Album Review – Jessica Wolff / para dice (2020)

An unstoppable Finnish singer and her loyal “Wolffpack” will rock your world with their electrifying new album of modern-day Hard Rock.

The stunning Helsinki, Finland-based Hard Rock vocalist Jessica Wolff is a very busy young Finnish artist who’s not only committed to music, but she is also into acting, practicing kung fu and doing stunt work. However, behind the actions of this adrenaline junkie, you’ll find a warm-hearted girl with a striking personality, which is beautifully reflected in the music, in the catchy melodies and in the thought-provoking lyrics of her brand new album titled para dice, the follow-up to her 2013 album Renegade and her 2017 release Grounded, being highly recommended for fans of Pink Floyd, Joan Jett and Morcheeba, among others. Produced by Jonas Olsson, para dice, which title refers to going against the stream and daring to take risks in life if you want to achieve your goals, will offer your avid ears a direct and entertaining fusion of Hard Rock and Rock N’ Roll, showcasing all the talent by Jessica and her “Wolffpack” formed by guitarists Ari Manninen and Sebastian Lindqvist, bassist Taneli Tulkki and drummer Jarno Vanhanen.

Ari and Sebastian begin slashing their strings in great fashion in the opening track Ella’s Song, providing Jessica exactly what she needs to shine on vocals in a thrilling hybrid of modern-day Hard Rock with classic Rock N’ Roll. Not only that, this song is particularly special for Jessica and a little girl named Ella. “A couple of years ago I saw a post from the charity organization called Brother Christmas. It was about a girl who had been so school bullied she didn’t dare to go outside the house.  I contacted her mother and offered to come and hang out with Ella, talk, take walks or work out. I started to meet Ella who opened about her story. Ella is a true fighter with the heart of an angel. Her story really touched me and I asked if we could write a song about it,” said Jessica about the inspiration for such amazing tune. And keeping the adrenaline level truly high the band fires another dancing tune titled Perfect Kind Of Wrong, with Jarno dictating the rhythm with his classic beats while Jessica continues to embellish the airwaves with her piercing vocals, followed by All The Tight Things, a radio-friendly composition where Tanelli and his bass punches together with Jarno’s beats build a solid base for Jessica’s crisp vocals, while the band’s guitar duo delivers strident rockin’ riffs nonstop.

Then it’s time for a Blues-ish ballad by Jessica and the boys entitled The Sunny Side Of The Bay, with its delicate ambience being effectively boosted by Jarno’s minimalist beats, inviting us all to simply relax and enjoy the serene sounds and introspective lyrics of such enfolding song. In Kill Switch the unstoppable Jessica and her henchmen continue to venture through the gentle and passionate lands of rock ballads, but this time increasing their punch and electricity significantly and presenting a solid job done by both Ari and Sebastian with their riffs and solos, whereas in Fight Forever they blend contemporary Rock N’ Roll the likes of Paramore with the groove and heaviness of Hard Rock, also bringing forward another awesome vocal performance by Jessica supported by her loyal bandmates. Needless to say, this is a great option for hitting the road with your loved ones during the hot and fun days of summer.

The awesome Superhero offers us all a high dosage of acid lyrics with Jessica’s own feminine touch (“You say you need nobody / Here we go again why do you pretend / I see the pain inside you / You ain ́t fooling me, you ́re not a mystery / Yeah, come and look at mister cool, hey / Mister all the time, mister blow my mind, yeah / Come and look at mister fool, hey / I get so tired of your shit”) while at the same time presenting the heaviest riffs of the whole album, endless stamina and pounding beats, which together turn it into the best song of para dice hands down. Adding hints of Southern Rock to their Rock N’ Roll core essence, the band brings forth Demons, a headbanging tune where all guitar riffs and heavy beats create an interesting paradox with Jessica’s delicate but powerful vocals, while Take Me Away is another heavy ballad that keeps the momentum going with Jessica’s pensive vocal performance bringing a touch of finesse to the overall result while Taneli keeps hammering his bass, generating a welcome rumbling background sound. Lastly, closing the album we’re treated to the Rock N’ Roll extravaganza titled Strangers, offering the listener classic heavy riffs intertwined with lighter and more melodious moments and, therefore, putting a very pleasant and embracing ending to para dice.

If you’re more than curious to take a full and detailed listen at para dice, you can stream the album in its entirety on YouTube and on Spotify, but of course if you want to show your utmost support to such talented vocalist from the land of ice and snow you can purchase your desired version of the album by clicking HERE, as well as follow her on Facebook and on Instagram, and subscribe to her official YouTube channel. Jessica is definitely poised to become one of the biggest contemporary female singers of her homeland, following the steps of renowned vocalists such as Tarja Turunen (Nightwish, Tarja) and Suvi Hiltunen (Afire), with para dice representing a fantastic step in her career and the perfect path for her to follow in order to keep on rocking our world and our hearts with her classy and electrifying music.

Best moments of the album: Ella’s Song, Fight Forever and Superhero.

Worst moments of the album: All The Tight Things.

Released in 2020 Metalapolis Records

Track listing
1. Ella’s Song 3:14
2. Perfect Kind Of Wrong 3:45
3. All The Right Things 3:19
4. The Sunny Side Of The Bay 3:28
5. Kill Switch 3:44
6. Fight Forever 3:33
7. Superhero 4:09
8. Demons 3:23
9. Take Me Away 3:42
10. Strangers 3:08

Band members
Jessica Wolff – vocals
Ari Manninen – guitar
Sebastian Lindqvist – guitar
Taneli Tulkki – bass
Jarno Vanhanen – drums

Album Review – Häxan / White Noise (2020)

Three Welsh girls are ready to bring the noise armed with their first full-length album, always in the name of our good old Rock N’ Roll.

With an impressive array of live shows and festivals under their belt, including Download Festival, Monsters Of Rock Cruise, Rock The Boat Cruise and Hard Rock Hell, Cardiff, Wales-based all-female Hard Rock trio Häxan is ready to take the world of rock and metal by storm with their brand new album White Noise, a lecture in classic rock tailored for fans of the music by Led Zeppelin, Suzi Quatro, AC/DC and Black Sabbath. Recorded at Stompbox Studios in Wales, the album was produced, mixed and mastered by Todd Campbell (Phil Campbell and the Bastard Sons), who’s helped lead singer and guitarist Sam Bolderson, bassist Harriet Wadeson and drummer Jess Hartley reach a higher level with their music, all embraced by a straightforward and strong artwork by Matt Riste Illustration, and if you think the COVID-19 pandemic would stop the girls from embellishing the airwaves with their music you’re absolutely wrong. “We debated postponing the album launch until there was more certainty in our (and your) lives. We ultimately decided that so many of our fans and friends had been asking for this album for so long, that it was only right to continue with its launch and hopefully help to give everyone a little something to look forward to. We want White Noise to be able to mask the sounds of the uncertain outside world that’s around all of us currently, to allow people to escape it. It’s an opportunity to shut everything else out and enjoy the incredible potency of music.”

Let’s cut to the chase as it’s time to rock together with the girls from Häxan in the opening tune Damned If You Do, presenting elements from classic rock with the electrifying punk-ish sound blasted by bands like Volbeat, with Jess sounding fantastic on drums while Sam delivers sheer adrenaline with her spot-on riffs, followed by Killing Time, a mid-tempo headbanging tune led by the pounding drums by Jess accompanied by the crushing bass punches by Harriet, bringing a Survivor’s “Eye of the Tiger” vibe and, therefore, resulting in a lesson in 80’s Rock N’ Roll for admirers of the genre. After such great start the band offers us all Nine Lives, a Volbeat/Misfits-inspired composition by the trio where Sam and Harriet slash their strings beautifully while Sam blasts her delicate but potent vocals for our total delight. Needless to say, this is an amazing option for their live performances, which is also the case with Grave Digger, where the band ventures through more Blues-ish, Southern Rock lands. Furthermore, Sam poetically declaims the song’s lyrics while Jess keeps the song’s pace smooth and vibrant at the same time, not to mention the thrilling guitar solo blasted by Sam. And they keep smashing their instruments powerfully in the Hard Rock extravaganza Louder Than Words, with Harriet and Jess making the earth tremble with their thunderous bass and drums, also bringing to our avid ears soulful guitar riffs and solos and endless stamina.

In Black Sheep the trio gets back to a darker and groovier sonority, with Harriet hammering our heads with her fiery bass while Sam brings forward more of her charming vocals, sounding almost like a grim, badass rock ballad, whereas uniting the groove of Southern Rock with the old school Hard Rock by AC/DC Häxan offer us all the dancing Crash and Burn, with Sam’s vocals being nicely complemented by some crisp backing vocals, rockin’ guitar riffs and incendiary solos. In the flammable Skeletons, we’re treated to a high-speed, dirty pounding Rock N’ Roll party by the girls where Jess is unstoppable on drums, providing Sam all she needs to scream the song’s catchy chorus flawlessly (“Your skeletons are out to play, you thought you’d take them to your grave / You’ll always be the second best to demons that you’d laid to rest / Your skeletons are running wild, haunting you til the day you die / You believe what’s done is done, but you won’t ever run / From all your skeletons, skeletons”), before Living Dead closes the album in great fashion, albeit not as inspiring as the rest of the album, but still showcasing all the dexterity of the girls with Jess once again kicking ass with her beats together with Harriet’s rumbling bass jabs.

The talented and hardworking girls from Häxan are waiting for you on Facebook, on Instagram and on Spotify to rock your world like there’s no tomorrow, bu of course in order to show them your true support and to prove you deserve a place in the Rock N’ Roll heaven, go grab your copy of White Noise from their own BandCamp page, from Apple Music or from Amazon. In a nutshell, White Noise might not be a revolution in rock music, but that has never been the band’s intention anyway. Sam, Harriet and Jess just want to play pure, unfiltered rock music and give us all a very good reason for smiling, banging our heads and dancing the night away. After two astounding releases, those being their 2017 debut EP Breaking Down the Walls and now the top-of-the-line White Noise, what’s next for the girls from Häxan? Well, only time will tell, but we can all rest assured they will never sell out and will keep bringing the noise to our avid ears for many years to come, always in the name of our good old Rock N’ Roll.

Best moments of the album: Damned If You Do, Nine Lives and Skeletons.

Worst moments of the album: Living Dead.

Released in 2020 Independent

Track listing
1. Damned If You Do 4:50
2. Killing Time 4:07
3. Nine Lives 4:45
4. Grave Digger 5:03
5. Louder Than Words 4:07
6. Black Sheep 5:35
7. Crash and Burn 4:07
8. Skeletons 5:34
9. Living Dead 4:27

Band members
Sam Bolderson – vocals, guitar
Harriet Wadeson – bass
Jess Hartley – drums

Album Review – Puta Volcano / AMMA (2020)

A highly enterprising and unusual release by four Greek rockers who definitely know how to blend 90’s Seattle Grunge with Stoner and Southern Rock.

Athens, Greece-based Hard Rock/Post-Grunge quartet Puta Volcano has been building up their legacy and fanbase one gig, one album and one song at a time since their inception in 2012, having released their debut EP Represent Victory Below Eye that same year, their first full-length installment The Sun in 2015,  and more recently another EP titled Harmony of Spheres, in 2017, gaining notoriety in their homeland for their heavy mixture of Seattle Grunge with Stoner and Southern Rock, all with a Southeastern European twist. Already acknowledged in the Greek heavy rock scene, the band comprised of Anna Papathanasiou on vocals, Alex Pi on the guitar, Bookies on bass and Steve Stefanidis on drums is ready to take the world of heavy music by storm once again with their brand new opus AMMA, a highly enterprising and unusual release full of heft and verve, combining elements from the music by Alice In Chains, Melvins, Hole, A Perfect Circle, Kylesa and Baroness and, therefore, creating a tantalizing and electrifying sound.

Produced by Johnny Tercu, recorded by Alex Ketenjian, Nick Dimitrakakos and Alex Bolpasis and mixed and mastered by Alex Ketenjian and Johnny Tercu, all at Unreal Studioz in Athens, and featuring a classy artwork that’s the collective effort of artists Anna Papathanasiou herself and Laura Bricta, with an inner sleeve photo by Chrysalena Antonopoulou and logo and layout by Fuzz Ink., AMMA is a multi-layered and very entertaining album of rock music, bringing forward a collection of songs reflecting the whereabouts of a band who illustrates the well documented character of their craft, while simultaneously branching out to new territories using bits and pieces of novelties, making the exploration of each and every track of the album a detailed nit-picking adventure for the listener.

The inspiring an cinematic intro R-Entry prepares our ears and minds for the groovy Entropica, showcasing poetic lyrics declaimed by Anna (“Back from an endless slumber / Across event horizons / Silence where once was thunder / Ashes and rust surround me / I’m breaking / Having seen too many ends / I’m choking / Struggling to let go”) while Steve blasts some sluggish and potent beats accompanied by Bookies’ low-tuned bass, resulting in a lecture in Post-Grunge. Then again drinking from the same fountain as iconic bands like Pearl Jam and Soundgarden we have Venus Lullaby, presenting a beautiful sonority led by Alex’s distortions and Anna’s charming vocals, driving you absolutely addicted to her passionate performance, not to mention the song’s electrifying vibe; and venturing through more aggressive and harder lands the band offers us all First Light, a true headbanging Rock N’ Roll anthem with hints of classic Heavy Metal where Alex and Bookies are on fire with their stringed weapons, while Anna continues to shine on vocals.

Then a somber intro morphs into a Hard Rock and Grunge extravaganza titled Black Box, with Steve and Bookies hammering their instruments ruthlessly, therefore providing Anna all she needs to fire her Alice In Chains-inspired vocals and inspiring us all to bang our heads like there’s no tomorrow, followed by Sugar Cube, a more introspective creation by the quartet showcasing crisp and delicate guitar lines and beats, bringing to our ears that trademark Seattle sound with a nice Greek twist. The atmospheric bridge Echoing Icons sets the stage to the exciting Primitive Data, another explosion of Post-Grunge with gorgeous lyrics (“Like raindrops on the sea / Break stillness and riple the veil / I fall from blackest space / A flailing newborn / Heliacal rising again / More shadows in my head / I left my center back home / A lifetime ago”), also showcasing the ass-kicking shredding by Alex and the fierce drumming by Steve.

Wicked guitars and deep, dark vocals permeate the air in Apnea, again exploring 90’s Grunge grounds with metallic nuances, flowing smoothly until its crisp ending, whereas Torus sounds groovier than all previous songs thanks to the potent bass jabs by Bookies, presenting stunning performances by all band members with Steve slamming his drum kit mercilessly, living up to the legacy of the Seattle sound. After such enfolding sonority it’s time for Puta Volcano to enhance their heaviness and rage in Space Blanket, a very melodic, sinister and vibrant song where Anna sounds as dark and devilish as possible and with Alex having another amazing performance with his riffs and solos, while ethereal sounds ignite the closing tune titled Kassandra’s Gift, led by Anna and her whimsical voice before the entire band comes crushing our senses one last time in a lesson in modernity and progressiveness.

The excellent AMMA is available for a full and detailed listen on YouTube and on Spotify, but of course if you want to show your true support to Puta Volcano you should definitely purchase the album from their own BandCamp page or from Apple Music, or simply click HERE for all locations where you can grab a copy of the album or simply stream it. Also, don’t forget to follow them on Facebook, Instagram and YouTube, with AMMA working as the utmost representation of everything the band stands for, their talent and their strong focus on what they do, leaving us all eager for more of their music and pointing to a fantastic future for such distinguished Greek quartet with their Seattle-inspired sound.

Best moments of the album: First Light, Black Box, Primitive Data and Space Blanket.

Worst moments of the album: Sugar Cube.

Released in 2020 The Orchard

Track listing
1. R-Entry 0:42
2. Entropica 4:28
3. Venus Lullaby 3:45
4. First Light 3:41
5. Black Box 4:20
6. Sugar Cube 3:18
7. Echoing Icons 1:41
8. Primitive Data 4:32
9. Apnea 2:43
10. Torus 4:15
11. Space Blanket 4:15
12. Kassandra’s Gift 5:47

Band members
Anna Papathanasiou – vocals
Alex Pi – guitar
Bookies – bass, backing vocals
Steve Stefanidis – drums

Album Review – WildHeart / No Love (2019)

Highly inspired by classic Hard Rock and Glam Metal from the 80’s, this five-piece act from Belgium will take you on an electrifying journey back to the Sunset Strip anno 1986.

Hailing from Ninove, a city and municipality located in the Flemish province of East Flanders in Belgium, Hard Rock outfit WildHeart is a young and hungry band with a great passion for and highly inspired by classic Hard Rock and Glam Metal from the 80’s such as Whitesnake, RATT, Mötley Crüe, Dokken and Van Halen, taking you on a journey back to the Sunset Strip anno 1986 with their fun and vibrant music. Having the debauchery on stage and a carefree Rock N’ Roll vibe as their top priorities, the band comprised of frontman Farty, guitarists Foxx and Juice, bassist Stevie Dee and drummer Thunderberck is offering to our ears now in 2019 their sophomore album entitled No Love, a follow-up to their also excellent self-titled debut album released in 2016.

Produced by Joren Cautaers and mastered at Mass Destruction Production in Sweden by none other than Erik Martensson, known from bands like Eclipse and W.E.T., No Love is a thrilling feast of rockin’ tunes and sounds tailored for diehard fans of the genre who are always eager to meet new bands playing that classic sonority from around 30 years ago. Even the band’s attire seems to be taken from the golden years of Glam and Heavy Metal, looking like a more serious (but still uncompromising) version of our beloved Steel Panther and really old school Van Halen.

The old school intro The Mirror grows in intensity until A Stranger’s Eyes comes crushing our heads and warming up our hearts, exhaling pure Hard Rock for lovers of the music by Motley Crüe and Poison, with the blazing riffs by Foxx and Juice dictating the song’s frantic rhythm while Farty powerfully declaims its lyrics. After such powerful start, it’s time to put on your tight leopard pants and get ready to bang your head with the band in Nothing but Trouble, a song that sounds as if it was taken straight from an album recorded in the 80’s, with Thunderberck pounding his drums with a lot of precision and Stevie Dee adding the word “metal” to the musicality armed with his bass punches; whereas a catchy riff ignites the headbanging Dutch Courage, where all band members showcase their deep passion for Glam Metal in over five minutes of first-class rock music for the masses. Moreover, Farty steals the spotlight with another fantastic vocal performance, while the band’s guitar duo breathes fire with their refined solos.

The title-track No Love leans towards classic Skid Row with hints of Survivor’s all-time hit “Eye of the Tiger”, with the sync between guitars, beats and bass being simply amazing, therefore resulting in an energizing tune that should sound beyond electrifying if played live. Then showcasing an Iron Maiden’s “From Here To Eternity”-inspired riff, led by Thunderberck’s crushing beats and presenting a pure 80’s vibe, One Way Ticket to Paradise is more than perfect for singing along with the band or enjoying it while having a relaxing ride on the highway on a summer day; and WildHeart keep hitting our heads hard with their old school music in Rumours, a song that feels like a power ballad at times, but still bringing the groove and punch from faster rock songs. Needless to say, Farty once again delivers a great performance on vocals, not to mention the band’s usual incendiary guitar solos.

Now rev up your engines for a mid-tempo Hard Rock extravaganza entitled Good to Be Bad, infused with the heavier sounds by bands like Judas Priest and Primal Fear (especially during the song’s scorching hot, metallic riffs), turning it into a great metal hymn perfect for raising your fists in the air together with the band. The Winner’s Always Right is another explosion of classic rock and metal spearheaded by Foxx’s and Juice’s unstoppable axes, while Thunderberck keeps slamming his drum set in great fashion. Well, this song definitely asks for a colorful bandana, don’t you think? Anyway, adding hints of classic Rock N’ Roll and Southern Rock to their old school musicality, this rockin’ quintet offers us the fun and fresh Valerie, and you’re already aware that every single time a Hard Rock band writes a song named after a girl, the final result exhales awesomeness. Lastly, WildHeart probably thought it was a good idea to close the album with a true headbanger, and that’s exactly what we get in Tonight We Rock, bringing to our avid ears a flammable fusion of the music by Van Halen with Scorpions, hence making it impossible to stand still to the dynamic riffs and beats blasted by the band while Farty delivers what’s perhaps his most inspired vocals of the whole album.

No Love, which by the way is available for a full and delicious listen on Spotify, is more than just another album of Hard Rock. It’s a passionate, detailed and very honest tribute from WildHeart to all of their heroes from the 80’s, working as some sort of “time machine” for everyone who loves that classic rock sonority that has been embellishing the Sunset Strip for over 30 years. Having said that, don’t forget to show those Belgian metalheads you true support and admiration by following them on Facebook, by subscribing to their YouTube channel, and of course by purchasing your copy of No Love from several locations like Apple Music. After listening to No Love, I caught myself wondering if there’s a street that can be named the “Belgian Sunset Strip” in WildHeart’s homeland, having those obstinate rockers as one of the greatest new names of European Hard Rock and Glam Metal.

Best moments of the album: Dutch Courage, One Way Ticket to Paradise and Tonight We Rock.

Worst moments of the album: None.

Released in 2019 WildHeart Records

Track listing
1. The Mirror 1:12
2. A Stranger’s Eyes 5:21
3. Nothing but Trouble 5:00
4. Dutch Courage 5:09
5. No Love 5:03
6. One Way Ticket to Paradise 5:13
7. Rumours 6:12
8. Good to Be Bad 4:33
9. The Winner’s Always Right 4:43
10. Valerie 4:46
11. Tonight We Rock 4:47

Band members
Farty – vocals
Foxx – guitar
Juice – guitar
Stevie Dee – bass
Thunderberck – drums

Album Review – Blood Red Saints / Pulse (2019)

Enjoy this great album of Hard Rock highly recommended for anyone whose heart beats faster and whose veins pulse harder whenever good rock is played.

When British Melodic Hard Rock band Blood Red Saints was formed back in 2014 in the city of Manchester, having their name inspired by a semi-legendary motorcycle speedway team called The Blood Red Saints, formed in the late 1920’s in Brooklyn, New York, their main goal was to offer fans of our good old Rock N’ Roll a huge dosage of catchy choruses, groovy riffs and endless electricity, culminating with the release of their debut album Speedway, in 2015, followed by their sophomore installment Love Hate Conspiracies, from 2018. Now it’s time for this talented UK band comprised of vocalist and bassist Pete Godfrey, guitarists Lee Revill and Neil Hibbs, and drummer Andy Chemney to strike again with their third full-length album, titled Pulse, presenting a more modernized but still very melodious sound.

Featuring 11 tracks all written by Pete and Lee, Pulse has a more contemporary edge than the band’s previous efforts, pushing the boundaries of their trademark Melodic Rock and traditional Hard Rock. And the band summarized what you can except from Pulse in some very straightforward but meaningful words. “This album is more personal, dealing with life events of the past year but still maintaining a positive stance, everybody brought their best to this recording, no compromises, no excuses, simply the best 11 songs we could write and we are proud of the results, after all, without music and fun, what is there?” With that said, are you ready to rock with Blood Red Saints to the music from their brand new and well-balanced album of modern-day Rock N’ Roll?

Serene piano notes kick off the groovy and stylish Believer, with both Lee and Neil blasting raw but at the same time very melodic riffs in a feast of Melodic Rock infused with Southern Rock and even Sludge Metal elements, being absolutely fantastic for open air concerts; whereas Animals is highly inspired by 80’s and 90’s Hard Rock, sounding at times like a more Rock N’ Roll version of bands like Motley Crüe and Bon Jovi, with Andy keeping the energy level high with his precise beats (not to mention how piercing the guitars sound). Then, even more Bon Jovi-inspired than its predecessors, the ballad Cross To Bear has a romantic vibe led by Pete’s passionate vocals, being a born-to-be-a-radio-hit Hard Rock tune that also presents a soulful guitar solo to add an extra kick to its overall sound.

In the excellent Invincible we’re treated to a movie-inspired beginning that gradually morphs into a pleasant and very melodic display of contemporary Hard Rock, or in other words, it’s 80’s music with a modern twist led by Pete’s spot-on vocals and the fiery riffs and solos by the band’s guitar duo Lee and Neil. Then putting the pedal to the metal and sounding more hardcore and punk-ish the band offers us I’m Your Devil, a dancing and heavy tune where the backing vocals are exactly what Pete needs to boost his vocals; and after such thrilling ride it’s time to slow things down with another classic ballad by the quartet entitled Crash Into Me, a good song with heavy guitars intertwined with acoustic moments that unfortunately falls flat after a while. Things get back to normal (and by “normal” I mean “awesome”) with the title-track Pulse, a headbanging creation by Blood Red Saints that will please all fans of contemporary rock music, with its backing vocals once again being extremely effective from start to finish.

Message To God is another song perfect for enjoying a cold beer in the name of Rock N’ Roll, with both Lee and Neil slashing their strings beautifully, presenting more complex and progressive passages as well as the best guitar solo of the entire album in my humble opinion, while Warrior is an inspiring ballad showcasing a precise Andy on drums and another touching performance by Pete on vocals, with the sound of guitars bringing that always-welcome extra touch of epicness to the music. In the heavy What Have We Become the band goes full Southern Rock, but still maintaining their Hard Rock core essence intact, resulting in another one of those heavier-than-usual songs that could easily be played on any radio station worldwide, before the ballad Bring Me To Life closes this entertaining album of Hard Rock on a high note by providing the listener a beautiful amalgamation of heavy and acoustic sounds with Lee and Neil being in total sync and, therefore, allowing Pete to simply nail it on vocals.

In a nutshell, Pulse might be exactly what you’re searching for in the alternative rock scene, bringing all elements from past and present in a very compelling and neat package. Hence, go grab your copy of such nicely crafted album (available for a full listen on Spotify) directly from the band’s official website, from the AOR Heaven webstore, from the Nuclear Blast webstore, from iTunes or from Amazon, and don’t forget to follow them on Facebook for news, tour dates and other nice-to-know details. Blood Red Saints sound modern, fresh and vibrant, but at the same time always loyal to the foundations of Rock N’ Roll, turning Pulse into a beyond recommended options for any fan of rock music whose heart beats faster and whose veins pulse harder whenever some high quality, very melodic Hard Rock and Rock N’ Roll music is played.

Best moments of the album: Invincible, I’m Your Devil and Message To God.

Worst moments of the album: Crash Into Me.

Released in 2019 AOR Heaven

Track listing
1. Believer 3:57
2. Animals 3:54
3. Cross To Bear 5:10
4. Invincible 4:34
5. I’m Your Devil 4:00
6. Crash Into Me 4:16
7. Pulse 3:13
8. Message To God 4:36
9. Warrior 5:08
10. What Have We Become 4:13
11. Bring Me To Life 4:07

Band members
Pete Godfrey – vocals, bass
Lee Revill – guitars, backing vocals
Neil Hibbs – guitars, backing vocals
Andy Chemney – drums, backing vocals

Album Review – The Wandering Ascetic / Crimson (2019)

Drawing influences from the Hellenic Black Metal scene, here comes a Singaporean squad armed with their brand new album of dissonant and hypnotic sounds.

Formed in 2011 in Singapore by Kathir, vocalist and bassist for Rudra, an iconic Death and Black Metal act from the local scene, The Wandering Ascetic are making a name for themselves in the underground of heavy music by blasting a more exemplary black and thrash sonority without the Indian classical instruments seen in the music by Rudra, but still retaining their trademark spiritual fervor. Accompanied by guitarist Vinod (also from Rudra), bassist Jayakumar and drummer Kannan K, Kathir and his The Wandering Ascetic draw their influences from the Hellenic Black Metal scene (as well as obviously from Rudra), generating dissonant, hypnotic sound s infused with crushing riffs and grooves, elevating their music and art to a whole different level.

After the release of their debut EP titled Manifest Destiny, in 2013, it’s time for The Wandering Ascetic to smash our senses once again with their first full-length opus, the excellent Crimson, featuring a life-transforming artwork by Mark Riddick (Fetid Zombie) and layout by Turkka Rantanen (Demilich, Demigod). Comprised of 10 unrelenting songs ranging from pure old school Black Metal to modern-day Southern Rock and Groove Metal, Crimson is a solid and very entertaining statement by The Wandering Ascetic in a scene that seems stagnant at times, showing how powerful Singaporean metal can be and, as a consequence, opening several doors in the international market for the band.

Vinod begins his slashing attack accompanied by Jayakumar’s thunderous bass in Eva Braun, with Kathir roaring demonically for our total delight in a Black and Death Metal attack spiced up by hints of Progressive Metal, flowing darkly until its eerie end; then the tribal beats by Kannan K ignite another obscure composition named I Sing the Body Electric, showcasing an obscure rhythm inspired by old school Black and Doom Metal tailored for fans of the genre where the guitar lines by Vinod sound as flammable as they can be. Bringing elements form the music by Gojira, Mastodon and Tool we have the beautifully titled The Exorcism of Mrs. Doe, a very intricate and sulfurous tune where Jayakumar and Kannan K generate a dense and disturbing atmosphere with their weapons, followed by The Gods Bleed!, a song perfect for breaking your neck headbanging spearheaded by Vinod’s devilish riffs, while Kathir continues to vociferate like a demonic entity, not to mention how metallic and impactful Jayakumar’s bass punches sound and feel.

Beast of Burden presents more melody blended with sheer darkness in the form of modern-day Death and Black Metal, with Vinod being on absolute fire with his riffs and solos while the gnarls by Kathir only get more and more infernal, and The Wandering Ascetic keep hammering our heads with their crushing sonority in The Will to Live, where all four band members make sure we don’t stop banging our heads to their vicious music, with highlights to Kathir’s enraged growls and Vinod’s ass-kicking guitar solo. After such high level of devastation, it’s time to dive deep into the crypts of Hades with those Singaporean metallers in To Hell, Back and to Hell Again, a classic, straightforward metal extravaganza with elements from the dirty Rock N’ Roll played by bands like Motörhead and Chrome Division, which obviously means it kicks some serious ass.

Here for the Good Things keeps the album at a very good level of malignancy and hatred despite sounding a bit generic (or I should say less inspired than the other songs), with Vinod slashing his guitar in a very precise and aggressive manner; and the cutting sound of his guitar is once again the main ingredient in the visceral Assassins, displaying some hypnotizing instrumental parts, in special Vinod’s guitar solo, while Kannan K doesn’t let the energy go down by smashing his drums nonstop. Finally we have Orang Laut, an ominous and grim blast of extreme music highly inspired by classic Doom Metal, with Vinod and Jayakumar extracting the most Stygian sounds from their strings and with the music ending as dark as anyone can imagine.

It’s not always that we have the pleasure of facing high-end metal music from such distinct country, completely out of the North American and European markets, and we metalheads should not only thank The Wandering Ascetic for that by following them on Facebook, but mainly by purchasing their new album Crimson from their own BandCamp page, from the Transcending Obscurity webstore, or from other retailers like Target. Crimson might not be considered a true revolution in music, but the four guys from The Wandering Ascetic definitely put on a lot of energy, creativity and passion in the writing, composing and recording of the album to ensure they were not just playing “more of the same”. Quite the contrary, Crimson does sound very unique and compelling, elevating the name of Singapore in the world of heavy music and paving a very interesting future for the quartet.

Best moments of the album: I Sing the Body Electric, The Gods Bleed! and To Hell, Back and to Hell Again.

Worst moments of the album: Here for the Good Things.

Released in 2019 Transcending Obscurity Asia

Track listing
1. Eva Braun 5:18
2. I Sing the Body Electric 4:46
3. The Exorcism of Mrs. Doe 4:28
4. The Gods Bleed! 4:42
5. Beast of Burden 4:01
6. The Will to Live 3:15
7. To Hell, Back and to Hell Again 3:10
8. Here for the Good Things 4:10
9. Assassins 5:04
10. Orang Laut 3:12

Band members
Kathir – vocals
Vinod – lead & rhythm guitars
Jayakumar – bass
Kannan K – drums

Album Review – DeeVer / You Need This (2019)

If you also think Rock N’ Roll is not dead and you enjoy all modern shapes and forms of the genre, you definitely need this album made in the UK.

Hailing from Darlington, a large market town in County Durham, in North East England, Deever are a modern Hard Rock band with Heavy Metal influences who are making a name for themselves in their homeland, delivering an onslaught of aggressive riffs and captivating hooks with a distinct British edge highly recommended for fans of Foo Fighters, Muse, Shinedown and several other bands that play a heavier version of our good old Rock N’ Roll. Now in 2019 it’s time for vocalist and guitarist Wil ‘Billy’ Taylor (from Inglorious) together with his henchmen Stevie Stoker on the guitar, Phil Appleton on bass and Dan ‘Higgy’ Higgins on drums to show us what they got with their debut album, titled You Need This, all in the name of rock and metal music.

“I love the classics when it comes to rock music, and I’ll always appreciate my time with Inglorious. All of the guys are extremely talented musicians and we shared some things most people don’t get the opportunity to do. Things change though, and I knew I wanted to do something different that suited me, something more contemporary based musically. Now I’m in a band back home with some of my best mates, hammering out the hard stuff and having a great time doing so. It’s reminded me of all the reasons why I wanted to do music in the first place! We all love what we are doing and are very excited for where DeeVer is heading,” commented Billy about his new band and what to expect when you hit play and let the music found in You Need This invade your senses.

Rev up your engines to the sound of the dirty riffs by Billy and Stevie, who lead a Stoner Metal and Hard Rock onrush of sounds titled Fire At Will, a song perfect for sharing a beer with your friends at a rock n’ roll pub while Higgy pounds his drums like a beast. Then Phil shakes the foundations of the earth with his groovy bass, igniting another modern and vibrant rockin’ party entitled All Come Running, with its guitars and bass walking hand in hand, therefore generating a fun atmosphere for our total delight; and it’s Phil who once again kicks things off in the also thrilling Alright, a well-balanced and dense mix of Hard Rock and Rock N’ Roll infused with Southern Rock, Grunge and even Progressive Metal nuances, or in other words, a born-to-be-a-radio-hit beautifully crafted by the quartet.

Back Down presents hints of Glam and Hair Metal but without sounding cheesy at all; quite the contrary, it’s a vibrant feast of razor-edged riffs and rhythmic beats perfect for dancing the night away, with Billy kicking some ass with his spot-on vocals, whereas in Waves the band speeds things up a bit, even bringing elements from Punk Rock to their sound, with Billy, Stevie and Phil being on fire with their stringed weapons while Higgy keeps the energy level truly high through his precise beats. And the party goes on with Parachute, where a headbanging start gradually morphs into a more melodic musicality, alternating between heavier and more serene passages (which is also reflected in Billy’s vocals), getting too radio-friendly at times but still very enjoyable; and back to a more aggressive, rockin’ attitude, the band offers our avid ears the fast and punk-ish Only Enemy, where Billy’s vocals get an amazing support from the backing vocals by the rest of the band, while the song’s slashing riffs and thunderous bass punches will pierce you head, reaching deep inside your mind.

Drinking from the fountain of Alternative Rock and Metal, Phil and Higgy build a rumbling background for Billy and Stevie to attack with their stringed weapons in We Are, setting the tone for the next tune, simply titled Jim, a fast-paced, straightforward Rock N’ Roll composition tailored for fans of bands like foo Fighters and Breaking Benjamin where the sound of guitars nicely complements the precise vocals by Billy. Put differently, it could easily be part of the soundtrack of any teen or rock n’ roll movie in my humble opinion. Lastly, I Am The Cavalry, the closing song of the album, brings more of the band’s modern-day Hard Rock, being led by Higgy’s potent beats while the rest of the band continues to extract sheer electricity and thunder from their strings.

In a nutshell, if you’re a fan of both old school and contemporary rock music, as the title itself already says, “you need this” album in your collection, and in order to grab your copy of such electrifying display of modern-day heavy music simply go to the band’s Big Cartel, to iTunes or to Amazon, and show your support to DeeVer by following them on Facebook and by listening to their music on Spotify. Billy and the boys did an amazing job in You Need This, proving one more time that as long as there are people out there who love, live and breathe rock and meta; like the guys from DeeVer, Rock N’ Roll will never die.

Best moments of the album: All Come Running, Back Down and Only Enemy.

Worst moments of the album: Parachute.

Released in 2019 Independent

Track listing
1. Fire At Will 3:47
2. All Come Running 3:45
3. Alright 3:44
4. Back Down 3:44
5. Waves 3:24
6. Parachute 3:44
7. Only Enemy 3:30
8. We Are 3:26
9. Jim 3:33
10. I Am The Cavalry 3:50

Bonus track
11. Only Enemy (Radio Edit) 3:27

Band members
Wil ‘Billy’ Taylor – vocals, guitar
Stevie Stoker – guitar, vocals
Phil Appleton – bass, vocals
Dan ‘Higgy’ Higgins – drums

Album Review – Afire / On the Road From Nowhere (2018)

Uniting the beauty of old school Rock N’ Roll and Hard Rock with a modern twist, this awesome Finnish band is ready to take you on a ride on the road from nowhere with their debut full-length album.

As I mentioned in my review for their debut self-titled EP last year, anyone who got in contact with the music by Finnish Hard Rock outfit Afire was probably desperate for more of their music in a not-so-distant future due to the extreme quality, energy and harmony flowing from the three tracks presented by the band at that time. Fortunately for all of us, admirers of our good old Rock N’ Roll, this electrifying Oulu-based band wasted no time and brought forth now in 2018 their debut full-length installment, titled On the Road From Nowhere, a lesson in Melodic Hard Rock perfect for hitting the road, the gym, a special party with your loved ones, or anywhere else where classy and vibrant rock music is certainly needed.

With the same lineup as their debut EP, that being the stunning Suvi Hiltunen on vocals, Sami Kukkohovi (Sentenced, Kypck) and Antti Leiviskä (Poisonblack) on the guitars, Harri Halonen (Impaled Nazarene) on bass and Tarmo Kanerva (Poisonblack) on drums, Afire are indeed on absolute fire in On the Road From Nowhere, uniting the beauty of old school Rock N’ Roll and Hard Rock with a modern twist and the always pleasant Scandinavian melodic waves in each one of the album’s ten powerful songs. Furthermore, bassist and songwriter Harri Halonen had a few nice comments about the album. “I’ve had a bunch of songs for quite a while, but for which I didn’t have an outlet, so we started Afire. With Suvi’s vocal lines and lyrics, the songs started molding into their current shape, and we finished them together. Lyrically the album is about leaving, departing. It’s not a theme album, but the lyrics do revolve around the subject anyhow,” said the talented Harri, inviting the listener to join the band in their rockin’ voyage.

And the album kicks off with a revamped version of their 2017 song The One to Take the Fall, sounding crisper and clearer than the original version thanks to the top-notch album production. Once again it’s a pleasure to listen to Suvi embellishing the airwaves with her vocals, while Sami and Antti deliver that catchy riff that made me enjoy this song so much from the very first listen last year. Their guitars keep invading our senses while Tarmo dictates the rhythm in the headbanging Not Coming Home, where they nailed it one more time in a lesson in modern-day Rock N’ Roll, setting the bar absurdly high in On the Road From Nowhere; followed by Let Me Be the One, a power ballad where Suvi shines with her passionate vocal lines while the rest of the band keeps the rhythm vibrant and impactful, with highlights to the potent bass punches by Harri, rumbling the ground like there’s no tomorrow.

Let’s keep raising our horns and enjoying a cold beer while witnessing Suvi and her henchmen kicking ass in Nowherefound, another classy and thrilling composition by the quintet where the stringed trio Sami, Antti and Harri are in total sync from start to finish, whereas Tired of Being Broken is a more serene and introspective born-to- be-a-radio hit tune, with Harri and Tarmo building a solid background for the guitar riffs and solos to soar high together with Suvi’s potent vocals. Then drinking from the fountain of renowned rock and metal acts such as Volbeat, Godsmack and contemporary Metallica the band offers us the awesome Veiling the Tears, adding elements from Southern Rock and Metal to their already thunderous sonority and with the solos by Sami and Antti bringing an extra dosage of electricity to the overall result. Once again venturing through the realms of power ballads we have Shining Through, bringing forward a solid instrumental that works well in providing Suvi what she needs to give another potent vocal performance, keeping the album at a sensational level of energy.

Following a similar pattern as its predecessor, Rotten to the Core also presents a dense and complete sonority; it sounds a bit too generic, though, when compared to the rest of the album, but its guitar solos are powerful and sharp as usual. Strangers Again, the second song from their debut EP, was also upgraded to a more metallic version, sounding crystal clear which means we can all appreciate Suvi’s vocals and the band’s riffs in more detail, translating the whole experience into sheer awesomeness, and closing the album we have another 2017 song the band re-recorded, Forevermore, a fantastic ballad showcasing a focused and talented band delivering beautiful and passionate Rock N’ Roll to soothe our souls.

Do you want to know more about Afire and listen to more of their stylish Hard Rock made in Finland? All you have to do is follow them on Facebook for news and tour dates (and I wouldn’t miss the chance to see them live if I lived in Finland, by the way), and buy your copy of their ass-kicking album On the Road From Nowhere, available also on Spotify, from Record Shop X, from the Inverse Records webstore, or from iTunes. And there you have Suvi and the boys ready to take you on a fun and pleasant ride “on the road from nowhere” anytime you want, all in the name of Rock N’ Roll.

Best moments of the album: The One to Take the Fall, Not Coming Home and Veiling the Tears.

Worst moments of the album: Rotten to the Core.

Released in 2018 Concorde Music Company

Track listing
1. The One to Take the Fall 3:30
2. Not Coming Home 3:42
3. Let Me Be the One 4:36
4. Nowherefound 4:50
5. Tired of Being Broken 4:36
6. Veiling the Tears 4:06
7. Shining Through 4:04
8. Rotten to the Core 4:12
9. Strangers Again 3:49
10. Forevermore 5:33

Band members
Suvi Hiltunen – vocals
Sami Kukkohovi – guitar
Antti Leiviskä – guitar
Harri Halonen – bass
Tarmo Kanerva – drums

Album Review – Moonshifter / Love Lust Fire Dust (2018)

A lesson in classic Hard Rock with a modern and fresh Australian twist, turning all the band’s love, lust, fire and dust into an ass-kicking Rock N’ Roll party.

Forged in the melting pot of some of Melbourne’s most notorious and rocking venues such as The Espy, The Tote, Bendigo Hotel and Cherry Bar, among many others, Australian Hard Rock act Moonshifter determined from their inception to always “keep it fun”, in line with everything that’s done by some of their biggest icons in rock music like AC/DC and Kiss. After a few singles that led to the band being played and interviewed on local community radio shows and TV stations, which of course also resulted in an increase in their number of live concerts, it’s time now for frontman Lachlan Cross, guitarists Wayne Elkin and Mark Cambruzzi, bassist Andy Baker and drummer Mike Cato to release their debut full-length album Love Lust Fire Dust, showcasing their focused brand of rock and groove with stratospheric lead vocals, hypnotic guitar solos, thundering bass and drums encased by addictive guitar riffs.

Are you ready to rock? That’s the main question Moonshifter have in the opening track Dirty Mind, a kick-ass blend of old school Rock N’ Roll and 80’s Hard Rock with the band’s inspired guitar duo blasting sheer electricity through their sharp guitars, while Lachlan beautifully declaims the song’s lyrics about how he wants a woman with a filthy, lustful mind. Then in I Am Yours, You Are Mine we’re treated to a 70’s-inspired Rock N’ Roll extravaganza led by the griping beats by Mike, while Wayne and Mark keep blowing our ears with their riffs and solos, not to mention how catchy the song’s chorus is; followed by Mountain, where hints of Progressive Rock the likes of Rush are added to the band’s classic Hard Rock, resulting in a great choice for any road trip playlist, also presenting a solid performance by Lachlan on vocals as well as Andy and his soulful bass lines.

Leave You Baby is a song to dance with your loved one like in a 60’s or 70’s rock n’ roll party, but of course with a modern (and consequently more incendiary) twist thanks to the flammable guitar lines and fierce beats fired by Moonshifter. After dancing the night away it’s time to take a break from all the band’s rockin’ madness with a melancholic ballad titled I Keep This Light, led by the passionate vocals by Lachlan, who’s by the way nicely supported by the spot-on backing vocals by the rest of the band and by the stunning guitar solos by Wayne and Mark, while in So Much More they get back to their unrelenting Rock N’ Roll mode, with vocals and drums overflowing groove and electricity. Put differently, this is a short and sweet ode to rock and metal that will certainly put everyone to dance or slam into the pit during their live concerts. And in Burnin’ Alive, a song tailored for sharing a beer with your pals and banging your head nonstop, there’s more vibrant rock music for your avid ears, this time inspired by Southern Rock, which proves how versatile Moonshifter are as a band.

Whoever Emily is, she might be very happy with the tribute Moonshifter paid to her in the form of a modern Hard Rock hymn named Oh Emily, where Andy and Mike are responsible for crafting a strong base for the guitars to shine while Lachlan declaims his twisted love for our main character. Then with their guitars sounding metallic and crisp, the band offers the listener Let You Down, another display of modern-day rock music with highlights to the solid drumming by Mike, albeit not as vibrant as the rest of the album, followed by You Feel It, a song so dynamic it can be used both as the opener or the closing tune of their live setlists, presenting a more-than-inspired Lachlan on vocals, electrified riffs and solos, and tons of feeling form start to finish. Lastly, rev up your engines and ride on the waves of Hard Rock with the amazing Ride, or also “Ride (With Me)” if you prefer, with Mike simply smashing his drums while the stringed trio Andy, Mark and Wayne slash our ears with their thrilling sounds, closing the album in a majestic way.

If you want to know more about such promising group from Down Under, go check what they’re up to on Facebook, listen to more of their music on ReverbNation, and obviously purchase their exciting new album from their own BandCamp page or from CD Baby. In a nutshell, Love Lust Fire Dust is a lesson in classic Hard Rock with a modern and fresh twist, turning all the band’s love, lust, fire and dust into an ass-kicking Rock N’ Roll party perfect for dancing, slamming into the pit or having a beer with your friends. And that’s what our good old Rock N’ Roll is all about.

Best moments of the album: Dirty Mind, Leave You Baby, So Much More and Ride.

Worst moments of the album: Let You Down.

Released in 2018 Independent

Track listing
1. Dirty Mind 4:00
2. I Am Yours, You Are Mine 3:46
3. Mountain 3:51
4. Leave You Baby 4:09
5. I Keep This Light 5:42
6. So Much More 2:35
7. Burnin’ Alive 4:10
8. Oh Emily 4:18
9. Let You Down 4:13
10. You Feel It 4:59
11. Ride 4:56

Band members
Lachlan Cross – vocals
Wayne Elkin – guitar
Mark Cambruzzi – guitar
Andy Baker – bass
Mike Cato – drums

Album Review – High Reeper / High Reeper (2018)

Reeper, deadly reeper, it’s time to rumble to the flammable fusion of Stoner Rock and Doom Metal by this up-and-coming five-piece act from Philadelphia.

Formed in 2016 in the city of Philadelphia, Pennsylvania’s largest city, in the United States by Zach Thomas on vocals, Pat Daly and Andrew Price on the guitars, Shane Trimble on bass and Napz Mosley on drums, Hard Rock/Doom Metal act High Reeper originally started as a studio band, but it rapidly became apparent that their music was meant to be heard live and loud, making their debut in the Philly stoner rock scene in early 2017 with success and, as a consequence, being followed up by the release of their self-titled debut album now in 2018. Deeply rooted in modern Stoner Rock but still giving a nod to the early days of Black Sabbath, the band’s first offering is driven by pounding rhythms, thick guitars and soaring, screeching vocals, meant to be played loud and to be played often.

In other words, High Reeper is an unapologetic punch in the face for fans of early 70’s proto-metal, with the sound and smell of leather, weed, boozing, gambling and death permeating the record from start to finish. Produced, engineered and mixed by bass player Shane Trimble at TTR studios in Philadelphia as well as his home studio Delwood Sound in Delaware, the sound is laced with old school elements while still maintaining the focus of a modern-sounding release, being highly recommended for fans of the aforementioned Black Sabbath, as well as other noisy and obscure bands like Saint Vitus and Orchid. Throughout its 42 minutes of music split into nine unique tracks, each one with its own purpose and soul, High Reeper will take you on a psychedelic and stoner musical journey, running from up-tempo straight-ahead rock, to slowed down, heavy, early doom.

Otherworldly riffs kick off the flammable Doom Metal feast titled Die Slow, a fun tune that will certainly put you into a trance where Shane with his rumbling bass and Napz with his rhythmic beats set the stage for the Ozzy-inspired vocals by Zach; and enhancing their electricity and stamina to a whole new level, the quintet delivers a rockin’ hymn titled Chrome Hammer, showcasing a great riffage by the guitar duo comprised of Pat and Andrew in what’s in my humble opinion the best song of the entire album. Keep in mind the party is just starting, as in Soul Taker we’re treated to another excellent Black Sabbath-like anthem by High Reeper, with Napz smashing his drums and Pat and Andrew delivering pure feeling with their strings.

The title-track High Reeper is sluggish and somber as expected in good old Doom Metal, ignited by the low-tuned bass by Shane before it becomes a drum feast by Napz, flowing into a thrilling, metallic ending; whereas in Reeper Deadly Reeper a dark and menacing intro evolves into a hard rockin’ Stoner and Doom Metal mass, with Zach putting his heart and soul into his performance, therefore enhancing the song’s already powerful vibe considerably. Then we have Weed & Speed, where the name says it all, with the weed part coming in the form pure Stoner Metal flowing from their instruments, while the speed appears every now and then amidst the most sluggish and soulful riffs you can think of. However, the final result doesn’t feel as cohesive as the other songs, falling flat after a while.

In the fantastic Double Down And Let It Ride, simply let their doomed sounds and noises invade your senses, led by the always thrilling guitars by Pat and Andrew. This is what I would call the perfect depiction of a hybrid between old school Doom Metal with modern Stoner Metal and Southern Rock, and a path High Reeper should definitely keep exploring in their future releases. Black Leather (Chose Us) is an ode to the 70’s lifestyle where heavy rockers used to wear black no matter what, translated into top-tier Stoner Rock full of crisp riffs and solos, rhythmic beats and the inebriate vocals by Zach. And last but not least, closing this feast of witchcraft and psychedelia we have another solid tune titled Friend Of Death, where we’re able to enjoy all the dexterity by the band’s guitar duo as well as the precision and feeling of Napz on drums for over six minutes, not to mention Shane with his blackened low-tuned punches, with its last part being a thing of beauty for fans of the genre.

You can easily enter the psychedelic world ruled by High Reeper by visiting their Facebook page and by purchasing their incendiary album through the Heavy Psych Sounds BandCamp or webstore (as a regular version or as a bundle that includes the album plus a T-shirt and a patch), as well as on iTunes, on Amazon, and on other retailers like Saturn and Best Buy. Because, you know, it’s time to rumble to the flammable fusion of Stoner Rock and Doom Metal by this excellent band from Philadelphia, and once you get into their vibe there’s no way out.

Best moments of the album: Chrome Hammer, Reeper Deadly Reeper and Double Down And Let It Ride.

Worst moments of the album: Weed & Speed.

Released in 2018 Heavy Psych Sounds Records

Track listing
1. Die Slow 5:28
2. Chrome Hammer 2:53
3. Soul Taker 3:27
4. High Reeper 4:37
5. Reeper Deadly Reeper 6:09
6. Weed & Speed 5:37
7. Double Down And Let It Ride 4:40
8. Black Leather (Chose Us) 3:28
9. Friend Of Death 6:07

Band members
Zach Thomas – vocals
Pat Daly – guitar
Andrew Price – guitar
Shane Trimble – bass
Napz Mosley – drums