got it and perfectly interacted with each and every person from the crowd. The funniest part was when he pointed to a girl and asked her age. She said she was only 16, for his surprise, as he replied back saying he would expect to see her at a Justin Bieber concert, not at Body Count, but he was 100% happy with her being there. He then pronounced some “beautiful” words for her, saying it was a pleasure to have her there and that the whole band truly respected that “bitch”. Well, the “bitch” seemed to be honored with his words. A day to remember, “bitch”!

Band members
Ice-T – vocals
Ernie C – lead guitar
Juan of the Dead – rhythm guitar
Sean E Sean – sampler, backing vocals
Vincent Price – bass
Ill Will – drums

BAD RELIGION

IMG_2902After skipping another concert, Hatebreed, and watching only 5 minutes of Alestorm’s performance at the Apocalypse Stage, I ran back to the Heavy Stage at 6:00pm for a memorable performance by American Punk Rock icons Bad Religion. The band was back in town just one year after their last performance there, or as frontman Greg Graffin said during the show, Bad Religion were back to Montreal “1 year later, 10 years older, and all fans looking better than ever”.

And what can be said about a nonstop SETLIST with 22 songs, including masterpieces such as Recipe for Hate, Struck a Nerve, 21st Century (Digital Boy), Infected, Punk Rock Song and American Jesus? It was pure madness, with kudos to drummer Brooks Wackerman for pounding his drums so intensely that each and every song became even better than the studio versions. Bad Religion might look 10 years older, but they sound like if they were all in their mid-20’s.

Band members
Greg Graffin – lead vocals
Brian Baker – lead guitar, backing vocals
Mike Dimkich – guitar, backing vocals
Brett Gurewitz – guitar, backing vocals
Jay Bentley – bass, backing vocals
Brooks Wackerman – drums, percussion

LAMB OF GOD

IMG_2907The sun was still scorching hot at 7:00pm when Twisted Sister hit the stage, so I decided to rest for a while at the Wi-Fi zone before heading back to the Heavy Stage, where at 8:00pm American Groove Metal band Lamb of God began their sonic massacre to the total delight of their diehard fans. They played a pretty decent SETLIST, with powerful songs like Walk with Me in Hell, Laid To Rest and Redneck, all accompanied by their respective awesome disturbing videos depending of course on the lyric theme, showing random images of junkies, religious fanatics such as Jim Jones and his followers, among others. That was an amazing addition to the show, holding the attention of even who was not a fan of their music.

However, it was lead singer Randy Blythe who stole the show with his close interaction with the audience, especially his funny jokes and messages, like when he said Dee Snider is one of his biggest idols (as they both have their issues with the law), his admiration for the badass names “Saskatoon, Saskatchewan”, and mainly when he asked everyone to give him a huge fuckin’ “WOOOOOO!” in honor of the Nature Boy, the one and only wrestling legend Ric Flair. And I guess I don’t need to mention anything about the insane mosh pits, right?

Band members
Randy Blythe – vocals
Mark Morton – guitar
Willie Adler – guitar
John Campbell – bass
Chris Adler – drums

SLAYER

IMG_2909You don’t need to ask anyone what you should or should not play when you’re FUCKIN’ SLAYER! At 9:15pm, American Thrash Metal behemoths tamed the Molson Canadian Stage for a brutal performance that almost devastated the whole island, bringing even the “plague” (or tons of mosquitoes) to Heavy Montréal (according to Tom Araya himself) and closing the festival on a perfect note. The most evil band in the world didn’t play any new songs, not even the recently released Implode, and of course there were no fuckin’ “requests” in their SETLIST. They simply chose to stick to their basics instead, bombarding each fan attending the concert with undisputed Thrash Metal classics such as War Ensemble, At Dawn They Sleep, Spirit in Black, Disciple, Raining Blood, Die By the Sword and Angel of Death.

It was another flawless performance by Tom Araya, Kerry King, Gary Holt and Paul Bostaph, and one thing must be said about Gary and Paul: they had some absurdly humongous shoes to fill when they replaced the gods Jeff Hanneman and Dave Lombardo, but their synergy with the other guys and their passion for heavy music make it look like they’ve always been with the band. Gary Holt is a guitar beast, as I’ve said a billion times already, and Paul Bostaph is so awesome he makes playing drums look like it’s the easiest thing in the world.

In between the songs and all the sick circle pits happening all over the festival, Tom Araya thanked the fans a thousand times for being there, saying they were the reason for that kind of festival to exist. He seemed really happy and honored by how loud everyone was screaming their names and singing their songs during the entire concert. In addition, he also tried to send some meaningful messages to the crowd while introducing some songs, like when he mentioned the horrible conflict that’s happening now between Israel and Palestine, before playing the masterpiece Die By the Sword. Do I need to say a “Slayer by Request” is totally unnecessary, especially when a band is so impressive as they are, no matter what they choose to play? I believe all the “SLAYER! SLAYER! SLAYER!” screams that echoed really loudly at the venue when the concert was over, at all subway stations and even at a McDonald’s where I had a pit stop to get some food can answer that.

Band members
Tom Araya – vocals, bass
Kerry King – guitar
Gary Holt – guitar
Paul Bostaph – drums

FINAL THOUGHTS

This was probably the best edition in the history of Heavy Montréal, because not only the main-eventers were brilliant, but mainly because the way everything was set up made the whole experience really pleasant for any type of person attending the festival. For instance, the extra stage this year allowed even more independent and/or newer bands to get known by the audience, the continuation of the Heavy Mania Stage was a great success, and the Heavy Montréal 2014 App was more than helpful for everybody.

Moreover, I don’t remember seeing any incidents during both days at Parc Jean-Drapeau. I cannot believe it’s 2014 and some idiots keep insisting on saying headbangers are violent people, when in fact we’re the most easy-going people in the whole fuckin’ world. Anyway, it’s time to recover from those two intense days, work, study, listen to metal and enjoy the local concerts wherever you are, until a new edition of Heavy Montréal is forged in the fires of heavy music next year for our pure delectation. What are your thoughts about Heavy Montréal 2014? Which attractions did or did not meet your expectations? And who do you want to see at Heavy Montréal 2015? Leave your comments below (if you have any) and, of course, keep listening to heavy music.