Metal Chick of the Month – Sonya Scarlet

I’m alive, I’m here… I’m coming to get you…

Children of the night who follow The Headbanging Moose, get ready to be bitten by the sexiest and most alluring female vampire of our modern day society on our metal chick of the month session in this month of May. Born on April 2, 1980 in Florence, capital of Italy’s Tuscany region and home to many masterpieces of Renaissance art and architecture, here comes the stunning Sonia Siccardi, better known by her vampiristic name of Sonya Scarlet, lead singer and lyricist for Italian Extreme Gothic Metal band Theatres des Vampires. Are you ready to fall prey to our bloodthirsty temptress?

Before joining Theatres des Vampires, Sonya was already involved with music and performing arts at a very young age, having studied ballet at the Santa Cecilia Academy from the age of 4, later deciding to study opera singing at the academy. It was when she was a teenager that her passion for heavy music started, as at the age of 13 she attended her first ever concert, seeing the iconic Yngwie Malmsteen live. In addition, the first record she’s ever bought was Guns N’ Roses all-time classic Appetite for Destruction, bringing all elements she loves in music, those being sex, alcohol, drugs, and of course, our good old Rock N’ Roll. She didn’t have any real band before joining Theatres des Vampires in 1999, saying she only had an amateur band in high school made of alcohol addicts, and that she was “too fucked up” at that time to engage in anything serious or professional.

Despite having a background in classical music and ballet, Sonya was destined to become the frontwoman for Theatres des Vampires due to her rebelliousness and passion for the darker side of things, as ballet was too delicate for her. “I saw a black endless road in front of me, calling me and I had to follow it. From there I started this life. If I could live my life again, I would do exactly the same things and go back once more to dance. I have spent half of my life doing that’’, said our Italian vampire about her longtime relationship with dancing. It was in 1999 when she finally joined Theatres des Vampires as a backing vocalist together with Justine Consuelo, who left the band in 2002. In late 2004, when the band’s founding member and vocalist Lord Vampyr left the band, Sonya became their lead singer, taking a huge step forward in her already flourishing career as a musician. However, due to a breakdown she suffered in 2008, the band went on a hiatus for a few years, getting back on track in 2011. Sonya said it wasn’t too hard for her to become the lead singer for Theatres des Vampires, with the only issue being the fact that the band’s main voice was a male voice, which made it more difficult for her to adapt and change everything instead of starting something from scratch. She had to work hard to make her voice connect with the band’s old songs, and the very positive reaction of the fans especially during their live concerts showed her she was following the right path, proving once again that that a good looking girl can also have a strong personality and a powerful voice.

As a backing vocalist, Sonya recorded with Theatres des Vampires the EP Iubilaeum Anno Dracula 2001, in 2001, and the full-length albums Bloody Lunatic Asylum, in 2001, Suicide Vampire, in 2002, Vampyrìsme…, in 2003, and Nightbreed of Macabria, in 2004. After taking over the band’s vocal duties, she also recorded the albums Pleasure and Pain, in 2005, Anima Noir, in 2008, Moonlight Waltz, in 2011, and Candyland, in 2016, as well as the EP Cult of Lahmia, in 2012, and the live DVD’s The Addiction Tour 2006 and Moonlight Waltz Tour 2011.  You can spend hours and hours enjoying the lustful vocals by Sonya in songs such as Resurrection Mary, Carmilla, Angel Of Lust (live in Nizhny Novgorod, Russia, in 2010), and several videos from the band’s official DVD The Addiction Tour 2006, such as Dances With Satan, Lilith Mater Inferorum, Pleasure And Pain, La Danse Macabre Du Vampire, and Angel of Lust.

Our sweet and dark vampire has also participated in several interesting bands, albums and projects as a guest vocalist, making the music more vibrant and rousing it doesn’t matter the style played. For instance, she recorded vocals for the 2010 album Existence, by Argentinian Melodic Symphonic Power Metal project Beto Vazquez Infinity; vocals on the song Oblivion from the 2015 album Etoilé, by Industrial/Gothic Metal band J.T.R. Sickert; additional vocals on 100% Hell from the 2006 album 100% Hell, by Italian Black/Death/Thrash Metal squad Necrodeath; vocals on New Life from the 2013 album Untouchable Failure, by Italian Progressive/Doom/Gothic Metal act Resonance Room; and as a guest vocalist on the songs Acid Orgy and Dark Skies, from the EP Clubbers Die Younger, released in 2012 by the electro-industrial duo known as Alien Vampires. Furthermore, Sonya was also involved in a project in 2012 to produce a Gothic horror movie titled The Cult of Lamia, directed by David Bracci, where she would obviously play the part of a vampire. You can check the teaser trailer for the movie HERE and the making of HERE, but it looks like everything was put on hold due to financial issues and no one knows if the movie will ever be released.

When asked about her main influences and biggest idols in music, Sonya provided a list of brilliant musicians and performers I’m sure you’re going to love, despite also saying that her lyrics, her music and her fans are what truly inspire her during her concerts, as well as several other sources such as a sunset, a landscape, literature, poetry, classical music, opera, movies, and life itself. Her list of idols include names like Diamanda Galas, Tarja Turunen, Angela Gossow, Björk, Tori Amos, Siouxsie Sioux, and Nina Hagen, each one being very unique, revolutionary and rebellious in their own way. Furthermore, although Sonya is a declared lover of opera and obviously of Gothic Rock and Metal, she also loves to listen to a lot of distinct styles such as Glam Rock, Thrash Metal, Apocalyptic Folk, Doom Metal, Black Metal, and any other type of music with great atmospheres, with some of her favorite bands of all time being Elend, Katatonia (in special their very first album Dance of The December Souls), Samael, Naglfar, Morbid Angel, Diamanda Galas and Crematory, among others. And guess what song she would like to have played at her funeral? That would be Ludwig van Beethoven’s Symphony no. 9, but played by a real orchestra in a desecrated church under the candlelight. Romantic and inspiring, isn’t it?

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Being the lead singer of a band and being on constant tours is not an easy task to anyone, and if you’re a woman that’s even harder on your body and mind due to all private activities you have to “share” with several men such as the changing room, sleeping and taking a shower. However, it seems that is exactly the type of challenge Sonya always wants, as she loves to take care of herself, always going to the gym to find the right balance to her body and soul. In addition, she considers her bandmates her true blood brothers, making it a lot easier for her to face the hassles of living on a bus for a long period of time. And in regards to her stage performance, she said that as the music by Theatres des Vampires is like the soundtrack to your best nightmare, she likes to create a special atmosphere to the crowd, sliding into the fans’ souls and “taking their blood”. She thinks that the secret for being on stage for over 20 years is to believe deeply in what they do, and to consider the band as a real family that goes through all the problems that can happen in such a long time, sharing all adrenaline on stage and therefore giving their fans the best experience they can get. As a matter of fact, due to that extreme behavior on stage, Sonya has already had a few issues in some of the countries she visited with the band, such as allowing some fans to drink her own blood and unintentionally inciting suicide.

As we’re already talking about drinking someone’s blood, let’s focus now on Sonya’s inner passion for vampirism, which she considers the most fascinating form of seduction. For Sonya, vampirism represents “courtship without touching except to kill and eat the prey, the rebirth of life through life itself that is the blood, immortality, the charm of ancient times, the obscurity, the night that hides its creatures”, saying she has always been interested in Gothic novels, occultism, vampirism and everything from the dark side of the world and from the invisible world since she was a young girl. She complemented by saying that it was fate, not coincidence, that made her join Theatres des Vampires, as she found people who shared the same interest for vampirism and all its related topics. And regarding the style of the band being labeled as “Vampiric Metal”, our bloodlust diva said that she thinks a label like that helps people to find what they like, and that she’s learning how to use that type of tag in social media, albeit it’s not easy to describe the music by a band in one word or tag, especially because behind every band there’s an amalgamation of different ideas, influences, people and years of work.

Regarding Sonya’s dark and hypnotizing looks, she said that although many fans consider her a sex symbol, she doesn’t see herself as one, as she’s only being herself, getting aggressive and rude whenever needed. However, she does think image is something very important, as it’s the first thing people pay attention to or care about any person. Music always comes first, of course, but Sonya also considers her clothes and makeup an important part of her performance and her lifestyle in general. In addition, Sonya even mentioned her stage image is not different from her everyday life, saying she feels free to do what she wants on stage and, as a consequence, to provide her fans a truly unique experience. Still talking about her connection to fashion, some of you might not know this but Sonya studied fashion design for four years in Rome, learning to love the creative and research process behind a fashion show and the making of clothing, with names like John Galliano, Alexander McQueen and Vivienne Westwood being among her favorite stylists. Despite all that, she doesn’t like to follow any trends, as she believes being yourself is the most important thing in this business, but there are a few types of makeup and clothes she has always had with her such as deep black smokey eyes, pale white powder and red, fuchsia or pale pink lipstick, and Gothic and metal clothing, having her own personal stylist, Katja Diktator, to design her stage clothing and clothing she wears for video and photo shoots.

If you think our vampire bombshell is not a socially engaged person and that she only thinks about her music and her image, let me tell you that you’re absolutely wrong, as Sony is involved with two amazing foundations, those being Jay Nepal Foundation and Time4Life International. For instance, with Time4Life International, Sonya has already traveled to very poor areas of countries like Nicaragua, where she was able to help poor children who lived in a garbage dump, with her mission being searching for people that wanted to give them a real hand, to give them the chance to go to school and having a real meal far from the dump. With the action-based humanitarian organization Jay Nepal Foundation, Sonya is part of a volunteer-based, apolitical and non-religious group working on post-earthquake responses, relief and recovery in communities across Nepal. And not only her Jay Nepal Foundation group is apolitical and non-religious, but Sonya doesn’t follow any political party nor any type of religion either. She’s indeed a very curious woman who likes to read and learn about everything that’s part of the “invisible world” as she calls it, but she doesn’t believe in the Christian church, preferring to read more about heathenism and its rituals and celebrations. Needless to say, Theatres des Vampires are not connected to any political party or regime, as they’re musicians and they want to be free and to have their freedom of speech, not making any propaganda to anyone.

When asked about her hobbies and how she enjoys spending her free time, Sonya said that for her there’s no real difference between work and hobbies, as she loves writing, painting, studying art, theatre and music, all part of her life with Theatres des Vampires. Of course, as any regular person (if we can call her “ regular”) she also enjoys spending time with her husband Tiziano Panini (also known as Billy T Cooper, lead singer for J.T.R. Sickert), her family and friends, travelling and having lots of beer with the people she loves, and watching movies (at home, as she hates going to the cinema). In addition, Sonya also loves practicing sports, going to the gym four or five times a week (something very important for her body and mind), and being in the mountains doing trekking, skiing or horse riding, for example.

A few additional nice-to-know facts about Sonya is that she considers herself to be an always-evolving person, always learning with her mistakes, trying to be a more concrete person, and always learning to be more diplomatic for the good of the band (despite trusting people less and less). She also has a very peculiar view of suicide, saying people should be free to do what they want as long as they don’t harm others and they respect other people’s freedom. She said life can be very hurtful, but at the same time it offers us several amazing things, with the most beautiful things in life being the simple ones, saying sometimes we just need to join nature, getting far away from all chaos that surrounds us to properly appreciate everything and to understand what is really important in life. Actually, when she was growing up her dream was to live in an ancient castle hidden by the woods, lost somewhere in the north part of Europe with very few people around her (and that’s still one of her dreams, I guess), showing how much she enjoys being in contact with nature and not with people.

Sonya Scarlet’s Official Facebook page
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Theatres des Vampires’ Official Facebook page
Theatres des Vampires’ Official Twitter
Theatres des Vampires’ Official Instagram

“I think on stage it is very important to be yourself and to express what you really feel and what you want to give to your audience. Therefore I follow my feelings and what inspires me during our show are my lyrics, our music and our fans. I still do not know what I’m going to do on stage before the performance. It’s a surprise, also for me! Anything can happen…” – Sonya Scarlet

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Album Review – Malamorte / Devilish Illusions (2016)

May the dark clouds of Black and Heavy Metal by this promising Italian project cast an ominous shadow over mankind.

Rating5

4_PanelIf we put together the Italian words “mala” and “morte” and translate them to English, the final result would be the simple but macabre expression “bad death”. Based in the historic city of Rome, Italy, Black/Heavy Metal project Malamorte returns from its ominous crypt to ensure our death is as bad as possible, haunting our souls with more of its creepy and theatrical music inspired by the iconic King Diamond and his Mercyful Fate with a Black Metal twist, this time enfolded as a brand new opus entitled Devilish Illusions.

Although this side project by Alessandro “Alex” Nunziati, best known as Lord Vampyr and the mastermind behind several metal acts like Lord Vampyr, Cain, Nailed God, Shadowsreign, Sepolcrum, VII Arcano and Theatres des Vampires, was founded back in 2009, it was only in 2014 that the debut EP The Fall of Babylon was released. However, after the great feedback received from fans and critics, Lord Vampyr (or in the case of Malamorte, only L.V.) decided it was time to provide the world another blast of his dark compositions in 2016, supported by Italian musician SK on guitars, bass and programming.

Heavily inspired by cult horror movies and the freakish atmosphere by Mercyful Fate, the intro Maleficium I will give you the chills before the title-track Devilish Illusions explodes into extreme and obscure music. L.V. sounds like an inhuman entity on vocals, with his guitar riffs blending traditional Heavy Metal with Black Metal (and even Thrash Metal elements can be noticed in this metallic devastation). After that promising start, dissonant guitar lines kick off the hellish composition named Pactum, slower but still vile and dense. It seems like L.V. is eager to drag us to a dark den and use us for a black magic ritual, with the wolves howling (or maybe tortured souls) in the background being truly disorienting, exactly what L.V. wants us to feel inside our minds.

In the powerful Dark Clouds On Golgotha, which by the way has a beautiful name for a song, its guitars and rhythm lean towards old school Heavy Metal from the 80’s, with its keyboards and drums adding a lot of flavor to it. I’m sure L.V. and his electrified performance on vocals, sounding even more demonic than usual, will put you to bang your head nostop, before the short bridge Maleficium II and its creepy piano notes introduce you to the following track, named Possession.  This high-end Extreme Metal tune displays a similar sonority to “Dark Clouds On Golgotha”, which seems to be where this project truly thrives. In addition to that, not only guest musician SK is an excellent multi-instrumentalist who significantly enhances the level of energy in the music, but the raw sounding presented in this case effectively keeps the musicality on the dark side for our total delight.

mal-bandThe title-track Malamorte keeps up with the vileness found in the rest of the album, starting with a wicked intro with some interesting piano notes and background voices that after a while turns into modern extreme music, blending elements of Black, industrial and Symphonic Metal. There are even some distorted piano notes, which together with some boisterous riffs guide this ode to dementia. Now imagine if Motörhead went Black Metal with hints of Thrash Metal? This is the interesting mixture you’ll get in the amazing high-speed tune Devoted To Self-Destruction, a nonstop sonic demolition perfect for live performances exhibiting guitar riffs and solos inspired by icons such as Slayer and Megadeth, but with a Rock N’ Roll vibe.

And there’s still time for another devilish duo of compositions by Malamorte, entitled Lucifer’s Rebellion and Maleficium III. The first takes the musicality back to the band’s more traditional approach, with its blast beats and deranged growls transpiring obscurity, not to mention its straightforward main message (Hail Lucifer!) and its abrupt and demonic ending; while the closing track is an outro where the initial gathering of background noises return one final time to haunt our sinful souls.

The world of Malamorte can be further explored on Facebook and ReverbNation, and Devilish Illusions is available for sale at the Murdher Records’ webstore and at the Satanath Records’ webstore or BandCamp. May the dark clouds of Black and Heavy Metal by Malamorte cast a shadow over all of us, and may we all sense their ominous energy penetrating our souls and disfiguring our minds.

Best moments of the album: Dark Clouds On Golgotha, Possession and Devoted To Self-Destruction.

Worst moments of the album: Pactum.

Released in 2016 Satanath Records

Track listing
1. Maleficium I 2:09
2. Devilish Illusions 3:21
3. Pactum 4:28
4. Dark Clouds On Golgotha 4:36
5. Maleficium II 0:16
6. Possession 5:02
7. Malamorte 6:30
8. Devoted To Self-Destruction 2:58
9. Lucifer’s Rebellion 3:24
10. Maleficium III 5:06

Band members
L.V. – vocals, guitars, keyboards

Guest musician
SK – guitars, bass, programming