Album Review – Bouquet of Dead Crows / Motus Octo (2018)

Enjoy the “eight movements” of modern-day rock music presented by this talented Cambridge, England-based Alternative Rock and Metal squad.

If you’re not only a fan of all the aggressiveness and speed of more extreme forms of metal music, but also an admirer of the melodious and gentle waves of Alternative Rock and Metal, you’ll be extremely pleased to know that Cambridge, England-based alternative rockers Bouquet of Dead Crows are finally back after three long years with a brand new album  titled Motus Octo, the follow-up to their 2015 debut album Of The Night. The title, referring to the fact that there are eight tracks on the album, essentially means “eight movements”, or eight emotions, and that’s exactly what you’ll get throughout the entire album, with each of its tracks awakening different emotions and reactions from deep inside your heart and mind.

Featuring a beautiful packaging designed by Stewart Harris Designs, Motus Octo is a very different beast to the band’s previous work, moving into more of a progressive direction but still showcasing all the characteristics that made people enjoy their first album, such as the huge wall-of-sound guitar riffs by Neil Bruce, the pounding bass lines by Graeme Clarke and the bat-shit drumming by Andrew Coxall, all sitting beautifully underneath vocalist Antoinette Cooper’s soaring vocals. Furthermore, the quartet goes from the heavier waves of Alternative Metal to the charm of British Rock and the melancholy of Blues, extracting crisp and vibrant sounds from their instruments throughout the entire album, keeping us hooked on their music and always eager for more.

Distorted, whimsical waves ignite the fun Faultlines, before Graeme and Andrew come crushing with their bass lines and beats respectively in a modern display of British Rock infused with alternative elements from bands like Garbage and Hole, while Neil slams and slashes his guitar mercilessly. And their music gets even more piercing and rumbling in The Devil’s in the Detail, with the beautiful voice by Antoinette leading the band in this Alternative Rock feast while Neil fires his classic solos, presenting hints of Ska and traditional Rock N’ Roll; followed by No Tomorrow, a song perfect for enjoying a nice and relaxed road trip with your loved ones, once again showcasing an inspired Antoinette on vocals and a precise and groovy Andrew on drums. Then Bouquet of Dead Crows deliver an introspective and enfolding ballad titled Slow Motion Ghosts, where all band members provide Antoinette all she needs to thrive, exhaling passion and delicacy through her vocals until the music gently fades away.

Fragments (Black Hole Eyes) contains some very welcome elements from the music by AC/DC blended with contemporary Rock N’ Roll and even Stoner Rock, not to mention how inspired Neil is with his stylish riffs and solos, while Andrew pounds his drums with tons of precision, therefore turning it into one of the best songs of the album. In Cold Inside, the band slows things down a bit in another gentle rock ballad, with highlights to the solid synchronicity between Neil and Graeme with their strings, getting considerably heavier at times in special when Neil is firing his guitar solos; whereas in Incessant Desire things get groovier, faster and heavier, which obviously translates into awesomeness, being highly inspired by classic Ska and Rock N’ Roll music from the 90’s, spearheaded by Neil and Andrew while Antoinette sounds extremely sexy with her fiery vocal lines. And lastly we have Undone, bringing forward an eerie intro to the thunderous sounds of Graeme’s bass punches and the passionate vocals by Antoinette, evolving into a Stoner Rock extravaganza perfect for headbanging while enjoying a cold beer (or even a strip-tease, it’s up to you), until wicked noises put an end to the song and, obviously, to the entire album.

As you already know, all you need to do to keep in touch with Bouquet of Dead Crows and stay informed about their plans for the future, tour dates and other shenanigans is follow them on Facebook and subscribe to their YouTube channel, but of course if you want to show your true support to one of the most promising names from the current British Rock scene, you should definitely purchase your copy of Motus Octo from the German Shepherd Records’ BandCamp page, as well as from the band’s own webstore in CD or vinyl. In addition, in order to celebrate the release of Motus Octo, the band will be playing a special launch gig at The Blue Moon  in Cambridge on November 24, where they’ll play the full album live. If you’re going to be around the Cambridge area that day, why not joining Antoinette, Neil & Co. for a night of kick-ass rock music accompanied by good food, cold beer and nice people? You can buy your ticket HERE, get ready to rock, and show your “eight movements” on the dance floor, how about that? That’s the way our good old Rock N’ Roll should always be enjoyed, and Motus Octo is the perfect soundtrack for that.

Best moments of the album: The Devil’s in the Detail, Fragments (Black Hole Eyes) and Incessant Desire.

Worst moments of the album: Cold Inside.

Released in 2018 German Shepherd Records

Track listing
1. Faultlines 7:14
2. The Devil’s in the Detail 3:29
3. No Tomorrow 3:56
4. Slow Motion Ghosts 5:42
5. Fragments (Black Hole Eyes) 3:49
6. Cold Inside 8:37
7. Incessant Desire 3:40
8. Undone 6:14

Band members
Antoinette Cooper – vocals
Neil Bruce – guitars
Graeme Clarke – bass
Andrew Coxall – drums

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Album Review – mTORR / North (2018)

Enjoy the brainchild of a true Northman highly influenced by 80’s True Metal and Nordic themes, delivering raw and merciless riffs for admirers of the golden years of traditional heavy music.

Hailing from the Finnish city of Äänekoski, here comes a Heavy/Viking Metal one-man band highly influenced by 80’s True Metal bands such as Running Wild, Manowar, Manilla Road and Cirith Ungol, as well as the always interesting Nordic themes, delivering raw, uncompromised and merciless music for admirers of the golden years of traditional metal music. I’m talking about mTORR, the brainchild of Finnish multi-instrumentalist Arska (whose real name is Ari Honkonen), from renowned underground bands like Heathen Hoof, Minotauri and Morningstar, a solo project formed in 2017 who’s unleashing upon humanity  in 2018 the full-length opus North. Featuring a cover photo by Timo Honkonen and guest drummer Viljami (or Viljami Kinnunen) lending his talent to a few songs from the album, North is the natural follow-up to the project’s two previous EP’s, Nordic Iron Age and Viking Metal Rock, both also released in 2018, once again translating into music all the passion for Heavy Metal coming from the heart of a true Northman like Arska.

The album’s intro will take you to the shores of the realm ruled by the true metal warrior Arska and his mTORR, warming your senses up for the Manowar-inspired hymn Thundergod with its four minutes of crisp guitar riffs, galloping bass lines, pounding drums and an epic Running Wild-like rhythm and vibe, and exhaling epicness and might we have The Golden Fields of Tawastia, where Arska’s guitar lines sound captivating from start to finish, adding an extra touch of adrenaline to the music. However, the drums sound and feel slightly weird, not as precise as in the previous song, reducing the overall impact considerably. Then again blending the classic sonority by bands like Manowar, Running Wild and Iron Maiden, Arska delivers inspiring Heavy Metal and Rock N’ Roll music in Nordic Rocker, with his bass lines and drums generating a powerful support for his warlike vocals.

Razor-edged guitars ignite another old school tune named A Halo from the Gods, perfect for banging your head and raising your fists together with mTORR, also bringing fiery guitar solos and endless stamina, setting the tone for Nordic Hammer, with its pure Manowar lyrics (“In the hammer we trust! / You can’t take it away! / That’s the way we believe! / We’re the sons of the North!”), while the song’s pace and atmosphere remind me of the early days of Running Wild, or in other words, a combination that translates into awesomeness of course. Arska keeps smashing and pounding his strings like the mighty Thor with his hammer in another rhythmic and rumbling song titled Rock för North, where the bass lines get more thunderous than ever, keeping the music vibrant and fresh from start to finish; and putting the pedal to the metal, Arska is once again supported by the headbanging beats by Viljami in Guardians of Light, a song that will please all fans of the fusion between Heavy Metal, Rock N’ Roll and Viking Metal.

Then a video game-ish bridge named The Raid of Sigtuna warms up our senses for Metal for the North, a fast-paced, epic creation by Arska showcasing cutting riffs and classic drums, not to mention its lyrics which are a beautiful ode to his homeland (“Beautiful Scandinavia – Ancient Fennoscandia – Are the soul of a northern warrior – And the crystal clear ice! / Metal makes us stronger – And the northern legacy / Forward together – We’re playing metal for the North!”). mTORR’s second to last blast of battle-like metal and rock from the North comes in the form of Fennoscandian Nights, displaying a galloping bass in total sync with Arska’s always classic riffs, boosting its impact on the listener considerably, before the demo version for Fennoscandian Heathens (actually, the sound quality is just as good as the rest of the album despite being called a demo) comes crushing, sounding faster and just as epic and imposing as all previous songs, being a recommended choice for singling along with Arska and a climatic conclusion to this interesting tribute to all things North.

As already mentioned, North is not just an album of old school metal music, but the musical depiction of all the passion and appreciation the talented Arska nurtures for his homeland, and if you also want to show your support to his new project mTORR and to the stunning landscapes of the North, you can purchase your copy of the album from the Alone Records’ webstore in CD or vinyl format, as well as from the High Roller Records’ webstore (also in CD or vinyl) or from Discogs (in CD or vinyl), with all 250 hand-numbered vinyl copies coming with a sticker and the first 100 copies with a poster. As you can see, you cannot simply download North like most albums nowadays. North is a tribute to the past, and that’s how it’s supposed to be admired by us, old school metalheads.

Best moments of the album: Thundergod, Nordic Rocker, Nordic Hammer and Metal for the North.

Worst moments of the album: The Golden Fields of Tawastia.

Released in 2018 Alone Records

Track listing
1. Intro 1:05
2. Thundergod 4:08
3. The Golden Fields of Tawastia 3:27
4. Nordic Rocker 3:39
5. A Halo from the Gods 3:59
6. Nordic Hammer 2:07
7. Rock för North 3:34
8. Guardians of Light 3:07
9. The Raid of Sigtuna (Instrumental) 1:17
10. Metal for the North 3:36
11. Fennoscandian Nights 3:54
12. Fennoscandian Heathens (Demo) 3:10

Band members
Arska – vocals, all instruments

Guest musician
Viljami – drums on “Thundergod”, “Guardians of Light” and “Fennoscandian Heathens”

Album Review – Tannoiser / Alamut EP (2018)

An excellent album of crushing, distorted and obscure sounds, courtesy of an Italian power trio ready to spread darkness in the name of old school Sludge and Doom Metal.

Forged during the summer of 2015 in Salò, a town and comune in the Province of Brescia in the region of Lombardy on the banks of Lake Garda, in Italy, Stoner/Doom Metal power trio Tannoiser is a reality among us with their slow and obscure music inspired by cult acts such as Celtic Frost, Electric Wizard and Cathedral, also inserting some stylistic elements dear to the primordial Black Metal into the mix. Comprised of Bruno Almici on vocals and bass, Francesco Bellucci on the guitar and Davide Serpelloni on drums, Tannoiser are unleashing upon humanity their brand new EP, entitled Alamut, aiming at spreading darkness through their low-tuned, rumbling instruments and screams, all in the name of old school Doom Metal.

The name of the album is a clear reference to the mountain fortress, whose remains are located in the current Iran and which served as the basis for the sect of the Nizarites, better known as Hashashin, a story distinguished by mysteries that weave reality and legend. The dark, also understood as a lack of certainties, is another underlying macroscopic theme, starting from the subject chosen for the cover itself, the cannabis plant, whose history in the last century has been characterized by obscurantism and demonization, and which is linked to the history of the stronghold of Alamut. Musically speaking, as aforementioned Alamut brings to the listener doomed and distorted heavy music that lives up to the legacy of the genre, turning the album into a must-listen for diehard Doom Metal fans in pursuit of fresh alternatives in the market.

In the opening track, curiously named Baba Vanga after a blind Bulgarian mystic, clairvoyant, and herbalist, a beyond weird intro quickly explodes into piercing and rumbling Stoner Metal led by the low-tuned bass and the anguished roars by Bruno, while Francesco slashes his strings in a vibrant fusion of old school Doom Metal and modern Rock N’ Roll. And the trio wastes no time and keep firing their fun and vibrant Stoner Metal in Paradacsa, with the bass punches being nicely supported by Davide’s steady and fierce beats. Moreover, the song presents an even more menacing vibe than its predecessor, being highly recommended for banging your head really hard in pitch black darkness; whereas the scorching hot buzzing blasted by Bruno from his bass ignites a somber Doom Metal feast titled Necrophage, where he also growls in a perturbing way while Davide keeps pounding our heads with his drums, with the music flowing demonically until its crushing finale.

March of Wrecks continues to pave the power trio’s path of obscurity, anger and pain, even bringing more aggressive nuances from Black Metal to their dense musicality, with Francesco doing an awesome job with his razor-edged riffs, while The Void showcases the most serene start of all songs from the EP, sounding melancholic and eerie with Bruno’s Stygian bass lines taking the lead while Francesco’s guitar lines once again bring electricity to the music. Then it’s Davide who takes care of kicking off their last breath of top-of-the-line Doom and Stoner Metal, titled Mekkano, remaining as dark as doomed music can be, with all band members adding their touch of malignancy to the sonority, especially Francesco with his mesmerizing riffs.

Entering the dark and sluggish world of Tannoiser is quite easy, as all you need to do is follow them on Facebook, subscribe to their YouTube channel, and of course purchase your copy of Alamut (available for a full listen on YouTube and on SoundCloud) directly from their BandCamp page or from Amazon. Tannoiser were spot on with their thrilling fusion of Stoner and Doom Metal in Alamut, and apparently the band will only grow stronger and stronger as time goes by, pointing to a bright future not only for the band but for the entire genre as well.

Best moments of the album: Baba Vanga and March of Wrecks.

Worst moments of the album: None.

Released in 2018 Leynir Booking & Prod

Track listing
1. Baba Vanga 4:11
2. Paradacsa 5:33
3. Necrophage 5:20
4. March of Wrecks 3:59
5. The Void 5:52
6. Mekkano 4:38

Band members
Bruno Almici – vocals, bass
Francesco Bellucci – guitar
Davide Serpelloni – drums

Album Review – Stormzone / Lucifer’s Factory (2018)

Featuring mysterious places and characters from the Northern Ireland folklore, the new album by this Belfast-based band will take you on a journey back to the golden years of Heavy Metal and Hard Rock.

What was born as a studio project in 2004 in Belfast, Northern Ireland’s capital, by vocalist John “Harv” Harbinson (No Sweat, Fastway, Sweet Savage, Den of Thieves), who was itching for a new creative outlet after a brief break from the rock industry, quickly evolved into a full-bodied band known as Stormzone, an unstoppable machine of Heavy Metal and Hard Rock anthems that has been embellishing the airwaves with their first-class music since the release of their debut album Caught in the Act, in 2007. Now in 2018, after five awesome full-length albums and countless live concerts, the band comprised of  the aforementioned frontman Harv on vocals, Steve Moore and Junior Afrifa on the guitars, Graham McNulty on bass and backing vocals, and Gordy Gray on drums is ready to stun us all once again with their classic metal music in Lucifer’s Factory, the sixth studio album in their short but already brilliant career.

Furthermore, not only the music kicks ass, but Stormzone have also stepped up their songwriting and lyrics, with the theme throughout Lucifer’s Factory concentrating on famous Irish myths and legends on each one of the 13 tracks of the album, featuring mysterious places or characters and their stories which have become embedded in Northern Ireland folklore. For instance, we have “Cushy Glen”, the notorious cut-throat highwayman, “Albhartach”, the original Irish vampire known to have inspired Bram Stoker’s Dracula, “Dark Hedges”, the Northern Irish landmark now immortalized in the famous TV series Game of Thrones, and “Hallows’ Eve”, confirming that Halloween did actually originate in Northern Ireland, plus the album’s compelling title track “Lucifer’s Factory”, the origin of which is destined to surprise all, among many other compelling stories. With that said, are you ready to party like there’s no tomorrow to the incendiary Heavy Metal blasted by Stormzone, setting the tone for this upcoming Halloween?

In the opening track Dark Hedges, which by the way legend has it that one June night each year a beautiful ghostly lady appears under the extensive branches of the Dark Hedges trees for an evening of dancing and interaction with the spirits she has previously invited from the graveyard nearby, we’re treated to ass-kicking Heavy Metal from the very first second with an epic vibe in the background. The album couldn’t have started in a better way, bringing beautiful guitar solos, powerful vocals and exciting lyrics  (“Each new day, you’ll hide away / In strength you’ll sway / You’re growing through these centuries / Across entwined, to each you’ll bind / The strength you’ll find / A place in others fantasies”). Then the title-track Lucifer’s Factory keeps blowing our speakers mercilessly, with the guitars by Steve and Junior sounding as sharp as a razor blade, bringing the most thrilling elements from old school Hard Rock blended with contemporary metal music; followed by Cushy Glen, the story of the outlaw and highwayman who terrorized residents and travelers around the Coleraine area of Northern Ireland for many years just over two centuries ago, with Gordy dictating the rhythm in this mid-tempo feast of Heavy Metal and Hard Rock perfect for having a cold beer while singing the lyrics along with the band (“From the brave young men, to the brave old men /They’ll drink to the capture of the Cushy Glen / Flags will fly, and they’ll hang him high / Never no more shall we see him again”). And in Last Night in Hell the talented Harv fires his tuneful, classic vocal lines while the guitar duo continues to deliver their usual heavier-than-hell riffs, not to mention Graham and his thunderous bass lines.

The following tune, titled Albhartach, is just as fast and crisp as good old metal music should always be, and you’ll probably go over the speed limit while listening to it on the road, with its headbanging beats and fantastic backing vocals providing all the support Harv needs to kick ass once again on vocals. Then we have We Are Strong, another flammable tune drinking from the fountain of 80’s Heavy Metal and Hard Rock, and therefore keeping the album at a high level of stamina and fun, with highlights to the excellent job done by Gordy on drums and the once again beautiful solos by Steve and Junior; and Broken Window, a darker tune by Stomrzone also inspired by the golden years of Hard Rock, with Harv taking the lead with his sharp vocals while the sound of the guitars keeps cutting our skin beautifully. And blending the music by Helloween and Motörhead (which obviously means awesomeness), the band fires crushing, fast and melodic metal music from their instruments in The Heaven You Despise, with Gordy spearheading this thrilling extravaganza with his unstoppable drums while the band’s stringed trio is astounding with their axes.

Although Hallows’ Eve can be considered a good song showcasing slashing guitar riffs and another potent performance by Harv on vocals, feeling like a song by Merciful Fate without King Diamond on vocals, it unfortunately loses its grip after a while (nothing that harms the album, though), whereas Your Hell Falls Down takes us back to the 80’s, with pure Rock N’ Roll flowing from the band’s stunning riffs and beats while the bass by Graham shakes the foundations of the earth, bringing even more electricity to the music. In the exciting In for the Kill, an epic intro with an imposing Harv on vocals evolves into a galloping old school Heavy Metal anthem, presenting elements found in the music by metal warriors like Manowar, Gamma Ray and Hammerfall, and the party has no time to end based on the level of energy and fun blasted in The Last Goodbye, perfect for playing some air guitar together with the band, raising your fists while singing it along with Harv, or simply banging your head nonstop to the ass-kicking drums by Gordy. And last but not least Stomrzone offer us Time to Go, a semi-acoustic ballad that slows things down a bit, providing a smooth and passionate ending to such incredible album of Hard Rock, with Harv showcasing one last time all his skills as the excellent singer he is.

You might be asking yourself where you can find Lucifer’s Factory for purchase, and the the answer to that is quite simple, as all you need to do is go to eBay, iTunes, Amazon or Discogs to put your hands on this precious gem of Heavy Metal and Hard Rock made in Northern Ireland, also available for a full listen on Spotify. Hence, don’t forget to pay Stormzone a visit on Facebook for new and tour dates, and to subscribe to their YouTube channel for more of their breathtaking music. As you might have already noticed, Stormzone do not just play Heavy Metal, they live and breathe it, and Lucifer’s Factory represents all their dedication to the music we all love and their respect and admiration for their homeland’s folklore, important ingredients that make the entire album even better than we could have expected and a must-have in the collection of any true metal fan.

Best moments of the album: Dark Hedges, Cushy Glen, The Heaven You Despise and Your Hell Falls Down.

Worst moments of the album: Hallows’ Eve.

Released in 2018 Metal Nation Records

Track listing  
1. Dark Hedges 4:39
2. Lucifer’s Factory 5:08
3. Cushy Glen 4:47
4. Last Night in Hell 5:35
5. Albhartach 3:40
6. We Are Strong 4:20
7. Broken Window 5:49
8. The Heaven You Despise 5:24
9. Hallows’ Eve 5:51
10. Your Hell Falls Down 4:55
11. In for the Kill 5:23
12. The Last Goodbye 4:41
13. Time to Go 4:58

Band members
John “Harv” Harbinson – vocals
Steve Moore – guitars
Junior Afrifa – guitars
Graham McNulty – bass, backing vocals
Gordy Gray – drums

Album Review – Lordi / Sexorcism (2018)

Are you feeling tired and bored in life? Perhaps you need to be “sexorcised” by the most beloved mosters of Rock N’ Roll to the sound of their brand new (and somewhat controversial) album.

The most beloved creatures from the land of ice and snow, collectively known as Heavy Metal/Hard Rock horde Lordi, are back with another Rock N’ Roll party titled Sexorcism, the ninth studio album in their peculiar and fun career, and possibly their most controversial record to date, or as the band itself would say, a “full-on and uncensored shot of Lordi brand hard rock and roll”, and that controversy in the album is not open to interpretations. Quite the contrary, everything is pretty straightforward, starting with its cover art, unless you’re a diehard Steel Panther fan and got so used to all their profanity to the point you don’t think “Romeo Ate Juliet” and “The Beast Is Yet to Cum” can be offensive to the average listener.

Anyway, if there’s one thing that you’ll notice in Sexorcism from the very first second is how in sync and balanced the entire band is, and the reason for that is also fairly simple. Lordi have had the same lineup since their 2013 album To Beast or Not to Beast, followed by Scare Force One, released in 2014, and the excellent Monstereophonic (Theaterror vs. Demonarchy), from 2016. In other words, for the past 6 years, when you think of Lordi as a band you automatically think of the iconic Mr. Lordi on vocals, the competent Amen on the guitar, the bulldozer OX on bass, the stunning Hella on keyboards, and the precise Mana on drums, and a solid lineup is already a huge step towards quality, consistency and harmony for any band.

In the opening track Sexorcism we’re already treated to one of those eerie, cinematic intros only Lordi can offer us, exploding into the band’s classic Hard Rock with the keyboards by Hella bringing a touch of eccentricity to the music. Furthermore, the lyrics are indeed quite explicit, almost Steel Panther-ish as mentioned, but that’s what makes the song more fun in the end. Then in Your Tongue’s Got the Cat we have a smooth pace led by the always tuneful riffs by Amen and the keys by Hella, with Mr. Lordi adding passion to the musicality through his vocals (nothing truly outstanding, but it’s a good song anyway); followed by Romeo Ate Juliet, featuring a wordplay in the song’s name that’s just as good as it’s rhythm, pace and electricity, with highlights to the “poet of depravity and darkness” known as Mr. Lordi and the rumbling kitchen delivered by OX and Mana. And in Naked in My Cellar, once again we face lyrics that are kind of controversial (“You give my tummy butterflies / You make my heart go wild / Oh, you’re such a lovely sight / All mine, and locked up tight / Naked in my cellar!”). Musically speaking, it’s top-notch Lordi just the way we like it, with Amen and Hella being in absolute synchronicity, which means it should work really well when played live.

In The Beast Is Yet to Cum (and yes, that’s the name of the song) the band delivers a straightforward Rock N’ Roll tune where its creepy keys and Udo-inspired high-pitched vocals make the final result extremely entertaining, being also impressive how they’re capable of blending the sounds of guitars and keys so smoothly; whereas Polterchrist is a headbanging tune where Amen fires heavy, cutting riffs while Mr. Lordi tells the fun story of a girl possessed by a demon called “Polterchrist”, sounding very melodic and harmonious but obviously as heavy as Hard Rock can be at the same time. Then here comes Father Ruiz (remember that name from their previous album?) in the bridge SCG9: The Documented Phenomenon, talking to a possessed girl named “Anna” in an exorcism that builds the stage for Slashion Model Girls, an 80’s-inspired extravaganza where the keys by Hella spread sheer delicacy in the air, and of course get ready to bang you head with Lordi in a feast of heavy riffs, classic beats and spot-on backing vocals. After such dancing tune, it’s time to “get heavy” as Mr. Lordi would say with an electrified Rock N’ Roll party titled Rimskin Assassin, with his raspy voice sounding as captivating as usual and with Amen and OX kicking some serious ass with their strings (in special Amen with his fiery solo), not to mention the always stunning keyboard notes by Hella.

Hell Has Room is another atmospheric and hard-as-a-rock creation by Lordi, with Amen slashing his axe furiously while Mana pounds his drums in a very melodic manner, flowing smoothly from start to finish, before the also vibrant Hot & Satanned showcases those those distorted, phantasmagoric and creepy keys by Hella we love so much amidst a classic Hard Rock sonority with the beats by Mana and the low-tuned bass by OX matching the vocal lines flawlessly. Then a beyond eerie, spine-tingling intro evolves into old school Heavy Metal in Sodomesticated Animal, with Mr. Lordi effectively declaiming the song’s witty lyrics (“You look cold and hungry / And in need of stroking / I can catch trays with tasers / Take ’em home for pokin’ / Hey kitty, kitty / You’re smooth as silk / I want to hear you purr / You wanna licky and I got milk / Gonna shave of all your fur”), all boosted by another flammable guitar solo by Amen. And the strident keys by Hella dictate the rhythm in the closing tune, titled Haunting Season, a straightforward, classic Lordi composition also bringing some excellent backing vocals, supporting Mr. Lordi’s trademark roars until the music fades to the sound of tolling bells.

In the end, Sexorcism (which by the way is on sale from several different locations as you can see HERE) doesn’t look as controversial as some people are saying, and if you don’t take the album’s sexist and controversial parts too seriously (and let’s be honest, the music by Lordi is supposed to bring you joy and to be fun, and never not to be taken seriously), there’s plenty to enjoy in another good album by those Finnish monsters of metal and rock. And, who knows, maybe being part of a “sexorcism” to cure all the boredom and laziness in your life is not that bad at all, especially if the soundtrack to that is the electrifying fusion of Heavy Metal, Rock N’ Roll and Hard Rock played by Mr. Lordi and his talented crew.

Best moments of the album: Sexorcism, Naked in My Cellar and Rimskin Assassin.

Worst moments of the album: Your Tongue’s Got the Cat.

Released in 2018 AFM Records

Track listing
1. Sexorcism 6:52
2. Your Tongue’s Got the Cat 4:45
3. Romeo Ate Juliet 4:21
4. Naked in My Cellar 4:45
5. The Beast Is Yet to Cum 4:50
6. Polterchrist 5:23
7. SCG9: The Documented Phenomenon 1:14
8. Slashion Model Girls 5:25
9. Rimskin Assassin 4:50
10. Hell Has Room 5:04
11. Hot & Satanned 4:33
12. Sodomesticated Animal 4:23
13. Haunting Season 6:15

Band members
Mr. Lordi – vocals
Amen – guitars
OX – bass
Hella – keyboards
Mana – drums

Album Review – Motorjesus / Race to Resurrection (2018)

While Jesus saves, Motorjesus are back in full force on their race for our good old Rock N’ Roll.

At long last, after four long years Mönchengladbach-based Heavy Metal/Hard Rock squad Motorjesus is finally back with a brand new album, titled Race to Resurrection, which is not only the fifth in their solid and electrifying career, but also a very organic and enhanced follow-up to their 2014 opus  Electric Revelation. More rounded, more balanced and much more diverse than their previous offerings, Race to Resurrection is one hundred percent Motorjesus, or in other words, an amalgamation of Rock N’ Roll anthems portraying Jesus as a cool and fun anti-hero who loves rock music above all things. With such distinct theme and endless electricity flowing from their music, how not to enjoy that ride with those metallers from North Rhine-Westphalia, right? Just by looking at the album’s marvelous cover art you already know Motorjesus are among us to kick some serious ass.

Even the departure of former companions Guido Reuss (guitar) and Roman Jasiczak (bass) in 2016 could not stop those German gasoline rockers from unleashing upon humanity their new album, spearheaded by frontman Chris “Howling” Birx and his henchmen Andreas “Andy” Peters on the guitar and Oliver Beck on drums, as well as session musicians Dominik Kwasny on bass and Patrick Wassenberg on rhythm guitar, both from Chris’ cover band Chris Howling Band (and who are by the way also playing with the band during their live performances). If you’re a fan of renowned bands such as Anthrax, Motörhead, Spiritual Beggars and Pantera you’ll simply love the music found in Race to Resurrection, and if you’re already a longtime fan of Motorjesus there you have another must-have addition to your road trip playlist.

Rev up your engines because a Rock N’ Roll race made in Germany is about to begin in Tales from the Wrecking Ball, showcasing melodious lines that feel like a hybrid between Van Halen and Motörhead. Hence, Chris doesn’t waste a single second and begins blasting his potent, enraged vocals accompanied by the flammable rockin’ riffs by Andy and Patrick. After such fantastic start, Oliver pounds his drums in a rhythmic, headbanging tune perfect for hitting the road titled King Collider, a thrilling Hard Rock feast led by the stunning riffs by Andy and Patrick while Dominik keeps hammering his bass strings mercilessly; whereas Re-Ignite follows the same path of awesomeness, sounding closer to what they did in Electric Revelation. Moreover, Chris once again leads his troop with his piercing vocal lines, with the band’s guitar duo giving another lesson in Heavy Metal and Hard Rock. Then bang your fuckin’ head nonstop to the electrifying, utterly awesome rockin’ hymn Speedway Sanctuary, with its pace, vibe and punch being absolutely stunning while at the same time the guitars by Andy and Patrick slash our ears beautifully. Put differently, this is how modern and vibrant rock music should always be done, my friends.

Casket Days is a galloping composition showcasing hard-hitting beats and thunderous bass lines, with Chris once again thriving on vocals by firing more aggressive, demented growls than usual, keeping the atmosphere of the album truly combustible. In the melancholic and captivating power ballad The Infernal it’s time to slow things down a bit, sounding more impactful (and I would say even more meaningful) than their old ballads, with the acoustic guitars having a 90’s vibe that end up adding a very welcome extra taste to the final result, while in Burning Black the band gets back to their more ferocious and harmonious mode. In a nutshell, this is classic Motorjesus, bringing forward potent vocals and lyrics, a headbanging rhythm and beyond scorching riffs and bass lines. And Motorjesus put the pedal to the metal in another incendiary tune named The Damage, where all band members are in total sync, with the sound of guitars bringing joy and electricity to our hearts as well as the fast and precise drums by Oliver (not to mention Andy’s sensational guitar solo). Needless to say, this is another mandatory song for their live performances. On the other hand, despite its fantastic lyrics and solid instrumental, The Storm is slightly below the rest of the album regarding its punch and feeling. It’s not a bad song, not at all, but the entire album is so amazing this one ended up not being that good, got it?

When a song named Engines of War kicks off with beyond thrilling guitar lines you know it will be a fiery Hard Rock feast, this time obviously led by Andy and his unstoppable guitar, inspiring us to get into the circle pit and to slam to the pounding beats by Oliver. On a side note, I wish more radio stations all over the world played songs like this precious gem of Rock N’ Roll. Anyway, The Chase reminds me of the music by Danish rockers Volbeat, slightly less Johnny Cash-like and more Motörhead-ish (if that makes sense to you), a great fast-and-furious rockin’ tune for going over the speed limit on the highway, with Chris’ vocals and Dominik’s bass sounding flawless when combined; and you’ll be caught in a mosh once again thanks to another classic and thrilling creation by Motorjesus titled Running Out of Time, where Andy and Patrick show no mercy for their strings, therefore blasting badass Rock N’ Roll for our total delight until the song’s breathtaking finale. Last but not least, Oliver crushes our minds once again with his drums while the Chris exhales adrenaline through his potent vocals in the closing tune Awaken the Tyrants, presenting several breaks and layers and flowing powerfully and smoothly until its ending.

As I mentioned in my review for Electric Revelation, while Jesus saves, Motorjesus rock, and that motto continues to be more than valid in Race to Resurrection, an album that cements the band as one of the biggest name in contemporary Hard Rock and that will keep their fire burning bright in the scene even after the considerable lineup changes that impacted them a couple of years ago. Having said that, don’t waste any time and go show your support for such distinguished band on Facebook right now, and purchase your copy of their latest masterpiece from several different options by clicking HERE or by visiting the PS-Metal webstore. It doesn’t matter if your favorite Motorjesus album is Deathrider, Wheels of Purgatory, Electric Revelation or their newborn baby Race to Resurrection, as long as we have the music by Motorjesus in our hearts (and of course in our playlists), our race for our beloved Rock N’ Roll will never end.

Best moments of the album: Speedway Sanctuary, The Infernal, The Damage and Engines of War.

Worst moments of the album: The Storm.

Released in 2018 Drakkar Records

Track listing   
1. Tales from the Wrecking Ball 4:38
2. King Collider 4:14
3. Re-Ignite 3:46
4. Speedway Sanctuary 4:30
5. Casket Days 3:58
6. The Infernal 5:20
7. Burning Black 4:21
8. The Damage 3:59
9. The Storm 4:51
10. Engines of War 3:50
11. The Chase 4:20
12. Running Out of Time 4:01
13. Awaken the Tyrants 5:24

Band members
Chris “Howling” Birx – vocals
Andreas “Andy” Peters – guitars
Oliver Beck – drums

Guest musicians
Dominik Kwasny – bass (live/session)
Patrick Wassenberg – rhythm guitars (live/session)

Album Review – Jollymon / Void Walker (2018)

A lesson in groove, electricity and punch by an American Stoner Metal power trio reborn from the ashes in the name of Rock N’ Roll.

Hailing from the Pacific Northwest, more specifically from Vancouver, a city on the north bank of the Columbia River in the U.S. state of Washington, Stoner Metal outfit Jollymon has just released their fifth full-length album titled Void Walker, their first in eighteen years and a lesson in groove, electricity and punch. Comprised of frontman and songwriter Carey Rich on vocals and bass, John Colgate on guitar and vocals, and Mark Blackburn on drums, Jollymon were originally formed in Eugene, Oregon, releasing their debut full-length album, Sailing, in 1995, followed by a stream of high-quality albums until the band exploded in 2000 with no plans to return, until the power trio began to talk, jam and work on a batch of songs that would become their newborn child. “Whereas the previous four records were more grungy rock songs, the material on Void Walker is more on the metal side. But, we managed to keep the space-rock element, and even turned it up,” comments Carey on the band’s shift of direction with Void Walker.

Another thing Carey notices about Void Walker compared to the band’s previous releases is that the album is clearer and better produced. “We’ve come full circle with our recording approach. The first and second albums had great studio gear with Grammy-nominated producer Drew Canulette running the show. However, the third was a lesser studio done on more of a budget. And, the fourth album, our self-titled one, was a home studio recording. Sure, it sounds good, but you can definitely hear the quality difference between it and Void Walker – or even our first two records, for that matter.” He also explained that the album is entitled Void Walker because it is what Jollymon’s name should be. “Void Walker is a kind of symbol of what our sound is. It’s hard to describe, because it’s really left up to the imagination, which has been more of what we are: less wordy, forced lyrics, but simple imaginative shorelines with an epic soundtrack to back whatever is said.”

Old school ass-kicking Rock N’ Roll permeates the atmosphere in the psychedelic and catchy opening track Tsunami, led by the deep vocals by Carey while John mesmerizes us all with his wicked riffs and solos, followed by Monkeyhawk, where an eccentric intro turns into a very progressive tune, with John’s guitar lines being flawlessly complemented by Mark’s groovy beats, not to mention the song’s wicked lyrics, something you can only find in Sludge Metal (“Monkeyhawks not black or white, makin love giving life to fire, Monkeyhawk baby sings a song, its gonna make me cry, its gonna make me cry…”). And inspired by the potent and unique music by Mastodon, the trio fires a dancing-headbanging-beer-drinking extravaganza titled A Good Day, with Corey showcasing an awesome vocal performance while Mark’s precise drumming keeps the rhythm vibrant and entertaining from start to finish.

Less piercing and more rhythmic, Be Nice presents the band’s “softer” side in a 70’s-inspired Rock N’ Roll vibe, perfect for warming up the night at a rock pub anywhere in the world (and you’ll definitely feel compelled to sing the chorus along with them). After that classic rock tune we have Slice of Life, perhaps the most psychedelic of all songs, where the trio extracts pure groove form their instruments, in special John with his hypnotizing guitar while Mark is responsible for bringing heat to the musicality; followed by Forecast, where all you need to do is simply close your eyes and let Jollymon guide you on a whimsical music journey. John is simply superb with his sick guitar solos, and the music remains ethereal and captivating until its gentle ending for our total delight.

The metallic bass lines by Corey ignite the rockin’ feast Missile Commander, another solid composition by the band with John and Mark being in absolute sync, therefore providing Corey all he needs to thrive on vocals, whereas the title-track Void Walker is a flawless fusion of Stoner and Progressive Metal, proudly representing the high quality of the music found in the entire album with an electrifying vibe morphing into Progressive Rock beautifully, all in line with the song’s enthralling lyrics (“Here we go away through the sky, / here we go wade through the fields, / wondering where are lives, are drifting / away through the wheel. / With wings so wide and no room to soar, / before you can fly, you must find the floor. / A picture of the rain, when it falls it won’t feel the same.”). And last but not least, the closing song of the album, entitled Sky Burial, is just as pleasant and soulful as its predecessors, with John kicking some serious ass with his fiery guitar solos.

Do you want to surf the rockin’ waves blasted by Jollymon and show your appreciation for such distinct underground band? You can follow them on Facebook, listen to more of their music on YouTube, and grab your copy of Void Walker (which by the way you can listen in full on Spotify) from their own BandCamp page, as well as from Amazon or from CD Baby. Let’s hope Jollymon don not explode again after the release of Void Walker, but based on the awesomeness found in the album and the way the band is facing this new phase in their career I’m pretty sure we don’t have to worry about that at all. Quite the contrary, those three dauntless musicians will surely keep on rockin’ in our free world and keep marveling us all with their sensational music.

Best moments of the album: Monkeyhawk, A Good Day and Void Walker.

Worst moments of the album: None.

Released in 2018 Independent

Track listing
1. Tsunami 3:48
2. Monkeyhawk 4:43
3. A Good Day 3:56
4. Be Nice 3:46
5. Slice of Life 3:50
6. Forecast 4:07
7. Missile Commander 2:35
8. Void Walker 4:50
9. Sky Burial 5:02

Band members
Carey Rich – vocals, bass
John Colgate – guitar, vocals
Mark Blackburn – drums

Album Review – Godsmack / When Legends Rise (2018)

A rollercoaster of good and bad moments in the band’s first effort away from more traditional Heavy Metal into a softer and exaggeratedly radio-friendly Hard Rock sound.

Almost four years after the release of the incendiary 1000hp, American Alternative Rock/Metal icons Godsmack are back in action with When Legends Rise, the seventh studio album in their solid career, and their first effort away from more traditional Heavy Metal into a softer and exaggeratedly radio-friendly Hard Rock sound. And when I say “exaggeratedly radio-friendly” I’m not exaggerating (not sure if I’m allowed to use that word and its variations so many times in just a couple of lines), because not only When Legends Rise doesn’t bring the same horsepower, rage and heaviness of 1000hp, but it sounds and feels way too mellow and generic compared to everything they’ve already released since their inception.

As early as 2015, frontman and guitarist Sully Erna spoke of his will to create a new sound for Godsmack in their next album, later describing the album in 2017 as a “reinvention” for the band, as a “new chapter” juxtaposed against older albums, of which he described as “vintage classic Godsmack”. Let’s say he succeeded and failed miserably at the same time, because it doesn’t matter if you’re a longtime fan of the band or if you’ve never heard of them before, as soon as you finish listening to the 11 tracks in When Legends Rise you won’t be able to tell if it was a good or bad experience so many highs and lows the entire album has. As a matter of fact, I guess if you follow Godsmack from the very beginning, the lowest moments of the album will make you feel extremely disappointed with this “new direction” chosen by Sully and his henchmen.

The tribal-like beats by Shannon Larkin kick off the best and most metal song of the entire album, the title-track When Legends Rise, which despite not being a masterpiece, it’s indeed a catchy and entertaining song led by the unique vocals by Sully, sounding as radio-friendly as the band wants but still bringing some of their old school aggressiveness. Then we have Bulletproof (if you’re a regular radio listener you might have heard it a billion times already), which is not that bad but with potential to be a lot better (and by that I mean heavier), with bassist Robbie Merrill doing a very good job in keeping the atmosphere dense and rumbling; followed by Unforgettable, probably the cheesiest song ever written by Godsmack, sounding way too happy for my taste and with the support choir by The Gilbert H. Hood and West Running Brook Choir being plain boring. Well, as I’ve mentioned a thousand times in this webzine, I hate generic choirs.

Every Part of Me presents hints of the sounding from their early days, especially through the melodious guitar lines by Tony Rombola, resulting in a very decent song that reminds us all of the potential Godsmack is throwing away by trying to sound more mainstream than they should, while Take It to the Edge sounds quite similar to its predecessor, but with heavier and more piercing guitar and bass lines. Furthermore, it’s good to hear Sully screaming and sounding a little angrier, and albeit this is not their classic Alternative Metal it can be considered something like a well-crafted version of modern-day Hard Rock. After that interesting sequence of heavy tunes the band offers us the ballad Under Your Scars, and although I’ve complained about almost every song so far I must admit this is indeed a good one, mainly due to the beautiful job done by guest violinist Zvezdelina Haltakova and guest cellist Irina Chirkova. And in Someday, after a not-so-exciting start the music evolves to a harder but still generic sonority that goes on for too long, ruining what could have been a good Hard Rock song. In addition, a weak song such as this would have benefited a lot from a guitar solo, something the whole album lacks by the way, and something that really started to bother me after a few listens.

And the “genericism” found in When Legends Rise goes on in Just One Time, even with Robbie and Shannon bringing some decent groove to the music, saving it from being a total failure. Then we have the excellent Say My Name, proving that when Sully and his crew speed up their pace and deliver stronger, more austere lyrics, they sound a billion times better. Hence, together with the opening track, this is by far one of the best songs of the album, presenting flammable Rock N’ Roll guitar riffs and rhythmic beats, which unfortunately cannot be said about Let It Out, another so-so creation alternating between heavier moments and very bland passages. It might once again sound good on the radio for the average listener, but definitely not for Rock N’ Roll fans, with the biggest issue for me being that the sound of both guitars is really low, or even worse, almost nonexistent. Furthermore, what’s also very irritating in the entire album is that there are moments like the closing song Eye of the Storm where a very promising start morphs into tasteless rock music; however, the more aggressive pieces of the song save it from total damnation, not to mention that we finally have a guitar solo added to it.

In the end, after When Legends Rise (available for a full listen on Spotify), we have to agree with this article from the online publication The Top Tens listing Godsmack as one of the top 10 bands that aren’t metal according to Encyclopaedia Metallum, together with names such as Avenged Sevelfold, Disturbed, Korn and Rage Against The Machine, but at least those bands still deliver a significant amount of rage and rebelliousness through their music, as opposed to what Godsmack (unfortunately) did in their new album. And if that toned-down version of Hard Rock is the direction Sully Erna really wants to take from now on with his band to reach a “broader audience”, well, good luck with that. I’ll personally stick to their more vibrant material from Godsmack, Awake and 1000hp.

Best moments of the album: When Legends Rise, Take It to the Edge and Say My Name.

Worst moments of the album: Bulletproof, Unforgettable, Someday and Let It Out.

Released in 2018 Universal Music

Track listing
1. When Legends Rise 2:52
2. Bulletproof 2:57
3. Unforgettable 3:28
4. Every Part of Me 3:20
5. Take It to the Edge 3:15
6. Under Your Scars 3:51
7. Someday 4:44
8. Just One Time 3:09
9. Say My Name 3:38
10. Let It Out 3:41
11. Eye of the Storm 3:21

Band members
Sully Erna – vocals, guitar
Tony Rombola – lead guitar
Robbie Merrill – bass
Shannon Larkin – drums

Guest musicians
Zvezdelina Haltakova – violin on “Under Your Scars”
Irina Chirkova – cello on “Under Your Scars”
The Gilbert H. Hood and West Running Brook Choir – additional vocals on “Unforgettable”

Album Review – Maverick / Cold Star Dancer (2018)

Enjoy this fun and reinvigorating album of old school Hard Rock which will put a huge smile on your face and remind you why our beloved rock music will never die.

Founded back in 2012 in Belfast, Northern Ireland by the “Balfour Brothers” (vocalist David Balfour and guitarist Ryan Balfour), Hard Rock band Maverick quickly established themselves in the European rock and metal scene with a series of amazing albums released, those being their debut EP Talk’s Cheap, in 2013, followed by the full-length albums Quid Pro Quo, in 2014, and Big Red, in 2016. And Maverick started gaining more and more recognition from fans and critics after each album, leading them to play alongside Swedish Hard Rock stars The Poodles and Swedish superstars Treat, as well as performing at several festivals such as H.E.A.T Festival (Germany), Icerock and Rocknacht Tennwil (Switzerland), and Rockingham (UK).

Now in 2018 it’s time for David and Ryan, together with bassist Richie Diver and drummer Jonathan Millar, to rock our world once again with their brand new album titled Cold Star Dancer, a groovy and modern display of Hard Rock that works as a consequent follow-up to their 2016 album Big Red, showcasing all this amazing quartet is capable of in heavy music. Featuring guest performances by guitarists Anders “Gary” Wikström (Treat) and Steve Moore (Stormzone), who by the way is currently helping the band during their live shows until they find a replacement for their departed second guitarist Terry McHugh, Cold Star Dancer will take you to the golden years of Hard Rock without sounding outdated or cheesy, putting a huge smile on your face and reminding you why Rock N’ Roll will never die as long as bands like Maverick keep playing such beautiful style.

The howling wind is gradually accompanied by the sound of guitars and drums in the intro Dusk until an 80’s-inspired Hard Rock and Rock N’ Roll feast begins in the title-track Cold Star Dancer, with David stealing the spotlight with his melodic vocals, giving life to the song’s catchy lyrics (“See the signs, Cold star Dancer! / Fill the skies with fallen souls tonight! / Don’t you cry… / Hear instead their song!”). Then with the guitar riffs and solos by Ryan getting sharper and heavier, the band offers a fast and fun Hard Rock tune with hints of NWOBHM titled Myrmidon, with Jonathan keeping the music at a thrilling pace; and fire is what you’ll get in the ass-kicking Kiss of Fire, showcasing rhythmic beats, flammable guitars and a powerful performance by David on vocals, or in other words, a born-to-be-a-radio-hit that will certainly drive the audience crazy during their live performances.

Goodbye brings a lighter version of Rock N’ Roll led by the smooth but impactful riffs by Ryan (it can actually be considered a heavier-than-average power ballad), also reminding me of several Hard Rock classics from the 80’s, whereas Ex Machina is a mid-tempo stylish composition by Maverick with pure electricity flowing from all instruments, in special from the bass punches by Richie and the classic beats by Jonathan, generating the perfect ambience for David to thrive once again on vocals. The band’s more “romantic” side comes in the form of the heavy and straightforward Magellan Rise, also leaning towards old school Hard Rock with good performances by all band members (despite the song being a bit too generic), and if you love old school, upbeat Rock N’ Roll from the 80’s you’ll have a blast listening to the fun Seize the Day in your car, at the cottage, at a party, or anywhere else you’re truly enjoying life. Furthermore, David once again has an absolute fantastic performance with his piercing vocals, elevating the song’s taste and impact to a whole new level.

Viper carries the perfect name for a beyond electrifying tune (and I dare you to stand still to such action-packed music journey), presenting Ryan on total fire with his riffs and solos, while Jonathan does what he knows best, which is smashing his drums in a fast and melodic way. Kings sounds like if it was taken from a cigarette TV ad from the 80’s or 90’s, displaying a headbanging pace and sheer energy flowing nonstop, with Randy dictating the rhythm with his guitar lines and with the music flowing smoothly until the song’s sharp ending, while closing the regular version we have a fun rockin’ tune named Devil’s Night, also inspired by the classic sonority from the band’s music heroes. Moreover, Ryan and Richie are in utter sync with their strings, while David continues to deliver his top-notch vocal lines. And as a bonus track we have Maverick’s version of Rick Springfield’s classic Jessie’s Girl (check the original version HERE), a very entertaining and well-crafted cover song that will certainly put you to dance and bring very good memories to your mind.

With that said, what are you waiting for to put your hands on such electrifying album of Hard Rock to embellish the soundtracks of your house parties and road trips? Cold Star Dancer is available at the band’s Big Cartel page in CD or vinyl, at Grooves Inc., at Discogs or on Amazon. And, of course, you can get to know more about Maverick and the Balfour Brothers by visiting their Facebook page, and by listening to more of their classy Hard Rock on their YouTube channel. Needless to say, keep an eye on their tour dates, because if Maverick visit your hometown it’s an almost mandatory event for you and your friends to attend, enjoying a fun and reinvigorating night dedicated to our good old Rock N’ Roll.

Best moments of the album: Cold Star Dancer, Kiss of Fire and Viper.

Worst moments of the album: Magellan Rise.

Released in 2018 Metalapolis

Track listing
1. Dusk 1:28
2. Cold Star Dancer 3:29
3. Myrmidon 4:05
4. Kiss of Fire 3:44
5. Goodbye 4:20
6. Ex Machina 3:38
7. Magellan Rise 4:59
8. Seize the Day 3:06
9. Viper 3:31
10. Kings 3:38
11. Devil’s Night 4:52

Digipak First Edition/Vinyl bonus track
12. Jessie’s Girl (Rick Springfield cover) 3:15

Band members
David Balfour – vocals
Ryan Balfour – guitar
Richie Diver – bass
Jonathan Millar – drums

Guest musician
Anders “Gary” Wikström – guitar on “Cold Star Dancer” and “Ex Machina”
Steve Moore – guitar on “Myrmidon”, “Viper” and “Devil’s Night”