Metal Chick of the Month – Ela

ELA ROCKS!

Hailing from the charming Stuttgart, capital of southwest Germany’s Baden-Württemberg state and known for the Mercedes-Benz and Porsche headquarters and museums, our metal chick of the month of August is ready to set fire to The Headbanging Moose with her powerful vocals, stunning looks and deep passion for Hard Rock, Rock N’ Roll, and Heavy and Power Metal. Furthermore, you’ll certainly find her evolution in music quite interesting, from her mellower, radio-friendly Pop Rock early days to her current ferocious beast mode, blasting first-class Heavy Metal for our absolute delectation, always ready to rock like there’s no tomorrow. Ladies and gentlemen, please welcome the raven-haired vocalist Michaela “Ela” Eichhorn, or if you prefer you can simply call her Ela, frontwoman for German Melodic Heavy Metal band ELA and a woman that beautifully represents the power and importance of women in contemporary metal music.

You won’t find a lot of personal details about our dauntless Ela on the internet, but that doesn’t mean there isn’t a lot to read, learn and enjoy about her. Let’s say that if you want to know more about Ela, all you have to do is search for her own band ELA, as in the end the two can be considered the same entity. In other words, there’s no Michaela Eichhorn without ELA and vice-versa, which means we’ll be focusing on Ela’s career with her band on this humble tribute to this talented German singer, starting with the band’s inception over ten years ago, in the year of 2006. As a matter of fact, we can go a bit further than that, to the year of 2004, when Ela was part of a Karlsruh, Baden-Württemberg-based band named Com’n Rail, with whom she released the full-length album Out of My Universe that same year (and you can still buy the album from Amazon or from Discogs).

After several concerts all over Germany to promote Out of My Universe in the following years, Com’n Rail split up in 2006, with Ela finally founding what’s known today as ELA. However, as already mentioned, the band’s first releases, those being the EP’s Out of Time and Little Lies, both released in 2008, and the full-length albums Passion, from that same year, and Make My Day, from 2009, showed a much smoother side of Ela, offering her fans a fusion of classic Hard Rock with pop and alternative music. Ela’s debut EP Out of Time featured German musician J.R. Blackmore (the son of Ritchie Blackmore and his former German wife Margit, and known from bands like EBC Roxx and Over the Rainbow) on the guitar, with the invitation originating from Ela herself after listening to one of his instrumental pieces during a radio interview in Hamburg and falling in love with his refined technique. Upon returning home that night, she sent an email to Mr. Blackmore inviting him to participate in her album, he obviously accepted the invitation, and two weeks later the single Out Of Time was recorded (check out the official video shot at the legendary rock club Headbangers Ballroom in Hamburg HERE), with the full EP featuring the aforementioned single, a couple of original songs  by Ela and instrumental pieces by Mr. Blackmore, and a cover version for UFO’s Queen of the Deep. As a consequence of the very positive feedback received from fans and the specialized media, the duo went on a fairly extensive European tour after the release of the EP, not to mention the official video was played on many German music channels such as iMusic1 TV, Hit24, Deluxe TV and Streetclip.Tv.

The year of 2008 also witnessed the release of her first full-length album Passion, which you can listen in full on YouTube, again drawing excellent feedback and very positive reviews from the media. This was Ela’s first cooperation with Martin Engler of Mono Inc., which also happened in her next album. Songs like After the Rain and Out of Time achieved great success among fans of her music, the first single Little Lies made it onto several radio playlists for several weeks, her cover versions for Credence Clearwater Revival’s Who’ll Stop the Rain and Cheap Trick’s I Want You To Want Me were simply amazing, and Bleed got its own official video, shot at a castle for Ela’s own delight. “I’m a huge fan of castles, and it was my utmost wish to film on the historic grounds of a fortress. Just the masonry is ever so fascinating, and for a song like ‘Bleed’ I couldn’t have imagined any other location”, said our talented frontwoman.

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In 2009 Ela was back in action with a more rockin’ sonority with the album Make My Day, featuring re-recorded songs form her previous releases, and new songs like Here to Stay, Who (Won’t You Tell Me) and Right for the Devil, and once again featuring Martin Engler on drums, percussion, keyboards, programming and other arrangements. Ela had a few nice words to say about this heavier and harder version of her music. “The atmosphere in a studio is different to the one on stage, where you’re being swept away by the energy of your fans. Before you pick a song for an album, you work for weeks on that tune until it is to your perfect liking. However, and I think I speak for many of my musician colleagues here, after a while you may dislike this song and/or you suddenly get new ideas for it. Music has a lot to do with emotions, so I think that your own feelings play a major role here. When you know that you’re due to play live shows, it gets you in a different mood, you feel changed. I can only speak for myself, but I felt an overpowering urge to bring these songs across way harder – well, I guess, I simply wanted to ROCK more,” she commented, already pointing to a heavier future for her band.

Although Ela might not have released any new material under her own band until 2015, in 2010 she founded together with J.R. Blackmore and keyboardist Tony Carey (Rainbow) the project EBC Roxx,  having released the album Winners Vol.1 that same year,  with the song Silver Arrows being the anthem to accompany the first race of Mercedes Formula 1 pilots Michael Schumacher and Nico Rosberg that season. Then after a short hiatus Ela returned in 2015 with her band ELA showcasing a more visceral and metallic sound in Nervous Breakdown, featuring among several hard and heavy songs a medley of two of Slade’s biggest classics, Cum On Feel the Noize and Gudbuy T’Jane. Produced by Jörg Uken (Soundlodge Tonstudio) and mixed by Sascha Paeth (Avantasia, Beyond the Black, Edguy), Nervous Breakdown led Ela and her bandmates to promote the album on a tour with the iconic band Bonfire, proving once again she was on the right path in heavy music.

In 2016 Ela and her henchmen got even more metal with the release of the EP Out Of This World, presenting a much harder sonority closer to the Symphonic Metal played by bands such as Nightwish and Lacuna Coil, as you can see in this live version of the song This Kaleidoscope from 2017. Then in 2017 ELA finally achieved its most metallic form with the release of the full-length opus Second Reality, featuring powerful songs like Deadly Sins, therefore explaining why the album stayed in the Top 20 of the German Rock and Metal Charts for weeks. Ela’s metal side received so much praise from fans, critics and media from all over the world her band even toured around Germany as a supporting act for the one and only Grave Digger, not to mention Ela’s guest vocals in 2019 in the title-track Facing the Demon, from the album Facing the Demon, by German Melodic Heavy Metal act Reternity. Having said all that, you might be asking yourself what’s next for Ela, right? Well, no one knows exactly what our dark-haired singer will bring to our avid ears in the future, but we can rest assured it’s definitely going to rock our world.

ELA’s Official Facebook page
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ELA’s Official YouTube channel

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Concert Review – Heavy Montréal 2019 Day 2 (Parc Jean-Drapeau, Montreal, QC, 07/28/2019)

The fans at Heavy Montreal will always be thankful to the almighty Slayer for their final and utterly devastating concert in Quebec.

INTRODUCTION: Alive and Kicking 10 Years On

The 10th anniversary of Canada’s biggest and most important metal festival, our beloved Heavy Montreal, couldn’t have been celebrated in greater fashion than what metalheads from all over Canada and from several other countries were able to enjoy at the always beautiful Parc Jean-Drapeau. Although this was just my second time at Heavy Montreal, not counting the two editions of Heavy T.O. in 2011 and 2012, I must say the overall organization this year was a lot better than in 2014 (check our reviews for both days of the 2014 edition HERE and HERE), with a better layout, better access and exit, better facilities, food trucks, washrooms and so on, which was reflected in the happiness and good vibes flowing from all fans that were literally burning under a merciless sun in a (finally) scorching hot Canadian summer. As I was only able to attend day 2 of the festival, I’m not going to talk about any of the Saturday attractions, so if you’re curious to know how that day was go check the festival’s official Facebook page. And if you’re a hungry metalhead visiting Montreal for Heavy Montreal next year or any other metal concert, I highly recommend Il Focolaio for a delicious pizza or calzone to recharge your batteries before slamming into the circle pits.

SKILLET

Let’s begin with the first band I saw on Sunday, American Christian Hard Rock act SKILLET, who began their fun but not-so-heavy performance at 4:05pm when the sun and the temperature were hotter than the fires of hell. John Cooper, Korey Cooper, Seth Morrison and Jen Ledger put on a pretty good concert during the 45 minutes they had, with songs like Legendary, Sick of It and Hero receiving a very warm feedback from the crowd. I honestly had no idea they were a Christian band, but who cares? They might not be as heavy as most attractions of the festival (or maybe they’re too heavy for less extreme festivals), but they play with a lot of passion and energy, and I guess everyone who was watching their performance noticed that and showed a lot of respect for the band. Not only John is a great frontman, but the two girls Korey (who’s John’s wife) and Jen kicked ass on the guitar, piano, drums and vocals, bringing an amazing feminine touch to the entire festival. In a nutshell, if a heavier-than-usual (but not too extreme) version of modern-day Rock N’ Roll is your cup of tea, I’m sure you’re going to have a very good time watching Skillet live.

GAMMA RAY

As soon as Skillet’s performance was over, it was time for German Power Metal masters GAMMA RAY to fill the airwaves of the festival with some true old school Heavy Metal, especially because the band comprised of the iconic vocalist and guitarist Kai Hansen, bassist Dirk Schlächter, guitarist Henjo Richter, drummer Michael Ehré and second (or first) vocalist Frank Beck was the only attraction of the entire festival who played that type of music. I’m a longtime fan of Mr. Hansen’s music and I was very happy I could witness them playing at Heavy Montreal instead of another Alternative Metal band, but I don’t think most of the attendees had the same reaction when the band hit the stage. I mean, there were still countless fans banging their heads and raising their fists to classics like Master of Confusion, Heavy Metal Universe and Send Me a Sign, but there was something missing to make the show memorable. And to be fair, I still don’t understand why the band needs Frank Beck; he’s a good vocalist, but he doesn’t bring any real value to Gamma Ray’s performance. His microphone was lower than Kai’s, he didn’t sing most of the songs, and the songs he did sing were just OK. I think putting that crazy dude that was all wet dancing samba (and several other rhythms) nonstop on the gray mud to dance on stage would have been a lot more fun than Frank’s performance, don’t you agree?

IN THIS MOMENT

There was no time to breathe as, the second Gamma Ray were over, we were all able to witness a fantastic and very theatrical performance by the stunning Maria Brink and her henchmen (and henchwomen), collectively known as American Alternative Metal/Metalcore band IN THIS MOMENT. The aforementioned Maria, who I dare to say looks and feels like an evil (and of course improved) version of Lady Gaga, together with Chris Howorth on lead guitar, Randy Weitzel on rhythm guitar, Travis Johnson on bass and Kent Diimmel on drums, plus the two sexy masked dancers who worked as some sort of “mirrors” to Maria, delivered a truly hypnotizing concert, with their music being a blend of the blasphemy and anti-religiousness of Marilyn Manson and Cradle of Filth with the insanity of Slipknot and Ghost. The final result was obviously fantastic, with my two favorite songs of their setlist being by far the demented Big Bad Wolf and the closing song Whore, where Maria’s dancers entered dressed up as characters from the excellent dystopian novel and TV series The Handmaid’s Tale, holding sings with the words “SHAME” and “WHORE”. In the end, In This Moment kicked some serious ass without a shadow of a doubt, leaving all fans at Heavy Montreal extremely satisfied and eager for more of the music by metal’s favorite “whore” in a not-so-distant future.

HEAVY MANIA

When the next attraction from the Apocalypse Stage started, American stoner metallers Clutch, I went for a walk as I needed a break and some water. Terror and Demolition Hammer were on fire on the Forest and Garden stages, respectively, but I decided to watch the last wrestling show of the festival in the area called HEAVY MANIA, featuring wrestlers of the International Wrestling Syndicate like The Green Phantom, Sexxxy Eddy and Tabarnak De Team. The name of the fatal-four battle I was able to watch was “Le Cauchemar D’Oppenheimer”, and it was so fun I even missed the beginning of Slash’s concert. Well, it was definitely worth it, with Sexxxy Eddy winning the match amidst some trash talk and a few destroyed tables, just the way we like it in underground wrestling.

SLASH FEATURING MYLES KENNEDY AND THE CONSPIRATORS

Back to the Heavy Stage, it was time for the one and only SLASH, accompanied by Myles Kennedy on vocals, Frank Sidoris on the guitar, Todd Kerns on bass and Brent Fitz on drums to bring old school Rock N’ Roll and Hard Rock to our avid ears. It was still very hot in Montreal, but because the show started at 7:15pm the sun was already lower and we were able to enjoy the concert without sweating like pigs. Myles Kennedy, who looks like a rocker version of Kevin Bacon, is such a great singer to the point I even forgot it was Slash on the guitar at times, showcasing all his refined skills in excellent songs like Anastasia, World on Fire and, of course, their cover version for one of Guns N’ Roses biggest hits, Nightrain. Slash was precise as usual with his unmatched riffs and solos, not to mention how happy he looked on stage, making me wonder if he’s only playing with Guns N’ Roses nowadays to have enough money to fund his solo career. Well, I’m actually happy he’s in both bands, so I can’t complain about that at all. Anyway, at this point of the festival we had already had several subgenres of heavy music, as you can see, except for our good old Thrash Metal. Guess what happened next?

ANTHRAX

From 8:15pm on, Heavy Montreal became Thrash Montreal, with Anthrax and the almighty Slayer leading us all the way into the eye of the circle pit. First, it was American Thrash Metal institution ANTHRAX who revved up our engines with their punk/hardcore-infused thrash, blasting classic moshing hymns like Caught in a Mosh, Got the Time and Antisocial for our vulgar delectation, as well as their already classic tribute to the deceased Dio, Lemmy and Dimebag with the beautiful In The End. Joey Belladonna, Jon Donais, Scott Ian, Frank Bello and Charlie Benante were unstoppable during their short but extremely vibrant performance, inspiring all fans to raise their fists and horns in the air and mosh like there’s no tomorrow. Moreover, I don’t know why but the festival organization decided it was a good idea to throw more cold water on the crowd when it was already nighttime, making some people run away from the stage due to that. Maybe they were trying to calm down the more excited fans who were crushing their skulls into the circle pit, who knows. What I know for sure is that I love Thrash Metal, just like Scott Ian asked us all, and I was more than happy to be able to witness one of the bands of the Big Four once again in my life.

SLAYER

Lastly, the moment everyone at Heavy Montreal was waiting for. The heaviest, most evil and most demonic band in the history of music, Thrash Metal titans SLAYER, took the province of Quebec by storm for one final time before calling it quits by the end of this year, which is something I still cannot believe but that makes total sense taking into account their age, everything that has happened to the band in the past decade, and the humongous amount of energy needed to play their music at the required (and insane) level. Although the opening acts might not have been as demolishing as their 2018 concerts in Canada, when Testament, Behemoth, Anthrax and Lamb Of God opened for them like their pulverizing concert at the Budweiser Stage in Toronto, Tom Araya, Kerry King, Gary Holt and Paul Bostaph were beyond possessed during their incendiary performance at Heavy Montreal, proving once and for all why you can play Black Metal, Death Metal or any other type of extreme music, but you’ll never be as badass as Slayer.

If their 2015 album Repentless was indeed their last studio album ever, let’s say they’re retiring in style, as the intro Delusions of Saviour plus the frantic thrashing hymn Repentless were everything they needed to set fire to Heavy Montreal. After that insane start it was pure Armageddon, with old school classics such as Evil Has No Boundaries and Mandatory Suicide being intertwined with newer songs like World Painted Blood and Payback (as Mr. Araya said, “payback is a bitch, motherfucker!”), and even songs they haven’t played in a while such as Gemini, Temptation and Born of Fire. By the way, Slayer played nothing more, nothing less than FIVE songs from Seasons in the Abyss, including of course the battle hymn War Ensemble (where Mr. Araya kindly asked us all to scream “WAAAAAAAAAR!” together with him), the serial killer-inspired classic Dead Skin Mask, and obviously the album’s flawless obscure title-track, or in other words, half of their 1990 masterpiece for our total delight. Furthermore, it was absolutely amazing witnessing all fans at the festival screaming “SLAAAAAYYYYEEEERRRR!”, “FUCKIN’ SLAYER!” and even “OLE OLE OLE OLE! SLAYER, SLAYER!” at the top of their lungs before, during and after the concert, showing a beautiful connection with the band as they masterfully played an avalanche of Thrash Metal classics amidst the flames burning on stage, ending with the all-time classic Angel of Death, including Mr. Araya’s famous demented roar at the beginning.

Gary Holt was once again fantastic on the guitar (needless to say, I can’t wait for the next Exodus album), Paul Bostaph couldn’t stop smashing his drums and our skulls, and Kerry King was the usual beast incarnate shredding his guitar chords manically from start to finish while all fans slammed their souls into the never-ending mosh pits. However, it was Tom Araya who stole the show with a perfect vocal performance, and after everything was said and done he didn’t leave the stage until he could thank each and every fan at the festival for our passionate support through the years. We could clearly see he was very emotional, very touched by our love for Slayer, and we were able to read his lips when he said “I’m gonna miss you, guys…” while tears fell from his eyes. Well, we’re going to miss his screams too, if that’s actually going to be the end of Slayer. Kerry King didn’t cry but he simply raised both fists in the air and roared like a wild beast, as the “demonic machine of Thrash Metal” he is. Maybe that’s his way of saying “thank you!” and crying tears of joy? At least that’s what all fans kept doing while returning from the festival on the subway, screaming SLAYER! SLAYER! SLAYER! nonstop. And that’s what we’ll keep doing forever and ever, even if Quebec, the rest of Canada and any other part of the world never see the band playing live again after this farewell tour is over. Thank you, SLAAAAAAAAAAAAYYYYYEEEERRRRR! Heavy Montreal loves you!

Setlist
Delusions of Saviour
Repentless
Evil Has No Boundaries
World Painted Blood
Postmortem
Hate Worldwide
War Ensemble
Gemini
Disciple
Mandatory Suicide
Chemical Warfare
Payback
Temptation
Born of Fire
Seasons in the Abyss
Hell Awaits
South of Heaven
Raining Blood
Black Magic
Dead Skin Mask
Angel of Death

Band members
Tom Araya – vocals, bass guitar
Kerry King – guitar
Gary Holt – guitar
Paul Bostaph – drums

Album Review – Reternity / Facing the Demon (2019)

An exciting display of Melodic Heavy Metal by four experienced musicians from the German scene, dealing with the struggles we all have with our inner demons and temptations.

Founded in the summer of 2018 in Heilbronn, a city in northern Baden-Württemberg, Germany, by Stefan Zörner (SpiteFuel, Lanfear, Strangelet) on vocals, Carsten Sauter (Mighty D., Pyroclasm) on guitars and bass, Semen Brik (Echo.Mensch) also on the guitar, and Sascha Beul (Remember Twilight, Darkness Ablaze) on drums, four experienced and skillful musicians from the German Heavy Metal and Hard Rock scene, Melodic Heavy Metal outfit Reternity has just released their debut full-length album, entitled Facing the Demon, following up the successful release of their 2018 two-track demo, which received an amazing feedback from both fans and critics. Dealing with the struggles we all have with our inner demons and temptations, something that’s beautifully depicted in the album artwork, Facing the Demon was carefully produced by Jonas Kümmerle at Analog Mixing Studio, taking the album’s overall sound quality to a whole new level and, therefore, allowing those Swabian metallers to shine throughout 40 minutes of heavy music, ranging from classic Hard Rock to more berserk styles such as our good old Thrash Metal.

The acoustic guitars by Carsten and Semen kick off the intro Strings of Sor 1: Sunset, working as the calm before the storm for Last Days of War, a frantic and very melodic Heavy Metal tune with thrashing elements, as if Anthrax decided to play a faster version of Hard Rock. Moreover, Stefan leads his metal brigade with his ass-kicking, angry vocals, keeping the energy level really high until the next song, titled Tomorrow’s History, comes crushing our minds with another incendiary performance by the band’s guitar duo while Carsten keeps rumbling the foundations of the earth with his bass lines, also bringing some soulful guitar solos just the way we like it in Power Metal. Then the spoken words by Stefan in the melodic bridge Reternity II set the tone for the amazing Hard Rock power ballad I Love the Night, highly inspired by 80’s Glam Metal but with the band’s own modern twist. As the sound of guitars and bass fills every empty space in the air, get ready to sing the song’s awesome chorus alongside those German metallers in great fashion.

In Down. Not. Broken, one of the songs from their 2018 demo and another potent tune infused with Thrash Metal nuances, it’s time for Sascha to pound his drums mercilessly, therefore adding tons of electricity and stamina to the musicality, with Carsten and Semen once again kicking us in the face with their riffs and solos. The title-track Facing the Demon is a lesson in Symphonic Power Metal, with Stefan and guest vocalist Michaela “Ela” Eichhorn (frontwoman for German Melodic Heavy Metal band E:L:A) being on fire and utterly flawless on vocals, while the guitars and bass sound absolutely metallic from start to finish for our total delight; whereas in Singularity all instruments, in special the bass lines, present a lot of Progressive Metal nuances, sounding more modernized than the rest of the album, albeit not as vibrant. Furthermore, Stefan does a great job on vocals as usual, with the song’s acoustic ending also being a nice addition to the overall result.

The second song from their 2018 demo, Suicide Butterflies, is a very rhythmic and solid creation by Reternity, showcasing an electrified Sascha on drums while Carsten brings considerable amounts of progressiveness and groove with his riffs and bass punches; followed by Stone to Mouth, featuring German singer Chantal Freier doing a gorgeous introduction to the song in her mother tongue. Overall, it sounds like a fusion of the music by Skid Row, Gojira and Anthrax with alternative music from the 90’s, with all the shredding plus the German words being welcome extra touches to such vibrant composition. And last but not least, Carsten and Semen fire acoustic guitar lines one last time in the outro Strings of Sor 2: Sundown, closing the album on a serene note; however, keep listening to it for the hidden track All Grey, a fun and frantic Heavy Metal and Rock N’ Roll party with highlights to Stefan’s vocal performance boosted by the song’s effective backing vocals.

You can show your support to those skillful and unrelenting Teutonic metallers by following them on Facebook, and of course by purchasing your copy of Facing the Demon (also available for a full listen on Spotify) from the MDD Records webstore, from iTunes or from Amazon. Because, you know, if you’ve decided you’re finally going to face your inner demons from now on, keeping your head high and without any fear of failure, the best way to do that is accompanied by our good old Heavy Metal, no doubt about that.

Best moments of the album: Last Days of War, I Love the Night and Facing the Demon.

Worst moments of the album: Singularity.

Released in 2019 MDD Records

Track listing
1. Strings of Sor 1: Sunset (Intro) 1:05
2. Last Days of War 4:22
3. Tomorrow’s History 3:50
4. Reternity II 0:54
5. I Love the Night 2:55
6. Down. Not. Broken 3:32
7. Facing the Demon (feat. Michaela “Ela” Eichhorn) 4:31
8. Singularity 5:34
9. Suicide Butterflies 4:18
10. Stone to Mouth (feat. Chantal Freier) 4:47
11. Strings of Sor 2: Sundown (Outro) 1:12
12. All Grey (Hidden track) 2:39

Band members
Stefan Zörner – vocals
Carsten Sauter – guitars, bass
Semen Brik – guitars
Sascha Beul – drums

Guest musicians
Chantal Freier – female vocals (intro) on “Stone to Mouth”
Michaela “Ela” Eichhorn – female vocals on “Facing the Demon”

Album Review – [P.U.T] / We Are [Br]others (2019)

An amalgamation of sludge, industrial and punk noises at their finest, brought forth by three brothers who have been delivering first-class music for over 20 years.

Blasting our eras with a raw and dirty fusion of Industrial and Sludge Metal since 1998, Brussels, Belgium and Paris, France-based brothers Loïc Beyet (guitar, voice, programming), Lionel Beyet (bass, programming, voice) and Nicolas Beyet (guitar, voice), collectively known as Industrial Sludge Noise beast [P.U.T], are unleashing upon humanity their sixth full-length opus entitled We Are [Br]others, highly recommended for fans of the noisy music by acts like Sonic Youth, Killing Joke, Godflesh and Neurosis, among several others. Self-recorded between Paris and Brussels, mixed by Loïc at garlic.lab between November 2017 and May 2018, mastered by Alexandre Vitrac, an ex-[P.U.T] member, at Studio CBE in June 2018, and featuring a classy and obscure artwork by French artist Alexis Horellou, We Are [Br]others is the first [P.U.T] album to feature the three Beyet Brothers in the lineup, offering the listener the band’s trademark amalgamation of machine sounds, guitars, noise, sludge, industrial and punk at their finest, overflowing madness, heaviness and anger over the span of 50 minutes.

Their first onrush of distorted sounds, titled In Control, is a metallic fusion of the Industrial Metal played by bands like Rammstein and Nine Inch Nails with the sluggish and “polluted” riffs from classic Sludge Metal where the Beyet Brothers vociferate from the depths of the underworld, and with Lionel also delivering some powerful jabs from his bass. Following such eerie start we have Nothing, even more disruptive and grim than the opening track, a perfect option to be part of the soundtrack to a psychological thriller. Moreover, its guitars sound as raw and venomous as they can be, bringing all the heaviness and madness found in the music by the iconic Ministry, for example. Then putting the pedal to the metal [P.U.T] offer a high-octane mix of modern-day Rock N’ Roll with classic Industrial Metal titled In Conflict, where Loïc and Nicolas are in absolute sync with their riffs while all background voices and sound effects add a touch of lunacy to the music; and the roaring bass lines by Lionel ignite the dark and devilish Down, showcasing pugnacious gnarls and steady, fierce beats that live up to the legacy of Sludge and Stoner Metal the likes of Down (and I dare to say this is not a coincidence at all), all embraced and spiced up by additional orchestral elements. Closing the first half of the album, Opressed is perhaps the most electronic and weird of all tracks, presenting elements from contemporary Electronic Pop and Rock à la Daft Punk and Kraftwerk such as robotic voices and a dancing rhythm, all without forgetting the fury of rock music flowing from its guitars.

I Am Here is a cinematic and very experimental track by [P.U.T], with its wicked noises and futuristic atmosphere invading our senses before the disruptive Angry comes crushing, and that’s exactly how they sound, firing crude, unfiltered riffs from their flammable guitars and grunting rabidly nonstop. Furthermore, this is another interesting hybrid of the vicious music by acts like Ministry and Rob Zombie with the band’s own demented twist. And sounding like unstoppable machines from an assembly line, the trio delivers another vicious song entitled Possesed, where once again the guitars by Loïc and  Nicolas exhale rage while the low-tuned bass lines by Lionel bring even more insanity to their music; it just goes on for a little too long, though, but nothing that hurts the overall quality of the album.  In Not Your Dog the brothers are back to a more rockin’ sonority, bringing forward their trademark raspy vocals and visceral riffs and leaning towards old school Sludge Metal with a doom-ish vibe, offering the listener some piercing guitar solos as a “bonus”, whereas their coup de grâce comes in the form of a neck-breaking, eccentric creation titled Pain, with the sound of guitars being boosted by Lionel’s menacing bass in a good balance between mechanized, ethereal sounds and sheer aggression, flowing wickedly until its Stygian ending.

In a nutshell, [P.U.T] (or the Beyet Brothers, if you prefer) worked as hard an united as the family they are in We Are [Br]others, generating a must-have album for admirers of this more eccentric and experimental side of alternative music commonly referred to as Industrial Sludge Noise. Hence, if all their noises and distortions are your cup of tea, don’t forget to give them a shout on Facebook, and buy your copy of the album from their own BandCamp page or from the Cursed Monk Records’ BandCamp page. Much more than just regular brothers, Loïc, Lionel and Nicolas are extremely talented musicians, channeling all their energy and creativity into a very entertaining rock and electronic party, and therefore keeping underground alternative music relevant, vibrant and fresh.

Best moments of the album: Nothing, In Conflict and Angry.

Worst moments of the album: Possesed.

Released in 2019 Cursed Monk Records

Track listing
1. In Control 6:10
2. Nothing 3:15
3. In Conflict 3:15
4. Down 4:27
5. Opressed 5:41
6. I Am Here 2:53
7. Angry 6:04
8. Possesed 7:20
9. Not Your Dog 4:32
10. Pain 6:58

Band members
Loïc Beyet – guitar, voice, programming
Lionel Beyet – bass, programming, voice
Nicolas Beyet – guitar, voice

Album Review – Heavy Feather / Débris & Rubble (2019)

Get ready to rock to the debut album by four talented musicians of the Swedish Rock N’ Roll scene, bringing listeners back in time yet still offering hope about the future of rock music.

Four heavily talented musicians from the bands Siena Root, Lisa Lystam Family Band, Diamond Dogs, Stacie Collins and Mårran have decided to gather and create a heavy riff-based rock group highly influenced by the greats of the 60’s and 70’s such as Free, Cream and Lynyrd Skynyrd, with a strong belief that organic Roots Rock deserves more attention in today’s global rock scene. The final result of that fusion of talent and sheer passion for rock music is Stockholm, Sweden-based Hard Rock/ Rock N’ Roll act Heavy Feather, a hardworking and ambitious quartet that aims at bringing listeners back in time yet still offering hope about the future of rock music.

Comprised of the stunning Lisa Lystam on vocals and harmonica, Matte Gustavsson on the guitar, Morgan Korsmoe on bass and Ola Göransson on drums, Heavy Feather have just released their debut full-length album entitled Débris & Rubble, a must-have for admirers of the genre, and a fantastic gateway for anyone who’s still taking their first steps in the always exciting world of classic rock music. Throughout the 42 minutes of music split into 11 distinguished tracks found in Débris & Rubble, get ready to be mesmerized by an avalanche of heavy riffs, soaring vocal lines and classic rock passages, sounding raw, real and unique from start to finish, and therefore leaving you in absolute desire for more once the last song of the album is over.

The intro Débris & Rubble will already put you to dance with its groove, catchy beats and Lisa’s vocalizations and old school harmonica, warming up your senses for the fantastic Where Did We Go, where Matte is on absolute fire with his riffs and solos while Ola keeps the music flowing smoothly with his precise beats, not to mention how gorgeous Lisa’s vocal lines sound. In other words, this is a lesson in old school 70’s-inspired Hard Rock and Rock N’ Roll, and we should all thank the band for providing our ears such amazing song. Then in Waited All My Life, another classic tune overflowing feeling and electricity, the band’s kitchen duo Morgan and Ola generate a rumbling and dense ambience perfect for Lisa to shine on vocals, turning it into a great option for hitting the road with your loved ones. And slowing things down a bit, Heavy Feather invest in a groovier and sexier sonority in Dreams, with Matte sounding like he’s in a trance or in a different dimension showcasing all his passion for his guitar, resulting in a great Rock N’ Roll song infused with Blues elements.

Higher (which official video live in Stockholm can be seen HERE) is a phenomenal Roots Rock composition by the quartet, elevating your spirit higher and higher while Ola pounds his drums beautifully, and with Matte’s soulful solo being the icing on the cake. Lisa’s harmonica returns to give an extra kick to the serene and touching ballad Tell Me Your Tale, where she will also soothe your soul with her vocals while Matte extracts simple, delicate sounds from his guitar in the most Blues-inspired way possible. If you think you can chain Lisa’s heart you’ve got another thing coming, because in Long Ride (which also has an official video live in Stockholm) she sings about uncompromising love (“Baby take me for the long ride / Oh, I want you to lose it / We can go by night time / Cus’ I love it when it’s spooky / Baby you don’t need to be my guy / We don’t need to be consistent / I love things that’s undefined / I like to keep a little distant”), with the music exhaling a 70’s sonority that’s beyond recommended for a strip-tease.

And the rock keeps on rolling in I Spend My Money Wrong, with Matte and Morgan being fast and metallic with their respective riffs and bass punches, dictating the rhythm in this old school rock feast. Put differently, simply grab a beer, relax and enjoy the song’s catchy vibe and sheer electricity, which also works for Hey There Mama, showcasing a vibrant and upbeat atmosphere where Lisa and Ola deliver incendiary performances, as well as Matte with his flammable guitar solo; and  fiery guitars and drums permeate the air in Please Don’t Leave, a solid tune by the quartet where Morgan and Ole’s passion for classic Blues becomes more than noticeable, with its second half morphing into a gentle and mesmerizing sonority until its classy finale. And lastly, a gorgeous and melancholic ballad entitled Whispering Things concludes the album on a high note, all embraced by Lisa’s delicate words (“I’m wandering all night and my bad conscious catch me / While I’m longing and hoping that maybe someday / Other times will me / I said I want things to be like they used to / You said if we could be real / I would marry you”), putting you in a delicious musical trance.

What are you waiting for to let your guard down and surrender to Lisa and her henchmen from Heavy Feather? You can follow the band on Facebook and on Instagram for news and tour dates, subscribe to their YouTube channel for more of their stylish rock music, and if Roots Rock is your cup of tea you should definitely purchase Débris & Rubble directly from BandCamp or from several other retailers by clicking HERE. After listening to such excellent album of Rock N’ Roll, I can tell you we can all rest assured the genre not only has a future, but that future is groovy, exciting and flammable, all thanks to those four skillful musicians hailing from Sweden.

Best moments of the album: Where Did We Go, Higher and Hey There Mama.

Worst moments of the album: None.

Released in 2019 The Sign Records

Track listing
1. Débris & Rubble 1:30
2. Where Did We Go 4:19
3. Waited All My Life 3:09
4. Dreams 3:44
5. Higher 2:43
6. Tell Me Your Tale 5:12
7. Long Ride 4:03
8. I Spend My Money Wrong 3:04
9. Hey There Mama 3:45
10. Please Don’t Leave 5:26
11. Whispering Things 4:58

Band members
Lisa Lystam – vocals, harmonica
Matte Gustavsson – guitars
Morgan Korsmoe – bass
Ola Göransson – drums

Album Review – Grenouer / Ambition 999 (2019)

Over 55 minutes of classy and modern rock music showcasing a different side of this talented Russian band, but still keeping their amazing core Alternative Rock and Metal intact.

Offering over 55 minutes of modern and melodic Alternative Metal with several distinct rock elements, Ambition 999, the ninth album in the career of Saint Petersburg, Russia-based act Grenouer, turned out to be a long-term project due to all the re-recording needed until the band reached its desired sound. That resulted into one of the biggest gaps between albums in their career, with nothing more, nothing less than four years separating Ambition 999 from their previous album, Unwanted Today, released in 2015. However, all that wait was definitely worth it as their new album is indeed a fresh addition to their discography, with each one of its 15 songs offering a different approach when compared to the band’s two previous efforts in terms of riff intensity and rapid-fire solos, balancing between new and clichés, double density and marked vocal temperament.

Engineered and recorded by Al Bolo at RDS& Moscow Gates Apartment Studios, Anssi Kippo at Astia-Studio, and Luigi Del Missier at BlackMirror Studios, produced, mixed and mastered by Giuseppe “Dualized” Bassi from dysFUNCTION Productions, and featuring a futuristic artwork by Brazilian artist Jobert Mello (Sledgehammer Graphix) and Italian artist Zimon (New Breed Graphic Studio), Ambition 999 feels like a heavier version of bands such as Depeche Mode and Duran Duran, presenting a more than inspired and electrified band comprised of Andrey Ind on lead vocals, Dmitry Rubanovsky and Alexander Motor on the guitars, Al Bolo on bass and Danny D on drums, and bringing to our avid ears everything we need to have a good time on the road, at a pub, at home, or anywhere else where good rock music is properly appreciated.

Electric waves permeate the air before the band begins blasting their modernized blend of Alternative Rock and Metal in Burnt to the Ground, with highlights to the slashing guitar riffs and solos by Dmitry and Alexander; followed by Nevermind Tomorrow, a song perfect for banging our heads to their riffs and beats while Andrey gives life to its party-like lyrics (“Fast and tight / High heel party night / Tomorrow never knows and never dies / Drinks on me / Any chicks for free? / We’re born to make some noise, so sing with me / Or you’d better shout”), and One Day, another thrilling tune in the same vein as bands like Godsmack, Shinedown and Three Days Grace, sounding very melodic and showcasing a passionate performance by Andrey on vocals while Danny D dictates the rhythm with his spot-on beats. Then in Infinite Grace the band adds a good amount of heaviness to their music, getting closer to the musicality by bands like Rob Zombie and Marilyn Manson but still keeping their core Alternative Rock intact, also presenting some sick guitar solos for our total delectation, whereas in Medicine Treats No Lies the quintet continues their feast of modern-day rock and metal music, with Al together with Danny D bringing thunder to the music with their respective instruments.

If Cure for the Lonely is even more futuristic and atmospheric, displaying a strong focus on Andrey’s vocals and feeling at times like a hybrid of modern rock music with the electronic and alternative sounds by old school bands like Depeche Mode, Uncommon Faith is a good song for hitting the highway, presenting great sync between the band’s stringed trio and Danny D’s beats, all infused with Hard Rock elements. On the other hand, Back on Track is slightly below the rest of the album in terms of electricity, albeit it does bring forward a considerable amount of progressiveness as well as Andrey’s smooth but potent vocals; while Universe of My Heaven sounds very modern and progressive, also bringing some symphonic elements in the background to give it an extra taste. Moreover, Al’s bass sounds as groovy as it can be, while Danny D pounds his drums just the way we like it in good modern Rock N’ Roll. After that, it’s time for Grenouer to take their musicality to even more eccentric lands with the weird, atmospheric and fun Crimson Lines, with highlights to its classy, poetic lyrics (“Read between the crimson lines / Sacred destination / Go behind the scenes of life / Steady irritation / Read between the crimson lines / Go behind the sonic nightmares / Black and white visions in the sky”).

It’s interesting how Grenouer manage to keep their essence while exploring new sounds, which is the case in the almost electronic-dancing tune Chase the Sun, and although the final result is quite entertaining the guitars by both Dmitry and Alexander needed an extra kick for the whole song to work even better. Then melancholic, acoustic guitars ignite the introspective Ingenious Care, showcasing smooth vocal lines, complex and serene drums, and featuring guests Chayka Chursina on vocals and Zimon on bass, sounding dark from start to finish and, therefore, sending the desired message by the band. Dangerous Girls takes the band back to a heavier, more pounding sonority, with their guitar duo being on fire as well as Al and his rumbling bass, or in other words, this is a well-balanced hybrid of Progressive and Alternative Metal for admirers of the genre. The second to last blast of Grenouer’s rockin’ sounds comes in the form of Paranormal Star, sounding as whimsical and piercing as its name, placing it as another serious candidate to be part of their live setlists, whereas the last tune from Ambition 999 is a superb acoustic ballad entitled Alone in the Dark, which not only presents beautiful guitars and vocals, but its official video is amazingly obscure and captivating. Put differently, it might not be the usual electrified Grenouer we’re used to, but this somber, pensive side of the band is just as enfolding as their more regular sonority.

What are you waiting for to put your hands on 15 extremely well-crafted and energizing rock songs made in Russia? Simply go to the band’s official BandCamp page to grab your copy of the album, as well as to the Sleaszy Rider Records’ BandCamp or webstore, to iTunes or to Amazon, and keep an eye on their Facebook page, VKontakte and YouTube channel for news, tour dates and more of their crisp rock music. As an already established and successful band in the world of heavy music, we can rest assured Grenouer are far from calling it quits, hoping that all of their future releases are just as good as the music found in Ambition 999 and that they proudly keep carrying the flag of Rock N’ Roll wherever they go.

Best moments of the album: Nevermind Tomorrow, Medicine Treats No Lies, Crimson Lines and Alone in the Dark.

Worst moments of the album: Back on Track and Chase the Sun.

Released in 2019 Sleaszy Rider Records

Track listing
1. Burnt to the Ground 3:30
2. Nevermind Tomorrow 3:32
3. One Day 4:15
4. Infinite Grace 4:07
5. Medicine Treats No Lies 3:25
6. Cure for the Lonely 2:37
7. Uncommon Faith 5:13
8. Back on Track 3:41
9. Universe of My Heaven 3:49
10. Crimson Lines 4:16
11. Chase the Sun 3:17
12. Ingenious Care 3:24
13. Dangerous Girls 4:08
14. Paranormal Star 3:10
15. Alone in the Dark 3:20

Band members
Andrey Ind – lead vocals
Dmitry Rubanovsky – guitars
Alexander Motor – guitars
Al Bolo – bass
Danny D – drums

Guest musicians
Chayka Chursina – female vocals on “Ingenious Care”
Zimon – bass on “Ingenious Care”

Concert Review – Godsmack & Volbeat (Canadian Tire Centre, Ottawa, ON, 05/10/2019)

And the city of Ottawa was more than ready to rumble with two of the best bands of the modern Hard Rock and Rock N’ Roll scene.

OPENING ACT: Stitched Up Heart

Although my drive from Toronto to Ottawa on Thursday was a complete shit due to the nasty rain and all the trucks spraying tons of water on my windshield, that didn’t turn my energy level down not even a bit for the concert that was about to happen on Friday. I was really pumped to see what’s probably the best modern Rock N’ Roll bands available out there, the almighty Volbeat and the incendiary Godsmack, kicking some serious ass on stage at Richcraft Live (I honestly have no idea what that name means) at the Canadian Tire Centre. It was my first time at that venue and I must say it’s indeed a great place to watch a concert or a sports event, but unfortunately getting there is not that easy unless you drive, take a taxi or Uber to the venue, which ends up inflating the parking costs considerably.

Anyway, fans were still arriving at the venue when Los Angeles-based Hard Rock act STITCHED UP HEART began their short but effective performance, spearheaded by the beautiful Mixi on vocals. If you have no idea about what type of music Stitched Up Heart play, let’s say it’s a fusion of the contemporary Hard Rock played by Godsmack with Evanescence and Marilyn Manson, and the final result is very entertaining. It was a beyond solid warm-up for the main attractions of the night, and a very good welcome card from the band to us fans of rock music here in Canada, as I don’t actually remember seeing them anywhere around here before this tour opening for Volbeat and Godsmack. In other words, go to their official website for more information about the band, where they’re playing, where to buy their music, and so on, as those guys (and girl, of course) are definitely worth a shot.

Setlist
This Skin
Warrior
Catch Me When I Fall
Darkness
Straightjacket
Finally Free
Lost (feat. Sully Erna)

Band members
Mixi – vocals
Merritt – guitar
Randy – bass
Decker – drums 

VOLBEAT

After a short break, and with the Canadian Tire Centre already occupied by thousands of fans from different parts of Canada and the United States, it was time for Danish rockers VOLBEAT to bring to Ottawa their undisputed Rock N’ Roll infused with Heavy Metal nuances, proving once again that Copenhagen-based quartet is not one of the biggest names in the current Rock N’ Roll scene in vain. Still promoting their 2016 album Seal the Deal & Let’s Boogie, but just about to release a brand new album (for our total delight), the band comprised of Michael Poulsen on vocals and rhythm guitar, Rob Caggiano on lead guitar, Kaspar Boye Larsen on bass, and Jon Larsen on drums set the venue on fire with their fast and melodic riffs and beats, and of course, endless electricity (despite the fact that Mr. Poulsen was visibly fighting some sort of cold or flu).

From the first few notes from the excellent The Devil’s Bleeding Crown to the closing moments from the already classic Still Counting, Volbeat delivered what’s expected from them, inspiring all fans from the floor section to ignite some fun (and furious) circle pits, especially during their most metallic songs such as A Warrior’s Call, 16 Dollars, Doc Holliday and Seal the Deal. Also, I think I’ve already mentioned this before, but it’s always impressive to witness how powerful and precise Mr. Caggiano is on the guitar, elevating the band’s sonority to new heights since entering the band in 2013. In addition, one song that I was extremely happy they played was Hallelujah Goat, one of my favorite Volbeat songs of all time due to its energy and heaviness, potentialized by Rob’s amazing technique and feeling. And before I forget, the band also played a brand new song for the first time ever in Ottawa, the 40-second Punk Rock tune Parasite, which albeit being extremely short it was well received by all fans who were paying attention at the moment, because you know, 40 seconds are not enough not even for a quick bathroom break. In a nutshell, I know that I just saw Volbeat live and that I’ll see them again with Slipknot, Gojira and Behemoth soon here in Toronto, but they’re so good live I cannot wait, and besides, their concerts are never long enough for them to play all of their classics.

Setlist
The Devil’s Bleeding Crown
Lola Montez
Sad Man’s Tongue (with Ring of Fire intro)
A Warrior’s Call / I Only Want to Be With You
Let It Burn
Black Rose
Parasite
16 Dollars
Dead but Rising
Fallen
Hallelujah Goat
Marie Laveau
Doc Holliday
Seal the Deal
Still Counting

Band members
Michael Poulsen – vocals, rhythm guitar
Rob Caggiano – lead guitar
Kaspar Boye Larsen – bass guitar
Jon Larsen – drums

GODSMACK

It was close to 9:45pm when the lights went out, a fun mashup of classic rock songs started playing from the amps, and finally GODSMACK hit the stage with their unique mix of Alternative Rock and Heavy Metal. I confess I don’t think their 2018 album When Legends Rise is one of their best efforts to date; quite the contrary, it’s relatively weak compared for example to their previous album, the fantastic 1000hp, released in 2014, but Sully Erna and his henchmen are so amazing in what they do they managed to turn all of the songs they played from their new album, those being When Legends Rise, Say My Name, Unforgettable, Under Your Scars and Bulletproof, into truly amazing moments of their performance. By the way, as explained by Sully during the concert, inspired by their own song Under Your Scars, Godsmack have recently founded The Scars Foundation to help raise awareness of the mental health issues that so many are faced with today. Needless to say, donate and show your support to such important and noble cause.

Getting back to the concert, I have to say that even if they played bad music the whole thing would still have been at least great, as all the fire and other special effects on stage added a lot of energy to their performance. But, of course, Godsmack do not play bad music, and fantastic songs like 1000hp (my favorite of the night), Cryin’ Like a Bitch and Whatever put a huge smile on the faces of every single fan watching their concert. Furthermore, there were three very distinct moments that let’s say “surprised” most fans due to their uniqueness, those being their dark and enthralling performance of their all-time hit Voodoo, the interesting Batalla De Los Tambores (or “battle of the drums”, if you know nothing in Spanish) between Sully and the extremely talented drummer Shannon Larkin, and the Rock N’ Roll party established on stage when Rob Caggiano and the entire Stitched Up Heart joined them on stage for a cover version of AC/DC’s classic Highway to Hell.

In the end, after Godsmack played their heavier-than-hell hit I Stand Alone, all fans left the Canadian Tire Centre extremely satisfied, hoping the band doesn’t take another abysmal time to return to Canadian soil. On the other hand, if you live in Canada and missed Godsmack, I feel really sorry for your soul. A band like that is always busy, always touring the world, and they don’t have a lot of empty spot to fill out with Canadian dates. Well, don’t cry like a bitch if you missed it, simply stay tuned to their upcoming tours and do like the rockin’ citizens from Ottawa, whenever you hear the words “Volbeat” or “Godsmack”, put on your black shirt, you leather jacket and get ready to rumble like there’s no tomorrow with one of the best and most electrifying bands of the not-so-new generation of rock and metal music.

Setlist
When Legends Rise
1000hp
Say My Name
Keep Away (Moon Baby Outro)
Cryin’ Like a Bitch
Awake
Unforgettable
Something Different
Voodoo
Batalla De Los Tambores
Whatever

Encore:
Under Your Scars
Bulletproof
Highway to Hell (AC/DC cover)
I Stand Alone

Band members
Sully Erna – vocals, guitar
Tony Rombola – lead guitar
Robbie Merrill – bass
Shannon Larkin – drums

Album Review – Sepsiss / Badd Blood EP (2019)

Bang your head to the debut EP by this emerging American outfit that plays uncompromising metal combining a more traditional sound with modern rhythms and urban hardcore.

Founded by vocalist Melissa Wolfe and guitarist William Savant in 2011 in Manchester, a city in the southern part of the U.S. state of New Hampshire, the incendiary female-fronted Hard Rock and Alternative Metal band that goes by the name of Sepsiss has been wowing crowds across their home state since their inception, playing uncompromising metal that combines a more traditional sound with modern rhythms, light synths and a blend of urban hardcore. Now in 2019 this five-piece outfit comprised of the aforementioned Melissa on clean vocals and William on harsh vocals and on the guitar, accompanied by Cam Loud also on the guitar, Mr Goodbarz on keyboards and Robbert Pann on drums is unleashing a very dynamic and fun EP entitled Badd Blood, offering fans of modern metal music eight unique tracks which prove that female-fronted metal bands can offer some of the most powerful, intriguing and diverse sounds in the genre, just like what bands such as their rock heroes Heart and more recently Evanescence have always done.

A cinematic intro evolves into a feast of modern-day Hardcore and Alternative Metal entitled Fair To Say led by Melissa’s classic vocal lines, giving life to the song’s lovesick lyrics (“You are my favorite vice, / The way you’re squeezing me tonight. / The way you’re screaming songs slice the sky for me… / I fell in love with your void, / I filled it up on my own accord. / And you’re bored with being broken… / SO I’LL BREAK US UP!!!!”), as if Green Day met Evanescence. Then with William making a flammable vocal duet with Melissa we have To Write Hate On His Arms, showcasing straightforward and precise beats by Robbert while Mr Goodbarz adds a touch of delicacy and madness to the background with his keys, resulting in what’s in my humble opinion the best track of the EP.

William and Cam bring tons of heaviness to the band’s modern Hard Rock in Sky Is Falling, a song that’s considerably faster and more dynamic than its predecessors, with the music remaining vibrant and fresh for over five minutes in an interesting fusion of different styles like Metalcore, Melodic Death Metal and contemporary Hard Rock; followed by The Swarm, where the band switches their gears to a more alternative sonority with Mr Goodbarz and Robbert keeping the atmosphere as modern as possible in perfect sync with the guitar riffs. Black Light Invasion follows a similar pattern, with Melissa’s vocals getting sexier as the music progresses, sounding groovy and catchy from the very first second and, therefore, being highly recommended for hitting the dance floor while both William and Cam kick some serious ass with their riffs and solos. And in Falling Unloved the band accelerates their pace to a frantic fusion of the music by Evanscence with Hardcore, Punk Rock and even Ska, crushing their instruments mercilessly and offering their fans a good reason to crack their necks headbanging.

And their Rock N’ Roll party goes on in Force You To Lay Down, where the vocals by Melissa sound inebriating and captivating, while her bandmates make sure the energy level doesn’t go down not even a bit by pounding their instruments nonstop. Last but not least, Eyes Of Empathy closes the album with five minutes of first-class Hard Rock, showcasing lyrics that are as catchy as they can be (“Eyes of empathy can never reason why… / It could never mend the things I’ve seen tonight… / Forever quell the screams of your denial… / I won’t ever wake.”). Not only that, Melissa is on absolute fire on vocals, with the amount of electricity and rage brought forth by William, Cam and Robbert being beyond outstanding.

Do you have what it takes to enter the alternative and metallic lands ruled by Melissa, William & Co.? You can certainly show your total support to such up-and-coming band by following them through their official Facebook page, by subscribing to their YouTube channel, by listening to their music on Spotify, and obviously by purchasing Badd Blood from the band’s own webstore as a regular physical version or as an autographed edition. And let’s hope Sepsiss keep on rocking and inspiring more and more women to follow a similar musical path not only in their home state, but anywhere else in the world where good music is appreciated, all in the name of Rock N’ Roll.

Best moments of the album: To Write Hate On His Arms and Eyes Of Empathy.

Worst moments of the album: None.

Released in 2019 Independent

Track listing
1. Fair To Say 3:54
2. To Write Hate On His Arms 3:20
3. Sky Is Falling 5:17
4. The Swarm 2:27
5. Black Light Invasion 3:58
6. Falling Unloved 3:55
7. Force You To Lay Down 3:37
8. Eyes Of Empathy 5:03

Band members
Melissa Wolfe – vocals
William Savant – vocals, guitars
Cam Loud – guitars
Mr Goodbarz – keyboards
Robbert Pann – drums

Album Review – Blood Red Saints / Pulse (2019)

Enjoy this great album of Hard Rock highly recommended for anyone whose heart beats faster and whose veins pulse harder whenever good rock is played.

When British Melodic Hard Rock band Blood Red Saints was formed back in 2014 in the city of Manchester, having their name inspired by a semi-legendary motorcycle speedway team called The Blood Red Saints, formed in the late 1920’s in Brooklyn, New York, their main goal was to offer fans of our good old Rock N’ Roll a huge dosage of catchy choruses, groovy riffs and endless electricity, culminating with the release of their debut album Speedway, in 2015, followed by their sophomore installment Love Hate Conspiracies, from 2018. Now it’s time for this talented UK band comprised of vocalist and bassist Pete Godfrey, guitarists Lee Revill and Neil Hibbs, and drummer Andy Chemney to strike again with their third full-length album, titled Pulse, presenting a more modernized but still very melodious sound.

Featuring 11 tracks all written by Pete and Lee, Pulse has a more contemporary edge than the band’s previous efforts, pushing the boundaries of their trademark Melodic Rock and traditional Hard Rock. And the band summarized what you can except from Pulse in some very straightforward but meaningful words. “This album is more personal, dealing with life events of the past year but still maintaining a positive stance, everybody brought their best to this recording, no compromises, no excuses, simply the best 11 songs we could write and we are proud of the results, after all, without music and fun, what is there?” With that said, are you ready to rock with Blood Red Saints to the music from their brand new and well-balanced album of modern-day Rock N’ Roll?

Serene piano notes kick off the groovy and stylish Believer, with both Lee and Neil blasting raw but at the same time very melodic riffs in a feast of Melodic Rock infused with Southern Rock and even Sludge Metal elements, being absolutely fantastic for open air concerts; whereas Animals is highly inspired by 80’s and 90’s Hard Rock, sounding at times like a more Rock N’ Roll version of bands like Motley Crüe and Bon Jovi, with Andy keeping the energy level high with his precise beats (not to mention how piercing the guitars sound). Then, even more Bon Jovi-inspired than its predecessors, the ballad Cross To Bear has a romantic vibe led by Pete’s passionate vocals, being a born-to-be-a-radio-hit Hard Rock tune that also presents a soulful guitar solo to add an extra kick to its overall sound.

In the excellent Invincible we’re treated to a movie-inspired beginning that gradually morphs into a pleasant and very melodic display of contemporary Hard Rock, or in other words, it’s 80’s music with a modern twist led by Pete’s spot-on vocals and the fiery riffs and solos by the band’s guitar duo Lee and Neil. Then putting the pedal to the metal and sounding more hardcore and punk-ish the band offers us I’m Your Devil, a dancing and heavy tune where the backing vocals are exactly what Pete needs to boost his vocals; and after such thrilling ride it’s time to slow things down with another classic ballad by the quartet entitled Crash Into Me, a good song with heavy guitars intertwined with acoustic moments that unfortunately falls flat after a while. Things get back to normal (and by “normal” I mean “awesome”) with the title-track Pulse, a headbanging creation by Blood Red Saints that will please all fans of contemporary rock music, with its backing vocals once again being extremely effective from start to finish.

Message To God is another song perfect for enjoying a cold beer in the name of Rock N’ Roll, with both Lee and Neil slashing their strings beautifully, presenting more complex and progressive passages as well as the best guitar solo of the entire album in my humble opinion, while Warrior is an inspiring ballad showcasing a precise Andy on drums and another touching performance by Pete on vocals, with the sound of guitars bringing that always-welcome extra touch of epicness to the music. In the heavy What Have We Become the band goes full Southern Rock, but still maintaining their Hard Rock core essence intact, resulting in another one of those heavier-than-usual songs that could easily be played on any radio station worldwide, before the ballad Bring Me To Life closes this entertaining album of Hard Rock on a high note by providing the listener a beautiful amalgamation of heavy and acoustic sounds with Lee and Neil being in total sync and, therefore, allowing Pete to simply nail it on vocals.

In a nutshell, Pulse might be exactly what you’re searching for in the alternative rock scene, bringing all elements from past and present in a very compelling and neat package. Hence, go grab your copy of such nicely crafted album (available for a full listen on Spotify) directly from the band’s official website, from the AOR Heaven webstore, from the Nuclear Blast webstore, from iTunes or from Amazon, and don’t forget to follow them on Facebook for news, tour dates and other nice-to-know details. Blood Red Saints sound modern, fresh and vibrant, but at the same time always loyal to the foundations of Rock N’ Roll, turning Pulse into a beyond recommended options for any fan of rock music whose heart beats faster and whose veins pulse harder whenever some high quality, very melodic Hard Rock and Rock N’ Roll music is played.

Best moments of the album: Invincible, I’m Your Devil and Message To God.

Worst moments of the album: Crash Into Me.

Released in 2019 AOR Heaven

Track listing
1. Believer 3:57
2. Animals 3:54
3. Cross To Bear 5:10
4. Invincible 4:34
5. I’m Your Devil 4:00
6. Crash Into Me 4:16
7. Pulse 3:13
8. Message To God 4:36
9. Warrior 5:08
10. What Have We Become 4:13
11. Bring Me To Life 4:07

Band members
Pete Godfrey – vocals, bass
Lee Revill – guitars, backing vocals
Neil Hibbs – guitars, backing vocals
Andy Chemney – drums, backing vocals