Album Review – Inferitvm / The Grimoires (2019)

Telling the story of the most important forbidden grimoires in European history, this unrelenting Spanish horde delivers an excellent album that lives up to the legacy of 90’s Black Metal.

Born in 2014 in Palma de Mallorca, a resort city located in the Balearic Islands in Spain, with the task of putting the Black Metal genre back in the shadow of the glory it had in the 90’s, following the label from the most infamous bands from that period as a pure conceptual beginning (but excluding arsoning or murders, of course), the unstoppable horde that goes by the name of Inferitvm has just released their sophomore album The Grimoires, an epic story about black magic, esoteric rituals and all the different ingredients of true classical Black Metal. Having said that, do you accept the challenge of deciphering the forbidden texts that Inferitvm have brought back to life?

Comprised of lead singer and guitarist Sorcerer V., guitarist Lord Insekkton, bassist Aghanazzar and drummer Bârg, the sound of Inferitvm is fast, raw and full of details and reminiscences, with bands like Emperor and Immortal, as well as several other renowned groups from Norway, Sweden and Finland, serving as the main inspiration for their music. Telling the story of the most important forbidden grimoires in European history, delving into the miseries and stories behind them, The Grimoires is a manual for unraveling all the mysteries of black magic, with a symphonic twist that will undoubtedly surprise all who enjoy devilish and extreme music. Furthermore, the album brings some orchestral variations which end up helping to introduce your mind into the concept and imagery of an album that’s definitely “not for children”, with its lyrics being based on ancient spells and rituals of esoteric origin, and with the majority of recital refrains expressing the prayers and rituals in a solemn and profound way.

Phantasmagorical keys generate a menacing ambience in the intro Trithemius, before Inferitvm comes ripping with the sonic onrush titled Codex Gigas, where Sorcerer V. gnarls and vociferates like a demon to the imposing beast by Bârg. Moreover, Sorcerer v. and Lord Insekkton bring tons of melody to the musicality with their strings, flirting with contemporary Melodic Black Metal but still sounding loyal to the foundations of classic Black Metal. Then their devastation goes on in the sulfurous and pulverizing Clavicula Salomonis, a lecture in Black Metal bringing forward the most malevolent elements of the genre spearheaded by Sorcerer V.’s infernal roars; and there’s no time to breathe as the quartet keeps blasting sheer obscurity through their damned instruments in Malleus Maleficarum, with Sorcerer V. and Lord Insekkton being on fire with their riffs and solos throughout this marching mass of absolute evil.

In Goetia of Shadows, Bârg and Aghanazzar keep smashing their instruments nonstop, generating a reverberating sound that will please all fans of the genre, all balanced by some very harmonious guitar lines and hellish growls, whereas Galdabrök is another hammering, disturbing hymn of darkness by Inferitvm, with Bârg and his pounding drums dictating the rhythm while Sorcerer V. grasps the song’s obscure lyrics poetically and darkly. In Liber Lux Tenebris, the scorching hot guitars by Sorcerer V. and Lord Insekkton add a touch of Doom Metal to their already infernal music before all hell breaks loose in another feast of old school Black Metal perfect for banging your head in the name of evil. And De Occulta Philosophia is probably one of the most disturbing songs of the whole album (if not the most), where all band members make sure they extract the most Stygian sounds form their instruments, in special the band’s infernal guitar duo with their classic riffage, ending in the most unsettling way possible.

Fortunately for all fans of extreme music, the last batch of songs from The Grimoires is just as thrilling and vile as the rest of the album, starting with La Poule Noire, presenting a classic Scandinavian Black Metal sound with the band’s own twist, sounding as violent as it can be, with its guitar solos creating an interesting paradox with the blast beats delivered by Bârg; followed by De Praestigiis Daemonum, a truly infernal aria where Inferitvm crush our minds mercilessly with their brutality, darkness and rage, or in other words, a demolishing Black Metal tune with a few breaks and variations added to bring more taste and punch to the overall result. And last but not least, the cryptic vocalizations by Sorcerer V. ignite the closing tune titled De Umbrarum Regni, spiced up with nuances of Doom Metal and Blackened Doom, remaining creepy and atmospheric until its visceral ending.

In a nutshell, this unstoppable Spanish horde more than succeeds in telling stories of black magic and evil spells in the form of the pulverizing Black Metal found in The Grimoires (available for a full listen on Spotify), and in order to show your true support to those four horsemen of old school Black Metal simply follow them on Facebook, and grab your copy of such distinct album from their BandCamp page, from the Inverse Records webstore, from iTunes or from Amazon. Because, in the end, all you have to do is let the ancient spells and malignancy flowing from the music by Inferitvm consume your soul, keeping the flame of 90’s Black Metal burning bright for decades to come.

Best moments of the album: Clavicula Salomonis, Malleus Maleficarum and De Occulta Philosophia.

Worst moments of the album: None.

Released in 2019 Inverse Records

Track listing
1. Trithemius 1:23
2. Codex Gigas 5:46
3. Clavicula Salomonis 6:55
4. Malleus Maleficarum 6:23
5. Goetia of Shadows 6:04
6. Galdabrök 5:14
7. Liber Lux Tenebris 5:41
8. De Occulta Philosophia 7:01
9. La Poule Noire 5:30
10. De Praestigiis Daemonum 5:02
11. De Umbrarum Regni 5:26

Band members
Sorcerer V. – vocals, guitar
Lord Insekkton – guitar
Aghanazzar – bass
Bârg – drums

Album Review – Dødsfall / Døden Skal Ikke Vente (2019)

An unstoppable Black Metal force from Norway returns with their long-awaited fifth album, containing 10 new unrelenting tracks of pure hate and anger.

After four years of silence, the unstoppable Norwegian Black Metal force known as Dødsfall returns with their long-awaited fifth album, entitled Døden Skal Ikke Vente, or “death shall not wait” from Norwegian, containing 10 new tracks of pure hate and anger in its best form. And their new album is the result of a huge wave of inspiration that grew up like a snowball after the release of Kaosmakt, in early 2015, resulting in a fresh and creative album holding on to their roots and the sound that was established from the very beginning on the band’s career. It can be described as a successful combination of past and present with new elements and different sources of inspiration, sounding epic, majestic and furious with a medieval touch inspired from the cold lands of the north.

Formed in 2009 in Bergen, Norway, but currently located between Gothenburg, Sweden and Oslo, Norway, Dødsfall is the brainchild of vocalist and multi-instrumentalist Ishtar, who together with newcomer Telal on drums (who has been playing with acts like Troll, Isvind, and Endezzma, to name a few) created a sulfurous and dark beast in the form of their new album Døden Skal Ikke Vente. Featuring a crushing, ominous album artwork by underground artist Pazuzuh, who previously worked with the band on the artwork of their album Djevelens Evangelie, from 2013, Døden Skal Ikke Vente will take you on a journey through vast, bitterly cold Norwegian lands, proving once again why Norway is and will always be the birthplace and home of true Black Metal.

Ishatr and Telal begin disturbing all peace and order with their ruthless blend of old school and contemporary Black Metal in Hemlig Vrede (or “secret wrath” in English), sounding very melodic and aggressive form the very first second and with Ishtar’s demonic gnarls being flawlessly complemented by Telal’s brutish blast beats. Their furious and thunderous Black Metal keeps hammering our heads in Tåkefjell (“fog mountain”), another piercing composition where the guitars by Ishtar sound as metallic as they can be, also presenting lots of breaks and variations, and consequently feeling like three or four songs in one; followed by the obscure and melancholic Svarta Drömmar (“black dreams”), where their Black Metal is darkly infused with Atmospheric Black Metal elements, with its rhythm being dictated by Telal’s precise drums and with highlights to Ishtar’s anguished growls.

Putting the pedal to the metal this infernal duo delivers a vicious onrush of violent and raw sounds entitled Grå Himlar (“gray skies”), with the riffs and solos by Ishtar cutting our skin mercilessly, and therefore setting the bar high for the rest of the album. Well, the duo doesn’t disappoint at all in the following track, Kampsalmer (“battle hymns”), a headbanging, marching chant showcasing bestial riffs and demonic roars all enfolded by a truly menacing ambience, and the music remains vile and sulfurous until its epic ending. Then led by the pounding drums by Telal and displaying an inspired Ishatr on the guitar we have the full-bodied, intricate tune entitled I de Dødens Øyne  (“in the eyes of death”), a song tailored for admirers of classic Black Metal who also love to raise their horns and slam into the pit in the name of extreme music.

Continuing with their feast of incendiary and dark sounds they offer us all Ødemarkens Mørkedal (“the dark valley of the wilderness”), an ode to Scandinavian Black Metal where Ishtar growls and roars in a bestial way while Telal keeps crushing his drums nonstop, whereas the heavy-as-hell guitar lines by Ishtar ignite the flammable För Alltid I Min Sjæl (“forever in my soul”), a mid-tempo Black Metal extravaganza where Ishtar and Telal are on fire from start to finish, sounding as infernal and sharp as possible. The last song of the album, named Ondskapelse (“evil hands”), brings more of their hellish Scandinavian Black Metal infused with Melodic Black Metal nuances, with Telal smashing his drums just the way we love it in Extreme Metal, flowing like rapid fire until the instrumental outro Skogstrollet (“forest troll”) captivates our senses with the howling sound of the cold wind, ending the album on an ethereal note.

You can better explore the chilly and vile realm of Norwegian Black Metal crafted by Dødsfall by following them on Facebook, and show your support to such talented duo by purchasing Døden Skal Ikke Vente (available for a full listen on YouTube, by the way) from their own BandCamp page, as well as from the Osmose Productions’ BandCamp or webstore, and from Record Shop X. Let all the frost, hatred and evil flowing from the music found in Døden Skal Ikke Vente embrace you, leading you on a fantastic and somber one-way journey into the absolute darkness and void we learned to love in Norwegian Black Metal.

Best moments of the album: Tåkefjell, Grå Himlar and I de Dødens Øyne.

Worst moments of the album: None.

Released in 2019 Osmose Productions

Track listing
1. Hemlig Vrede 4:30
2. Tåkefjell 4:54
3. Svarta Drömmar 5:29
4. Grå Himlar 4:29
5. Kampsalmer 4:50
6. I de Dødens Øyne 5:37
7. Ødemarkens Mørkedal 5:25
8. För Alltid I Min Sjæl 4:32
9. Ondskapelse 5:04
10. Skogstrollet (Instrumental) 1:04

Band members
Ishtar – vocals, guitars, bass
Telal – drums

Album Review – Ov Shadows / The Darkness Between Stars (2018)

Representing an exploration beyond the sane and mentally sound, this talented Swedish horde is ready to haunt our souls with seven unrelenting tracks of atmospheric and sinister Black Metal.

“Embrace your shadow self – your dark aspects. Don’t hide away. Let those harmless creatures, turn into raging monsters. Let chaos guide your consciousness. You are ov Shadows.”

Those few sentences frame the concept behind Swedish Black Metal horde Ov Shadows, representing an exploration beyond the sane and mentally sound. With their music and lyrics, Ov Shadows acknowledge the duality that divide a persona and the shadow self, continuing further into the dark, a portal into chaos without barriers and rules. And after crossing that portal, you’ll be ready to explore the sinister realms of Atmospheric Black Metal ruled by Ov Shadows in their brand new album, entitled The Darkness Between Stars.

Formed in the city of Gothenburg in 2016, the band comprised of RA (aka Ronny Attergran) on vocals and bass, AF (aka Andreas Frizell) and AA (aka Anders Ahlbäck) on the guitars, and JW (aka Jonas Wickstrand) on drums returns after their 2016 debut EP Monologues with more of their Stygian sound, delivering epic riffs that turn from mournful to triumphant in a way that is stirring and emotionally satisfying. In other words, The Darkness Between Stars has everything that one could possibly want out of a Black Metal album, those being a truly dark atmosphere, an epic feel, the right mix of melody and grimness, and an engaging song structure.

Ominous sounds emerge from the dark chambers of hell until the quartet begins their devilish mass in the title-track The Darkness Between Stars, blasting sheer brutality and blasphemy during its almost 7 minutes of music.  RA sounds like a possessed demon on vocals, while JW delivers the most classic form of blast beats, generating a straightforward musicality recommended for admirers of the genre. In Bellowing Shadows, darkness and rage keep flowing from the band’s instruments in an excellent display of Black Metal, with their evil guitar duo AF and AA cutting our skin with their old school riffage, whereas RA’s gnarls sound and feel even more disturbing. And displaying hints of Doom Metal and Blackened Doom (but still reeking of putrid Black Metal) we have The Hanged Man, where JW continues his pulverizing path while both guitars sound as sulfurous as they can be, all spiced up by a sinister atmospheric passage before all hell breaks loose again.

The acid Disguised As Altruism is another demolishing Black Metal feast by Ov Shadows, with its guitars getting more and more scorching as the music progresses while the overall malignancy is considerably boosted by JW’s unstoppable beats, living up to the legacy of Scandinavian Black Metal. The Ritual of the Natural Flame already begins in full force, with the four members of the band summoning total darkness with their Stygian instruments, in special RA and his high-pitched demonic roars (not to mention the song’s somber and absolutely menacing break). After such beautiful blast of Black Metal, strident riffs and gnarls set the tone in the dense metallic extravaganza named Hordes Abiding the Narrator, with all instruments generating a mesmerizing dark ambience perfect for RA and his vociferations. Lastly, their final onrush of blasphemy and obscurity comes in the form of a 7-minute devastating tune named A Sky In Vain, where AF and AA create a wall of darkness with their riffs while JW switches between classic Black Metal drumming and Doom Metal-inspired beats, flowing into a melancholic and obscure ending.

If you want to take a detailed listen at The Darkness Between Stars, click HERE and enjoy this very cohesive and professional album in its entirety. Also, in order to show your true support to this skillful Swedish horde, simply visit their Facebook page for news, tour dates and other nice-to-know details about the band, and their YouTube channel for more of their unrelenting Black Metal. And of course, purchase The Darkness Between Stars on BandCamp or on Big Cartel, letting the somber music by Ov Shadows penetrate deep inside your mind, blackening your thoughts until there’s no way back.

Best moments of the album: Disguised As Altruism and The Ritual of the Natural Flame.

Worst moments of the album: None.

Released in 2018 Black Market Metal

Track listing
1. The Darkness Between Stars 6:58
2. Bellowing Shadows 5:40
3. The Hanged Man 6:26
4. Disguised As Altruism 5:56
5. The Ritual of the Natural Flame 7:19
6. Hordes Abiding the Narrator 5:58
7. A Sky In Vain 7:42

Band members
RA – vocals, bass
AF – guitars
AA – guitars
JW – drums

Album Review – Astral Corpse / Metsän Pimeydessä EP (2017)

Enter the forest of darkness ruled by a cold-hearted Keravian Black Metal horde and succumb to their malignancy and hatred.

From the depths of ancient Keravian burial grounds, influenced by Nordic nature and music, Finnish Black Metal horde Astral Corpse launches their first sonic onslaught, titled Metsän Pimeydessä, or “In the Forest of Darkness” from Finnish. If you love Black Metal without compromise, you’ll surely have fun listening to the 20 minutes of what the band calls “True Keravian Black Metal”, which translates into sheer obscurity, blasphemy, speed and raw sounds. Are you ready to enter the forest of darkness ruled by Astral Corpse?

Hailing from Kerava, a citiy in Southern Finland located around 40km north of the capital Helsinki, Astral Corpse have been through several lineup changes after their inception back in 2008 before reaching their current shape and form. With lead singer, guitarist and founding member AstroNuclear Agitator, guitarist Frostektor, bassist Arcane Desolator and drummer Cosmic Triumphator extracting extreme aggression and vileness from their instruments, Metsän Pimeydessä becomes more than just their debut EP, but a solid statement that Astral Corpse are among us to stay, bringing darkness to our souls and high-quality Black Metal to our ears.

The Black Metal attack led by the putrid growls by AstroNuclear Agitator begins in full force with Cease to Exist, with Cosmic Triumphator obviously delivering the most traditional blast beats you can imagine, not to mention how the song ends in a brutal way. In Drain the Blood, AstroNuclear Agitator and Frostektor accelerate their riffage, blasting sheer darkness through their guitars while Cosmic Triumphator and bassist Arcane Desolator keep a menacing atmosphere rumbling in the background, proving how loyal they are to the foundations of traditional Black Metal. And the title-track Metsän Pimeydessä lives up to its name, being an obscure Black Metal hymn spiced up with hints of Doom Metal, with the potent and precise beats by Cosmic Triumphator dictating the rhythm while AstroNuclear Agitator keeps gnarling and roaring like a demon.

Welcome to the Spirit World gets back to the band’s most demonic stage, being a furious display of extreme music where not only the guitars sound on fire, but the hatred and aggressiveness flowing from both vocals and drums is outstanding. Put differently, it can’t get any more blackened than this. Following that intense tune, epicness and blasphemy are the main ingredients in the evil chant Nocturnal Winds, inspired by the most traditional form of Scandinavian Black Metal with its old school guitar lines and bestial drums impregnating the atmosphere. Finally, how about ending the EP with a pulverizing Black Metal aria? That’s what we get in the thrilling Winds of Death, with AstroNuclear Agitator barking his last breath of malignancy while Cosmic Triumphator crushes his drums mercilessly, therefore generating a chaotic and dense musicality that aims at dragging us to the pits of hell.

All the malice, irreligiousness and odium flowing from the forest of darkness ruled by Astral Corpse can be explored through the band’s Facebook page and SoundCloud, with Metsän Pimeydessä (which you can take a listen at in its entirety HERE) being available at the Orbovoid Records’ webshop. But remember that once you enter this Keravian forest full of malignancy and hatred, there’s no way back. You’ll be trapped forever in Astral Corpse’s dark realm of old school Black Metal.

Best moments of the album: Drain the Blood and Welcome to the Spirit World.

Worst moments of the album: None.

Released in 2017 Orbovoid Records

Track listing
1. Cease to Exist 3:43
2. Drain the Blood 3:04
3. Metsän Pimeydessä 2:53
4. Welcome to the Spirit World 2:41
5. Nocturnal Winds 3:28
6. Winds of Death 5:24

Band members
AstroNuclear Agitator – vocals, guitars
Frostektor – guitars
Arcane Desolator – bass
Cosmic Triumphator – drums

Album Review – Through Chaos & Solitude / The Thawing Winds Of The Morning Sun EP (2017)

A classy and meaningful Melodic Black Metal project aiming at opening our eyes and show us that we, mankind, are our own blessing and our own curse.

“The thawing winds of the morning sun is us. Mankind. We are our own blessing and our own curse. We are the stroke of wing which causes these winds to blow. We try to become god ourselves while declaring him for dead and still we deny our nature. We subdue the earth and its children and still we strive for more. By now we already realized our purpose and we willingly choose to neglect it. We’re flying directly into the sun and still we’re accelerating…”

These dark, poetic words perfectly summarize the music you’ll find in The Thawing Winds Of The Morning Sun, the debut demo by German Melodic Black Metal project Through Chaos & Solitude, led by multi-instrumentalist Tim Rule (Forward to Eden) with the help of Sebastian D. (Castigator) on drums. Featuring a serene cover art by Pottriot Illustrationen, and written, recorded and mixed by Tim himself during this past winter in the city of Ruhrpott in North Rhine-Westphalia, the most populous state of Germany, The Thawing Winds Of The Morning Sun brings beautiful, melancholic and dark music in the vein of bands like Woods Of Ypres, Agalloch and Falls Of Rauros, with each one of its three songs sending a thoughtful message about life and death, our souls, our existence and our struggles.

The initial sound of the howling wind in the first song of the demo, titled The Intransigence Of The Soul, is suddenly joined by an onrush of heavy guitars and blast beats, with the demonic gnarls by Tim giving life (or I should say death) to the song’s poetic lyrics (“Constant struggle of the mind and the heart / Constant suspense of the body and the mind / Persistency in the thought – restlessly moving on / Intransigence of the soul…”). Furthermore, anguish, despair and loneliness are just a few of the emotions explored by Tim in this piercing Black Metal chant, ending in an acoustic and pensive manner before we face the second piece of the demo, A Heart Of Eternal Winter (And The Longing For Your Warmth), which builds a direct bridge to the opening track, beginning in a slow-paced rhythm inspired by the obscurity of Doom and Gothic Metal, also showcasing acute Black Metal blast beats by Sebastian D. and a somber ambience. Tim’s phantasmagoric vocals embrace us in darkness at first, shifting to his hellish growls and back to melodic clean vocals and, therefore, creating a nice paradox of voices inside our minds.

Also connected to its predecessor, If This Is The Best We Can Get Then I Am Disappointed brings forward obscure acoustic guitars and once again the haunting sound of the wind while Tim darkly grasps the song’s austere lyrics, which present his personal view of mankind (“Evolution has brought us so far / And still – look where we are / Creating life and taking life / All in the same conceited breath / We are appointing ourselves to gods / Whereas declaring him for dead / If this is the best we can be / Then please let it end with me / Evolution has brought us so far…”). In addition, this composition is another excellent sample of the clash of distinct sounds Tim enjoys putting together, displaying slow and steady beats à la Doom Metal during its first half, whereas the second part of the song brings an explosion of heavy and dissonant sounds that lives up to the legacy of Scandinavian Black Metal, until it finally reaches its lugubrious ending.

In summary, Tim and his Through Chaos & Solitude are not only offering us well-crafted, harmonious and dark heavy music, but he also discusses important topics about the dangerous direction mankind is taking, pointing to our dread but inevitable extinction. If you’re a metalhead that’s always in pursuit of high-end music coming from independent artists and bands who also care about the content and message transmitted through their creations, Through Chaos & Solitude might be exactly what you’re craving, and obviously don’t forget support this brand new project by purchasing The Thawing Winds Of The Morning Sun at the Bound By Modern Age Records’ BandCamp or webstore (in tape or CD format), at the Mark My Words Records’ BandCamp or webstore, or at Discogs. Let’s hope Tim goes on with Through Chaos & Solitude, a classy project with a meaningful message that only brings more energy to his already excellent Melodic Black Metal, and that mankind finally opens their eyes for all the wrongful things that are happening in our world before it’s too late.

Best moments of the album: The Intransigence Of The Soul.

Worst moments of the album: None.

Released in 2017 Bound By Modern Age Records/Mark My Words Records

Track listing
1. The Intransigence Of The Soul 7:58
2. A Heart Of Eternal Winter (And The Longing For Your Warmth) 5:10
3. If This Is The Best We Can Get Then I Am Disappointed 6:37

Band members
Tim Rule – vocals, guitars, bass, keyboards
Sebastian D. – drums

Album Review – Gespenst / Forfald (2016)

Four lengthy, atmospheric and lugubrious tracks not recommended for the lighthearted, thoroughly crafted by a brand new Danish Black Metal act that will mercilessly disturb your peace of mind.

Rating5

gespenst-forfald-cover-artHailing from Aarhus, the second-largest city in Denmark located around 190 kilometers northwest of the capital Copenhagen, Black Metal act Gespenst (translated to English as “phantom”) is a fresh and uproarious new project featuring former members of Glorior Belli, Woebegone Obscured and Horned Almighty, among other bands, who together bring forth an atmospheric and ominous fusion of Scandinavian Black Metal with Funeral Doom, adding touches of Dark Ambient to their already eccentric extreme music. And the result of that devilish amalgamation, their debut full-length album entitled Forfald, will definitely disturb your peace of mind.

Forfald is the Danish word for “decay”, and that’s quite the sensation you’ll feel while listening to the album’s four lengthy and disturbing tracks. Listening to Forfald is like witnessing the ruin of mankind, descending into an abyss of anguish and darkness to the sound of the lugubrious music engendered by Gespenst. In its almost 40 minutes of duration, Forfald doesn’t provide any single second of tranquility or happiness, always extracting the deepest fears and most obscure thoughts from the listener. Another important piece of the music by Gespenst is the fact that some of their songs are entirely sung in Danish, a bold move that adds an extra layer of mystery and rawness to their music, enhancing the experience of listening to such somber album.

The blackened guitar lines by guitarist and keyboardist Genfærd kick off the demonic hymn Sorgens Taage, which would translate as “sorrow fog” in English, bursting agony and hatred while lead singer and bassist Galskab fires his devilish growls, increasing the obscurity of such an atmospheric and epic composition. This 9-minute aria brings forward somber Atmospheric Black Metal with hints of Funeral Doom and a sensational darkened vibe, with all the changes in rhythm, ferocity and melody adding an extra taste to it, with the doomed ending led by the sluggish beats by guest drummer Andreas Joen piercing your heart mercilessly. Even slower and more tenebrous, Revelation of Maggots offers the listener old school disquieting Funeral Doom, with highlights to the disturbing lyrics grasped by Galskab (“A sea of worms, in crawling pace / All over me, consumes my face / But I still see, without my eyes / As maggots feast, and hatch to flies”). Furthermore, Genfærd makes sure his guitar emanates grief and harasses the listener’s mind, and despite a few breaks a melancholic rhythm is maintained throughout this damned creation by Gespenst, with yet again a sepulchral ending, this time enhanced by a somber narration and anguished screams in the background.

gespenst-photoMin Sjæl Raadner (Danish for “my rotten soul” or “my soul rots”), the shortest of all tracks, presents an atmospheric and sinister beginning before the band attacks us with their dynamic blend of Black and Doom Metal, where the guitar riffs once again sound dark and harmonious, consequently dragging us to the Stygian world of Gespenst. Put differently, this is a song that can easily become a funeral hymn for lovers of extreme music. And in Life Drained to the Black Abyss we’re treated to 12 minutes of sheer darkness, with a horror movie-inspired intro progressively growing into beautiful Funeral Doom with the beats by Andreas getting sharper than before, feeling like a storm is about to begin in the background while Galskab spews the song’s lyrics about the derangement of the human mind (“My eyes have been eternally fixed / At the spectrum of darkness / A blackened stream of despair / It seems I have always been here”). In addition, when the musicality gets heavier, leaning towards classic Black Metal, it’s time for Genfærd to take the lead and guide the band’s demonic performance, haunting our perverted souls until the song’s obscure conclusion.

In summary, this is another of those albums not recommended for the average listener due to its disturbing level of agony and pain, but if you love that extremely dark side of music I can guarantee Forfald has a lot to offer you. You can take a listen at the entire album HERE, and go check Gespenst’s Facebook page for more details on the band’s current and future plans. And if you want to purchase Forfald, you can do so by visiting the band’s BandCamp page, the Hellthrasher Productions’ webstore and BandCamp page, or the Duplicate Records’ webstore and BandCamp page. This Danish Black Metal group has all it takes to take the underworld of extreme music by storm, with Forfald representing exactly what they are capable of with their instruments in their hands and a lot of darkness in their hearts.

Best moments of the album: Min Sjæl Raadner.

Worst moments of the album: None.

Released in 2016 Hellthrasher Productions / Duplicate Records

Track listing
1. Sorgens Taage 9:04
2. Revelation of Maggots 10:54
3. Min Sjæl Raadner 7:17
4. Life Drained to the Black Abyss 12:14

Band members
Galskab – vocals, bass
Genfærd – guitar, synths

Guest musician
Andreas Joen – drums 

Live musicians
Christian Søgaard – guitar
Andreas Tagmose – bass
Mads Mortensen – drums