Album Review – When Ashes Are Rising / Of Earth and Men (2017)

Witness the fall of everything the virus called “man” has created through the eyes of a raging five-piece Italian Metalcore act.

“You are lost if you forget that the fruits of the earth belong to all and the earth to no one!” – Jean-Jacques Rousseau

Formed in 2014 with ex-members of underground Italian bands Absence (Torino), Cybercage (Sassari) and OxC (Sassari), here comes Italian Death Metal/Deathcore act When Ashes Are Rising, commonly referred to as W.A.A.R. or WAAR, and their brand new album, titled Of Earth and Men. After a more Hardcore-oriented first self-titled EP, the band decided they wanted to go for a more old school Metalcore sound heavily influenced by the Swedish metal scene, with bands like In Flames, Arch Enemy, Dark Tranquility, and, above all, At The Gates, being the source of inspiration for this promising Sassari-based group.

And their music is more than just your regular Metalcore, being a strong and austere social and political message for all mankind. W.A.A.R. believe in the total collapse of all the powers that make every human being a slave, from the very moment you are born until you die; they believe in the destruction of all the systems that enslave us through imposition and violence, and in the fall of everything the virus called “man” has created, constantly raping Mother Earth. Featuring a classy artwork by Emanuele Gutierrez, Of Earth and Men is the perfect musical representation of the band’s core essence and beliefs, with its mix of aggressive sounds and a very cohesive narrative sending a powerful and disturbing warning about the imminent doom of our decaying society.

The instrumental intro Of Earth And Men, featuring futuristic elements mixed with some gentle piano notes, is a good warm up for the belligerent Gaia’s Revenge, a Deathcore onrush with xZEDx as a guest vocalist and blending the melody of Metalcore with the sheer aggressiveness of Death Metal, all led by the rabid riffs by guitarists Giuseppe and Delio which end up supporting the maniacal growls by frontman Afshin in a powerful way. The following tune, titled W.A.A.R., presents a violent instrumental with the pounding drums by Nico elevating the song’s hostility to a whole new level while Luca smashes his bass guitar, generating a tempestuous sounding perfect for Afshin to explain to the listener who W.A.A.R. are through his deep guttural (“When Ashes are Rising. / I used to watch you walk among the trees / while they offered you their fruits / and now I see you abuse each other / You live on materialism / the true richness of the soul / you forget you erected / physical and mental cages / in a world with no borders / has this eternal misery killed your compassion?”).

In Dust Diamonds, featuring guest musician Blasi (Strength Approach) on additional vocals, their demented assault of Deathcore goes on in a fast-paced turmoil of nonstop beats and fills, crushing riffs and endless stamina, highly recommended for slamming into the pit; whereas Extinction, featuring guest guitarist Zack Cignetti (Tomorrowillbeworse), is another melodic tune where Afshin sounds possessed while Giuseppe and Delio continue to pierce our ears with their venomous strings, not to mention the song’s menacing aura. And this amazing quintet knows how to externalize their fury and hatred against what’s wrong in our society through their unrelenting metal music like what we see in After Tomorrow. In other words, get into the circle pit or simply bang your head nonstop to this solid tune full of metallic guitar lines, precise beats and unfriendly growls.

Then in Prelude To Life we’re treated to a futuristic instrumental bridge that connects to the final chapter in Of Earth and Men, the thoughtful and demolishing chant Life Will Find A Way, which not only showcases interesting and somewhat melancholic lyrics (“Our sacrifice was inevitable / but filling the void of a loss is hard / for she lost her children / and is left alone to cry. / They raped her, robbed her / she fed them anyway to sustain their reigns. / They raped her, robbed her / she fed them anyway, life will find a way.”), but its sounding also gets closer to pure Death Metal before becoming a modern display of Metalcore. Moreover, Afshin goes absolutely mental with his deep growls, while Nico’s double bass adds tons of fury to the musicality.

You can find all details about W.A.A.R. on Facebook, and buy Of Earth and Men through their BandCamp page, as well as through the Bound By Modern Age Records’ BandCamp or webstore. As time goes by, I feel more and more convinced that our society as we know it is coming to an inevitable and unpleasant end, and perhaps the extinction of the human race is exactly what needs to happen for the world to restore its peace and balance, especially because our current situation is far, far away from being sustainable. In case you agree with that concept and you love heavy music at the same time, the music by W.A.A.R. might become the perfect soundtrack for you while you witness our society crumbling to pieces.

Best moments of the album: Gaia’s Revenge and Extinction.

Worst moments of the album: None.

Released in 2017 Bound By Modern Age Records

Track listing
1. Of Earth And Men 1:56
2. Gaia’s Revenge (feat. xZEDx) 4:20
3. W.A.A.R. 3:46
4. Dust Diamonds (feat. Blasi) 3:02
5. Extinction (feat. Zack Cignetti) 4:16
6. After Tomorrow 3:04
7. Prelude To Life 1:32
8. Life Will Find A Way 5:02

Band members
Afshin – vocals
Giuseppe – guitar
Delio – guitar
Luca – bass
Nico – drums

Guest musicians
xZEDx – additional vocals on “Gaia’s Revenge”
Blasi – additional vocals on “Dust Diamonds”
Zack Cignetti – guitar solo and outro section on “Extinction”

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Album Review – Stabbed / Long Way Down (2017)

A beautiful step further in the promising career of a Hungarian Post-Sludge Metal act that presents to the listener a slightly different sounding, showcasing a mad balance of Progressive and Groove Metal.

Following the release of their ambitious 2016 EP Submerge, Hungarian Post-Sludge Metal act Stabbed returns now in 2017 with their first full-length installment, entitled Long Way Down, a beautiful step further in their promising career that presents to the listener a slightly different band, tipping the balance in favor of dominating, heavy grooves, overwhelming raw energy over dark ambience and Post-Rock elements, also showcasing a mad balance of Progressive and Groove Metal.

In addition, Long Way Down is not only the debut of bassist Marcell Demeter with Stabbed, replacing Dávid Roskó (who left the band by the end of 2016), but it also features a welcome surprise in the album closer performed by guest vocalist Tadeusz Rieckmann, primarily known as the drummer of Týr and Dalriada, and the artwork by longtime collaborator Zénó Farkas (Artphetamin), who returned for this album to represent the band visually and artistically. Throughout the album’s eight tracks, this Budapest-based group aimed at materializing through their cryptic lyrics and sharp sounds a portrait of a world full of angst ridden people running in circles, blinded by their fears and apathy, bringing a stronger taste to their musicality.

A modern intro grows into electrifying contemporary Sludge Metal with elements from Metalcore and Melodic Death Metal in the title-track Long Way Down, opening the album on a higher-than-usual note. Furthermore,  frontman Alex Karamuskó sounds bestial with his demented screams, while the guitar duo Attila Kecskés and Gergely Kovács are simply lancinating with their riffs, not to mention the amazing European melody supporting the song in the background. In the vicious Becoming, the whole band is in their most aggressive mode, sounding like an enraged hybrid of Sepultura from the Roots-era with Caliban, with Márk Potkovácz with his potent beats together with newcomer Marcell and his rumbling bass enhancing the song’s ravenousness considerably. Whereas in Tides a somber beginning led by Márk is gradually accompanied by both guitars and bass, before Alex comes with his blend of demonic growling and obscure clean vocals. In other words, this great display of their vibrant Post-Sludge Metal couldn’t sound more modern, metallic and consequently perfect for their live performances.

The following tune, titled Nyctalopia, brings forward more violent sounds with a precise harmonious base, becoming one of the band’s most progressive creations to date with all its breaks and variations, as well as its acid and darkling lyrics (“Descending from the coruscating lights / Into intangible doom / Chimerical phantoms tearing away / The spark from my weakened soul / Complacent proprietor in the house of lies / Leading my rendition to a Blind idiot God”). Then we have Lataris, which just like all of their songs is very cohesive and energetic, showcasing fierce riffs by both Attila and Gergely while Alex keeps hitting us with both his smooth, clean lines and his sick gnarls; and Mute, a song that clearly draws influences from bands like Pantera and Lamb of God in an aggressive mix of Sludge and Groove Metal, with Alex and Márk leading the musicality with their screams and beats respectively, sounding dark and gripping from start to finish.

In Devoid,  Stabbed slow down a little after all their usual display of anger, providing the listener a more melodic and alternative sonority where a solid instrumental with some spot-on guitar solos keeps the momentum going for the band, despite not being one of their best creations. And finally, featuring guest singer Tadeusz Rieckmann, Vessel displays an epic vibe in its intro, morphing into an obscure Post-Sludge Metal anthem with a Groove Metal twist,menacing guitars and bass, and poetic lyrics (“You have to spit to see the shine / Wallow in mud / Look all your demons in the eye / Killing your mind / We have not built this ship to wreck / On promised lands / Take nothing, fuck the test / All that you’ve bled”), as well as the raging guttural by Alex, flowing into an abrupt but climatic ending.

In order to follow Stabbed on their upward journey to success in heavy music with Long Way Down, simply visit their Facebook page for new and tour dates and their YouTube channel for more of their groovy and mordant music. And if you want to buy Long Way Down (which is available for a full listen on Spotify), you can get it at Stabbed’s BandCamp page or on Amazon. After Long Way Down it’s hard to imagine the world of Post-Sludge Metal without Stabbed, a band that has been building a solid reputation since their genesis and that’s becoming a synonym of modern metal music not only in their homeland, but anywhere else where good music is appreciated.

Best moments of the album: Long Way Down, Tides and Vessel.

Worst moments of the album: Devoid.

Released in 2017 Independent

Track listing 
1. Long Way Down 3:52
2. Becoming 4:47
3. Tides 4:24
4. Nyctalopia 3:10
5. Lataris 4:33
6. Mute 5:32
7. Devoid 4:10
8. Vessel (feat. Tadeusz Rieckmann) 5:07

Amazon bonus tracks
9. Long Way Down (Instrumental) 3:52
10. Lataris (Instrumental) 4:33

Band members
Alex Karamuskó – vocals
Attila Kecskés – guitar
Gergely Kovács – guitar
Marcell Demeter – bass
Márk Potkovácz – drums

Guest musician
Tadeusz Rieckmann – additional vocals on “Vessel”

Album Review – Karkaos / Children Of The Void (2017)

As we’re all the children of the void, let’s raise our horns and bang our heads to the superb new album by one of the most reputable and celebrated metal acts hailing from the beautiful province of Quebec.

Founded by guitarist Vincent Harnois in the year of 2003 under the name Sinister Vengeance, Melodic Death Metal/Metalcore outfit Karkaos soon evolved into one of the most reputable and celebrated metal acts hailing from the stunning city of Montreal, located in the province of Quebec, in Canada. Melodic yet heavy, this unstoppable female-fronted band is unleashing upon the earth their brand new full-length installment, titled Children Of The Void, which features new frontwoman Viky Boyer, drummer Justine Ethier (Blackguard) and lead guitarist Samael Pelletier (Aeon’s Fall), and let me tell you that all these lineup changes were extremely positive to the band and to their sound, especially if you’re a fan of the music by bands such as Epica, In Flames, Children of Bodom, Arch Enemy and Amon Amarth.

Featuring an elegant artwork by the immensely talented Colombian artist and designer Marcela Bolívar, as well as collaborations with guest artists Lindsay Schoolcraft from Cradle of Filth and Morgan Lander from Kittie, Children Of The Void offers the listener a considerably different sonority from the band’s previous albums, the 2011 EP In Burning Skies and the 2014 full-length release Empire, sounding more symphonic, imposing and polished than before. “We have been working hard for a long time to be able to give you an album that combines beautiful melodies to our own symphonic signature, groovy and brutal riffs to intensity as well as catchy choruses”, comments the band’s mastermind Vincent about Children Of The Void, and let’s say his “summary” of the album was spot-on to depict all the beauty and aggressiveness found in its 12 amazing compositions.

The cinematic intro Babel leads us to the symphonic and metallic world of Karkaos before the explosive Skymaster hits us with heaviness and might from its very first second in a perfect fusion of the music played by Arch Enemy with Dimmu Borgir and Nightwish. Furthermore, pay attention to the precision of Justine behind her drums and to the song’s powerful chorus (“All hope is gone, I scream at heavens / This is not yet the end! / Brothers and sisters moan, I howl / Truth will prevail!”), as well as to the amazing Viky, who steals the show with her superb vocal performance. The following tune, Kolossòs, is a song tailored for breaking your neck in half due to the passionate vocals by Viky, its thunderous riffs and bass lines, and the infinite epicness that permeates the atmosphere. This is a newborn underground Melodic Death Metal classic showcasing mighty lyrics (“Kolossòs! The earth has spoken! / To the sun, you were reaching! / Kolossòs! The earth has shaken! / On the ground eternally, you’ll be laying!”) and the awesome guest vocals by Kittie’s Morgan Lander, as previously mentioned.

Let The Curtains Fall ventures through the realms of Symphonic Black Metal the likes of Dimmu Borgir, but with a more melodic twist thanks to the potent keys by Sébastien Belanger-Lapierre while Vincent and Samael add their share of heaviness to the overall musicality; whereas Pale, one of the fastest and heaviest of all songs, is a brutal composition by Karkaos where the colorful-haired Viky is absolutely on fire while the other band members deliver amazing metal music, in special Justine with her potent beats and once again Sébastien and his cinematic keyboards. And their onrush of epicness goes on in the title-track Children of the Void, which will inspire you for some intense headbanging due to its accelerated pace, with Vincent, Samael and bassist Eddy Levitsky (who recently left the band) blasting sheer electricity through their strings, all spearheaded by the unstoppable Justine.

Then it’s time for Rêverie, an epic bridge that rises in intensity and mystery until it reaches the form of the sensational Tyrants, a first-class Melodic Death Metal hymn with tons of symphonic elements to increase its obscurity and potency flawlessly delivered by all band members, with Viky beautifully growling like a she-demon, not to mention her also amazing clean vocals during the more melodic parts of the song.  And changing a bit their style and sonority, they offer a very interesting and gripping song named Where Mushrooms Grow, sounding very harmonious, melancholic and dense, perfect for singing along its catchy chorus with the band (“Fields of sorrow / Where mushrooms grow / All trees, all hollow / We reap what we sow / Fields of chaos / Where mushrooms grow / Fading as we cross / Forgetting what we know”). This is indeed a side of Karkaos I would love to see them exploring more in their future releases so captivating it sounds.

But the band obviously has more of their fast-paced metal to offer like what we see in Lightbearer, another solid composition showcasing beautiful vocal lines, thunderous riffs and bass lines and a rhythmic drumming. In my humble opinion, this song would sound simply superb with a full orchestra accompanying the band in the background, don’t you agree? Anyway, in The Beast, Vincent and Samael fire their cutting riffs while Sébastien is responsible for the epicness in the background, sounding highly inspired by contemporary Arch Enemy and The Agonist and also highlighting the excellent job done by Justine on drums, adding tons of intricacy to the musicality. Closing this amazing album of contemporary metal we have Bound by Stars, which sounds a bit generic and doesn’t keep up with the rest of the album, despite its purpose being to sound more complete and introspective than the other tracks. Nevertheless, there’s still a lot to enjoy in the song, such as the perfect vocal lines by Viky and the powerful performances by Justine and Sébastien with their instruments.

If you also consider yourself a “child of the void”, you can join Karkaos in their quest for Melodic Death Metal by following them on Facebook, listening to their fiery music on YouTube, and buy Children Of The Void at their BandCamp page, on Amazon or on CD Baby. Children Of The Void is undoubtedly going to be among the best releases of 2017 not only in Canada but also worldwide, and the band more than deserves that due to their commitment to their work and passion for melodic heavy music.

Best moments of the album: Kolossòs, Pale, Tyrants and Where Mushrooms Grow.

Worst moments of the album: Bound by Stars.

Released in 2017 Independent

Track listing
1. Babel 1:13
2. Skymaster 3:50
3. Kolossòs 4:32
4. Let The Curtains Fall 4:34
5. Pale 4:04
6. Children of the Void 4:45
7. Rêverie 0:59
8. Tyrants 4:26
9. Where Mushrooms Grow 4:19
10. Lightbearer 4:20
11. The Beast 4:20
12. Bound by Stars 6:49

Band members
Viky Boyer – lead vocals
Vincent Harnois – guitars, vocals
Samael Pelletier – lead guitars
Eddy Levitsky – bass
Sébastien Belanger-Lapierre – keyboards
Justine Ethier – drums

Guest musicians
Morgan Lander – additional vocals on “Kolossòs”
Lindsay Schoolcraft – backing vocals

Album Review – Crucify the Faith / New Breed EP (2017)

Enjoy this short and sweet display of excellent Deathcore, brought forth by a promising squad of young and restless metallers from Finland.

Combining several distinct genres of heavy music into their compositions, Helsinki-based five-piece Melodic Deathcore group Crucify the Faith has been making a name for themselves as one of the new faces of modern Metalcore in their homeland Finland since their inception in 2014, with their sound being compared to renowned acts such as Bullet For My Valentine, Avenged Sevenfold and Suicide Silence. For instance, after the release of the band’s debut single “The World is Mine” in 2015, the band won second place in Finland’s largest band competition named Emergenza Festival, and that was when the band members were still only 16-18 years old, to make things even more impressive.

Fast forward to 2017 and here we have Crucify the Faith delivering the world their debut EP entitled New Breed, fully recorded and produced by the band itself. With each band member having a different musical background, from Hip Hop to Deathcore, and adding their personal touch to the music, New Breed ends up displaying a very cohesive musicality full of melody, feeling and electricity, therefore representing the heart and soul of Crucify the Faith in great fashion. Of course the band still has a long way to go in their quest for fame and recognition, but based on the quality of the music found in New Breed I should say they couldn’t have started their journey in a better way.

The opening track Make It Through already offers the listener an explosion of Melodic Death Metal led by the intense riffs by Jermu Laine and Jere Kontiainen, while Aki Juvonen screams manically with all his strength. Furthermore, his clean vocals might not be as impactful as his growls, but they’re still effective and positive to the music, not to mention the additional female vocals by guest musician Roosa Ahonen which bring even more balance to the overall melody. In The Strong Will Survive we face more of the band’s melodic lines the likes of Arch Enemy, with its lyrics being a straightforward display of modern Melodic Death Metal (“And the sky above you will fall / Before I’ll give up my dream! / I wish you could see it all / See what I’m trying to reach for! / I will not let my pain break through, / I will stand through it all. / I wish you would stand beside me help me / Pay the price of the cause.”). In addition, drummer Valtteri Estola seems to truly enjoy slamming his drum set, while Jermu and Jere show they not only kick ass with their riffs, but their solos are also flammable as hell.

The title-track New Breed bursts with sheer heaviness and aggression, with high dosages of anger and hatred flowing from Aki’s growls, from its neck-breaking riffs and from its imposing atmosphere, while the calmer break halfway through it gives time for the listener to breathe before the band gets back with more metallic sounds. Despite its melancholic intro, This Generation Falls quickly morphs into more of the belligerent Deathcore by Crucify The Faith, with bassist Lauri Kurkela making sure the song’s background is as heavy and groovy as possible, consequently building the desired ambience for Aki to powerfully blast his demented growls. And in the last track of the EP, named Unreal, Aki invests into deeper growls, with the music being a frantic fusion of Melodic Death Metal and Metalcore. Furthermore, Valtteri and Lauri are on fire with their beats and rumbling strings, respectively, with the whole music matching perfectly the song’s lyrics about the war between science and religion inside our minds (“You created madness and desire. / You are the god that controls the fire. / And still you think, / That above I control and give the signs, / That are the work of your over developed mind.”).

Do you want to give a shot at the excellent Deathcore brought forth by this squad of young and restless metallers from Finland with their brand new EP? First, go to YouTube or to Spotify where you can listen to the full EP and get more familiar with the music by Crucify the Faith. Then visit their Facebook page and follow them to be the first to know about their projects and tour dates. And last but not least, buy their music on iTunes and show your honest support to another promising band from the usually cold but always as-metal-as-hell Republic of Finland.

Best moments of the album: The Strong Will Survive and New Breed.

Worst moments of the album: None.

Released in 2017 Inverse Records

Track listing
1. Make It Through 5:19
2. The Strong Will Survive 4:33
3. New Breed 4:27
4. This Generation Falls 4:40
5. Unreal 4:02

Band members
Aki Juvonen – vocals
Jermu Laine – guitar
Jere Kontiainen – guitar
Lauri Kurkela – bass
Valtteri Estola – drums

Guest musician
Roosa Ahonen – additional female vocals on “Make It Through”

Album Review – Resist The Ocean / Heart Of The Oak (2017)

This fine German quintet doesn’t bring us just good heavy music with their new album, but an organic and aggressive explosion of high-end Metalcore with marching riffs, hearty breaks and that unparalleled melody only found in European metal.

Fans of the heavy music played by bands such as As I Lay Dying, Killswitch Engage, Trivium and All That Remains should turn their eyes (and ears) to Nuremberg, a city on the river Pegnitz and on the Rhine–Main–Danube Canal in the German state of Bavaria, where Metalcore five-piece act Resist The Ocean has been delivering high-quality metal since their inception in 2012. After the release of their debut EP Weather the Storm in 2014, those German metallers are back in perfect shape with their first full-length endeavor, titled Heart Of The Oak, an album of old school Metalcore without stereotypes that transpires sheer aggression through its ten very cohesive and electrified songs.

Composed of Jochen on vocals, Kevin and Konsti on guitars, Art on bass and Adrian on drums, Resist the Ocean craft an absolutely stunning sonority with marching riffs, hearty breaks and that unparalleled melody only found in European metal. In addition to that, Jochen is the type of frontman that doesn’t really care about clean vocals, growling almost nonstop during the whole album, which in the end has a huge impact on the band’s music and style as it increases their overall ferocity way above the average Metalcore level. The obscure and stylish cover art for Heart Of The Oak also plays an important part in the message the band wants to send to the listener, being thoroughly connect to each song of the album and to the sharp sounds emanating from all instruments.

And they need only a few seconds to take the adrenaline level to the limit with their crisp, two-fisted sonority in the opening track Oceanlung, where the amazingly heavy and melodic riffs by Kevin and Konsti guide the listener to the acid world of Resist The Ocean. In Long Road Home the whole band gets more melodic, faster and sharper, led by the pounding beats by Adrian and the once again blazing guitars by Kevin and Konsti, with Jochen’s raspy growls creating a nice paradox with the song’s polished and upbeat rhythm; while in Cauterize the band’s aggressiveness only increases as the music progresses, with Jochen reaching pure dementia with his sick screams, also presenting excellent guitar solos to give more balance to the overall result. In other words, this is one of those songs fans of modern Metalcore will have a blast listening to without a shadow of a doubt.

Adrenaline keeps flowing from all instruments in the title-track Heart Of The Oak, showcasing another superb job done by Kevin and Konsti who, supported by the solid base crafted by Adrian and bassist Art, deliver top-tier European Metalcore. Furthermore, I personally recommend you pay good attention to the official video for this song and see if you recognize who has a cameo at 1 minute and 47 seconds of the video. Yes, it’s the German tank himself, Mr. Udo Dirkschneider, who co-produced the video by the way. Getting back to the album, we have Ambers, drawing influences from modern Death Metal and Melodic Death Metal with highlights to the song’s potent beats and neck-breaking rhythm, and Handcarved Coffins, a song that could be played on any radio station due to its smoother pace and melody but that also presents that anger and violence from underground Metalcore, not to mention its electrifying chorus and guitar solos.

Dreamwalker gets back to a more straightforward formula, presenting solid instrumental and vocal lines, albeit not as creative as the rest of the album (which doesn’t mean it’s not going to work well during their live concerts, though), whereas Black Rust brings forward a thrilling and refreshing fusion of Melodic Death Metal and Metalcore, with Jochen firing his enraged growls while the other band members deliver sheer awesomeness through their riffs, rumbling bass lines and fast-paced beats, turning it into one of the best songs of the album hands down. And there are two more metallic tunes to go, starting with the brisk and melodic The Last Of Our Kind, with its backing vocals providing Jochen an extra dosage of energy to blast his growls, not to mention the amazing solos by the unstoppable duo Kevin and Konsti, before the classy Metalcore chant Gilded Cage closes the album, displaying crisp guitar lines and powerful drums. Moreover, the iTunes bonus track is a radio-friendly acoustic version of this song, with the female vocals from guest musician June (Nicki and June) instead of the growls by Jochen, and a pleasant atmosphere to go along with that tenderness.

You can brave the untamable waters of Resist The Ocean by visiting their Facebook page for news about the band (including their tour dates), enjoy their music on YouTube and SoundCloud, and purchase Heart Of The Oak through the band’s Big Cartel as a digipak or a digipak + shirt bundle, as well as several other locations such as the EMP webstore, Nuclear Blast, Amazon and iTunes. As mentioned before, this fine German quintet doesn’t just deliver good heavy music to our ears, but an organic and rampant explosion of European Metalcore that will definitely catch your attention even if this type of music is not among your favorite metal genres.

Best moments of the album: Long Road Home, Heart Of The Oak and Black Rust.

Worst moments of the album: Dreamwalker.

Released in 2017 Bleeding Nose Records

Track listing
1. Oceanlung 3:47
2. Long Road Home 3:06
3. Cauterize 3:23
4. Heart Of The Oak 4:29
5. Ambers 3:07
6. Handcarved Coffins 3:54
7. Dreamwalker 3:07
8. Black Rust 4:23
9. The Last Of Our Kind 3:46
10. Gilded Cage 4:18

iTunes Exclusive bonus track
11. Gilded Cage (acoustic version) 2:23

Band members
Jochen – vocals
Kevin – guitars
Konsti – guitars
Art – bass
Adrian – drums

Guest musician
June – vocals on “Gilded Cage (acoustic version)”

The Headbanging Moose Show – Thursdays @ 20:00 UTC exclusively at Midnight Madness Metal e-Radio

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Attention, metalheads!

It’s time to rumble with THE HEADBANGING MOOSE SHOW every Thursday @ 20:00 UTC (with a reprise on Saturdays @ 19:00 UTC) exclusively at Midnight Madness Metal e-Radio, your London-based web radio blasting the best of heavy music nonstop 24/7!

Presented by Gustavo Scuderi, The Headbanging Moose Show will bring to you the cream of underground metal music, giving you a short and sweet background on every band played on the show. No silly jokes, no shenanigans… THIS IS PURE F****N’ METAL!

So remember, EVERY THURSDAY @ 20:00 UTC (with a reprise on Saturdays @ 19:00 UTC) tune into Midnight Madness Metal e-Radio to enjoy one hour of kick-ass underground metal from all over the world, courtesy of The Headbanging Moose!

Here are all the options where can blow your speakers with Midnight Madness:

Official website
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Online Radio Box
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Streema
Listen2MyRadio
Radio Garden
Streamitter.com

Don’t forget to follow The Headbanging Moose on Facebook to know beforehand which bands will be played on the show every week.

And if you want to have your new album reviewed at The Headbanging Moose AND played at Midnight Madness Metal e-Radio, simply get in touch with us through our CONTACT US page.

Album Review – Next Bullet / Zero (2017)

Are you ready to thrash to the debut album by a trio of Italian insurgents who take no prisoners in their quest for heavy music?

In case you don’t know what Thrashcore means, let me do a quick introduction to you of this electrifying style of heavy music. Thrashcore, also known as Fastcore, is a fast-tempo subgenre of Hardcore Punk that emerged in the early 1980’s, being often less dissonant and metallic than Grindcore, but still making good usage of blast beats. Thrashcore songs are usually short in duration, with the lyrics typically emphasizing youthful uprising or anti-militarism, being aligned with the skateboarder subculture in many ways. Having said that, are you ready to thrash to Zero, the debut album by a trio of Italian Thrashcore insurgents who together go by the name of Next Bullet?

Formed in 2016 in northeast Italy by members of Groove Metal act Overblood and Deathcore group Awake The Secrets, the trio comprised of Marc1 on vocals, Paske on guitar and bass, and Tom KT on drums takes no prisoners in their quest for heavy music, delivering ten ruthless compositions that exhale rebelliousness with the hardcore attitude of Grindcore, but also presenting the more melodious lines of Metalcore. Zero is already a pretty good album by itself, but if you take into account the fact that it’s just their debut release, I wonder how far those Italian metallers can go in the world of underground heavy music with this new endeavor.

Next Bullet, the track that carries the name of the band, is a precise depiction of what this power trio stands for, locked and loaded with pure heaviness and a hardcore attitude, where Marc1 begins explaining their “mission” through his deep growls while Tom KT sounds like a machine gun on drums. Following that intense start, we have All I Have Earned, a faster and more melodic Thrashcore song with elements from traditional Thrash Metal and Punk Rock, with Marc1 continuing his vocal attack and Paske delivering metallic, sharp riffs perfect for banging our heads nonstop; and Not Allow Them, where the trio keeps hitting us with their hardcore sounds. Moreover, pay attention to the drumming by Tom KT as it’s an interesting blend of the traditional Thrash Metal played by Exodus with the demented beats by old school Punk Rock drummers.

In Antiparasitic they once again unite the aggressiveness of American Hardcore with the melody found in European metal music, resulting in one of my favorite tracks of the album due to its high level of electricity, with all three members being in total sync generating a truly belligerent sonority; whereas in Unrelenting Will, another solid composition that showcases all the band’s anger and defiance, the musicality is led by the guitar lines by Paske while Marc1 bursts his lungs with his sick screams. After an eerie bridge named 2015: Mission Accomplished, we face more of the destructive music by Next Bullet titled Born On The Wrong Side, a mid-tempo, dark composition showing a more visceral side of the band. Not only that, Paske and Tom KT make a great duo with their heavy-as-hell riffs and demonic beats, therefore increasing the song’s punch and taste.

As I hate hashtags from the bottom of my heart, I have to say the furious The New Hashtag puts a smile on my face with its less than two minutes of sheer craziness, in a well-balanced fusion of Thrash Metal, Hardcore and Punk Rock. And bringing a lot of groove to their sonority, Kill The Maniac Pedophile is another short and sweet creation by Next Bullet that overflows rage despite being a bit bland, with its the last part getting a lot more dynamic (which unfortunately doesn’t last as long as it should), before the supersonic Remember! concludes the album in great fashion. The sound of the guitar by Paske is truly exciting, as if he is cutting our flesh with his riffs mercilessly, while Tom KT continues to pound his drums manically and Marc1 gets more and more insane on vocals.

Now that you have a pretty good understanding of what Thrashcore stands for and its purpose in heavy music, you should definitely give a try to Next Bullet and their berserk music by visiting their Facebook page and purchasing your copy of Zero at their BandCamp page. As mentioned before, Zero is a beyond solid debut by this angry power trio, having all the necessary qualities to become a reference in underground Thrashcore and a great source of energy for the band to keep moving forward in their career.

Best moments of the album: Next Bullet, All I Have Earned and Antiparasitic.

Worst moments of the album: Kill The Maniac Pedophile.

Released in 2017 KT Records

Track listing
1. Next Bullet 3:20
2. All I Have Earned 3:20
3. Not Allow Them 2:00
4. Antiparasitic 2:18
5. Unrelenting Will 3:04
6. 2015: Mission Accomplished 0:38
7. Born On The Wrong Side 2:38
8. The New Hashtag 1:30
9. Kill The Maniac Pedophile 1:34
10. Remember! 2:40

Band members
Marc1 – vocals
Paske – guitar, bass
Tom KT – drums

Interview – Dimitri (Primal Age)

Do you like Metalcore? If your answer is yes, you’ll certainly enjoy this exclusive interview with Dimitri, bassist for longstanding French act Primal Age, talking about their brand new EP A Silent Wound, their commitment to nature and animal rights, how much they love the unparalleled riffs by Slayer’s deceased guitar hero Jeff Hanneman, and more.

Dimitri (Primal Age)

The Headbanging Moose: Let’s start with an introduction of the band. Although Primal Age have been on the road since 1993, there are many people who still don’t know your music. Who are Primal Age? Can you tell us more about the history of the band and your main goals in music?

Dimitri (Primal Age): We are 5 guys (Didier on vocals, Flo and Ben on guitars, Mehdi on drums, and I, Dimitri on bass). We started as one of the very first European bands mixing hardcore and metal, as Arkangel, Length of Time or Kickback. We’re known for our commitment in favor of nature and animals.

THM: Your brand new EP A Silent Wound might be short in duration, with only around 15 minutes of music, but the amount of energy and violence flowing from each one of its four tracks is simply amazing. Why did you decide to record an EP instead of a full-length album this time, and how did you select the songs that would be included in it?

Dimitri: It was a special period because of a change in our line-up. Flo and Ben have replaced Johann who had to leave the band for familial reasons. So our project with this line up was an EP to give time for the new guys. It is not obvious to be incorporated to an old band.

THM: You’re a band that has always discussed delicate and controversial topics in each one of your lyrics, such as animal rights, vegetarianism and the overconsumption of mass. For instance, my favorite song of the EP, the opening track The Whistleblowers vs World Health Organization, is an acid critic to our decaying health system with a strong focus on the wrongful actions taken by the W.H.O. in the past few decades. What details can you tell us about the process to compose this specific song? What inspires you to write music, and what do your fans and critics say about the themes proposed in your lyrics?

Dimitri: The fans… some are here just for the music, and some others pay a particular attention for the topics. It’s a kind of positive revolt to compose some music with what revolts me, instead of burning my neighbor’s car ))

THM: Another top moment of the EP in my opinion is your humble tribute to the deceased Jeff Hanneman, the iconic and revolutionary guitarist of Thrash Metal titans Slayer, titled To Jeff. How did you come up with the idea of recording this excellent tribute to one of the biggest guitarist in the history of heavy music, and how did you choose which songs from Slayer would be featured in the medley? Also, did you get any feedback from any of the guys from Slayer or anyone connected to Jeff about the song?

Dimitri: As you say, Jeff was a legend who has composed some of the most famous riffs of metal music. We grew up with Slayer and we miss this guy so much, so we decided to refresh people’s minds with some of the most legendary riffs which are here to stay.

Album Review – Primal Age / A Silent Wound EP (2017)

THM: You play a solid and entertaining fusion of Thrash Metal, Hardcore and Punk Rock, which some people like to label as Metalcore. Apart from bands like Slayer, Napalm Death and Agnostic Front, what other bands and artists influenced Primal Age to become the band you’re today? And do you listen to anything outside Heavy Metal and Punk Rock? If so, which non-metal artists are part of your playlist?

Dimitri: We grew up with bands like Earth Crisis, Sepultura, Pantera, Minor Threat, Venom, Youth Of Today, Hatebreed… there are so many. Personally I’m a fan of Oi music, Cock Sparer, The Business or Last Resort are some of the bands in my playlist. But it’s only mine, each one is different and we have our own choices.

THM: A Silent Wound features a few guest vocalists that end up adding an extra touch of adrenaline to the overall result of the EP, those being Felipe Chehuan (Confronto), Julien Truchan (Benighted) and Koba (Loyal To The Grave). What’s your relationship with those musicians and their respective bands, and how did the invitations happen for them to be part of your album?

Dimitri: Benighted is a French band. We like these great guys with whom we played some shows. Felipe from Confronto is an old acquaintance we have so much respect for and we were grateful to play with Confronto in Brazil. Loyal to the Grave is a Japanese legendary band, and it was a special moment for us to share the stage with them in Japan. We’re happy to have these guys on our EP to remind us some great moments as musicians.

THM: Primal Age have already played in renowned festivals such as Free Edge Fest, Hellfest and Sonisphere, but of course as an underground heavy band you’re used to play in much smaller places like local pubs and theaters. Do you prefer playing in big festivals or at small venues? What do you feel when you’re playing in front of thousands of people as compared to a reduced crowd? What are the advantages and disadvantages of each one in your opinion?

Dimitri: We like both of these conditions. The only thing we have in mind is to give our energy to the crowd through our music, it doesn’t matter if there are 100 or 3,000 people.

THM: How has the reaction of your fans to the new songs from A Silent Wound been in your current concerts? And what are the band’s future plans in regards to touring inside and outside France, and also to releasing new material?

Dimitri: We have had a very good feedback. The new pieces are in accordance with our musical identity. We’re happy to defend this new EP on stage. We have plans in France and far from home, so, we feel lucky ))

THM: I might be wrong, but I think you have never recorded a song in your mother tongue French. Is there a specific reason for that? Are you planning on recording anything in French for your local fans, as for example a French version of one of your existing albums?

Dimitri: You’re right. I very love French lyrics, but not for what we play. English seems to be the best language for that kind of music. The other reason is to speak to everybody and to have the opportunity to play worldwide.

Primal Age

THM: What’s the current state of the metal and punk scene in France? Do you think it’s better than when the band started, or is it getting more and more difficult for new French bands to succeed in music nowadays? Which new French bands do you recommend to our readers?

Dimitri: France has never been the place to be for this music. Most of people are listening to the mainstream music you hear on TV or radio and don’t have a real culture, they just consume it, what is sad. The reputation is rather bad, but you can find some great bands. There are several great bands here in Normandy like Surounded by Sins, Elephants, Explicit Silence… so many.

THM: As you know we have a huge French-speaking community here in Canada, in the province of Quebec, where several amazing metal and punk bands are born every year. Do you know anything about the Canadian and the Quebec heavy music scene, and if so, what are your favorite bands from Canada and/or Quebec?

Dimitri: We really appreciate bands like Comeback Kids, or the first albums of Voivod we listened to when we were young. We saw them in Paris in 87 when they came for their first tour with Kreator. We also love Get the Shot, as well as Obey The Brave (with whom we played at the Bloodaxe Festival in Tokyo, Japan, in 2013).

THM: Merci beaucoup pour votre temps et votre disponibilité. Please feel free to send a final message to your fans and to the readers of The Headbanging Moose here in Canada and all over the world.

Dimitri: Thanks for the interest about the band, we really appreciate it. Maybe one day we’ll see you guys on the road.

Links
Primal Age Official Website | Facebook | YouTube | Instagram | ReverbNation | Big Cartel

Album Review – Primal Age / A Silent Wound EP (2017)

One of the most influential bands in the history of underground French Metalcore brings forth four striking new songs, blending the best of Heavy Metal and Hardcore in a fresh, vibrant and honest way.

Delivering a huge amount of energy, power and passion for heavy music to their fans since 1993, always exploring important topics such as the defense of the animal rights, vegetarianism, ecology and the denunciation of the overconsumption of mass, French Metalcore act Primal Age marked the 90’s by being among the first European bands to mix Heavy Metal and Hardcore into their music, gaining a lot of positive feedback from fans of both styles. That amazing reaction from the audience opened the doors for the band to spread their music globally, sharing the stage with renowned acts like Napalm Death, Caliban, Madball, Hatebreed and Agnostic Front, as well as playing many festivals such as Free Edge Fest, Hellfest and Sonisphere and performing in distant lands like Brazil and Japan through the years.

Hailing from Évreux, a commune in Haute Normandie in northern France, Primal Age released their debut EP The Light to Purify in 1999, followed by the full-length albums A Hell Romance in 2007 and The Gearwheels of Time in 2010, while the year of 2014 saw the birth of a split album with French Metalcore band Absone named My Legacy / Eternal Struggle – The Best of 17 Years XVX 90’s Metalcore (And Still Going Strong). Now in 2017, they’re back in full force with a brand new EP titled A Silent Wound, featuring a stylish artwork by Visual Injuries and four original songs that perfectly represent their core essence and their undisputed allegiance to classic European Metalcore.

The opening track, nicely entitled The Whistleblowers vs World Health Organization, is a frantic Hardcore chant boosted by hints of Death and Thrash Metal (and therefore an amazing choice for slamming into the pit) where drummer Mehdi Abou is simply insane behind his drums, while the sick growls by lead singer Didier are in total sync with the demonic strings by Benoit, Florian and Dimitri. Following that high-octane start, we have the title-track A Silent Wound, featuring Felipe Chehuan from Brazilian Deathcore band Confronto, another Punk Rock and Thrash Metal onslaught flawlessly blasted by Primal Age. Furthermore, both guitars by Benoit and Florian sound very tuneful and melodic, strengthening the song’s bestial vibe even more, which I believe will cause some “desired” body injuries and bruises to their fans during their live concerts.

Can the excellent Counterfeiters of the Science be labeled as “Tribal Metalcore”? It’s a fuckin’ furious and ruthless composition, in special the harsh and aggressive growls by Didier, with its unstoppable and vicious sounding being the epitome of the music by such distinct act. And featuring singers Julien Truchan (Benighted) and Koba (Loyal To The Grave), the remarkable Slayer medley named To Jeff is a beautiful tribute to the one and only Jeff Hanneman (R.I.P.). You have to listen to it to feel its potency, but as a quick summary of what you’ll find in the music (or I should say a “spoiler”), it starts with a few nice words from Jeff himself, followed by the band’s excellent versions for parts of the all-time classics “South of Heaven”, “Dead Skin Mask” and “Raining Blood”, ending with a good chunk of “Angel of Death” and back to a “Raining Blood” finale. In my humble opinion, this is a superb homage to Jeff and there’s no way you can stay indifferent to its energy and rhythm.

This superb EP by Primal Age, which can be streamed in its entirety HERE, is on sale at several locations such as the band’s Big Cartel as a regular CD version or as a special red vinyl collector edition (limited to 100 copies only); at the Deadlight Entertainment’s BandCamp or webstore; at the Bound By Modern Age Records’ BandCamp or webstore; or on Amazon. After listening to A Silent Wound it’s easy to understand how Primal Age, who can be contacted through their Facebook page and whose music can be appreciated at their YouTube channel and ReverbNation, are still alive and kicking after almost 25 years playing underground heavy music, without selling out to the mass media. This French quintet definitely knows how to bring the best of Heavy Metal and Hardcore together in their music, always sounding fresh, vibrant, honest and loyal to their foundations. Add to that their undeniable talent with their instruments, and there you have the recipe for at least another 25 years blasting awesome music to their fans and to anyone who enjoys tons of heaviness with a good melody behind.

Best moments of the album: The Whistleblowers vs World Health Organization and To Jeff.

Worst moments of the album: None.

Released in 2017 Deadlight Entertainment

Track listing
1. The Whistleblowers vs World Health Organization 3:12
2. A Silent Wound (feat. Felipe Chehuan) 3:11
3. Counterfeiters of the Science 3:35
4. To Jeff (feat. Julien Truchan & Koba) 4:20

Band members
Didier – vocals
Benoit – guitars
Florian – guitars
Dimitri – bass
Mehdi Abou – drums

Guest musicians
Felipe Chehuan – additional vocals on “A Silent Wound”
Julien Truchan – additional vocals on “To Jeff”
Koba – additional vocals on “To Jeff”

Midnight Madness Metal e-Radio Promo Hour Of The Day – From Monday To Friday @ 8pm GMT

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