Album Review – Vanguard X Mortem / Amberosia (2018)

A blend of atmospheric and symphonic extreme music known as “Vampyric Metal”, highly recommended for all admirers of the underworld with an insatiable lust for fresh blood.

There are several amazing bands out there who play what fans like to call “Vampire Metal”, or that at least add a few strong elements of this idiosyncratic subgenre of heavy music to their sound, such as Powerwolf, Theatres Des Vampires, Lord Vampyr, Cain’s Dynasty, Draconian, Lacrimosa, Mandragora Scream, Type O Negative, and perhaps the biggest exponent of the genre, British titans Cradle Of Filth, just to name a few. Hailing from the French capital Paris, here comes a very interesting project named Vanguard X Mortem, also venturing through the realms of Vampyric and Baroque Metal and, consequently, joining all the aforementioned bands in the comfortable darkness where vampires reign supreme.

Formed in 2011 by guitarist and songwriter Christophe Florian (also known as L.C.F), from bands like Comédie Macabre and Lords of the Cemetery, Vanguard X Mortem birthed in stylistic blending of Atmospheric and Symphonic Extreme Metal to create their debut album titled [vanguardismortem], in 2012, followed by the full-length album Neptune Fragrance, in 2014, and the EP Anthropomorphism, in 2016. And Christophe returns now in 2018 with a brand new opus entitled Amberosia, a powerful and somber album of extreme music featuring a fiendish artwork by RectopusArt, highly recommended for all admirers of the underworld with an insatiable lust for fresh blood.

The phantasmagoric keys in the horror movie-inspired intro Séraphin set the stage for Christophe and his Vanguard X Mortem to darken our minds in Amberosia, where blazing riffs and an ominous aura permeate the air before Christophe begins firing his vampyric gnarls, accompanied by the ethereal voice by Alix Rousselet. Furthermore, its headbanging, heavy and somber pace is spiced up by elements from old school Cradle of Filth, therefore enhancing its impact on the listener. La Morte Amoureuse, which is French for “the dead woman”, is top-notch Gothic Metal bringing all elements we love in the genre such as theatrical keyboards, slashing riffs, sexy female vocals and huge doses of melancholy, with a fantastic job done by the band’s skillful trio with their instruments, in special Chrisophe with his devilish guitar; whereas Automn Orchard feels and sounds more romantic and melodic, but with the demonic vocals by Christophe giving it a harsher twist in a solid fusion of Gothic Rock and Metal with Atmospheric Extreme Metal. Alix once again embellishes the music with her delicate vocals, while drummer Marco De Barros keeps the pace as mournful and obscure as possible with his Doom Metal-ish beats.

In the excellent Parish of Disillusionment the band offers us orchestral and symphonic music thoroughly fused with Extreme Metal, resulting in a song perfect for breaking your neck headanging while its fiery keys penetrate deep inside your mind, feeling absolutely macabre from start to finish. Then we have L’Emperesse (or “the empress” in English) beautifully impersonated by Alix, who effectively tells us who the empress is and how evil and mischievous she can be, all embraced by nuances of epicness and mystery flowing from the band’s impactful Symphonic Gothic Metal, followed by Nocturne in the Moonlight, carrying a classic song name for a flammable hybrid of Gothic Metal and Symphonic Black Metal. In addition, the paradox between the hellish gnarls by Christophe and the operatic vocals by Alix brings a very interesting taste to the music, not to mention the song’s amazing guitar riffs and solos.

The Flower’s Blood is another song that puts together in a compelling way the more brutish sounds emanated by Christophe and Marco with the angelic voice of Alix, all boosted by its background symphonic elements; while Solstice, the second to last ode to vampirism by Vanguard X Mortem, sounds as dark as expected, but not as exciting as the rest of the album, falling flat after a while despite still bringing some interesting guitars and keys. And in the eerie outro If the End…, gracious and smooth lines make the perfect ambience for Alix to mesmerize us once again with her lecherous vocals, concluding the album on a high note.

If you’re one of those creatures who only come out at night and enjoy a good blend of atmospheric, symphonic and heavy music as the soundtrack of your never-ending nocturnal quest for blood, I highly recommend you go check what Vanguard X Mortem are up to on Facebook, YouTube, ReverbNation and SoundCloud, and of course purchase Amberosia through the Noir Carrousel Records Big Cartel as a regular CD or as a special CD + T-shirt bundle, as well as at other online retailers like Cultura and Fnac. And then you’ll become addicted not only to fresh human blood, but also to French Vampire Metal.

Best moments of the album: La Morte Amoureuse, Parish of Disillusionment and Nocturne in the Moonlight.

Worst moments of the album: Solstice.

Released in 2018 Noir Carrousel/Socadisc

Track listing     
1. Séraphin 1:51
2. Amberosia 6:45
3. La Morte Amoureuse 5:16
4. Automn Orchard 4:41
5. Parish of Disillusionment 4:34
6. L’Emperesse 4:32
7. Nocturne in the Moonlight 3:46
8. The Flower’s Blood 5:17
9. Solstice 4:48
10. If the End… 3:14

Band members
Christophe Florian – vocals, guitars, programming
Alix Rousselet – female vocals, violin
Marco De Barros – drums

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