Album Review – Guardian Of Lightning / Cosmos Tree (2020)

Behold the mighty sound of the ultra-heavy electric bass by a Brazilian power trio who praises the gods of thunder and metal in their excellent debut opus.

Known as the the herald of a new wave of metal music, curiously labeled as “Thunder Metal”, Guardian Of Lightning are a three-piece band based in São Paulo, Brazil featuring lead bassist Iron King, his father Marco Fino on vocals and rhythm guitar, and Lord Drum on drums, with their unique sound being a fresh take on the metal genre, replacing the typical lead guitar role with that of an ultra-heavy thundering electric bass. Lead bassist Iron King (yes, that is his real name) grew up surrounded by music, inspiring him to follow in the footsteps of bass legends such as Cliff Burton, Joey DeMaio and Lemmy Kilmister and, therefore, leading him to form Guardian Of Lightning back in 2017. Produced by Eurico Tavares at Stage Record Power Audio Studio, the band’s debut opus Cosmos Tree makes it clear from the very first second that the electric bass is front and center throughout the entire album, but each individual song will also bring to you a wide variety of sounds, an undeniable sync and dynamism between the band members, and of course, the magic of our beloved Heavy Metal.

The album’s atmospheric Intro will certainly invite you to the heavy world of Guardian Of Lightning, setting the tone for the epic title-track Cosmos Tree, which reminds me of the mighty sound blasted by Grand Magus infused with the rockin’ elements from the music by Motörhead, with Lord Drum dictating the rhythm with his pounding beats while Iron King shreds his bass in great fashion.  In the superb Raise Your Sword, the Mark Tornillo-like vocals by Marco walk hand in hand with the thrilling Power Metal beats and bass punches fired by Lord Drum and Iron King, respectively, also bringing hints of 70’s Progressive Rock and Metal through their intricate and thunderous bass sounds, followed by the also epic Sound of Thunder, exactly what Iron King delivers from his rumbling bass, showcasing an accelerated pace and classic riffs and lyrics, therefore resulting in an ode to all things rock and metal tailored for fans of the music by Manowar and other bands that love to add endless epicness to their creations. And once again inviting us all to bang our heads in the name of metal, the trio masterfully smashes their instruments in Aligned With the Stars, where the riffage by Marco provides an amazing support to Iron King’s metallic bass.

Then adding elements from Blues to their core sonority, the trio brings forward the beautiful Follow Your Silver Shine, where Iron King is once again majestic with his visceral and electrifying bass jabs and solos, while his father Marco showcases a fun and vibrant vocal performance from start to finish, whereas Inside of Us presents another solid fusion of Stoner, Sludge and Southern Metal with more epic styles such as classic Heavy and Power Metal, not to mention that what Iron King does with his bass is truly impressive, making our heads tremble with awe. Lord Drum begins hitting his drums harder than usual in the also rockin’ Another Place, where it’s a pleasure to witness the sonic synchronicity of father and son crushing their strings with power and dexterity, and they keep jamming with passion until the very end. Lastly, slowing things down a bit the band offers the more serene and classic Be Like the Moon, where Iron King once again showcases all his skills armed with his bass, and albeit this song is not as creative or inspiring as its predecessors, it still provides the listener a very good reason for having a cold beer and headbanging nonstop.

After taking a few detailed listens at Cosmos Tree, you’ll see it’s easy to understand what Guardian Of Lightning mean with the expression “Thunder Metal”, because that’s exactly what you’ll get throughout the album’s over 30 minutes of music, pure and mighty thunder in the form of our good old Heavy Metal, consequently paving an interesting path ahead of Iron King and his loyal henchmen for the coming years. Hence, don’t forget to follow such promising band on Facebook and on Instagram, to listen to more of their music on Spotify, and above all, to purchase your desired version of Cosmos Tree by clicking HERE, proving to the gods of thunder and metal you deserve a place right by their side in Valhalla.

Best moments of the album: Raise Your Sword, Sound of Thunder and Follow Your Silver Shine.

Worst moments of the album: Be Like the Moon.

Released in 2020 Eclipse Records

Track listing
1. Intro 1:09
2. Cosmos Tree 5:00
3. Raise Your Sword 3:41
4. Sound of Thunder 4:17
5. Aligned With the Stars 3:29
6. Follow Your Silver Shine 3:58
7. Inside of Us 3:15
8. Another Place 4:55
9. Be Like the Moon 3:29

Band members
Marco Fino – lead vocals, rhythm guitar
Iron King – lead bass guitar
Lord Drum – drums

Metal Chick of the Month – Lena Scissorhands

Walking in the night, I am trying to find you…

Before even starting this tribute to our metal chick of the month of July, let me just say her life is pretty much an open book. I mean, you can find pretty much anything about her online, and what you’re about to read might not be a surprise for you at all. However, that doesn’t mean she doesn’t deserve to be featured on our webzine, as she’s not only extremely talented and passionate for heavy music, but she’s also a hardworking metalhead that never stops creating top-of-the-line music and videos for the delight of hundreds of thousands of metalheads from all over the world. Not only that, apart from her life in Heavy Metal she’s also a model and a makeup artist, proving her success, respect and admiration from her fans are not in vain. I’m talking about the unstoppable Moldovan vocalist Lena Scissorhands, the ravishing frontwoman for an up-and-coming Alternative and Nu Metal act that goes by the classy name of Infected Rain. Having said that, are you ready to be “infected” by Lena’s charisma and electricity here on The Headbanging Moose?

Born on November 22, 1986 in Chișinău, also known as Kishinev, the capital and largest city of the Republic of Moldova, nestled between Ukraine and Romania in Eastern Europe, Lena Scissorhands, whose real name is Elena Kataraga, fell in love with alternative music when she was 13 years old, although her real “crush” for metal music happened when she was 14 as she got simply mesmerized by the energy flowing from the sound of heavy guitar riffs and the brutality from harsh, guttural vocals. Due to her poor beginnings in Moldova, life was quite challenging for Lena and her family, forcing her to start working at a very young age to support her parents (who were very young when they had Lena) and her two younger sisters, with whom she mentioned she used to share her clothes and eat whatever was available (as well as pretend to be the Powerpuff Girls with them to lighten things up a bit). Looking on the bright side of life, those tough early days turned Lena into a very strong woman, always eager to achieve more through her work and always ready to provide help to the ones in need.

Currently residing in Las Vegas, Nevada, in the United States, Lena mentioned in one of her interviews that the idea that the “Sin City” is a weird place bursting with people from all over the world only works if you’re a visitor, as living there is a complete different thing. She said if you live in Vegas you’re not really that much in contact with that lifestyle, unless of course that’s part of your job, but living there is pretty quiet due to the city’s remote location. Furthermore, apart from her current life in Vegas, Lena has also lived in different European countries, which kind of explains why she’s fluent in four languages, those being Russian, Romanian, English and Italian. “I’m very proud to speak all these four languages, and unfortunately I used to speak another language fluently. When I was a child, I used to live in Armenia, and I used to know Armenian like I know English – very, very well. I lived there for many years. But unfortunately, because of different life changing and living in different countries, and I was not in touch with my father because my parents separated and stuff like that, so I didn’t really use it. And a language, you lose it when you don’t use it. I do understand a little bit, and I can say a few things, but that’s it. So I don’t even consider that,” said Lena, who also explained she writes all her lyrics in English as the language became very natural to her, especially when she was attending university, although she actually started writing lyrics in Russian when she was a teenager at the age of 14.

It’s time to get down to business and start talking about Lena’s life with her awesome band Infected Rain, the band she started over ten years ago together with guitarist Vidick and Dj Kapa. At first, Lena said she didn’t know if she would be able to sing in a band in a professional way, but with the support from her bandmates and after starting taking vocal lessons with Tatiana Robertovna, with whom Lena learned how to breathe, how to feel the music and how to sing, Infected Rain became her number one priority and her reason to live. Formed in 2008 in her hometown Chișinău, Infected Rain combine a wide variety of styles such as Alternative, Death and Nu Metal with Metalcore and even elements from electronic music in an infectious sound, having already released a self-titled demo in 2008, the EP Judgemental Trap in 2009, and four full-length albums, those being Asylum (2011), Embrace Eternity (2014), 86 (2017) and more recently the excellent Endorphin (2019), showcasing all the power and versatility of the band currently comprised of our metal goddess Lena and her henchmen Vidick and Sergey on the guitars, Vladimir on bass and Eugene on drums. There are several official videos on YouTube for some of the best creations by Infected Rain, such as Me Against You, Mold, Stop Waiting, At The Bottom Of The Bottle, Serendipity, Enslaved By A Dream, a kick-ass cover version for Slayer’s Stain Of Mind, Judgemental Trap, Sweet, Sweet Lies, Fool The Gravity, Intoxicating, Orphan Soul, the absolutely stunning The Earth Mantra, Storm, Lure and Passerby, or you can also go to their official website or Big Cartel page to purchase their albums and some pretty cool merch.

Before signing with Napalm Records in 2019, Lena and the boys used to manage Infected Rain by themselves for around 10 years, booking their own concerts, taking care of all agreements and duties of a regular manager and so on, facing tons of challenges and hassles along the way. In one of her interviews, she mentioned that one of the biggest obstacles for Infected Rain during those years were promoters and booking agencies that didn’t want to work with them simply because they were independent, thinking they were a difficult band and that’s the reason why they were independent, when the only reason for that was the fact they came from a poor country with no possibilities at all. Having said that, why not enjoying a full performance by Infected Rain from their independent years, more specifically from their 2016 incendiary performance at Rockstadt Extreme Fest or from their 2017 concert at Club Thing in Germany? In addition, simply check this video titled “10 questions with Lena Scissorhands | Infected Rain” to know a little more about Lena and the band.

Apart from her life with Infected Rain, you can also find our multi-talented artist on a few other distinguished bands and projects, showcasing all her skills as a musician and her passion for music in general. For instance, she has been doing some singing during the live performances for a Moldovan Progressive Death Metal act called Neuromist since 2010 (although I couldn’t find any online video recording of her with the band), she has recorded a cover version for Russian duo t.A.T.u’s biggest hit All The Things She Said together with LA-based Alternative Rock act Chase The Comet, and also participated in some of the songs by Moldovan Progressive Metal/Rock band Seas on the Moon such as Promise and Hovering. As you can see, singing and playing became Lena’s own type of “drug”, her personal and healthy addiction, inspiring her to exercise and experiment a lot with her voice in different styles. All that work and experimentation would leave her voiceless for days in the beginning, but after starting her vocal lessons with renowned vocal coach Melissa Cross in 2013 everything changed for better in her life and career, allowing Lena to start delivering all the emotions, experiences, fears and disappointments in life from her very personal lyrics on stage without hurting her vocal cords.

As the amazing frontwoman that Lena is, she has obviously been asked a lot of times about how she views the current role and importance of women in heavy music, and what can be done to further enhance their relevance in the scene. However, although feminism and sisterhood in the metal scene are quite popular topics nowadays, she doesn’t consider herself a true feminist. “I know a lot of people expect me to be a little bit more feminist, or to talk more about how awesome it is to be a girl in metal. I really don’t do this big of a difference. I love seeing many girls in metal in general. It’s really cool because it takes dedication and women usually are very busy with their everyday life, with their families, with their kids, and it’s not that easy if you’re a woman, to give up everything. It’s a little bit easier for a man. Maybe. I don’t know,” said Lena, who also thinks that there isn’t a big difference between men and women in metal music, especially due to the fact she grew up in the company of boys in her neighborhood and considered herself very boyish until she was 15 or 16 years old. “I became more feminine later, but that’s it. That’s only the way I look. Inside I’m very fragile, I like being a woman, I like being fragile, I like being loved, I like being taking care of. But trust me, a man can say the same. Men also love to be loved, men also loved to be weak sometimes, and men also have weaknesses and emotions. We have blood, muscles, we are the same! Right? So, I really don’t see a big difference.”

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Lena is unsurprisingly addicted to sports, to touring and to adrenaline, saying she’s disciplined enough to work out at home, backstage or in a hotel room before her concerts. “I love yoga a lot because I become stretched really well. I like building up my body and you know, doing some weights sometimes. I don’t do cardio, because I have very low blood pressure, but at the same time I love hiking, I tried climbing as well, and I like biking a lot,” said Lena, who also mentioned she has a ritual before hitting the stage every show and sometimes even during her days off, requiring between half and a full hour of exercising and a minimum half hour of vocal warm-up, plus another hour to do her makeup, allowing her to feel perfectly prepared, stretched and warmed up prior to each concert. Moreover, Lena’s creations with Infected Rain are all meant to be played live, as according to our talented growler they’re extremely close to reality, expressing exactly what Lena was feeling when writing them, with some songs becoming even stronger during the band’s live performances.

As a huge fan of cartoons and horror flicks, Lena seems to be really into Disney and vampire movies, two completely different things that ended up helping her shape up her own persona quite well. “I became a big Disney nerd at an older age. When I was a kid I grew up in a pretty poor family and we didn’t really watch Disney movies unless they were on TV. So, I would say I really love Lion King because this was my first Disney movie I’ve ever seen and it’s very emotional. I also absolutely love Snow White, because I think it’s just amazing how unique it is, and it was the first cartoon movie that was made so… I also love a lot Alice in Wonderland, because I’m a big fan of the book as well, and I really like how unique the movie is, but still – you know – having the lot from the book… I can go on and on like this forever and ever. There are so many good ones,” commented Lena, who also said in one of her interviews that as she grew up with the tales of Dracula, she loves every type of vampire movie ever made, even lower budget productions or comedies about vampires, complementing by saying that she has also been watching a lot of zombie movies, that she has already gone through all the Halloween and Friday the 13th franchises, and that now she wants to watch all the Resident Evil and A Nightmare on Elm Street movies as well.

As already mentioned, Lena also used to be a hair stylist and makeup artist, and as a proud vegan she usually tries to use vegan makeup instead of the regular brands you can find anywhere, saying one of her favorite brands is Kat Von D as she’s a vegan artist and all her makeup line is vegan as well. However, despite working with makeup, she truly believes charisma and kindness are what really attract her in people, saying that’s the true beauty in everyone. Furthermore, she also thinks there’s too much judgement or bias based on how a person looks nowadays, saying she doesn’t reply and she deletes all types of unnecessary comments such as “you’re too skinny”, “you have too many tattoos” and so on from her social media, complementing by saying we all punish ourselves too much already inside our minds to allow strangers to do the same for no reason.

Regarding veganism and her view of what’s happening to our environment, our skillful vocalist said she decided to become a vegan to see how she would feel, how much that would impact her health and her body, realizing she started to have a lot more energy on tour after adapting her eating habits around three years ago. Hence, you can notice the impact of her vegan lifestyle in the music by Infected Rain, with songs like the amazing The Earth Mantra beautifully (and darkly) representing everything that’s wrong with mankind in terms of all the wicked things we are doing to our planet. Despite not considering herself a true environmentalist, Lena is trying to be sensitive about nature, about animals and plants, and being more aware of her surroundings and how her actions impact everything and everyone in her life. Although a lot of people are trying hard to change their habits to have a minimal impact on our planet, Lena still thinks that’s not enough, that the current situation is extremely bad and that unfortunately it will take decades for the human race to change. If you’re also trying to make the world a better place you’ll certainly love the official video for The Earth Mantra, where Lena “interacts” with different bugs and other animals most people are not comfortable dealing with. “All the animals were real. I was very gentle with them. The owner of them was there, telling me how to hold those animals so no harm was done. I’m not scared of any bugs or anything. It’s actually a problem because I’m not afraid and I want to pet them and I want to touch them. So no, I’m not afraid,” commented the dauntless Lena.

Lastly, as also mentioned in the beginning of this tribute to Lena, her life is like an open book online, and let’s say she’s very proud of not being afraid of sharing all aspects of her life with her family, friends and fans worldwide. One of the main places where you can know everything about Lena is her official YouTube channel curiously titled BANANAS (as well as her own Patreon page), where you’ll find pretty much anything about her life, her hobbies, her career, her tattoos and other nice-to-know details, including also some interviews and chats with artists the likes of Melissa Cross and CJ McMahon (Thy Art Is Murder), and with all videos being edited by one of her bandmates, guitarist Vidick. For instance, there’s a very interesting video of Lena talking about the origins of Infected Rain which you might find very entertaining and informative, showing how much she’s not only a fantastic singer, but also that she was born to be in the spotlight so natural and smooth her onscreen performance is, and that’s exactly how she wants her YouTube channel to be for the foreseeable future. “When I decided to have my own YouTube channel and I saw that the band is becoming more known around the world and people are curious about me as a person, I made myself one promise, and I’m just trying to stick with that, and that’s it. It’s just I’m always going to be myself, and if people are not gonna like what they see or what they hear, it’s not in my power to change anybody’s mind, and I will never try to do that,” said Lena, inviting us all to join her in her world of heavy music, veganism, tattoos, and of course, bananas.

Lena Scissorhands’ Official Facebook page
Lena Scissorhands’ Official VKontakte
Lena Scissorhands’ Official Instagram
Lena Scissorhands’ Official Twitter
Lena Scissorhands’ Official YouTube channel
Infected Rain’s Official Facebook page
Infected Rain’s Official VKontakte
Infected Rain’s Official Instagram
Infected Rain’s Official Twitter
Infected Rain’s Official YouTube channel

“Reality is frustrating sometimes, music has become my escape. I want to help as many people as I can with my music. I want to touch people somewhere deep inside, try to end their fears and give them that escape that they always search for. Music saved my life, but when I started to sing is when my life acquired color.” – Lena Scissorhands

Interview – Silver Nightmares

It’s time to dive into the progressive dreams of Italian rockers Silver Nightmares in this exclusive interview where they talk about their debut EP The Wandering Angel, their biggest challenges as a band and their main influences in music.

Alessio Maddaloni and Gabriele Esposito (Silver Nightmares)

The Headbanging Moose: First of all, thank you guys for the interview. Let’s start with a very simple question, which is who is Silver Nightmares? Could you please talk a little about the band, your origins and your mission?

Alessio Maddaloni: It’s a real pleasure for us! Thank you for the interview and for your support!  The band was formed in Palermo in 2018 by bassist Gabriele Esposito, keyboardist Gabriele Taormina and me on drums. It was a “strange meeting” ’cause we were involved in another band! We had “different views” with the leader of the band, we were quite unsatisfied, so we decided to split and to create a new band. We know it’s impossible to make something “unique” in music but we wanted to mix our various influences to create a “recognizable trademarked sound”. This is our mission 😉

THM: Why has the band gone through so many lineup changes in such a short period of time, as Silver nightmares was just formed a couple of years ago? I mean, what was the main reason for having an unstable lineup until now?

AM: Here in Palermo there are a lot of great musicians but it’s difficult to meet someone interested in creating unreleased music. We, the founders, coexist harmoniously but we were searching for motivated and “enthusiastic people” to play with. We went through several configurations (that’s why we turned our first moniker from “Silver Dreams” to the new one “Silver Nightmares”) until arriving at our current line-up with Mimmo Garofalo (guitars), who some years ago played with Gabriele Taormina in a prog band called Bright Horizon, and Michele Vitrano (vocals) and Tody Nuzzo (guitars), who played with me and Gabriele Esposito in a heavy metal cover band (HM80).

THM: You’ve just released your debut album, entitled The Wandering Angel. Can you give us more details about the album? What’s the main idea or theme behind it, and how happy is the band with the final result?

Gabriele Esposito: Our concept album is about the loss of the human spirituality. Being spiritual to us is more than being religious. Whereas the word “religion” generally refers to organized forms of worship and a wider faith community, “spiritual” often describes people’s private individual beliefs. “Our wandering angel” is coming from a distant star, the star of life. He falls down from heaven and begins its path on earthly contamination. Between heroes of the past and shrewd characters nowadays the real meter of his research will be the journey into the universe. We’re really happy of the result we achieved! We would like to thank all the magazines, fanzines, radio broadcasting for their support.

THM: As a fully independent band, what were the main issues you faced during the recording of The Wandering Angel, and what went better than expected? I’m sure you have a ton of “lessons learned” to share with us.

GE: Well said! It’s not easy for fully independent artists to make the most of every recording session and it is very important to make the right choices. For the pre-production of the EP, we worked out as much as we could before stepping into the studio. Fortunately, we contacted some professionals for the recording, mixing and for the mastering of our work. We didn’t want a “prefabricated sound” (I mean no drum triggers). Of course, there were some mistakes too but as a first studio experience, we think our final result was pretty good.

THM: The entire album carries a very pleasant and cohesive vibe, with each song maintaining pretty much the same level of electricity and a polished yet raw sonority. How did you guys manage to reach such high level of quality and professionalism in your debut album?

Album Review – Silver Nightmares / The Wandering Angel EP (2020)

GE: Thanks indeed for your compliments! We tried to do our best. Well, as I said before, our EP is a concept album so all the songs are interconnected. For us this was achieved through our central lyrical theme. It was very natural to keep a cohesive vibe and quite the same level of electricity. I mean it was not a deliberate choice… Music guided our journey 🙂 I think this could be our trademark in the future: Let the music guide you and everything will be fine!

THM: One of the songs of the album, D.D. (Dick Dastardly), is obviously your personal tribute to one of the greatest villains in the history of cartoons. How did you come up with the idea of paying a tribute to such unique character, and when and how did you decide it was going to be an instrumental track?

AM: Such is my passion for this cartoon!! 🙂 As you said, Dick is one of the greatest villains in the history of cartoons. He is dishonest, selfish and unsportsmanlike. He definitely wants to win! In life there are a lot of people like him… who fail from the start… About the track… we decided it was going to be an instrument track following the advice of Mimmo Garofalo. We had already written the lyrics but we liked his suggestion and we changed our minds.

THM: How’s the current rock and metal scene in your hometown Palermo and in the entire Sicily? I’m pretty sure that now with all this COVID-19 situation not only the bands but also the venues all over Italy might be struggling to survive. Are you guys experiencing the same issues right now, and how are you dealing with that?

GE: Yep 😦 Fortunately the curve has started to descend and the death toll is also starting to drop. Here in Italy all the venues were closed and there was no chance to rehearse. We stand waiting for better times. During this period of lockdown we began writing new stuff for a full length album and we tried to promote our EP the best we could.

THM: What your main inspirations in music and in life in general? Also, which bands do you dream of sharing the stage one day in Italy, or which rock and metal festivals do you dream of playing anywhere in the world?

Gabriele Taormina: We are music addicted! We have a lot of different influences and tastes. Alessio likes a lot bands like Testament, Judas Priest, Savatage, Annihilator, Marillion, Transiberian Orchestra, Anvil, Jethro Tull. Gabriele Esposito loves fusion but also bands like Supertramp, Toto, Beatles, Iron Maiden, King Crimson, Triumph, Peter Gabriel. I’m mostly into the Prog/A.O.R scene I love Kansas, Queensryche, Ten, Asia, Anathema, Dream Theater, Katatonia, Rush, the Swedish prog etc… I think it could be interesting to share the stage with some of the Italian prog bands. As you know, there is a great “progressive rock” tradition here in Italy. It would be awesome too to play our music in ENGLAND. The homeland of progressive rock 😉 Well, about metal festivals…Progfest, Wacken, Hellfest? 🙂 Why not? 🙂 I have many things to say and write but I’ll stop here, even because dreaming doesn’t cost anything! 🙂

Gabriele Taormina (Silver Nightmares)

THM: How was your agenda before the lockdown began due to COVID-19? Was the band being scheduled to play all over Sicily, Italy and anywhere else? And what are your plans for after this crisis is over?

GT: We were starting to rehearse with a stable line-up in view of some dates/festivals here to play all over Sicily. We hope this crisis will be over soon! As Gabriele Esposito said, during the lockdown we also began writing songs for the new Cd. We already have some interesting stuff 🙂 We hope to rehearse soon. Time will tell 🙂

THM: Once again, thank you very much for spending some time with us. Please feel free to share anything you want with our readers, including where they can buy your music, and I hope to hear more from Silver Nightmares in a not-so-distant future!

GT: Thank you for the opportunity you have given us today to discuss and to introduce Silver Nightmares! Our EP is available on all the digital stores and CD format (but it’s a special limited edition, 300 copies). We’re also on Bandcamp. If some of your readers is interested in our EP. It’s quite simple to order it! You just need to contact us on Facebook/Twitter/Instagram/Bandcamp or to check the site of the italian label Artewiva. Prog on! 😉

Links
Silver Nightmares Facebook | Instagram | Twitter | YouTube | Spotify | Apple Music | BandCamp

Album Review – Senescere / Alive But Somewhere Else (2020)

Focusing on struggling with the pain of loss, the new album by this Maryland-based metal band reflects all the dynamism and difficulties faced during all stages of grief.

Originally formed as an instrumental and acoustic solo project by vocalist and guitarist Alden Bradstock (Seventh Seal) in 2014, Westminster, Maryland-based Melodic Death Metal act Senescere grew into a full band with the addition of three new members in 2016, Nathan Heavel on bass, Andy Stark on drums and Josh Clark on additional vocals (all from bands such as Seventh Seal and Vestascension), allowing Alden to expand the band’s musical reach to a more aggressive and abrasive sound in their brand new opus Alive But Somewhere Else. Produced by Alden and Josh themselves, engineered and mixed by Josh at Dark Hollow Studio, mastered by Scott Atkins at Grindstone Studio, and featuring a stylish cover photograph by Mandy Martz Chappell, the album focuses on struggling with grief, turning to unhealthy sources of comfort and creating a false sense of happiness to deal with a loss. As stated by Alden himself, “loss and aging have been the central theme of this project since the beginning. I think I’ll always find some inspiration there, and new ways of looking at the pain and struggles it can bring. There are all kinds of faces and stages of grief. It’s dynamic, it isn’t always dark and miserable. It’s deceptive and difficult to categorize. I wanted the music to reflect this somehow, and I think that’s why I enjoy mixing multiple styles and varying intensity in the songwriting. It’s allowed to be extra melodic and catchy at times, just as it’s allowed to dive into blasting drums and tremolo picking if the song calls for it.”

And the smooth guitar lines by Alden ignite the atmospheric intro Freezing Of The Hillside, setting the stage for the band to stun us all in Lost In The Cold, where Alden’s deep guttural roars walk hand in hand with the classic beats by Andy, blending elements from Groove and Progressive Metal with their trademark Melodic Death Metal. Then speeding things up and enhancing their rage the quartet blasts the thrilling The Low Clouds, bringing forward dark and pensive lyrics (“Here I, as a loner / Do feel the texture of the edge / Tracing paths for days on end / A crisp and jagged line / So easy to step over / So welcoming to fall from”) and the usual strength and fury from Scandinavian metal, followed by Alive, clearly inspired by the modern and melodic metal music played by bands like Insomnium and Amorphis, with Alden growling with tons of anguish while Nathan and Andy give a lesson in groove and intricacy with their respective instruments, not to mention Josh’s spot on backing vocals.

After such powerful display of metal music, simply sit down, relax and let the enfolding lines from the instrumental piece Melted penetrate deep inside your mind before a wall of sounds smashes your senses in the fantastic Resonate, where Alden’s crisp riffs are beautifully complemented by the low-tuned bass by Nathan, exhaling progressiveness and feeling and all spiced by Alden’s piercing guitar solo; whereas Alden and Josh make a fantastic vocal duet in Aging Affinity, blending the visceral and violent sounds of classic Death Metal with the harmony and complexity of more modern styles, ending in a cryptic and atmospheric way. Heartspace is perfect for slamming into the circle pit while at the same time enjoying the sharp and intricate beats by Andy and the thunderous bass lines by Nathan, resulting in another ode to contemporary Scandinavian Melodic Death Metal that ends up warming up our senses for almost ten minutes of Senescere’s wicked music in Moon And Sun, where the band’s razor-edged riffs, pounding drums and obscure vocals invite the listener to an exciting metal voyage in what’s by far the most progressive and detailed of all songs, even bringing hints of Black Metal and putting an introspective and climatic ending to the album.

Highly recommended for fans of the melodic and pensive heavy music played by renowned acts the likes of Dark Tranquillity, Amorphis, Opeth, Katatonia and Insomnium, among several others, Alive But Somewhere Else can be appreciated in its entirety on YouTube and on Spotify, but of course in order to show your true support to Alden and his henchmen you should definitely purchase a copy of the album from their own BandCamp page, as well as from Apple Music and Amazon. Also, don’t forget to follow them on Facebook, Instagram and YouTube for news, tour dates and more of their classy music, helping you cope with loss and pain to the sound of our beloved Heavy Metal and, therefore, keeping Alden and his Senescere beyond inspired to create more of their multi-layered and meaningful music for many years to come.

Best moments of the album: Lost In The Cold, The Low Clouds and Resonate.

Worst moments of the album: None.

Released in 2020 Independent

Track listing
1. Freezing Of The Hillside 2:54
2. Lost In The Cold 4:12
3. The Low Clouds 5:36
4. Alive 3:36
5. Melted 2:13
6. Resonate 3:54
7. Aging Affinity 4:26
8. Heartspace 3:55
9. Moon And Sun 9:34

Band members
Alden Bradstock – guitars, vocals
Nathan Heavel – bass
Andy Stark – drums
Josh Clark – additional vocals

Album Review – Trivium / What The Dead Men Say (2020)

It’s time to listen to what these four (un)dead men from Orlando, Florida have to say in their thrilling new opus.

Three years after the release of the excellent The Sin and the Sentence, the unrelenting Matt Heafy on lead vocals and guitar, Corey Beaulieu on guitar and backing vocals, Paolo Gregoletto on bass guitar and backing vocals, and Alex Bent on drums and percussion, collectively known as Orlando, Florida-based Heavy Metal unity Trivium, return with another round of their always cohesive and breathtaking heavy music in What The Dead Men Say, the ninth studio album and another awesome addition to their undisputed career. Recorded at Studio 606 West in Northridge, Los Angeles, California, engineered, mixed and produced by Josh Wilbur, and mastered by Ted Jensen, What The Dead Men Say brings forward a myriad of styles and sounds that will please fans of all phases of the band, from Melodic Death Metal to Progressive Metal, Black Metal, Thrash Metal and Deathcore. “We’ve found a really great place to exist in this world. We love Melodic Death Metal, we love Death and Black Metal, and we love Hardcore. What the Dead Men Say is everything we do on one record,” commented Matt about their newborn spawn.

Furthermore, like The Sin and the Sentence, the lyrical content on What The Dead Men Say was inspired by modern aspects of life, with the album’s title being taken from a science fiction novella of the same name written by American writer Philip K. Dick, first published in Worlds of Tomorrow magazine in June 1964. For instance, “Catastrophist” deals with the theme of humanity in a crisis, “Amongst the Shadows & the Stones” is about the horrors of war, “The Defiant” was inspired by R. Kelly’s documentary and abuse-enabling, “Bending the Arc to Fear” talks about the surveillance aspect of modern society, and so on, with the closing song “The Ones We Leave Behind” being about “running over” people to succeed in life, delivering a powerful message and portraying a whole new meaning in the wake of the 2019–2020 COVID-19 pandemic. With that said, it was more than obvious that the fusion of a precise and powerful music with meaningful lyrics would result in another future classic by Trivium, leaving us eager for more of their always-evolving and never-repetitive music in the years yet to come.

As soon as you hit play, the cinematic instrumental intro IX (a clear reference to the fact that What The Dead Men Say is their ninth full-length album) sets the stage for Matt & Co. to kick some ass with the title-track What the Dead Men Say, where Alex begins crushing his drums with tons of precision and fury accompanied by the scorching riffs by Matt and Corey. Bringing elements from the Progressive and Groove Metal by bands like Lamb Of God added to their core musicality, this is indeed an excellent way to start their new opus, followed by Catastrophist, one of the previously released singles of the album, keeping the groove and electricity flowing from start to finish. Moreover, its razor-edged riffs remind me of some of their compositions from their 2013 album Vengeance Falls, while Paolo makes the earth tremble with his sick bass jabs.

Then it’s time to go absolutely mental to the sound of Amongst the Shadows & the Stones, by far my favorite of all songs, presenting their trademark riffage and solos, intricate beats, tons of breaks and variations and an endless amount of violence in a hybrid of Groove, Heavy and Thrash Metal, with Matt rabidly roaring the song’s lyrics (“Bloodied corpses, broken bones reveal / A throng of clashes crushed, our nightmare sealed / Amongst the shadows and the stones”), whereas the semi-ballad Bleed Into Me, despite the solidness of the instrumental pieces (in special Paolo’s somber bass lines), doesn’t really click and falls flat after a while, but there’s nothing to worry about as this is the only low (or maybe I should say less intense) point of the entire album. And back to their usual high-octane mode the quartet fires the also amazing The Defiant, showcasing Iron Maiden-inspired guitars walking hand in hand with the vicious beats by Alex while at the same time presenting a great balance between Matt’s clean vocals and harsh screams. As a matter of fact, could this be an “alternate” version or a sequel to their classic “The Deceived” due to the sonic similarity between both songs? That’s a question only Matt, Corey, Paolo and Alex can answer, of course.

In the top-of-the-line Sickness Unto You a mellow and melancholic start gradually morphs into a violent metal feast by Trivium, with sheer rage flowing form Matt’s vocals while he and Corey demolish our ears with their razor-edged riffs, both supported by the always thunderous bass by Paolo, whereas Scattering the Ashes can be considered a good example of how diverse their new album is by blending the music from Silence In The Snow with In Waves, once again presenting a solid instrumental and spot-on backing vocals overflowing pure anguish. Then we’re treated to more of their always cryptic lyrics (“A strain of vigilance / Deep roots that all connect / We wait so diligent / Watching you / Watching you”) in Bending the Arc to Fear, starting in a Black and Thrash Metal-ish vibe and sounding perfect for slamming into the pit to the sound of the bestial drums by Alex. On a side note, I personally love the strident and metallic sound of their stringed axes throughout the entire album, enhanced by its crisp and polished overall production. Lastly, closing the album the quartet offers us all the melodic and vibrant The Ones We Left Behind, featuring the rumbling bass by Paolo accompanied by the stunning beats and fills by Alex while Matt and Corey give a lesson in riffs and feeling, concluding the album in a powerful and effective manner.

After listening to What The Dead Men Say in its entirety for a few times, you’ll quickly notice how not only the band’s technique and professionalism, but also their synchronicity, have been growing stronger and stronger through the years, pointing to an even brighter future for Matt and his bandmates in a near future and, therefore, positioning Trivium as one of the driving forces of modern-day metal music, never sounding tiresome nor predictable at all with each one of their releases. Hence, go check what the boys are up to on Facebook and on Instagram (especially because they’re all very active users of most social media platforms), subscribe to their YouTube channel, and above all that, grab your copy of such entertaining album from the Warner Music webstore or click HERE for all locations where you can buy or stream the album (and if you have some extra money go for the Japanese Edition of the album, as it contains two very special acoustic versions for the songs “Bleed Into Me” and “Scattering the Ashes”), raising your horns, banging your head and listening to what the (un)dead men from Trivium have to say through their unparalleled music.

Best moments of the album: Amongst the Shadows & the Stones, The Defiant, Sickness Unto You and The Ones We Left Behind.

Worst moments of the album: Bleed Into Me.

Released in 2020 Roadrunner Records

Track listing
1. IX 1:59
2. What the Dead Men Say 4:45
3. Catastrophist 6:28
4. Amongst the Shadows & the Stones 5:40
5. Bleed Into Me 3:49
6. The Defiant 4:29
7. Sickness Unto You 6:14
8. Scattering the Ashes 3:25
9. Bending the Arc to Fear 4:46
10. The Ones We Left Behind 4:57

Japanese Edition bonus tracks
11. Bleed Into Me (Acoustic version) 3:45
12. Scattering the Ashes (Acoustic version) 3:04

Band members
Matt Heafy – lead vocals, guitar
Corey Beaulieu – guitar, backing vocals
Paolo Gregoletto – bass guitar, backing vocals
Alex Bent – drums, percussion

Album Review – Katatonia / City Burials (2020)

The most free-spirited of modern metal bands returns with absorbing 58 minutes of meticulously crafted melodies and inspired, idiosyncratic arrangements.

“In days and nights of black and silver, the dead end king will come. From pieces of broken mirrors there will be a crown bestowed upon his head. In reflections of shattered glass not only the seasons will turn, but also the change disguised by the lapse of time. His mind will have to come to bear the weight of everything that was left behind and forgotten. Archiving the inaccessible. Celebrating the abandoned and mourning the destroyed. The city burials.” – Anders Nyström

Revered masters of melancholy for nearly 30 years, Swedish Progressive/Alternative Rock/Metal icons Katatonia have always pursued a profound emotional connection with their music and those who listen to it. Formed in Stockholm, Sweden in 1991 by now vocalist Jonas Renkse and guitarist Anders Nyström, the most free-spirited of modern metal bands has taken a slow and steady but at the same time endless fascinating journey from primitive beginnings in the extreme music underground to their current status as darlings of both the metal world and the Progressive Rock scene. Now in 2020, after a well-deserved break taken by Jonas and Anders together with their henchmen Roger Öjersson on the guitars, Niklas Sandin on bass and Daniel Moilanen on drums since the release of their last album The Fall Of Hearts in 2016, Katatonia return in full force with City Burials, the eleventh studio album in their unique career. From its grim album art by Beech (The Pineapple Thief, Godsticks, Jen Cloher) to the very last second of the closing song, City Burials is the ultimate proof of Jonas and Anders’ enduring artistic bond throughout the album’s absorbing 58 minutes of meticulously crafted melodies and inspired, idiosyncratic arrangements, perfectly representing the band’s ever-evolving sound.

And a beyond whimsical start led by Jonas’ serene clean vocals kicks off the opening track Heart Set to Divide before his bandmates come crushing with a harmonious fusion of Progressive Metal and Alternative Rock, with the bass by Niklas bringing sheer groove to their music, whereas in Behind the Blood the flammable guitars by Anders and Roger embellish the airwaves in a lesson in modern rock and metal music that lives up to the band’s own legacy, not to mention the song’s poetic lyrics (“Rivers rush, behind the blood / The cinder skies come alive with this drop of sunset / How far can we go? Along the elusive flood / I’ve been waiting all of my life to be with you”). Then slowing things down and adding a good amount of melancholy and grief to their musicality Katatonia offer us all Lacquer, with all instruments, including the programmed drums by guest Joakim Karlsson (from Swedish Black Metal act Craft), providing all Jonas needs to shine on vocals.

A futuristic and cinematic feel permeates the air in Rein, where the minimalist guitar sounds blasted by Anders and Roger walk hand in hand with Daniel’s intricate beats, culminating in a delicate sound that will certainly please all fans of this more contemporary version of the band, followed by The Winter of Our Passing, a HIM-inspired composition showcasing beautiful passages and an ethereal vibe led by the band’s sharp guitar duo and the always groovy bass by Niklas, leaning at time towards pure Progressive Rock. After such embracing song it’s time for Vanishers, an utterly experimental and atmospheric tune by Katatonia featuring the angelic vocals by Anni Bernhard (from Swedish rock band Full Of Keys) where we’re all inspired to close our eyes and savor each note while witnessing a beautiful sunrise. And displaying nuances from the music played by rock acts like Alice In Chains and Pearl Jam without forgetting their melancholic core essence, the band offers our avid ears the also progressive and gentle City Glaciers, presenting another great job done by Anders and Roger with their crisp riffs and solos.

The last batch of songs in City Burials couldn’t have sounded more experimental and ethereal, with gentle piano notes intertwined with rumbling bass punches igniting the cryptic Flicker, where Jonas beautifully declaims the song’s words (“So cruel your desire / It pulled me under / But the drapery of my eye won’t fall / I lie in wait for the night to find you / Sephia teeth and claw”) while its modernized and atmospheric vibe penetrates deep inside your soul. Once again investing in serene and somber sounds and tones instead of the heaviness of their early days, Jonas takes the lead with his enfolding vocals in Lachesis, a too-short song that could have been a lot more detailed than its final shape and form, while in Neon Epitaph they get back to a heavier and groovier sound, with the tribal, fierce beats by Daniel and the mesmerizing riffs by Anders and Roger resulting in a lesson in modern-day Progressive Rock and Metal. Finally, intricate and progressive sounds conclude the album in Untrodden, never getting too heavy nor too mellow, but reaching a very pleasant balance exhibiting the absolute synchronicity between Jonas’ vocals and Anders’ precise riffs and solos.

In summary, the experimental and multi-layered City Burials, which you can stream in its entirety on YouTube or on Spotify, continues to pave Katatonia’s path through the more serene and melancholic lands of Progressive Rock and Metal while also presenting to the band’s longtime fans an even more alternative side of Jonas, Anders & Co., positioning them as one of the most important bands of the genre (apart from their already important role in more extreme styles decades ago). Hence, go check what they’re up to on Facebook, on Instagram and on YouTube to know more about them and of course about their music, and grab your copy of City Burials from several distinct locations by clicking HERE. I’ve recently read somewhere that City Burials is the perfect album to listen to at dawn, and after taken a few good listens at it I must agree with such beautiful comment about it. Well, I’m sure you’ll also have the same feeling while listening to it, no doubt about that.

Best moments of the album: Behind the Blood, City Glaciers and Neon Epitaph.

Worst moments of the album: Lachesis.

Released in 2020 Peaceville Records

Track listing
1. Heart Set to Divide 5:29
2. Behind the Blood 4:37
3. Lacquer 4:42
4. Rein 4:28
5. The Winter of Our Passing 3:18
6. Vanishers 5:07
7. City Glaciers 5:42
8. Flicker 4:45
9. Lachesis 1:54
10. Neon Epitaph 4:32
11. Untrodden 4:29

Limited Edition bonus tracks
12. Closing of the Sky 5:24
13. Fighters (Enter The Hunt cover) 3:38

Band members
Jonas Renkse – vocals
Anders Nyström – guitars
Roger Öjersson – guitars
Niklas Sandin – bass
Daniel Moilanen – drums

Guest musicians
Anni Bernhard – vocals on “Vanishers”
Anders Eriksson – programming
Joakim Karlsson – drum programming on “Lacquer”

Album Review – Prismeria / Requiem (2020)

Behold the rise of one of the most promising acts of the current French underground scene armed with their new album of undisputed Deathcore.

Forged in the fires of Lyon, France in 2017, Thrash/Deathcore outfit Prismeria is back in action with their first full-length album Requiem, following up on the very positive feedback received for their debut effort, the 2018 EP Lost Individual Thoughts. Bringing forth a fusion of the different influences of each one of its five members, ranging from Thrash and Death Metal to more modern sounds such as Deathcore, the band comprised of frontman Cyril Weinbrenner, guitarists Benjamin Lamy and Leny Garcia, bassist Alexandre Gros and drummer Nicolas Voydeville put a lot of effort and heart into the creation of Requiem, resulting in nine original and electrifying songs that perfectly represent all the modernity and rage proposed by the band. Produced by Convulsound Productions, Requiem also showcases a crystal clear sound quality which enhances the band’s punch considerably, again proving why they’ve been recruited for so many gigs throughout France since their inception, including opening for renowned acts like Nervosa and Nervecell.

The opening track North is frantic and furious form the very first second, or in other words, a thrashing Deathcore tune where Cyril begins his growling attack accompanied by the bestial beats by Nicolas, resulting in an amazing welcome card by the quintet to newcomers to their metal realm. Then we have Native Spirit and its rebellious lyrics (“Bang your fucking head / The battalion of mad / Crossing the swamp of the fetish / Bringing the cornerstone from the underground / The shrine of their incarnate God, was set… to become”), while Benjamin and Leny bring forward a mix of insanity, melody and industrialized sound through their wicked guitars, followed by The Ceremony, a headbanging, galloping tune by Prismeria where Alexandre adds thunder and groove to the musicality with his metallic bass while Cyril keeps barking and growling like a beast.

Blending their Deathcore essence with Progressive and Groove Metal the band fires the high-octane and violent Irkalla, with its razor-edged guitar riffs walking hand in hand with Nicolas’ blast beats and fills in a lesson in modern metal music; whereas Life is an instrumental extravaganza where the band accelerates the speed and invites us all to slam into the pit together with them, showcasing classic, incendiary riffs that live up to the legacy of Metalcore and also reminding me of the sonority blasted by Danish act Xenoblight. And Nicolas kicks things off in the high-speed Passenger with his insane drums before Benjamin and Leny come crushing our heads with their sick guitars, also presenting groovy passage where we have the pleasure of listening to the band uncompromisingly jamming, while Cyril darkly vociferates the song’s cryptic words (“Born in the nuclear explosion / Raised as nothing from the nothing / Your time here is just a perception / Stand up right now and act like a king”).

Deep Into Dementia sounds and feels like a ritualistic call to arms by Prismeria, displaying a scorching riffage by the band’s guitar duo and of course endless aggressiveness flowing from Cyril’s demented roars in an awesome feast of Metalcore infused with Thrash Metal nuances. After such demolishing song it’s time for Low Hopes of Men, a serene instrumental bridge featuring crisp acoustic guitars setting the stage for The Groovy Snake, even more progressive than its predecessors with both Benjamin and Leny firing sheer dementia through their riffs while Nicolas’ beats bring forward a huge amount of intricacy, ending the album on a dense and visceral way just the way we like it in Thrash, Death and Metalcore.

You can take a full and very detailed listen at Requiem on Spotify, but of course in order to show your support to those French metallers and to properly bang your head to their modern and vibrant Deathcore you should definitely purchase the album from their own BandCamp or Big Cartel, as well as from Amazon. In addition, keep up to date with all things Prismeria by following them on Facebook and on Instagram, and by subscribing to their official YouTube channel, witnessing the rise of one of the most promising acts of the current French underground scene, and with Requiem being another solid step forward in their musical journey.

Best moments of the album: North, Irkalla and Passenger.

Worst moments of the album: None.

Released in 2020 Independent

Track listing
1. North 4:58
2. Native Spirit 3:19
3. The Ceremony 3:13
4. Irkalla 3:09
5. Life (Instrumental) 3:46
6. Passenger 4:38
7. Deep Into Dementia 3:32
8. Low Hopes of Men (Instrumental) 4:16
9. The Groovy Snake 4:12

Band members
Cyril Weinbrenner – vocals
Benjamin Lamy – guitars
Leny Garcia – guitars
Alexandre Gros – bass
Nicolas Voydeville – drums

Album Review – Silver Nightmares / The Wandering Angel EP (2020)

The sounds of the angels of Progressive Rock and Metal in the form of an exciting six-track EP brought into being by five talented musicians from Italy.

Formed in 2018 in Palermo, the capital of the Italian island of Sicily, by bassist Gabriele Esposito, drummer Alessio Maddaloni and keyboardist Gabriele Taormina, Progressive Rock/Metal band Silver Nightmares went through several lineup changes until reaching their current shape and form with Mimmo Garofalo on the guitars, and as the band solidified their lineup it was just a matter of time until they released their debut opus, a very entertaining 26-minute EP entitled The Wandering Angel. Featuring guest appearances by vocalists Simone Bonomo and Michele Vitrano, guitarist Tody Nuzzo, flutist Giulio Maddaloni and trumpeter Davide Severino, The Wandering Angel brings an array of styles such as Progressive Rock, AOR, Heavy Metal and Classical Music, highly influenced by iconic names such as Asia, Genesis, Savatage, Trans-Siberian Orchestra, Styx, Kansas, Toto, Iron Maiden, Jethro Tull, Foreigner, Dream Theater, Opeth, Ghost, Marillion, Anathema, Katatonia, Judas Priest and Ten, just to name a few.

And to properly kick things off in The Wandering Angel, an angelical intro morphs into a feast of progressiveness in the title-track The Wandering Angel, where the keys by Gabriele Taormina match perfectly with Simone’s HIM-like vocals, not to mention all the electricity flowing from their guitars and the song’s beautiful, poetic lyrics (“Falling down from the sky / I’m a body without colour / In a world without love / I’ve lost my broken wings / Looking up at earth and sea  / Plotting very distant sighs / The colour of the human skin / Is still an enigma”). Following such powerful start we’re treated to D.D. (Dick Dastardly), a tribute to one of the coolest villains in the history of cartoons (even bringing his trademark scream “Mutley, do something!”), where the band blends heavy and progressive elements with the ass-kicking trumpet and flute by guests Davide and Giulio, respectively, resulting in a fun and vibrant instrumental extravaganza; whereas futuristic elements permeate the air in Light Years Away, with Alessio being in total sync with the band’s guitars, therefore generating a dense ambience perfect for Michele and his Helloween-inspired vocals in a pure Progressive Metal feast with heavy and melodic nuances.

Simone returns in full force with his deeper vocals in David The King, narrating the epic story of a dauntless king while his bandmates keep embellishing the airwaves with their refined skills, with the guitar solos blasted by Mimmo being absolutely outstanding as well as the groovy and classy bass punches by Gabriele Esposito; followed by another epic musical journey titled Dame Nature, led by Mimmo’s electrified riffs and Gabriele Taormina’s whimsical keys while Alessio keeps pounding his drums nonstop, resulting in what’s by far the most progressive and melodic of all songs, full of breaks and variations and spiced up by crisp guitar solos and delicate key notes. And closing the EP we have The Wandering Angel (Radio Edit), a slightly different version of what’s in my opinion the most enfolding and captivating of all tracks, being shorter in duration (mainly due to the removal of its intro) but still presenting all of the amazing details of the original version.

The Wandering Angel is available for a full and deep listen on Spotify, but of course if you love underground metal with a huge focus on the progressive and storytelling side of the business you should definitely purchase the EP from Apple Music, or go to the ARTEWIVA website for all details about the band and where to buy and stream the album. Also, don’t forget to follow the band on Facebook and to subscribe to their YouTube channel, providing Silver Nightmares the fuel they need to keep on rockin’ and invading our senses with their stylish music for many years to come, bringing the sounds of the angels of rock music to our hearts and souls.

Best moments of the album: The Wandering Angel and Light Years Away.

Worst moments of the album: None.

Released in 2020 Independent

Track listing
1. The Wandering Angel 4:33
2. D.D. (Dick Dastardly) 3:23
3. Light Years Away 4:00
4. David The King 3:54
5. Dame Nature 6:40
6. The Wandering Angel (Radio Edit) 3:38

Band members
Mimmo Garofalo – lead and rhythm guitars
Gabriele Esposito – bass
Gabriele Taormina – keyboards
Alessio Maddaloni – drums, percussion

Guest musicians
Simone Bonomo – lead and backing vocals
Michele Vitrano – lead and backing vocals
Tody Nuzzo – guitars
Giulio Maddaloni – flute
Davide Severino – trumpet

Album Review – Your Last Wish / Eradicate (2020)

Exploiting post-apocalyptic themes, the new album by this unrelenting Canadian Melodic Death Metal unity will undoubtedly eradicate all boredom and peace from the face of the earth.

Eight years after their sophomore album Desolation, Montreal, Quebec-based Melodic Death Metal unity Your Last Wish is back in full force with an even darker and heavier sound in their third full-length studio release, entitled Eradicate, an album that not only exploits post-apocalyptic themes, but that’s also a bilingual album alternating between English and French, showcasing all the dexterity and versatility of frontwoman Roxana Bouchard, guitarists David Gagné and Michael Cope, bassist Peter Hamm and drummer Blake Lemieux. Featuring a futuristic artwork by Canadian artist Francesco Lorenzetti, Eradicate is highly recommended for fans of the early days of bands like Arch Enemy, Soilwork and Carcass, encapsulating a wide variety of influences to create a sound that is at the same time haunting and harsh, delicate and disciplined, perfectly depicting everything Your Last Wish have always stood for since their inception in 2003.

Get ready to be stunned by Your Last Wish in the incendiary title-track Eradicate, where the primeval beats by Blake together with David’s and Michael’s slashing riffs provide Roxana all she needs to kick ass with her enraged roars, followed by Exile, presenting amazing instrumental pieces where Peter shows no mercy for his bass while Roxana rabidly vociferates its warlike lyrics (“Eurasia / Surrounded by violence and death / In battle, where men consume their own flesh / On the inside, no one there realizes / Few are permitted to survive / No allies / They couldn’t help but hide / After crossing the fiercest sea”). And as groovy and obscure as its predecessors, Monarque is a bestial display of modern-day Melodic Death Metal spearheaded by the demented she-demon screams by Roxana, while the band’s guitar duo blasts sheer aggressiveness and electricity through their eight-stringed axes nonstop.

Then ritualistic drums permeate the air in Décimé while Roxana fires a blend of Stygian vocalizations and demonic screams, also bringing forward tons of progressiveness flowing from the band’s guitar riffs, solos and bass jabs, with Blake enhancing the song’s complexity even more with his unstoppable beats. And an epic, imposing intro ignites the sinister Lost, presenting an enfolding atmosphere until becoming a mid-tempo Melodic Death Metal tune with Groove and Progressive Metal nuances, with the bass punches by Peter getting more and more metallic as the music progresses, whereas back to a more ferocious and rumbling sonority the band offers us all Pursuit, a fantastic Melodic Death Metal extravaganza where David and Michael will cut your skin deep with their riffs and solos. Furthermore, you’ll definitely be mesmerized by their crisp and demolishing sounds, overflowing sheer groove and rage with Peter and Blake shaking the foundations of earth with their respective instruments.

Do you have what it takes for more of the first-class metal music by Your Last Wish? Because an eerie start quickly explodes into a lesson in violence and progressiveness titled Pandore,  featuring the talented growler Simon Girard (from Canadian Progressive/Technical Death Metal band Beyond Creation) as a guest vocalist making an infernal duo with Roxana amidst all the devastation and fury blasted by the whole band. In Prestige the band proves once again they never get tired of crushing our heads with their hellish sonority, with Roxana sounding absolutely demonic on vocals showcasing all her skills and strength as the awesome growler she is, not to mention how Blake adds some welcome hints of classic Black Metal to his beats, and if you thought they would slow things down to close the album you’re absolutely wrong, as Le Cri Du Monde brings forward more of their frantic and very intricate Melodic Death Metal led by Roxana’s evil roars and Peter’s rumbling bass, while the guitar solos bring a touch of finesse to the overall result, ending the album in a truly phantasmagorical way.

Having said all that, I guess I don’t need to tell you that you must add such insane album of modern and vicious metal music made in Canada to your personal collection, right? All you have to do is go to the band’s own BandCamp page or to their official website, where you’ll find all available options to stream and buy the album, such as on Spotify. In addition to that, don’t forget to show your support to Your Last Wish by also following them on Facebook and on Instagram, and by subscribing to their YouTube channel, getting instant notifications every time the band uploads an amazing video like this one called Growl medley with Roxana!, got it? Your Last Wish are more than ready to kick some ass armed with their breathtaking new album, eradicating all boredom and peace from the face of the earth just the way we like it in extreme music.

Best moments of the album: Eradicate, Monarque, Pandore and Le Cri Du Monde.

Worst moments of the album: None.

Released in 2020 Independent

Track listing
1. Eradicate 5:52
2. Exile 4:46
3. Monarque 5:33
4. Décimé 5:24
5. Lost 5:12
6. Pursuit 4:33
7. Pandore 4:44
8. Prestige 4:46
9. Le Cri Du Monde 5:49

Band members
Roxana Bouchard – vocals
David Gagné – guitar
Michael Cope – guitar
Peter Hamm – bass
Blake Lemieux – drums

Guest musician
Simon Girard – vocals on “Pandore”