Metal Chick of the Month – Aura Dănciulescu

Let’s go fucking wild, Aura!

The year of 2019 might be coming to an end, but not before we fill the airwaves with the stunning vocals by Aura Dănciulescu, the winged frontwoman for Romanian Symphonic Heavy/Power Metal band Scarlet Aura and our awesome metal chick of the month of December. Born Aura Gabriela Danciulescu on October 28, 1985 in Fălticeni, a city in Suceava County, north-eastern Romania, situated in the historical region of Moldavia, Aura is a multi-talented singer, lyricist and songwriter, always passionate about music and writing. Of light brown hair (but currently dyed blonde) and brown eyes, Aura has all the attributes fans of heavy music look for in a vocalist, and I’m sure after reading a little about our gorgeous metalhead you’ll get addicted to her music and be quite impressed with her skills, transparency and deep love for our good old Heavy Metal.

Aura, who by the way has a famous sister, Mihaela Pohoaţă, a Romanian aerobic gymnast who won five world championships medals (three gold and two bronze) and three European championships gold medals during her career, started singing when she was just a little kid, and her initial performance was so bad her parents actually decided to put her in vocal lessons to improve her skills. By the way, her parents have always supported her decisions, letting her be free, believe in herself and have her own goals. She then naturally decided to become a singer after the vocal lessons when she was around 10 years old, developing her voice through the years until reaching the superb level she sings nowadays. Although she’s always been a rock and metal fan, it was when she met her now husband, Mihai Danciulescu, lead guitarist and backing vocalist for Scarlet Aura, that she really started to adore it, with Mihai explaining to her all the different styles of rock and metal music and introducing her to some of his biggest idols. Furthermore, before dedicating her life to music from the year of 2011 onward, Aura went to University of Bucharest and studied political science and law school, also holding a few extra courses on diplomacy and national defense and having worked for a few years at the Romanian Senate.

After numerous music projects and her first rock band Steelborn, having recorded with the band the EP’s Un Nou Inceput and Intr-Un Vis, both in 2010, and the full-length album Trup De Apa, in 2012, all in her mother tongue Romanian (and if you want to listen to Aura beautifully singing the band’s pleasant Rock N’ Roll you can check a couple of YouTube videos with the songs Orice Ar Fi & Suflet Furat live and Ratacire), it all eventually led to creation in 2014 of Scarlet Aura, the exotic rising metal star of the East that quickly got the attention of promoters and fans worldwide. By the way, if you would like to enjoy a very interesting “fusion” of Aura’s past and present, Scarlet Aura recorded in 2018 a heavier version of one of Steelborn’s oldest songs, Un Nou Inceput, the title-track to their 2010 debut EP. Having already toured with renowned acts like Tarja Turunen, Beast in Black and Soto, the band comprised of our unstoppable Aura on vocals, the aforementioned Mihai on the guitars and backing vocals, Rene Nistor on bass and backing vocals, and Doru Gheorghita on drums are on a roll since their inception, positioning them as one of the most promising names in the current European scene.

As a matter of fact, the name scarlet Aura was only adopted in 2015, with the band’s original name AURA being used only during their first year of existence, having released under their old name the album The Rock Chick. In addition, as you might have noticed, Aura and Mihai met in 2010 while playing with Steelborn, and after a few years they fell in love, got married and decided to pursue a career together as Scarlet Aura. Under their new and powerful name, Aura and the boys have already released the full-length albums Falling Sky in 2016, Memories in 2017, and Hot’n’Heavy in 2018, as well as the EP The Beast Within Me in 2017 and the CD/DVD box set Scarlet Aura in Concert (recorded live at Quantic Pub in Bucharest on April 27, 2017) in 2018. Moreover, Scarlet Aura are set to release in 2020 their fifth album, entitled Stormbreaker, and the second one in the trilogy The Book Of Scarlet, once again combining metal music with fantasy literature, and if you want to show your true support to Aura and the boys you can help them make the album come true by participating in their Indiegogo campaign. also, the band’s official YouTube channel is and endless source of awesomeness, providing us metalheads several first-class videos for the best songs form all of their albums, such as Hail To You!, High in the Sky, Hate is Evanescent, Violence is Forever, My Own Nightmare, You’re Not Alone, Immortal In Your Eyes and Fallin’ to Pieces, not to mention other interesting videos from the band playing songs like In The Name Of My Pain at a Romanian TV show called  Antena 1, and their full performance at Transalpina Rock Fest in 2018.

In addition to all of the band’s original material, I would also recommend you take a very good listen at their 2017 album Memories, which is pretty much a tribute to all of their idols and influences in music, mixing some of the biggest metal hits in history with non-metal cover songs as well. For instance, you can enjoy Aura giving her own feminine twist to all-time Heavy Metal and Hard Rock classics like Judas Priest’s Breaking the Law, Blind Guardian’s A Past and Future Secret, Europe’s The Final Countdown, Iron Maiden’s Wasting Love, Survivor’s Eye of the Tiger, Twisted Sister’s We’re Not Gonna Take It, Ozzy Osbourne & Lita Ford’s If I Close My Eyes Forever, and Dio’s Don’t Talk To Strangers, or maybe you fancy listening to her personal interpretation of hits by female-fronted bands from the most diverse styles like Skunk Anansie’s My Ugly Boy, Doro’s All We Are, and The Cranberries’ Zombie. You can obviously find these and all of their own original songs by directly visiting their Spotify profile, bringing to your metallic ears hours of first-class metal music made in Romania.

This slideshow requires JavaScript.

Apart from her life with Scarlet Aura, was also a guest vocalist in a song called Plecăciune Zăului, from the album Zăul Moș, released in 2017 by Romanian Symphonic Black Metal band Syn Ze Șase Tri (with the name of the band translating as “I Am With Triple Six”, just to give you an idea of how dark their music is). Not only that, Aura has also been working as a moderator at Wacken Radio since April this year, spearheading the first ever English show of the radio called Go Wild. “I was invited to give an interview on Scarlet Aura in the S.T.U.N.T.S. metal show, for Wacken Radio, held by TinU and SlayerOfMadness. We connected immediately and the invitation to join them as host came naturally and I couldn’t be more honored and happy to say Yes! And soon I discovered that Wacken Radio supports radio hosts applicants that can join the family by applying and going through some tests and if they pass, they can be also part of Wacken Radio! I passed the tests too so here I am!”, said Aura about her new experience as a show host. Furthermore, this is not the first connection with Wacken organization for Scarlet Aura, as the band was supported by Wacken Foundation in 2018.

Aura doesn’t use only her voice as her instrument of work, as her brain also seems to be a nonstop source of great ideas and projects. For example, Aura is the managing director for a Tallinn, Estonia-based record label named Silver City Records, founded by Aura herself together with her husband and bandmate Mihai and Tatyana Shubina (from Outlanders Productions), exclusively for rock and metal bands, and if you have a band looking for an up-and-coming label you can contact them directly via Facebook or by e-mail at contact@silvercityrecords.com. She was also a guest speaker at an event held by Mastering the Music Business, the leading Romanian music conference and showcase event, where she talked about her music, her business and her vision as a a successful performing artist, manager and record label CEO that she is, and you can also hire Aura for marketing and advertising purposes as a voice actor through a website called Voices.com, where you can see our multi-talented diva has already worked for Vodafone România, real estate companies and other local advertising companies, being able not only to sing classical, rock and metal music, but also to impersonate voices from all ages in English, Romanian, French and Italian for an array of projects like animations, documentaries, movie trailers and video-games, among others. Well, in the end I think the question should be “is there something she CAN’T do?”

A lover of the simple things that make our lives more fun such as pizza, red wine, yoga, cats, writing, reading, carpentry and painting, with her favorite movie of all time being the 1939 classic Gone with the Wind and her favorite books being from English author Terry Pratchett, Aura has among her biggest idols some of the most iconic names in the history of Heavy Metal, including the one and only Ronnie James Dio (R.I.P.), the unstoppable Mr. Bruce Dickinson, and Slayer’s own roaring engine Tom Araya, as well as bands like German institution Helloween, and on a more feminine side she always mentions names like the unparalled Tarja Turunen and Doro. However, Aura mentioned in one of her interviews that she always searches inside herself for the power she needs to print her own convictions, her own beliefs and of course her own voice, also mentioning her own mother as her biggest idol of all, which is just fantastic, don’t you agree? She also considers scarlet as her favorite color (which makes total sense to me),  My Own Nightmare as her favorite Scarlet Aura song, and the day she married Mihai, on September 22, 2012, as the best day of her life.

Just like any other true metalhead, our Romanian bombshell simply loves touring and performing live, always eager to promote her music to the four corners of the earth and to inspire all girls out there to join her in her female-fronted metal movement. When asked about her experience sharing the stage with her idol Tarja Turunen in 2016, considered by many as the most influential woman in modern-day metal music, she said that meeting her was really overwhelming at first, and that she was able to learn a lot from her during that tour. One funny (and somewhat stressful) episode during the tour with Tarja happened when Scarlet Aura’s crew crew lost their stage clothing luggage, forcing the band to improvise by borrowing belts, T-Shirts and make up. Moreover, Aura also has very good memories of other conerts with renowned acts of the metal scene like Accept, Doro, Nazareth, Gotthard, Helloween and Europe, showing how much all members of Scarlet Aura are connected to metal and how much they admire and are influenced by their music idols. And last but not least, when Aura was asked about the current metal scene in her birthplace Romania, she said that it has been continuously growing, getting bigger and shinier as the years go by, and that she expects it keeps getting more and more important to the world of heavy music. She complemented by saying that growth, especially her own band’s rise to stardom, wouldn’t be possible without the support of metalheads in Romania and worldwide, always praising fans like us for all support and passion we have for our good old Heavy Metal.

Aura Dănciulescu’s Official Facebook page
Aura Dănciulescu’s Official VKontakte
Aura Dănciulescu’s Official Instagram
Aura Dănciulescu’s Official Twitter
Scarlet Aura’s Official Facebook page
Scarlet Aura’s Official VKontakte
Scarlet Aura’s Official Instagram
Scarlet Aura’s Official Twitter
Scarlet Aura’s Official YouTube channel

“As an artist I’m not afraid to dig into the unknown by approaching sensible subjects in our songs, subjects like the difficulty of being honest with others but also with yourself regarding your own feelings, the need of overcoming a huge sufferance that troubles you, the lack of courage when it’s about doing the right thing, the lack of love or the crying for it… subjects that make ourselves human, subjects that are in each one of us and that makes us who we are and maybe throughout our music, we get recovered, healed or better, we discover ourselves for who we really are because with any doubt music heals the spirit, metal heals the heart.” – Aura Dănciulescu

Album Review – R.U.S.T.X / Center Of The Universe (2019)

Deeply rooted into 70’s and 80’s rock and metal music, three brothers and one sister from Cyprus are unleashing upon us their sensational third full-length album.

Formed in Agioi Trimithias, a village located in the Nicosia District of Cyprus, in the year of 2003 under the name Flames In Ice, and known as R.U.S.T. from 2004 until 2014, Heavy Metal/Hard Rock four-piece act R.U.S.T.X is ready to take the world of rock and metal by storm once again with their third full-length album entitled Center Of The Universe, bringing to our avid ears truly from-the-heart and no bullshit melodic Heavy Metal with classic rocking passages highly inspired by renowned bands like Judas Priest, Iron Maiden, Warlord, Savatage, Stormwitch and Riot, their absolute passion as one can easily determine with just one listen. Comprised of three brothers and one sister, those being Peter Pan Xanthou on the guitars, George Xanthou on bass, Katerina Xanthou on keyboards and John Xanthou on drums, all four members share the vocal duties in the album, giving it an even more unique taste.

Enthusiastic and passionate about everything they do, their brand new opus will unquestionably convince old school lovers that they do mean serious business, with their outstanding positive energy and originality being accurately reflected by each of the album’s ten magnificent songs deeply rooted into 70’s and 80’s Rock N’ Roll and Heavy Metal. Featuring guest appearances by Paolo Nipa (Dark Quarterer) and Andrea Ramacciotti (Deadly Tide), recorded and mixed at Woodstock Recording Studio in Piombino, Italy by Andrea Ramacciotti, and displaying a magical artwork created by the amazing Chris Achilleos, known for his unique interpretation of stunning amazons, epic dragons and paintings inspired by ancient civilizations and mythology, Center Of The Universe will put you in a trance from start to finish, showing how powerful and gripping the music by R.U.S.T.X can be. “With this album we really pushed ourselves to the limit and the result is like something out of this planet. A comeback to the 70’s and 80’s era of Rock and Metal music that we so much adore,” commented the band, giving you a very good idea of the insane rock n’ roll party that’s about to begin as soon as you hit play.

Uniting the classic rock by AC/DC with the progressiveness of Rush, the Xanthou Brothers and Sister embellish the airwaves with the opening track Defendre Le Rock, showcasing a healthy and beautiful balance between the heavy riffs and piercing solos by Peter and the whimsical keys by Katerina, whereas in Running Man the quartet speeds things up and delivers sheer adrenaline in the form of music, with John taking the lead with his frantic drums while Katerina continues to blast her Deep Purple and Axel Rudi Pell-inspired keys, resulting in a true Cypriot Metal hymn. And in Black Heart the band takes us all to a journey back to the 70’s, blasting high-end Progressive Rock with George shaking the foundations of the earth with his bass. Not only that, it’s definitely very interesting how their vocal lines are always more enraged than the usual Progressive Rock and Metal acts throughout the entire song.

Then an eccentric intro grows in intensity until pure Rock N’ Roll hits us in the head in I Stand To Live, spearheaded by Katerina’s powerful vocals, and again it’s amazing how they can offer so many vocal styles in one album, not to mention their superb job on the guitars and bass (especially the flammable solos by Peter Pan); followed by Endless Skies, an upbeat composition by the band displaying classic Hard Rock infused with 80’s and 90’s elements, as well as numerous breaks and variations, presenting an amazing job done by both George and John with their rumbling instruments. And the sounds of nature and gentle voices ignite the title-track Center Of The Universe, feeling like the overture of a sonic ritual and sounding absolutely unique and experimental. Get ready for over ten minutes of complex guitar lines and classy keys, enfolding vocalizations and all of the band’s other magical sounds and tones until the song’s grand finale, turning it into a must-listen for admirers of the genre.

The electric guitars by Peter Pan dictate the rhythm in the dancing rock tune Widow’s Cry, sounding like a Hybrid between the early days of Nightwish with Doro where Katerina once again steals the spotlight with her gorgeous vocal lines, while Peter Pan’s slashing riffs and solos and George’s Iron Maiden-inspired bass lines are the icing on the cake. In Wake Up, an excellent Progressive Rock extravaganza, they sound like a younger and European version of Rush, bringing forward a fantastic work done by John with his intricate beats, and keys and riffs in total sync that will certainly warm up the listener’s heart and soul. And last but not least, the CD version of the album contains two awesome bonus tracks, starting with the headbanging rock tune Dirty Road, where the entire band breathes fire from their tuneful instruments, and Band On The Run, a sensational cover version of the song by Paul McCartney & Wings released in 1973 (check the original one HERE), where R.U.S.T.X give the song a more progressive and psychedelic vibe.

You can find Center Of The Universe available for a full and detailed listen on Spotify, but of course in order to show your utmost support to this talented family I recommend you purchase your desired version of the album from the band’s own webstore, from the Pitch Black Records’ BandCamp or webstore, and from several other locations such as Saturn.de, Apple Music, Amazon and Discogs. Also, why don’t you give them a shout on their Facebook page and also subscribe to their YouTube channel? Those are excellent ways to keep in touch with what’s certainly one of the best and most exciting bands hailing from Cyprus, and without any doubt the most united and passionate family from the underground Rock N’ Roll scene.

Best moments of the album: Running Man, I Stand To Live, Widow’s Cry and Band On The Run.

Worst moments of the album: Black Heart.

Released in 2019 Pitch Black Records

Track listing
1. Defendre Le Rock 4:51
2. Running Man 3:25
3. Black Heart 4:29
4. I Stand To Live 5:26
5. Endless Skies 4:32
6. Center Of The Universe 9:09
7. Widow’s Cry 5:38
8. Wake Up 4:45

CD bonus tracks
9. Dirty Road 4:17
10. Band On The Run (Paul McCartney & Wings cover) 5:18

Band members
Peter Pan Xanthou – guitars, vocals
George Xanthou – bass, vocals
Katerina Xanthou – keyboards, vocals
John Xanthou – drums, vocals

Guest musicians
Paolo “Nipa” Ninci – drums, percussion
Andrea Ramacciotti – guitars

Album Review – The Agonist / Orphans (2019)

Montreal, Quebec-based juggernauts of Melodic Death Metal return with a brand new album that’s more extreme, more melodic and more exciting than ever.

I guess one of the most important details in Orphans, the sixth full-length album in the career of Montreal, Quebec-based Melodic Death Metal/Metalcore juggernauts The Agonist, is the fact that the band took their time to write and record it without rushing things up, and the final result is truly breathtaking. Featuring a minimalist but captivating artwork by Canadian artist Mikio Murakami (Silent Q Design), Orphans is a huge step forward in the band’s musical path compared to their previous album Five, released in 2016, a bland and uninspired album that seemed to have been released way too fast as if their record label was trying to capitalize on the huge success of their 2015 opus Eye of Providence. Fortunately for all of us, the band comprised of the stunning Vicky Psarakis on vocals, Danny Marino and Pascal “Paco” Jobin on the guitars, Chris Kells on bass and Simon McKay on drums learned their lesson, putting a lot of effort, focus and time on the creation of the amazing Orphans and, consequently, getting back on track for our total delectation.

Vicky’s mesmerizing vocalizations ignite the furious and wicked opening track In Vertigo, my favorite song in Orphans showcasing lyrics clearly inspired by Alice in Wonderland (“A little too big and a little too small / The thing is that life isn’t one size fits all / So take a sip and a couple of bites / And lay back to feast with your own eyes / Down down down the rabbit hole!”). Danny and Pascal are on fire with their riffs and solos, not to mention the brutal, guttural growls blasted by Vicky during the last part of the song, resulting in a full-bodied anthem that represents what The Agonist are all about to perfection. They continue their journey to the past without sounding outdated in As One We Survive, a modern and fresh version of their classic sonority where Melodic Death Metal meets Progressive Metal, with Simon crushing our heads mercilessly with his intricate beats; and get ready to slam into the pit with Vicky and the boys in The Gift of Silence, another frantic creation by the band overflowing rage and madness where Chris and Simon generate a rumbling ambience with their bass lines and beats, also presenting very melodic pieces led by Vicky and her piercing clean vocals.

Then it’s time for the band to head into the battlefield in Blood as My Guide, a fantastic composition showcasing thrilling vocal lines, powerful drums and an absolutely inspiring vibe, resulting in what’s by far one of the best creations of the Vicky era. Moreover, it’s impressive how Danny and Pascal can sound so violent and at the same time so harmonious on the guitars, with Vicky’s gorgeous Greek words bringing an extra touch of epicness to the overall result. After such imposing tune, let’s meet Mr. Cold together with The Agonist in another solid tune where all band members deliver some of the most progressive lines of the whole album, in special the stringed trio Danny, Pascal and Chris, whereas in Dust to Dust they venture through the lands of classic Rock N’ Roll and even Soul, but always loyal to their Metalcore essence, of course. Needless to say, Vicky is flawless with both her clean and harsh vocals, enhancing even more the song’s headbanging rhythm led by Simon’s beats. And back to a more aggressive and infuriated sonority we have A Devil Made Me Do It with its straightforward, in-your-face lyrics roared by our she-wolf Vicky (“Catch me if you can / I am faster than your mind can fathom / Armed with the element of surprise / I slither through the corners of your eyes”), while the band’s guitar duo keeps blasting flammable riffs and solos from start to finish.

The Agonist Orphans Limited Deluxe Box Set

Those talented metallers continue to hammer our heads in The Killing I, bringing to our ears groovy bass punches delivered by Chris while Simon goes berserk on drums, or in other words, this song should work beautifully if played live, and I have no words to describe Vicky’s demented performance on vocals where she proves once again she can easily and seeminglessly fluctuate between gorgeous clean vocals and deep, enraged roars. The title-track Orphans is perhaps the darkest of all songs, a voyage through the realms of Melodic Death Metal and Metalcore infused with Progressive Metal, with Vicky effectively telling the story behind the music with tons of emotion while the rest of the band offers an avalanche of groovy and thunderous sounds nonstop. Then closing the album The Agonist smashes our senses one final time in Burn It All Down, where Vicky sounds as insane and violent as she can be while Simon and Chris build a solid stage perfect for Danny and Pascal to slash their stringed axes, leaving us all disoriented and eager for more of this version of the band in a not-so-distant future.

As mentioned in the beginning of this review, I’m glad The Agonist took their time to compose Orphans, which is by the way available in full on Spotify, delivering a beyond dense and potent album of metal music that will certainly please all diehard fans of the band as well as newcomers to their metallic world. You can grab your desired copy of Orphans from several different locations by clicking HERE, like for instance the limited deluxe box set containing a jewel case CD, a flag, a logo pendant, a patch and an autographed card. The investment in this box set is definitely worth it, mainly because Orphans kicks some serious ass, of course, and also due to the fact it’s been three long (but productive) years since their last installment. Orphans is undoubtedly a serious contender to feature among the best metal albums of 2019, proving once and for all great bands like The Agonist don’t need to release album after album just because their labels think it’s a good idea. We, metalheads from all over the world, are more than happy to wait for a while for new material as long as it’s as extreme, melodic and exciting as Orphans.

Best moments of the album: In Vertigo, The Gift of Silence, Blood as My Guide and The Killing I.

Worst moments of the album: None.

Released in 2019 Napalm Records

Track listing
1. In Vertigo 5:04
2. As One We Survive 3:40
3. The Gift of Silence 4:38
4. Blood as My Guide 4:27
5. Mr. Cold 4:40
6. Dust to Dust 3:17
7. A Devil Made Me Do It 3:38
8. The Killing I 4:17
9. Orphans 5:39
10. Burn It All Down 3:36

Band members
Vicky Psarakis – vocals
Danny Marino – guitar
Pascal “Paco” Jobin – guitar
Chris Kells – bass
Simon McKay – drums

Guest musician
Lefteris Germenlis – electronic and string arrangements

Metal Chick of the Month – The Harp Twins

Can you feel the wind of the north, my dear Camille and Kennerly?

How about we celebrate insane six years of The Headbanging Moose with two very talented women who have the unique ability of transforming the heaviest and most intense metal classics into serene and touching ballads only armed with their ethereal harps? I’m talking about Camille and Kennerly Kitt, known worldwide as The Harp Twins, who have achieved an unprecedented success not only among metal fans but in countless other music genres and entertainment segments, leading them to tour across several countries in North and America, Europe and anywhere else where their whimsical sounds are truly appreciated. And no, you’re not seeing double, as The Harp Twins are indeed identical twins, providing your avid ears double the pleasure with their refined skills by mixing all types of rock, metal and soundtrack arrangements with the gentle sounds flowing form their harps. Not only that, Camille and Kennerly are also accomplished actresses, showing there’s no actual limit for this talented American duo.

Born in the city of Chicago, Illinois, United States in 1989, with their heritage being mostly Norwegian mixed with Swedish, Finnish, English, Scottish, French, German and a little Cherokee Indian, Camille and Kennerly began playing the piano when they were children, followed by the harp when they went to junior high school. The duo was drawn by the beauty of the harp, saying it seemed like a magical instrument to them. By the way, their first harps (small, pre-owned lever harps) were bought with money they got from jobs such as babysitting and dog-walking, in order to show their mother they were really serious about playing the instrument. Classically trained in piano and also capable of playing a little percussion, the two blonde harpists also love to sing, which can be seen in some of their own original compositions and cover songs, although of course their main focus is and will always be their mesmerizing harps.

Having already played their electric harps, acoustic and electro-acoustic concert grand harps in several concert series, festivals, fairs and conventions in front of the most diverse crowds, even playing for US presidents, tech geniuses and global leaders, Camille and Kennerly have released over 100 singles online since the beginning of their career, as well as some very interesting cover albums, developing a huge cult of followers worldwide through their social media and becoming undoubtedly the most famous harp duo in the world. All that success is not in vain, of course, as both sisters hold a Bachelor of Music degree in Harp Performance and graduated with highest honors (“Summa Cum Laude”) at Wheaton College Conservatory of Music, located in Wheaton, Illinois, not to mention their previous years in a music studies program at a local college where they were in the Honors Scholar Program and represented the college at several collegiate summits.

Despite being formally trained in classical music and having the aforementioned degrees, their true obsession in music has always been taking the harp to new heights and exploring new grounds, nurturing a deep passion for arranging and performing rock, metal and soundtrack music as a harp duet, as well as their Nordic-inspired original songs thanks to their Scandinavian origin, always without any backtracks, studio productions or record labels involved, beautifully representing what it truly means to be an independent artist. And after listening to their duet arrangements of contemporary songs from artists including Iron Maiden, The Rolling Stones, Metallica, AC/DC, Pink Floyd, Bon Jovi, Aerosmith, Guns N’ Roses, Enya and Journey, among many, many others, you’ll be able to fully understand why they have chosen to follow such distinguished path, embellishing the airwaves with their gentle, melodic and classy harp fingering.

As already mentioned, The Harp Twins, who by the way perform on Venus “Classic” Concert Grand pedal harps and Lyon & Healy “Silhouette” Electric lever harps, have several albums released (also in physical format) apart from their hundreds of online singles and videos, with their YouTube videos totaling over 106 million views with over 600,000 subscribers as of September 2019. For instance, their cover of Led Zeppelin’s Stairway to Heaven alone garnered over three million YouTube hits as of September 2019, while their version of Iron Maiden’s Fear of the Dark received over 11 million views as of September 2019. Their six self-produced albums are Harp Attack (2013), Harp Attack 2 (2015), Harp Attack 3 (2018), Harp Fantasy (2013), Harp Fantasty 2 (2016), and Winter Lights (2017); while the Harp Attack series are dedicated to covers of Rock N’ Roll, Hard Rock and Heavy Metal songs and the Harp Fantasy series focus on covers of video game, anime, film and television soundtracks such as Game of Thrones, The Walking Dead, Pirates of the Caribbean, Final Fantasy, Star Trek, Star Wars, Vikings, Silent Hill and The Lord of the Rings, just to name a few, Winter Lights was their first-ever holiday album, including two new original songs and ten new arrangements of holiday classics from years gone by. Furthermore, their music has also been featured in countless media like National Geographic, The Huffington Post, ABC News, Conan O’Brien’s TeamCoco, AMCtv.com, Guitar World, Revolver, and many more, having also been praised by different music icons like Megadeth, Billy Idol, Kansas and Within Temptation, who shared the twins’ music on their official social media.

As a metalhead, I’m pretty sure you’re eager to listen to Camille and Kennerly playing some of your favorite metal classics of all time, right? Well, all you have to do is subscribe to their YouTube channel, sit down and enjoy their harp versions for, but not limited to, Rush’s Closer to the Heart, Black Sabbath’s Paranoid, Dio’s Rainbow in the Dark, Metallica’s Fade to Black, Iron Maiden’s Run to the Hills, and Megadeth’s A Tout le Monde. Go visit their official YouTube channel, or buy their music from CD Baby or from Apple Music, relax and enjoy these and countless other classic like Send Me an Angel, Smoke on the Water, Sweet Child O’ Mine, Hotel California, Don’t Stop Believin’, Every Breath You Take, and so on.

This slideshow requires JavaScript.

Camille and Kennerly always say they switch off playing melody and accompaniment, even within the same piece, and also that apart from all cover songs they do either by request or by their own choice, they have also been composing original music for their harps for years, which can be seen in songs like North and the music theme for their own animated logo. In addition, you can also find Camille and Kennerly as guest harpists in the intro Time to Set You Free,  from the album The Second Big Bang, released in 2017 by Brazilian Melodic Power Metal project Soulspell. And regarding her main influences and idols in music, the twins mentioned in one of their interviews that their earliest musical influences were rock and classic rock because that’s what their mother used to listen to, including bands like The Rolling Stones, Aerosmith, Led Zeppelin, Billy Idol, Van Halen, ZZ Top and Johnny Cash, later expanding their range due to their classical training to most artists and bands who think outside the box and follow their own path.

Although their main focus is obviously on their harp career, the duo is also famous for their acting and modeling skills, being members of the Screen Actors Guild (SAG) and AFTRA and having already acted in theater, film and television. For instance, in the season 6 finale of The Walking Dead, they played a walker nicknamed “Ouch That’s My Hair”, who was fought and killed by the character Carol, and had roles as “The Marcelli Twins” in the dark teen comedy Blacktino (as you can see in the official trailer by clicking HERE), from 2011, as well as appearances in many other movies like Delivery Man (2013), Elephant Medicine (2010) and The End of Lost Beginnings (2009), and in several commercial such as a national Japanese commercials for Chupa Chups lollypops. Still talking about their film career, Camille and Kennerly always like to mention that they do all their videos by themselves, arranging the music, finding the filming location, making their own costumes, filming everything with a small hand-held video camera on a tripod, recording the sound in their own living room and editing the video themselves. Needless to say, there’s no such thing as playbacks or any other “magic tricks” in their videos, as what you hear is exactly how it’s being played by our multi-talented twins. Also, when asked about their life on the road, Camille and Kennerly said in several interviews they have lots of memorable moments to share, like when they represented the United States at the World Harp Festival in Paraguay, where they had extensive support from the American embassy resulting in a full concert the day after the event to a sold out theater, and all of their performances at several Walker Stalker Cons, playing right before panels with Norman Reedus, Andrew Lincoln, Chandler Riggs and Greg Nicotero. It’s impossible to list all events they have participated so far in their career, featuring in all types of public, private, philanthropic, academic, corporate, cultural and political events, proving once again how talented and professional they are.

Of course, there’s no Camille and Kennerly without their harps and vice-versa, and that’s why it’s important and truly interesting to know more about the girls’ ethereal weapons. Their acoustic concert grand harps are 6’3” (or 1.9 m) and weigh 90 lbs (or 40.8 kg), while their electric harps are 4’ (or 1.22 m) and weigh 16 lbs (or 7.25 kg); regarding the number of strings, their acoustic concert grand harps have 47 strings (which can have three different pitches, those being flat, natural and sharp), their electric lever harps have 33 strings (which can have two different pitches, either flat/natural or natural/sharp), and their Harpsicle Harps have 26 strings. In addition, although it’s possible for the twins to use distortion on their electric harps, they don’t actually do that due to the difficulty to use distortion while still continuing the melody and accompaniment; however, you can enjoy Camille and Kennerly blasting distorted harp sounds on their cover version for Billy Idol’s White Wedding (by the way, Billy Idol himself even said that “if you live long enough you get to see this version of White Wedding”), and a slight effect in their Doctor Who Theme and The Smith’s Asleep covers. When asked about how they manage to carry their harps everywhere and how they handle their weight while playing, they said they put a strap on their backs to do that, but that they also bruise their hips from the straps if they wear the harps for too long. They love the freedom of movement, though, helping them to properly perform rock songs with their electric harps. Some people like to ask them why they don’t move even more while playing, and they said it’s tougher to reach a necessary balance with the harps than with a guitar or violin, for example.

Aside from being impressive harpists, Camille and Kennerly also have a variety of other interests and hobbies in their lives, keeping them absolutely busy pretty much all of the time. For instance, the twins are third degree black belts in Tae Kwon Do and former Tae Kwon Do instructors, which by the way caused two broken fingers to Kennerly while sparring one day, and stitches to Camille’s face as a result of puncture wound sustained while holding a board that Kennerly was breaking. In the end, those incidents made them decide to stop practicing martial arts and focus on their career as harpists. Our beloved blonde musicians were also competitive swimmers as kids (having both qualified for the Junior Olympics five times), are experts in rifle marksmanship, and are trained in horseback riding, not to mention their passion for other activities and hobbies such as hiking, working out, watching TV shows like The Walking Dead and Vikings, reading, writing, and so on. Moreover, the Kitt Twins are also actively involved in their community, supporting education and health initiatives for unprivileged children overseas, and volunteering for many years at a monthly deaf/hard-of-hearing social gathering (and yes, they know sign language), among other endeavors, as they strongly believe in the importance of giving back. The girls also sponsor a few kids in Ethiopia, helping to provide them school, food, clothing and medical care, always hoping more and more people will follow their steps to make the world a better place.

Last but not least, Camille and Kennerly’s connection as twins is beautifully externalized in the way they always look at each other while they’re playing, and in their twin costumes (which as mentioned are always put together by the twins themselves by mixing and matching things they already have at home), unless of course they need to dress differently for a commercial, film or media project. Having said that, if you want to have double the fun with the classy and mesmerizing music by Camille and Kennerly, or if you are an event organizer who’s searching for a truly unique attraction to captivate the attention of your guests on your next big event, you can get in touch with The Harp Twins by sending an email to HarpTwins@HarpTwins.com, and don’t forget to keep an eye on their Events Page on Facebook for all of their public performances, concerts and other events. And if you want to show your support to their distinguished work with their harps, as aforementioned you can purchase their music from Apple Music and from CD Baby, or simply visit their official website for all music, news, tour dates and other nice-to-know information about the unstoppable twins who give a beyond welcome touch of delicacy to our good old rock and metal music.

Camille and Kennerly’s Official Facebook page
Camille and Kennerly’s Official Instagram
Camille and Kennerly’s Official Twitter
Camille and Kennerly’s Official YouTube channel

“When someone tells us that our music has helped them through an illness, or inspired their child to learn an instrument, or even just given them some peace after a trying day, that means the world to us. As musicians, it’s the greatest feeling to know that our music has touched someone else in some way.” – Camille and Kennerly Kitt

Album Review – SiXforNinE / Parallel Universe (2019)

An amazing album of rock and metal music containing nine high-energy compositions overflowing groove and adrenaline, carefully brought forth by four talented musicians hailing from Greece.

It’s time to bang our heads to the groovy and melodic Alternative Metal blasted by SiXforNinE, a four-piece band formed in 2011 in the always fun city of Athens, Greece, who are releasing now in 2019 a brand new and extremely entertaining opus entitled Parallel Universe, a follow-up to their 2015 debut self-titled album being highly recommended for fans of the music by bands like Disturbed and Breaking Benjamin. Comprised of founding members Georga Kapa on the guitar, Herc Booze on bass and Pete Outfox on drums, as well as Fotis Benardo (Necromantia, Septicflesh) on vocals, SiXforNinE have been on a roll since their inception, having already shared the stage with renowned acts such as Monster Magnet, Fates Warning, Leprous, and Memory Garden, and with Parallel Universe representing an evolutionary step in their relatively short but already solid career.

Recorded at DevasoundZ Studios in Athens, produced by Fotis Benardo himself, mixed by Paul Pavao (Disturbed, Stone Temple Pilots, Breaking Benjamin), mastered by Tom Baker (Rob Zombie, Nine Inch Nails, Mötley Crüe), and featuring a stunning artwork by Vagelis Petikas (Revolver Design), Parallel Universe showcases a very special chemistry between all four band members in each of its nine high-energy rock anthems, dealing with distinct topics such as a galactic travel via astral projection and the story of a refugee hoping for a better future. In other words, you better get ready to rock with SiXforNinE, as the Rock N’ Roll party crafted by those four talented Greek metallers doesn’t seem to have a time to end based on the amount of adrenaline flowing from their new album.

The band begins their feast of mesmerizing and groovy sounds in Every Cloud Has a Silver Lining, a lecture in progressiveness by the quartet where Fotis and his Miles Kennedy-inspired vocals walk hand in hand with George’s crisp riffs, not to mention Herc’s rumbling bass lines, followed by the heavier and more progressive Life Devouring Demons, reminding me of some of the incendiary creations by Mastodon. Furthermore, Pete brings endless intricacy with his beats in an awesome fusion of Alternative Rock and Metal with the heaviness of Progressive Metal, while Herc is on absolute fire with his metallic bass. And as heavy as high-end Alternative Metal can be, the band explodes our ears with the melodic and vibrant Bullet Off Its Course, a song that could easily be played in any radio station with Fotis once again stealing the spotlight with his passionate vocals.

Then inspired by the music by Alter Bridge, Breaking Benjamin and other big names of the alternative scene, George slashes his strings beautifully while Pete’s beats bring groove and thunder to the music in Never Ending Road, whereas in More Than Words Can Say the band blends the heaviest elements from Progressive Metal with smoother rockin’ nuances, displaying a powerful job done by George on the guitar as well as Fotis on vocals, overflowing rage and anguish from start to finish. And it’s time to slow things down a bit and enjoy a pensive and whimsical musical journey by SiXforNinE in Counting Stars (a Parallel Universe), where George, Herc and Pete generate an enfolding ambience with their respective instruments, resulting in almost 10 minutes of ethereal passages and piercing sounds. Not only that, George’s guitar solo is a thing of beauty, adding an extra touch of finesse to a fantastic song that flows flawlessly into a catchy ending.

Very intricate and full of breaks and variations, Out of the Blue offers the listener the thunderous sound of the bass lines by Herc nicely complementing Pete’s wicked beats, being at the same time violent and very harmonious and with Fotis’ roars bringing even more stamina to the song’s already gripping vibe. In Sea of Lies we’re able to witness pure Rock N’ Roll flowing through the band’s instruments, sounding tailored for being played at top volume at a rock pub while everyone is enjoying a cold and tasty beer; moreover, George and Pete couldn’t sound more electrifying with their riffs and beats, also presenting the progressiveness that makes their music so compelling. And lastly, the angry bass by Herc ignites the closing tune Meditation Hyperjam, a sonic extravaganza of badass sounds and tones led by George’s heavy riffs while Fotis fires his potent vocals, putting a truly exciting ending to the album.

If you love rock and metal music with high dosages of complexity, groove and electricity, then Parallel Universe, which you can hear in full on YouTube and on Spotify, is the perfect solution to satisfy your craving. Hence, go check what SiXforNinE are up to on Facebook, including their tour dates, and grab your copy of the album from their own webstore, as well as from Apple Music or from Amazon. Fotis, George, Herc and Pete did one hell of a job in Parallel Universe, and there’s nothing better to show them our support and appreciation than by rocking like there’s no tomorrow together with this hardworking and amazing band coming from Hellenic lands.

Best moments of the album: Life Devouring Demons, Counting Stars (a Parallel Universe) and Sea of Lies.

Worst moments of the album: Never Ending Road.

Released in 2019 Eclipse Records

Track listing
1. Every Cloud Has a Silver Lining 6:12
2. Life Devouring Demons 5:52
3. Bullet Off Its Course 5:00
4. Never Ending Road 4:53
5. More Than Words Can Say 5:02
6. Counting Stars (a Parallel Universe) 9:16
7. Out of the Blue 5:58
8. Sea of Lies 4:10
9. Meditation Hyperjam 5:12

Band members
Fotis Benardo – vocals
George Kapa – guitars
Herc Booze – bass
Pete Outfox – drums

Album Review – Aphrodite / Lust and War (2019)

Bang your head to this uncompromising DIY tribute to the Greek gods, recommended for fans of that 80’s Speed Metal sound sparkled with heavy and punk influences.

Founded in the second half of 2018 in Ottawa, Canada’s capital located in the east of southern Ontario, Speed Metal power trio Aphrodite is the result of a collective effort between the creative minds of Canada’s own multi-instrumentalist Jo Steel (Ice War) and guitarist Yan Turbo (Colorsfade), and Chilean unrelenting vocalist Tanza Speed, a true metal nomad known for bands like Outline and Demona. Now in 2019, with the help from Heidi Stockdale, who developed the lyrical concept revolving around Greek Mythology, Aphrodite are unleashing upon us their debut full-length album entitled Lust and War, a DIY production recommended for fans of that 80’s Speed Metal sound sparkled with heavy and punk influences in the vein of Acid, Znöwhite, Agent Steel, S.D.I. and Vectom, among many others.

Jo and Yan’s frantic riffs and beats ignite the opening track Hades in the Night, before Tanza comes ripping with her old school-Japanese-inspired-punk-thrashing vocals, resulting in a fun, straightforward song perfect for enjoying a beer inside the pit, whereas in Pandora’s Box Unleashed the guitar duo keeps slashing their strings mercilessly, firing razor-edged riffs and solos inspired by classic Thrash Metal and Punk Rock, as well as rumbling, metallic bass punches. In other words, I can easily visualize them playing this at an underground, obscure rock pub. Then in Ares, God of War wicked guitars and frantic beats dictate the rhythm while its simple but effective lyrics tell the story of the one and only god of war (“Feeder of thieves / Master enslaver / World on its knees / Ransack the land, scepter in hand / Lord of greed, madness of man / Loathsome war leader / Lord of greed, madness of man / Loathsome war leader”), feeling like a North American version of the crushing music by Japanese masters Abigail but obviously with a more complex theme.

Aphrodite keep blasting their raw, dirty Speed Metal in Lightning Crashed, where Tanza seems slightly “inebriate” on vocals (or maybe that was the original plan, who knows) while Jo does a great job on drums once again, not to mention Yan’s piercing guitar solos. Slowing down their madness a bit, the trio offers the Megadeth-inspired tune Pentheselia, with Tanza delivering less strident and more tuneful vocals, and yet again presenting gripping guitar riffs and solos; followed by Gorgon Medusa, which sounds like a copy of one of the previous songs from the album, albeit not as thrilling neither as fast, but still bringing a good dosage of crudeness and rebelliousness to our ears. And Aphrodite, Queen of Lust, the song that carries the band’s name, is another punk-infused thrashing composition where the sharp sound of the guitars builds an interesting paradox with the song’s low-tuned bass lines.

Getting back to a more rockin’ sonority the trio offers us Orpheus Charms the Gods of Death, spiced up by another blast of interesting but never too complex lyrics (“Thracian Orpheus, blessed by the gods / None can resist enchanting song / His melody sways the mountains and trees / Melting the heart of the beast”), and let’s keep slamming into the pit with Thesus and the Minotaur, with the rhythmic beats and thunderous bass punches by Jo generating a dense background for Yan’s crisp solos. Their Rock N’ Roll party goes on in The Odyssey, where Tanza continues to fire her raspy, feminine vocals while Yan and Jo are ruthless with their cutting riffs and beats, before Gladiators (Gladiators), and I must say I have absolutely no idea why the song is called “Gladiators” twice nor if this is a cover song for a very old band called Gladiators, closes the album on an accelerated manner, with Tanza’s vocals walking hand in hand with the song’s main riff as if they were one.

Lust and War might not be a Speed Metal masterpiece (as a matter of fact, it’s not even close to that), but taking into account all the effort and limitations Jo, Yan and Tanza had during the production stages of the album we have to admit that in the end they did a pretty good job. Hence, don’t forget to show our support to Aphrodite by following them on Facebook, by listening to Lust and War in full on YouTube and on Spotify, and of course by purchasing the album from the band’s own BandCamp page, from the Fighter Records’ BandCamp page, from the  Xtreem Music webstore in CD or LP format, from Apple Music or from Amazon. As this is a DYI album, utterly uncompromising and free of any type of pressure, of course there are many flaws to be fixed and adjustments to be made, but after all is said and done I’m sure you’ll have a very good time listening to this 80’s Speed and Heavy Metal-inspired tribute to the Greek gods.

Best moments of the album: Hades in the Night, Ares, God of War and Orpheus Charms the Gods of Death.

Worst moments of the album: Gorgon Medusa.

Released in 2019 Fighter Records

Track listing
1. Hades in the Night 3:02
2. Pandora’s Box Unleashed 3:48
3. Ares, God of War 2:31
4. Lightning Crashed 3:21
5. Pentheselia 2:56
6. Gorgon Medusa 2:50
7. Aphrodite, Queen of Lust 3:22
8. Orpheus Charms the Gods of Death 3:10
9. Thesus and the Minotaur 3:26
10. The Odyssey 3:58
11. Gladiators (Gladiators) 3:52

Band members
Tanza Speed – vocals
Yan Turbo – lead guitar
Jo Steel – guitars, bass, drums

Album Review – HerezA / Death Metal Drunks (2019)

Join this horde of ruthless headbanging bastards in their quest for metal and booze, armed to the teeth with their brand new opus of straightforward Death N’ Roll.

Vodka, whiskey, gin, rakija, black tooth grin, tequila, Jägermeister and Jack Daniel’s, all mixed with humongous dosages of rebelliousness, depravity and violence. That’s the extremely combustible recipe found in Death Metal Drunks, the brand new album by Croatian/German Punk/Death Metal horde HerezA and a fantastic follow-up to their 2017 release I Become Death. As the band itself likes to say, there’s no “pre”, no “post”, no “tech”, no “prog” and not even any “swe” references or connotations in their new opus, but a straightforward Death N’ Roll attack highly recommended for fans of the demolishing music played by iconic acts like Cannibal Corpse, Napalm Death, The Exploited, Carcass, Kreator, Motörhead and several other relentless rock and metal entities.

Formed in 2014 in Beli Manastir, Croatia, but currently located in the beautiful Stuttgart, capital of southwest Germany’s Baden-Württemberg state, what used to be a duo comprised of vocalist Ivan Kovačević and guitarist Slobodan Stupar is now a full-bodied squad with the additions of bassit Holger and drummer Thomas Polder, which translates into not only a more dynamic musicality but also makes it possible for HerezA to tour a lot more, spreading their nihilistic, inebriate and boisterous creations to the four corners of our decaying world. Produced by Slobodan himself, recorded, mixed and mastered by Mario Marković, and featuring an absolutely superb cover art by Croatian artist Andrej Bartulović (All Things Rotten), perfectly representing what HerezA are all about, Death Metal Drunks is one of those albums that will put a huge smile on your face every single time you listen to it, inspiring you to join other metalheads into the sickest circle pits you can think of.

Wicked distortions and a menacing aura suddenly explode into sheer violence in the form of music in Back From The Grave, where Ivan’s roars sound even more enraged than in their previous album, while guest vocalist Adrie Kloosterwaard (Sinister) delivers deep, guttural Cannibal Corpse-inspired lines to make things even more brutal. Then Slobodan shows no mercy for our necks with his incendiary riffs in Genocid, where Thomas keeps hammering his drums frantically, therefore being recommended for fans of a thrashier and more hardcore version or our good old Death Metal; whereas Kopam Oči, Režem Jezik, Prste, Nos I Uši (“I dig my eyes, I cut my tongue, my fingers, my nose and my ears” from Croatian), featuring guest vocals by Igor Buljin (Gorthaur’s Wrath), follows a similar pattern as most songs in I Become Death, or in other words, it’s  an onrush of vicious sounds that will inspire you to slam into the pit like a maniac while Slobodan and Holger don’t stop slashing their stringed weapons mercilessly.

Blazing guitars and punk-infused drums dictate the rhythm in the boozy metal hymn Death Metal Drunks, by far my favorite song of the album showcasing utterly entertaining lyrics vociferated by Ivan (“We are back once again / To show you how it’s done / Pedal to the metal, full speed ahead / Breaks are for the weak / Head through the wall, we don’t care at all / Heading for selfdestruction / Give us booze, give us beer / We are ready for execution”), followed by Rak n’Roll, bringing forward less than two minutes of total sonic anarchy as if the Exploited and Napalm Death had a son (and if that son was trained by Cannibal Corpse), with highlights to Thomas’ crushing performance on drums. Horses bring the noise in Dullahan, a thunderous tune infused with badass Rock N’ Roll elements the likes of Motörhead, also presenting a great job done by Slobodan with his scorching riffs and featuring the third guest vocalist of the album, Aleister Kainulainen (King Satan), to give the whole song and extra kick. And if you think HerezA will slow down at any given point you’re absolutely wrong, as Do Kosti Bez Milosti (“to the bone without mercy”) is another overdose of violence, insanity and rage sung in their mother tongue Croatian, with Ivan’s demented growls and Thomas’ nonstop beats inspiring the listener to violently crack their spinal cords in half.

Beneath The Wheels Of Death is hell on wheels once again led by the berserk grunts by Ivan while Slobodan delivers spot-on riffs and solos, and there’s no time to breathe at all as after a weird semi-acoustic intro the quartet blasts their own version of what can be called “Country Metal” in Necrobitch, Cowgirl From The Morgue, with its lyrics seeming like they were taken from a Steel Panther song but embraced by the heaviness and speed of Punk Rock. In addition to that, pay good attention to how Holger’s groovy and rumbling bass lines add a lot of electricity to the overall result. In Stupid Spoiled Whore the quartet once again brings to our ears very “classy” lyrics (“Spoiled, rich, little girl / You have everything in the world / Mommy and daddy love you so / They can’t see you’re just a / Piece of shit / You make me sick / An ugly boar / Stupid spoiled whore / Shit for brains / You leave stains / Everywhere you go / You’re stupid spoiled whore”), with the music being a feast of raw, razor-edged noises and tones that couldn’t sound more violent. And lastly, Monstrum is a beyond thrilling and deranged way to close such excellent album of extreme music where Thomas steals the spotlight with his frantic drumming while Ivan, Slobodan and Holger fill out every empty space with their respective growls, riffs and bass punches.

After all is said and done, I have only one very simple question to you, and I’m pretty sure your answer will be positive. Do you consider yourself a Death Metal drunk? Well, if you’re reading this review to the very end I believe you are, which means you’re more than ready to join HerezA in their quest for metal and booze by following them on Facebook, and especially by purchasing your copy of Death Metal Drunks (available for a full listen on Spotify and on YouTube) from the Godz ov War Productions’ BandCamp or webstore, as well as from Apple Music and Discogs. And after putting your hands on the album and hitting play, you know what to do. It’s booze, slamming, more booze, headbanging while slamming, an extra dose of booze, and so on.

Best moments of the album: Kopam Oči, Režem Jezik, Prste, Nos I Uši, Death Metal Drunks and Do Kosti Bez Milosti.

Worst moments of the album: None.

Released in 2019 Godz ov War Productions

Track listing
1. Back From The Grave (feat. Adrie Kloosterwaard) 2:56
2. Genocid 1:58
3. Kopam Oči, Režem Jezik, Prste, Nos I Uši (feat. Igor Buljin) 2:53
4. Death Metal Drunks 3:10
5. Rak n’Roll 1:34
6. Dullahan (feat. Aleister Kainulainen) 2:42
7. Do Kosti Bez Milosti 3:15
8. Beneath The Wheels Of Death 2:10
9. Necrobitch, Cowgirl From The Morgue 3:23
10. Stupid Spoiled Whore 2:35
11. Monstrum 1:38

Band members
Ivan Kovacevic – vocals
Slobodan Stupar – guitar, vocals
Holger – bass
Thomas Polder – drums

Guest musicians
Adrie Kloosterwaard – vocals on “Back From the Grave”
Igor Buljin – vocals on “Kopam Oči, Režem Jezik, Prste, Nos I Uši”
Aleister Kainulainen – vocal on “Dullahan”

Concert Review – Slipknot (Budweiser Stage, Toronto, ON, 08/20/2019)

An awesome night of heavy music spearheaded by the world’s most beloved and rebellious masked horde, showing everyone that if you’re 555, then Toronto is 666.

OPENING ACTS: Behemoth, Gojira and Volbeat

Blackened Death Metal, Progressive Groove Metal, Rock N’ Roll and Alternative Metal. What at first it might look like the distinct styles you usually find at an European metal fest during the summer is actually the lineup of the 2019 edition of the highly-acclaimed Knotfest Roadshow, and fortunately for us Torontonians the one and only Slipknot and their friends from Behemoth, Gojira and Volbeat brought that amalgamation of very different but utterly electrifying genres to the always great Budweiser Stage on another hot summer day in the city. It was a Tuesday, just the beginning of the week, which means most people who attended the show still had an entire week of work after around six intense hours of loud beats, unstoppable riffs and demented circle pits. Well, who cares, right? It’s all in the name of our good old Heavy Metal and Rock N’ Roll.

Just by arriving at the venue you could see it was going to be a very special day for longtime fans of Slipknot, with several of them being properly dressed as their idols, including some wicked (and a few weird) masks, showing how much those people love and respect a band that revolutionized metal music 20 years ago and that are still alive and kicking. If you had the opportunity to arrive to the Budweiser stage right when the gates were opened, you were able to enjoy a lot of different attractions such as a special Slipknot exhibition right beside where 2018 Wacken Metal Battle Canada winners Centuries of Decay (you can see more details about their 2018 win HERE) where blasting their first-class Progressive/Atmospheric Death Metal, enjoy one or more of the several food trucks available, test your knowledge of metal music by taking a fun quiz at the Monster Energy truck (needless to say, I had all six answers correct and got myself a nice Monster Energy bandana), or even take a picture with that crazy dude who tried to swim back to the Slayer concert in 2018 at that same venue. He was wearing a personalized shirt about his 2018 incident and two arm floats. Yes, he’s that crazy.

However, when the clock hit 5:30pm sharp, it was time for the gods and demons of heavy music and all fans that were already at the venue (and I was surprised by the huge number of people that managed to get there in time for the very first concert) to witness another blasphemous, theatrical and absolutely heavy-as-hell performance by Poland’s own BEHEMOTH. Still promoting their awesome 2018 opus I Loved You At Your Darkest, the iconic Nergal and his henchmen Seth, Orion and Inferno delivered a short and sweet concert for fans of their darker version of Death Metal, literally spitting fire, blood and blasphemy on our faces for around 40 minutes, with songs like Ora Pro Nobis Lucifer,  Bartzabel and Chant for Eschaton 2000 proving why they became one of the most beloved extreme bands of the past decade, and also one of the most hated and abhorred by any type of church (which in the end is a very positive thing).

Setlist
Solve
Wolves ov Siberia
Daimonos
Ora Pro Nobis Lucifer
Bartzabel
Conquer All
Sabbath Mater
Chant for Eschaton 2000

Band members
Adam “Nergal” Darski – lead vocals, guitars
Patryk Dominik “Seth” Sztyber – guitars
Tomasz “Orion” Wróblewski – bass guitar
Zbigniew Robert “Inferno” Promiński – drums and percussion

After a quick break the stage was ready with all of its lights aiming at our faces to warn us the pulverizing concert by French Progressive/Groove Metal institution GOJIRA was about to begin, and let me tell you it was simply fantastic and insanely heavy from start to finish. The Duplantier Brothers Joe and Mario, together with Christian Andreu on the guitar and Jean-Michel Labadie on bass delivered a neck-breaking performance for our total delight, leaving us all eager for more of their music in Canadian lands. I loved how heavy, dense and thrilling songs like Stranded, Flying Whales (my favorite of their setlist) and Silvera sounded last night, and we must thank Mr. Mario Duplantier for that. The guy is an untamed beast on drums, crushing his drum set flawlessly and throwing almost all of his sticks to the fans throughout his bestial performance. After such devastating concert by Gojira, I must say once again there’s only one thing I hate about festivals, and that’s the fact bands like Gojira do not have enough time to show the crowd everything they got.

Setlist
Toxic Garbage Island
Backbone
Stranded
Flying Whales
Love
The Cell
Silvera
The Gift of Guilt

Band members
Joe Duplantier – vocals, guitar
Christian Andreu – guitar
Jean-Michel Labadie – bass
Mario Duplantier – drums

After two demolishing concerts of extreme music, it was time to cool things down a bit with the heavier-than-usual Rock N’ Roll by Danish institution VOLBEAT, who are just beginning to promote their newest album Rewind, Replay, Rebound. As a big fan of Volbeat, I was a little worried about how the most berserk Slipknot fans would react to their fusion of lighter styles like Rock N’ Roll and Hard Rock, and during the first few songs let’s say most fans weren’t impressed with their music. However, after Sad Man’s Tongue (preceded by a snippet of Johnny Cash’s “Ring of Fire”) and Black Rose, featuring Toronto’s own Danko Jones on vocals together with Michael Polsen, things started to pick up and the more than 13 thousand fans at the venue who were already anxious for Slipknot had a great time with the band, especially when they played their heavier stuff like A Warrior’s Call, Dead But Rising and Seal the Deal. In a nutshell, it might not have been the best slot to add Volbeat, right after Behemoth and Gojira and right before Slipknot, but you know what? In the end it all worked really well, something only talented bands like Volbeat can do even against all odds.

Setlist
Born to Raise Hell (Motörhead song)
The Devil’s Bleeding Crown
Lola Montez
Sad Man’s Tongue
Black Rose (with Danko Jones)
The Everlasting
Slaytan
Dead But Rising
A Warrior’s Call / I Only Want to Be With You
Last Day Under the Sun
Doc Holliday
Seal the Deal
Still Counting
Sawdust in the Blood (Rob Zombie song)

Band members
Michael Poulsen – vocals, rhythm guitar
Rob Caggiano – lead guitar
Kaspar Boye Larsen – bass guitar
Jon Larsen – drums

SLIPKNOT

It was already past 9pm when the speakers began playing AC/DC’s rock anthem “For Those About to Rock (We Salute You)”, getting our engines revved up for a storm of heaviness, insanity and explosions by American institution SLIPKNOT. It was total chaos and anarchy from start to finish, with the first few songs from their setlist, those being the classics People = Shit, (sic) and Get This, already inspiring all their fans to go absolutely mental into the pit. The temperature at the Budweiser Stage was just going up, with their new songs Unsainted, Solway Firth (both from their brand new, ass-kicking album We Are Not Your Kind) and All Out Life working even better than expected. As a matter of fact, I was more than sure those three songs would sound fantastic on stage, first because they’re already damn good songs, but mainly due to the fact Slipknot on stage always take their heaviness to the next level.

Corey, Mick, Jim and all others were on fire during their long and incendiary performance, with all their stage paraphernalia (and the Budweiser Stage is just perfect for that type of concert) adding a very welcome touch of insanity to the night. Not only that, it was visible how Corey was extremely happy to be back in Toronto after a long time, letting all the energy coming from the crowd penetrate deep inside his mind and helping him growl and scream like a beast until the very end. “We’ve been at this for 20 years! It hasn’t always been easy, but looking at all of you here tonight, I can safely say we’ll be doing it for another 20,” said a more-than-excited Corey to his fans before crushing their heads once again with their venomous music. I honestly have no idea if they can keep that level of violence on stage for another two decades, but if they keep going and delivering top-of-the-line heavy music like what Slayer have been doing until now, we can rest assured rock and metal will never die.

Although the fans at the floor section were out of control inside some killer circle pits, I must say the most demented guy from the entire night was the band’s newest member Tortilla Man. How deranged and talented is that guy? He kept pounding his drums, screaming, jumping up and down, dancing and hitting his beer kegs as hard as possible without showing any signs of fatigue for almost two hours; now I fully understand why the rest of the band is so happy and excited to have Tortilla Man in the band. The only field where he wasn’t number 1 in madness and precision was dancing, because that’s Mr. Sid Wilson’s undisputed title. I don’t know for sure what exactly he does behind his turntables, but when he’s there dancing and having fun around the stage it’s a whole new thing. That guy is just as sick as his music, no doubt about that. Anyway, after the all-time hits Spit It Out (including their famous “get down/jump the fuck up” interaction with the crowd) and Surfacing, it was time for Slipknot to say goodbye, to promise us all they will return to Toronto, and for the fans to breather a little and try to recover their energies to try to get home safe and sound. And as one final message after such amazing night of metal music, all I have to say to you is that if you’re 555, then I’m 666. As simple as that.

Setlist
For Those About to Rock (We Salute You) (AC/DC song)
(515)
People = Shit
(sic)
Get This
Unsainted
Before I Forget
Solway Firth
The Heretic Anthem
Psychosocial
The Devil in I
Prosthetics
Vermilion
Custer
Sulfur
All Out Life
Duality

Encore:
Spit It Out
Surfacing
‘Til We Die

Band members
(#0) Sid Wilson – turntables, keyboards
(#4) Jim Root – lead and rhythm guitars
(#5) Craig “133” Jones – samples, media, keyboards
(#6) Shawn “Clown” Crahan – custom percussion, backing vocals
(#7) Mick Thomson – lead and rhythm guitars
(#8) Corey Taylor – lead vocals
Alessandro Venturella – bass
Jay Weinberg – drums
Tortilla Man – custom percussion, backing vocals

This slideshow requires JavaScript.

Album Review – WildHeart / No Love (2019)

Highly inspired by classic Hard Rock and Glam Metal from the 80’s, this five-piece act from Belgium will take you on an electrifying journey back to the Sunset Strip anno 1986.

Hailing from Ninove, a city and municipality located in the Flemish province of East Flanders in Belgium, Hard Rock outfit WildHeart is a young and hungry band with a great passion for and highly inspired by classic Hard Rock and Glam Metal from the 80’s such as Whitesnake, RATT, Mötley Crüe, Dokken and Van Halen, taking you on a journey back to the Sunset Strip anno 1986 with their fun and vibrant music. Having the debauchery on stage and a carefree Rock N’ Roll vibe as their top priorities, the band comprised of frontman Farty, guitarists Foxx and Juice, bassist Stevie Dee and drummer Thunderberck is offering to our ears now in 2019 their sophomore album entitled No Love, a follow-up to their also excellent self-titled debut album released in 2016.

Produced by Joren Cautaers and mastered at Mass Destruction Production in Sweden by none other than Erik Martensson, known from bands like Eclipse and W.E.T., No Love is a thrilling feast of rockin’ tunes and sounds tailored for diehard fans of the genre who are always eager to meet new bands playing that classic sonority from around 30 years ago. Even the band’s attire seems to be taken from the golden years of Glam and Heavy Metal, looking like a more serious (but still uncompromising) version of our beloved Steel Panther and really old school Van Halen.

The old school intro The Mirror grows in intensity until A Stranger’s Eyes comes crushing our heads and warming up our hearts, exhaling pure Hard Rock for lovers of the music by Motley Crüe and Poison, with the blazing riffs by Foxx and Juice dictating the song’s frantic rhythm while Farty powerfully declaims its lyrics. After such powerful start, it’s time to put on your tight leopard pants and get ready to bang your head with the band in Nothing but Trouble, a song that sounds as if it was taken straight from an album recorded in the 80’s, with Thunderberck pounding his drums with a lot of precision and Stevie Dee adding the word “metal” to the musicality armed with his bass punches; whereas a catchy riff ignites the headbanging Dutch Courage, where all band members showcase their deep passion for Glam Metal in over five minutes of first-class rock music for the masses. Moreover, Farty steals the spotlight with another fantastic vocal performance, while the band’s guitar duo breathes fire with their refined solos.

The title-track No Love leans towards classic Skid Row with hints of Survivor’s all-time hit “Eye of the Tiger”, with the sync between guitars, beats and bass being simply amazing, therefore resulting in an energizing tune that should sound beyond electrifying if played live. Then showcasing an Iron Maiden’s “From Here To Eternity”-inspired riff, led by Thunderberck’s crushing beats and presenting a pure 80’s vibe, One Way Ticket to Paradise is more than perfect for singing along with the band or enjoying it while having a relaxing ride on the highway on a summer day; and WildHeart keep hitting our heads hard with their old school music in Rumours, a song that feels like a power ballad at times, but still bringing the groove and punch from faster rock songs. Needless to say, Farty once again delivers a great performance on vocals, not to mention the band’s usual incendiary guitar solos.

Now rev up your engines for a mid-tempo Hard Rock extravaganza entitled Good to Be Bad, infused with the heavier sounds by bands like Judas Priest and Primal Fear (especially during the song’s scorching hot, metallic riffs), turning it into a great metal hymn perfect for raising your fists in the air together with the band. The Winner’s Always Right is another explosion of classic rock and metal spearheaded by Foxx’s and Juice’s unstoppable axes, while Thunderberck keeps slamming his drum set in great fashion. Well, this song definitely asks for a colorful bandana, don’t you think? Anyway, adding hints of classic Rock N’ Roll and Southern Rock to their old school musicality, this rockin’ quintet offers us the fun and fresh Valerie, and you’re already aware that every single time a Hard Rock band writes a song named after a girl, the final result exhales awesomeness. Lastly, WildHeart probably thought it was a good idea to close the album with a true headbanger, and that’s exactly what we get in Tonight We Rock, bringing to our avid ears a flammable fusion of the music by Van Halen with Scorpions, hence making it impossible to stand still to the dynamic riffs and beats blasted by the band while Farty delivers what’s perhaps his most inspired vocals of the whole album.

No Love, which by the way is available for a full and delicious listen on Spotify, is more than just another album of Hard Rock. It’s a passionate, detailed and very honest tribute from WildHeart to all of their heroes from the 80’s, working as some sort of “time machine” for everyone who loves that classic rock sonority that has been embellishing the Sunset Strip for over 30 years. Having said that, don’t forget to show those Belgian metalheads you true support and admiration by following them on Facebook, by subscribing to their YouTube channel, and of course by purchasing your copy of No Love from several locations like Apple Music. After listening to No Love, I caught myself wondering if there’s a street that can be named the “Belgian Sunset Strip” in WildHeart’s homeland, having those obstinate rockers as one of the greatest new names of European Hard Rock and Glam Metal.

Best moments of the album: Dutch Courage, One Way Ticket to Paradise and Tonight We Rock.

Worst moments of the album: None.

Released in 2019 WildHeart Records

Track listing
1. The Mirror 1:12
2. A Stranger’s Eyes 5:21
3. Nothing but Trouble 5:00
4. Dutch Courage 5:09
5. No Love 5:03
6. One Way Ticket to Paradise 5:13
7. Rumours 6:12
8. Good to Be Bad 4:33
9. The Winner’s Always Right 4:43
10. Valerie 4:46
11. Tonight We Rock 4:47

Band members
Farty – vocals
Foxx – guitar
Juice – guitar
Stevie Dee – bass
Thunderberck – drums

Metal Chick of the Month – Ela

ELA ROCKS!

Hailing from the charming Stuttgart, capital of southwest Germany’s Baden-Württemberg state and known for the Mercedes-Benz and Porsche headquarters and museums, our metal chick of the month of August is ready to set fire to The Headbanging Moose with her powerful vocals, stunning looks and deep passion for Hard Rock, Rock N’ Roll, and Heavy and Power Metal. Furthermore, you’ll certainly find her evolution in music quite interesting, from her mellower, radio-friendly Pop Rock early days to her current ferocious beast mode, blasting first-class Heavy Metal for our absolute delectation, always ready to rock like there’s no tomorrow. Ladies and gentlemen, please welcome the raven-haired vocalist Michaela “Ela” Eichhorn, or if you prefer you can simply call her Ela, frontwoman for German Melodic Heavy Metal band ELA and a woman that beautifully represents the power and importance of women in contemporary metal music.

You won’t find a lot of personal details about our dauntless Ela on the internet, but that doesn’t mean there isn’t a lot to read, learn and enjoy about her. Let’s say that if you want to know more about Ela, all you have to do is search for her own band ELA, as in the end the two can be considered the same entity. In other words, there’s no Michaela Eichhorn without ELA and vice-versa, which means we’ll be focusing on Ela’s career with her band on this humble tribute to this talented German singer, starting with the band’s inception over ten years ago, in the year of 2006. As a matter of fact, we can go a bit further than that, to the year of 2004, when Ela was part of a Karlsruh, Baden-Württemberg-based band named Com’n Rail, with whom she released the full-length album Out of My Universe that same year (and you can still buy the album from Amazon or from Discogs).

After several concerts all over Germany to promote Out of My Universe in the following years, Com’n Rail split up in 2006, with Ela finally founding what’s known today as ELA. However, as already mentioned, the band’s first releases, those being the EP’s Out of Time and Little Lies, both released in 2008, and the full-length albums Passion, from that same year, and Make My Day, from 2009, showed a much smoother side of Ela, offering her fans a fusion of classic Hard Rock with pop and alternative music. Ela’s debut EP Out of Time featured German musician J.R. Blackmore (the son of Ritchie Blackmore and his former German wife Margit, and known from bands like EBC Roxx and Over the Rainbow) on the guitar, with the invitation originating from Ela herself after listening to one of his instrumental pieces during a radio interview in Hamburg and falling in love with his refined technique. Upon returning home that night, she sent an email to Mr. Blackmore inviting him to participate in her album, he obviously accepted the invitation, and two weeks later the single Out Of Time was recorded (check out the official video shot at the legendary rock club Headbangers Ballroom in Hamburg HERE), with the full EP featuring the aforementioned single, a couple of original songs  by Ela and instrumental pieces by Mr. Blackmore, and a cover version for UFO’s Queen of the Deep. As a consequence of the very positive feedback received from fans and the specialized media, the duo went on a fairly extensive European tour after the release of the EP, not to mention the official video was played on many German music channels such as iMusic1 TV, Hit24, Deluxe TV and Streetclip.Tv.

The year of 2008 also witnessed the release of her first full-length album Passion, which you can listen in full on YouTube, again drawing excellent feedback and very positive reviews from the media. This was Ela’s first cooperation with Martin Engler of Mono Inc., which also happened in her next album. Songs like After the Rain and Out of Time achieved great success among fans of her music, the first single Little Lies made it onto several radio playlists for several weeks, her cover versions for Credence Clearwater Revival’s Who’ll Stop the Rain and Cheap Trick’s I Want You To Want Me were simply amazing, and Bleed got its own official video, shot at a castle for Ela’s own delight. “I’m a huge fan of castles, and it was my utmost wish to film on the historic grounds of a fortress. Just the masonry is ever so fascinating, and for a song like ‘Bleed’ I couldn’t have imagined any other location”, said our talented frontwoman.

This slideshow requires JavaScript.

In 2009 Ela was back in action with a more rockin’ sonority with the album Make My Day, featuring re-recorded songs form her previous releases, and new songs like Here to Stay, Who (Won’t You Tell Me) and Right for the Devil, and once again featuring Martin Engler on drums, percussion, keyboards, programming and other arrangements. Ela had a few nice words to say about this heavier and harder version of her music. “The atmosphere in a studio is different to the one on stage, where you’re being swept away by the energy of your fans. Before you pick a song for an album, you work for weeks on that tune until it is to your perfect liking. However, and I think I speak for many of my musician colleagues here, after a while you may dislike this song and/or you suddenly get new ideas for it. Music has a lot to do with emotions, so I think that your own feelings play a major role here. When you know that you’re due to play live shows, it gets you in a different mood, you feel changed. I can only speak for myself, but I felt an overpowering urge to bring these songs across way harder – well, I guess, I simply wanted to ROCK more,” she commented, already pointing to a heavier future for her band.

Although Ela might not have released any new material under her own band until 2015, in 2010 she founded together with J.R. Blackmore and keyboardist Tony Carey (Rainbow) the project EBC Roxx,  having released the album Winners Vol.1 that same year,  with the song Silver Arrows being the anthem to accompany the first race of Mercedes Formula 1 pilots Michael Schumacher and Nico Rosberg that season. Then after a short hiatus Ela returned in 2015 with her band ELA showcasing a more visceral and metallic sound in Nervous Breakdown, featuring among several hard and heavy songs a medley of two of Slade’s biggest classics, Cum On Feel the Noize and Gudbuy T’Jane. Produced by Jörg Uken (Soundlodge Tonstudio) and mixed by Sascha Paeth (Avantasia, Beyond the Black, Edguy), Nervous Breakdown led Ela and her bandmates to promote the album on a tour with the iconic band Bonfire, proving once again she was on the right path in heavy music.

In 2016 Ela and her henchmen got even more metal with the release of the EP Out Of This World, presenting a much harder sonority closer to the Symphonic Metal played by bands such as Nightwish and Lacuna Coil, as you can see in this live version of the song This Kaleidoscope from 2017. Then in 2017 ELA finally achieved its most metallic form with the release of the full-length opus Second Reality, featuring powerful songs like Deadly Sins, therefore explaining why the album stayed in the Top 20 of the German Rock and Metal Charts for weeks. Ela’s metal side received so much praise from fans, critics and media from all over the world her band even toured around Germany as a supporting act for the one and only Grave Digger, not to mention Ela’s guest vocals in 2019 in the title-track Facing the Demon, from the album Facing the Demon, by German Melodic Heavy Metal act Reternity. Having said all that, you might be asking yourself what’s next for Ela, right? Well, no one knows exactly what our dark-haired singer will bring to our avid ears in the future, but we can rest assured it’s definitely going to rock our world.

ELA’s Official Facebook page
ELA’s Official Instagram
ELA’s Official YouTube channel