Concert Review – Slayer (Budweiser Stage, Toronto, ON, 05/29/2018)

And Slayer said goodbye to Toronto in the most pulverizing (and best) way you can imagine.

OPENING ACTS: Testament, Behemoth, Anthrax and Lamb Of God

I don’t know what to say about the absolute devastation that happened at the always perfect (and I dare you to name one place in this planet that’s better than that for a live concert) Budweiser Stage yesterday in Toronto. When it was announced that there was going to be a Slayer Farewell Tour, I guess they forgot to say it was going to be a farewell to their diehard fans, brave people who lost their lives while crushing their heads and spines into the nonstop, infernal mosh pits that took over the entire venue (and I believe I saw some smaller ones even in the seated areas) during the more than SIX HOURS of brutal Thrash and Death Metal blasted by some of the best bands in the history of heavy music. As a matter of fact, whoever had the initial idea of putting together on the same day/night the great Testament, Behemoth, Anthrax, Lamb Of God and Slayer deserves a huge prize and our utmost respect forever. It was totally and amazingly insane from start to finish, on a beyond beautiful and sunny day in the city. My neck hurts and I’m as tired as hell, so I’ll try to be brief in writing a little about what was supposed to be the last fulminating performance by the almighty Slayer in Toronto (and I really, really hope it was not the last time we saw those guys here).

It was past 4pm when the gates finally opened and the fans could enter the venue for some beer, for getting a little shade away from the scorching sun, and for a few curious ones to enjoy the official pre-show party with Canadian Black Metal horde Panzerfaust at the River Bar at 4:30pm. As I was dying for a beer and pumped up already for TESTAMENT at 5pm, I unfortunately couldn’t attend that mini-gig, but I guess the band won’t be mad at us for doing that, right? Anyway, at 5 o’clock high there they were Chuck Billy, Eric Peterson, Alex Skolnick, Steve Di Giorgio and the demonic stone crusher Gene Hoglan for a short and demolishing lecture in Thrash Metal, still promoting their latest installment, the flawless Brotherhood Of The Snake, from 2016. It was insanity in the form of seven faster-than-a-bullet songs (who doesn’t love the thrashing classic Into the Pit?), with the bestial drums by Gene sounding like he was hired by TTC to help with the excavations for a new subway station, making our chests and even hats tremble with his beats. Yes, as awesome as that.

Setlist
Brotherhood of the Snake
Rise Up
Practice What You Preach
The Pale King
Into the Pit
The New Order
Disciples of the Watch

Band members
Chuck Billy – vocals
Eric Peterson – guitar
Alex Skolnick – guitar
Steve Di Giorgio – bass
Gene Hoglan – drums

After a short bathroom break, it was time for Poland’s most iconic metal band of all time to darken the stage with their blasphemous and sulfuric music. Polish Blackened Death Metal institution BEHEMOTH lived up to the expectations even playing a shorter setlist than usual (and at daylight, something they might not be used to), mixing classics with kick-ass songs from their latest album, their 2014 opus The Satanist, plus a brand new song named Wolves ov Siberia. Mr. Adam “Nergal” Darski was on fire throughout the entire performance, proving why he’s one of the most respected metal artists of the past decade, leaving the fans eager for more of their obscure music in a not-so-distant future. One funny thing is that Behemoth were the only band to not throw to the fans any guitar picks or drumsticks, but instead they were spitting blood on the people at the front row. If that doesn’t tell you how dark their music is, I don’t know what would.

Setlist
Ov Fire and the Void
Demigod
Ora Pro Nobis Lucifer
Wolves ov Siberia
Chant for Eschaton 2000
O Father O Satan O Sun!

Band members
Adam “Nergal” Darski – lead vocals, guitars
Patryk Dominik “Seth” Sztyber – guitars
Tomasz “Orion” Wróblewski – bass guitar
Zbigniew Robert “Inferno” Promiński – drums and percussion

Another bathroom break, another beer, and at 6:55pm sharp (don’t you feel amazed with how punctual all events are in Toronto?) it was time for the old school, slamming, riff-oriented Thrash Metal by the one and only ANTHRAX, who (guess what?) delivered a sequence of seven ass-kicking, frantic songs, including Evil Twin, from their 2016 album For All Kings, and beautiful classics such as I Am the Law, Madhouse and Indians. Scott Ian and Frank Bello were in their usual “I’m playing on stage but I’m also moshing up here together with you guys in the pit” mode, while Joey Belladonna was beyond happy with the warm reaction of the fans to each one of their songs. The low point of the show was that unfortunately Charlie Benante couldn’t play with the band as a result of an ongoing battle with carpal tunnel in his wrists, but the good thing is that he was replaced by the monstrous Gene Hoglan. Do I need to say more? In addition, Mr. Belladonna said that the concert yesterday was Anthrax’s biggest crowd ever in Toronto, and I’m sure everyone who was there banging their heads to their music was more than happy to have been part of such important day to the band.

Setlist
Caught in a Mosh
Got the Time (Joe Jackson cover)
I Am the Law
Madhouse
Evil Twin
Antisocial (Trust cover)
Indians

Band members
Joey Belladonna – lead vocals
Jon Donais – lead guitar
Scott Ian – rhythm guitar, backing vocals
Frank Bello – bass guitar, backing vocals
Gene Hoglan – drums*

*Replaced Charlie Benante due to illness.

After all the havoc generated by Testament, Behemoth and Anthrax, there was still more to come with Groove Metal titans LAMB OF GOD, still promoting their 2015 album VII: Sturm und Drang, and let me tell you the show was so heavy and insane I think some people went missing after the demented circle pits ignited by Mr. Randy Blythe and his henchmen. Playing a solid mix of songs from all of their albums, with all of them of course being as brutal as hell, Lamb Of God put a huge smile on the faces of their diehard fans, with Randy also praising all the bands of the “mini-festival”, requesting everyone to pay a humble tribute to the “Nature Boy” Ric Flair with a few WOOOOO’s, and jumping up and down like a maniac on stage nonstop. Well, everything a Redneck loves in life, right? And please correct me if I’m wrong, but was Randy wearing some sort of ankle monitor still due to the manslaughter case he was involved and arrested for a few years ago? If that’s the case, well, that’s what I call a badass frontman, ladies and gentlemen.

Setlist
Omerta
Ruin
Walk With Me in Hell
Now You’ve Got Something to Die For
512
Engage the Fear Machine
Blacken the Cursed Sun
Laid to Rest
Redneck

Band members
Randy Blythe – vocals
Willie Adler – guitar
Mark Morton – guitar
John Campbell – bass
Chris Adler – drums

SLAYER

“And the earth was without form, and void; and darkness was upon the face of the deep.” It’s with these classic words that I want to introduce you to the end of all days in the form of the Satanic Thrash Metal blasted by the heaviest, the most awesome and the most destructive band in the world, the all-powerful SLAYER. Actually, I should say FUCKIN’ SLAYER, or even SLAAAAAAAAAAAAYYYYYYYEEEEEEEEEEEEERRRRRRRRRR, as this is the right way to refer to the unrelenting Tom Araya, Kerry King, Gary Holt and the second stone crusher of the night, the barbaric Paul Bostaph (another guy that probably got some money from TTC to speed up the subway excavations yesterday). Playing at least one song from each one of their crushing albums, from their 1983 masterpiece Show No Mercy to their 2015 opus Repentless (with the exception of their 1998 controversial album Diabolus in Musica), Slayer put on a flammable performance (and I’m not using the word flammable in vain, as there was A LOT of fire during the whole concert), turning the entire floor section into one supreme, hot-as-hell, motherfuckin’ savage circle pit.

And that mix of classic Slayer with their more contemporary albums workd extremely well, creating a hellish balance of sounds for the total delectation of all admirers of their undisputed Thrash Metal. It was fantastic watching them performing faster, newer tunes like Repentless, Disciple, Hate Worldwide and Jihad, while at the same time delivering their classic infernal melodies in Mandatory Suicide, Postmortem and Black Magic. For instance, in my humble opinion the sequence comprised of Payback (one of the most pulverizing songs of the night), Seasons in the Abyss, Dittohead and Dead Skin Mask simply proves how timeless their music is, and how important they’ll always be to the world of heavy music. Then from Hell Awaits until the grand finale with the all-time classic Angel of Death it was an absolute chaos, with the circle pit getting bigger and bigger, people screaming at the top of their lungs and crowd surfing nonstop like if there was no tomorrow, and sweat and beer flowing everywhere. And I’m not going to say how cataclysmic the metal hymn Raining Blood was. If you were not there, you don’t deserve to know.

One thing I’ll never understand is how Mr. Paul Bostaph managed to play drums at that insane speed and intensity with all those blistering hot fires burning almost all the time all around his drum set. I think that proves he’s not human, as none of the guys from Slayer are. As a matter of fact, Slayer are a four-headed, rabid beast that would make even the “hound of Hades” Cerberus put his tail between his legs and run away, and if this was in fact their farewell tour, well, they’ll be beyond missed by all of us, diehard Slayer fans who consider Dead Skin Mask one of the best “ballads” ever composed by any band. Let’s wait and see if we’ll be treated to at least one more Slayer apocalypse in Toronto in the coming years as a second, third or whatever leg of their farewell tour, I don’t care, as long as they return. Now it’s time to take some rest from all madness from yesterday, do the body count (and maybe there are even some bodies floating in Lake Ontario near the venue), take a deep breath and keep doing what we all know how to at home, at school, at work or anywhere else where some good and reverberating screaming in required. And you know what word you need to burst your lungs screaming, right?

Setlist
Delusions of Saviour
Repentless
Blood Red
Disciple
Mandatory Suicide
Hate Worldwide
War Ensemble
Jihad
When the Stillness Comes
Postmortem
Black Magic
Payback
Seasons in the Abyss
Dittohead
Dead Skin Mask
Hell Awaits
South of Heaven
Raining Blood
Chemical Warfare
Angel of Death

Band members
Tom Araya – vocals, bass guitar
Kerry King – guitar
Gary Holt – guitar
Paul Bostaph – drums

Metal Chick of the Month – Morgan Lacroix

morgan01

In your nightmares you will find me… In this twilight you will taste my embrace…

Whenever a female performer is selected to be the Metal Chick of the Month here at The Headbanging Moose, she’s not chosen only because of her skills as a musician, but mainly due to her significant contribution to the development of women in the world of heavy music. Having said that, it couldn’t be different this month with our metallic diva, the darkling Italian succubus Morgan Lacroix (or MorgaN LacroiX), the sexy frontwoman, lyricist, composer, producer and (why not?) lady vampire of Italian Gothic/Dark/Industrial Metal band Mandragora Scream (also spelled MandragorA ScreaM). Are you ready for a journey through the dark realms of vampirism with our enigmatic modern-day medusa?

It was more than obvious that I wouldn’t be able to find anything about Morgan’s age, place of birth or music background. We’re talking about a vampire, creatures that, above all things, must remain in the shadows and keep their lives as secret as possible. Well, as Mandragora Scream is a band from the comune of Lucca, located on the Serchio river in Italy’s Tuscany region and famous for its intact Renaissance-era city walls, let’s assume she was also born in that same city. Whatever she did between being born and founding Mandragora Scream is something yet to be revealed by Morgan Lacroix herself, which means the focus will be solely on her career with the band.

Although Mandragora Scream were formed back in 1997 by Morgan, it was only in 1999 that the band released its debut self-titled demo containing four songs. Then in 2000 Morgan was introduced to Italian singer, guitarist and composer Terry Horn, and that artistic union resulted in their first full-length album, entitled Fairy Tales from Hell’s Caves, released in the year of 2001. According to the band, “Fairy Tales is definitely a concept album: a trip throughout the Dantean Hell, tormented by passion, anguish and insanity, where the character of Virgil is surprisingly replaced by an unusual bewitching vampire fairy.”

After that amazing debut, the band released the albums A Whisper of Dew (2003), Madhouse (2006), Volturna (2009) and Luciferland (2012), as well as the singles Jeanne d’Arc (2007) and From the Heart (2010), and a DVD named Dragonfly (2008), always providing us the lustful voice of our diva of darkness and also her own devilish touch to all lyrics, cover artwork, mixing, mastering, production and booklets. In addition, from those releases, A Whisper of Dew is also a concept album, centered on a vampire story purposely written for the band by Julio Angel Olivares Merino, horror-gothic literature writer and teacher of English Philosophy at the Spanish University of Jaén. Drawing inspiration from this tale, Lacroix composed the entire album lyrics. Also, in regards to their latest album Luciferland, there’s an interesting and extensive three-part interview on YouTube where both Morgan and Terry discuss about the album with Metal Hammer, which can be seen HERE, HERE and HERE.

Mandragora Scream are also featured on the international compilations Beauty in the Darkness Vol. 5 (2001), Mystic Art (2001), Nuclear Blast Vol. 6 (2001), Off Road Tracks Vol. 45 (2003) and Beautiful Voices (2005), toured with renowned dark bands Christian Death and The 69 Eyes in 2010 and with British Extreme Metal masters Cradle of Filth in 2011, and were the special guests in the 2010 edition of the Fantasy Horror Award. There are numerous videos on YouTube (and other platforms) where you can relish Morgan’s alluring vocals, sensuous moves and bewitching performance, as for instance in the songs A Vision They Shared, Blight Thrills, Medusa, Blindness, Breaking Dawn, Silent Lullabies, Bloody Ballade, the whimsical The Chant of Furies, and her awesome cover version for Cher’s Bang Bang, among others. Besides her work with Mandragora Scream, you can find Madame Lacroix lending her voice to the bonus song Watch Me Crawl Behind, from the 2012 album Happy Deathday by Greek Gothic Metal band SadDolls, and to the song The Promise, from the 2004 album Follow Me by Italian Power Metal band Wonderland.

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When asked in 2001 to provide more details about the history of Mandragora Scream, her explanation was beyond eccentric. In her own words, “The history of the name Mandragora Scream goes back to the medieval period. At that time witches used a root to make love and death potions called ‘Mandragora’.This root with man-shape was generated by the ejaculations of a hanged man and it needed to be pulled out from the earth with particular magic rites during full moon nights. When extracting the root from earth, witches had to be very careful not to break the arms or legs of the root, otherwise it would have screamed so loud to bring witches to death.” Interesting, isn’t it?

In regards to her unique style, our vampire queen mentioned her lyrics and the atmosphere found in her music reflect her soul, her life and her personality, preserving that way her own musical identity. Furthermore, Morgan grew up with fairy tales, in which she truly believes, feeling and living her own life like a fairy tale. In one of her old interviews, Morgan mentioned she wrote a book (probably in 2000) that is a fairy tale for her angels in the form of decadent poetry called “The Ballad Of The Angels”, but yet again I couldn’t find anything online about that book. It should be a very interesting and unusual reading, if that has ever been published, of course.

Another remarkable fact about her personal life is that she doesn’t actually feel Italian as her ancient blood is Transylvanian, and because of that she is fascinated with Dante’s La Divina Comedia (The Divine Comedy), considering it a masterpiece (who doesn’t?) as it deals with the dead and eternal pain.  And to make things even more complex, Morgan also loves the Scandinavian culture and is attracted to Vikings. Add to that her lovely obsession for fairy tales, and there you have one of the most distinctive and diverse fusion of topics you can think of.

Her favorite albums of all time are a classy mix of progressiveness, passion and liveliness, and do not expect to find anything too Gothic, modern or ghoulish on her list, as it includes Blackmore’s Night’s best album to date Shadow of the Moon, Dream Theater’s classic album Metropolis, Pink Floyd’s masterpiece The Dark Side of the Moon, King Crimson’s In the Wake of Poseidon, Yes’ Close to the Edge and Genesis’ Nursery Crime. In addition to that, she’s also a huge admirer of Queensrÿche and obviously of the vocals by Geoff Tate, especially the song Someone Else?, which she used to listen to when she started singing.

At long last, are you curious to know what the meaning of life and death is to our goddess of Dark Metal? Morgan firmly believes in reincarnation, which means life for her is a long path we are following and while we walk along this path we have to learn lessons, sometimes highly spiritual lessons. She completes her train of thought by saying that we always have to give our souls a chance to fly a little higher, closer to the divine, and that we could probably say that death is a little like “changing skin”. In my opinion, this is a stunning concept by an even more stunning diva of heavy music.

Morgan Lacroix’s Official Facebook page
Morgan Lacroix’s Official Twitter
Mandragora Scream’s Official Facebook page
Mandragora Scream’s Official Twitter

“Try and wake up the valiant warrior sleeping within you, he may have fallen asleep in one of your previous lives. And, first and foremost, don’t let your flesh be just food for worms.  Let there be someone with your blood after you, in this way you’ll be able to prove you did not live in vain and your image will be reflected by your heirs as if in a mirror.” – Morgan Lacroix

Concert Review – Heavy Montréal 2014 Day 2 (Parc Jean-Drapeau, Montreal, QC, 08/10/2014)

A scorching hot Sunday of impeccable heavy music in Montreal.

DEATH ANGEL

IMG_2880After a good night of rest I was ready for more Heavy Montréal at Parc Jean Drapeau on Sunday. However, not only I was able to arrive really early that day (missing only a couple of minor bands), but also the sun was a lot hotter and the lineup  a billion times heavier, turning that day into some kind of heavy music survival camp, which was totally awesome.

The first attraction I was able to check on Sunday was American Thrash Metal band Death Angel, who at 1:30pm delivered a very consistent concert at the Heavy Stage, mixing some old songs with new ones from their most recent album from 2013 in their SETLIST, with highlights to the title-track The Dream Calls For Blood, one of the songs with the highest response from thousands of thrash metallers already present at the festival. And, of course, the energy lead singer Mark Osegueda emanates throughout the entire show was more than admirable.

Band members
Mark Osegueda – vocals
Rob Cavestany – lead guitar
Ted Aguilar – guitars
Damien Sisson – bass guitar
Will Carroll – drums

EXODUS

IMG_2883When American Thrash Metal beasts Exodus started their sonic Armageddon at 2:15pm at the Molson Canadian Stage, especially with the return of Steve “Zetro” Souza on vocals, the smile on the faces of all fans perfectly represented what Exodus are: a nonstop Thrash Metal machine ready to rumble until there’s no one standing anymore. I’ve always considered them the “extra” element that would transform the Big Four into a Big Five, and everytime I see them live I believe in that even more.

Despite not playing any new stuff from their upcoming album Blood In, Blood Out (which I really cannot wait to take a listen to), their short but superb SETLIST was a perfect lesson in Thrash Metal: Bonded By Blood, Blacklist, Toxic Waltz, Piranha, Strike of the Beast, among other masterful songs, were the soundtrack for intense circle pits, furious headbanging and constant beer drinking.

All band members were on fire, especially the returning Zetro (and his HUGE belly) and the riff master Gary Holt, a man that deserves a lot more recognition in the world of heavy music than he actually has. Maybe the only issues with their concert were sound of the guitars, which were too low compared to the drums, and the fact they had only 45 minutes to play. Anyway, the “Exodus Atack” might have been short, but it was indeed extremely effective.

Band members
Steve “Zetro” Souza – vocals
Gary Holt – guitar
Lee Altus – guitar
Jack Gibson – bass
Tom Hunting – drums

EPICA

IMG_2886After the BEASTS from Exodus, it was time for everyone to relax (and bang their heads, of course) with the BEAUTY Simone Simons and her bandmates from Dutch Symphonic Metal band Epica at 3:00pm, at the Heavy Stage. Their SETLIST was also pretty short, but instead of playing their classics they decided to offer their fans a concert full of new songs from their brand new album, the excellent The Quantum Enigma, which worked really well for them: everybody watching their performance truly enjoyed songs like The Second Stone, The Essence of Silence and Unchain Utopia.

Obviously, everyone had their eyes fixed on the stunning Simone, who is not only extremely gorgeous, but an awesome singer and a very sympathetic and charismatic frontwoman. Her headbanging was also amazing, especially due to the effect her beautiful long red hair had on that. Lastly, Simone mentioned they’re getting back to Canada in October with Machine Head and Children of Bodom, this time for a full 2-hour concert. Are you going to miss that unique opportunity?

Band members
Simone Simons – lead vocals
Mark Jansen – rhythm guitar, grunts, screams
Isaac Delahaye – lead guitar, backing vocals
Rob van der Loo – bass
Coen Janssen – synthesizer, piano
Ariën van Weesenbeek – drums, grunts, spoken words

BODY COUNT

IMG_2898I skipped Symphony X not only because they’re quite boring, but also to breathe some fresh air, watch good-quality wrestling matches at the Heavy Mania Stage, drink a couple of beers, and get ready for American Crossover Thrash band Body Count. At 4:30pm there they were at the Heavy Stage, or I should say that Body Count was literally “in the house”: that was a very entertaining concert, full of classics such as Body Count’s In the House, Disorder (my favorite of their SETLIST), Cop Killer and Talk Shit, Get Shot.

I must say that Ice-T, the mastermind behind Body Count, is a motherfuckin’ great frontman. Even after all those years, the man still got it and perfectly interacted with each and every person from the crowd. The funniest part was when he pointed to a girl and asked her age. She said she was only 16, for his surprise, as he replied back saying he would expect to see her at a Justin Bieber concert, not at Body Count, but he was 100% happy with her being there. He then pronounced some “beautiful” words for her, saying it was a pleasure to have her there and that the whole band truly respected that “bitch”. Well, the “bitch” seemed to be honored with his words. A day to remember, “bitch”!

Band members
Ice-T – vocals
Ernie C – lead guitar
Juan of the Dead – rhythm guitar
Sean E Sean – sampler, backing vocals
Vincent Price – bass
Ill Will – drums

BAD RELIGION

IMG_2902After skipping another concert, Hatebreed, and watching only 5 minutes of Alestorm’s performance at the Apocalypse Stage, I ran back to the Heavy Stage at 6:00pm for a memorable performance by American Punk Rock icons Bad Religion. The band was back in town just one year after their last performance there, or as frontman Greg Graffin said during the show, Bad Religion were back to Montreal “1 year later, 10 years older, and all fans looking better than ever”.

And what can be said about a nonstop SETLIST with 22 songs, including masterpieces such as Recipe for Hate, Struck a Nerve, 21st Century (Digital Boy), Infected, Punk Rock Song and American Jesus? It was pure madness, with kudos to drummer Brooks Wackerman for pounding his drums so intensely that each and every song became even better than the studio versions. Bad Religion might look 10 years older, but they sound like if they were all in their mid-20’s.

Band members
Greg Graffin – lead vocals
Brian Baker – lead guitar, backing vocals
Mike Dimkich – guitar, backing vocals
Brett Gurewitz – guitar, backing vocals
Jay Bentley – bass, backing vocals
Brooks Wackerman – drums, percussion

LAMB OF GOD

IMG_2907The sun was still scorching hot at 7:00pm when Twisted Sister hit the stage, so I decided to rest for a while at the Wi-Fi zone before heading back to the Heavy Stage, where at 8:00pm American Groove Metal band Lamb of God began their sonic massacre to the total delight of their diehard fans. They played a pretty decent SETLIST, with powerful songs like Walk with Me in Hell, Laid To Rest and Redneck, all accompanied by their respective awesome disturbing videos depending of course on the lyric theme, showing random images of junkies, religious fanatics such as Jim Jones and his followers, among others. That was an amazing addition to the show, holding the attention of even who was not a fan of their music.

However, it was lead singer Randy Blythe who stole the show with his close interaction with the audience, especially his funny jokes and messages, like when he said Dee Snider is one of his biggest idols (as they both have their issues with the law), his admiration for the badass names “Saskatoon, Saskatchewan”, and mainly when he asked everyone to give him a huge fuckin’ “WOOOOOO!” in honor of the Nature Boy, the one and only wrestling legend Ric Flair. And I guess I don’t need to mention anything about the insane mosh pits, right?

Band members
Randy Blythe – vocals
Mark Morton – guitar
Willie Adler – guitar
John Campbell – bass
Chris Adler – drums

SLAYER

IMG_2909You don’t need to ask anyone what you should or should not play when you’re FUCKIN’ SLAYER! At 9:15pm, American Thrash Metal behemoths tamed the Molson Canadian Stage for a brutal performance that almost devastated the whole island, bringing even the “plague” (or tons of mosquitoes) to Heavy Montréal (according to Tom Araya himself) and closing the festival on a perfect note. The most evil band in the world didn’t play any new songs, not even the recently released Implode, and of course there were no fuckin’ “requests” in their SETLIST. They simply chose to stick to their basics instead, bombarding each fan attending the concert with undisputed Thrash Metal classics such as War Ensemble, At Dawn They Sleep, Spirit in Black, Disciple, Raining Blood, Die By the Sword and Angel of Death.

It was another flawless performance by Tom Araya, Kerry King, Gary Holt and Paul Bostaph, and one thing must be said about Gary and Paul: they had some absurdly humongous shoes to fill when they replaced the gods Jeff Hanneman and Dave Lombardo, but their synergy with the other guys and their passion for heavy music make it look like they’ve always been with the band. Gary Holt is a guitar beast, as I’ve said a billion times already, and Paul Bostaph is so awesome he makes playing drums look like it’s the easiest thing in the world.

In between the songs and all the sick circle pits happening all over the festival, Tom Araya thanked the fans a thousand times for being there, saying they were the reason for that kind of festival to exist. He seemed really happy and honored by how loud everyone was screaming their names and singing their songs during the entire concert. In addition, he also tried to send some meaningful messages to the crowd while introducing some songs, like when he mentioned the horrible conflict that’s happening now between Israel and Palestine, before playing the masterpiece Die By the Sword. Do I need to say a “Slayer by Request” is totally unnecessary, especially when a band is so impressive as they are, no matter what they choose to play? I believe all the “SLAYER! SLAYER! SLAYER!” screams that echoed really loudly at the venue when the concert was over, at all subway stations and even at a McDonald’s where I had a pit stop to get some food can answer that.

Band members
Tom Araya – vocals, bass
Kerry King – guitar
Gary Holt – guitar
Paul Bostaph – drums

FINAL THOUGHTS

This was probably the best edition in the history of Heavy Montréal, because not only the main-eventers were brilliant, but mainly because the way everything was set up made the whole experience really pleasant for any type of person attending the festival. For instance, the extra stage this year allowed even more independent and/or newer bands to get known by the audience, the continuation of the Heavy Mania Stage was a great success, and the Heavy Montréal 2014 App was more than helpful for everybody.

Moreover, I don’t remember seeing any incidents during both days at Parc Jean-Drapeau. I cannot believe it’s 2014 and some idiots keep insisting on saying headbangers are violent people, when in fact we’re the most easy-going people in the whole fuckin’ world. Anyway, it’s time to recover from those two intense days, work, study, listen to metal and enjoy the local concerts wherever you are, until a new edition of Heavy Montréal is forged in the fires of heavy music next year for our pure delectation. What are your thoughts about Heavy Montréal 2014? Which attractions did or did not meet your expectations? And who do you want to see at Heavy Montréal 2015? Leave your comments below (if you have any) and, of course, keep listening to heavy music.

Concert Review – Heavy Montréal 2014 Day 1 (Parc Jean-Drapeau, Montreal, QC, 08/09/2014)

A Saturday full of sun, Thrash Metal and Punk Rock at the biggest heavy music festival in Canada.

INTRODUCTION: The Island of Heavy Metal

heavy montreal 2014Since its first edition in 2008, Heavy Montréal (formerly known as Heavy MTL), has become one of the largest heavy music festivals in the world, being compared to some huge traditional European summer festivals, with around 70,000 people attending every year. Not only that, after only two editions of Heavy T.O. in Toronto in 2011 and 2012, Heavy Montréal became the only mega Heavy Metal/Hard Rock festival in the entire country, elevating its importance even more for all Canadian headbangers.

In my opinion, one of the most outstanding characteristics of Heavy Montréal is the fact that the festival is held annually at the beautiful Parc Jean-Drapeau, which is located on Saint Helen’s Island in the middle of the romantic Saint Lawrence River in Montreal, Quebec. In other words, heavy music festivals happen all over the world in different sites, but only Heavy Montréal offers us the uniqueness of spending two days of our summer every year at a true “island of Heavy Metal”.

HEAVY MONTRÉAL: Where to Stay, How to Get There and Overall Organization

IMG_2899Booking a hotel in Montreal during the summer is not only painful, but also as pricey as hell: even the most disgusting pigsty downtown will cost you at least 100 Canadian dollars a night or more, if you’re lucky enough to find a room available. In case you’re not driving, there’s not much you can do but surrender to that “mafia”. However, if you go to Montreal by car there are many excellent hotels near the airport, which is just a 20-minute drive from the heart of the city. You can park your car at Complexe Desjardins for around 10 Canadian dollars a day, and then take the subway to Jean-Drapeau (yellow line) metro station starting either at Place-des-Arts (green line) or Place-d’Armes (orange line) metro stations, arriving at the festival main entrance in less than 15 minutes.

IMG_2891Another highlight of Heavy Montréal was its overall organization: the food trucks were amazing and the beer was ice cold (a bit costly, though), the Wi-Fi zone was relaxing and the internet service worked fine, the toilets were clean, there was plenty of water, good merchandise and some freebies, among many other cool stuff happening all over the island. Of course, the main “attractions” were the stages where lots of awesome heavy bands from different styles delivered unforgettable moments to their fans. We had Scène Heavy (Heavy Stage) and Scène Molson Canadian (Molson Canadian Stage) for the main bands, Scène De L’apocalypse (Apocalypse Stage) for midcarders, Scène De La Forêt (Forest Stage) for indie bands, and Scène Heavy Mania (Heavy Mania Stage) for some awesome wrestling action.

ANTHRAX

IMG_2827Unfortunately I had to miss some of the afternoon bands on Saturday such as Overkill, Apocalyptica and Babymetal as the drive from Toronto to Montreal is lengthy and boring, but I got there just in time for American Thrash Metal masters Anthrax. Honestly, I don’t know what else to say about Joey Belladonna, Scott Ian, Charlie Benante, Frank Bello and Jonathan Donais: they kick fuckin’ ass no matter where they are and how much time they have to play. Their SETLIST was pretty much the same from the previous time I saw them, but you know what? It’s always a pleasure to listen to Thrash Metal classics like Madhouse and Antisocial mixed with some newer badass songs such as Fight ‘Em ‘Til You Can’t. I just thought the crowd was not as excited as I was expecting, maybe because Saturday was a day for “softer” bands, but that didn’t stop Anthrax from delivering an awesome concert to everyone attending the festival that day. As Scott Ian said at the end of their performance, always remember to worship music!

Band members
Joey Belladonna – lead vocals
Scott Ian – rhythm guitar, backing vocals
Charlie Benante – drums, percussion
Frank Bello – bass guitar, backing vocals
Jonathan Donais – lead guitar

THE OFFSPRING

IMG_2837Right after Anthrax were done at the Molson Canadian Stage, it was time for American Punk Rock veterans The Offspring to hit the Heavy Stage at 7:15pm performing one of the most influential Punk Rock albums of all time in its entirety, the excellent Smash, plus some other classic songs to complete their SETLIST, to the delight of their old and new fans. They might not be a true metal band, but it’s impossible for any living person not to enjoy the hits Come Out and Play, What Happened to You?, Why Don’t You Get a Job? and The Kids Aren’t Alright. Moreover, the quality of their live performance is superb, just as if you were listening to the studio versions of all songs with an extra dose of energy added to them, especially in regards to frontman Dexter Holland, who doesn’t seem to get old with time. Quite the contrary, he seems to be in great shape and ready to rock for many years to come.

Band members
Dexter Holland – lead vocals, rhythm guitar
Noodles – lead guitar, backing vocals
Greg K. – bass guitar, backing vocals
Pete Parada – drums, percussion 

METALLICA

IMG_2841It was 8:15pm when the lights went off at the Molson Canadian Stage and, after the intro The Ecstasy of Gold, the main attraction of the night, American Thrash Metal giants Metallica, delivered to their fans their “Metallica by Request” concert. Let me start by saying that I’m not the most recommended person to talk about Metallica. Although I like some of their old songs, I consider them an extremely overrated band, and pretty much 99.9% of everything they recorded in the past 20 years or so is pure garbage, especially the abominable album St. Anger. Well, as I was already there I decided to enjoy their performance as much as I could, which really happened with kick-ass songs such as Blackened, Battery and The Four Horsemen, by far the best moments of all, but besides those songs there was nothing else truly memorable from their SETLIST chosen by their “fans”. Not even Master of Puppets, One, Seek & Destroy or Fade to Black turned me on, mainly because their setlist is always that same old annoying “radio hit collection”.

They give the fans the unique chance to select some old school Thrash Metal anthems such as Whiplash, Metal Militia, Damage, Inc., Trapped Under Ice, Motorbreath, and many other songs they haven’t played in ages, and what do those so-called fans do? They vote for the repetitive sleep aids The Unforgiven, Sad But True, Enter Sandman and Nothing Else Matters (do they know anything besides the Black Album?), which sounded even worse when blended with their new dreadful song Lords of Summer, the unnecessary instrumental Orion (not a bad song, but an awful choice for live performances), and two absolutely disgusting guitar solos (if those “things” can be called solos) by Kirk Hammett. Even when people could choose The Four Horsemen, Fuel or Fight Fire with Fire for the “Vote of the Day” things went partially wrong, as we ended up without listening to the amazing Fight Fire with Fire.

I don’t know if the fans who voted actually attended the concert, because I saw lots of people yawning during the never-ending slow songs, especially during The Unforgiven, which was a true torture. You have to agree with me here: how can you consider a song boring if you voted for it to be part of the setlist, right? At least for me and for the real Metallica fans, this “Metallica by Request” thing was a huge failure, and that could be easily seen by the extremely low level of energy and excitement after the show was over, as people were just like “yep, let’s go home now”, no one was screaming the name of the band nor anything fun happened after that. Leastwise, let’s all remember some beautiful words from Monty Python and “always look on the bright side of life”: although some people mysteriously voted for some songs from St. Anger, none of that tuneless rubbish made it to the setlist. That made me really proud of living in Canada.

Band members
James Hetfield – lead vocals, rhythm guitar
Kirk Hammett – lead guitar, backing vocals
Robert Trujillo – bass guitar, backing vocals
Lars Ulrich – drums

To be continued…