Album Review – Hellfire / Goat Revenge EP (2017)

From the ominous pits of the Ukrainian underworld, comes a triad of black metallers ready to crush your soul with their demolishing debut album.

Are you ready for a demonic storm of Black Metal made in Ukraine, with strong influences from old school Thrash and Death Metal? If instead of simply answering yes you began banging your head and raised your devilish horns, then the darkened, blasphemous music crafted by the vicious power trio known as Hellfire in their debut EP titled Goat Revenge might be exactly what you’re looking for in extreme music. In a little less than 25 minutes, Hellfire unleash sheer fury and hatred upon humanity in Goat Revenge (which by the way features a beyond traditional and macabre artwork by artist Oleg Satanyugin), showcasing all their loyalty and passion for underground Black Metal.

Forged in 2014 in the hellish fires of Kremenchuk, an important industrial city in the Poltava Oblast, in central Ukraine, by lead singer and guitarist Karagh and bassist Necrobaphomet (former members of Ukrainian Black Metal band Paranomia), Hellfire have been gaining a lot of positive feedback wherever they play in their homeland, inspiring the trio to keep moving forward and never turning their backs to traditional Black Metal. If you check their biography online, you’ll see they don’t assign “regular instruments” to themselves, but they use more obscure words to describe their roles in the band. Karagh is responsible for “all guitar holocaust, screams and bulldozer”, Necrobaphomet takes care of the “four strings fornication and obscurant propaganda”, and their third element, drummer Skullcrusher, provides the “drums of doom and coffins”. After reading that, how putrid and aggressive do you think Hellfire might sound?

Goat Revenge starts with an Intro comprised of a minute of flies buzzing, gun shots and ominous sounds, directly followed by the cutting tune Hellmass Attack, where the band delivers devilish Black Metal with huge influences from Death Metal and hints of the badass Rock N’ Roll by Motörhead. Moreover, Karagh blasts pure evilness through his demonic growls and metallic riffs, boosting the song’s already visceral sonority. Following a similar pattern from its predecessor, the title-track Goat Revenge is led by the infernal and rhythmic beats by Skullcrusher, while its main riff will incite you to bang your head nonstop. In addition to that, Karagh sounds filthier on vocals than before, with Necrobaphomet maintaining a high level of obscurity in the music with his roaring bass guitar.

War Apocalypse Battery, another thunderous, badass composition by Hellfire and a mandatory choice for their live performances, presents a solid melody without abandoning the band’s old school sonority thanks to the amazing job done by all band members, in special Karagh with his fiery guitar; whereas investing in a darker and more visceral Black Metal sounding, the power trio fires pure hatred and evil through their music in Field of Screams, with Skullcrusher doing justice to his nickname by pounding his drums manically. And adding some groove to their musicality, Unholy Cult presents a more rhythmic display of their blasphemous Black Metal, with Karagh and Necrobaphomet slashing their strings in a powerful way while Skullcrusher takes care of the intricacy in the music through his beats.

Unleash the Beast is the closest the band gets to the most primeval form of Black Metal, with the song’s fiendish gnarls and blast beats impregnating the air and disturbing our minds. Not only that, Karagh once again offers the listener trenchant riffs during the whole song, and maybe because it’s the longest of all tracks it’s also the one presenting the highest amount of progressiveness and variations, resulting in an amazing full-flavored Extreme Metal chant. Lastly, the band hits us ruthlessly with their most vile fusion of Black and Death Metal titled Lord of the Mighty Horns, one more great option for their live concerts. The drumming by Skullcrusher reminds me of old school Cannibal Corpse, while Necrobaphomet leads the song’s pugnacious ending with his rumbling bass lines, concluding the album on an extremely savage note.

If you have the guts to brave the ominous pits of the Ukrainian underworld to the sound of Hellfire, simply visit their Facebook or VKontakte for news about the band (including their tour dates if you live in Ukraine or if you’re planning on visiting the country anytime soon), listen to Goat Revenge on Spotify, and purchase your copy of the album at the Witches Brew’s BandCamp or webshop, on iTunes or on Amazon. Hellfire will certainly crush your soul with their unrelenting Black Metal, which in the end is everything you crave when listening to good extreme music, right?

Best moments of the album: Hellmass Attack, War Apocalypse Battery and Unleash the Beast.

Worst moments of the album: None.

Released in 2017 Witches Brew/Iron County Records

Track listing
1. Intro 0:53
2. Hellmass Attack 2:43
3. Goat Revenge 3:37
4. War Apocalypse Battery 3:44
5. Field of Screams 2:29
6. Unholy Cult 2:53
7. Unleash the Beast 4:39
8. Lord of the Mighty Horns 3:24

Band members
Karagh – guitars, vocals
Necrobaphomet – bass
Skullcrusher – drums

Album Review – Black Diamonds / Once Upon A Time (2017)

Inspired by the golden years of Hard Rock and Hair Metal, these Swiss rockers are more than ready to shake the world with their brand new upbeat, electrified album.

Proudly waving the flag of 80’s Hard Rock since their inception in 2004, Swiss rockers Black Diamonds are more than ready to shake the world with an electrifying Rock N’ Roll extravaganza titled Once Upon A Time, their third full-length album and in my humble opinion their strongest and most cohesive release to date. If major bands such as Gotthard and Krokus helped put Switzerland on the map of Hard Rock with their flammable music, it’s time for this farily new talented quartet formed by Michael Kehl (vocals, guitar), Andreas Rohner (lead guitar), Andi Fässler (bass) and Manuel Peng (drums) to take the lead and keep the rock n’ roll party going on in the Land of Milk and Honey.

Based in the Rhine Valley in eastern Switzerland, Black Diamonds are not only musically inspired by the golden years of Hard Rock and Hair Metal, but their looks and attitude are also deeply rooted in that period, which translates into pure energy when their music is blasted through the speakers. After releasing their debut album First Strike in 2008, followed by Perfect Sin in 2013 and an extended tour through their home country and the adjacent countries named Perfect Swiss Tour that same year, the band aims at reaching new horizons with the excellence found in Once Upon A Time. For obvious reasons, don’t expect to find anything truly innovative in the whole album, but that doesn’t mean you’re not going to have tons of fun listening to its twelve catchy, melodic and upbeat songs.

The symphonic intro Tales Untold kicks off the album before Michael Kehl and Andreas Rohner begin firing their heavy riffs in The Ghost and the Shadow, a rockin’ song that can be summarized as a fusion of Manowar and Motley Crüe (or maybe “Hard Rockin’ Power Metal”), being very melodic and impactful with highlights to the great vocal lines by Michael. Love Stick Love brings more Hard Rock from the 80’s with a contemporary twist and the always beautiful European harmony, making me imagine how successful this song would be in the 80’s. Simply follow the beats by drummer Manuel Peng and enjoy the ride, with its catchy chorus, awesome backing vocals and a classy guitar solo embellishing the overall result even more. And presenting a Van Halen-inspired vibe (in special its main guitar riff), Romeo & Juliet is a song about the most famous romantic duo in history, with a solid background built by Manuel’s drumming and the bass lines by Andi Fässler. The narration halfway through it is a bit weird though, but nothing that harms the overall quality of the song.

Although Pieces of a Broken Dream feels like a ballad in the beginning, it quickly morphs into a stylish Rock N’ Roll tune perfect for any radio station mainly thanks to the rhythmic beats by Manuel, while Andreas continues to set fire to the musicality with his solos; whereas Love, Lies, Lonelines, a true ballad from start to finish, is a soulful and melancholic composition with a strong performance by Michael on vocals, with a gentle ambience and more of the band’s tuneful guitar solos and bass lines complementing the music. And get ready for a kick-ass Rock N’ Roll party by Black Diamonds titled Thrillride, showcasing guitars à la Scorpions and a classy, dancing rhythm, with Michael delivering raspier vocals and, consequently, sounding dirtier just like the music needs. Moreover, Manuel couldn’t sound more old school on drums than what he offers in this awesome tune, one of the best of the album in my opinion. When the night comes, it’s time for the Swiss vampires of Hard Rock to attack with their high-end metallic sounds in Vampires of the Night, a great song for their live performances bringing elements from the 80’s and 90’s with razor-edged guitars and a badass attitude.

These guys don’t seem to get tired of filling the air with upbeat rock music based on what they offer the listener in Not Going Home, a pub hymn with the electrified guitar lines by Michael and Andreas adding a high dosage of groove to the band’s already exciting Rock N’ Roll; followed by Hard to Let Go, another Scorpions-inspired classic tune that sounds heavy and very harmonious just the way we love, also presenting a perfect synchronicity among all instruments with highlights to the piercing metallic bass lines by Andi. Years, the second to last rockin’ missile in Once upon A Time, keeps up with the rest of the album in terms of quality and energy, being one more song that could be played on any rock n’ roll radio show, with an inspiring performance by Michael on vocals supported by the precise drumming by Manuel. And closing the album we have This Is a Love Story, presenting an interesting balance between more introspective moments and faster passages, despite being slightly repetitive and below the album’s amazing average.

In case you want to know more about Black Diamonds and their top-notch rock music, go check their Facebook page for news and tour dates, and go listen to their music on YouTube and SoundCloud. Once Upon A Time is available at several locations, such as the band’s official webstore, AOR Heaven, Nuclear Blast, Target, Amazon, NEH Records, and many more, most of them offering two awesome bonus tracks with the album. If you’re ready to dance, drink some beer and have fun to the sound of high-quality old school, uncompromised Rock N’ Roll, then this album is definitely what you’ve been searching for. Just don’t forget to put on your tight leather pants before heading to the party.

Best moments of the album: Love Stick Love, Thrillride and Hard to Let Go.

Worst moments of the album: This Is a Love Story.

Released in 2017 AOR Heaven

Track listing
1. Tales Untold 1:08
2. The Ghost and the Shadow 4:13
3. Love Stick Love 5:03
4. Romeo & Juliet 4:20
5. Pieces of a Broken Dream 3:51
6. Love, Lies, Loneliness 5:37
7. Thrillride 4:52
8. Vampires of the Night 4:46
9. Not Going Home 4:42
10. Hard to Let Go 4:38
11. Years 5:21
12. This Is a Love Story 6:40

Bonus tracks
13. Rock’n’roll Music 4:02
14. Vampires of the Night (Piano Version) 3:50

Band members
Michael Kehl – vocals, guitar
Andreas Rohner – lead guitar
Andi Fässler – bass
Manuel Peng – drums

Album Review – Vince Voltage / Hard Rock Survivor (2017)

Rock N’ Roll is far from being dead, and this obstinate German rocker will prove you that through the electrifying music flowing from his brand new solo album.

Everywhere you go you’ll hear people saying Rock N’ Roll is dead, and there’s nothing we can do to save it. For instance, even renowned rock stars like Gene Simmons and Billy Corgan support that theory. As a diehard lover of the genre I personally couldn’t agree less with that statement, and after listening to the high-voltage Hard Rock Survivor, the brand new album by German Rock N’ Roll warrior Vince Voltage, you’ll also realize the blazing sound of electric guitars, high-pitched vocals and fast-paced beats piercing through our ears is far from being extinct. After playing several concerts around Europe, sharing the stage with bands like Helloween, Doro and Bonfire, and after releasing the albums Burned Beyond Recognition (2002) with the band Apathy; Ultimate Frightmare (2013) with the band Ex Wife’s Skull; and more recently Arrogance (2015) with his most famous act Pussy Sisster, it’s time for Vince to fight boredom and keep the flame of rock music alive with his action-packed solo project, and I’m sure you’ll have a lot of fun by joining him in this rockin’ quest.

Hailing from the city of Stuttgart, Germany, Vince has been building a solid career not only in music, but also in photography, a passion discovered while touring Europe with Pussy Sisster, becoming a well-known Photoshop artist as you can see in his Facebook page The Art of Vince Voltage. Furthermore, the cover model for Hard Rock Survivor is Dani Divine, a famous alternative model with more than 2.5 million Facebook likes, with the photo session and all other details being done by Vince himself (you can see a short clip of how that happened HERE). Featuring a respectable team of guest musicians such as Marcus Jürgens (Brainstorm) and Ralf Stoney (Stormwitch), Hard Rock Survivor will definitely kick your ass, alluring you to surrender to the undisputed and unparalleled power of our good old never-dying Rock N’ Roll.

Vince and his guitar will take you on a frantic ride in the title-track Hard Rock Survivor, where he hits us in the face with his old school metallic riffs and solos while his supporting band has an amazing performance as well, also delivering words with a pure Rock N’ Roll taste (“Your mama tried to stop the sound when you were younger / She never ever understood / No doc or daddy all around to feed your hunger / Didn’t understand / Your Rock’n’Roll romance is goin’ on”). Something To Believe In, a harmonious ballad showcasing semi-acoustic guitars and an old western vibe, sounds like a hybrid of Bon Jovi and Journey recorded in the 80’s, with a kick-ass solo by Vince as the icing on the cake; whereas Billy The Kid, another dancing tune by Vince and his crew, works as a tribute to the most famous (and amusing) outlaw in history, with the accelerated, rhythmic drums by Torsten Sauerbrey enhancing its overall electricity in a fantastic way.

Born to be a rock n’ roll radio hit, Some Like It Ugly offers classic high-pitched demented vocals, Van Halen-inspired riffs (more specifically their all-time classic “Ain’t Talkin’ ‘Bout Love”, and I see it as a humble tribute to this iconic band, of course), and weird but effective lyrics (“Didn’t roll the dice for the money / Just laid down my pain / Was usin’ both of my nares in despair / To go for cocaine / Didn’t want to dance to the rhythm / Just wanted to feel the beat / Cause trouble needed to go round and round / To make me leave my seat”), being one of my favorite songs of the album. The Ballad Of Ricky Razor is another power ballad by our obstinate rocker, sounding a lot more introspective and melancholic than “Something To Believe In” and displaying a nice, sorrowful harmony and dark keyboards in the background, followed by Busty Sandy, showcasing classic Hard Rock guitar lines and a great sync between vocals and beats. Needless to say, as it’s a song about a lustful woman, it can definitely be used for a strip-tease due to its sexy rhythm. And Cry Out Till Midnight, albeit also presenting the old school sounding of its predecessor, feels a bit uninspired and without the necessary punch, despite the good job done on vocals and the slight amount of progressiveness added to the instrumental pieces.

Featuring additional guitars by Sebastian Dracu, Lick It If You Like It brings forward lyrics that are a blend of KISS and Steel Panther, while its instrumental is direct, heavy and fiery à la Motley Crüe and Poison, resulting in a more-than-entertaining tune that will go really well with a cold beer. In Borderline, one more song about enjoying your life, it’s time for Ralf Stoney to make the guitar duo with Vince, firing a solid mix of Rock N’ Roll and Hard Rock inspired by the sound from the 80’s with a modern twist. And how about one more touching ballad before the album is over? That’s what you’ll get in the gentle but heavy Killing Times, with the piano notes bringing light to the sadness flowing from the guitars, not to mention the amazing solo by Vince; with the modernized Hard Rock chant Broken closing the album in an dynamic and groovy way. The keyboards by Sven Gallinsky give it a The Doors-ish touch, while the drumming by Torsten Sauerbrey generates the perfect ambience for the riffs and solos by Vince and guest guitarist Lick Fury.

You can get more details on the music and art by this German hard rocker at his official Facebook page and YouTube channel, and purchase your copy of Hard Rock Survivor on iTunes, Amazon and Spotify. While there are talented and passionate rockers like Vince Voltage spreading their high-end rock music to the masses just as what he offers us in Hard Rock Survivor, I guess we don’t need to panic at all about the fear we all have of our beloved Rock N’ Roll eventually dying one day.

Best moments of the album: Hard Rock Survivor, Some Like It Ugly and Lick It If You Like It.

Worst moments of the album: Cry Out Till Midnight.

Released in 2017 Independent

Track listing
1. Hard Rock Survivor 3:06
2. Something To Believe In 3:13
3. Billy The Kid 2:43
4. Some Like It Ugly 3:15
5. The Ballad Of Ricky Razor 4:28
6. Busty Sandy 3:41
7. Cry Out Till Midnight 3:07
8. Lick It If You Like It 3:29
9. Borderline 3:03
10. Killing Times 3:39
11. Broken 4:07

Band members
Vince Voltage – guitars

Guest musicians
Denis Hübner – vocals
Bronco “the Ballcrusher” Malone – vocals
Sven Gallinsky – bass, keyboards
Torsten Sauerbrey – drums
Marcus Jürgens – vocals on “Broken”
Randy “Raw Power” Vintage – additional guitars
Ralf Stoney – additional guitars on “Hard Rock Survivor” and “Borderline”
Sebastian Dracu – additional guitars on “Lick It If You Like It”
Lick Fury – additional guitars on “Broken”

Album Review – SpiteFuel / Second To None (2017)

Like a phoenix rising from the ashes, a new flammable entity hailing from Germany is born, bringing you a broad spectrum of Heavy Metal, Hard Rock and Rock N’ Roll always true to their motto “we don’t care, we just rock!”

There are countless instances in the world of heavy music when a fresh new start is necessary to fix some issues and flaws a band might have in order to move forward with their career, and in the case of German metallers SpiteFuel those changes couldn’t have been done at a better time, culminating with the release of their gripping new album titled Second To None. After the split-up of the also German group Strangelet in the beginning of 2016, three of the former members of the band, lead singer Stefan Zörner, guitarist Tobias Eurich and bassist Finn Janetzky joined forces with ex-Devil’s Darling members Timo Pflüger (guitar) and Björn-Philipp Hessenmüller (drums) to form SpiteFuel, aiming at blasting their traditional Heavy Metal and Hard Rock the likes of Judas Priest, Accept, Guns N’ Roses and Queensrÿche throughout the entire world, always remaining true to their motto “we don’t care, we just rock!”

Hailing form Heilbronn, a city in northern Baden-Württemberg, Germany, SpiteFuel offer the listener during Second To None’s over 45 minutes of music a broad spectrum of Heavy Rock, from hard neck-breakers and heavy mid-tempo pounders to fragile ballads full of emotion, all in the name of Rock N’ Roll. The cover artwork, made by renowned American artist Travis Smith (Seempieces), who has already worked with several iconic bands such as Nevermore, Iced Earth and Death, among others, completes a coherent overall picture of the music found in Second To None. Furthermore, despite being a newly reformed group, SpiteFuel still keeps the initial fire that gave birth to Strangelet burning inside them, proving their excitement and passion for heavy music will never cease no matter what.

The tribal and enthralling On Burning Wings introduces us to a Hard Rock extravaganza named Purified, where its blazing guitars and nonstop action fill every single space in the music. Moreover, Tobias and Timo blend the fury of German Power Metal and the fun of American Hard Rock in their riffs and solos, also presenting hints of the sonority crafted by Iron Maiden and Judas Priest. Then we have a good dosage of headbanging riffs and crushing beats in a badass feast named By My Hand, an excellent choice for a rock n’ roll radio playlist where Stefan effectively plays the role of the band’s frontman like Vince Neil, Brett Michaels and so many other Hard Rock idols; followed by the even better Whorehouse Symphony, venturing through heavier fields with hints of Metallica and Avenged Sevenfold added to its already solid musicality. That fusion of metal styles ends up working extremely well, turning it into the best and most unique song of the album in my opinion, with highlights to the great performance by Stefan with his more aggressive vocals and to Finn with his rumbling bass lines.

In Regrets, what starts in a melancholic way quickly morphs into a pleasant power ballad, showcasing a passionate performance by Stefan on vocals while the rest of the band maintains a dark but smooth vibe flowing, including a soulful guitar solo to spice things up a bit; whereas in the first single of the album, Sleeping With Wolves, a howling wolf warns the listener a heavy music party is about to begin. It’s another song with pounding drums and heavier-than-usual riffs à la Avenged Sevenfold, without losing the harmony of Hard Rock and with highlights to the gripping performances by Stefan on vocals and the skillful Björn on drums. And the rising instrumental bridge Adamah’s Tribes works as a mysterious intro to Triad Of Faith, where the old school Heavy Metal riffs and solos by Tobias and Timo, together with the always thunderous bass guitar by Finn, give the Hard Rock played by SpiteFuel a more serious and epic taste.

Fly, a serene ballad by these talented German rockers, is a moment of peace amidst all the heaviness blasted throughout the rest of the album, with an absolute focus on the gentle vocals by Stefan, but all that tranquility doesn’t last for too long as the band gets back to their flammable rockin’ sounding in Devil’s Darling, named in allusion to one of the bands that originated SpiteFuel. Once again presenting sharp riffs and bass lines, it’s a good Hard Rock composition, albeit not as exciting as the rest of the album (it should sound a lot better if played live, though). And lastly, despite its melancholic start, It Remains Empty Forever quickly becomes an electrified Rock N’ Roll chant with modern Hard Rock and Heavy Metal elements, also displaying hints of progressiveness thanks to the drumming by Björn.

As mentioned in the beginning of this review, a new entity known as SpiteFuel was born from the ashes of Strangelet, and based on the high-quality of the music found in Second To None these German rockers seem to have finally found their desired shape and sound, which will certainly propel them to new heights in the rock and metal universe. You can get in touch with the guys through their official Facebook page, listen to their music through their BandCamp page, and buy your copy of Second To None at the MDD Records webstore, at the Nuclear Blast webstore, at the EMP webstore, on Amazon and at several other retailers such as Saturn and Media Markt. SpiteFuel don’t care, they just rock, and after taking a good listen at Second To None you’ll realize that’s exactly what they want us all to do together with them. Well, we can’t say no to some good old Rock N’ Roll, right?

Best moments of the album: Purified, Whorehouse Symphony and Sleeping With Wolves.

Worst moments of the album: Devil’s Darling.

Released in 2017 MDD Records

Track listing
1. On Burning Wings 1:14
2. Purified 3:49
3. By My Hand 4:21
4. Whorehouse Symphony 5:20
5. Regrets 6:17
6. Sleeping With Wolves 6:14
7. Adamah’s Tribes 0:40
8. Triad Of Faith 4:19
9. Fly 4:19
10. Devil’s Darling 4:10
11. It Remains Empty Forever 4:45

Band members
Stefan Zörner – vocals
Tobias Eurich – guitar
Timo Pflüger – guitar
Finn Janetzky – bass
Björn-Philipp Hessenmüller – drums

Album Review – Striker / Striker (2017)

Canadian Heavy Metal has never been more vibrant and rapturous than today, thanks to the brand new rip-roaring album by one of the biggest names in heavy music hailing from the Great White North.

In case you’ve never heard of Canadian Heavy/Power Metal act Striker, there couldn’t be a better moment to get to know such distinct band and their classic mix of Heavy Metal, Hard Rock and 80’s Hair Metal. This Edmonton-based quartet, which was formed in 2007 and has toured across dozens of countries as headliners as well as support for major metal acts in their rising career, are unleashing their fifth studio album, self-titled Striker, a kick-ass follow-up to their two previous albums Stand In The Fire (2016) and City of Gold (2014), perfect for fans of the unparalleled music by Iron Maiden, Judas Priest and Motley Crüe, as well as Swedish metallers Enforcer and Steelwing. After listening to this flammable metal album, I’m sure Striker will feature among your favorite bands of the past decade.

Featuring a neat, straightforward artwork by Rizky Putranto (Rish XXV), Striker is an ode to traditional metal, with no new elements or any type of shenanigans added to it, just plain good old heavy music. “This is our no bullshit album. We cut out everything that wasn’t absolutely necessary and kept everything short and to the point. We pray at the altar of heavy metal everyday, and there are some musical ideas that persist through time and some that don’t. We focused in on what keeps listeners coming back and got rid of everything else. You can’t climb Mount Everest dragging any useless shit with you; if you want to make it to the top, only bring with you what is absolutely necessary: Lethal Amounts of Shred”, said the band about their new album, and based on these words you can get a very good sense of what you’ll find in Striker.

Guitarist Tim Brown doesn’t waste time and starts firing electrifying Heavy Metal and Rock N’ Roll riffs and solos from the very first second in Former Glory, a song about enjoying life and being the best person you can, where frontman Dan Cleary keeps up with the greatest vocalists in Hard Rock delivering sheer awesomeness through his melodious voice. Sounding like a hard rockin’ version of Anthrax, in special due to its cutting riffs and demented vocals, Pass Me By presents a kick-ass fusion of Heavy Metal with old school Thrash Metal, with drummer Adam Brown pounding his drums mercilessly, therefore adding more stamina and heaviness to the overall musicality. And the first single of the album, Born To Lose, is in my humble opinion a newborn Hard Rock hymn, bringing all elements that make heavy music so thrilling, such as the metallic guitar lines by Tim, which  together with the rumbling bass by William Wallace (not the Scottish warrior) take the song’s impact to a whole new level.  Add to that already fantastic formula the song’s catchy chorus and a high dosage of adrenaline, and there you have not only the best song of the album, but also one of Striker’s most sensational creations to date.

Cheating Death is a short and atmospheric bridge to the incendiary Shadows In The Light, a dancing tune that lives up to the legacy of old school Hard Rock ignited by the potent bass punches by William, also offering the listener beautiful guitar solos and thrilling beats; followed by Rock The Night, another song by Striker that was born to be a classic. Dan is fantastic on vocals, supported by the song’s powerful backing vocals and the precise instrumental blasted by the rest of the band from start to finish, not to mention its extremely cheesy but entertaining lyrics (“You always seem to be on my mind / I can’t let you go / I can’t let you stay / You always seem to be a mystery to me / I can’t let you go / I can’t let you stay / The more that I think about you / The more that I know what to do / There’s something out there and it’s calling me / To rock the night / You’ve gotta bring them to their knees / There’s something out there and it’s calling me / To rock the night / Yeah you’ve got to make them see / What you can be”).

Over The Top, a fast-paced, potent Power Metal extravaganza where Tim and William are absolutely on fire with their stringed axes, brings forward elements of the traditional Heavy Metal played by Judas Priest and Iron Maiden combined with the Melodic Metal by Stratovarius, and the result is obviously beyond awesome. The same can be said about the second to last track of the album, titled Freedom’s Call, which will pump you up once again with its perfect balance of the heaviness of Power Metal with the harmony of Hard Rock. Needless to say, Dan doesn’t stop impressing with his puissant voice, never getting tired nor sounding uninspired. And the unstoppable Striker fire more of their kick-ass metal music for our total delight in the superb Curse of The Dead, where Adam takes the lead with his frantic beats whereas Tim keeps delivering his amazing riffs. Moreover, guest guitarists Simon Fallon and Adam Grimmelt only make things even more fantastic with their spot-on solos, turning the song into another memorable moment of the album.

In a nutshell, Striker not only have released a mighty Heavy Metal album, but they have also made us at The Headbanging Moose really proud of being Canadian. You can get in touch with Striker and their fiery metal music through their Facebook page, YouTube channel and SoundCloud, and in order to put your metallic hands on this first-class album all you need to do is go to the Napalm Records’ webshop to grab the CD or the LP version of it, as well as on CD Baby, on iTunes and on Amazon. If you manage to get the special edition of the album, you’ll also be treated to Striker’s cover version for Ozzy Osbourne’s Desire, from his 1991 classic No More Tears, one of the four songs co-written by the most beloved badass in the word, Lemmy Kilmister (R.I.P.), showing how much the band loves old school heavy music. We’re all born to lose, but if we work hard and have the new rip-roaring album by one of the biggest names in heavy music from the Great White North as the soundtrack to our endeavors, we’ll surely win in life and rock the night.

Best moments of the album: Former Glory, Born To Lose, Rock The Night and Curse of The Dead.

Worst moments of the album: None.

Released in 2017 Record Breaking Records

Track listing
1. Former Glory 3:59
2. Pass Me By 3:33
3. Born To Lose 3:58
4. Cheating Death 0:53
5. Shadows In The Light 3:29
6. Rock The Night 4:30
7. Over The Top 4:38
8. Freedom’s Call 4:30
9. Curse of The Dead 3:49

Special Edition bonus track
10. Desire (Ozzy Osbourne cover) 5:27

Band members
Dan Cleary – lead vocals
Tim Brown – lead and rhythm guitar
William Wallace – bass
Adam Brown – drums

Guest musicians
Simon Fallon – guitar solo on “Curse of the Dead”
Adam Grimmelt – outro solos on ““Curse of the Dead”
John Kennedy, Dave Arnold, Chris Segger, Lindsay Robinson, Clayton Parent and Tyler Dory – gang vocals

Concert Review – Lordi (The Opera House, Toronto, ON, 02/22/2017)

The God Of Thunder finally answered our call, and the most electrifying horde of Rock N’ Roll monsters in the universe stormed Toronto with their sensational, gory and theatrical performance for the first time ever.

OPENING ACTS: Mineta and Bookakee

lordi_toronto_2017The weather in Toronto couldn’t have been better for a night of heavy music, given the fact we’re in the middle of the winter and it was supposed to be freaking cold now. Not only there was no snow or rain, but with a temperature above 10 degrees we simply had the perfect conditions for praising the most awesome monsters in the world of Heavy Metal and Hard Rock, our beloved Finnish metallers Lordi, at the always comfortable The Opera House. But before Mr. Lordi and his horde hit the stage to mesmerize us with their sensational music and performance, we were treated to two very interesting Canadian bands that, if you don’t know them yet, certainly deserve our attention.

img_0141The first attraction of the night, MINETA, which is Polish for “cunnilingus” or “fellatio” (or if you prefer, in plain English it means giving oral sex to a woman), was more than just a music band, but a talented group of street performers blasting a mix of Ska, Punk Rock and Heavy Metal with a circus-inspired attitude, or as Mineta themselves like to call it, they play “Circus Party Punk”. Formed in 2012 in the city of Toronto, Mineta have just released their debut full-length album Polyglamerous, which was the base of their fun setlist, including the entertaining Fag Beef. While lead singer Bella Muerta stapled Christmas lights to her thigh, showed her boobs and urged the crowd to sing “daj mi mineta” with her (or “give me oral sex” in Polish), guitarist Tony Patrick Olivero played his strings while doing some circus tricks, Arty Basinski pounded his drums from the top of his stilts, and Matt Pazzol (bettern known as YuMB YuMB) was the weirdest clown I’ve ever seen to play bass guitar. There was still time for a sexy bunny to take some bloody eggs from her pussy and eat them. Yes, that all happened during their wicked show. Are you excited to see them live now?

Band members
Bella Muerta – vocals
Tony Patrick Olivero – guitar
Matt Pazzol (YuMB YuMB) – bass
Arty Basinski – drums

img_0149The second opening act of the night was just as insane as Mineta, but instead of an upbeat Punk Rock they played a very violent and gory version of Death Metal defined by the band as “Progressive Theatrical Melodic Brutal Gore Death Metal”. I’m talking about Montreal-based act BOOKAKEE, a name that also has a sexual connotation meaning “a sexual practice in which several men ejaculate on the face of an individual woman”. Formed in 2007, the band comprised of Philippe Langelier, Simon-Pierre Gagnon, Mathieu Paré, Jonathan David and Jean-Philippe Bouchard haunted the souls of the fans at The Opera House with the visceral compositions from their latest album, named Whorrific, including the title-track Whorrific and the bestial Bookakee Blast. And just like mineta, those five metallers didn’t only play their infernal, technical and thrilling music, but also “helped” a girl give birth to her creepy baby, scalped a nun and were joined on stage by the one and only Donkey Kong. However, the most unusual part of the show was when what was supposed to be a wall of death became a dance floor to the sound of Haddaway’s dance hit “What Is Love”. I guess no one saw that coming.

Band members
Philippe Langelier – vocals
Simon-Pierre Gagnon – lead guitar
Mathieu Paré – rhythm guitar
Jonathan David – bass
Jean-Philippe Bouchard – drums 

LORDI

img_0164After such unique performances, it was time for Mr. Lordi and his horde of monsters to deliver an absolutely flawless performance to an audience avid for their music. It was the first time ever that LORDI performed in the city of Toronto, and the whole band gave their best to make it a memorable night for their Torontonian fans. Still promoting their latest release, the excellent Monstereophonic (Theaterror vs. Demonarchy), the band blasted all types of songs in their solid setlist, from the beautiful ballad It Snows in Hell to the high-octane rockin’ anthem Bringing Back the Balls to Rock, from the very old school song Icon of Dominance to their newest hit Hug You Hardcore, and so on, putting a huge smile on everyone’s faces the whole night.

But Lordi also had some help in their theatrical performance from the very beginning like what happened with Mineta and Bookakee, with the iconic Skeletor introducing the band and displaying the decapitated head of the sissy He-Man in the opening song of the night, the cheesy but fun Let’s Go Slaughter He-Man (I Wanna Be the Beast-Man in the Masters of the Universe). Also, a priest tried to exorcise Mr. Lordi but failed miserably. Who did he think he was dealing with, right? Anyway, Mr. Lordi was on fire the whole presentation, always interacting with the fans and singing all his classics better than ever. Moreover, before playing the fantastic The Riff, he mentioned the song had the same “special ingredient” (which is obviously a heavy riff, if you have no idea what he was talking about) present in the music by behemoths such as KISS, Judas Priest, Motley Crüe, Skid Row and Black Sabbath, proving that before being a monster, he’s a crazy metalhead just like the rest of us.

img_0166Despite being slightly “hidden” at the back of the stage, Mana and Hella both had amazing performances with their powerful beats and keys, in special our stunning  schizo doll emanating charm and electricity during the entire show. And while OX blasted his strings in an entertaining disco-rock-dancing bass solo, Mr. Lordi’s right-hand man Amen was the personification (or should I say “monsterification”?) of a true Rock N’ Roll guitarist, being unstoppable on stage with his cutting riffs and solos. Let’s say their job gets easier than other average bands as they have tons of beyond-catchy hymns to mesmerize us like Hard Rock Hallelujah and Devil Is a Loser, and when they ended the concert with their two most famous “questions”, Who’s Your Daddy? and Would You Love a Monsterman?, they left us all questioning when we’ll have the pleasure of seeing those incredible monsters of rock once again in the city. I personally hope it doesn’t take another 20 years for Lordi to come to Toronto, but I guess I don’t need to worry too much about it as, based on the flammable response by their fans, it won’t take more than a few months for that to happen.

Setlist
God of Thunder (KISS song)
SCG VIII: Opening Scene
Let’s Go Slaughter He-Man (I Wanna Be the Beast-Man in the Masters of the Universe)
Babez for Breakfast
Nailed by the Hammer of Frankenstein
The Riff
Bass Solo
Bite It Like a Bulldog
Icon of Dominance
Drum Solo
Bringing Back the Balls to Rock
Hug You Hardcore
It Snows in Hell
The Children of the Night
Keyboard Solo
Down With the Devil
Blood Red Sandman
Hard Rock Hallelujah
Devil Is a Loser

Encore:
Who’s Your Daddy?
Would You Love a Monsterman?
The Night the Monsters Died

Band members
Mr. Lordi – vocals
Amen – guitars
OX – bass
Hella – keyboards
Mana – drums

Midnight Madness Metal e-Radio Promo Hour Of The Day – From Monday To Friday @ 8pm GMT

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http://midnight-madness.is-a-rockstar.com/Great news for all of you metalheads!

FROM MONDAY TO FRIDAY @ 8pm GMT, one of our kick-ass partners, Midnight Madness Metal e-Radio, broadcasting directly from London, England, will blast the best of underground metal music reviewed here at The Headbanging Moose during the PROMO HOUR OF THE DAY!

So remember, FROM MONDAY TO FRIDAY @ 8PM GMT tune into Midnight Madness Metal e-Radio to get your daily shot of the cream of the underground metal music crop, from Hard Rock to Black Metal, from Folk Metal to Thrash Metal, from Doom Metal to Metalcore, and so on! You’ll have the unique pleasure of listening to the superb music by bands like Charm Designer, Neverworld, Majesty Of Revival, Nervosa, False Coda, Atonismen, Diabolizer, The Silent Rage, Terrifier, Gaerea, and tons of other amazing metal acts from all over the world!

Here are all the options where can blow your speakers with Midnight Madness:

Official website
Twitter
Online Radio Box
Tunein
Streema
Listen2MyRadio
Radio Garden

And if you want to have your new album reviewed at The Headbanging Moose AND played at Midnight Madness Metal e-Radio, simply get in touch with us through our CONTACT US page.

Album Review – Sinatras / Drowned (2017)

A concentrate of Hardcore, Thrash and Death Metal mixed with an old school Rock N’ Roll attitude, courtesy of five talented and restless Italian musicians eager to bring more fun to the world through their creations.

Rating4

coverFrank Sinatra, born in Hoboken, New Jersey on December 12, 1915, was an American singer, actor and producer who was one of the most popular and influential musical artists of the 20th century. Death N’ Roll quintet Sinatras, born in 2014 in Vicenza, a city in northeastern Italy in the Veneto region, from an idea of Emanuele Zilio (now known as Lele Sinatra), guitar player for 20 years in Italian Metal/Hardcore band Strange Corner, and featuring expert musicians with different musical roots from Rock N’ Roll to Progressive Death Metal, bringing forth a classic but yet personal musicality tailored for fans of Carcass, Entombed, Pantera and Hatebreed, among others. What do these two entities have in common? Well, apart from carrying the same “family name”, let’s say that they can quickly put you to dance to the sound their high-end electrified compositions.

In less than five months after the project’s inception, thanks to the experience both live on stage and during studio sessions, Sinatras were able to write and record their first demo, called Six Sexy Songs, opening several doors for the band and inspiring them to release now in 2017 their debut full-length album, titled Drowned, a concentrate of Hardcore, Thrash and Death Metal mixed with an old school Rock N’ Roll attitude, featuring a simple and effective artwork by Mirko Marchesini (aka Minkio Sinatra) and eleven impactful songs with catchy choruses and immediate appeal. So start spreading the news, as Sinatras are ready to be the “number one, head of the list, cream of the crop at the top of the heap” in the world of heavy music.

In the opening track, Drowned, the band already blasts a frantic fusion of Thrash and Death Metal with the rebellious Rock N’ Roll played by Motörhead, with frontman Fla Sinatra playing really well the part of the demented vocalist with both his sick growls and clean vocals while Lele and Minkio make a great guitar duo with their roaring riffs. Leaning towards modern Thrash Metal, we have 24/7, a song about anger (“The value of our life is decreasing / and the stupidity grows faster / we are angry 24/7. / THEM! who? THEM! convicted in a false heaven”) perfect for their live performances, with highlights to the tempo changes effectively led by drummer Pisto Sinatra; followed by Cockroach, a badass song with Fla sounding extremely vile on vocals, maintaining their musicality at a high level of aggressiveness. Once again we face great guitar lines a la Pantera by Lele and Minkio, including a fiery solo to add more feeling to the overall result.

Something to Hate, one of the heaviest of all tracks, bursts violence through the deep growls by Fla and the song’s cutting guitar riffs and solos, with its drums played frantically as the music demands, whereas Flow, one of the best tracks in Drowned, brings forward an amazing blend of Southern Rock and Thrash Metal, sounding like a hybrid of Pantera, Chrome Division and Volbeat with a thrilling rhythm and catchy-as-hell vocal lines, not to mention the hints of progressiveness that end up enhancing the song’s punch even more. You Spin Me Round (Like a Record), an awesome version to the cult hit from the 80’s by Dead or Alive, delivers harsh growls and fast beats that will certainly please even fans of the original version, and in Los 43, a solid Rock N’ Roll composition with a catchy vibe and a good performance by all band members, Sinatras provide us what’s perhaps the harshest lyrics of the whole album (“Chaos, new world order / Despise, in your disorder / Homicide, deicide, burned gasoline, / Thrown in a pit as an animal / Death, is what you search Tears, are what you get / Genocide, misery, pain and slavery left to rot in their own reality”).

sinatras-2017Miss Anthropy is the closest the band gets to modern American metal music, being fast and furious with Pisto crushing his drums and also less harmonious than the rest of the album with some moments being pure Death Metal. It falls flat after a while, though, but nothing to worry about. On the other hand, Back in Frank is in my opinion the most complete and exciting of all songs, a perfect combination of Thrash Metal and Rock N’ Roll that also brings elements from Death Metal and Southern Rock, with both Lele and Minkio firing sharper-than-a-blade riffs while Fla delivers his strongest vocals overall. If you don’t get pumped up by this insane tune, you should definitely go see a doctor. Anyway, in Blind Fury, the name of the song summarizes its rhythm and approach, being an infuriated, modernized version of Death Metal with technical guitar lines, fast-paced beats and in special the metallic punches by bassist Lispio Sinatra, before Spiral Hell nicely concludes this fun and very cohesive album by Sinatras, with the whole band delivering more deranged music to the listener. Its heavy and melodic lines are boosted by the song’s potent vocals and backing vocals (as well as its excellent guitar solo), turning it into a nonstop tune for slamming into the pit with the band.

Are you ready to “start spreading the news” with this lunatic metal act from Italy? You can do that by visiting their Facebook page, YouTube channel and ReverbNation to know more about the band, and purchase Drowned at their BandCamp page, at the logic(il)logic Records webstore, on Amazon, at CD Baby, at Discogs, and several other locations. In summary, Drowned offers to you the most electrifying elements of old school and modern metal music, courtesy of five talented and restless Italian musicians eager to bring more fun to the world through their creations.

Best moments of the album: Drowned, Flow and Back in Frank.

Worst moments of the album: Miss Anthropy.

Released in 2017 logic(il)logic Records

Track listing
1. Drowned 5:52
2. 24/7 4:34
3. Cockroach 4:16
4. Something to Hate 4:48
5. Flow 3:31
6. You Spin Me Round (Like a Record) (Dear or Alive cover) 3:17
7. Los 43 4:18
8. Miss Anthropy 4:09
9. Back in Frank 4:19
10. Blind Fury 2:25
11. Spiral Hell 4:23

Band members
Fla Sinatra – vocals
Lele Sinatra – guitars
Minkio Sinatra – guitars
Lispio Sinatra – bass
Pisto Sinatra – drums

Album Review – Avenford / New Beginning (2017)

A lecture in melodic, progressive and vigorous Power Metal by a band that has all it takes to be one of the greatest names in Power Metal within the next few years.

Rating4

avenford-new-beginningFormed in the summer of 2012 by guitarist Peter Szehoffner and lead singer and guitarist Arpie Gamson in Hungary, inspired by the music by Masterplan, Jorn Lande, Yngwie Malmsteen and Iron Maiden, among others, but currently residing in London, England, Power Metal quartet Avenford has been making a name for themselves in the world of heavy music since their inception, delivering first-class Heavy Metal for fans of melodic guitars, fast and rhythmic drums and epic high-pitched vocal lines. After releasing their debut album in 2014, titled Mortal Price, and after beginning to conquer Europe and the rest of the world with their music, it’s time for Avenford to strike us all again with their fresh new album New Beginning.

The list of guest musicians in New Beginning is quite extensive, each one adding their own share of adrenaline to the final result. We have Apollo Papathanasio (Spiritual Beggars, Firewind), Zoltan Marothy (Kiss Forever Band), Roland Grapow (Masterplan, Helloween), Zoltan Kiss (Iron Maidnem), Bodor Mate (Alestorm) and Piotr Sikora (Exlibis) lending their feeling and refined techniques to Avenford, contributing with Peter, Arpie, bassist Tom Longbottom and drummer Jivodar Dimitrov in crafting beautiful and exciting Heavy Metal perfect for hitting the road, for having a good time with your friends, or for simply relaxing and enjoying it by yourself.

The opening track Dead or Alive doesn’t waste a single second and comes ripping in a heavy and melodic way led by the guitars by Arpie and Peter, suddenly turning into a fast-paced metal feast with guest singer Apollo Papathanasio kicking some serious ass on vocals, resulting in Power Metal at its finest; whereas Back in Time is a Symphonic Power Metal composition with a strong focus on its electrified atmosphere and the fierce drumming by Jivodar, also featuring an amazing solo by guest guitarist Zoltán Maróthy. And progressiveness, intricacy and tons of feeling are the main ingredients in the fast-paced chant Assassin, where not only both guitarists are on fire, blasting beautiful riffs and solos, but the rumbling bass lines by Tom are also very effective and add a lot of groove to the music.

avenfordAlbeit slightly slower, Fury Road is still very progressive and heavy, with the one and only Roland Grapow doing what he does best, which is of course delivering awesomeness though his guitar solo, before the short and pleasant instrumental bridge Maze of Visions builds the ambience for the title-track New Beginning, a heavy power-ballad where Arpie has an amazing performance on vocals while the rest of the band sounds extremely cohesive and focused on delivering top-tier Power Metal to the masses. And in Overlord, a futuristic warlike intro explodes into Progressive Power Metal due to the accelerated beats by Jivodar, with both Arpie and Peter making the perfect dynamic duo on guitars. In other words, if you love high-octane Melodic Heavy Metal, this thrilling tune will definitely please your metallic ears.

With guest singer Zoltán Kiss giving a lesson in melodic vocals, Dark Angel presents the perfect combination of guitars and keyboards the likes of Stratovarius and Sonata Arctica, having all it takes to become a classic among fans of the genre. Besides, how not to get excited with the song’s amazing chorus? In Mask, we’re treated to more electricity and passion for heavy music from Avenford, a very traditional sonority led by the potent vocals by Arpie and the unstoppable drums by Jivodar, and featuring a great guitar solo by another guest Máté Bodor; while Return from the Land of Emeralds is the dream of every musician that loves complex and metallic Power Metal. All band members are in perfect sync in this instrumental feast, with Tom and Jivodar crafting the perfect atmosphere for all the song’s inspiring guitar solos. And my favorite track of the album, Unholy Game, featuring the sharp keyboards by guest musician Piotr Sikora, brings elements from old school Rock N’ Roll and Hard Rock that truly elevate the song’s electricity to a whole new level. No one can stand still to such amazing tune, with Arpie being absolutely fantastic on vocals.

In a nutshell, New Beginning is a lecture in melodic, progressive and vigorous Power Metal by a band that sounds like veterans of the genre, despite being on the road for less than a decade, and if you’re fond of this always galvanized genre of heavy music I highly recommend you go visit Avenford’s Facebook page and YouTube channel to get more details on this excellent band and their inspiring music. And of course if you want to add New Beginning to your distinct collection of Power Metal albums, you can find it at the Pride & Joy webshop, at Record Shop X, on iTunes or on Amazon. The name of the album might be New Beginning, but what we have is actually a solid continuation to the career of a band that has an immeasurable potential to become one of the greatest names in Power Metal within the next few years.

Best moments of the album: Dead or Alive, New Beginning, Dark Angel and Unholy Game.

Worst moments of the album: Back in Time.

Released in 2017 Pride & Joy Music

Track listing
1. Dead or Alive 4:22
2. Back in Time 3:50
3. Assassin 4:30
4. Fury Road 4:32
5. Maze of Visions 1:21
6. New Beginning 7:13
7. Overlord 5:41
8. Dark Angel 3:43
9. Mask 3:56
10. Return from the Land of Emeralds 5:49
11. Unholy Game 3:48

Band members
Arpie Gamson – vocals, guitar
Peter Szehoffner – guitar, backing vocals
Tom Longbottom – bass
Jivodar Dimitrov – drums

Guest musicians
Apollo Papathanasio – vocals on “Dead or Alive”
Zoltán Maróthy – lead guitars on “Back in Time”
Roland Grapow – lead guitars on “Fury Road”
Zoltán Kiss – vocals on “Dark Angel”
Máté Bodor – lead guitars on “Mask”
Piotr Sikora – keyboards on “Unholy Game”

Album Review – Jupiter Hollow / Odyssey EP (2017)

A young Canadian duo ready to bring fans of complex music a spacey, experimental and refreshing experience with their excellent debut EP, bursting with high-quality heaviness and progressiveness.

Rating4

ep-cover-odyssey-jupiter-hollowWhen two very young and promising Canadian musicians unite in the name of Heavy Metal and Rock N’ Roll, focusing all their developing talent and crescent passion for heavy music into their compositions, the result is always interesting to say the least. That’s the case with Progressive Rock/Metal duo Jupiter Hollow who, since their inception in the summer of 2015 in the city of Barrie, in the province of Ontario, Canada, are ready to bring fans of complex music a spacey, experimental and refreshing experience, reminding listeners of bands like Tool, Pink Floyd, A Perfect Circle and Rush. And if you enjoy that fusion of heaviness and progressiveness, you definitely should take a shot at their excellent debut EP, entitled Odyssey.

Jupiter Hollow are Grant MacKenzie (21), who plays guitar, bass and synth for the band and started his music career over 8 years ago at the age of 12, sitting in his basement watching the 2009 movie Rock Prophecies, and Kenny Parry (18), who started in music at the young age of 2, setting up pots and pans like a drum set and banging away. Now as Jupiter Hollow the two musicians use technology to their advantage, allowing them to perform with a dominating stage presence while captivated their audiences with their unique sonic journey, consequently catching the attention of the music industry in Toronto. The band then plans on releasing a full-length album titled AHDOMN, giving a short and sweet taste of what they’re capable of delivering in their debut EP, which I’m sure will please your ears avid for high-quality heavy music.

In the first of the five tracks of the EP, named Deep In Space, classic Rock N’ Roll lines are blended with modern Progressive Metal, with Kenny sounding a lot like the iconic Geddy Lee in his prime time (all fans of Rush need to listen to this awesome tune). This song has a beautiful melody with an impactful instrumental, especially the bass lines by Grant and the complex drumming by Kenny. Psychedelic and atmospheric, Ascending is a smooth and passionate ballad that will touch your soul before Hades Heart brings more of the band progressiveness in the form of a classic Rock N’ Roll power ballad. This dynamic Canadian duo knows how to add poetry to their music (“Piece by piece we sit in the sand / On separate beaches / Staring at the same star we fell in love beneath / Travelled once around in each other’s touch / Once alive on an honest trip / My psyche lies and kills your grip / Just give me gas and I’ll light it up”), with a soulful guitar solo by Grant inserted in the music to add more electricity to such inspiring composition.

grant-_-kenny-sandra-beattyOver 50 Years is where they let their Dream Theater vein take the lead, blasting more metallic and thunderous lines through their guitar and bass, again with those eccentric lyrics we always expect in progressive music (“It’s been too long / Since anyone’s tasted sweet sugar on that beach / With everyone facing death / Sinfully stricken poison pet / You say: “These are our people you prick” / These are our fucking people”, I don’t care. / I can’t be associated with you”). The heavier and more intricate riffs by Grant set the stage for Kenny to fire some harsher vocals, turning this into the most exciting composition of the EP in my humble opinion. And the title-track Odyssey, the fifth and final act of this solid album, provides the listener a futuristic voyage through the realms of Progressive Rock and Metal, with the clean vocals by Kenny emanating strong emotions in a James LaBrie-style, while Grant does an amazing job with his minimalist but powerful guitar and bass until the song’s eerie ending.

For every Justin Bieber that’s born in our home and native land Canada, heavy music fights back with a Kenny Parry and a Grant MacKenzie, keeping a necessary balance in our multicultural ecosystem. With that said, if you want to avoid any disruptions in our beautiful Canadian environment, I suggest you go support Jupiter Hollow through their official Facebook page, listen to their fine music and more at their YouTube channel (where you can also stream the full EP), and obviously purchase Odyssey through their official website or BandCamp, on iTunes or on Amazon. If these two young musicians can deliver such excellence in music at a very young stage of their careers, imagine what they will be able to provide with the proper support from fans like you in the coming years?

Best moments of the album: Deep In Space and Over 50 Years.

Worst moments of the album: None.

Released in 2017 Independent

Track listing
1. Deep In Space 5:06
2. Ascending 2:52
3. Hades Heart 4:30
4. Over 50 Years 5:05
5. Odyssey 5:50

Band members
Kenny Parry – vocals, drums, synth/keys
Grant MacKenzie – guitar, bass, synth