Metal Chick of the Month – Caterina Nix

Wake up, this is my dream… Just let me sleep… In my loneliness, high above of me I fly.

The Republic of Chile might be known worldwide for its astounding attractions such as the arid Atacama Desert, the ski resort of Valle Nevado and the beach resort of Viña del Mar, as well as the country’s rich culture which has already provided the world the beautiful poetry of Pablo Neruda, for example. However, it’s time for the world to also know more about one of the most talented Chilean singers in heavy music, the gorgeous Caterina Nix, born Caterina Torrealba in Santiago, Chile and also known as Cati Torrealba, a solo artist better known for her partnership with the iconic Finnish guitarist Timo Tolkki in the Power Metal projects Chaos Magic and Timo Tolkki’s Avalon.

Caterina’s interest in singing and in music started at an early stage of her life, when she joined several rock bands during her adolescence at school and in the choir, discovering Heavy Metal during that period and falling in love for it. She started listening to classic bands such as Metallica, Pantera and Iron Maiden as a kid, expanding her metallic horizons a little more with bands like Tool and Fear Factory, before getting completely in love with female-fronted groups such as Lacuna Coil, Nightwish and After Forever. With metal and rock flowing through her veins, Caterina was always motivating her friends at school to play rock tunes when they were around 12 years old, which years later led to the creation of her first band, named Aghonya. In addition to that, our metal diva has a soprano vocal range and has received both classical and pop singing training, showcasing her versatility in music. Well, she mentioned in one of her interviews that her biggest idols in music are the unparalleled Freddy Mercury and Bruce Dickinson, and that singing along with them is like being in a master class, learning a lot by playing their music and imitating them. That alone says it all, don’t you think?

As aforementioned, Caterina’s first professional endeavor in the world of heavy music was with Chilean Gothic Metal band Aghonya, with whom she recorded a demo in 2006 and the full-length album Oxygen, in 2008, which she wrote all lyrics and vocal lines. Although the record was released independently, the band and Caterina garnered critical acclaim, leading the band to open for renowned acts like After Forever, Edguy and Within Temptation. In addition, Caterina believes that, as Aghonya started as a cover band for Nightwish, that helped shape her style to become the singer she is today, which you can see in songs such as Lead Me Into You (also check this nice live version at an extremely cheesy TV show from Chile called Sin Dios Ni Late) and the title-track Oxygen. Unfortunately, as it happens with several bands worldwide, Aghonya came to an end sometime in 2010, when each band member took a different path in life. The band’s drummer, Javier Guzman, moved to Australia; bassist Sergio Silva and guitarist Sebastián Coulon both got other jobs; and keyboardist Andres Cruz moved to a small town in the north of Chile.

Although it was only in 2015 when Caterina and Timo Tolkki joined forces to form Finnish/Chilean Symphonic Power Metal band Chaos Magic (together with Finnish drummer Jami Huovinen), our metal diva had already met Timo many years before that at a meet-and-greet at a Stratovarius concert in Chile, and they kept in touch after that. Years later, she sent Timo her material and they started to think about recording music together, which ended up happening when Frontiers Records came up with the idea of having a female vocalist to have a solo project written and produced by Timo, who opted for Caterina among three names, culminating with the release of their self-titled album Chaos Magic in 2015. The name Chaos Magic was chosen by Caterina herself, aiming at portraying our positivity and spirituality towards the universe, with each one of us being just one piece of energy altogether. You can feel the energy proposed by Caterina and all her passion for Melodic Metal in the classy tunes One Drop of Blood and A Little Too Late, as well as in the official video for I’m Alive (which you can see at the end of this tribute to Caterina). However, when asked about her favorite tracks of the album, she said she has a special place in her heart for Seraphim and Passionflow, as both are sexy and put a woman in a position of power, making her dive into the femme fatale character and sing from a powerful point of view.

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Our Chilean bombshell can also be seen in different bands and projects as a guest vocalist, including  Finnish Symphonic Power Metal project Timo Tolkki’s Avalon (yes, her partnership with Timo started before Chaos Magic was born), where she sang in two songs from their 2014 album Angels of the Apocalypse together with Simone Simons (Epica), Elize Ryd (Amaranth) and Floor Jansen (Nightwish), those being High Above Of Me and Angels of the Apocalypse. You can also enjoy her sweet vocals in the gentle ballad Believe In Me, from the 2015 album Post-Apocalyptic, by Croatian Heavy/Power Metal act Undercode, as well as in the song Lost Innocence, from the 2016 album The March of the Fallen by Chilean Power Metal band Triboulet. In addition to that, Caterina is also part of Vivaldi Metal Project (you can see a short clip of our diva introducing herself to the fans of the project HERE), and has been working hard as a solo artist, consistently performing live in several venues and cities. For instance, she had the chance to open for Nightwish in her hometown Santiago in October 2015, being chosen by the production of the show among hundreds of applicants. As a few excellent samples of what Caternia has been doing for metal music in her career, you can see her singing together with members from the bands from Delta, Resilience and Witchblade in a cover version for Dio’s all-time classic Rainbow in the Dark during The Metal Tour 2016 in Chile; delivering a passionate performance of Queen’s No One But You together with Ronnie Romero (Lords of Black, Rainbow); presenting an acoustic version of a new song called I’d Give it All; showing her heavier and groovier side in the excellent Throw Me To The Wolves; and kicking some serious ass at Chile Rock Festival 2016.

Furthermore, Caterina has a law degree and currently works as an attorney specializing in liability cases. She mentioned in one of her interviews it’s tough to earn a living as a musician in Chile, although she always wanted to be an opera singer (which her parents were against). She went to college, got her degree and works as an attorney (for a loss adjustment company specializing in liability) for the money, but her true passion is music. I guess that’s not too different from many of us, don’t you agree? Caterina mentioned that, if she could dedicate herself to music 24/7 that would be a dream come true, but that’s unfortunately not the reality for her, at least not yet. Furthermore, our Chilean diva said being an attorney somehow helps her being more aware if someone is not being honest with you or if someone is trying to do shady things behind your back, but also that so far nothing bad has happened and her record label has treated her with the utmost respect and transparency.

In regards to her favorite places in the world, Caterina said she had a blast visiting cities like Florence and Venice, in Italy, and the Sedlec Ossuary, the church made of human bones located in Kutná Hora, in the Czech Republic, not to mention an amazing AC/DC concert she had a chance to attend in Paris after many years waiting for a chance to see the most important Hard Rock band of all time. She’s also an animal and nature lover, being the proud owner of cats, a turtle and some birds, going outside to connect with nature when searching for inspiration, staring at the sky and having that instance of being alone with nature. Those seem to be very basic things, but Caterina consider herself a very simple person who loves singing and creating music, being in love and being loved, spending time with her family and with her pets, working out, eating different types of food and, obviously, shopping.

Her taste for music couldn’t be better, as she enjoys listening to several types of rock and metal music such as Tool and In this Moment, her youth classics Korn, Pantera, Black Label Society and Fear Factory, and of course female-fronted bands like Lacuna Coil, Amaranthe and Nightwish. When asked about the metal scene in her homeland, she said everyone knows how Chileans are completely passionate about Heavy Metal, with fans smashing each other to see their biggest idols playing live. However, when it comes to the local metal scene, Caterina said Chile is very different from Europe, for example, with local bands lacking the necessary resources to be known or listened to, with things slightly improving nowadays with the use of several online tools. It’s a case similar to her own, where you have to do music in Chile because you love it, not because of the money. Well, Caterina, your passion for heavy music is truly inspiring, and we’re sure it will encourage numerous bands and musicians, including talented women like you, to keep the fire of metal music burning bright in your charming “Land of Poets”.

Caterina Nix’s Official Facebook page
Caterina Nix’s Official YouTube channel
Caterina Nix’s Official Instagram

“I’ll do my best to bring people beautiful strong music and I’ll keep on screaming that no one should ever give up on their dreams. We all deserve a chance. We all deserve to give ourselves that chance.” – Caterina Nix

Album Review – Striker / Striker (2017)

Canadian Heavy Metal has never been more vibrant and rapturous than today, thanks to the brand new rip-roaring album by one of the biggest names in heavy music hailing from the Great White North.

In case you’ve never heard of Canadian Heavy/Power Metal act Striker, there couldn’t be a better moment to get to know such distinct band and their classic mix of Heavy Metal, Hard Rock and 80’s Hair Metal. This Edmonton-based quartet, which was formed in 2007 and has toured across dozens of countries as headliners as well as support for major metal acts in their rising career, are unleashing their fifth studio album, self-titled Striker, a kick-ass follow-up to their two previous albums Stand In The Fire (2016) and City of Gold (2014), perfect for fans of the unparalleled music by Iron Maiden, Judas Priest and Motley Crüe, as well as Swedish metallers Enforcer and Steelwing. After listening to this flammable metal album, I’m sure Striker will feature among your favorite bands of the past decade.

Featuring a neat, straightforward artwork by Rizky Putranto (Rish XXV), Striker is an ode to traditional metal, with no new elements or any type of shenanigans added to it, just plain good old heavy music. “This is our no bullshit album. We cut out everything that wasn’t absolutely necessary and kept everything short and to the point. We pray at the altar of heavy metal everyday, and there are some musical ideas that persist through time and some that don’t. We focused in on what keeps listeners coming back and got rid of everything else. You can’t climb Mount Everest dragging any useless shit with you; if you want to make it to the top, only bring with you what is absolutely necessary: Lethal Amounts of Shred”, said the band about their new album, and based on these words you can get a very good sense of what you’ll find in Striker.

Guitarist Tim Brown doesn’t waste time and starts firing electrifying Heavy Metal and Rock N’ Roll riffs and solos from the very first second in Former Glory, a song about enjoying life and being the best person you can, where frontman Dan Cleary keeps up with the greatest vocalists in Hard Rock delivering sheer awesomeness through his melodious voice. Sounding like a hard rockin’ version of Anthrax, in special due to its cutting riffs and demented vocals, Pass Me By presents a kick-ass fusion of Heavy Metal with old school Thrash Metal, with drummer Adam Brown pounding his drums mercilessly, therefore adding more stamina and heaviness to the overall musicality. And the first single of the album, Born To Lose, is in my humble opinion a newborn Hard Rock hymn, bringing all elements that make heavy music so thrilling, such as the metallic guitar lines by Tim, which  together with the rumbling bass by William Wallace (not the Scottish warrior) take the song’s impact to a whole new level.  Add to that already fantastic formula the song’s catchy chorus and a high dosage of adrenaline, and there you have not only the best song of the album, but also one of Striker’s most sensational creations to date.

Cheating Death is a short and atmospheric bridge to the incendiary Shadows In The Light, a dancing tune that lives up to the legacy of old school Hard Rock ignited by the potent bass punches by William, also offering the listener beautiful guitar solos and thrilling beats; followed by Rock The Night, another song by Striker that was born to be a classic. Dan is fantastic on vocals, supported by the song’s powerful backing vocals and the precise instrumental blasted by the rest of the band from start to finish, not to mention its extremely cheesy but entertaining lyrics (“You always seem to be on my mind / I can’t let you go / I can’t let you stay / You always seem to be a mystery to me / I can’t let you go / I can’t let you stay / The more that I think about you / The more that I know what to do / There’s something out there and it’s calling me / To rock the night / You’ve gotta bring them to their knees / There’s something out there and it’s calling me / To rock the night / Yeah you’ve got to make them see / What you can be”).

Over The Top, a fast-paced, potent Power Metal extravaganza where Tim and William are absolutely on fire with their stringed axes, brings forward elements of the traditional Heavy Metal played by Judas Priest and Iron Maiden combined with the Melodic Metal by Stratovarius, and the result is obviously beyond awesome. The same can be said about the second to last track of the album, titled Freedom’s Call, which will pump you up once again with its perfect balance of the heaviness of Power Metal with the harmony of Hard Rock. Needless to say, Dan doesn’t stop impressing with his puissant voice, never getting tired nor sounding uninspired. And the unstoppable Striker fire more of their kick-ass metal music for our total delight in the superb Curse of The Dead, where Adam takes the lead with his frantic beats whereas Tim keeps delivering his amazing riffs. Moreover, guest guitarists Simon Fallon and Adam Grimmelt only make things even more fantastic with their spot-on solos, turning the song into another memorable moment of the album.

In a nutshell, Striker not only have released a mighty Heavy Metal album, but they have also made us at The Headbanging Moose really proud of being Canadian. You can get in touch with Striker and their fiery metal music through their Facebook page, YouTube channel and SoundCloud, and in order to put your metallic hands on this first-class album all you need to do is go to the Napalm Records’ webshop to grab the CD or the LP version of it, as well as on CD Baby, on iTunes and on Amazon. If you manage to get the special edition of the album, you’ll also be treated to Striker’s cover version for Ozzy Osbourne’s Desire, from his 1991 classic No More Tears, one of the four songs co-written by the most beloved badass in the word, Lemmy Kilmister (R.I.P.), showing how much the band loves old school heavy music. We’re all born to lose, but if we work hard and have the new rip-roaring album by one of the biggest names in heavy music from the Great White North as the soundtrack to our endeavors, we’ll surely win in life and rock the night.

Best moments of the album: Former Glory, Born To Lose, Rock The Night and Curse of The Dead.

Worst moments of the album: None.

Released in 2017 Record Breaking Records

Track listing
1. Former Glory 3:59
2. Pass Me By 3:33
3. Born To Lose 3:58
4. Cheating Death 0:53
5. Shadows In The Light 3:29
6. Rock The Night 4:30
7. Over The Top 4:38
8. Freedom’s Call 4:30
9. Curse of The Dead 3:49

Special Edition bonus track
10. Desire (Ozzy Osbourne cover) 5:27

Band members
Dan Cleary – lead vocals
Tim Brown – lead and rhythm guitar
William Wallace – bass
Adam Brown – drums

Guest musicians
Simon Fallon – guitar solo on “Curse of the Dead”
Adam Grimmelt – outro solos on ““Curse of the Dead”
John Kennedy, Dave Arnold, Chris Segger, Lindsay Robinson, Clayton Parent and Tyler Dory – gang vocals

Album Review – Grave Digger / Healed by Metal (2017)

The iconic Chris Boltendahl and his battalion of metal have the right cure to heal any type of apathy, fatigue or mental stress in our lives, and you know what that is.

Rating4

healed-by-metalIf you’re one of those people suffering from the horrible disease called “boredom”, which makes your life miserable even if there isn’t a good reason for that, it means your heart and soul are dangerously injured and need to be healed as soon as possible by something special, something that will inject a good amount of adrenaline into your body and make you feel electrified. In other words, you need to be Healed by Metal, which by the way is the name if the eighteenth studio album by German Power Metal warriors Grave Digger. It might not be a classic like Tunes of War or Heart of Darkness (as you might have noticed, I always mention these two albums in my reviews of the band), but it’s a very cohesive and fun album that once again proves Grave Digger are far from calling it a day.

With the cover art designed once again by Gyula Havancsák, from Hjules Illustration and Design, Healed by Metal is a feast of traditional Grave Digger, blending the sounding of their early days with more contemporary material and especially with their warlike mode, which is in my humble opinion where the band truly thrives. Also, despite being the first album to feature new keyboardist Marcus Kniep as The Reaper since H.P. Katzenburg’s departure in 2014 after the average Return of the Reaper, that doesn’t impact the music negatively as keyboards are not the main ingredient in Healed by Metal. Quite the contrary, they are actually not very audible throughout the whole album, leaving more space for the band’s piercing guitars and the unmatched growls by the iconic Chris Boltendahl to shine.

grave-digger-2017Grave Digger kick off the album with the old school title-track Healed by Metal, with its lyrics and chorus being as cheesy as they can be (“The blind will see / And the deaf will hear / The dumb will speak / And the lame will walk / We are the law / We are still mesmerized / Leave the fear behind / We save the human kind / We all break out in rage / We’re ready for the stage / We live like a rebel / We’re all sent by the devil / We are… / Healed by metal / We rock / Healed by metal”). While Chris fires his trademark gnarls, the rest of the band keeps the music potent and metallic, with highlights to the mighty bass guitar by Jens Becker. The next tune, When Night Falls, reminds me of the sonority from their classic albums Tunes of War and Excalibur (if you’re a fan of old school German Power Metal, you’ll have a blast listening to this chant), with drummer Stefan Arnold being as precise as usual; whereas Lawbreaker sounds like a tribute to Judas Priest and their all-time classic “Breaking the Law”, displaying even the sound of a roaring Harley-Davidson in the beginning. The keen riffs and solos by the high-skilled Axel Ritt and the song’s rebellious chorus make it a must-listen for fans of our good old Heavy Metal, not to mention its pure metallic lyrics (“Hundred pounds of metal / Steaming through the shattered night / Roaring wheels cry out for battle / Magic stars our guardian light”).

I might be going crazy, but the main riff in the amazing Free Forever sounds a lot like the one from “You’ve Got Another Thing Comin’”, also by Judas Priest. Needless to say, it’s the perfect soundtrack for hitting the road, with the crisp and heavy sounds of guitar and bass increasing the song’s impact even more. Call for War brings more classic Grave Digger to your ears, with Chris firing his always pleasant raspy vocals in this great fighting composition, in special due to its uproarious chorus. Put differently, it could have easily been part of one of their previous concept albums about historical battles. Then in Ten Commandments of Metal, a metal hymn reminding us to always stay true to heavy music, we’re treated to a catchy, cheesy and extremely fun chorus (“What do you think who we are / Disciples of satan or something bizarre / For what do you think we fight this battle / We follow the ten commandments of metal”), with the instrumental pieces being classic mid-tempo Power Metal showcasing cutting guitars and steady double bass.

healed-by-metal-canvas-edition

Healed by Metal Canvas Edition

In The Hangman’s Eye, we have more high-octane heavy music courtesy of Chris and his battalion of metal, exhibiting a solid instrumental with a powerful and traditional chorus. This is probably the moment when fans will forget it’s “just” Power Metal and will surely ignite a fun circle pit; while Kill Ritual, albeit not as thrilling as the rest of the album, is still a good composition with highlights to its fun lyrics the always sharp riffs by Axel. And Grave Digger fire another one of their classic songs about religion and holy wars, this time titled Hallelujah, where Axel and Jens aim at lacerating our souls with their strings. Not only this is a great mix of Heavy Metal and Hard Rock, but I bet you’ll be singing its chorus without even noticing (not to mention the awesome final solos by Axel). And lastly we have Laughing with the Dead, a creepy, slow-paced somber tune that ends up working well despite its weird chorus. It should be interesting to sing it together with the band during their live performances, in special if you’re drunk, don’t you agree?

In a nutshell, it doesn’t matter how sick you are of our society, you can always be healed by the power of our good old Heavy Metal, and Grave Digger definitely know how to turn the bitter taste of any medication into a high level of entertainment. And if you’re a diehard fan of the band and want to get an extra dosage of their distinct metal music, I suggest you go for the Healed by Metal Canvas Edition, where you’ll also be able to enjoy a couple of very decent bonus tracks, especially the rockin’ tune Bucket List. As aforementioned, Grave Digger are still many years away from coming to an end, always delivering high-end straightforward metal music that will cure any sign of apathy, fatigue or mental stress in our lives, and that’s what we can always expect from Chris and his henchmen.

Best moments of the album: Healed by Metal, Lawbreaker, Free Forever and Ten Commandments of Metal.

Worst moments of the album: Kill Ritual.

Released in 2017 Napalm Records

Track listing
1. Healed by Metal 3:45
2. When Night Falls 3:56
3. Lawbreaker 3:07
4. Free Forever 3:23
5. Call for War 3:21
6. Ten Commandments of Metal 3:27
7. The Hangman’s Eye 3:07
8. Kill Ritual 3:43
9. Hallelujah 3:30
10. Laughing with the Dead 5:17

Limited Edition bonus tracks
11. Kingdom of the Night 4:07
12. Bucket List 3:02

Japanese Edition bonus track
13. Brave, Young And Innocent 4:20

Band members
Chris Boltendahl – vocals
Axel Ritt – guitars
Jens Becker – bass
Stefan Arnold – drums
Marcus Kniep – keyboards

Guest musicians
Hacky Hackman, Frank Konrad & Andreas von Lipinski – backing vocals

Midnight Madness Metal e-Radio Promo Hour Of The Day – From Monday To Friday @ 8pm GMT

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http://midnight-madness.is-a-rockstar.com/Great news for all of you metalheads!

FROM MONDAY TO FRIDAY @ 8pm GMT, one of our kick-ass partners, Midnight Madness Metal e-Radio, broadcasting directly from London, England, will blast the best of underground metal music reviewed here at The Headbanging Moose during the PROMO HOUR OF THE DAY!

So remember, FROM MONDAY TO FRIDAY @ 8PM GMT tune into Midnight Madness Metal e-Radio to get your daily shot of the cream of the underground metal music crop, from Hard Rock to Black Metal, from Folk Metal to Thrash Metal, from Doom Metal to Metalcore, and so on! You’ll have the unique pleasure of listening to the superb music by bands like Charm Designer, Neverworld, Majesty Of Revival, Nervosa, False Coda, Atonismen, Diabolizer, The Silent Rage, Terrifier, Gaerea, and tons of other amazing metal acts from all over the world!

Here are all the options where can blow your speakers with Midnight Madness:

Official website
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And if you want to have your new album reviewed at The Headbanging Moose AND played at Midnight Madness Metal e-Radio, simply get in touch with us through our CONTACT US page.

Album Review – Battle Beast / Bringer Of Pain (2017)

Bringing to our ears and hearts first-class music inspired by the golden years of Heavy Metal, the most electrified metal squad from Finland are ready to storm the world once again with their brand new kick-ass classy album.

Rating3

battle-beast_bringer-of-painAfter listening to Bringer Of Pain, the fourth full-length album by Finnish metallers Battle Beast, there are two immediate conclusion that come to my mind. First, that the motto “100 % Heavy Metal – 0 % Bullshit!” couldn’t be more precise to describe the electrified Heavy and Power Metal compositions by this Helsinki-based squad. And second, the entire album feels like it was recorded back in the 80’s or 90’s due to its sensational old school aura, but only released now in 2017. And perhaps paying a tribute to the golden years of heavy music was the original goal of the band with Bringer Of Pain, starting with its impactful name. “The title is more than just a catchy punchline,” bassist Eero Sipilä explains. “’Bring the pain’ as a phrase means ‘giving your best’, stepping up against the odds, something that really sums up the spirit of this band and this album. The fact that the name also brought to mind a certain Judas Priest album definitely didn’t hurt either.”

The album’s classic album art, crafted by the specialist of realistic fantasy art Jan Yrlund (Darkgrove), is the perfect depiction of what Battle Beast have to offer their fans this time. “The cover art is mainly involved with the title track of the album, “Bringer of Pain”, which is obviously about this super evil female character destroying stuff. We brainstormed a little around this topic and then sent some sketches to Jan, who returned with the picture, some mean-looking woman who appears like she’s coming through the box art to kick your ass. And since ‘kicking ass’ is pretty much exactly what this band is about, we considered it a very fitting cover.” In addition to that, the main change from their previous album, the flammable Unholy Savior, is the departure of guitarist and main songwriter Anton Kabanen, but that doesn’t mean the band couldn’t maintain their signature sound alive, with newcomer Joona Björkroth fitting perfectly to everything Battle Beast stands for.

The first track of this rousing album, Straight to the Heart, brings to the listener pure upbeat Heavy Metal from the 80’s with the electrified keyboards by Janne Björkroth and the flawless vocals by the fiery metal goddess Noora Louhimo turning it into an instant classic. Put differently, it’s that type of metal music that will put you to dance right away while you scream its chorus from the top of your lungs together with Noora. Albeit the name of the album and its cover art bring the unbeatable Painkiller to our minds, the title-track Bringer of Pain actually reminds me of another high-octane classic by the almighty Judas Priest, “Freewheel Burning”, which obviously means it’s beyond awesome. Furthermore, the frantic performances by Pyry Vikki on drums and both Juuso Soinio and Joona with their blazing guitar riffs and solos, together with the song’s epic background vibe, turn it into the best of all tracks in my humble opinion. Whereas the first single of the album, King for a Day, unites classic Heavy Metal with old school Hard Rock, feeling at times like a modern metallic version of Survivor’s hit “Eye of the Tiger” with another blast of the sensational keyboards by Janne, not to mention its catchy chorus, which will certainly stick inside your mind for a long time (“King for a day / He kills the truth and looks away / King for a day / Lives like the world would end today / King for a day / What do you hide, why do you lie? / Who made the rules for this game? / Who is paying your champagne? / All the mercy in the world / Cannot save you anymore / King for a day”).

battle-beast-2017In Beyond the Burning Skies, Battle Beast deliver a beautiful and inspiring musicality, with Noora stealing the spotlight with her powerful and precise vocal lines while the rest of the band maintains a high level of energy flowing from their instruments. Needless to say, listening to this classy chant will make your day better for sure. Then we have Familiar Hell, a song about our inexplicable fear of change and how change can actually bring happiness and joy to our lives, with Janne and bassist Eero Sipilä keeping the adrenaline running from start to finish (if this song had been written in the 80’s, it would have definitely been a top-chart hit); followed by Lost in Wars, a mid-tempo composition showcasing an epic atmosphere with Noora and guest vocalist Tomi Joutsen sounding like the beauty and the beast, boosted by the song’s heavy riffs and thunderous keyboards. And Bastard Son of Odin might have the cheesiest song name, lyrics and rhythm of all, but that ends up working really well as Battle Beast are masters in crafting this type of music. In a nutshell, their “Viking mode” sounds absolutely great, especially the raspy screams by Noora and the galloping bass and drums à la Iron Maiden by Eero and Pyry, respectively.

We Will Fight, an potent Power Metal hymn tailored for singing along with the band while holding your fists in the air, is another mid-tempo tune that enhances Noora’s vocals through its mystical aura and steady beats, while Dancing with the Beast is a very good surprise amidst so many heavy tunes. The first time I saw the song’s name, I honestly thought it would be more ferocious like any song with the word “beast” in it. However, it’s a smooth 80’s Hard Rock ballad with very gentle instrumental pieces, with the sexy voice by Noora leading its pleasant sonority. On the other hand, Far from Heaven is just a below average song that’s way too mellow, sounding like a lame ballad from any of those generic “top 40” artists, which obviously means it’s the worst of all songs hands down. It’s well-played and very melodic indeed, but it lacks punch and electricity. anyway, if you go for the digipack edition of Bringer Of Pain (which can be purchased HERE), you’ll be treated to three amazing bonus tracks, all displaying the band’s trademark high-voltage Power Metal, with Rock Trash being by far the most awesome of them. This is a superb metal hymn that should have been part of the regular version of the album, perhaps its closing tune instead of that boring ballad.

We can never get tired of the indomitable Battle Beast, right? That’s why the band is always willing to share more of their music and their lives with us, which in the case of Bringer Of Pain comes in the form of three entertaining official track-by-track videos from the band that can be seen HERE, HERE and HERE. And Valentine’s Day might be dead and gone this year, but I’m sure if you give your significant other the “Bringer Of Pain special bundle” (for guys or for girls), his or her love for you will only grow stronger than metal. Or you can go to the official Nuclear Blast webstore and choose your favorite option from several versions available. Battle Beast are more than ready to storm the world once again with Bringer Of Pain, bringing to our ears and hearts another shot of their first-class heavy music, and we should be more than thankful for that, as well as for the band not giving us any sign at all of slowing down or giving up metal. Quite the contrary, it seems that their battle will rage on for many years to come.

Best moments of the album: Straight to the Heart, Bringer of Pain, Beyond the Burning Skies, Bastard Son of Odin and Rock Trash.

Worst moments of the album: Far from Heaven.

Released in 2017 Nuclear Blast

Track listing
1. Straight to the Heart 3:31
2. Bringer of Pain 3:04
3. King for a Day 4:33
4. Beyond the Burning Skies 4:39
5. Familiar Hell 4:04
6. Lost in Wars (feat. Tomi Joutsen) 4:34
7. Bastard Son of Odin 3:34
8. We Will Fight 3:26
9. Dancing with the Beast 3:42
10. Far from Heaven 4:20

Limited Edition Digipack bonus tracks
11. God of War 3:56
12. The Eclipse 4:30
13. Rock Trash 3:13

Band members
Noora Louhimo – lead vocals
Juuso Soinio – guitar
Joona Björkroth – guitar, backing vocals
Eero Sipilä – bass guitar, backing vocals
Janne Björkroth – keyboards, backing vocals
Pyry Vikki – drums

Guest musician
Tomi Joutsen – male vocals on “Lost in Wars”

Album Review – Avenford / New Beginning (2017)

A lecture in melodic, progressive and vigorous Power Metal by a band that has all it takes to be one of the greatest names in Power Metal within the next few years.

Rating4

avenford-new-beginningFormed in the summer of 2012 by guitarist Peter Szehoffner and lead singer and guitarist Arpie Gamson in Hungary, inspired by the music by Masterplan, Jorn Lande, Yngwie Malmsteen and Iron Maiden, among others, but currently residing in London, England, Power Metal quartet Avenford has been making a name for themselves in the world of heavy music since their inception, delivering first-class Heavy Metal for fans of melodic guitars, fast and rhythmic drums and epic high-pitched vocal lines. After releasing their debut album in 2014, titled Mortal Price, and after beginning to conquer Europe and the rest of the world with their music, it’s time for Avenford to strike us all again with their fresh new album New Beginning.

The list of guest musicians in New Beginning is quite extensive, each one adding their own share of adrenaline to the final result. We have Apollo Papathanasio (Spiritual Beggars, Firewind), Zoltan Marothy (Kiss Forever Band), Roland Grapow (Masterplan, Helloween), Zoltan Kiss (Iron Maidnem), Bodor Mate (Alestorm) and Piotr Sikora (Exlibis) lending their feeling and refined techniques to Avenford, contributing with Peter, Arpie, bassist Tom Longbottom and drummer Jivodar Dimitrov in crafting beautiful and exciting Heavy Metal perfect for hitting the road, for having a good time with your friends, or for simply relaxing and enjoying it by yourself.

The opening track Dead or Alive doesn’t waste a single second and comes ripping in a heavy and melodic way led by the guitars by Arpie and Peter, suddenly turning into a fast-paced metal feast with guest singer Apollo Papathanasio kicking some serious ass on vocals, resulting in Power Metal at its finest; whereas Back in Time is a Symphonic Power Metal composition with a strong focus on its electrified atmosphere and the fierce drumming by Jivodar, also featuring an amazing solo by guest guitarist Zoltán Maróthy. And progressiveness, intricacy and tons of feeling are the main ingredients in the fast-paced chant Assassin, where not only both guitarists are on fire, blasting beautiful riffs and solos, but the rumbling bass lines by Tom are also very effective and add a lot of groove to the music.

avenfordAlbeit slightly slower, Fury Road is still very progressive and heavy, with the one and only Roland Grapow doing what he does best, which is of course delivering awesomeness though his guitar solo, before the short and pleasant instrumental bridge Maze of Visions builds the ambience for the title-track New Beginning, a heavy power-ballad where Arpie has an amazing performance on vocals while the rest of the band sounds extremely cohesive and focused on delivering top-tier Power Metal to the masses. And in Overlord, a futuristic warlike intro explodes into Progressive Power Metal due to the accelerated beats by Jivodar, with both Arpie and Peter making the perfect dynamic duo on guitars. In other words, if you love high-octane Melodic Heavy Metal, this thrilling tune will definitely please your metallic ears.

With guest singer Zoltán Kiss giving a lesson in melodic vocals, Dark Angel presents the perfect combination of guitars and keyboards the likes of Stratovarius and Sonata Arctica, having all it takes to become a classic among fans of the genre. Besides, how not to get excited with the song’s amazing chorus? In Mask, we’re treated to more electricity and passion for heavy music from Avenford, a very traditional sonority led by the potent vocals by Arpie and the unstoppable drums by Jivodar, and featuring a great guitar solo by another guest Máté Bodor; while Return from the Land of Emeralds is the dream of every musician that loves complex and metallic Power Metal. All band members are in perfect sync in this instrumental feast, with Tom and Jivodar crafting the perfect atmosphere for all the song’s inspiring guitar solos. And my favorite track of the album, Unholy Game, featuring the sharp keyboards by guest musician Piotr Sikora, brings elements from old school Rock N’ Roll and Hard Rock that truly elevate the song’s electricity to a whole new level. No one can stand still to such amazing tune, with Arpie being absolutely fantastic on vocals.

In a nutshell, New Beginning is a lecture in melodic, progressive and vigorous Power Metal by a band that sounds like veterans of the genre, despite being on the road for less than a decade, and if you’re fond of this always galvanized genre of heavy music I highly recommend you go visit Avenford’s Facebook page and YouTube channel to get more details on this excellent band and their inspiring music. And of course if you want to add New Beginning to your distinct collection of Power Metal albums, you can find it at the Pride & Joy webshop, at Record Shop X, on iTunes or on Amazon. The name of the album might be New Beginning, but what we have is actually a solid continuation to the career of a band that has an immeasurable potential to become one of the greatest names in Power Metal within the next few years.

Best moments of the album: Dead or Alive, New Beginning, Dark Angel and Unholy Game.

Worst moments of the album: Back in Time.

Released in 2017 Pride & Joy Music

Track listing
1. Dead or Alive 4:22
2. Back in Time 3:50
3. Assassin 4:30
4. Fury Road 4:32
5. Maze of Visions 1:21
6. New Beginning 7:13
7. Overlord 5:41
8. Dark Angel 3:43
9. Mask 3:56
10. Return from the Land of Emeralds 5:49
11. Unholy Game 3:48

Band members
Arpie Gamson – vocals, guitar
Peter Szehoffner – guitar, backing vocals
Tom Longbottom – bass
Jivodar Dimitrov – drums

Guest musicians
Apollo Papathanasio – vocals on “Dead or Alive”
Zoltán Maróthy – lead guitars on “Back in Time”
Roland Grapow – lead guitars on “Fury Road”
Zoltán Kiss – vocals on “Dark Angel”
Máté Bodor – lead guitars on “Mask”
Piotr Sikora – keyboards on “Unholy Game”

Metal Chick of the Month – Sasha Zagorc

sasha01

Heavy metal lives in me!

If one day you have the pleasure of visiting the stunning country of Slovenia (in case you haven’t done so already), you’ll be able to admire several distinguished attractions such as the unique Postojna Cave, the awe-inspiring Lake Bled and the Bled Castle, the Škocjan Caves and, in case you have just one single day in the capital Ljubljana, you can have a relaxing walk through the city’s charming streets and savor the exquisite tastes offered by all of its fancy restaurants. Hence, as a tribute to this wonderful country, to its culture and its people, there’s nothing better than kicking off another year at The Headbanging Moose than with the gorgeous and “louder than hell” Slovenian bassist Sasha Zagorc (or Saša Zagorc in proper Slovene), the songwriter, manager and leader of Slovenia’s own all-female Heavy Metal band Hellcats.

Born on July 22, 1986 in the city of Ljubljana, Sasha started playing classical guitar at a very early age in music school together with her sister Sonja Zagorc, the drummer for Hellcats, who at that time was studying flute. When they finished music school, Sasha switched from classical guitar to bass guitar (also playing in a few local bands) and her sister from flute to drums (quite a change in terms of noise and impact), and then they decided to form their own all-female band. Well, I guess you know what happened next, and that’s where our tribute to this blonde bombshell will be focused on through the next few lines. Are you ready to rumble to the sound of the Heavy Metal by our headbanging diva Sasha and her kick-ass bandmates?

Apart from Sasha on bass guitar and backing vocals, and her sister Sonja on drums, the first all-female metal band from Slovenia is also formed by Katja Mavec on guitars and Dasha Makuc on vocals. The name of the band, which combines femininity with a strong Heavy Metal attitude, was suggested by a friend of Sasha who’s also a musician and an airplane aficionado. He named the band after the Grumman F6F Hellcat, a carrier-based fighter aircraft. Formed in their hometown Ljubljana in 2003, it wasn’t easy for the Hellcats to find many female musicians due to the small size of the Slovenian music scene, a country of only 2 million habitants. However, due to Slovenia’s high level of development, even metal music (a genre usually relegated to the underground as opposed to pop and folk music) has its space in the country’s rich culture, with MetalDays (formerly known as Metalcamp), a huge festival held annually in the city of Tolmin, being the driving force of Heavy Metal in Slovenian soil.

Despite being on the road for over 10 years, Sasha and the Hellcats have only recorded two albums so far, the first being their self-titled EP Hellcats, in 2011, followed by the full-length album Divja Pot (named Warrior Princess in the English version) in 2013. That doesn’t mean they don’t have enough material already for a powerful live concert, which seems to be the thing they love the most in life. The band has already performed in several festivals such as Metalcamp in Slovenia, Viva la Pola festival in Croatia, Metal Franconia in Germany, and several TV and radio shows. For instance, in 2012 the Hellcats were invited to tour Russia, where among all the cities they played their most memorable moments were being one of the main attractions at the female bands rock festival named Zheleznye Devy (or “Iron Girls”), in the city of Kaluga, and performing at the music festival named Jelen Demofest, in Banja Luka. Hellcats achieved 4th place among more than 400 groups, becoming the highest placed foreign band ever at the festival.

If you want to see the lovely Sasha in action together with the Hellcats, there are a few official videos on YouTube in both Slovene and English, those being the Power Metal tune Steelrider (or Divja Pot in Slovene), the sexy Demons Dreams (or Sanjam Demone), the high-octane song Now Is My Time (or Prerojena), and the kick-ass hymn I Am (or Naprej). As a huge admirer of old school Heavy Metal, I personally prefer their more straightforward compositions, which emanate electricity, blood and passion. How not to get thrilled to the sound of Proud To Be Loud or Hellcats, or even better, to their first ever single and best song to date, the awe-inspiring Heavy Metal? The song’s Manowar-inspired lyrics (“Heavy metal lives in me / The hell between will set me free / Heavy metal lives in me / The ones who fake it can just leave”) are a thing of beauty. In addition, there are even a few live videos of those awesome songs online, as for example these live versions of Hellcats and Heavy Metal, recorded in 2013, and if you want to have a delicious overdose of Sasha you can take a look at this YouTube playlist, where you’ll find all official videos, some live performances, interviews, and special covers by Hellcats of icons such as Judas Priest, Doro and AC/DC.

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Perhaps the most organic and crisp performance available online by the Hellcats is their participation in a radio show called Metalmorfoza on November 15, 2014 at the Studio Hendrix for a radio station named Radio Koper. In case you do not have enough time to watch the full show, you can get a taste of the amazing rumbling bass lines by Sasha in the song Vladar Noči, live at that same program. An alternative way to enjoy the music by the Hellcats is on a program called Na Sceni, recorded on October 29, 2013 at the Slovenian channel RTV 4, but let me warn you that if you do not speak Slovene the only thing you’ll be able to understand is the music and nothing else.

Our unstoppable bass player has always been a metalhead, always wearing her own black leather clothes anywhere she goes, being highly influenced by heavy, thrash and hard rock behemoths like Pantera, Judas Priest, Iron Maiden, Metallica and AC/DC, among others. Shasa mentioned in one of her interviews that she and her sister grew up listening to those bands, helping them to become who they are today. She also mentioned her biggest motivation to write music is life itself, with their compositions being filled with optimism, energy, love, passion and strength. When asked about which language she prefers singing, if English or Slovene, Sasha said they let their emotions lead them, it doesn’t matter if it’s in one language or another, all depending on which one better suits the message and feeling of the music. As an example, she cited the single Heavy Metal, sung entirely in Slovene and being a big success among metalheads all over the world.

Having a band provides our blonde metaller some well-deserved relaxation, and she loves going on tour with her best friends. Sasha said it’s not hard for them to keep the band going forward, as they love what they do. That’s the main reason why during the auditions for the missing band members when the band started, she and Sonja were not only trying to find the right musicians, but they were also looking for good personalities to get along with and to become friends with as well. In her own words, she thinks this is very important for female bands, because “girls like to chat more than guys”. You can take a listen at a short clip with Sasha HERE, where she talks to BBC about how challenging it is to maintain an all-girl metal band, and if you want to know more about her role in the band and how she learned to headbang, among other topics, click HERE for a 30-minute interview with Sasha and the unparalleled bassist Doris Yeh (Chthonic). For instance, did you know Sasha is a professional architect and graphic designer, as at least for now Hellcats cannot make a living out of music itself?

When asked about how she envisions her career with the Hellcats in the next five to ten years, Sasha provided an answer that, albeit a little cliché, is exactly everything we want to hear from a true Heavy Metal band anytime, anywhere. “In the next five to ten years from now we see Hellcats touring and performing on big stages and to be more and more successful every year and to have more and more fans. Our biggest wish is to tour the Europe first and then go to the USA”, said our metal diva. Let’s hope her dreams come true, and that she includes Canada on her tour when the Hellcats come to North America, or we will riot.

Sasha Zagorc’s Official Facebook page
Hellcats’ Official Facebook page
Hellcats’ Official Twitter
Hellcats’ Official Instagram

“Our music is about love, desires, passion and strength. Our songs are filled with optimism and energy. We have a lot to tell and we want people to feel good when they listen to our music.” – Sasha Zagorc

The Year In Review – Top 10 Hard Rock/Heavy Metal Albums of 2016

“I don’t know where I’m going from here, but I promise it won’t be boring.” – David Bowie

The unexpected death of the most badass musician in history, Motörhead’s heart and soul Lemmy Kilmister, on December 28, 2015 was a harbinger of all the bad, shocking and revolting things that would turn the year of 2016 a true nightmare for mankind. That dark prophecy was confirmed less than two weeks later, more specifically on January 10 when we lost another true star in rock music to cancer, the unparalleled chameleon David Bowie, just two days after the release of his final masterpiece Blackstar. If that was not enough to make 2016 a miserable year, we also had to endure the passing of other icons who, despite not being metal, have always inspired countless bands and artists in heavy music. We lost Prince, Leonard Cohen and Keith Emerson (Emerson, Lake & Palmer), to name a few, all irreplaceable losses to music in general. In addition, important names in the history of Heavy Metal also left us in 2016, such as Nick Menza (Megadeth) and Jimmy Bain (Rainbow, Dio), not to mention the disbandment of amazing groups like Eths (who are by the way part of our top 10 this year), Crucified Barbara and Bolt Thrower. And I’m not even going to talk about all other types of disasters and tragedies that happened all over the world, as the list is too macabre and grievous to be remembered in full.

Fortunately, 2016 was considerably generous for us headbangers in terms of the quantity and quality of albums released throughout the entire year, especially for diehard fans of old school Thrash Metal. Except for Slayer and Exodus, all other prominent names in Thrash Metal blasted the world with their high-speed, thrilling music, led by another superb album by Testament. Even Metallica released a decent album this year, just to give you an idea of how fruitful 2016 was for this rebellious type of music. Having said that, it’s time for The Headbanging Moose’s Top 10 Hard Rock/Heavy Metal Albums of 2016, excluding EP’s, best of’s and live albums. And even if 2017 is as hideous as 2016, let’s never forget the wise words by Bill S. Preston, Esquire and Ted “Theodore” Logan. Be excellent to each other, and party on, dudes!

testament_brotherhood-of-the-snake1. Testament – Brotherhood Of The Snake (REVIEW)
Join the Brotherhood of Thrash Metal spearheaded by one of the heaviest, most technical and most electrifying bands on the entire planet.
Best song of the album: The Number Game

cover2. Charred Walls Of The Damned – Creatures Watching Over the Dead (REVIEW)
A magnificent lecture in Heavy Metal by four electrified beasts.
Best song of the album: As I Catch My Breath

Cover3. Eths – Ankaa (REVIEW)
One of the most prominent and innovative French bands of all time returns with a true masterpiece of complexity, darkness and heaviness.
Best song of the album: Nefas

cover4. Primal Fear – Rulebreaker (REVIEW)
Who said rules must be broken for a metallic eagle to spread its wings and soar high in the skies of heavy music?
Best song of the album: Rulebreaker

megadeth_dystopia5. Megadeth – Dystopia (REVIEW)
And the dystopian world portrayed in the brand new album by the iconic Dave Mustaine and his Thrash Metal army is beyond awesome.
Best song of the album: Lying In State

abbathsoloface_6386. Abbath – Abbath (REVIEW)
The one and only Abbath takes a new step in his career with a brand new band an album.
Best song of the album: Fenrir Hunts

death angel_the evil divide7. Death Angel – The Evil Divide (REVIEW)
Fast and furious anthems, dark mid-tempo songs, austere lyrics and endless stamina. This is how Thrash Metal should always be done.
Best song of the album: Hell To Pay

anthrax_for all kings8. Anthrax – For All Kings (REVIEW)
A classy and electrifying Thrash Metal album especially crafted for all of us, the real kings of heavy music.
Best song of the album: Breathing Lightning

front9. Axel Rudi Pell – Game of Sins (REVIEW)
You might be a sinner, but don’t be a fool and go relish another magnificent album by Mr. Axel Rudi Pell and his loyal henchmen.
Best song of the album: Falling Star

nervosa-agony-201610. Nervosa – Agony (REVIEW)
Brazil’s meanest power trio returns with another marvelous blast of their kick-ass high-octane Thrash Metal.
Best song of the album: Theory of Conspiracy

And here we have the runner-ups, completing the top 20 for the year:

11. Blaze Bayley – Infinite Entanglement (REVIEW)
12. The Silent Rage – The Deadliest Scourge (REVIEW)
13. Neverworld – Dremasnatcher (REVIEW)
14. Ancesttral – Web Of Lies (REVIEW)
15. Front – Iron Overkill (REVIEW)
16. Dö – Tuho (REVIEW)
17. Be Under Arms – Doomed To Life (REVIEW)
18. SystemHouse33 – Regression (REVIEW)
19. Gojira – Magma (REVIEW)
20. False Coda – Secrets and Sins (REVIEW)

As in Heavy Metal the artwork is just as important as the music itself, like what always happens with bands such as Iron Maiden, Megadeth, Metallica, KISS and tons of other metallic titans, we decided to list the Top 10 Cover Artworks of 2016. There are several reasons for an album art to be considered outstanding, such as its strong connection with the music like Iron Maiden’s Powerslave, its visual impact (usually associated with its controversial content) like Slayer’s God Hates Us All, or its perfect minimalism and finesse like Pink Floyd’s Dark Side Of The Moon. Do you agree with our list?

1. Anthrax – For All Kings [by Alex Ross]
2. Primeval Mass – To Empyrean Thrones [by Karmazid]
3. Witches Of Doom – Deadlights [by Carlo Muselli]
4. Ragehammer – The Hammer Doctrine [by Robert A. von Ritter]
5. Howls Of Ebb – Cursus Impasse: The Pendlomic Vows [by Agostino Arrivabene]
6. Testament – Brotherhood Of The Snake [by Eliran Kantor]
7. Henriette B – Tales of Reality (EP) [by Pierre-Alain D.]
8. Skáphe – Skáphe² [by H.V. Lyngdal]
9. Diabolizer – Apokalypse (MCD) [by Robert A. von Ritter]
10. Hostis – Hostis [by Zvonimir Grabić & Milena Nićić]

Rest assured in 2017 we at The Headbanging Moose will keep providing you the best of the underworld of Death, Thrash, Black, Symphonic, Epic, Power Metal and all other genres and subgenres of heavy music, as well as our view of the biggest names worldwide. There are already brand new albums confirmed for 2017 by Kreator, Sepultura, Grave Digger, Battle Beast and more, which means at least musically the new year promises to be really good. Thank you very much for your precious time, and keep on rockin’! Au revoir!

Metal Xmas and a Headbanging New Year! See you in 2017!

Well, before we go, here’s a special gift from Iron Maiden to all metalheads all over the world… A nice festive yule log fireplace to keep our hearts warm during the entire season!

Album Review – Rage / The Devil Strikes Again (2016)

One of the biggest exponents of the German Power Metal scene strikes again with more of their enraged and metallic music.

Rating4

rage_the-devil-strikes-againFormed in 1984 by the iconic Peter “Peavy” Wagner, German Power Metal institution Rage are not even close to call it quits after over 30 years alive and kicking based on the energy flowing from their brand new album, titled The Devil Strikes Again, the 22nd studio installment in their monstrous career and another excellent sample of how exciting German Metal has always been despite all the changes in the world of music we’ve been witnessing. It might not be the best album of their career, but it still has that amazing vibe and punch that elevated Rage to the status of Power Metal icons in their homeland Germany as well as worldwide alongside bands such as Grave Digger, Running Wild and Blind Guardian.

The artwork by German artist Karim König is already a good indication of what you’ll find in The Devil Strikes Again: raw, honest and furious Rage-style Power Metal, with no shenanigans or any other “artificial ingredients”. In addition, although this is the first album to feature the power trio formed by Peavy on bass and vocals, Venezuelan musician Marcos Rodríguez on guitars (who by the way met Peavy on Rage’s 30th anniversary tour, when his own band Soundchaser were the support band for part of the tour) and Greek sledgehammer Vassilios “Lucky” Maniatopoulos on drums , that doesn’t mean their instruments are disconnected at all. Quite the contrary, spearheaded by Peavy, The Devil Strikes Again gives the sensation they’ve been together for decades due to its cohesiveness and overall quality.

Kicking off this heavy album we have the title-track The Devil Strikes Again,  an enraged storm of Power Metal made in Germany, fast and berserk just the way we love, where Lucky starts blasting his drums before Peavy comes firing his unmistakable raspy screams. Well, with that devilish name I couldn’t expect anything less badass than this. My Way is another classic Rage tune with the grim guitar riffs by Marcos giving a touch of modernity to it, boosted by its addictive chorus flawlessly sung by Peavy, who also rumbles his bass like no one else; whereas Back on Track sounds taken from an old Rage album, being recommended for admirers of  old school German Power Metal due to its very traditional fast-paced rhythm, not to mention its melodic vocal lines that prove Peavy is just getting better with age.

The Final Curtain is slightly generic compared to the previous tracks but still a good listen, with the metallic guitar sound by Marcos (including his nice solos) being the main ingredient of the song, followed by War, one of the most thrilling of all songs of the album. Overflowing Heavy Metal and adrenaline, this sensational tune presents a brutal intro followed by a sinister break, with Peavy grasping the song’s acid lyrics powerfully (“In the eyes of the big global players everything’s alright, / It’s their god-given right to abuse us, / So thank you and good night. / In the world’s biggest money machine / They’re delivering the fuel. / Let there be some collateral damage, / That’s their pervert rule, / Yes, that’s their perfect rule.”).

rage-2016In Ocean Full of Tears we’re treated to a thunderous hymn for hitting the road that epitomizes the contemporary sonority by Rage, with Peavy and Marcos delivering sheer metal through their strings, in special the soulful solos by Marcos. They don’t lose a single second and continue their Power Metal extravaganza in Deaf, Dumb and Blind, which follows a similar structure as the previous tune (meaning more high-end metal for us fans). Besides, if you’re a guitar player no matter your style, you’ll simply love the job done by Marcos on this song. And living up to the legacy of the sharper and more visceral German Metal created by Rage and their countrymen Grave Digger and Running Wild, Spirits of the Night brings forward cutting riffs and an old school chorus, with Peavy’s vocals being effectively supported by the song’s potent backing vocals.

The obscure Times of Darkness offers the listener tons of heaviness, but it gets a bit repetitive as time goes by, falling flat after a while even with the potent Doom Metal beats provided by Lucky. On the other hand, the almost 6-minute song The Dark Side of the Sun is by far the most progressive and complex of all tracks, with its blackened lyrics (“In my nightmares, when I die, / I just see my long forgotten, breaking eyes. / I’m afraid I lived a lie, / My life’s challenges, I never did reply. / All so many doors I haven’t tried, / All those wasted chances, ’cause I was afraid. / All the people that I never reached a hand, / ‘Til it was too late, I’m on my final stand.”) matching perfectly with the aggressive musicality crafted by Peavy and his crew. And in case you purchase the Digibook Edition of the album, you’ll get an awesome bonus CD containing three brand new B-sides and three fantastic covers for classics by Skid Row, Rush and Y&T, with Slave to the Grind being the most gripping of them. It might not be as perfect as their versions for “The Trooper” and “Jawbreaker”, but it’s truly electrifying, with Peavy’s vocals fitting the music perfectly.

In summary, the unstoppable Rage, one of the biggest exponents of the German Power Metal scene (although we can say that today they’re only one third German, right?), strike again with more of their infuriated metal for our total delight, pointing to a bright future with this new band lineup without a shadow of a doubt. You can enjoy The Devil Strikes Again even if you’re not a fan of traditional heavy music from Germany, which proves once again that bands like Rage and musicians like Peavy don’t just generate music, they go far beyond that threshold, breathing more adrenaline and power into our everyday lives. And that’s what real metal is all about.

Best moments of the album: The Devil Strikes Again, My Way, War and Slave to the Grind.

Worst moments of the album: The Final Curtain and Times of Darkness.

Released in 2016 Nuclear Blast

Track listing
1. The Devil Strikes Again 4:25
2. My Way 4:23
3. Back on Track 4:23
4. The Final Curtain 4:13
5. War 4:24
6. Ocean Full of Tears 4:04
7. Deaf, Dumb and Blind 4:18
8. Spirits of the Night 4:52
9. Times of Darkness 5:21
10. The Dark Side of the Sun 5:56

Digibook Edition bonus CD
11. Bring Me Down 5:01
12. Requiem 3:55
13. Into the Fire 5:25
14. Slave to the Grind (Skid Row cover) 3:24
15. Bravado (Rush cover) 4:36
16. Open Fire (Y&T cover) 4:38

Band members
Peter “Peavy” Wagner – vocals, bass
Marcos Rodríguez – guitars, additional vocals
Vassilios “Lucky” Maniatopoulos – drums, additional vocals

Album Review – Titanium / Atomic Number 22 (2016)

This prosperous five-piece act from Poland brings to us all the strongest element in the world in the form of beautiful Melodic Power Metal.

Rating4

titanium_atomic-number-22In case you didn’t already know, titanium is a chemical element with symbol Ti and atomic number 22, recognized mainly for its high strength. However, since 2010 this metallic element has also been a very important part of the Polish Metal scene, being represented by the skillful Melodic Heavy/Power Metal squad Titanium who released this September their second full-length album, cleverly entitled Atomic Number 22. After listening to this high-end album, you’ll realize titanium is not only very strong, but also extremely melodious, invigorating and brisk.

Formed in late 2010 by Pathfinder guitarist Karol Mania in Ostrów Wielkopolski, a city located in central Poland, Titanium have been on a constant rise since their inception, having released an EP entitled We Come to Rock! in 2012 and their self-titled full-length album the following year.  Now in 2016, Atomic Number 22 not only cements Titanium as one of the most promising bands from Poland, but also sets a new era for the band with Ukrainian singer Konstantin Naumenko (from Kiev’s Power Metal band Sunrise) taking the microphone and elevating the strength and epicness of the band’s already powerful musicality.

You better be ready for the Heavy Metal battle ignited by the title-track, Atomic Number 22, with the flawless connection between guitars and keyboards reminding me of Scandinavian Metal bands such as Stratovarius and Battle Beast, not to mention its superb backing vocals supporting Konstantin in this upbeat hymn. In addition, I have to admit I honestly can’t think of lyrics that sound more metal than this (“Atomic number 22 the father and the thunder / We’re coming right for you / Atomic number 22 no compromise just metal / Titanium comes for you”). And there’s no time to breathe as Titanium keep firing pure Melodic Power Metal for us in World of Contradictions, where drummer Filip Gruca dictates the rhythm with his fast beats and fills while the band’s guitar duo comprised of Karol Mania and Jaroslav Bona delivers those traditional riffs and solos we all love in Power Metal. Slower but more melodic and thrilling, Torn Reality brings forward heavy guitar riffs inspired by Hard Rock from the 80’s mixed with contemporary Melodic Metal, with another spot-on performance by Konstantin and an interesting ending with smooth piano notes and a melancholic vibe.

Defusive Skies is pure Stratovarius and Sonata Arctica, overflowing harmony and being probably one of Filip’s favorite songs due to its speed, with Karol and Jaroslav sounding simply amazing with their intricate solos; followed by Time Is Out, where we’re treated to a feast of sheer Melodic Metal. Once again, Konstantin keeps amusing us with his potent high-pitched vocals while Karol and Jaroslav set fire to the music through their unstoppable guitars. One Single Night, another track highly inspired by Melodic Metal from Finland, showcases a pleasant melody with the heavier punch of Power Metal enhancing its electricity, whereas the headbanging tune Guardians of Might, featuring  guest singer Piet Sielck (kicking some serious ass as he always does with his marvelous band Iron Savior), is a very traditional composition that couldn’t sound more metallic, in special due to its inspiring chorus (“In our realm We are one / Like the blazing stars will shine forever / We’re the saviors, guardians of might / We deny the fate”).

titanium-2016Future of Mankind, the longest of all tracks, is a Melodic Power Metal extravaganza with a cheerful vibe and a great balance between the main vocals by Konstantin and all backing vocals. Moreover, the musicality never slows down, keeping the level of energy always at its peak in this lesson in melodious music for fans of the genre. The last song of the regular version of Atomic Number 22, titled The Way of the White Flag, is another explosion of Melodic Metal thanks to its fast-paced drumming and truly harmonious vocal lines. Furthermore, bassist Szymon Szydłowski delivers some rumbling uppercuts while both guitarists are absolutely on fire with their fantastic riffs and solos. In case you go for the Japanese edition of the album, you’ll be nicely rewarded with Titanium’s cover version for Eagleheart, one of the biggest classics by Melodic Metal heroes Stratovarius. Very different from the original version, the band managed to switch the original base of this metal hymn to their own musicality without losing the song’s uplifting essence.

Titanium are waiting for you at their Facebook page and YouTube channel, and you can put your hands on the strongest and most melodic element in the world of heavy music at Amazon (exclusively at their Japanese store) or also at Discogs. This beautiful display of Melodic Power Metal will enliven your toughest days without a shadow of a doubt, proving one more time the sensational effect high-quality heavy music always has on our hearts and souls.

Best moments of the album: Atomic Number 22, Torn Reality and Guardians of Might.

Worst moments of the album: None.

Released in 2016 Avalon/Marquee

Track listing
1. Atomic Number 22 5:50
2. World of Contradictions 4:45
3. Torn Reality 5:57
4. Defusive Skies 5:13
5. Time Is Out 4:00
6. One Single Night 5:37
7. Guardians of Might (feat. Piet Sielck) 4:50
8. Future of Mankind 8:52
9. The Way of the White Flag 4:01

Japanese Edition bonus track
10. Eagleheart (Stratovarius cover) 5:30

Band members
Konstantin Naumenko – vocals
Karol Mania – guitars
Jaroslav Bona – guitars
Szymon Szydłowski – bass
Filip Gruca – drums

Guest musician
Piet Sielck – additional vocals on “Guardians of Might”