Metal Chick of the Month – Nicole Ansperger

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One last silver kiss before the last string decays…

We’ve already had some incredible vocalists, guitarists, bassists, keyboardists, drummers and even a saxophonist here at The Headbanging Moose among our metal chicks to properly celebrate the power and importance of women in heavy music, but never a musician like the one selected to conclude the year of 2016. Can you think of anything more unconventional (and charming) than a stunning female fiddler playing kick-ass Heavy Metal? That’s exactly the case with German bombshell Nicole Ansperger, a high-skilled mistress of Celtic Folk fiddling known for her contributions to different groups and projects such as Swiss Folk Metal band Eluveitie, German Folk Rock group Paddy Goes To Holyhead, German Folk Punk band Across the Border and German Neo-Classical Metal orchestra Haggard.

Born in 1981 in the beautiful city of Stuttgart, Germany, our talented fiddler said her strong passion for playing music came to light after listening to the music by Italian composer and virtuoso violinist Antonio Vivaldi, famous for his highly-acclaimed series of violin concertos known as The Four Seasons. At the age of 6, she became a student of violinist George Moradian, who knew exactly how to help her develop her style and utilize all her natural potential, always by practicing famous pieces by masters such as Vivaldi and Bach and adding her own style to those. Then, at the age of nineteen, instead of becoming part of an orchestra she ended up joining her first Folk Rock band, learning then how to do improvisations, her true passion in music. Nicole never really thought about following a career playing the violin, it was just a hobby for her at first, but since 2005 she has been involved in so many bands, projects and concerts that she was able to turn music into her main profession.

Due to a guest visit with the famous band The Hooters, she was discovered by German Folk Rock band Paddy Goes To Holyhead in 2005, later joining Folk Punk band Across the Border in 2008 and recording two albums with them, named Loyalty (2009) and Folkpunk Air-Raid (2011). In addition to that, she played several concerts with German Symphonic Metal band Haggard in 2013, such as the one and only Wacken Open Air. You can have a good time listening to her solid performances with those bands on many YouTube videos, such as Across The Border’s Loyalty, Fucked Up World and Übers Meer / Rio Reiser, as well as Paddy Goes To Holyhead’s Far Away and Great Song of Whiskey. Apart from those bands, she also played violin in the 2006 album Fairy and the Dragon (a project of Jo Naumann from Paddy Goes To Holyhead), she was a guest violinist in the 2014 album Wegweiser, by Swiss Melodic Death/Folk Metal band Abinchova as you can witness in the excellent tune Flaschengeistand she also played violin on Winter’s Judgement, by Italian band Misteyes, from their 2016 album Creeping Time.

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However, it was in 2013 when she became a member of Eluveitie that she finally conquered the world of heavy music, replacing Meri Tadić on the violin and cello on December 11 of that year, having recorded with those Swiss metallers the singles King (her solo on this tune is simply superb) and The Call of the Mountains, and the full-length album Origins, all in 2014. And in case you want to see one of her violin solos with Eluveitie, I suggest you take a listen at this soulful one announcing her first full gig with Eluveitie. When asked about how she was invited to join Eluveitie, Nicole said she was at a concert and met a guy who knew the band, who then asked her if she would be interested in playing with them. Obviously, her answer was positive, and the guy got her in contact with Swiss multi-instrumentalist Chrigel Glanzmann, the mastermind behind Eluveitie, to whom she provided some of her demos. I guess I don’t need to say how good those demos were and what resulted out of that, right? Sadly, due to her family situation, our talented fiddler had to leave Eluveitie on August 3, 2015, as it became impossible for her to be on the road with the band constantly. The departure was very harmonious, though. “Unfortunately, it can be extremely difficult to manage personal obligations and take care of a family alongside a life of constant touring, and Nicole’s priorities are with her family – where they should be. We are parting amicably and would like to thank Nicole for the good times and her musical contribution. It’s been an honour to share stage and studio with such a talented musician!”, commented Eluveitie, while Nicole complemented saying that “this certainly doesn‘t mean an end to my musical career. Music will always be a very important part of my life and who knows – maybe we‘ll see each other again one day.” And guess what? It didn’t take too long for Nicole and Eluveitie to meet again. For our total delight, she rejoined the band in the middle of 2016, already playing several summer festivals with the band, including the always fantastic Wacken Open Air.

When asked about her biggest challenge from all bands she has already played in her career, she mentioned the time she played with Haggard, mainly the first few gigs like the very first one in Mexico, when she had only one week to practice the entire set and hadn’t met anyone from the band before. And although she has played most of her career in Germany, she said she still wants to visit lots of different countries, naming Australia as one of her desired destinations. Finally, before you complain that I haven’t mentioned her biggest idols in heavy music, here they are to conclude this tribute to the talented Nicole! When she was a teenager, she mentioned she used to listen a lot to old school bands such as Iron Maiden and Black Sabbath, switching to more contemporary and intricate groups like Opeth and Dream Theater in recent years. Well, no matter what, we have to admit our gracious Nicole has indeed an amazing taste for music.

Equipment
Diamo Carbon Violin
Viper 7 String Wood Violin
Acoustic Violin with Magnetic Pickup
Accoustic Cello Rouen 2008
Audioprotect/Vision Inear

Nicole Ansperger’s Official Facebook page

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Album Review – Misteyes / Creeping Time (2016)

Which side will you chose in the never-ending battle between Light and Dark Metal brought forth by this distinct symphonic band from Italy?

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creeping-time-front-cover-artwork“Opposition brings concord. Out of discord comes the fairest harmony.” – Heraclitus

The never-ending battle between good and evil, day and night, light and dark, heaven and hell, life and death or whatever other philosophical depiction you want to give to the two opposite worlds that guide our thoughts and actions has just been transformed into high-end music by Italian Symphonic Death/Gothic Metal act Misteyes in Creeping Time, the debut full-length album by a band that definitely knows how to put together the best elements from Light and Dark Metal, enhancing their contrast and, consequently, their impact on the listener.

Misteyes started back in 2012 in the city of Turin, Italy as a five-piece group, playing what could be considered Melodic Death/Black Metal before changing their music direction in 2014 to what exists today, including the addition of a female vocalist and a keyboardist to the band. The next couple of years were very fruitful for Misteyes, who not only started working on Creeping Time, but also shared the stage with renowned names in the Gothic scene such as Cadaveria, Opera IX, Lunarsea and Elegy Of Madness. The band’s approach and musicality can already be sensed through the obscure artwork by Italian artist Alessandro Alimonti (Overload Design Studio), but it’s when the music starts that you’ll find yourself in the middle of the fight between light and dark, getting completely mesmerized by the music that flows through your ears.

The melancholic intro The Last Knell, which begins with the sound of a baby crying, grows in intensity until the title-track Creeping Time arises from the depths of hell in a feast of Symphonic Black and Gothic Metal. Denise “Ainwen” Manzi is the beauty on vocals while Edoardo “Irmin” Iacono provides his beastly growls, perfectly depicting what the band wants to say with the “Light and Dark Metal” concept, with keyboardist Gabriele “Hyde” Gilodi being the one responsible for giving the song its operatic vibe. Then it’s time for some heavier riffs by Daniele “Insanus” Poveromo and Riccardo “Decadence” Tremaioni in the dense Brains in a Vat, an amazing composition filled with passion, hate and agony featuring the creepy spoken words by guest musician Mattia Casabona (Aspasia), sounding like a hybrid of the music by the early days of Cradle of Filth with Epica, resulting in a masterpiece of underground Symphonic Metal. Moreover, it’s interesting how Hyde maintains the mystery in Misteyes’ music through his keyboards no matter how fast and heavy the music is, which is the case in Inside the Golden Cage, where the vocals by Ainwen are once again heavily inspired by the diva Simone Simons whereas Irmin leans towards pure Black Metal, not to mention the thrilling beats by Federico “Krieger” Tremaioni.

Lady Loneliness, a beautiful atmospheric power ballad focused on the gentle voice of Ainwen with some pianos notes giving it an extra touch of delicacy, showcases a good story told through its lyrics (“If you are here, I cannot be overtaken by fear / Only this eternal silence is what can soothe my pain / In darkness I can find you, this time will be forever / Come! Come to me, my lady! Lady Loneliness!”); followed by The Prey, with the whole band getting back to a more brutish mode. Irmin effectively enhances the song’s aggressiveness due to his deranged harsh growls, with Insanus, Decadence and Hyde delivering sheer madness while bassist Andrea “Hephaestus” Gammeri brings forward his share of insanity through his low-tuned punches. Their operatic and dark vein becomes evident once again in Destroy Your Past, a song full of progressive passages thanks to the intricate lines delivered through guitars and bass and all tempo changes led by Krieger, as well as in the operatic metal hymn The Demon of Fear, where guest musician Roberto Pasolini (Embryo) complements the menacing keyboards by Hyde with his enraged growling. This excellent song, displaying a Symphonic Black Metal vibe with hints of Gothic Metal and Melodic Metal, is another good example of the fight between good and evil proposed by Misteyes, proving one more time how connected to the concept of opposition all songs are.

misteyes-2016Special guest Mattia Casabona is back in action, this time with clean vocals, in the two-part aria entitled “Awake the Beast”, starting with the operatic A Fragile Balance (Awake the Beast – Part 1), with its eerie piano intro and Ainwen providing her Tarja-inspired vocals. Almost “a capella”, it sounds like a horror flick soundtrack, leading to the furious and blackened Chaos (Awake the Beast – Part 2), a high-octane tune tailored for fans of obscure and harmonious music where Progressive and Symphonic Black Metal are flawlessly united. Krieger and Hyde are yet again the architects of the musicality, generating the perfect ambience for the sick riffs by both Insanus and Decadence to shine.

In the gripping Decapitated Rose, guest vocalist Björn “Speed” Strid (Soilwork) steals the spotlight by blasting his infuriated declamation of the song’s dark lyrics (“When life is withered …There is no water which can bring it back! / Ivy smothers your soul! Petals fall and you are alone! / All beauty is gone! Only the thorn is what remains! / In this garden of madness … Decapitated rose! Decapitated rose!”), with Hephaestus firing some thunderous bass lines that end up increasing the song’s creepiness while the keyboard sounds by Hyde will pierce your head and haunt your soul. And last but not least, the talented Nicole Ansperger (Eluveitie) and the awesome sound of her violin add the word “epic” to the powerful Winter’s Judgement, a Symphonic Gothic Metal feast that blends elements from the music by Dimmu Borgir, Nightwish, Epica, Moonspell and other prominent bands. In addition, the growls by Irmin get deeper than ever, guiding the listener into a journey through the realms of darkness and light until the song’s soulful ending.

In summary, it doesn’t matter which side you choose in the battle between Light and Dark Metal proposed by Misteyes, you’ll certainly win due to the sensational quality of their music. Thus, you can get in touch with these Italian metallers and get to know more about their music through Facebook, YouTube, ReverbNation and SoundCloud, and acquire your copy of Creeping Time at several different places such as their BandCamp page, the Maple Metal Records’ BandCamp page or Big Cartel, on iTunes, Amazon or CD Baby.

Best moments of the album: Creeping Time, Brains in a Vat, The Prey and Decapitated Rose.

Worst moments of the album: Destroy Your Past.

Released in 2016 Maple Metal Records

Track listing
1. The Last Knell (Intro) 1:40
2. Creeping Time 6:29
3. Brains in a Vat 5:39
4. Inside the Golden Cage 5:24
5. Lady Loneliness 4:37
6. The Prey 7:03
7. Destroy Your Past 5:02
8. The Demon of Fear 6:55
9. A Fragile Balance (Awake the Beast – Part 1) 3:41
10. Chaos (Awake the Beast – Part 2) 5:26
11. Decapitated Rose 4:48
12. Winter’s Judgement 8:05

Band members
Edoardo “Irmin” Iacono – growl and scream vocals
Denise “Ainwen” Manzi – clean and operatic vocals
Daniele “Insanus” Poveromo – lead guitars
Riccardo “Decadence” Tremaioni – rhythm guitars
Gabriele “Hyde” Gilodi – piano, synth and orchestrations
Andrea “Hephaestus” Gammeri – bass and fretless bass
Federico “Krieger” Tremaioni – drums

Guest musicians
Björn “Speed” Strid – additional scream and clean vocals on “Decapitated Rose”
Nicole Ansperger – violin on “Winter’s Judgement”
Roberto Pasolini – additional growls and scream vocals on “The Demon of Fear”
Mattia Casabona – spoken words on “Brains in a Vat”, additional clean vocals on “A Fragile Balance (Awake the Beast – Part 1)”, and additional growls and scream vocals on “Chaos (Awake the Beast – Part 2)”

The Metal Moose Show – Episode 2016-03-24

If you want to get more information about any of the bands featured at The Metal Moose Show, simply Google the band and/or the song name to find their official website and Facebook page and, more important than that, attend their live concerts and buy their music. Here at The Headbanging Moose you can also find detailed reviews of many other excellent underground bands. Support your local bands… AND FOLLOW THE MOOSE!

On The Metal Moose Show this week:

1. The Dollyrots – Get Weird
2. Audiobreed – Dopenation
3. Bear Fight – No Mind
4. Astrainaut – Arab Spring
5. Assembly At Dusk – Felhaven
6. Boar – Sand
7. Blue Helix – Runaways
8. Black Elephant – Inner Circles
9. Misteyes – The Prey
10. Maxdmyz – First Coming
11. Matchsticksman – No Reason
12. Fleshgore – Killing Relapse
13. Funeral Moth – Transience
14. Alien Ken – Number
15. Dead In Seconds – 9.9

Click HERE to listen to this week’s episode on Spreaker.

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