Album Review – Jollymon / Void Walker (2018)

A lesson in groove, electricity and punch by an American Stoner Metal power trio reborn from the ashes in the name of Rock N’ Roll.

Hailing from the Pacific Northwest, more specifically from Vancouver, a city on the north bank of the Columbia River in the U.S. state of Washington, Stoner Metal outfit Jollymon has just released their fifth full-length album titled Void Walker, their first in eighteen years and a lesson in groove, electricity and punch. Comprised of frontman and songwriter Carey Rich on vocals and bass, John Colgate on guitar and vocals, and Mark Blackburn on drums, Jollymon were originally formed in Eugene, Oregon, releasing their debut full-length album, Sailing, in 1995, followed by a stream of high-quality albums until the band exploded in 2000 with no plans to return, until the power trio began to talk, jam and work on a batch of songs that would become their newborn child. “Whereas the previous four records were more grungy rock songs, the material on Void Walker is more on the metal side. But, we managed to keep the space-rock element, and even turned it up,” comments Carey on the band’s shift of direction with Void Walker.

Another thing Carey notices about Void Walker compared to the band’s previous releases is that the album is clearer and better produced. “We’ve come full circle with our recording approach. The first and second albums had great studio gear with Grammy-nominated producer Drew Canulette running the show. However, the third was a lesser studio done on more of a budget. And, the fourth album, our self-titled one, was a home studio recording. Sure, it sounds good, but you can definitely hear the quality difference between it and Void Walker – or even our first two records, for that matter.” He also explained that the album is entitled Void Walker because it is what Jollymon’s name should be. “Void Walker is a kind of symbol of what our sound is. It’s hard to describe, because it’s really left up to the imagination, which has been more of what we are: less wordy, forced lyrics, but simple imaginative shorelines with an epic soundtrack to back whatever is said.”

Old school ass-kicking Rock N’ Roll permeates the atmosphere in the psychedelic and catchy opening track Tsunami, led by the deep vocals by Carey while John mesmerizes us all with his wicked riffs and solos, followed by Monkeyhawk, where an eccentric intro turns into a very progressive tune, with John’s guitar lines being flawlessly complemented by Mark’s groovy beats, not to mention the song’s wicked lyrics, something you can only find in Sludge Metal (“Monkeyhawks not black or white, makin love giving life to fire, Monkeyhawk baby sings a song, its gonna make me cry, its gonna make me cry…”). And inspired by the potent and unique music by Mastodon, the trio fires a dancing-headbanging-beer-drinking extravaganza titled A Good Day, with Corey showcasing an awesome vocal performance while Mark’s precise drumming keeps the rhythm vibrant and entertaining from start to finish.

Less piercing and more rhythmic, Be Nice presents the band’s “softer” side in a 70’s-inspired Rock N’ Roll vibe, perfect for warming up the night at a rock pub anywhere in the world (and you’ll definitely feel compelled to sing the chorus along with them). After that classic rock tune we have Slice of Life, perhaps the most psychedelic of all songs, where the trio extracts pure groove form their instruments, in special John with his hypnotizing guitar while Mark is responsible for bringing heat to the musicality; followed by Forecast, where all you need to do is simply close your eyes and let Jollymon guide you on a whimsical music journey. John is simply superb with his sick guitar solos, and the music remains ethereal and captivating until its gentle ending for our total delight.

The metallic bass lines by Corey ignite the rockin’ feast Missile Commander, another solid composition by the band with John and Mark being in absolute sync, therefore providing Corey all he needs to thrive on vocals, whereas the title-track Void Walker is a flawless fusion of Stoner and Progressive Metal, proudly representing the high quality of the music found in the entire album with an electrifying vibe morphing into Progressive Rock beautifully, all in line with the song’s enthralling lyrics (“Here we go away through the sky, / here we go wade through the fields, / wondering where are lives, are drifting / away through the wheel. / With wings so wide and no room to soar, / before you can fly, you must find the floor. / A picture of the rain, when it falls it won’t feel the same.”). And last but not least, the closing song of the album, entitled Sky Burial, is just as pleasant and soulful as its predecessors, with John kicking some serious ass with his fiery guitar solos.

Do you want to surf the rockin’ waves blasted by Jollymon and show your appreciation for such distinct underground band? You can follow them on Facebook, listen to more of their music on YouTube, and grab your copy of Void Walker (which by the way you can listen in full on Spotify) from their own BandCamp page, as well as from Amazon or from CD Baby. Let’s hope Jollymon don not explode again after the release of Void Walker, but based on the awesomeness found in the album and the way the band is facing this new phase in their career I’m pretty sure we don’t have to worry about that at all. Quite the contrary, those three dauntless musicians will surely keep on rockin’ in our free world and keep marveling us all with their sensational music.

Best moments of the album: Monkeyhawk, A Good Day and Void Walker.

Worst moments of the album: None.

Released in 2018 Independent

Track listing
1. Tsunami 3:48
2. Monkeyhawk 4:43
3. A Good Day 3:56
4. Be Nice 3:46
5. Slice of Life 3:50
6. Forecast 4:07
7. Missile Commander 2:35
8. Void Walker 4:50
9. Sky Burial 5:02

Band members
Carey Rich – vocals, bass
John Colgate – guitar, vocals
Mark Blackburn – drums

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Album Review – Godsmack / When Legends Rise (2018)

A rollercoaster of good and bad moments in the band’s first effort away from more traditional Heavy Metal into a softer and exaggeratedly radio-friendly Hard Rock sound.

Almost four years after the release of the incendiary 1000hp, American Alternative Rock/Metal icons Godsmack are back in action with When Legends Rise, the seventh studio album in their solid career, and their first effort away from more traditional Heavy Metal into a softer and exaggeratedly radio-friendly Hard Rock sound. And when I say “exaggeratedly radio-friendly” I’m not exaggerating (not sure if I’m allowed to use that word and its variations so many times in just a couple of lines), because not only When Legends Rise doesn’t bring the same horsepower, rage and heaviness of 1000hp, but it sounds and feels way too mellow and generic compared to everything they’ve already released since their inception.

As early as 2015, frontman and guitarist Sully Erna spoke of his will to create a new sound for Godsmack in their next album, later describing the album in 2017 as a “reinvention” for the band, as a “new chapter” juxtaposed against older albums, of which he described as “vintage classic Godsmack”. Let’s say he succeeded and failed miserably at the same time, because it doesn’t matter if you’re a longtime fan of the band or if you’ve never heard of them before, as soon as you finish listening to the 11 tracks in When Legends Rise you won’t be able to tell if it was a good or bad experience so many highs and lows the entire album has. As a matter of fact, I guess if you follow Godsmack from the very beginning, the lowest moments of the album will make you feel extremely disappointed with this “new direction” chosen by Sully and his henchmen.

The tribal-like beats by Shannon Larkin kick off the best and most metal song of the entire album, the title-track When Legends Rise, which despite not being a masterpiece, it’s indeed a catchy and entertaining song led by the unique vocals by Sully, sounding as radio-friendly as the band wants but still bringing some of their old school aggressiveness. Then we have Bulletproof (if you’re a regular radio listener you might have heard it a billion times already), which is not that bad but with potential to be a lot better (and by that I mean heavier), with bassist Robbie Merrill doing a very good job in keeping the atmosphere dense and rumbling; followed by Unforgettable, probably the cheesiest song ever written by Godsmack, sounding way too happy for my taste and with the support choir by The Gilbert H. Hood and West Running Brook Choir being plain boring. Well, as I’ve mentioned a thousand times in this webzine, I hate generic choirs.

Every Part of Me presents hints of the sounding from their early days, especially through the melodious guitar lines by Tony Rombola, resulting in a very decent song that reminds us all of the potential Godsmack is throwing away by trying to sound more mainstream than they should, while Take It to the Edge sounds quite similar to its predecessor, but with heavier and more piercing guitar and bass lines. Furthermore, it’s good to hear Sully screaming and sounding a little angrier, and albeit this is not their classic Alternative Metal it can be considered something like a well-crafted version of modern-day Hard Rock. After that interesting sequence of heavy tunes the band offers us the ballad Under Your Scars, and although I’ve complained about almost every song so far I must admit this is indeed a good one, mainly due to the beautiful job done by guest violinist Zvezdelina Haltakova and guest cellist Irina Chirkova. And in Someday, after a not-so-exciting start the music evolves to a harder but still generic sonority that goes on for too long, ruining what could have been a good Hard Rock song. In addition, a weak song such as this would have benefited a lot from a guitar solo, something the whole album lacks by the way, and something that really started to bother me after a few listens.

And the “genericism” found in When Legends Rise goes on in Just One Time, even with Robbie and Shannon bringing some decent groove to the music, saving it from being a total failure. Then we have the excellent Say My Name, proving that when Sully and his crew speed up their pace and deliver stronger, more austere lyrics, they sound a billion times better. Hence, together with the opening track, this is by far one of the best songs of the album, presenting flammable Rock N’ Roll guitar riffs and rhythmic beats, which unfortunately cannot be said about Let It Out, another so-so creation alternating between heavier moments and very bland passages. It might once again sound good on the radio for the average listener, but definitely not for Rock N’ Roll fans, with the biggest issue for me being that the sound of both guitars is really low, or even worse, almost nonexistent. Furthermore, what’s also very irritating in the entire album is that there are moments like the closing song Eye of the Storm where a very promising start morphs into tasteless rock music; however, the more aggressive pieces of the song save it from total damnation, not to mention that we finally have a guitar solo added to it.

In the end, after When Legends Rise (available for a full listen on Spotify), we have to agree with this article from the online publication The Top Tens listing Godsmack as one of the top 10 bands that aren’t metal according to Encyclopaedia Metallum, together with names such as Avenged Sevelfold, Disturbed, Korn and Rage Against The Machine, but at least those bands still deliver a significant amount of rage and rebelliousness through their music, as opposed to what Godsmack (unfortunately) did in their new album. And if that toned-down version of Hard Rock is the direction Sully Erna really wants to take from now on with his band to reach a “broader audience”, well, good luck with that. I’ll personally stick to their more vibrant material from Godsmack, Awake and 1000hp.

Best moments of the album: When Legends Rise, Take It to the Edge and Say My Name.

Worst moments of the album: Bulletproof, Unforgettable, Someday and Let It Out.

Released in 2018 Universal Music

Track listing
1. When Legends Rise 2:52
2. Bulletproof 2:57
3. Unforgettable 3:28
4. Every Part of Me 3:20
5. Take It to the Edge 3:15
6. Under Your Scars 3:51
7. Someday 4:44
8. Just One Time 3:09
9. Say My Name 3:38
10. Let It Out 3:41
11. Eye of the Storm 3:21

Band members
Sully Erna – vocals, guitar
Tony Rombola – lead guitar
Robbie Merrill – bass
Shannon Larkin – drums

Guest musicians
Zvezdelina Haltakova – violin on “Under Your Scars”
Irina Chirkova – cello on “Under Your Scars”
The Gilbert H. Hood and West Running Brook Choir – additional vocals on “Unforgettable”

Album Review – Maverick / Cold Star Dancer (2018)

Enjoy this fun and reinvigorating album of old school Hard Rock which will put a huge smile on your face and remind you why our beloved rock music will never die.

Founded back in 2012 in Belfast, Northern Ireland by the “Balfour Brothers” (vocalist David Balfour and guitarist Ryan Balfour), Hard Rock band Maverick quickly established themselves in the European rock and metal scene with a series of amazing albums released, those being their debut EP Talk’s Cheap, in 2013, followed by the full-length albums Quid Pro Quo, in 2014, and Big Red, in 2016. And Maverick started gaining more and more recognition from fans and critics after each album, leading them to play alongside Swedish Hard Rock stars The Poodles and Swedish superstars Treat, as well as performing at several festivals such as H.E.A.T Festival (Germany), Icerock and Rocknacht Tennwil (Switzerland), and Rockingham (UK).

Now in 2018 it’s time for David and Ryan, together with bassist Richie Diver and drummer Jonathan Millar, to rock our world once again with their brand new album titled Cold Star Dancer, a groovy and modern display of Hard Rock that works as a consequent follow-up to their 2016 album Big Red, showcasing all this amazing quartet is capable of in heavy music. Featuring guest performances by guitarists Anders “Gary” Wikström (Treat) and Steve Moore (Stormzone), who by the way is currently helping the band during their live shows until they find a replacement for their departed second guitarist Terry McHugh, Cold Star Dancer will take you to the golden years of Hard Rock without sounding outdated or cheesy, putting a huge smile on your face and reminding you why Rock N’ Roll will never die as long as bands like Maverick keep playing such beautiful style.

The howling wind is gradually accompanied by the sound of guitars and drums in the intro Dusk until an 80’s-inspired Hard Rock and Rock N’ Roll feast begins in the title-track Cold Star Dancer, with David stealing the spotlight with his melodic vocals, giving life to the song’s catchy lyrics (“See the signs, Cold star Dancer! / Fill the skies with fallen souls tonight! / Don’t you cry… / Hear instead their song!”). Then with the guitar riffs and solos by Ryan getting sharper and heavier, the band offers a fast and fun Hard Rock tune with hints of NWOBHM titled Myrmidon, with Jonathan keeping the music at a thrilling pace; and fire is what you’ll get in the ass-kicking Kiss of Fire, showcasing rhythmic beats, flammable guitars and a powerful performance by David on vocals, or in other words, a born-to-be-a-radio-hit that will certainly drive the audience crazy during their live performances.

Goodbye brings a lighter version of Rock N’ Roll led by the smooth but impactful riffs by Ryan (it can actually be considered a heavier-than-average power ballad), also reminding me of several Hard Rock classics from the 80’s, whereas Ex Machina is a mid-tempo stylish composition by Maverick with pure electricity flowing from all instruments, in special from the bass punches by Richie and the classic beats by Jonathan, generating the perfect ambience for David to thrive once again on vocals. The band’s more “romantic” side comes in the form of the heavy and straightforward Magellan Rise, also leaning towards old school Hard Rock with good performances by all band members (despite the song being a bit too generic), and if you love old school, upbeat Rock N’ Roll from the 80’s you’ll have a blast listening to the fun Seize the Day in your car, at the cottage, at a party, or anywhere else you’re truly enjoying life. Furthermore, David once again has an absolute fantastic performance with his piercing vocals, elevating the song’s taste and impact to a whole new level.

Viper carries the perfect name for a beyond electrifying tune (and I dare you to stand still to such action-packed music journey), presenting Ryan on total fire with his riffs and solos, while Jonathan does what he knows best, which is smashing his drums in a fast and melodic way. Kings sounds like if it was taken from a cigarette TV ad from the 80’s or 90’s, displaying a headbanging pace and sheer energy flowing nonstop, with Randy dictating the rhythm with his guitar lines and with the music flowing smoothly until the song’s sharp ending, while closing the regular version we have a fun rockin’ tune named Devil’s Night, also inspired by the classic sonority from the band’s music heroes. Moreover, Ryan and Richie are in utter sync with their strings, while David continues to deliver his top-notch vocal lines. And as a bonus track we have Maverick’s version of Rick Springfield’s classic Jessie’s Girl (check the original version HERE), a very entertaining and well-crafted cover song that will certainly put you to dance and bring very good memories to your mind.

With that said, what are you waiting for to put your hands on such electrifying album of Hard Rock to embellish the soundtracks of your house parties and road trips? Cold Star Dancer is available at the band’s Big Cartel page in CD or vinyl, at Grooves Inc., at Discogs or on Amazon. And, of course, you can get to know more about Maverick and the Balfour Brothers by visiting their Facebook page, and by listening to more of their classy Hard Rock on their YouTube channel. Needless to say, keep an eye on their tour dates, because if Maverick visit your hometown it’s an almost mandatory event for you and your friends to attend, enjoying a fun and reinvigorating night dedicated to our good old Rock N’ Roll.

Best moments of the album: Cold Star Dancer, Kiss of Fire and Viper.

Worst moments of the album: Magellan Rise.

Released in 2018 Metalapolis

Track listing
1. Dusk 1:28
2. Cold Star Dancer 3:29
3. Myrmidon 4:05
4. Kiss of Fire 3:44
5. Goodbye 4:20
6. Ex Machina 3:38
7. Magellan Rise 4:59
8. Seize the Day 3:06
9. Viper 3:31
10. Kings 3:38
11. Devil’s Night 4:52

Digipak First Edition/Vinyl bonus track
12. Jessie’s Girl (Rick Springfield cover) 3:15

Band members
David Balfour – vocals
Ryan Balfour – guitar
Richie Diver – bass
Jonathan Millar – drums

Guest musician
Anders “Gary” Wikström – guitar on “Cold Star Dancer” and “Ex Machina”
Steve Moore – guitar on “Myrmidon”, “Viper” and “Devil’s Night”

Album Review – Inkvisitor / Dark Arts of Sanguine Rituals (2018)

After suffering major lineup changes, this underground Finnish thrashing machine is back with a concept album following a neo-noir murder mystery story laced with black magic and necromancy elements.

After going through major lineup changes in the past couple of years, Jyväskylä-based Thrash Metal squad Inkvisitor is finally back with their second full-length installment, titled Dark Arts of Sanguine Rituals, following up their fun and frantic full-length debut album Doctrine of Damnation, released in 2015. Part new Inkvisitor, part swansong of the old Inkvisitor, the album introduces the band’s new lead singer Markus Martinmäki and new drummer Tino Jäntti, while at the same time it also farewells their second guitarist Lauri Huttunen (not to mention their old friend and bassist Pekka Hölönen played bass on the album as a session musician).

Featuring an old school cover art by Petteri Ylitalo (Dear Death Designs), Dark Arts of Sanguine Rituals is a concept album following a neo-noir murder mystery story laced with black magic and necromancy elements, with a single storyline progressing through the songs, and that’s one of the most remarkable changes from the band’s previous album, where lyrics revolved around the usual topics most Thrash Metal bands sing about such as nuclear warfare and beer. Another major change are the vocals by Markus, sounding a lot raspier than the Joey Belladonna-inspired style from their previous vocalist, adding an extra touch of aggressiveness to the entire album. In the end, although Inkvisitor are playing a different type of Thrash Metal in the new album, as aforementioned their core essence remains intact, resulting in a more-than-healthy and fun clash between their past and present musicality.

Starting in an Anthrax-like way, with both guitars exhaling metallic sounds while Tino pounds his drums mercilessly, the title-track Dark Arts of Sanguine Rituals feels a lot more hardcore and pugnacious than their previous album (mainly thanks to the visceral screams by Markus, as already mentioned), and their hostile Thrash Metal extravaganza goes on in another circle pit-catalyst named Second Sacrament, with both guitarists Mikko Saviranta and Jesse Kämäräinen (as well as the departing Lauri) sounding infernal with their riffs, not to mention how bestial Tino is once again behind his drums. More modern and heavier than its predecessors and featuring the only  guest  musicians of the album  on  lead  guitars  (Sebastian Frigren and Kasper Koutonen, of  Nuclear  Omnicide  and  Devenial  Verdict), A Shadow Suspended by Dust brings massive, rumbling bass sounds which set the perfect stage for Markus and his demented growls, inspiring us to crack our necks in half headbanging.

Then speeding up their pace and mixing elements from traditional Hard Rock, Punk Rock and Rock N’  Roll with their frantic Thrash Metal, Inkvisitor deliver a full-bodied thrashing extravaganza named The Confession, with highlights to the incendiary performances by Markus and Tino. Moreover, it’s quite impossible to stand still to such high level of electricity and insanity, which can also be said about Mindslaver, another Anthrax-inspired tune with classic guitar riffs and headbanging beats, presenting lyrics about how our society has failed and how we need to start everything over (“Mankind has failed, brotherhood has been lost / The prison of the mind / And the cancer of your soul / Complete the ritual, sacrifice your family / Through death you ́ll be born again / Reclaim your throne”). In Necromancy Cascade, a slower but still very heavy and impactful composition, Markus delivers deeper, more introspective vocals while the energy in the music remains at a decent level (it never really takes off, though, falling flat after a while); whereas Paradigm Shift is a berserk, demented and totally awesome hymn by Inkvisitor showcasing all elements we love in old school Thrash Metal, with the demolishing drumming by Tino dictating the rhythm while the stringed trio Mikko, Jesse and Pekka sounds absolutely thunderous with their riffs, solos and punches.

Violence keeps flowing from all instruments in the belligerent War is Path to Victory, a song tailored for slamming into the pit with your friends while Markus screams its lyrics right in your face (“What do I think I know ́bout war? / Spare a life hand over your own / Violence consists of certainty / That war is a path to victory”), before the imposing and ruthless The Revenant (Redeemer) closes the regular version of the album, bringing to our avid ears menacing drums and bass lines, soulful riffs and solos, and the most demonic vocal lines of the entire album. And last but not least, as a bonus track for the ones who buy the album either in CD or digital (and you also get an instrumental version of the whole album and a 12-page booklet with liner notes) we have Quagmire Twilight (Deleted Scene), Inkvisitor’s darkest creation, a doom-ish tune with obscure vocal lines and piercing bass lines, with that dark and heavy aura going on until the song’s devilish ending.

As aforementioned, this new version of Inkvisitor is just as electrifying and heavy as their previous release, sounding more unfriendly (in a good way) due to their new vocal approach, and if you like what the band has to offer in this new phase you can purchase Dark Arts of Sanguine Rituals (available for a full listen on Spotify) from the band’s own BandCamp page, from Record Shop X, or from iTunes, and don’t forget to follow them on Facebook and on YouTube for more of their music, news, tour dates and all things Inkvisitor. Let’s hope that Inkvisitor’s days of major lineup changes are over and that they can now focus on touring and writing more Thrash Metal, because based on what they’re offering us all in Dark Arts of Sanguine Rituals the band is on a beyond promising (and thrashing) path to success.

Best moments of the album: The Confession, Mindslaver and Paradigm Shift.

Worst moments of the album: Necromancy Cascade.

Released in 2018 Independent

Track listing
1. Dark Arts of Sanguine Rituals 3:31
2. Second Sacrament 3:24
3. A Shadow Suspended by Dust 5:14
4. The Confession 3:39
5. Mindslaver 3:42
6. Necromancy Cascade 5:49
7. Paradigm Shift 4:38
8. War is Path to Victory 4:46
9. The Revenant (Redeemer) 5:45

Bonus track
10. Quagmire Twilight (Deleted Scene) 5:29

Band members
Markus Martinmäki – vocals
Mikko Saviranta – guitar
Jesse Kämäräinen – guitar
Sakari Soisalo – bass
Tino Jäntti – drums

Guest musicians
Lauri Huttunen – second rhythm guitar & lead guitar on “Second Sacrament”
Sebastian Frigren & Kappe Koutonen – lead guitars on “A Shadow Suspended by Dust”
Pekka Hölönen – bass (recording)
Kalle Raijonkari & Sampo Riikkilä – additional gang vocals

Metal Chick of the Month – Margarita Monet

I wanna lose myself in you…

Attention, metalheads! It’s time for another metal chick of the month here on yours truly The Headbanging Moose, and this month let’s pay our humble tribute to an up-and-coming singer, pianist, composer and actress that truly knows how to blend the heaviness, madness and rage of Heavy Metal with the delicacy and feeling of classical music. Known for her powerful voice and incredible range, she’s the frontwoman and founder for American Hard Rock/Symphonic Metal band Edge Of Paradise. I’m talking about Margarita Monet, or Margarita Martirosyan if you prefer, born on February 15, 1990 in Yerevan, the capital and largest city of Armenia as well as one of the world’s oldest continuously inhabited cities, but who has been living in the United States since she was 11 years old.

Margarita moved from Armenia to Moscow, Russia at a very early age with her family, where she lived for about 10 years, starting music lessons at the age of four and quickly accelerating into a competitive and performance-ready pianist, competing and winning awards in numerous piano competitions. When she was 11 years old, her father (who is a scientist) got a job offer in Houston, Texas, in the United States, meaning her life was going to have a huge impact in regards to lifestyle and mindset. In Houston, she attended The High School For The Performing and Visual Arts, for musical theater, moving to New York shortly after where she got accepted into New York University’s Tisch School Of The Arts, majoring in Theater at the Meisner Studio and minoring in Music. While living in New York, she acted in off Broadway plays, independent short and feature films, and sang with local bands at the city’s clubs. In addition, as a teenager, Margarita used to go back to Russia during the summer seasons and did some performing and recording with concertos, being known within the community of people who follow classical mostly from competitions in the country.

It was in 2010 when our red-haired diva had another significant move in her life, heading to Los Angeles after getting interest from various acting agents in the city. Just a week after arriving in Hollywood, Margarita already joined a singing and dancing group and recorded on their album Angels De Amor, going solo after various live shows with that group. After going solo and starting working on original material for her first solo album, she met guitarist Dave Bates, who was in search of a singer who could replace Irish rock vocalist Robin McAuley (McAuley Schenker Group, Survivor) in their project named BLEED. Soon their music partnership created tremendous results and solidified the band that took up the new name, Edge Of Paradise.

With Edge Of Paradise, which by the way is the official band of Nashville Knights, a women’s American football team of the Legends Football League (LFL) based in Nashville, Tennessee, and part of Rockers Against Trafficking (a foundation created by Kevin Estrada to raise awareness about human trafficking), Margarita released their debut album Mask, in 2011, featuring a rhythm section consisting of Gregg Bissonette on drums and Tony Franklin on bass (coming in at #6 most added on national CMJ radio, right behind Machine Head and Five Finger Death Punch), the EP Perfect Shade Of Black, in 2013, the full-length Immortal Waltz, in 2015, co-produced by Bob Kulick (Kiss, Motörhead) and  Michael Wagener (and coming at #12 on national rock and metal radio charts), and the six-track EP ALIVE, in 2017. If you want to get a fun and pleasant overdose of the gorgeous vocals by Margarita, go to their official YouTube channel (or their VEVO channel as well) for songs such as Mistery, Dust To Dust, Shade Of Crazy, Rise For The Fallen, In A Dream, Break Away and Perfect Shade Of Black, or even for some treats such as their cover versions for Darlene Love’s 1963 song Christmas (Baby Please Come Home), The Nightmare Before Christmas’ Sally’s Song Black Sabbath’s masterpiece Children of the Sea, Margarita’s voice-and-piano version for Scorpion’s all-time classic ballad Still Loving You, or the band’s live performance of the song Ghost at the Soultone Cymbals Studio in 2016. Thus, after listening to her stunning voice in all those songs, you’ll quickly understand why she was featured in Metalholic’s “Top 25 Women in Hard Rock and Metal” in 2012.

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Furthermore, as aforementioned, apart for her music career Margarita also has an acting and screen background going back to her New York days, including a part as a dancer in the 2009 short drama Alicia, playing a character called Amy in the 2010 action movie No Leaf Clover, and portraying an illegal prostitute in the 2011 documentary Nefarious: Merchant of Souls, all under her birth name Margarita Martirosyan. Now with Margarita dedicating a huge share of her time to Edge Of Paradise, it’s uncertain if we’ll see her again on screen, but at least we can rest assured the band will keep shooting videos for their songs, which means more Margarita for our avid eyes and ears.

When asked about her biggest idols in beauty, fashion and music, Margarita provided some interesting and beyond awesome names in all fields. Her inspirations in the modelling and fashion business are first Audrey Hepburn, who she has admired since she was a kid due to her feminine, classy and effortless look and style, and also Doro Pesch and Joan Jett due to their edgier styles. When it comes to music, her list of icons is even more impressive, with unparalleled names such as Ronnie James Dio, Robert Plant, Bruce Dickinson, Rob Halford and Freddie Mercury being her favorite ones due to their distinct and timeless sound, as well as their emotion, attitude and conviction when singing and performing.

Margarita doesn’t see herself as a fashion and make-up junkie, but more like a “creative junkie”, meaning that because of her role with Edge Of Paradise she always strives to create something different and attractive for the fans, leading her to experiment with different looks, and having the freedom to express herself through music and while performing on stage. Having said that, Margarita’s typical makeup and style signature can be considered a mix of Rock N’ Roll with a bit of Gothic fashion, blending leather and lace with bold accessories such as belts and chains, always wearing black with accent colors like red, silver and gold. And, of course, her trademark blood-red lips. All those strong colors and accessories are complemented by Margarita’s endless energy when she hits the stage, being very expressive and putting her heart and soul into each song played, and by her creativity, as she simply loves experimenting with different chains, spikes, fabrics and other material when creating her stage outfit. When asked about how she prepares herself for a concert, Margarita said she tries to rest as much as possible and stay hydrated, and that she doesn’t take too long to get dressed and put on her makeup as she always knows what she’s going to wear. She also said being in a band is a lifestyle she truly loves, and although it’s not an easy one she has a lot of fun and pleasure while working on new material, creating new visual arts for the band and rehearsing, always aiming at moving forward with the band.

Regarding being an artist, our red-haired muse mentioned that she’s always been determined to become an artist since her childhood in Russia, where she was surrounded by art. Her mom used to take her to theaters, concerts and ballets, inspiring her to start performing at a very young age. So far, it has been a thrilling and rewarding ride to her (despite being a very demanding way of life), with honesty, hard work and creativity being some of the most important elements in her career, not to mention her life motto which is “do it because you love it and enjoy every part of the journey, it goes by fast!’’ In addition, singing metal music in front of a huge crowd and recording vocals for Edge Of Paradise were initially a brand new experience and a challenge for her, despite her previous experience as an artist and her passion for classic voices like Dio and Freddie Mercury. Furthermore, Margarita said that coming up with melody ideas and finding her own style were very rewarding steps for her, and of course she’s always interested in evolving as a singer and as an artist in general.

Last but not least, when asked about the importance of image in her life and career, and how social media has had an impact on those, she said that as we live in a digital world where everything is over saturated, social media ends up working as a double-edged sword because we have the tools to reach people, but if you don’t have the best content (both visually and musically) you won’t be able to attract people’s attention. She complemented by saying you really have to create a world that people will want to be part of, inspiring people to follow you, and therefore boosting your creative process. Well, I guess Margarita is absolutely right about that, because if you think about it, who doesn’t want to be part of the unique and whimsical world created by Edge Of Paradise?

Margarita Monet’s Official Facebook page
Margarita Monet’s Official Instagram
Edge Of Paradise’s Official Facebook page
Edge Of Paradise’s Official YouTube channel
Edge Of Paradise’s Official Instagram

“Your music has to speak for itself, invest in your content, in the quality of your sound, if you have a great product you will get your foot in the door! Of course it’s important to promote, and that takes a lot of money too. If you’re an independent band you gotta hire your own publicity, but if you don’t have great content to promote you won’t go very far, so I would say make the music that’s authentic and you’re really proud of and you’ll find your way!” – Margarita Monet

Album Review – Sahon / Chanting For The Fallen (2018)

Waging a war against stereotypes since the late 90’s, here comes a fast and furious power trio with their band new and electrifying opus, showcasing all their pride for their Korean heritage.

Although you might have never heard of South Korean Thrash Metal squad Sahon, those Asian metallers have been waging a war against stereotypes since the late 90’s, forging a sound that distills the best elements of Extreme Metal into a form of Thrash Metal that holds its own when pitted against the rest. Now in 2018 it’s time for vocalist and bassist Yong Ho Lee, guitarist Chang Myeong Lee and drummer Kyoung Hong Kim to unleash their latest opus, entitled Chanting For The Fallen, a lesson in Thrash Metal that showcases all the band’s pride for their Korean heritage and, as a consequence, makes them stand out in an overcrowded genre.

Formed in 1999 in the Korean capital Seoul, Sahon have always played austere and frantic Thrash Metal heavily influenced by both Death and Black Metal, singing about everyday topics such as politics, death, hate, Satanism and sex, being highly recommended for fans of renowned acts like Exodus, Destruction and Kreator. After the releases of a few full-length albums and one EP, Sahon are sharper than ever with their new installment Chanting For The Fallen, with the album’s stunning and peculiar artwork depicting their strong connection with their culture and country’s heritage, adding an extra touch of awesomeness to an album that has no weaknesses and shows no mercy for our spinal cords.

The pounding drums by Kyoung Hong Kim and the rumbling bass by Yong Ho Lee ignite the Slayer-inspired thrashing feast Faith of Savagery, bringing forward a demolishing sonority led by the demented vocals by Yong Ho Lee during the song’s four minutes of brutality highly recommended for simply getting smashed into the circle pit. And Chang Myeong Lee keeps firing old school Thrash Metal riffs through his flammable guitar in the insanely awesome At The Edge Of Cliff, while Yong Ho Lee vociferates like a maniac nonstop, living up to the legacy of Bay Area Thrash; followed by Survive, presenting a band that doesn’t know how to slow down or sound less violent than their music idols. Furthermore, not only this fun composition carries a name that’s beyond perfect to be the soundtrack to a brutal mosh pit, but Kyoung Hong Kim sounds truly infernal on drums from start to finish, keeping the song’s pace at a demented level. Less intense in terms of speed but extremely heavy and aggressive, Condemnation presents Yong Ho Lee not only barking like a beast, but his bass lines are also as thunderous as hell, with the music exploding into classic Thrash Metal in its final (and pulverizing) segment.

And there’s no time to breathe with another sonic havoc crafted by the Korean power trio of Thrash Metal, titled Charge Till The End, a song that shows all their passion for the boisterous music by iconic bands like Slayer and Exodus, spiced up by some classic guitar solos by Chang Myeong Lee. Then with its intro and initial riff inspired by Motörhead’s all-time classic “Overkill”, which ends up giving the song a more visceral and electrifying vibe, Born To Lose Live To Win brings forward amazing performances by all three band members, in special Kyoung Hong Kim with his ass-kicking beats, in what can be considered the ultimate fusion of old school Thrash Metal and badass Rock N’ Roll. In Joy Of Hatred the band delivers more Thrash Metal from the 80’s to your metallic years with a modern twist, with Chang Myeong Lee once again cutting our skin like a butcher with his razor-edged strings. In other words, it can’t get any thrashier than this. And lastly, their coup de grâce comes in the form of a one-and-a-half minute infernal hurricane of Thrash Metal with strong Black Metal influences and nuances titled You Shall Pay, where Yong Ho Lee has his most disturbing and demonic vocal performance of the whole album.

All the madness and devastation in the form of Thrash Metal blasted by Sahon can be better appreciated by following them on Facebook, and of course by purchasing Chanting For The Fallen from their own BandCamp page or from the Transcending Obscurity Records’ webstore. After listening to this sensational album of old school, unrelenting Thrash Metal, not only you’ll get addicted to the music by Sahon, but I bet you’ll start saving some money to travel to South Korea just to have the pleasure of witnessing at least one live performance of the trio, smashing everything and everyone that crosses their path with absolutely no mercy.

Best moments of the album: At The Edge Of Cliff, Survive and Born To Lose Live To Win.

Worst moments of the album: None.

Released in 2018 Transcending Obscurity Asia

Track listing
1. Faith of Savagery 4:27
2. At The Edge Of Cliff 3:15
3. Survive 3:52
4. Condemnation 3:56
5. Charge Till The End 3:44
6. Born To Lose Live To Win 4:16
7. Joy Of Hatred 4:57
8. You Shall Pay 1:38

Band members
Yong Ho Lee – vocals, bass
Chang Myeong Lee – guitar
Kyoung Hong Kim – drums

Album Review – Moonshifter / Love Lust Fire Dust (2018)

A lesson in classic Hard Rock with a modern and fresh Australian twist, turning all the band’s love, lust, fire and dust into an ass-kicking Rock N’ Roll party.

Forged in the melting pot of some of Melbourne’s most notorious and rocking venues such as The Espy, The Tote, Bendigo Hotel and Cherry Bar, among many others, Australian Hard Rock act Moonshifter determined from their inception to always “keep it fun”, in line with everything that’s done by some of their biggest icons in rock music like AC/DC and Kiss. After a few singles that led to the band being played and interviewed on local community radio shows and TV stations, which of course also resulted in an increase in their number of live concerts, it’s time now for frontman Lachlan Cross, guitarists Wayne Elkin and Mark Cambruzzi, bassist Andy Baker and drummer Mike Cato to release their debut full-length album Love Lust Fire Dust, showcasing their focused brand of rock and groove with stratospheric lead vocals, hypnotic guitar solos, thundering bass and drums encased by addictive guitar riffs.

Are you ready to rock? That’s the main question Moonshifter have in the opening track Dirty Mind, a kick-ass blend of old school Rock N’ Roll and 80’s Hard Rock with the band’s inspired guitar duo blasting sheer electricity through their sharp guitars, while Lachlan beautifully declaims the song’s lyrics about how he wants a woman with a filthy, lustful mind. Then in I Am Yours, You Are Mine we’re treated to a 70’s-inspired Rock N’ Roll extravaganza led by the griping beats by Mike, while Wayne and Mark keep blowing our ears with their riffs and solos, not to mention how catchy the song’s chorus is; followed by Mountain, where hints of Progressive Rock the likes of Rush are added to the band’s classic Hard Rock, resulting in a great choice for any road trip playlist, also presenting a solid performance by Lachlan on vocals as well as Andy and his soulful bass lines.

Leave You Baby is a song to dance with your loved one like in a 60’s or 70’s rock n’ roll party, but of course with a modern (and consequently more incendiary) twist thanks to the flammable guitar lines and fierce beats fired by Moonshifter. After dancing the night away it’s time to take a break from all the band’s rockin’ madness with a melancholic ballad titled I Keep This Light, led by the passionate vocals by Lachlan, who’s by the way nicely supported by the spot-on backing vocals by the rest of the band and by the stunning guitar solos by Wayne and Mark, while in So Much More they get back to their unrelenting Rock N’ Roll mode, with vocals and drums overflowing groove and electricity. Put differently, this is a short and sweet ode to rock and metal that will certainly put everyone to dance or slam into the pit during their live concerts. And in Burnin’ Alive, a song tailored for sharing a beer with your pals and banging your head nonstop, there’s more vibrant rock music for your avid ears, this time inspired by Southern Rock, which proves how versatile Moonshifter are as a band.

Whoever Emily is, she might be very happy with the tribute Moonshifter paid to her in the form of a modern Hard Rock hymn named Oh Emily, where Andy and Mike are responsible for crafting a strong base for the guitars to shine while Lachlan declaims his twisted love for our main character. Then with their guitars sounding metallic and crisp, the band offers the listener Let You Down, another display of modern-day rock music with highlights to the solid drumming by Mike, albeit not as vibrant as the rest of the album, followed by You Feel It, a song so dynamic it can be used both as the opener or the closing tune of their live setlists, presenting a more-than-inspired Lachlan on vocals, electrified riffs and solos, and tons of feeling form start to finish. Lastly, rev up your engines and ride on the waves of Hard Rock with the amazing Ride, or also “Ride (With Me)” if you prefer, with Mike simply smashing his drums while the stringed trio Andy, Mark and Wayne slash our ears with their thrilling sounds, closing the album in a majestic way.

If you want to know more about such promising group from Down Under, go check what they’re up to on Facebook, listen to more of their music on ReverbNation, and obviously purchase their exciting new album from their own BandCamp page or from CD Baby. In a nutshell, Love Lust Fire Dust is a lesson in classic Hard Rock with a modern and fresh twist, turning all the band’s love, lust, fire and dust into an ass-kicking Rock N’ Roll party perfect for dancing, slamming into the pit or having a beer with your friends. And that’s what our good old Rock N’ Roll is all about.

Best moments of the album: Dirty Mind, Leave You Baby, So Much More and Ride.

Worst moments of the album: Let You Down.

Released in 2018 Independent

Track listing
1. Dirty Mind 4:00
2. I Am Yours, You Are Mine 3:46
3. Mountain 3:51
4. Leave You Baby 4:09
5. I Keep This Light 5:42
6. So Much More 2:35
7. Burnin’ Alive 4:10
8. Oh Emily 4:18
9. Let You Down 4:13
10. You Feel It 4:59
11. Ride 4:56

Band members
Lachlan Cross – vocals
Wayne Elkin – guitar
Mark Cambruzzi – guitar
Andy Baker – bass
Mike Cato – drums

Album Review – Sata Kaskelottia / Sydän On Vuori (2018)

The most unconventional gam of sperm whales hailing from Finland strikes back with more of their flammable fusion of Stoner and Progressive Metal.

After three long years of writing and recording, the most unconventional gam of sperm whales hailing from the Finnish capital Helsinki is back with a brand new album, ready to show us all that the human heart is a mountain. If that doesn’t make any sense to you, then you should definitely take a listen at Sydän On Vuori (Finnish for “heart is a mountain”), the brand new album by Stoner/Progressive Metal act Sata Kaskelottia, following the success of the band’s 2015 debut self-titled release while experimenting with new sounds and nuances and exploring the breaking points of life, points in which difficult choices have to be made.

Sata Kaskelottia’s combination of progressive, darker tones and often catchy, lighter and strangely triumphant mood produces a unique musical blend that walks its own path, with Sydän On Vuori introducing the band’s evolved sound and songwriting. Comprised of Eetu Kauppinen on vocals and guitar, Matti Kangaskoski on the guitar, Markku Suoniemi on bass, and Ville Salonen on drums and percussion, Sata Kaskelottia, which means “one hundred sperm whales” (if you don’t know that already), are beyond sharp and electrified in Sydän On Vuori, and if you’re a fan of the music by bands such as Mastodon and Baroness I’m sure you’ll have a good time listening to the nine tracks of unrelenting rock and metal found throughout the album.

We need only a few seconds in the opening track Aamumandaatti (“the morning mandate” from Finnish) to know we’re dealing with the “Finnish Mastodon”, with the guitars by Eetu and Matti sounding as sharp as a sword, not to mention you’ll certainly feel compelled to sing along with the band even knowing nothing in Finnish. Just as psychedelic and heavy as its predecessor, Leskentekijä (“widow’s origins”) is a well-balance hybrid between Stoner and Progressive Metal, with Ville bringing an extra dosage of electricity with his intricate beats while Eetu keeps firing his wicked vocals nonstop; followed by Parantaja (“the healer”), where the whole band speeds things up a bit sounding more aggressive, rawer and denser, with the music being led by the crushing riffs by both Eetu and Matti. In addition, the bass guitar by Markku sounds thunderous and metallic, adding an extra dosage of heaviness to what’s by far one of my favorite songs of the album.

Samarkand might be known as a city in modern-day Uzbekistan and one of the oldest continuously inhabited cities in Central Asia, but from now on it should also be recognized as a lesson in Progressive and Sludge Metal, with its guitar lines and rhythmic beats inspiring you to bang your head together with the band, whereas the title-track Sydän On Vuori begins in an atmospheric, almost psychedelic way, evolving into a dark and deep Stoner Metal feast with Markku and Ville smashing their respective instruments, therefore creating a beyond obscure background of sounds. And in Ennen Kuin Sateet Alkavat (“before the rain begins”), Sata Kaskelottia deliver sheer electricity through their music weapons in a top-of-the-line fusion of Stoner Metal with old school Rock N’ Roll and modern Hard Rock, with highlights to the fantastic job done by Eetu with his demented vocal lines.

Bringing elements from traditional Heavy Metal to their musicality (which ends up giving it an epic vibe), the band offers the listener the vibrant Musta Tähti (“black star”), once again showcasing Eetu and Makki in absolute sync with their riffs; while Lumimies (“abominable snowman”) lacks the same punch and energy from the rest of the album, despite presenting melodious guitar lines and a solid performance by Markku on drums. And lastly, instead of another hard and heavy tune, Sata Kaskelottia surprise us all with a pensive ballad titled Ovet (“doors”), closing the album in a unique and very interesting manner, with Eetu leading the sonority with his introspective vocals until the song’s somber finale.

What are you waiting for to dive into the sea of Progressive and Stoner Metal ruled by Sata Kaskelottia? You can listen to their new album in full on Spotify, follow them on Facebook for new and tour dates, listen to more of their music on YouTube and on SoundCloud, and buy a copy of Sydän On Vuori from their BandCamp page, from Record Shop X, on iTunes or on Amazon. As you might already know, there’s nothing better than listening to the potent nad harmonious metal music blasted by one hundred sperm whales, and the new album by Sata Kaskelottia is here to show us that.

Best moments of the album: Aamumandaatti, Parantaja and Ennen Kuin Sateet Alkavat.

Worst moments of the album: Lumimies.

Released in 2018 Rhoska Records

Track listing
1. Aamumandaatti 5:03
2. Leskentekijä 4:54
3. Parantaja 3:30
4. Samarkand 5:19
5. Sydän On Vuori 5:16
6. Ennen Kuin Sateet Alkavat 4:01
7. Musta Tähti 5:39
8. Lumimies 5:14
9. Ovet 4:56

Band members
Eetu Kauppinen – vocals, guitar
Matti Kangaskoski – guitar, vocals
Markku Suoniemi – bass, vocals
Ville Salonen – drums, percussion

Album Review – Spiral Skies / Blues For A Dying Planet (2018)

Get ready to be put in a trance and to be taken on a unique musical journey by a psychedelic Swedish band and their “rock from another planet”.

With influences ranging over decades, Swedish Occult Rock band Spiral Skies has created a sound that can most easily be described as “rock from another planet”, a unique blend of folk, doom and 70’s-inspired rock music the likes of Jefferson Airplane, Curved Air and The Devil’s Blood, all embraced by a unique visual performance at their intense and enchanting live shows. After their debut EP A Queendom to Come, released in 2015, it’s time for Spiral Skies to further spread their sorcery with their brand new album beautifully titled Blues For A Dying Planet, an ode to the past that’s at the same time always looking into the future.

Formed in 2014 in the Swedish capital Stockholm, Spiral Skies are the talented Frida on vocals, Jonas and Dan on the guitars, Eric on bass and Daniel on drums, each one with a different musical background and distinct influences, but all sharing the same passion for 70´s genuine rock and metal music. In Blues For A Dying Planet, which features a classy cover illustration by Vadim Karasyov, cover and booklet design by Atmanoid, and cover photo by Björn Pettersson, the band brings forth an amalgamation of styles with a strong Psychedelic Doom Metal and Rock core essence, putting you in a trance and taking you to the golden years of rock, always spearheaded by the mesmerizing vocals by Frida.

An organ and the sound of the wind in the intro Black Hole Waltz ignite the feast of Rock N’ Roll and Heavy Metal named Awakening, with Jonas and Dan dictating the rhythm with their Iron Madein-ish riffs while Frida gives a lesson in passion and energy with her flamboyant vocals. Put differently, this rockin’ hymn has an old school Heavy Metal vibe that, when blended with its core Doom Metal essence, makes things even more captivating. Following such powerful start we have Dark Side of the Cross, a very good song to dance under the stars that leans towards the classic Doom Metal by Black Sabbath with a more whimsical Rock N’ Roll aura, also showcasing a great job done by Daniel with his intricate beats; and The Wizard’s Ball, where Frida keeps delivering sheer awesomeness through her charming and potent vocals, with the rest of the band keeping the music at a very pleasant and gripping pace, flowing smoothly until its climatic ending. Then it’s time to dance with Frida and the boys in Danse Macabre, a classic Hard Rock song with tons of psychedelic elements from Doom Metal added to its beautiful sonority, with Jonas and Dan blasting straightforward, old school guitar riffs that effectively help embellish the ambience.

Labyrinth of the Mind is perhaps the most Black Sabbath of all tracks, with a great balance between the heaviness of the guitar riffs and the gentle voice by Frida, resulting in a hypnotizing musicality perfect for closing your eyes and letting the band take you on a one-of-a-kind musical journey. In Shattered Hopes we’re treated to a hybrid between pure Psychedelic Rock and more contemporary Doom Metal and Hard Rock, uniting past and present through the riffs by the band’s guitar duo and the always fiery vocals by Frida; whereas the poetically-titled tune Left Is Right and Right Is Left Behind has its name translated into classic Rock N’ Roll with tons of psychedelia added to its mesmerizing waves. Furthermore, Eric with his solid bass lines and Daniel with his fierce beats create the perfect background for Frida to shine once again on vocals. And lastly, their feast of classy and gripping sounds is majestically concluded with the lesson in Psychedelic Rock and Metal named The Prisoner, a full-bodied voyage led by the heavy and very melodic guitars by both Jonas and Dan.

The enchanting voice by Frida and her Spiral Skies can be better appreciated through the band’s Facebook page and Spotify, and if you want to buy a copy of Blues For A Dying Planet and consequently have all that’s needed to prance around the fire pit under a moonlit sky, you can find the album on sale at the AOP Records’ BandCamp page or webstore, at the Nuclear Blast webstore, on iTunes or on Amazon. Although the 70’s might be long gone and everything is now just a distant memory, the music by bands like Spiral Skies is what keeps the spirit and passion of that golden decade burning bright inside our souls.

Best moments of the album: Awakening, Danse Macabre and The Prisoner.

Worst moments of the album: None.

Released in 2018 AOP Records

Track listing
1. Black Hole Waltz 1:25
2. Awakening 3:31
3. Dark Side of the Cross 4:04
4. The Wizard’s Ball 5:36
5. Danse Macabre 4:18
6. Labyrinth of the Mind 5:42
7. Shattered Hopes 3:18
8. Left Is Right and Right Is Left Behind 4:38
9. The Prisoner 6:02

Band members
Frida – vocals
Jonas – guitars
Dan – guitars
Eric – bass
Daniel – drums

Album Review – Mad Agony / Mad Patrol (2018)

Join this mad patrol of Italian metallers where drinking beer, slamming into the pit and showing your passion for heavy music are the only rules you need to follow.

Forged in the distant year of 1991 in the metallic pits of Padua, a city in Northern Italy’s Veneto region, Italian Heavy/Thrash Metal squad Mad Agony went on a huge hiatus starting in 1993 due to the departure of one of its founding members, but their inner passion for true heavy music didn’t die at all, leading the band to rise from the ashes in 2011. After their rebirth to the world of heavy music, the band released in 2013 the full-length album Chernobitch, gaining positive feedback from fans and critics worldwide and, consequently, inspiring them to keep recording heavy music in the following years, culminating now in 2018 with the release of their second full-length installment, titled Mad Patrol.

Comprised of “Mad” Max Zane on vocals, Samael Von Martin on lead guitar, Andrea “Babetz” Babetto on rhythm guitar, Dani D3vine on bass, and Demian De Saba on drums, Mad Agony play a wild and straight-to-the-face fusion of several styles such as Heavy Metal, Trash Metal, Hard N’ Heavy, Hard Rock and even Black Metal, with their songs being characterized by endless amounts of electricity and being highly recommended as the playlist for any fun rock n’ roll party where drinking all the beer you can until you drop is mandatory. Put differently, Mad Agony don’t aim at reinventing the wheel with Mad Patrol, but just to keep partying and carrying the flag of Heavy Metal proudly in honor of the golden years of the music we all love so much.

The headbanging riffs by Samael and Andrea rev up the engines in the opening track Cold Stars, an old school fusion of the classic Thrash Metal played by Anthrax with the more visceral music blasted by Forbidden where Mad Max lives up to his own nickname with his rabid screams, and with the music ending powerfully with a flammable solo by Samael. Then crushing guitar lines kick off an epic and impactful ode to Thrash Metal by Mad Agony, titled Circle Of Fire, also bringing hints of the Power Metal played by bands like Grave Digger and Running Wild and, consequently, being highly recommended for admirers of 80’s traditional metal music; whereas in Let Me Die we’re treated to a mid-tempo sonority showcasing rumbling bass punches by Dani and steady, fierce beast by Demian, with its rhythm reminding me of the classic “Bang Your Head” by Quiet Riot. It gets a bit tiring after a while, though, but nothing to worry about.

More Beer is one of those old school thrashing hymns with a beyond fun theme, with the whole band destroying their instruments during the faster pieces, while the slower parts are spearheaded by the slashing riffs by Samael and Andrea; followed by Party Time (Zombie Version), a Rock N’ Roll party by Mad Agony where Mad Max couldn’t sound more inspired on vocals while Samael fires pure awesomeness through his riffs and solos. And in Warriors Of The Whales, which by the way has an amazing name, the vocals by Mad Max sound somehow inspired by the great Udo Dirkschneider, becoming an awesome option for slamming into the pit during their live performances, with Demian being utterly brutal on drums.

Antiochia – Back To Bare Metal is a classic instrumental Heavy Metal extravaganza showcasing potent drums and electrified guitar riffs and solos, before Mad Agony get back to a more Rock N’ Roll and Hard Rock vibe in the flammable You Bring Me To The Ground. Simply grab your beer, slam into the pit and have fun with this exciting tune, with highlights to its catchy chorus and the exciting pace led by Damien and his solid beats. And lastly, we have Metal Thrashin’ Mad, their cover version for the classic by Anthrax from their 1984 album Fistful Of Metal (check out the original version HERE). Needless to say, Mad Agony’s version is just as incendiary, entertaining and old school, with the demented vocal performance by Mad Max being the icing on the cake.

You can get more details about Mad Agony and their unrelenting metal music through their official Facebook page, and purchase your copy of the well-crafted and upbeat Mad Patrol from the band’s own webstore (where you can buy the way buy the special edition with a bonus live CD) showing your support to such obstinate band and, as a consequence, keeping the flame of underground metal burning brighter than ever. And besides, how not to be tempted to join a “mad patrol” of Heavy Metal? You have to be really mad not to take part in such distinct squad.

Best moments of the album: Circle Of Fire, More Beer and Metal Thrashin’ Mad.

Worst moments of the album: Let Me Die.

Released in 2018 Independent

Track listing      
1. Cold Stars 5:11
2. Circle Of Fire 4:33
3. Let Me Die 5:07
4. More Beer 2:24
5. Party Time (Zombie Version) 2:55
6. Warriors Of The Whales 3:48
7. Antiochia – Back To Bare Metal (instrumental) 6:13
8. You Bring Me To The Ground 3:24
9. Metal Thrashin’ Mad (Anthrax cover) 2:51

Disc 2 – Live Somewhere And Nowhere
10. Chernobitch 4:26
11. Back In Town! 3:04
12. Subconscious Fear 5:41
13. Presence 4:24
14. Boundaries Of Death 6:58
15. Iron Fist (Motörhead Cover) 2:56
16. Mad Agony 3:56
17. Mad Agony (feat. Pietro M Rock) (Video version) 4:20
18. Trick Or Treat (Fastway cover) 4:50

Band members
“Mad” Max Zane – vocals
Samael Von Martin – lead guitar & backing vocals
Andrea “Babetz” Babetto – rhythm guitar & backing vocals
Dani D3vine – bass & backing vocals
Demian De Saba – drums & backing vocals