Interview – Through The Noise

It’s time for vocalist Jowl Nyberg and guitarist Marcus Skantz to make some noise in this fun interview where they talk about their excellent band Through The Noise and their brand new album Dualism .

Through The Noise

The headbanging Moose: Could you please introduce yourselves to our readers? How would you define Through The Noise?

Jowl Nyberg: I’m Jowl and I’m the vocalist and one of the founders of the band. We’ve always struggled to define Through The Noise, at least genre-wise, since we’ve never tried to fit in to a specific genre. We’re just a couple of guys who enjoy heavy music and try our best to present our listeners with just that: heavy music. We play metal with a touch of hardcore, that’s as close as we can come when we try to define it.

Marcus Skantz: Marcus and one of the guitarist in the band. To me, Through The Noise is a high energetic with both a lot of aggression and big melodies.

THM: Your brand new album Dualism is a fun and electrifying feast of heavy and hardcore sounds, but also full of melody and very polished. How was the recording process of the album, and did everything go according to your original plan?

JN: We knew from the start that we wanted to work with Erik Wiss at Wiss Music Productions again, why change a winning concept, right!? He knows our sound and we love to work with him, he always pushes us towards perfection and has nice inputs on our work. Although this time around Marcus had joined the band and he have some recording skills and equipment that the rest of us don’t, so we decided to record only the vocals and drums at Wiss Music Productions. The guitars and bass tracks are recorded in Marcus bedroom and then mixed at Wiss Music Productions along with everything else.

We only had like two-three tracks to work with before we booked the studio, so the process to write the rest of the songs was pretty intense, but that’s the way we like it: we thrive under pressure! Marcus and I spent many late nights at his place during this period. This was a bit different than our last album ´Fall Of Gaia´ where we wrote all the songs together in our rehearsal space.

MS: We booked the studio to record our second album just a month after I joined the band by the end of the summer 2017. By then, we just had one finished song and two song ideas to work with but we really needed a sharp deadline to kick our selves in the butt and write some new music. Five months later we had nine songs pre prodded and ready to be recorded. Peter went to Erik at Wiss Music Production and tracked all drums by the end of February and then me, Victor and Martin had about a month to record all the guitars and bass in my home studio before we returned to Erik to finish with all the vocals. The whole recording process went great even though it resulted in many late nights in my home studio due to my day work plus me, Jowl and Peter participating in a short film project where I helped with all post editing of sound and effects.

Jowl Nyberg (Through The Noise)

THM: Which songs from Dualism do you think better represent the band, and do you think your fans get that message while listening to your music or while watching you guys play live?

JN: We’ve always strived for intense, energetic songs with catchy and melodic choruses and I’d say that we deliver on that with all the songs on ´Dualism´ but if I had to pick one, I’d go with Psychomachia. If one truly wants to experience Through The Noise though: live is the way to go!

THM: One of my favorite songs of the album, Maktbegär (which I believe means “lust for power” from Swedish), is the only one sung in your mother tongue. Why did you guys decide to record that specific song in Swedish? Is there a special reason behind that?

JN: You are quite right in your translation, it does indeed mean “lust for power”.

I’ve always wanted to try and write something in Swedish and this is something that I’ve dabbled (and struggled) with at home for some time. ´Maktbegär´ actually started out as a translation and my own interpretation of a song called ´Mercy Me´ by one of my favourite punk-rock bands ´Alkaline Trio´ that I made for fun. The more I worked with it, it turned into something completely different that was too good not to use and the first time Marcus showed me this song I just knew that it would fit like a glove. I’ve also always felt like our regional dialect “skånska” fits well with hardcore-type vocals.

THM: How did you guys invite local Swedish punk vocalist Jahna Lund (from Death By Horse) to sing in three songs from Dualism? She has an amazing voice and matched perfectly your music. Can we expect more of that type of partnership in your future releases?

JN: Jahna and her band ´Death By Horse´ are close personal friends of mine: I love their music and Jahna’s characteristic voice! We’ve joined each other on stage plenty of times and I love collaborations and features on records, so it felt natural to invite her to add another level to our work. On our last record ´Fall Of Gaia´ I did a similar thing with a friend from work for the song ´The Accursed´ which turned out great so it might be a recurring theme on our albums!

MS: Jahna is a personal friend to us and we asked her to do some vocals on Psychomachia. While writing the song Secret Project we realized we needed a lot of choirs so we thought that she could be part of that song as well. The day she was in Erik’s studio she listened to some of the songs that was finished and when she heard the track Beyond Betrayal she got some ideas she wanted to test and that’s how she ended up in three songs of the record.

You just never know! If we write a piece where we think her voice would fit, we would not hesitate on asking her to do some more guest vocals.

Marcus Skantz (Through The Noise)

THM: Do you consider yourselves a metal band with punk and hardcore influences, or a punk and hardcore band with metal influences? How are the more diehard fans from both sides reacting to your music?

JN: This is interesting because we’ve always felt like we’re “in between”, so to speak. We’ve been considered “not hardcore enough” for hardcore festivals as well as “not heavy enough” for metal festivals. This is both a blessing and a burden in my opinion, it makes us somewhat unique but at the same time it alienates us from some gigs and crowds. Since I come from the punkrock/hardcore-scene originally and most of the other guys are more metalheads it’s only natural that our music sounds like something in between and that’s what makes us who we are.

MS: If you ask me we are a metal band with punk and hardcore influences, but that is me coming mainly from a thrash and melodic death background and I write songs in a certain way. If you ask Jowl I bet he thinks of it the other way around. I don’t think it really matters. We are a metal/hardcore band and we blend many different kind of styles into the mix with the outcome that we sound like Through The Noise.

THM: How’s the local metal and hardcore scene in your hometown Lund, in the city of Malmö and in Sweden in general? Can you recommend some bands from the underground scene that you think our readers should take a listen at?

JN: We have a lot of great local bands but not a lot of places for them (us) to play, unfortunately. Most bands around here head for Germany, eastern Europe, the Balkans and so on since there are more places to play and bigger audiences. It’s like the old saying “Big In Japan”, many bands are huge in other countries and almost unknown back home in Sweden.

Eastern High (Progressive-Metal), The Generations Army (Thrash-Metal), Wolves Within (Melodic-Hardcore), Mörbultad (Hardcore in Swedish), Chine (Death/Groove-Metal), Escaping Amenti (Theatrical/Apocalyptic Metalcore), Faithful Darkness (Melodic death-metal), Pandemonium (Symphonic Black Death-Metal) just to name a few!

MS: Both in general and locally, we have a thriving metal and hardcore scene in Sweden with a lot of great underground and up-and-coming bands. Kill The Kong, Imminence, Eleine and Eastern High just to name a few. We have a long tradition of great hard rock, metal and hardcore bands coming from Sweden which inspires us all.

Album Review – Through The Noise / Dualism (2019)

THM: Who are your biggest influences in music, and what inspires you to write heavy music?

JN: My biggest influences when it comes to lyricwriting are Matt Skiba of ´Alkaline Trio´ and Buddy Nielsen of Senses Fail. I tend to write deep, often melancholic, emotional and (at least to me) meaningful lyrics with a lot of metaphors that tells a story and I believe that I have these two gentlemen to thank for a lot of that! When it comes to my vocal style I guess Alexander Hagman of ´Raised Fist´, Andrew Neufeld of ´Comeback Kid´ and Tim McIlrath of ´Rise Against´ are some influences but also guys like Jake Luhrs of ´August Burns Red´. Other than that: playing and making heavy music is a great stress and anger release!

MS: My biggest influences comes from bands like Metallica, Pantera, Killswitch Engage and Machine Head in terms of how to build up a song, get the right groove and surprise or satisfy the listener. I often tries to write songs, riffs and so on that I myself would like to hear. I think it’s an honest way to treat the song and keep it real for both the listener and me as a composer.

THM: What about the future of the band? What can we expect from Through The Noise in the short and long term? And how are your tour plans going so far for the promotion of Dualism?

JN: We’re planning and hoping to take the band to the next level with this album! At the moment we are trying our best to book as many shows as possible for the rest of the year, at least, and after that we look forward to the process of making our next album! We’re here to stay and this is what we put all our effort into!

MS: In short term we are currently trying to book as many shows as possible with a fall of 2019 tour in the early planning stage. Of course we’re also planning for a follow up EP or full-length but since, while writing this, we have not released Dualism yet our focus right now is mainly on promoting the record and get out to play.

THM: Thanks you very much for your time! Please feel free to send your final considerations to our readers, to remind them where to buy your music, and anything else you would like to say.

JN: Thank you for taking an interest in our band! We would be very grateful if you visit and follow us on our social media pages and web shop (see links below), add our songs to your playlists and (of course) catch us live! This means the world to us and would really help us out!

Upcoming shows
May 4 @ Helltown Mini Festival at Jutan, Helsingborg, Sweden
June 7 @ Backstage Varberg, Varberg, Sweden

Links
Through The Noise Facebook | Intagram | Twitter | YouTube | Big Cartel | Spotify | iTunes | Amazon | Google Play | Deezer

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Album Review – Through The Noise / Dualism (2019)

Let’s make some noise to this five-piece Swedish Hardcore and Nu Metal act and their melodious brand new album overflowing rage and rebelliousness.

Founded in 2013 in the city of Lund, located around 30km from Malmö, in southern Sweden, the unruly five-piece Post-Hardcore/Nu Metal act comprised of Jowl Nyberg on vocals, Victor Adonis and Marcus Skantz on the guitars, Martin Lingonblad on bass and Peter Liwgren on drums, collectively known as Through The Noise, is back in action now in 2019 for our total delight with their second full-length album, entitled Dualism, a natural follow-up to their 2013 demo Adorn The Silence and their 2015 debut album Fall of Gaia, showcasing all the band’s talent, energy and, above all that, their absolute passion for heavy music.

Mixed by Erik Wiss (Eleine, Creye, To Dust), engineered by Ermin Hamadovic (Periphery, Devin Townsend Project, Architects), and mastered by Thomas ‘Plec’ Johansson (Soilwork, Watain, Scar Symmetry) at The Panic Room in Skövde, Sweden, Dualism is a pummeling mix of Hardcore and Nu Metal, containing nine glorious songs that are guaranteed to please even the ficklest of critics. Not only that, Dualism also brings to our ears the amazing guest vocals by local Swedish punk vocalist Jahna Lund (from Death By Horse), adding an extra touch of finesse and rage all at once to three of the most electrifying songs from the album.

The opening track Shattered already provides the listener a heavier-than-usual version of Hardcore from the very first second, with Peter sounding like a machine gun on drums while Jowl begins screaming rabidly, also presenting an atmospheric background that makes an interesting paradox with the slashing riffs by Victor and Marcus. Then featuring the aforementioned Jahna Lund we have Psychomachia, a frantic and aggressive tune perfect for slamming into the circle pit like there’s no tomorrow, and where the sound of the guitars couldn’t be more metallic and vibrant than what it already is. Peter keeps smashing his drums in the also fast and furious House of Asterion, a well-balanced mix of Metalcore, classic Hardcore and Alternative Metal where Martin’s bass lines rumble beautifully while Jowl roars nonstop like a maniac, followed by Digital Playground, a rock n’ roll radio hit where the entire band kicks us in the head with their rebellious instruments, spearheaded by Peter’s violent beats and the guitar duo’s lancinating riffs. And featuring Jahna once again, lending her gorgeous voice to the band’s crisp musicality, we have Secret Project, not as berserk as its predecessors but still very heavy and melodic, with Peter and Martin bringing thunder to the overall result with their respective instruments.

Deceiver is another explosion of Metalcore and Alternative Metal by the quintet, being highly recommended for breaking your neck in half headbanging but obviously maintaining a pleasant harmony in its core, all boosted by Jowl’s visceral growls and screams; whereas in Maktbegär, which translates as “lust for power” from Swedish, the band delivers an aggressive feast of smashing beats, cutting riffs and endless rage,  or in other words, a mosh pit-catalyst Metalcore tune that will work amazingly when played live (and even if you don’t know a single word in Swedish you’ll starting singing the song’s chorus with the band). And there’s no time to breathe as Through The Noise don’t slow down not even a bit in Meaning Through Noise, hammering our skulls with more of their violent fusion of Hardcore and Nu Metal and also presenting those melodious clean vocals we got used to in first-class Metalcore, while the talented growler Jahna joins the band one more time for their last blast of ass-kicking heavy music in Beyond Betrayal, where the amazing job done by both Victor and Marcus with their razor-edged riffs provides Jowl all he needs to scream and shout, inviting us all to jump up and down with the band in a very fun and vibrant way and, therefore, closing the album on a high note.

All the insane and entertaining noise blasted by Through The Noise can be better appreciated by subscribing to their YouTube channel and by listening to their music on Spotify, and if you truly enjoyed the hybrid of Metalcore and Hardcore with a modern-day Nu Metal twist crafted by those Swedish guys in Dualism, don’t forget to purchase your copy of the album from iTunes or from Amazon, and to follow them on Facebook for news and tour dates. Through The Noise definitely know how to make a lot of noise, always loyal to the foundations of Hardcore, and if they keep generating such thrilling music in the years to come I’m beyond sure we’ll hear a lot more from them, a band that can already be considered one of the best bands of the Swedish Hardcore scene, and a band that deserves all our noise in their honor.

Best moments of the album: Psychomachia, Deceiver and Maktbegär.

Worst moments of the album: Shattered.

Released in 2019 Eclipse Records

Track listing
1. Shattered 4:10
2. Psychomachia (feat. Jahna Lund) 2:55
3. House of Asterion 3:47
4. Digital Playground 4:48
5. Secret Project (feat. Jahna Lund) 6:17
6. Deceiver 4:02
7. Maktbegär 4:54
8. Meaning Through Noise 4:48
9. Beyond Betrayal (feat. Jahna Lund) 5:19

Band members
Jowl Nyberg – vocals
Victor Adonis – guitar
Marcus Skantz – guitar
Martin Lingonblad – bass
Peter Liwgren – drums

Guest musician
Jahna Lund – additional vocals on “Psychomachia”, “Secret Project” and “Beyond Betrayal”

Album Review – SynlakrosS / Malice Murder (2018)

Get ready to be transported to a world of adventure with a good deal of rebellion in the brand new ass-kicking album by one of the most prominent names of the underground metal scene.

Formed in 2008 in the stunning city of Valencia, Spain by bassist Pablo “Roro” Fuentes and drummer Tiko Martínez, the unstoppable female-fronted Melodic Death Metal outfit that goes by the stylish name of SynlakrosS has just taken another amazing step in their (r)evolutionary career with the release of their third full-length installment, the creative, incendiary and utterly fun Malice Murder, cementing their name as one of the best bands in the Melodic Death Metal, Nu Metal and Metalcore scene all over the world, therefore being highly recommended for fans of bands such as In Flames, Slipknot, Butcher Babies, Arch Enemy and Lamb Of God, among several others. Injecting a considerable dosage of energy into our hearts and minds with their music and thematic lyrics, SynlakrosS will transport you to a world of adventure with a good deal of rebellion in Malice Murder, always moving forward but at the same time always loyal to their foundations and, of course, to their already huge fanbase.

In my humble opinion, what really stands out in Malice Murder, apart from its top-of-the-line production and endless electricity, are the insanely metallic and piercing sounds extracted by Pablo from his infernal bass, and especially all the experimentations and different vocalizations blasted by the band’s stunning frontwoman Patricia Pons. She sounds vile, demented, passionate and defiant with her wicked growls, roars and screams, taking her vocals to a whole new (and previously unexplored) level that will certainly please all fans of modern-day Melodic Death Metal. Add to that mix the crushing riffs and solos by the band’s axemen Iván Muñoz and Aarón Hidalgo, not to mention the sensational album artwork designed by Patricia herself, and there you have not only the perfect follow-up to their 2016 opus Death Bullets for a Forajido, but also a gargantuan avalanche of breathtaking metal sounds that will blow your senses mercilessly.

The opening track, titled Angel on Fire, sounds modern, electrified and vibrant right from the very first second, with its futuristic sounds and Patricia’s hypnotizing whispers kicking off a Melodic Death Metal party led by Pablo’s infuriated bass punches. Then in the fast-paced, heavy-as-hell extravaganza named Fatal Frame the band puts the pedal to the metal showcasing furious riffs and tones by the band’s stringed triumvirate, with Patricia growling and gnarling like a she-wolf while Tiko smashes his drums beautifully; followed by Dark Seed, not only the first single of the album but also the epitome of modern-day Metalcore, exhaling sheer madness and rage and with Patricia stealing the spotlight once again with her rabid growls and demented vociferations, as well as Aarón and Iván with their heavy and aggressive shredding. Put differently, this is the type of song that’s absolutely perfect for setting the crowd on fire during their live concerts. And let me remind you that the party is just starting, as in Alone in the Dark, spearheaded by Pablo and his thunderous, hammering bass, melodic guitar lines are flawlessly intertwined with moments of sheer lunacy, living up to the legacy of renowned Nu Metal acts like the iconic Korn.

Eternal Darkness showcases a classic song name for an explosive fusion of Metalcore, Melodic Death Metal and Groove Metal, breaking your neck in half to the precise beats by Tiko (which means it might become a fan-favorite if they add it to their setlists, of course), while Killing Diablos gets closer to their sonority from Death Bullets for a Forajido, but with a 2018 twist if I might say that. In addition, its background effects and tones nicely add an extra touch of madness to the music, while Patricia alternates between her rabid roars and demented clean vocals. Resurrection is another solid and well-crafted metal chant by SynlakrosS where the razor-edged guitars by Aarón and Iván shine brighter than the sun, also presenting a futuristic vibe and atmosphere and, as a consequence, being tailored for jumping up and down with the band; whereas in Morrígan it’s time for total devastation with this steampunk Spanish army, as the “Morrígan” is a figure from Irish mythology that represents a “great queen” or “phantom queen”, being mainly associated with war and fate, especially with foretelling doom, death or victory in battle. Does that remind you of someone? Anyway, I simply love how Patricia screams the song’s name from the bottom of her heart, making it impossible to stand still to this groovy and rumbling tune.

The last batch of songs from Malice Murder begins with Bloody Waltz, a dark an eerie “waltz” of contemporary Alternative Metal presenting elements from the wicked music by Rob Zombie and Marilyn Manson, such as its uncanny background keys, sounding and feeling very theatrical, which means it’s perfect for Patricia to showcase all her skills as the amazing singer and performer she is. Then the number of the beast, the famous 666, names another furious and ominous hymn by the quintet where Pablo slams his bass strings manically, extracting beyond lancinating sounds from it and, therefore, supporting Patricia’s screams flawlessly; whereas in Under the Ice there’s absolutely no sign of the band slowing down or getting any softer. Quite the contrary, it’s time for total anarchy with highlights to the perfect sync between Pablo’s bass and the guitar duo’s crisp riffage, sounding even more modernized than all previous songs. In the short and sweet semi-acoustic bridge Undying, we’re treated to some sort of futuristic western-like sonority, before SynlakrosS come crushing one last time in Siren’s Bloody Curse, the perfect conclusion to such powerful album, feeling more melancholic and obscure than all previous songs, transpiring melody and displaying an amazing performance by Pablo on bass and Iván with his fiery guitar solo. Needless to say, Patricia once again slays our senses with her potent growls and gripping clean vocals throughout the entire song.

In case you’re not a “curly wolf” yet, you should definitely start following SynlakrosS on Facebook, subscribe to their YouTube channel, and obviously purchase your copy of Malice Murder (available for a full listen on Spotify) from their own webstore in regular CD format or as a CD + T-shirt bundle (with the T-shirt also being designed by the unstoppable Patricia), as well as from iTunes, Amazon, or CD Baby. And if you’re already a diehard fan of SynlakrosS, you know the band is going places with their hard work, talent and extreme dedication, with the incendiary Malice Murder beautifully representing what their music is all about and pointing to an even brighter future for what’s in my humble opinion the best metal act hailing from Spain from the past decade and one of the best new names of the current metal scene worldwide.

Best moments of the album: Fatal Frame, Dark Seed, Morrígan and 666.

Worst moments of the album: None.

Released in 2018 Independent

Track listing
1. Angel on Fire 4:24
2. Fatal Frame 3:26
3. Dark Seed 4:03
4. Alone in the Dark 3:46
5. Eternal Darkness 4:33
6. Killing Diablos 3:50
7. Resurrection 3:54
8. Morrígan 3:38
9. Bloody Waltz 3:56
10. 666 3:18
11. Under the Ice 4:05
12. Undying 2:24
13. Siren’s Bloody Curse 4:26

Band members
Patricia Pons – vocals
Iván Muñoz – guitar
Aarón Hidalgo – guitar
Pablo Fuentes – bass
Tiko Martínez – drums

Album Review – Bolu2 Death / Spiral (2018)

Aiming at becoming a reference in the Spanish underground scene, this up-and-coming “Flamencore hate crew” returns with their most ambitious release to date.

Born in 2009 as a side project based on Heavy Metal and Hardcore with electronic music and flamenco influences, to the point their music can also be labeled as “Flamencore”, Spanish quartet Bolu2 Death has been making a name for themselves in their homeland since the release of their 2011 debut album, titled Aviate, becoming a reference in the Spanish underground scene. Following the success of Aviate, the band continued to pave their path with a series of steady releases, those being Mastica Tus Dientes in 2013, Dualitas in 2016 (which by the way was elected “Album Of The Year” by Metal Nacional, a Spanish written metal webzine), and their brand new album Spiral now in 2018, their most ambitious release to date which aims at establishing this “Flamencore hate crew” comprised of Mario Lérida on vocals, Jose Luis Corrales on the guitar, Juan Miguel Ramírez on bass and Francisco Llévenes on drums as one of the most important bands in modern-day Spanish Metal.

The alternative, futuristic intro (0) sets up the stage to the electrifying Nace, Crece y Muere (which would translate from Spanish as “all is born, grows and dies”), a high-end Alternative and Nu Metal tune made in Spain where the demented growls and distorted noises blasted by the band will darken your mind and inspire you to break your neck headbanging, with Francisco simply crushing his drums. We Bleed, We Fight is a rebellious anthem of Alternative Metal, showcasing rumbling and metallic sounds extracted by Juan Miguel from his bass while Mario delivers some truly enraged words (“No, I don´t wanna be like you, never / I don´t wanna be like you / We must look at the past but never look back / We bleed, we fight / Create the path of your life / We will try again, come on, come on”); whereas Smells Like 90´s Spirit is a tribute to all bands from the 90’s that helped shape up the band’s musicality (“It´s the time when we grew up / Music came into our lives / We will never forget the smell / Que nos hizo amar / Nothing will ever be the same / But it in my heart the world doesn’t change / I give thanks for all”) in the form of another feast of extreme and modernized sounds, this time led by the sharp guitar lines by Jose Luis.

Todo y Nada could easily be used as the soundtrack to a wicked underground movie, where the band turns their instruments into noise-making machines and with Mario shaping his vocals in an inhuman, eerie way, being perfect for fans of both modern Industrial Metal and the Nu Metal played by bands like Korn. Then we have Forgiveness, a slower and more introspective creation by Bolu2 Death that sounds too “30 Seconds to Mars” to me, lacking the band’s usual violence and speed, and the whimsical instrumental bridge (vortice), warming up our senses for  the low-tuned, thunderous Korn-inspired chant I Am Doomed, where the entire band brings forward a high level of aggressiveness, dementia and heaviness, especially Jose Luis and Juan Manuel with their strings, while Mario vociferates sheer insanity from start to finish.

I like how they mix English and Spanish throughout the entire album, and they do it in great fashion in what’s perhaps the best depiction of what they call “Flamencore”, the fun and fresh Los De Arriba, followed by Statues, less belligerent but still very melodic and modern, becoming a great choice for banging your head together with the band and displaying a strong performance by Mario with both his clean and harsh vocals. Bury Yourself is another introspective composition by the Spanish quartet led by the thunderous riffs and bass lines by their stringed duo, losing its grip after a while despite their solid job done to keep it heavy and vibrant; while A.R.R. is a melancholic, cinematic bridge with a dark narration guiding us to the obscurity and rage blasted in the title-track Spiral, featuring guest vocalist Juan A. Soler “Kantz” (Tenpel, De la Cuna a la Tumba, Delobos, The Holy), presenting a fantastic balance between clean vocals during the darkest parts and harsh gnarls during the heaviest and most visceral moments, offering the listener over six minutes of modern and thrilling metal music that flows into a wicked downward spiral ending.

In summary, Bolu2 Death, who can be found on Facebook and on YouTube, sounds more mature, modern and experimental than ever in Spiral, proving the band is not exaggerating when they say they want to become a reference in contemporary metal in their homeland. And if you want to show your true support to such distinct group, go buy your copy of Spiral from their own BandCamp or webstore, as well as from the Necromance Records’ BandCamp or webstore, and from iTunes. Bolu2 Death offer music that inspires us to bang our heads and dance at the same time in Spiral, and they do it in such great fashion they truly deserve the recognition they’ve been gaining in Spain and in the rest of the world.

Best moments of the album: Nace, Crece y Muere, We Bleed, We Fight, I Am Doomed and Spiral.

Worst moments of the album: Forgiveness and Bury Yourself.

Released in 2018 Necromance Records

Track listing
1. (0) 0:52
2. Nace, Crece y Muere 3:58
3. We Bleed, We Fight 3:57
4. Smells Like 90´s Spirit 4:34
5. Todo y Nada 4:41
6. Forgiveness 4:12
7. (vortice) 2:00
8. I Am Doomed 3:19
9. Los De Arriba 3:43
10. Statues 4:07
11. Bury Yourself 4:02
12. A.R.R. 2:10
13. Spiral (feat. Kantz) 6:21

Band members
Mario Lérida – vocals
Jose Luis Corrales – guitar
Juan Miguel Ramírez – bass
Francisco Llévenes – drums 

Guest musician
Juan A. Soler “Kantz” – vocals on “Spiral”

Album Review – Forte Ruin / Rebuilding the Machinery EP (2018)

A talented six-piece Melodic Death Metal act from Finland returns with a brand new EP where they step up their game in terms of quality, intricacy and professionalism.

If you’ve been following The Headbanging Moose for a few years already, you might remember a Finnish Melodic Death Metal band from the city of Lahti named Forte Ruin, who released in 2015 their debut self-titled EP comprised of three original compositions filled with memorable melodies, powerful riffs and catchy choruses. Now in 2018 that talented six-piece metal act returns with a brand new EP entitled Rebuilding the Machinery, where not only they step up their game in terms of quality and intricacy, but the band formed by Arttu Ruusunen on lead vocals, Saku and Samu Aaltonen on guitars and backing vocals, Arto Viitanen on bass and backing vocals, Veli-Matti Kyllönen on keyboards, and Jere Aaltonen on drums sounds a lot more professional and ready to spread their music throughout the four corner of the earth.

And the EP kick off in full force with Down in Perdition, a very melodic and pounding creation by the sextet showcasing clean and rumbling sounds, spiced up by the futuristic keys by Veli-Matti while Arttu growls the song’s poetic lyrics rabidly (“All these revelations and present / Are finally align so that we’ll understand / Our time here has come to an end / In perdition we could meet again perchance”). Furthermore, Saku and Samu not only deliver excellent riffs during the whole song, but their solos are also beyond thrilling. Then deeply rooted in classic Scandinavian Melodic Death Metal we have the title-track Rebuilding the Machinery, faster than its predecessor and presenting a great balance between visceral growls and clean vocals, as well as a great job done by all band members with their instruments, in special Jere with his fierce and rhythmic beats.

Displaying hints of American Alternative and Nu Metal (and once again with the keys by Veli-Matti bringing a whimsical aura to the musicality), Colony Collapse Disorder exhales sheer electricity, with Arto delivering thunder through his menacing bass lines while the guitar solos elevate the song’s impact and taste considerably. In Electric Frames, just like what they did in their previous EP, Forte Ruin add nuances of Jazz and electronic music to their Scandinavian Metal, and the the final result couldn’t sound more fantastic, all boosted by the song’s lyrics which seem taken from a song from the 70’s (“Great illusion within’ electric frames / We can see the integration / While we process all the traveling light / Of electric frames”). And Saturation Point, featuring guest vocals by Jules Näveri from Profane Omen, is tailored for banging your head nonstop or playing some ass-kicking air guitar, with the bass lines by Arto bringing tons of groove to the musicality while the keys by Veli-Matti keep adding a touch of delicacy to the overall result.

Featuring a modern and sinister artwork by Finnish artist Marianna Maaninka, Rebuilding the Machinery not only has all the elements we search for in Melodic Death Metal, but it also brings additional layers of intricacy and feeling thanks to all other music styles Forte Ruin incorporate in their music, and in order to show your proper support to this Finnish squad go check their Facebook page, YouTube channel and Spotify for news and more of their music. You can purchase Rebuilding the Machinery from their own BandCamp page, as well as from Record Shop X or CD Baby, and add such distinct collection of Scandinavian Metal songs to your personal playlist, courtesy of a band that might be taking their initial steps in the world of heavy music, but that at the same time already sounds like veterans due to the high quality of their compositions and their utter professionalism.

Best moments of the album: Rebuilding the Machinery and Electric Frames.

Worst moments of the album: None.

Released in 2018 Independent

Track listing  
1. Down in Perdition 4:18
2. Rebuilding the Machinery 3:57
3. Colony Collapse Disorder 4:29
4. Electric Frames 4:24
5. Saturation Point (feat. Jules Näveri) 6:27

Band members
Arttu Ruusunen – lead vocals
Saku Aaltonen – guitars & backing vocals
Samu Aaltonen – guitars & backing vocals
Arto Viitanen – bass & backing vocals
Veli-Matti Kyllönen – keyboards
Jere Aaltonen – drums

Guest musician
Jules Näveri – guest vocals on “Saturation Point”

Album Review – Terror Universal / Make Them Bleed (2018)

Behold the rise of the masked fearsome foursome of modern American metal and their bloodthirsty, action-packed debut album.

Comprised of current and former members of rock and metal renowned acts such as Machine Head, Ill Niño, Soulfly and Upon A Burning Body, here comes American Horror Metal masked supergroup Terror Universal, who have been unstoppable since the band’s inception back in 2014, having released their debut EP Reign of Terror in 2015 and shared the stage alongside heavy hitters including Korn, Asking Alexandria, Papa Roach and Fear Factory, among others. Now in 2018 those masked marauders are set to release their debut full-length album Make Them Bleed via minus HEAD Records, an album that can undoubtedly be considered the musical equivalent of a slasher film due to its aggressiveness, tension, lunacy and obviously the distinctiveness and eccentricity of each of the band’s bizarre members.

Snapping from moments of intense sonic bloodletting into menacing melodic mayhem, before creeping back into the shadows to do it all over again, the fearsome foursome Plague on vocals, Thrax on the guitar, Diabolus on bass and Massacre on drums live up to the legacy of modern-day American Alternative and Groove Metal the likes of Slipknot, Mushroomhead, Five Finger Death Punch, Deftones, Disturbed and so on. Produced by the band’s own members and mixed by Eddie Wohl (Smile Empty Soul, Fuel, Ill Niño, 36Crazyfists), Make Them Bleed will become the soundtrack to your most wicked nightmares, blasting your senses with its avalanche of heavy and metallic sounds and noises.

And the monstrous quartet kicks off their freak show of metal with a ferocious tune titled Passage of Pain, where Diabolus and Massacre make sure the ambience remains as heavy, menacing and obscure as possible with their rumbling bass and drums, respectively, while Plague screams and shouts like a true beast. Then in Welcome to Hell (which you can also watch as a guitar playthrorugh and as a bass playthrough on YouTube) Plague sounds utterly enraged, while Thrax transforms his guitar into a bloodthirsty weapon, resulting in the perfect depiction of modern extreme and alternative music made in the USA; followed by Spines, where an electronic-ish intro quickly evolves into a very dark and melodic sonority that could easily be played on any radio station, but still feeling extremely heavy. Featuring guest musician John Moyer (Disturbed) on bass, this can be called “a love song crafted by monsters”, sounding somehow romantic and violent at the same time.

Taking their animosity to a much higher level, Terror Universal bring forth the title-track Make Them Bleed, with the amazing low-tuned punches by Diabolus making the whole song more impactful. Moreover, its neck-breaking rhythm is effectively boosted by Plague’s demented growls, turning it into their personal hymn of sheer rage against everything and everyone, perfect for “spreading the violence” and “fucking the world” as Plague himself screams during the song. Then in Through the Mirrors they engage in their most Slipknot/Stone Sour-inspired mode, with the sick beats by Massacre guiding the musicality while Plague fires his crisp, acid vocals, not to mention Thrax and his cutting riffs; followed by the excellent Dig You A Hole with its gripping pace and vocal lines, enhanced by the fierce circus-like beats by Massacre and the song’s spot-on backing vocals. This is definitely one of the best new Alternative/Nu Metal songs you can find out there, making us bang our heads like maniacs without even noticing together with those four masked beasts.

Featuring the unstoppable Tony Campos (Fear Factory, Ministry, Soulfly, Static-X) on bass, who ends up giving the overall sound an Industrial Metal-like vibe with his crushing bass lines, Dead on Arrival is an excellent option for the band’s live performances to make everyone jump up and down together with them, whereas Into Darkness offers the listener another blast of their modern-day Horror Metal, albeit not as exciting as the rest of the album. Let’s say that it’s not a bad tune, but those freaks of nature sound way too “docile” in this case. On the other hand, their most savage and bestial mode arises in a great explosion of Groove and Thrash Metal named Your Time Has Come, with Thrax and Diabolus leading the carnage with their razor-edged strings, before Piece by Piece concludes the album like a bulldozer, with its metallic sounds penetrating deep inside our ears while Plague alternates between growling like a demon and firing his keen clean vocals.

In summary, if you enjoy modern American metal with an extra dosage of insanity and fury, all wrapped up by the grim and monstrous faces of Terror Universal, you’ll certainly have a good time listening to the music from Make Them Bleed. You can face those four creatures from hell anytime through their Facebook page and YouTube channel, and purchase your copy of the album through their BandCamp page, through their Pledge Music page, on iTunes or on Amazon. Just make sure you’re in good shape and ready to rock to the sound of Terror Universal because, you know, you won’t be dealing with regular people, but with rabid monsters of modern metal eager to taste your blood.

Best moments of the album: Welcome to Hell, Make Them Bleed and Dig You A Hole.

Worst moments of the album: Into Darkness.

Released in 2018 minus HEAD Records

Track listing    
1. Passage of Pain 3:57
2. Welcome to Hell 3:41
3. Spines (feat. John Moyer) 3:18
4. Make Them Bleed 3:32
5. Through the Mirrors 4:10
6. Dig You A Hole 4:35
7. Dead on Arrival (feat. Tony Campos) 3:34
8. Into Darkness 4:17
9. Your Time Has Come 3:21
10. Piece by Piece 3:06

Band members
Plague – vocals
Thrax – guitars
Diabolus – bass
Massacre – drums

Guest musicians
John Moyer – bass on “Spines”
Tony Campos – bass on “Dead on Arrival”

Metal Chick of the Month – Fallon Bowman

Then we lay there… Embracing our last stare… On a moonlit afternoon…

As The Headbanging Moose is based in Toronto, Canada, probably the most multi-cultural city in the world, there’s nothing better than having as our last metal chick of the year of 2017 a woman of Dutch and Indonesian descent that was born in Cape Town, South Africa, but that currently resides here in Toronto, playing an also diverse range of musical styles such as Alternative Metal, Nu Metal, Rock, Industrial and even Electronica. This woman, who’s a skillful vocalist and guitarist, goes by the name of Fallon Bowman, known for her involvement with the bands Kittie, Pigface and Amphibious Assault, as well as a solo career which she’s been pursuing since around 2011. Having said that, are you ready to bang your head to the electrifying music by the exotic Fallon?

Born on November 16, 1983 in Cape Town, a port city on South Africa’s southwest coast, on a peninsula beneath the imposing Table Mountain, Fallon has been active in the world of alternative and heavy music since 1996, when at the age of fourteen years old she helped to form Canadian Alternative Metal act Kittie with classmate Mercedes Lander and Mercedes’ sister, Morgan Lander, playing guitar and performing backing vocals for the band from their inception in 1996 until August 2001, when she left the band. As a matter of fact, her passion for music actually started a few years before Kittie, when she was around 10 years old, when she was fascinated with a guitar her grandfather had at his home in South Africa. However, she mentioned the guitar was not her first choice, as at first she wanted to be a drummer when she was around 12, but her parents were against it and she ended up getting a guitar from them after they saw her performance playing the song Violet, by Hole, at a school assembly with a friend using a friend’s guitar. Getting back to Kittie, Fallon has already explained several times in different interviews why she left the band, saying she was unhappy with some things in the band so she felt that maybe it was time for her to depart. Our dauntless guitarist recorded two albums with Kittie, those being the full-length Spit, in 1999, and the EP Paperdoll, in 2000, comprised of a remix of Spit’s song Paperdoll and five songs from Spit recorded live on June 15, 2000 at the Hultsfred Festival in Sweden.

Regarding the writing and meaning of the song Choke in Spit, Fallon said that it is “about someone telling you that they love you so much, and they put you up on a pedestal and make you feel great, then they turn around and say “screw you”, and you can sense that feeling while listening to the song (which you can do HERE). Furthermore, just to give you an idea of the impact of the release of Spit, right after that Kittie went on tours with bands such as Chevelle, Slipknot, Suicidal Tendencies, and Shuvel, also performing at Ozzfest and at the 2001 SnoCore festival. Hence, if you want to listen to Fallon playing her flammable guitar with Kittie, I recommend the songs Brackish and Charlotte, both taken from Spit.

Right after her departure from Kittie, Fallon experienced a period of stress due to splitting up with her friends from the band, but she managed to overcome that difficult situation after a while and got involved with her two next endeavors, the distinct bands Pigface and Amphibious Assault. Pigface is an industrial music supergroup formed in 1990 by Martin Atkins (Ministry, Killing Joke) and William Rieflin (Ministry, KMFDM, R.E.M., King Crimson), featuring tons of guest musicians such as our metal babe Fallon. She ended up recording several tracks with Pigface for their 2003 album Easy Listening…, which led her to begin writing music again due to the enjoyment she had during the recording process. She then purchased a sequencer and began exploring the industrial music genre that she admired but had never actively pursued, also filling her basement in the following months with drum machines and synthesizers, which in the end led to the writing of the songs for District Six, the debut album by her upcoming industrial project Amphibious Assault, mixing lots of heavy elements and aspects with her passion for industrial music. The name of the project was chosen during a flight from Toronto to New Jersey, when Bowman, at the age of seventeen, was skimming through a Tom Clancy novel when she came upon the term “amphibious assault”, with the whole project being, according to our talented musician herself, her personal “homage” to her KMFDM days, when she was obsessed with them. Amphibious Assault went on for a few years, from 2003 until 2007, with two full-length albums released, the aforementioned District Six in 2003 and On Better Days and Sin-Eating in 2006. If you want to take a listen at this more electronic side of Fallon, I recommend you check the songs Tears In Rain, District 6, The Importance Of Finding Narcissism, Mistakes, Breaks, Way Too Lates, and Benedictine, among many others.

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After the end of Amphibious Assault, Fallon mentioned that a new project was about to become a reality, tentatively named “Oh No, Torpedo!”, but that in the end became her solo project Fallon Bowman & The Grace Dynasty (with The Grace Dynasty being a five-piece band that included Rhim of The Birthday Massacre on drums), playing a series of live shows before announcing their forthcoming debut album, titled Human, Conditional, from 2011. However, right after the recording of the album was done, it was decided that the project would drop “The Grace Dynasty” from its name, being then just known as Fallon Bowman. You can take a detailed listen at Human, Conditional at Bowman’s own BandCamp page, with songs like the title-track Human, Conditional and Rio de Janeiro being a good sample of how her latest project sounds like.

Regarding her vocal range and her skills as a musician, Fallon mentioned in one of her interviews she’s highly influenced by R&B (thanks to her sister and parents), which allows her to do more than “just” scream and yell while singing, and that she hadn’t taken any singing lesson until she left Kittie. She said that her vocal teacher taught her all sorts of essential lessons about maintaining pitch while moving, and that she incorporated those into her performances to give it a more theatrical vibe. In addition, she also mentioned the emotion she transpires during her live performances is something that just happens, it’s very organic and it arises from the same place her lyrics and pain come from. And even in the middle of that sea of emotions, Fallon has time to sharpen her playing skills, being able to play guitar, keyboards, bass and sing (and getting there in regards to the piano), all helping her become a better composer. And did you know she has a degree in archeology? Well, that’s something almost no one actually knew until she was the subject of a prank for an episode of the short-lived Animal Planet series Freak Encounters a few years ago.

Fallon’s influences in music are just as diverse as her own background, with our talented multi-instrumentalist being highly influenced by R&B when it comes to her vocal style, but of course she also draws a lot of inspiration from electronic and rock music, saying that she loves the contrast between angelic singing and harder music. In terms of names, she said her taste for music varies from Whitney Houston to Deftones, from Calvin Harris to VNV Nation to Nirvana, and so on, mentioning that there’s beauty in all types of music. When asked about a band that she would have loved to tour with from the past, she promptly mentioned Nirvana, saying that meeting Kurt Cobain would have been a mind-blowing experience and that Nirvana, alongside with Hole, were the bands that made her want to be a musician. Furthermore, Fallon still had time to create her own dream band, that being David Gahan from Depeche Mode on vocals, Danny Carey from Tool on drums, Ryan from Mudvayne on bass, and Jimi Hendrix on guitar. How awesome do you think that supergroup would sound?

When asked about all changes that have impacted the music industry since she started her career back in 1996, she said when Kittie started they had almost no focus on the internet, as there wasn’t Facebook or anything like that at that time, saying it was all about street teams made up of fans that would spread the word about each band, something that doesn’t happen anymore nowadays. Fallon has been trying to learn about new apps and platforms to promote her music, and you can find her in several places, as for example you can buy her music on BandCamp, something that didn’t exist at all in the 90’s. Well, she’s also on Facebook, Twitter, Instagram and YouTube, so let’s say she has adapted to this new reality in the music business as much as her taste in music has changed and evolved, right? Well, now let’s wait and see what the future holds for this young and restless musician, hoping that she keeps “invading” all current and new types of social media sites and music apps with her uniqueness and electricity.

Fallon Bowman’s Official Facebook page
Fallon Bowman’s Official Twitter
Fallon Bowman’s Official Instagram
Fallon Bowman’s Official YouTube channel
Fallon Bowman’s Official BandCamp

“I didn’t consciously think of what I was doing as a step for me as a woman of colour – it was more simple than that – being a teenager wanting to be a rockstar. In retrospect however, no one besides maybe Skin was doing that style of music and was also a woman of colour. It’s a bit mind blowing really. There was really no one else doing that at that level.” – Fallon Bowman

Album Review – Motograter / Desolation (2017)

Get “motograted” by the thrilling fusion of Alternative Metal and Hard Rock blasted by this tenacious American outfit.

Do you know what a “motograter” is? If you’re familiar with the fusion of Alternative Metal, Heavy Metal and Hard Rock crafted by a relentless American squad known as Motograter, you already known that the “motograter” is a homemade musical instrument designed with industrial cable and guitar pieces that creates a unique bass sound, and by that you can imagine how thunderous their music sounds. Formed in 1995 in Santa Barbara, California, United States, the band (which by the way displays a tribal style body paint for their live concerts) has suffered considerable lineup changes and a few split-ups since their inception, but that didn’t stop the band from keeping on rocking, being reunited once again a few years ago and releasing this year their second full-length album after their 2003 debut self-titled release (featuring Ivan Moody from Five Finger Death Punch on vocals), the hard and heavy Desolation, now with James Legion (Deadform, The Breathing Process) on the vocal duties.

As aforementioned, the reinvigorated Motograter, comprised of the talented James Legion on vocals, Matthew “Nuke” Nunes and Jesse Stamper on guitars, Mylon Guy on bass, Noah “Shark” Robertson on drums and Dustin “Skunk” Anderson on the motograter, will hit you in the face with a feast of alternative and metallic sounds found in their new album, with the artwork designed by Mister-Sam Shearon (who has already worked with renowned bands such as Iron Maiden, Ministry, Rob Zombie and Rammstein, among several others, and also created covers for comic books and graphic novels including Clive Barker’s Hellraiser, Judge Dredd and The X-Files) effectively representing the energy and aggressiveness you’ll find throughout the entire album. With that said, are you ready to be “motograted” by this insane metal tribe?

You’ll experience modernity and electricity flowing from the very first second of the opening track Parasite, where Mylon, Noah and Dustin provide their welcome card in the form of thunderous and vibrant background sounds, giving all the necessary support for James to thrive with his vocals in an awesome blend of Hard Rock with Alternative and Nu Metal. Gripping guitar lines kick off another born-to-be-a-hit composition by Motograter, titled Dorian, with Matthew and Jesse slashing our ears with their riffs while Noah keeps the musicality as heavy as it can be with his pounding drums, not to mention the song’s completely addictive chorus that won’t leave your head for a few weeks; and their galvanized, rumbling sounds continue to permeate the atmosphere in Victim, another great sample of their contemporary Alternative Metal led by the ominous vocals by James.

In the excellent Paragon it becomes clear that those American metallers will never get tired of piercing our brains with their rumbling tones and roars, with the motograter going along really well with the song’s guitar riffs and the potent voice by James, being perfect for banging our heads nonstop together with the band due to its modern and thrilling rhythm. Slowing down a bit and sounding less metallic, Bleeding Through is a semi-ballad by this skillful sextet recommended for some radio play, albeit not as dynamic and fun as the rest of the album, followed by Misanthropical, which despite feeling like it’s going to be another ballad, it slowly morphs into an obscure metal chant with the motograter shaking the foundations of the earth, while the infernal duo Noah and Mylon continue to set fire to the music, and with the song’s guttural vocals adding some good amount of fury to the overall result. Daggers keeps the album at a great level of intricacy and stamina in an interesting mix of what’s almost a dark ballad with the heavier sounds of Alternative Metal, with Mathew and Jesse being fantastic on guitars, delivering both smoother and more electrified riffs during the whole song.

The last part of the album begins with Portrait of Decay, a hybrid of the more visceral music by Slipknot with the melody found in bands such as Alter Bridge, therefore becoming another strong candidate to become a radio favorite due to its catchy pace and vocals. Locust sounds and feels more aggressive than most of the album’s previous tracks, with Noah smashing his drums flawlessly while Mylon and Dustin make sure the music remains vibrant at all times (and let’s not forget about its harsh growls, one of the main ingredients that make this tune so amazing). Rise (There Will Be Blood), the second to last tune in Desolation, is one of those songs to jump up and down with the band during their live performances, bringing elements of more alternative bands like Linkin Park to their already potent sonority, followed by Shadows, a decent dark ballad that’s slightly below what Motograter can offer us despite the great job done by James on vocals. It’s still very enjoyable, though, especially if you’re into modern metal ballads.

In case you feel you’re more than ready to be “motograted” by Motograter, simply follow them on Facebook and listen to their music on YouTube or on Spotify. And if Desolation brings forward all you enjoy in modern metal music, you can buy your copy at the EMP Label Group webstore as a regular CD or as a CD + t-shirt bundle, as well as on iTunes, on Amazon or at Discogs. Not only Desolation has all elements needed to be a must-have album for admirers of contemporary Alternative Metal, but above all it will definitely help Motograter in solidifying their path in heavy music, and let’s hope the band’s lineup is finally stabilized once and for all and that they keep delivering high-end albums like this one for many years to come.

Best moments of the album: Parasite, Dorian, Paragon and Locust.

Worst moments of the album: Bleeding Through and Shadows.

Released in 2017 EMP Label Group

Track listing
1. Parasite 3:46
2. Dorian 3:46
3. Victim 3:30
4. Paragon 4:03
5. Bleeding Through 3:28
6. Misanthropical 3:41
7. Daggers 4:21
8. Portrait of Decay 3:35
9. Locust 3:42
10. Rise (There Will Be Blood) 3:40
11. Shadows 3:18

Band members
James Legion – vocals
Matthew “Nuke” Nunes – guitar
Jesse Stamper – guitar
Mylon Guy – bass
Noah “Shark” Robertson – drums
Dustin “Skunk” Anderson – motograter

Guest musicians
Aleksi Oksa – samples
Justin Fowler, Ahrue Luster & Jon Berrier – additional samples

Album Review – Project Renegade / Cerebra EP (2017)

Presenting a solid fusion of dark, modern and gothic elements in their compositions, this newborn Hellenic entity has all it takes to become one of the biggest exponents in European Alternative Metal.

Presenting in their music a solid and dynamic mix of Alternative, Nu, Industrial and Gothic Metal, with the addition of modern sounds, ambient, groove and electronic elements, here comes Greek Alternative Metal quartet Project Renegade, formed earlier this year in the Greek capital Athens by frontwoman Marianna and drummer Ody, who were later joined by Tasos on guitar and Makis on bass to complete the band’s lineup. After the band’s inception, those talented Greek metallers quickly put together an EP titled Cerebra, comprised of three original compositions that not only represent the essence of their music, but that are also a very good indication of what to expect from them in their soon-to-be-released debut full-length album.

Engineered, recorded and mixed at Matrix Recording Studio Athens by Dimitris Misirlis, known for his collaborations with bands like Nightstalker, Agatus and Rosewood Brothers, and mastered at Grindhouse Studios Athens by George Bokos (Stone Cold Dead, Rotting Christ, Nightfall), who has worked with names such as George Kollias, Contrarian and Unearthly, Cerebra is a very promising start to this up-and-coming four-piece act from Greece, a land that has always provided amazing bands to the world of heavy music, and after listening to its three complex and catchy tracks you’ll be more than eager to see what the band has to offer in the future and, if you’re lucky, to check them out kicking ass live.

Futuristic notes kick off the first track of the EP, entitled Pressure, a modern and symphonic blend of Alternative and Gothic Metal led by the heavy, headbanging riffs by Tasos and the smooth but piercing vocals by Marianna, while Makis and Ody make sure the atmosphere remains dense and dark with their respective bass punches and potent beats. In other words, this is an excellent sample of the fire power by Project Renegade. Following a similar metallic and modernized pattern, Project Renegade enhance their aggressiveness and obscurity in the excellent tune Natural Born Killer, where Tasos once again does an amazing job with his riffs, as well as Makis with his thunderous bass. In addition to that, Marianna makes sure her vocals transpire passion and energy, in order to properly tell the desired story through the song’s lyrics. And lastly, a wicked narration ignites another impactful and upbeat Alternative Metal feast by this Greek quartet, named One of the Crowd, where Marianna turns up the heat with her high-pitched, rebel vocal lines while Ody smashes his drums mercilessly, with all madness and wild reverberation crafted by the band smoothly flowing into a whimsical and groovy ending.

In a nutshell, Project Renegade is such a promising band that they’re capable of composing 6-minute songs (which would be considered an “atrocity” for radio exposure in modern days) that sound as if they have only three minutes or even less in duration so cohesive they are, showing how melodic and captivating their music is. If you want to know more about the band and stay tuned for their upcoming full-length album, simply visit their Facebook page and keep an eye on their YouTube channel, ReverbNation and SoundCloud for new songs to come. And if you want to show your support to Alternative Metal made in Greece, purchase Cerebra (which is available for a full listen on Spotify) through the band’s own BandCamp page, on iTunes or on Amazon. This newborn Hellenic entity has all it takes to become one of the biggest exponents in Alternative Metal in Europe based on what they have to offer in Cerebra, and I can’t wait to see what’s next in their career when their debut full-length album is finally released.

Best moments of the album: Natural Born Killer.

Worst moments of the album: None.

Released in 2017 Independent

Track listing
1. Pressure 6:02
2. Natural Born Killer 6:11
3. One of the Crowd 6:27

Band members
Marianna – vocals
Tasos – guitar
Makis – bass
Ody – drums

Album Review – Dirty Machine / Discord (2017)

Enjoy the debut album by a tenacious Nu Metal outfit that has all it takes to successfully spread their metallic and groovy wings all over the world.

Hailing from the rockin’ Los Angeles, California, a city that never sleeps, Nu Metal outfit Dirty Machine has been proudly carrying the flag of Alternative and Nu Metal since their inception in 2012, pulling major influences from bands such as Korn, Limp Bizkit, Slipknot, Linkin Park and Sevendust, having already shared the stage with renowned acts like Ghost, Sixx AM, Disturbed and Trivium. The band has quickly built a rabid underground following, especially in the Kansas City area due to getting regular airtime on the leading Kansas City rock station 98.9 The Rock and headlining the Jägermeister Stage at the 2016 Kansas City Rockfest.

Now in 2017 the band has joined forces with Zombie Shark Records to release their debut album, entitled Discord, featuring eight uproarious composition (plus three bonus songs) blending the most electrifying elements from Groove and Rap Metal that will inspire you to jump up and down and have a very good time with your friends. Moreover, Dirty Machine’s music is so cohesive and catchy that you’ll find yourself singing the songs along with the band and tapping on your desk even if you’re not a fan of Nu Metal at all, and that says a lot about a band that has all it takes to successfully spread their metallic and groovy wings all over the world.

Their modern fusion of the Nu Metal by Limp Bizkit and the Rap Metal by Bodycount is crystal clear from the very first second in the exciting title-track Discord, showcasing great sync between the aggressive rapper lines by lead singer David Leach and the clean vocals by guitarist and vocalist Darren Davis, as well as endless heaviness boosted by the song’s solid melody. The next tune, titled Seeds, is ready to be played on any radio station, where not even the harsher vocals by David make it too aggressive for some air time, while the guitars by Darren and his bandmate Arnold Quezada bring the right amount of fire to their musicality. And taking their pugnacity to a whole new level, Self Made Hero feels like an alternate version of Slipknot led by the song’s blazing guitars thoroughly blended with the wicked samples by DJ Ecusa. Put differently, this is one of those songs to keep jumping up and down nonstop during their live concerts.

Social Recoil is another excellent display of fresh and thrilling Nu Metal, with Mike Weekley smashing his drums while Arnold and Darren follow him with their crushing riffs, not to mention the insane amount of groove coming from the low-tuned, metallic bass by Nathan Young. Now, are you ready for a “fight” with DJ Ecusa? That’s what you’ll get in Ecusa’s Nightmare, a three-minute whimsical party full of weird noises and voices, with the rest of the band effectively supporting this talented DJ and his “stunts”; and connecting instantly with the wicked feast led by DJ Ecusa we have Built, bringing more of Dirty Machine’s Limp Bizkit-Korn-Sevendust-inspired sounding, where the duo David and Darren keeps delivering amazing vocal lines, powerfully complementing each other, while Nathan and Mike sound as thunderous as possible with their bass punches and beats, respectively.

Although C4 is as heavy and groovy as the rest of the album, for some reason it doesn’t click to me, with its vocal lines being a bit disconnected from the instrumental pieces. Not only that, the guitars don’t sound as inspired as in the rest of the album, which makes me agree with the funny message sent by David at the end of the song saying not-so-nice things about the song itself. Fortunately, everything gets back on track with Wonka, where the band sounds faster, crazier and heavier than ever. This is what Dirty Machine need to do to really pump us up, providing a balanced mix of heavy riffs from Alternative Metal and witty vocals from Rap Metal and Hardcore. Not only this is a wise choice to close the album, but the demented screams by Darren add a lot of anger to the overall result, turning it into one of my favorite compositions in Discord.

If you want to know more details about the music and career of Dirty Machine, go to their Facebook page and YouTube channel for an overdose of high-end Nu Metal, and you can also support this dirty sextet by purchasing Discord at the Zombie Shark Records’ BandCamp, on iTunes or on Amazon. As Dirty Machine are a very active band, who knows, you might even get them in action in LA or any other city in the United States blasting their Nu Metal in one of your visits to their homeland, and I bet you’ll get addicted to their catchy and groovy music without even noticing.

Best moments of the album: Discord, Seeds, Self Made Hero and Wonka.

Worst moments of the album: C4.

Released in 2017 Zombie Shark Records

Track listing
1. Discord 3:18
2. Seeds 4:15
3. Self Made Hero 3:22
4. Social Recoil 3:42
5. Ecusa’s Nightmare 2:55
6. Built 3:32
7. C4 2:45
8. Wonka 3:47

Bonus tracks
9. Refuse To Follow 3:46
10. Victory 3:47
11. J-Dead 3:58

Band members
David Leach (Dirty Davo) – vocals
Arnold Quezada (Hedge) – guitar
Darren Davis – guitar, vocals
Nathan Young (Youngblood) – bass, backing vocals
Mike Weekley (Nightmare) – drums
DJ Ecusa – turntables & samples