The Year In Review – Top 10 Hard Rock/Heavy Metal Albums of 2017

“We sort of find that music tames the beast, you know.” – Malcom Young

It’s that wonderful time of the year again, and I’m obviously not talking about Christmas and the holiday season. In a year where we lost so many talented and important musicians in rock and heavy music for various reasons, including Malcolm Young (AC/DC), Chris Cornell (Soundgarden), Chester Bennington (Linkin Park), Trish Doan (Kittie), Martin Eric Ain (Celtic Frost), Warrel Dane (Nevermore, Sanctuary), John Wetton (Uriah Heep), David Zablidowsky (Adrenaline Mob, Trans-Siberian Orchestra), Chuck Mosley (Faith No More) and Cherry Taketani (Okotô, Hellsakura, NervoChaos), among several others, not to mention the end of the unmatched Black Sabbath, who we were able to witness live one last time during their farewell tour The End, only the freshness and energy flowing from brand new metal music can give us hope, not allowing Heavy Metal and Rock N’ Roll to die as many like to prophesy every single year.

Having said that, it’s time to blow our goddamn speakers with The Headbanging Moose’s Top 10 Hard Rock/Heavy Metal Albums of 2017, excluding EP’s, best of’s and live albums, taming the beast inside us all as wisely said by AC/DC’s heart and soul Malcolm Young (R.I.P.). And as 2017 was the year of bands that cannot be considered dinosaurs in metal (or at least not yet), such as Trivium and Mastodon, that certainly points to a bright future ahead for Heavy Metal with their recent releases because, as you know, we won’t have behemoths like Iron Maiden, Judas Priest and Metallica kicking ass on stage forever. By the way, this was definitely a fantastic year for Mastodon, who not only released one of the best albums of 2017, the excellent Emperor of Sand, but they also had some extra energy to burn with the classy EP Cold Dark Place, which by the way is part of our top 10 EP’s of the year (as you’ll see after our top 10/20 list). Alright, without further ado, turn up the volume and enjoy our 2017 list… LET THERE BE ROCK!

1. Trivium – The Sin and the Sentence (REVIEW)
A superb album full of fast and intricate riffs, poetic lyrics, a sensational new drummer and, above all, the return of Matt’s trademark screams.
Best song of the album: Betrayer

2. Kreator – Gods Of Violence (REVIEW)
We shall praise the best Teutonic Thrash Metal institution of all time, as the gods of violence come alive.
Best song of the album: Totalitarian Terror

3. Blaze Bayley – Endure And Survive (REVIEW)
The indomitable Blaze Bayley returns with the second installment of Infinite Entanglement, his most ambitious project to date.
Best song of the album: Blood

4. Mastodon – Emperor of Sand (REVIEW)
Follow the inspirational story of a desert wanderer who has been handed a death sentence in this excellent album of Progressive Metal.
Best song of the album: Word to the Wise

5. Accept – The Rise of Chaos (REVIEW)
Let total chaos and destruction rise to the sound of the brand new album by the unstoppable Teutonic masters of Heavy Metal.
Best song of the album: Analog Man

6. Moonspell – 1755 (REVIEW)
An orchestral and emotional concept album that will take you to the year when a giant earthquake destroyed the city of Lisbon.
Best song of the album: Todos Os Santos

7. Striker – Striker (REVIEW)
Canadian Heavy Metal has never been more vibrant and rapturous than this.
Best song of the album: Born To Lose

8. Divine Element – Thaurachs Of Borsu (REVIEW)
Witness the passage of a soldier through various levels of consciousness about the reality of war and human society.
Best song of the album: Thaurachs Of Borsu

9. Torture Squad – Far Beyond Existence (REVIEW)
Don’t cross the path of one of the most respectful bands from the Brazilian Thrash and Death Metal scene.
Best song of the album: Blood Sacrifice

10. Solitary – The Diseased Heart of Society (REVIEW)
Four veteran thrash metallers canalizing all the hatred, degradation and perversions of our modern-day society into their music.
Best song of the album: Architects of Shame

And here we have the runner-ups, completing the top 20 for the year:

11. Karkaos – Children Of The Void (REVIEW)
12. Prometheus – Consumed In Flames (REVIEW)
13. Battle Beast – Bringer Of Pain (REVIEW)
14. Terrifier – Weapons of Thrash Destruction (REVIEW)
15. Body Count – Bloodlust (REVIEW)
16. Dzö-nga – The Sachem’s Tales (REVIEW)
17. Cradle of Filth – Cryptoriana – The Seductiveness of Decay (REVIEW)
18. Cannibal Corpse – Red Before Black (REVIEW)
19. Infernäl Mäjesty – No God (REVIEW)
20. Katharos XIII – Negativity (REVIEW)

As aforementioned, we also have for you this year our Top 10 EP’s of 2017, ranging from the most rebellious form of Deathcore to the most melodic type of Symphonic Metal, from visceral Doom Metal to demonic Black Metal, and so on. In addition, those bands hail from all four corner of the earth, proving once again that it doesn’t matter where you go you’ll always be able to find first-class metal music, including all of its genres and subgenres, to please your avid metallic ears.

1. Primal Age – A Silent Wound (REVIEW)
2. Sinners Moon – Far Beyond The Stars (REVIEW)
3. Aversio Humanitatis – Longing for the Untold (REVIEW)
4. Loathfinder – The Great Tired Ones (REVIEW)
5. Ljosazabojstwa – Sychodžańnie (REVIEW)
6. Lorn – Arrayed Claws (REVIEW)
7. Jupiter Hollow – Odyssey (REVIEW)
8. Dö – Astral: Death/Birth (REVIEW)
9. Mastodon – Cold Dark Place (REVIEW)
10. Afire – Afire (REVIEW)

Do you agree with our list? What are your top 10 albums of 2017? If you want to check another awesome list, I highly recommend Antichrst Magazine’s Top 10 Albums of 2017 (Editorial Staff), a great online publication that we at The Headbanging Moose also contribute to on a regular basis. Also, don’t forget to tune in to Timão Metal every Tuesday on Rádio Coringão for a blazing fusion of metal and soccer, and to The Headbanging Moose Show every Thursday on Midnight Madness Metal e-Radio for the best of underground metal from all over the world!

Metal Xmas and a Headbanging New Year! See you in 2018!

Actually, before all is said and done, here’s for you the 2017 Christmas single from Norwegian Melodic Power Metal project Aldaria called When The Time Has Come, featuring several renowned guest musicians such as Ralf Scheepers (Primal Fear), Yannis Papadopoulos (Beast In Black),  Lars Rettkowitz (Freedom Call) and Morten Gade Sørensen (Pyramaze), among others, with 100% of all income of this single being donated to Cancer Research. “This is a very important cause for me, as I lost my mother to this horrible disease in 2010. The single will be available across all streaming and digital platforms, and on Aldaria’s official webstore, where you will get a special edition with a lossless audio file, instrumental, high resolution cover art, and lyrics”, commented guitarist Frode Hovd, the mastermind behind Aldaria. Let’s all support such important cause!

Advertisements

Album Review – Loathfinder / The Great Tired Ones EP (2017)

A newborn Blackened Doom entity hailing from Poland will bring endless obscurity, fearfulness and anguish to your mind and soul with their menacing 28-minute debut opus.

We might not have the slightest idea of who they really are, but we know without a shadow of a doubt that their spine-chilling, perverse Blackened Doom lives up to the legacy of bands such as Forgotten Tomb, Woods of Ypres and the early days of Katatonia, also presenting an ominous vein inspired by the most funereal form of Atmospheric Black Metal. I’m talking about a newborn evil entity known as Loathfinder, who have just released their debut EP titled The Great Tired Ones, a 28-minute opus that, above all things, will bring endless obscurity, fearfulness and anguish to your mind and soul.

Founded somewhere back in time in the imposing city of Cracow, one of the most fertile cities not only in Poland but in the entire Europe in regards to arts and music, Loathfinder are a remorseless spawner of the most obscure elements found in Extreme Metal, with The Great Tired Ones being the amalgamation of all their evil. Displaying a visceral artwork by Polish illustrator Robert A. von Ritter (Diabolizer, Armagh, Ragehammer), with the design and colors originated by Polish illustrator and graphic designer Maciej Kamuda (HerezA, Misanthropic Rage, Virgin Snatch), this is an album that will certainly be part of your personal playlist for a long time if you love the rotten and grim sounds of old school Blackened Doom piercing your ears.

Flies buzzing and thunderous bass and guitar lines ignite the damned feast named Genetic Gloom, with the cavernous growls coming from an unknown creature impregnating the musicality through and through. Furthermore, a few moments of tranquility are meticulously inserted amidst the ominous Blackened Doom that reeks in the air, with steady beats dictating the song’s lugubrious rhythm. Darker and more aggressive due to its infernal gnarls and deep guttural growls, Feast on My Entrails presents lyrics that couldn’t be more putrescent (“My cradle is rotten / Black fingers ream my ribs from inside / As I gaze into sky with learned apathy / And miss places I’ve never been / When venom is dripping from every wall / Only thing you can do is spit, spit and spit”), which together with its mesmerizing riffs and rumbling ambience (led by the song’s Stygian bass lines) turn it into a macabre hymn of darkness.

Metallic and lancinating bass sounds kick off another vile creation by Loathfinder, the excellent Scents of Regression, bringing forward putrid growls and doomed beats in total sync, increasing the song’s obscurity even more. Not only that, this song also offers the listener a solid Doom Metal sonority with the band’s blackened vein pulsing inside it, enhanced by sharp guitar solos and riffs. And lastly we have the title-track The Great Tired Ones, where a truly macabre intro goes on for about a minute until all instruments rise from the pits of hell, also displaying acid lyrics perfect for the music played (“Through the black eyes / Of agonized priestess / We were allowed to see / The gathering / Of faceless / Of whipped / And lost in time / The Great Tired Ones / Black chain of greatest lies / The Great Tired Ones / One were all, all were One”). If you love Blackened Doom, get ready for almost ten minutes of mournful passages, cutting guitars and desperate growls, ending with rancid gnarls that will darken your mind instantly.

You can savor the 28 minutes of hatred and anguish found in The Great Tired Ones by clicking HERE, and also grab your copy of this devilish album at Loathfinder’s BandCamp, at the Godz ov War Productions’ BandCamp, or at Discogs. This is a beyond solid debut album by Loathfinder, with no fillers, no artificial sounds and no happy feelings, but only the deepest rooted form of our good old Blackened Doom, and if those enigmatic musicians were capable of delivering such high-quality music with their very first release, I’m sure Blackened Doom will remain strong and menacing for years with Loathfinder being one of the new remarkable names of the genre.

Best moments of the album: Feast on My Entrails.

Worst moments of the album: None.

Released in 2017 Godz ov War Productions

Track listing
1. Genetic Gloom 6:08
2. Feast on My Entrails 6:50
3. Scents of Regression 5:25
4. The Great Tired Ones 9:37

Band members
*Information not available*