Album Review – Absolva / Side By Side (2020)

Celebrating the great tradition of British Heavy Metal with huge riffs and massive hooks, this young and restless Manchester, UK-based unity returns with their breathtaking fifth full-length album.

If you’re a fan of the most recent solo albums by the indomitable Blaze Bayley, more specifically with his  Infinite Entanglement Trilogy, you’ve probably heard the names of vocalist and guitarist Christopher Appleton, bassist Karl Schramm and drummer Martin Mcnee, who together with Chris’ brother, guitarist Luke Appleton (of Iced Earth), have been making a lot of noise since 2012 with their Manchester, England-based Melodic/Heavy Metal band Absolva. Each member has a wealth of experience with an impressive pedigree recording and touring with their other above-mentioned associations with Iced Earth and Blaze Bayley, and have also toured as support artists with the likes of Saxon, Michael Schenker and Y&T. Now in 2020 it’s time for Absolva to strike again with Side By Side, their fifth studio album following on from Flames of Justice (2012), Anthems to the Dead (2014), Never a Good Day to Die (2015) and Defiance (2017).

Recorded at Rocksector Records headquarters in Manchester, produced by Chris Appleton himself, mastered by Ade Emsley at Table of Tone Mastering Ltd. in London, and featuring a classic artwork by Brazilian artist Alberto Quirantes of Akirant Illustration (Blaze Bayley, Iron Maiden, Star Wars), Side By Side undoubtedly celebrates the great tradition of British Heavy Metal with huge riffs and massive hooks. However, Absolva have never been scared to mix things up, and fans will discover light and shade across the ten original songs (plus two very special bonus tracks) found in such entertaining album that transpires metal music, showcasing an exceptional performance by all band members and, therefore, being highly recommended for fans of the music by Iron Maiden, Saxon, Judas Priest, Helloween and several other metal giants.

The strident guitars by Chris and Luke bring thunder to the opening track Advocate Your Fate, accompanied by the band’s heavy kitchen of Martin and Karl in a pure traditional Heavy Metal feast, with their guitar solos being absolutely incendiary; and blasting a Judas Priest-inspired mega-riff the band embellishes the airwaves with the high-octane Burning Star, where Chris’ soaring screams are beautifully supported by his bandmates’ backing vocals, sounding perfect for headbanging nonstop in the name of Heavy Metal. Then keep banging your heads and raising your horns to the sound of The Sky’s Your Limit, where the bass punches by Karl will reverberate inside your brain, feeling very melodic from start to finish and being obviously recommended for enjoying it while on a road trip, whereas the title-track Side by Side brings forward an inspiring, upbeat atmosphere showcasing the union among the band members, with both Chris and Luke taking the lead with their refined riffs and solos and, of course, living up to the legacy of the biggest exponents of the genre.

After such amazing first batch of songs, it’s time to speed things up and slam into the pit together with the boys in Living a Lie, another lesson in traditional Heavy Metal where Martin is unstoppable on drums while its guitars will pierce your ears and Chris powerfully declaims the song’s austere lyrics, followed by Legion, presenting a “Stranger in a Stranger Land” vibe generated by Karl and his menacing bass, alternating between heavier moments spiced up by Chris and Luke’s shredding and more serene, melodic passages. And more metallic sounds permeate the airwaves in Eternal Soul, a galloping tune led by Karl and Martin armed with their thunderous instruments, feeling like a metal classic from the 80’s with a catchy chorus that will put you to sing along with the band, not to mention their trademark electrifying solos.

Chris leads his metal army in the rebellious anthem End of Days, a more epic and imposing tune where Martin’s beats dictate the pace and the band’s stringed trio doesn’t stop firing sheer electricity from their axes, and setting fire to the world the band brings forth the frantic, melodic and absolutely awesome Heart Let’s Go, where Chris keeps blasting his sharp vocals accompanied by the razor-edged sound of the guitars and the groovy bass by Karl. Finally, a serene Hard Rock-inspired intro ignites the melodic From This World, the last original song of the album where the quartet showcases a lot of passion and feeling, led by the pounding beats by Martin (albeit going on for a little too long, though), before we’re treated to two metallic and vibrant bonus tracks by Absolva showing their respect and admiration for the undisputed metal titans Iron Maiden, with 2 Minutes to Midnight, and Black Sabbath, with Heaven and Hell, with their Iron Maiden version sounding and feeling beyond stunning.

The guys form Absolva are waiting for you on Facebook, Instagram, YouTube and Spotify, ready to invade your senses with their refined old school Heavy Metal, and with Side By Side being the perfect representation of everything they stand for and what we can except from such talented band in a not-so-distant future. Hence, don’t forget to purchase your copy of the album from their Big Cartel page, from Apple Music or from Amazon, standing side by side with one of the youngest and most promising bands of the UK scene and, as a consequence, living and breathing metal music together with a band that proudly carries the flag of NWOBHM wherever they go.

Best moments of the album: Burning Star, Eternal Soul, Heart Let’s Go and 2 Minutes to Midnight.

Worst moments of the album: From This World.

Released in 2020 Rocksector Records

Track listing
1. Advocate Your Fate 4:39
2. Burning Star 4:02
3. The Sky’s Your Limit 5:22
4. Side by Side 4:39
5. Living a Lie 3:07
6. Legion 3:42
7. Eternal Soul 5:37
8. End of Days 6:07
9. Heart Let’s Go 4:21
10. From This World 5:51

Bonus tracks
11. 2 Minutes to Midnight (Iron Maiden cover) 5:49
12. Heaven and Hell (Black Sabbath cover) 7:01

Band members
Christopher Appleton – lead vocals, lead guitar
Luke Appleton – rhythm and lead guitar, backing vocals
Karl Schramm – bass
Martin Mcnee – drums

Album Review – Ani Lo. Projekt / A Time Called Forever (2020)

May your heart and soul be filled with the timeless Heavy Metal blasted by Ani Lo. and her henchmen forever and ever in their sophomore full-length opus.

Brought into being in 2010 in Sofia, the capital of the Balkan nation of Bulgaria, when well-known Bulgarian singer Ani Lozanova (also known as Ani Lo.) and her long-term musical partner, drummer Konstantin Dinev (also known as Kossy D.) decided to join forces to create a project of their own, Symphonic Heavy/Power Metal act Ani Lo. Projekt will bring to your ears a powerful and metallic sound in their sophomore album, entitled A Time Called Forever, the follow-up to their 2011 opus Miracle presenting 12 breathtaking creations composed by Jens Faber (Dawn Of Destiny), who also played guitar, bass and keyboards on the entire album, as well as some growls and clean vocals. Recorded and mastered by Markus Teske at Bazement Studio, featuring an array of guest musicians the likes of Eric Dow (Helsótt), Michael Thionville (Voodoma) and Ani Lo.’s own husband Lachezar Stefanov, and displaying a classy artwork by Bulgarian artist Deliana Stoyanova, A Time Called Forever will undoubtedly please all fans of the music played by bands such as Lords Of Black, Almanac, The Unity and Within Temptation, blending the most symphonic, epic and harmonious elements form classic Heavy and Power Metal.

Kossy begins hammering his drums in the epic and symphonic opening track Break My Chains, with Jens providing Ani all she needs to shine with her potent vocals by blasting crisp background keys and wicked growls, followed by the title-track A Time Called Forever, a beyond mesmerizing tune showcasing Arabian elements and the piercing vocals by Ani, inspiring you to bang your head nonstop while the band smashes your senses with their kick-ass Symphonic Heavy Metal. Featuring guest vocals by Lachezar Stefanov, Bleed is an upbeat composition where the keys by Jens and the beats by Kossy generate an incendiary paradox perfect for admirers of the very melodic but still ferocious and high-octane side of Power Metal, and even more epic and imposing than its predecessors, End Up in Sorrow is a song where Ani steals the spotlight with her enfolding vocals, sounding as if Nightwish and Epica had the mighty Doro on vocals, not to mention Jens’ stunning keys.

Back to a more frantic and very sharp sonority, The Letter presents Kossy kicking some serious ass with his Helloween/Stratovarius-inspired beats, with Jens once again sounding bestial with his guitar riffs and solos; whereas again investing in more melodious and fiery sounds the band offers the gorgeous ballad Back to You, where the passionate vocals by Ani are boosted by Jens’ souful riffage while Kossy keeps the pace very pleasant with his beats. Then we have Cold Death, a galloping and fierce aria of Power Metal by the trio with Ani’s vocals sounding even more captivating, feeling like a song form the Middle Ages turned into modern-day metal music, and Feel Inside, perhaps the most generic of all songs despite its positive message and another solid performance by all band member, especially Jens with his guitar solos, never really taking off (but nothing that causes any damage to the album).

Featuring guest vocals by Michael Thionville, who by the way makes a flammable duo with Ani, Fly with Me is another passionate ballad by Ani and her henchmen, showcasing epic keys and spot-on drums, being therefore perfect for enjoying it with your significant other in your arms. Then again venturing through the realms of Symphonic Power Metal the band explodes our senses with the fantastic Don’t Leave (This World), where Ani hypnotizes us all with her potent, high-pitched lioness roars while guest Eric Dow delivers sheer rage through his growls, making it impossible not to raise your fists to such epic tune; and it’s time to put the pedal to the metal in a Melodic Metal extravaganza titled My Misery, where again we’re treated to the awesome Ani-Eric duet, living up to the legacy of renowned acts like Stratovarius and Kamelot, sounding absolutely fast and thrilling thanks to the unstoppable beats by Kossy. And the last blast of heavy music by Ani Lo. Projekt comes in the form of the ballad Walk Alone, where Ani’s deep vocals are accompanied by gentle piano notes and an embracing atmosphere until the very end.

The multi-talented Ani Lo., Kossy D. and Jens Faber are waiting for you on Facebook, and if you want to show your utmost admiration and support for such distinguished group of musicians you should definitely purchase A Time Called Forever from countless locations such as the Season of Mist webstore, Record Shop X, HMV, Apple Music and Amazon, as well as stream it in its entirety from YouTube and from Spotify. And may Ani and her awesome Ani Lo. Projekt keep reigning forever and ever not only in the metallic Republic of Bulgaria, but anywhere else in the world where our good old Heavy Metal is truly appreciated.

Best moments of the album: A Time Called Forever, End Up in Sorrow and My Misery.

Worst moments of the album: Feel Inside.

Released in 2020 Pride & Joy Music

Track listing
1. Break My Chains 4:52
2. A Time Called Forever 5:47
3. Bleed 4:27
4. End Up in Sorrow 5:16
5. The Letter 3:53
6. Back to You 3:23
7. Cold Death 4:07
8. Feel Inside 3:13
9. Fly with Me 5:13
10. Don’t Leave (This World) 3:19
11. My Misery 3:53
12. Walk Alone 4:15

Band members
Ani Lo. – vocals
Kossy D. – drums
Jens Faber – guitars, bass, keyboards, growls, clean vocals

Guest musicians
Eric Dow – vocals on “Don’t Leave (This World)” and “My Misery”
Michael Thionville – vocals on “Fly With Me”
Lachezar Stefanov – vocals on “Bleed”

Album Review – Nicumo / Inertia (2020)

Let’s explore the vast and melancholic lands of Melodic Gothic Metal and Rock together with five talented Finnish musicians and their breathtaking new album.

Formed in 2007 in Ylivieska, a town and municipality of Pohjois-Pohjanmaa, Finland, the talented Melodic Gothic Metal/Rock institution known as Nicumo returns with another blast of their stylish “Melancholic Metal” in Inertia, the third full-length album in their solid career. Recorded and mixed by Olli Tainio at Joshua Music, mastered by Svante Forsbäck at Chartmakers Mastering, and featuring guest saxophonist Mikko-Ilari Ojala, Inertia will guide through vast and melancholic lands together with lead singer Hannu Karppinen, guitarists Atte Jääskelä and Tapio Anttiroiko, bassist Sami Kotila and drummer Aki Pusa, keeping the band’s momentum going after the releases of their 2013 debut album The End of Silence and their 2017 sophomore effort Storms Arise. “Inertia continues kind of naturally from where our second album Storms Arise left. Atmosphere is even deeper and more intense than in previous albums. We have grown as a band during these years of course, and I believe that it can be heard on this album. Songs are more solid and thoughtful entities, composed by needs of the song. Sound-wise this album is most experimental in our discography. Saxophone and even concrete floor played with drumsticks can be heard from the album just for an example,” commented Aki about the band’s newborn spawn.

In the awesome opening track Three Pyres a melancholic and somber Gothic Rock-infused start gradually evolves into a feast of deep, dark vocals by Hannu and the delicate but piercing guitar lines by Atte and Tapio, being therefore highly recommended for fans of the music by HIM with a more obscure vibe, and we’re all invited to dive into the band’s Melodic and Gothic Metal waters in Dark Rivers, with the band’s guitar duo crushing their strings mercilessly while Aki dictates the song’s pace alternating between faster beats and more rhythmic passages. In Same Blood, a stunning ballad with the band’s guitar duo embellishing the airwaves with their solos together with Mikko-Ilari and his saxophone, Hannu darkly declaims the song’s introspective words accompanied only by acoustic guitars at times, whereas in Witch Hunt their music leans towards classic Melodic Metal, but of course bringing the band’s darker sounds. Moreover, Hannu delivers more of his enraged growls while Sami keeps blasting his rumbling bass nonstop, keeping the album’s Gothic flame burning bright.

Then alternating between thunderous sounds and cryptic, melancholic moments the band brings forward the captivating Tree of Life, where Sami once again delivers tons of groove through his bass while Hannu’s crisp vocals are effectively supported by all background elements, followed by Mother and the Snake, even more enfolding and atmospheric, with Atte and Tapio cutting our skin deep with their wicked riffs and solos while Hannu once again shines with both his clean vocals and deep roars. After such powerful display of Gothic Metal, get ready to dance and bang your heads to the sound of Who You Are, an amazing tune showcasing Hannu’s most visceral growls and the band’s characteristic, slashing guitar lines and spot-on drums; and venturing through the realms of old school Gothic Rock and Metal we have Time Won’t Heal, as melancholic as the best creations by Ville Valo and his HIM, displaying inspiring guitar lines and an embracing ambience that provide Hannu all he needs to thrive on vocals once again. Finally, closing such beautiful album of melancholic music we have Black Wolf with its almost seven minutes of serene passages and heavy riffs, darkening our hearts (in a good way, of course) and flowing like the unruly waters of a Stygian river until its climatic finale.

In short, Inertia is a very entertaining, pleasant and solid album of Melancholic Metal tailored for admirers of such distinct style, inviting the listener to join Nicumo in darkness and savoring every single moment of the album together with them. Hence, let’s show our utmost support to those Finnish metallers by following them on Facebook and on Instagram, by listening to more of their music on YouTube and on Spotify, and above all that by buying your copy of inertia from Nicumo’s official BandCamp page, from the Inverse Store, from Record Shop X or from Discogs, and may the breathtaking and somber music by Nicumo serve as the soundtrack to your most serene and melancholic moments in life.

Best moments of the album: Three Pyres, Same Blood and Mother and the Snake.

Worst moments of the album: None.

Released in 2020 Inverse Records

Track listing
1. Three Pyres 3:57
2. Dark Rivers 4:38
3. Same Blood 4:20
4. Witch Hunt 4:41
5. Tree of Life 5:12
6. Mother and the Snake 3:55
7. Who You Are 4:32
8. Time Won’t Heal 3:46
9. Black Wolf 6:55

Band members
Hannu Karppinen – vocals
Atte Jääskelä – guitars
Tapio Anttiroiko – guitars
Sami Kotila – bass
Aki Pusa – drums

Guest musician
Mikko-Ilari Ojala – saxophone

Album Review – Crimson Sun / Fates (2020)

Known for their gripping live performances, catchy sounds and melodies, this Finnish Melodic Heavy Metal institution is ready to take the world of heavy music by storm with their sophomore album.

Known for their gripping live performances, catchy sounds and melodies, Finnish Melodic Heavy Metal institution Crimson Sun is ready to take the world of heavy music by storm with their sophomore album Fates, the follow-up to their debut full-length installment Towards the Light, released in 2015, and the EP The Spirit of Unchainable, from 2017. Formed under an unknown name in 2001 in the city of Hamina, Finland, and evolving into their current moniker in 2005, Crimson Sun have been making a name for themselves since their inception, quickly finding their way into the hearts of metalheads from all around the world and, as a consequence, leading the band currently formed by frontwoman Sini Seppälä, guitarist Joni Junnila, bassist Jukka Jauhiainen, keyboardist Miikka Hujanen and drummer Antti Rantavuo  to perform in some of the biggest metal festivals in Finland and to tour around Europe.

Thematically centered around different fates of people, and loosely referring to the band’s own experiences as well, Fates is an amalgamation of classic and contemporary rock and metal styles centered on the band’s Melodic, Symphonic and Alternative Metal core essence, offering their fans the perfect soundtrack to face our daily struggles and obstacles. “The album took its time as we all went through some major changes in our personal lives – some of us started families, some lost relationships or loved ones, built houses, gained new jobs… Life happened! ‘Fates’ proves however, that despite things changing we can get past all difficulties and challenges and move on – and make the kind of music we want to hear”, explained guitarist Joni Junnila about the band’s newborn spawn, complementing by saying that the album “represents continuity in our musical career. Some of the reviews of the first album suggested that we might just be a one-album-wonder. ‘Fates’ hopefully proves to everyone that this is not the case! We continue to grow and evolve – and we won’t even be just a ‘two-album-wonder’.”

Antti sets fire to the album with his frantic beats in the opening track The Beast Within, presenting elements from Symphonic and Alternative Metal as if Nightwish and Lacuna Coil had a child together, all boosted by Miikka’s futuristic keys and Sini’s crisp, high-pitched vocals. Then continuing to venture through the realms of modern Alternative Metal the band offers us all Virtual Reality, with Joni and Jukka extracting sheer adrenaline from their stringed weapons while Miikka and his whimsical keys bring a touch of lunacy to the musicality; followed by We Are One, where the quintet adds a considerable dosage of passion, melancholy and hope to their core sound, with Antti dictating the rhythm while Sini continues to shine on vocals, not to mention the dense and smooth bass lines by Jukka.

The Prison is one of the most symphonic of all songs, but of course still showcasing the band’s trademark electricity, being highly recommended for fans of bands like Epica and Lacuna Coil, with Sini and Miikka being on absolute fire while supported by Jukka and Antti’s thunderous kitchen. And it’s time to slow things down and enjoy Sini’s passionate performance in Overcome while her bandmates generate a delicate and ethereal ambience, resulting in a beautiful break from the faster pace of the rest of the album, flowing into Fate of Nora, which starts in an introspective way before exploding into modern-day Symphonic Metal led by Miikka and his sharp keys. Moreover, Jukka brings thunder to the music with his potent bass jabs, keeping the album as vibrant as it can be, setting the tone for the excellent Trailblazer, the perfect depiction of how powerful the music by Crimson Sun truly is, blasting tons of electricity to the masses while Sini is effectively supported by all her bandmates, in special by Antti’s fierce beats and fills and Joni’s slashing riffs.

Slightly more futuristic than its predecessors, Distant Stars flirts at times with electronic music and Industrial Rock and Metal, and albeit being a good composition it’s a bit generic if compared to all other songs (but still presenting a great job done by Miikka on keyboards, though), whereas Essence of Creation, an upbeat tune blending modern metal music with several electronic nuances, brings forward a shot of stamina into our avid ears while Sini declaims the song’s poetic lyrics in great fashion (“Respect the unscripted rule / The lifeline of all things / From life to life the cosmic ways go / They outline every shape we know / The meaning of life can’t be held / Nor contained in the world we live / Not even identified in a way we are used to”). And their last blast of high-end metal music made in Finland comes in the form of Last Day on Earth, the boldest of all songs overflowing passion and epicness thanks to Sini’s stunning vocal performance and Miikka’s classy keys, while Joni continues to shred his strings until the song’s climatic conclusion.

You can listen to Fates in its entirety on YouTube and on Spotify, but if I were you I would show my utmost support to such talented Finnish band by purchasing the album from their official webstore, as well as from Record Shop X, from Apple Music or from Amazon. Also, don’t forget to follow Crimson Sun on Facebook and on Instagram, and to subscribe to their YouTube channel for more of their flammable music. Finland has always been considered a reference in Melodic and Symphonic Metal with bands like Nightwish and Stratovarius spearheading the local movement, and now with the rise of Crimson Sun we can all rest assured the land of ice and snow will also continue to be called the land of metal music for many years to come.

Best moments of the album: The Beast Within, The Prison, Trailblazer and Essence of Creation.

Worst moments of the album: Distant Stars.

Released in 2020 Independent

Track listing
1. The Beast Within 3:32
2. Virtual Reality 3:06
3. We Are One 4:04
4. The Prison 4:57
5. Overcome 3:12
6. Fate of Nora 4:14
7. Trailblazer 3:18
8. Distant Stars 4:22
9. Essence of Creation 3:40
10. Last Day on Earth 5:33

Band members
Sini Seppälä – vocals
Joni Junnila – guitar
Jukka Jauhiainen – bass
Miikka Hujanen – keyboards
Antti Rantavuo – drums

Interview – Bastiën Baron (Shuulak)

How about an “alchemical” talk with Mr. Bastiën Baron, one of the founders of Dutch metal act Shuulak, talking about their brand new album Citrinitas and their passion for the occult?

Bastiën Baron (Shuulak)

The Headbanging Moose: Can you please begin by introducing the band to our readers? Who are Shuulak, when was the band formed, and what is your main goal in the world of heavy music?

Bastiën Baron: At heart we’re a heavy metal band, but we’ve given it a modern spin and drenched it in occultism. Our goal is to have a street named after us. Or a small town. Preferably the latter.

THM: Although your 2019 EP Citrinitas might be short in duration, there’s a lot of good stuff in each one of its four tracks. Why did you decide to release such a short album instead of a full-length one, and are you satisfied with the final result of the EP?

BB: Thanks for the compliments! There are many reasons for this. But foremostly, releasing a full-length album is a long and costly process. By keeping our releases short, we’re able to do them more frequently, which I think, people will appreciate. Especially in this day and age. That said, as our audience grows, so does demand for a physical release. We’ll relieve the itch soon.

THM: Can you explain in more details the concept behind Citrinitas and its connection to your previous EP’s Nigredo, released in 2017, and Albedo, from 2018?

BB: The EP’s are connected and are named after the steps towards the alchemist’s Magnum Opus; the goal of which is immortality and ultimate knowledge. It’s an ongoing story we’re not finished telling yet.

THM: What’s the main reason why you guys decided to explore such distinct topic in your albums? And can we expect more of this alchemical side of Shuulak in your future releases, or is it time for the band to venture through different lands and concepts?

BB: Alchemy is an exciting journey into the depths of the soul. There are, however, many more paths to take in the world of mysticism and the occult. So, we definitely won’t stop here.

Album Review – Shuulak / Citrinitas EP (2019)

THM: It’s simply fantastic to see more and more bands all over the world with women in their formation who are not only their lead singers, but also guitarists, bassists and drummers, which is exactly the case with Shuulak. How is it to have two girls on the band, Eve Laetitia and Puck Wildschut, taking care of the guitar and bass duties respectively?

BB: To us it’s quite.. normal. We don’t really think about it, to be honest. Though, Eve is really happy about it. She’s been the only girl for a long time, so it’s refreshing to have Puck around.

THM: How does your creative process work, I mean, do you all work together on the music and the lyrics, or are there any duties that are performed by only one or two of the band members? The process seems to be working well, as the music found in your albums sounds great, but is there anything the band thinks that could be done in a different or better way in the future?

BB: Angelo and Eve write the music, Bastiën handles the lyrics and vocals. Though it’s not set in stone, the process is quite fluid and ever changing. There’s a lot of back and forth. I don’t think there’s a ‘best’ or ‘better’ way to do things. Every song is different, and so is the way we write them. We’re constantly refining.

THM: Who are your biggest influences in music and in life in general, and how much do those influences impact the way Shuulak compose music?

BB: Musically we’re inspired by a great many artists but we don’t copy anyone. We’re all big horror fans and this definitely shines through in our music. Stuff like the books of Clive Barker or Dario Argento’s movies definitely inspire us as well as books on the real life history of the occult and ritual magic.

Shuulak

THM: What’s your opinion about the current metal scene in the Netherlands? Do you think this is a good time for bands like Shuulak to release more and more music and to tour around the country? And apart from the big names like Epica, Within Temptation and Delain, what other Dutch metal or even non-metal bands would you recommend to our readers?

BB: The Netherlands are very small, and so is the metal scene here. It’s very cozy and a good place to be. As for us, we’ve got our eyes set further. We frequently visit our southern neighbors in Belgium, as well as our friends in Germany.

It’s true The Netherlands is known for a blossoming female-fronted scene and you’ll find many wonderful bands here, but I would recommend a German band: Crownfall. We played our very first concert in Germany with them and not only are they amazingly talented musicians, they’re wonderful people too. So check them out!

THM: What does the future hold for Shuulak? And when would fans from other parts of Europe, from Asia and from North and South America be able to witness the band playing live in their countries?

BB: We’re focused on Europe right now, but we’re not dismissing the idea of an intercontinental tour. When demand is high enough, we’ll definitely visit those places.

THM: Thank you very much for your time. Please feel free to send your final considerations, goodbyes and anything else you would like to say to our readers.

BB: We’d like to thank The Headbanging Moose for this interview! To all of you reading this: you’re awesome for making it this far. If you’re curious, check us out on Bandcamp or find us on Spotify. We hope to see you at a show in the near future and are looking forward to finding new friends and disciples.

Links
Shuulak Official Website | Facebook | Instagram | Twitter | Spotify | BandCamp | Apple Music

Album Review – Nightfear / Apocalypse (2020)

An unstoppable Heavy Metal entity hailing from Spain returns in full force with their most powerful and mature album to date, always true and loyal to their origins.

Formed in the already distant year of 2008 in Madrid, Spain, an unstoppable Heavy Metal force that goes by the name of Nightfear is about to take the world of heavy music by storm once again with their third full-length installment, entitled Apocalypse, by far their most powerful and mature album to date, featuring ten impressive compositions full of catchy melodies, razor-edged guitar riffs and the remarkable vocals by Lorenzo Mutiozabal, being highly recommended for fans of the fusion of Heavy and Power Metal blasted by iconic bands like Judas Priest, Helloween, Gamma Ray, Iron Maiden And Primal Fear.

Comprised of the aforementioned Lorenzo Mutiozabal on vocals, Ismael Retana and Ángel Fernández on the guitars, Manuel Moreno on bass and Osckar Bravo on drums, Nightfear released their debut album Inception in 2012, quickly establishing their name in the Spanish Heavy Metal scene, with their 2015 concept album Drums of War cementing their name as one of the most prominent national bands within the genre. However, it’s with Apocalypse that this unrelenting Spanish squad aims at conquering the world of heavy music, offering their fans and newcomers to their metal realm a new step in the evolution of the band while at the same time always staying true to their origins.

And Osckar already gives a taste of his refined skills in the opening track We are Back, kicking off the album on a high (and fast) note. In other words, this is definitely how any band should announce their return to action, with Lorenzo’s vocals reminding me of the golden years of Helloween’s own Andi Deris, not to mention the incendiary riffs and solos by the band’s guitar duo. Their ode to old school Heavy and Power Metal goes on in Shine, another Helloween-inspired anthem where Ismael and Ángel slash their strings majestically, resulting in an upbeat creation by the band where Manuel’s thunderous bass and Osckar’s nonstop beats generate a powerful atmosphere for our total delight, followed by Living Your Life, a mid-tempo rockin’ tune where Lorenzo is on fire with his high-pitched, passionate vocal lines, supported by spot-on backing vocals and classic, strident riffs.

It’s definitely impossible to stand still to the dynamic and high-octane A Better World, where Osckar and the band’s stringed trio are on absolute fire, therefore providing Lorenzo all he needs to shine on vocals. Furthermore, not only the song’s ending brings a beautiful guitar solo for our avid ears, but its utterly catchy chorus and sheer speed turn it into a must-listen for admirers of the genre. There’s no sign of slowing down, as in The Stranger, a very melodic and captivating tune once again drinking from the same fountain as several of their German neighbors, the band remains loyal to traditional Heavy Metal from start to finish. How can it get any better than this? Then even faster and more aggressive than its predecessors, the instrumental feast of metallic sounds and tones titled Psichokiller sounds like a Spanish version of Primal Fear, with Ismael and Ángel delivering pulverizing riffs and electrifying guitar solos nonstop; whereas the tribal beats by Osckar ignite the also incendiary Through the Stars, presenting over six minutes of flammable guitar lines and killer drums and bass punches, while Lorenzo keeps doing what he does best, which is blasting his soaring vocals majestically in this lecture in traditional Melodic and Power Metal.

Nuclear Winter is another pounding, headbanging creation by Nightfear where the entire band kicks some serious ass with their flammable vocals, piercing riffs, and thunderous bass and drums. Put differently, it’s an ode to 80’s and 90’s Heavy Metal, bringing forward beautiful, melodious lines intertwined with sheer adrenaline, and the band puts the pedal to the metal mercilessly, accelerating the pace and delivering a Power Metal extravaganza entitled The Evil in You, led by the intricate, high-octane shredding by the band’s talented guitarists while Osckar dictates the song’s frantic rhythm on drums. And lastly we have Angels of Apocalypse, one of the boldest creations of their career surpassing the eight-minute barrier, starting in a serene manner with a narration inviting the listener to join Nightfear in their new adventure and exhaling epicness, with Lorenzo giving a lesson in metal singing while the music flows smoothly and powerfully until the very end.

If you want to put your metallic hands on this precious gem of Heavy and Power Metal made in Spain, simply go to the Fighter Records’ BandCamp page or to Apple Music (and soon also available from the Xtreem Music webstore and other locations) to grab your copy of the album, and obviously don’t forget to follow Nightfear on Facebook and to listen to more of their music on Spotify, showing your true support to such distinct and talented metallers. A new year has just begun, and as several people are saying 2020 will be the year of the Apocalypse, at least we can rest assured Nightfear are among us to provide our ears and minds a vibrant and thrilling soundtrack to the end of the world.

Best moments of the album: We are Back, The Stranger, Through the Stars and Nuclear Winter.

Worst moments of the album: None.

Released in 2020 Fighter Records

Track listing
1. We are Back 5:59
2. Shine 5:11
3. Living Your Life 5:00
4. A Better World 4:09
5. The Stranger 5:32
6. Psichokiller 4:29
7. Through the Stars 6:29
8. Nuclear Winter 6:05
9. The Evil in You 4:42
10. Angels of Apocalypse 8:27

Band members
Lorenzo Mutiozabal – vocals
Ismael Retana – guitar
Ángel Fernández – guitar
Manuel Moreno – bass
Osckar Bravo – drums

Album Review – Shuulak / Citrinitas EP (2019)

Five skillful Dutch “alchemists” of Heavy Metal continue their pursuit of alchemical enlightenment with their brand new EP.

In 2014 in Breda, a city and municipality in the southern part of the Netherlands, located in the province of North Brabant, a friendship formed during previous musical collaborations laid the foundation for what’s to become Dutch Heavy Metal act Shuulak, whose otherworldly songs, deeply rooted in alchemy and the occult, explore man’s obsession with things that would only  destroy him. Constantly challenging themselves through the years, the band comprised of Bastiën Baron on vocals, Eve Laetitia and Ricardo Kroon on the guitars, Puck Wildschut on bass and Angelo Tower on drums has already released three EP’s since their inception, those being Nigredo, in 2017, a concept signifying the first step in the alchemist’s magnum opus with its songs being a collection of tales telling of humanity’s desire for greatness inevitably ending in madness and depravity, Albedo, in 2018, and finally Citrinitas, now in 2019, where the band continues their pursuit of alchemical enlightenment. Not only that, the band does their own recording, photography, video editing and visual design, with their music standing as a testament to the undying power of our good old Heavy Metal, especially in the underground and independent scene.

And Shuulak don’t waste a single second and start blasting sheer awesomeness to our avid ears in the opening track, entitled The Chosen, where Eve and Ricardo cut our skin deep with their scorching riffs while Puck and Angelo generate a rumbling atmosphere in the background, spearheaded by Bastiën and his soaring vocals. Then blending the epicness of bands like Primal Fear with the Melodic and Progressive Metal of Dream Theater and Mastodon we have Altar of Gods, another solid and captivating tune by Shuulak where Puck’s bass punches will make your head tremble, while Eve spits fire from her excellent riffs and solos. In Chaosborn this talented five-piece act brings thunder and groove to their classic Heavy Metal, with Bastiën sounding truly obstinate and enraged on vocals as if he’s marching into battle, while the band’s guitar duo keeps embellishing the airwaves with their old school riffage and Angelo doesn’t stop pounding his drums in great fashion, before we’re treated to the title-track Citrinitas, an eerie, atmospheric composition where the sound of the organs and delicate female voices will hypnotize your senses, as if the band is warming up our souls for their upcoming release.

Hence, while we wait for Shuulak’s next step in their promising career, we can all enjoy Citrinitas, which by the way is a term given by alchemists to “yellowness” (being one of the four major stages of the alchemical magnum opus, and literally referred to “transmutation of silver into gold” or “yellowing of the lunar consciousness”), in full on YouTube and on Spotify, and purchase it directly from the band’s own BandCamp page or from Apple Music. In addition, don’t forget to follow such distinct band on Facebook, showing all your support to Bastiën, Eve, Ricardo, Puck and Angelo, five Dutch “alchemists” that definitely know how to transform their wicked ideas and thoughts into top-of-the-line Heavy Metal.

Best moments of the album: Chaosborn.

Worst moments of the album: None.

Released in 2019 Independent

Track listing
1. The Chosen 3:52
2. Altar of Gods 4:39
3. Chaosborn 3:58
4. Citrinitas 1:08

Band members
Bastiën Baron – vocals
Eve Laetitia – lead guitar
Ricardo Kroon – rhythm guitar
Puck Wildschut – bass
Angelo Tower – drums

Album Review – Rexoria / Ice Breaker (2019)

One of the most promising names of the Swedish metal scene returns with an inspiring new album that will bring you right into the dark forests and up on high mountains.

Creating an inspiring sound with various folk and power influences which will bring you right into the dark forests and up on high mountains, Jönköping, Sweden-based Melodic Metal outfit Rexoria is back in action in 2019 with a brand new opus entitled Ice Breaker, the follow-up to their 2018 installment Queen of Light and, more important than that, an album that will undoubtedly put a huge smile on the faces of fans of the music played by renowned acts like Doro, Battle Beast, Imperia, Aldaria, and several other bands that beautifully unite the electricity of traditional Heavy Metal with melodic and epic nuances. Mixed and mastered at Studio Fredman in Gothenburg, Sweden by Fredrik Nordström, and featuring an epic artwork showcasing a fearless valkyrie designed by Brazilian artist Jobert Mello from Sledgehammer Graphix (who has already worked with bands like Sabaton, Primal Fear and Grenouer), Ice Breaker is the perfect depiction of everything the music crafted by vocalist and keyboardist Frida Ohlin, guitarist and bassist Jonas Gustavsson, guitarist Cristofer Svensson and drummer Martin Gustavsson represents, being at the same time heavy, fast, melodic and exhilarating, paving a very promising path for these extremely talented musicians.

The electrifying riffs by Jonas and Cristofer permeate the air in the magical Velvet Heroes, a pure Hard Rock tune taken from the 80’s with a metallic touch brought forth by Frida’s soaring vocals, making it impossible to stand still to its inspiring rhythm and pace. Drinking from the same metal fountain as the iconic Doro, Frida delivers strident, sharp vocal lines in Fight the Demons, while her bandmates blast their instruments with tons of precision and feeling, sounding like a Swedish version of Accept with a feminine vibe; then it’s time to slow things down a bit to a passionate performance by Frida and the boys in Endless Nights, where Jonas and Cristofer are on fire with their guitar solos, resulting in a beautiful power ballad to warm up our hearts before the winter arrives. And if you consider yourself a courageous person, simply head into the always dangerous wilderness with Rexoria in Into the Wild, a mid-tempo tune where the galloping bass by Cristofer together with the rhythmic drums by Martin take the lead, being tailored for admirers of the golden years of Heavy Metal.

There’s more Melodic Metal flowing from their razor-edged guitars and pounding drums in Reach for the Heavens in Time, bringing an endless amount of electricity that will inspire you to prance and sing together with the band, whereas the title-track Ice Breaker is a lesson in Melodic Metal with an important message about the dangers of climate change, with its powerful backing vocals and galloping rhythm (that bands like Iron Maiden and Judas Priest made famous) supporting Frida in her quest for a better world. A screaming eagle and gentle piano notes are the main ingredients in the classy instrumental bridge Wind and Rain, before Rexoria embellish the airwaves once again with their charming metal music in The Rise of the Phoenix, leaning towards the Symphonic Metal played by bands like Nightwish and Epica. Needless to say, Jonas and Cristofer have another solid performance with their guitars, not to mention the song’s epic aura crafted by Frida’s keys.

Putting the pedal to the metal the band salutes the gods of heavy music in Brothers of Asgaard, a song that has all it takes to become a fan-favorite where Frida ventures through more aggressive lands with her high-pitched vocals, also showcasing thrilling guitar solos and unstoppable beats, followed by The Raging Thunder, another song that blends the heaviness of classic metal music with the band’s ethereal and touching vibe, being highly recommended for banging your head nonstop or simply savoring Frida’s powerful vocal lines. The second to last track in Ice Breaker, titled Roaring, is by far one of the best songs of the album, a rockin’ extravaganza led by Martin’s crushing beats where it’s truly entertaining to witness Frida roaring like the she-wolf she is, alternating between rampant moments and high-octane passages. And closing the album we have Vår Verklighet (or our reality” in Swedish), featuring Swedish vocalist Niklas Isfeldt (Dream Evil), an epic composition by the band where Frida and Niklas make a fantastic vocal duet while the rest of the guys keep the music flowing nicely and powerfully, also bringing a soulful guitar solo as the icing on the cake.

In summary, the excellent Ice Breaker, which is available in full on Spotify and on sale from several locations such as the band’s own webstore, the Pride & Joy webstore, the Nuclear Blast webstore, Apple Music and Amazon, represents a huge step forward in the career of those four Swedish metallers, helping Rexoria emerge as one of the most promising names in the Melodic and Symphonic Metal scene worldwide. Hence, you can also show your support to Frida and the boys by following them on Facebook, getting connected to a band that’s not only going places, but that showcases a limitless potential to shine brighter and brighter as the years go by and, above all, with an honest and deep passion for our beloved heavy music.

Best moments of the album: Velvet Heroes, Brothers of Asgaard and Roaring.

Worst moments of the album: The Rise of the Phoenix.

Released in 2019 Pride & Joy Music

Track listing
1. Velvet Heroes 3:28
2. Fight the Demons 4:07
3. Endless Nights 4:38
4. Into the Wild 3:52
5. Reach for the Heavens in Time 5:08
6. Ice Breaker 5:38
7. Wind and Rain 1:26
8. The Rise of the Phoenix 5:04
9. Brothers of Asgaard 3:45
10. The Raging Thunder 4:12
11. Roaring 3:47
12. Vår Verklighet 4:31

Band members
Frida Ohlin – vocals, keyboards
Jonas Gustavsson – guitar, bass
Cristofer Svensson – guitar
Martin Gustavsson – drums

Guest musician
Niklas Isfeldt – vocals on “Vår Verklighet”

Album Review – Rifftera / Across the Acheron (2019)

Let’s brave the waters of the Acheron to the sound of the brand new opus by this talented Melodic Death and Thrash Metal squad from Finland.

If in 2015 a Finnish Melodic Death Metal band that goes by the stylish name of Rifftera stunned us all with their  aggressive and futuristic debut opus Pitch Black, now in 2019 it’s time for this talented Vaasa-base squad comprised of Janne Hietala and Mikko Kuoppamaa on vocals and guitars, Jupe Karhu on bass, Antti Pöntinen on keyboards and newcomer Ville Härkönen on drums to take another amazing step in their more-than-promising career with Across the Acheron, which is not only their sophomore release but an album that exhales harmony, electricity and rage, bringing a well-balanced and thrilling fusion of Death and Thrash Metal for both fans of what the band presented in their previous album as well as newcomers to their whimsical realm of modern-day metal music.

Featuring once again a beautiful cover art by Petri Lampela, who besides Rifftera has already worked with other excellent bands like  Vinide and Ratbreed, Across the Acheron might have taken longer than expected to be released, but the wait was definitely worth it as each and every song of the album is an absolute feast of first-class Melodic Death Metal. “The aim was basically to take steps forward from our debut in every aspect and we are really happy with the result. In my honest and not at all biased opinion I think that clear improvement was achieved musically, lyrically and production-wise,” commented lead singer and guitarist Janne, complementing his thought by saying that “when it comes to comparing the music between Across the Acheron and Pitch Black, I would say that our expression has reached new levels on both ends of the spectrum; some parts on the new album are more brutal than anything that what we had on Pitch Black and then again some songs are more straight forward and melodic than before. Overall it could be described that the building blocks are the same but writing and performing skills have evolved.”

The opening track Burning Paradise already showcases an epic start led by the always cinematic keys by Antti, being gradually joined by all other instruments until all hell breaks loose to a deep, enraged roar by Janne, becoming an almost Blackened Death Metal tune infused with Melodic and Industrial Metal elements where both Janne and Mikki slash their guitars in a piercing manner. Then we have the 8-minute extravaganza Two Sides of the Story, sounding very close to what they did in Pitch Black, with Ville simply demolishing his drums while Jupe and Antti generate a captivating background sounding with their instruments, also delivering tons of harmony and ethereal vibes for our total delight; followed by Eye of the Storm, a rhythmic, imposing and thrilling display of contemporary Scandinavian metal, showcasing pounding drums, epic keys and a dark and menacing atmosphere. Furthermore, Janne and Mikko have a very healthy “duel” of vocal styles, and as they sing during the entire song, it’s indeed beautiful to enjoy their ass-kicking metal music when you’re “in the eye of the storm”.

And those Finnish metallers keep invading our senses with their fusion of futuristic sounds and endless harmony in Cutthroat Game, with both guitars sounding as sharp as a knife while the bass punches by Jupe get even more thunderous then before, accompanied by Ville’s nonstop drums. After such crushing tune, it’s time to speed things up a bit in the superb Cry Wolf, led by Janne’s deranged growls and with Antti bringing an extra touch of lunacy to the sonority through his keys, resulting in what’s the most metallic and visceral of all songs; whereas Warmonger is another brutal composition tailored for cracking your neck in half headbanging, with Mikko’s clean vocals and Antti’s spot-on keys bringing some peace and hope to all devastation blasted by their bandmates. Not only that, the song’s main riff will entice you to keep bang your head nonstop, which obviously means this is an amazing option to be added to their setlist during their live concerts. Things slow down a bit in Deep Waters, getting more melodic, delicate and introspective than its predecessors but still exhaling the band’s characteristic rage, with the always inspiring keys by Antti stealing the spotlight and, therefore, keeping the level of electricity high, setting the stage for the 11-minute aria Across the Acheron, a very detailed and cinematic exhibit of their Melodic Death and Thrash Metal where you’ll be enfolded by inspiring passages, melodious riffs and solos, powerful vocals and violent growls. Moreover, this song has an amazing vibe and a touch of delicacy that only a band like Rifftera can bring you directly from the stunning Scandinavia, ending the album on a high, ominous and majestic mode.

It’s always a pleasure watching a hardworking and honest group of skillful musicians like Rifftera evolving like what they did from Pitch Black to their new album Across the Acheron, and in order to show them our true support don’t forget to follow them on Facebook and to listen to their music on Spotify, and of course purchase your copy of Across the Acheron from the Inverse Records webstore, from Record Shop X, from iTunes, or from Amazon. In ancient Greek mythology, the Acheron was known as the “river of woe”, and was one of the five rivers of the Greek underworld. Having said that, I guess it’s time for all of us fans of Melodic Death Metal to brave the waters of the Acheron together with Rifftera, and face all the perils the underworld might bring us to the sound of their brand new and excellent album.

Best moments of the album: Eye of the Storm, Cry Wolf and Warmonger.

Worst moments of the album: None.

Released in 2019 Inverse Records

Track listing
1. Burning Paradise 6:12
2. Two Sides of the Story 8:04
3. Eye of the Storm 6:34
4. Cutthroat Game 6:12
5. Cry Wolf 5:08
6. Warmonger 6:29
7. Deep Waters 4:50
8. Across the Acheron 11:20

Band members
Janne Hietala – guitars, harsh vocals
Mikko Kuoppamaa – guitars, clean vocals
Jupe Karhu – bass
Antti Pöntinen – keyboards
Ville Härkönen – drums

Album Review – Solborn / Dark Lights of Delirium (2018)

Welcome to a world of fantasy, childhood memories and beautiful dreams, all embraced by the stylish Symphonic Metal crafted by this very talented Canadian band.

Founded in 2014 by songwriter and keyboardist Anri Tsiskaridze, who was born in the Republic of Georgia and moved to Canada in 2008, Edmonton-based Symphonic Metal band Solborn (or Sōlborn, if you prefer) has suffered a few lineup changes and a noticeable musical evolution since their inception, until the band reached their final shape and form in 2018, culminating with the release of their debut album Dark Lights of Delirium. Featuring a dark and somewhat futuristic artwork by Pierre-Alain Durand (3mmi Design), Dark Lights of Delirium represents a world where you get to travel and witness fantasy, the mind’s beautiful plays, and fly through the clouds, walk on beaches on a moonlit night, and lay in the meadows of your childhood memories and be at peace with yourself and the worlds that surround you, all embraced by the powerful and symphonic arrangements delivered by McKenna Rae on lead vocals, Cody Lloyd on lead guitar, Mike Bell on rhythm guitars and growls, Dylan Mooney on bass, Anri Tsiskaridze on keyboards, and Danial Devost on drums.

Four years in the making, Dark Lights of Delirium is thematically and loosely based on Carl Sagan’s astronomical series ‘Cosmos’ (as well as Neil D. Tyson’s modern reboot of the series), with its lyrics taking your imagination to worlds of fantasy and memories of the most precious times of youth, childhood, and feelings of love and dreams. The songs dive into the escapism that Symphonic Metal is steeped in, where history is presented in a dream-like light, and fantasy and reality poetically collide. Starting with the revelation of an endless universe, soaring through the themes and imagery of the purge of knowledge, imaginary inner worlds, striving to find happiness or meaning in life, and ending with the tragic story of the execution of Giordano Bruno, whereby the narrator speaks to us as Bruno. Every song has its own individual meaning but still connects to each-other, and is still a part of the whole journey.

A cinematic, ethereal intro titled Aurora, led by the smooth piano notes and the imposing keys by Anri, sets the stage for the 7-minute aria Ad Infinitum, exploding into a modern and vibrant fusion of Melodic and Symphonic Metal where McKenna mesmerizes us all with her gorgeous voice, while Danial makes sure the word “heavy” is part of the music through his pounding, violent drums. The album couldn’t have started in a better way, and things get even better in Beast Of Oblivion, considerably more breathtaking and electrifying than the previous song, with McKenna having an interesting “beauty and the beast” duel with Mike, while the same Mike together with Cody slash their guitars beautifully from start to finish. Then Dylan’s rumbling bass and Danial’s fast and precise beats dictate the rhythm in another Symphonic Metal feast titled Pale Blue, bringing forward some stylish lyrics (“Visions in my sleepless night took me to the moonlit sky / I stood in awe before the greatest show / And took a step away from what I have ever known”), and of course I would love to see them giving life to this metallic symphony during their live performances; and slowing things down a bit and being highly inspired by iconic bands like Nightwish and Epica, the band delivers another solid tune named Arcane Shores (Compass to Light), showcasing gripping guitar riffs intertwined with the flammable keys by Anri and McKenna’s passionate vocals.

Time for McKenna and her ethereal voice together with Anri’s gentle piano to take us to a world of love and peace in the enfolding ballad Crestfallen, with the song’s taste being nicely enhanced by all background orchestrations, flowing flawlessly until its climatic finale, whereas whimsical sounds ignite the epic and beyond symphonic Starbreathe, a song perfect for closing your eyes and embarking on a metal journey together with Solborn. Furthermore, Cody and Mike are on fire with their riffs and solos, slashing our senses while Danial doesn’t let the energy level go down not even for a single second, not to mention Anri’s futuristic (and therefore amazing) keyboard solo. In Voyage To The World’s End we’re treated to a galloping exhibit of classic metal music embraced by the stunning orchestrations by Anri and Danial, offering our avid ears over eight minutes of the best Symphonic Metal you can think of, including thrilling guitar and keyboard solos, spot-on breaks and variations, serene piano passages, epic orchestral moments, and once again presenting classy and poetic lyrics (“Paint my memory where we lay in haven of time / Play music of creek, sounds of wild clashing winds / With new life, awake from delirium / Spread your wings, come fly away with me”). And last but not least we have Last Curtains Fall, the perfect name for a closing song with the bass by Dylan bringing thunder to the sound while McKenna continues to deliver her romantic and fiery vocal lines. Although the overall result is not as thrilling as the rest of the album (and a bit too slow at times), it’s still a solid and entertaining creation by this skillful Canadian act.

Solborn might not be revolutionizing the world of Symphonic Metal with their music, but who said they were supposed to do that in Dark Lights of Delirium to succeed? They stuck to a well-known formula, added their own personal ingredients and twist, and voilà! There you have a full-bodied, imposing and enfolding album of classic Symphonic Metal (available for a full listen on Spotify, by the way). Having said that, if you want to know more about the band and show them your true support, don’t forget to check out their Facebook page and YouTube channel for news, tour dates and more of their music, and purchase your copy of Dark Lights of Delirium from their own BandCamp page or webstore. Because, as you already know, there’s nothing better than some first-class symphonic music to embark on an epic adventure through the eccentric realms of your own thoughts and dreams.

Best moments of the album: Beast Of Oblivion, Pale Blue and Voyage To The World’s End.

Worst moments of the album: Last Curtains Fall.

Released in 2018 Independent

Track listing 
1. Aurora 1:19
2. Ad Infinitum 7:08
3. Beast Of Oblivion 4:52
4. Pale Blue 5:07
5. Arcane Shores (Compass to Light) 4:53
6. Crestfallen 4:44
7. Starbreathe 6:04
8. Voyage To The World’s End 8:47
9. Last Curtains Fall 6:53

Band members
McKenna Rae – lead vocals
Cody Lloyd – lead guitars
Mike Bell – rhythm guitars, growls
Dylan Mooney – bass guitar
Anri Tsiskaridze – keyboards, orchestra
Danial Devost – drums, orchestra