Album Review – The Fallen Prodigy / Relive//Regret//Repeat (2018)

Enjoy 11 stunning metal tracks influenced by a myriad of modern Melodic Death Metal and Metalcore elements, brought forth by a multi-talented female-fronted outfit hailing from New York City.

If you’re a fan of modern-day Melodic Death Metal and Metalcore, I highly recommend you go take a detailed listen at Relive//Regret//Repeat, the brand new album by New York City-based female-fronted outfit The Fallen Prodigy. Featuring a straight-to-the-point artwork by Rob Walden (Rob Walden Design), Relive//Regret//Repeat, the follow-up to the band’s 2015 EP Passengers, consists of 11 stunning metal tracks influenced by a myriad of modern metal elements, being absolutely perfect for fans of the high-octane music by renowned acts such as Trivium, Killswitch Engage, Arch Enemy, As I Lay Dying and All That Remains, among several others.

Comprised of the unstoppable Jay Jimenez on vocals, Andrew Padilla and Daniel Davenel on the guitars, Jonathan Rodriguez on bass, and Joseph Falzone on drums, The Fallen Prodigy solidified their lineup back in 2014 and wasted no time, putting together music that can crush the stereotypes that may surround the metal genre. Through hard work, dedication and great music, The Fallen Prodigy set out to bring something new and unique back to the metal scene, and the music found in Relive//Regret//Repeat will show you exactly what they mean by that, smashing you like an insect with its over 50 minutes of top-of-the-line Melodic Death Metal.

The opening track Extinct is modern, visceral and aggressive form the very first second, with the guitar duo Andrew and Daniel sounding absolutely fantastic. However, it’s Jay who steals the spotlight with both her deranged growls and her potent clean vocals, showcasing all her talented right from the start of the album. Even more violent than the album opener, Boy Who Cried Wolf presents a devilish Jay on vocals, singing and screaming about our vile human nature (“You live life like you deserve more than others / Manipulating everyone and everything to have things your way / You long for acceptance and will seek it at any cost / Consumed by arrogance you’ll always find yourself”), while Joseph doesn’t let the insanely high level of energy go down with his frantic beats; followed by Regret, which starts in an almost electronic vibe before exploding into vibrant Metalcore, with Jay once again providing a fantastic balance between her harsh screams and clean vocals and with the crisp sound of guitars boosting the song’s impact considerably.

Leaning towards more traditional Melodic Death Metal (especially the characteristic Scandinavian sound), the whole band blasts the fresh and gripping Stray, with highlights once again to the amazing sound extracted from the guitars by Andrew and Daniel, whereas Misery is led by the dynamic drumming by Joseph, with Jonathan delivering those rumbling Groove Metal punches from his bass while the music alternates between neck-breaking moments and total devastation. The awesome Eighty-Sixed is a heavier-than-hell, straight-to-the-face high-end Metalcore tune where the extremely talented Jay growls and screams nonstop like a rabid beast, or in other words, it’s that type of song that will ignite some serious circle pits during their live concerts; and featuring guest vocalist Lauren Babic of Canadian Alternative Metal act Red Handed Denial, Composure is a very technical and melodic creation by The Fallen Prodigy, yet still as aggressive as it can be, delivering a modern-day message from the band to our ears (“Disaster awaits those who find a home in a filth called misery / My soul is being held captive / Somewhere it’s screaming just let me go home / Just let me go home”).

Then get ready to bang your head like a maniac to the crushing main riff in Fractured, before a slamming feast begins led by the brutal beats by Joseph in a multi-layered composition where Jay thrives thanks to the amazing support provided by her bandmates. In Repeat, featuring guest vocals by Will Ramos of American Deathcore band A Wake in Providence, we face a band that doesn’t know the meaning of the word “soft”, with the total havoc blasted by the entire band being spiced up by the welcome dosage of progressiveness brought forth by the guitar duo to the musicality; followed by Relive, a good song that feels a bit confusing at times despite the always solid work done by the stringed trio Daniel, Andrew and Jonathan, accompanied by guest guitarist Angel Vivaldi. Last but not least, the final song of the album, titled Endure, is a solid statement by Jay and the guys that they will carry on no matter what, keeping the flame of Melodic Death Metal alive and kicking, enfolded in a classic sound with the band’s own twist, therefore ending the album on a truly high note.

You can listen to the entire Relive//Regret//Repeat on Spotify and get a better sense of how potent and dynamic the music by The Fallen Prodigy is, and also visit their Facebook page for news and tour dates, and their YouTube channel for more of their music. And in case you want to grab a copy of such electrifying album, there are several location where you can find it such as the band’s own BandCamp page and Big Cartel (as a CD + poster bundle or a CD + T-shirt bundle), on iTunes, on Amazon, or on CD Baby. If I were you I would definitely keep an eye on what The Fallen Prodigy are up to, because whenever they take your town by storm you must be there to experience a lesson in Melodic Death Metal and Metalcore, just like what they did in Relive//Regret//Repeat. In other words, do you think you have what it takes to face Jay and the guys?

Best moments of the album: Extinct, Boy Who Cried Wolf, Eighty-Sixed and Fractured.

Worst moments of the album: Relive.

Released in 2018 Independent

Track listing
1. Extinct 4:12
2. Boy Who Cried Wolf 4:32
3. Regret 5:55
4. Stray 4:14
5. Misery 4:22
6. Eighty-Sixed 3:10
7. Composure (feat. Lauren Babic) 5:32
8. Fractured 4:20
9. Repeat (feat. Will Ramos) 3:47
10. Relive (feat. Angel Vivaldi) 4:56
11. Endure 5:04

Band members
Jay Jimenez – vocals
Andrew Padilla – guitar
Daniel Davenel – guitar
Jonathan Rodriguez – bass
Joseph Falzone – drums

Guest musicians
Lauren Babic – vocals on “Composure”
Will Ramos – vocals on “Repeat”
Angel Vivaldi – guitars on “Relive”

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Album Review – Heterochrome / Melancholia (2017)

Embark on a journey through the aggressive peaks and heavenly calm moments of life and death, crafted by a five-piece Iranian act that’s willing to face all adversities in their homeland to spread their music all over the world.

Every single time we at The Headbanging Moose do a review of an album by a band hailing from the Middle-East, we never know exactly how hard and dangerous it was (and is) for that specific band to record that album due to all restrictions imposed by religious and political parties in those countries. If you have no idea of what I’m talking about, take a quick read at this short and sweet article titled “How playing heavy metal in Iran can put your life in danger”, posted online at the Huck Maganize website. Formed in 2014 in Tehran, the capital of Iran located in the north of the country, female-fronted five-piece Progressive Metal act Heterochrome have just released their debut effort entitled Melancholia, a journey through the aggressive peaks and heavenly calm moments of life and death, and it seems that they are willing to face all perils and adversities in their homeland to spread their music all over the world.

The band was brought into being when guitarist Mohammadreza Rezaei and vocalist Mida met each other in 2014 and started writing music together, with the rest of the band members joining the duo in the coming years. Displaying a delicate but powerful artwork designed by Caelan Stokkermans, from Caelan Stokkermans Arts (who already worked with another band recently reviewed at The Headbanging Moose, called Ezerath), Melancholia is an amalgamation of sounds and styles, from the darkest and heaviest screams and thoughts to moments of tenderness, love and hope, all meticulously embraced by the band’s progressive and intricate passages. Furthermore, Mida ends up stealing the spotlight with her passionate vocal performance throughout the entire album, and if what people say is true about how women are completely discouraged to create music (in special Heavy Metal) in Iran, putting even their lives in danger for doing that, then she’s not only a highly skilled singer, but also a daredevil metalhead.

The opening track Cage displays tons of progressiveness flowing from all instruments from its very first second, being led by the sharp guitars by Mohammadreza and his bandmate Khashayar Oveisi, with Mohammadreza and the angelical voice of Mida bringing a classy and melancholic vibe to the music. Then leaning towards Progressive Rock blended with contemporary Hard Rock we have Hang, where Mida enchants us all to the precise beats by drummer Mohammad Mirboland and the metallic bass by Armin Afzali, with the songs harsh growls adding  an extra dosage of heaviness and electricity to the song’s introspective lyrics (“Every breath I take, brings me closer / Every second wasted, counts past the border / Every bridge falls broken, burning over  / As I sprint through the myst, the night is over”).

The following track, named Regret, is a smooth instrumental Progressive Metal tune with hints of Acid Rock, generating a dark and soulful “waltz” perfect for closing your eyes and banging your head together with the band. Moreover, Mohammad becomes the “captain” of the ship with both his fast-paced beats and more rhythmic drumming, with the song ending with a kick-ass guitar solo by Mohammadreza. And the band keeps the momentum going with Purgatory, a song highly recommended for fans of all types of heavy music that can be broken down into several distinct pieces, from the hypnotizing, gentle parts led by Mida to a pure metallic extravaganza and more progressive passages, therefore showcasing all the band’s versatility and also experimenting with darker sounds and nuances of Rock N’ Roll.

Their most experimental vein rises in Paradise, with the guitar duo comprised of Mohammadreza and Khashayar spearheading this feast of whimsical tunes and notes, boosted by the intricate bass lines by Armin. Furthermore, this pleasant composition proves Heterochrome definitely know how to use the fusion of male and female vocals in all their creations in a beyond compelling way. And last but not least, let the fires burn to the sound of the thrilling chant Inferno, a multi-layered mid-tempo tune that will pierce your mind and hypnotize you, while the bass lines by Armin embrace Mida’s stunning voice. Once again presenting a gripping guitar solo by Mohammadreza and beautiful, poetic lyrics as the icing on the cake (“Let me bleed / Naked by the fire / I’m drowning deep / Drowning in denial / Burning in / The inferno I made for myself”), the song remains flawless from start to finish, flowing to a gentle ending full of melancholy bursting from both Mida’s and Mohammadreza’s voices.

As aforementioned, I don’t know for sure how dangerous it is for a band like Heterochrome to craft their music in Iran, but it seems that they’re more than ready to take all possible risks in the name of Heavy Metal. With that said, we should all show our utmost support to those Iranian metallers (and to their freedom of speech) by liking their Facebook page, listening to their music on YouTube or on Spotify, and especially by purchasing Melancholia on BandCamp, iTunes, Amazon or CD Baby, always hoping that they succeed in their arduous journey and that they keep delivering good metal music to our ears, therefore inspiring others in Iran to do the same.

Best moments of the album: Hang and Inferno.

Worst moments of the album: None.

Released in 2017 Independent

Track listing
1. Cage 3:36
2. Hang 3:59
3. Regret 4:54
4. Purgatory 5:55
5. Paradise 3:55
6. Inferno 7:53

Band members
Mida – vocals
Mohammadreza Rezaei – guitars, backing vocals
Khashayar Oveisi – guitars
Armin Afzali – bass
Mohammad Mirboland – drums