Album Review – Kreator / Gods of Violence (2017)

We shall praise the best Teutonic Thrash Metal institution of all time, as the gods of violence come alive.

Rating1

kreator_gods-of-violence_worldwideFrom the triumvirate of Teutonic Thrash Metal, comprised of Destruction, Kreator and Sodom, the band led by the iconic Miland “Mille” Petrozza has always been my favorite, delivering top-of-the-line, enraged and apocalyptic music since their inception in Essen, a city in North Rhine-Westphalia, Germany in 1982 when the band was still called Tormentor. And it might have taken almost five years for Mr. Mille Petrozza and his loyal bandmates to release new material since their 2012 opus Phantom Antichrist, marking the longest gap between two studio albums in their career, but after listening to the breathtaking Gods of Violence, their fourteenth studio album, you’ll see the wait for the greatest Thrash Metal band in the history of European metal was definitely worth it.

Featuring an ungodly artwork (both the worldwide and the American versions) by German graphic designer and illustrator Jan Meininghaus, who has already worked with bands like Bolt Thrower, Sacred Steel and U.D.O., as well as Kreator themselves in Phantom Antichrist and their 2013 live album Dying Alive, Gods of Violence is a brilliant lesson in Thrash Metal that, at least for the year of 2017, will change the world capital of the genre from the famous San Francisco Bay Area, in California, to the city of Essen. One might ask how Gods of Violence can be so fantastic if it’s not a revolution in music, as it brings the same old Kreator we’re all used to. Well, that’s the beauty of it, as Kreator didn’t try to be different than what they are in essence. Quite the contrary, they sound more old school than ever in the new album, always drinking from the endless fountain of evil named man, and the amount of passion, aggressiveness and energy they put into each and every song is all that’s needed for Gods of Violence to become a contemporary classic.

The epic marching intro Apocalypticon builds up the expectation of the listener for this Thrash Metal masterpiece, and that’s exactly what Kreator bring forth starting with the sensational, belligerent World War Now, a true high-octane thrashing work-of-art that will sound thunderous when played live, with Mille and Sami Yli-Sirniö blasting their infuriated riffs while Jürgen “Ventor” Reil shows how drums should be played in this type of music. Moreover, it also contains their trademark European melody that makes their music so captivating, which can also be seen in Satan Is Real, a headbanging hymn with all the elements that made the band what they are today. Not only that, Mille sounds menacing with his raspy vocals during the song’s devilish chorus, leading us all to believe that Satan is indeed real.

kreator_2017Totalitarian Terror, a song about the fight for freedom and the war against oppression (and the best song of the album in my humble opinion), is a thrilling, bestial composition where the guitars by Mille and Sami will pierce your mind beautifully. Furthermore, this Teutonic Thrash Metal anthem is filled with fiery solos, frantic beats and a powerful, insurgent chorus (“Totalitarian Terror / Welcome the strike / Wielder to strike / Totalitarian Terror / Feeding the oppressor / Resistance must rise when freedom has died”), or in other words, the perfect combination of elements to turn it into a classic. After a  serene acoustic intro, the title-track Gods of Violence brings forward more traditional Kreator, perfect for going absolutely mental during the band’s live concerts, with Ventor having an outstanding performance on drums while Christian “Speesy” Giesler brings thunder to the musicality with his metallic bass lines.

Get ready for a sonic tempest named Army of Storms, another excellent option for their live concerts presenting poetry in the form of Thrash Metal (“For tornados and hurricanes / Will not hold us back / Ultra void as the ultimate deception / Ride the winds broken free / Now revolt and you will see / Nations and empires reborn / Beyond the blood red horizons you’ll hear us”) and sounding very melodic thanks to the brilliant guitars by Mille and Sami; followed by the mid-tempo classy composition Hail to the Hordes, where Kreator pay a kick-ass homage to their loyal fans (“If night will fall black shadows / Are taking our sight / We carry each other through the darkest / Moments of life, stronger than hate / Stronger than fear, stronger than all / We are one / Hail to the hordes”). Simply break your neck to the pounding drums by Ventor, with the epic sound of guitars inspiring us all to raise our fists in the air to this mighty German thrashing horde.

Kreator’s shredding has always been superb, and the metal whirlwind Lion with Eagle Wings is no exception to that rule. Not only it has a sophisticated and potent name, but the band also sticks to their foundations with a pinch of modern metal music, with the result being obviously awesome; whereas Fallen Brother showcases one of the most touching metal videos (and songs) ever made, a tribute to all our deceased heroes including Lemmy, Dio, Jeff Hanneman, David Bowie, Prince, Chuck Schuldiner, Scott Columbus, Bon Scott, H. R. Giger, Leonard Cohen, among many others. In regards to the music itself, it’s beyond powerful, vibrant and cohesive, a lesson in heavy music by Kreator that will stick to your head forever.

kreator_gods-of-violence_north-america

Gods of Violence North America Cover

Then we have Side by Side, where violent riffs and supersonic drums build the perfect atmosphere for Mille to vociferate the song’s lyrics against all types of prejudice and how we should unite to eradicate that from our society (“As we crush homophobia / Side by side / And we’ll never let the shame / Turn our vision to ice / And I’ll remain by your side”). It amazes me how such brutal album can contain so many references to brotherhood, friendship and unity, proving how high-quality metal can make our lives better. Lastly, Death Becomes My Light might be a melancholic and introspective creation by Mille and his horde, but that doesn’t mean it’s not as heavy as hell presenting crushing riffs and drums, while Speesy keeps galloping his bass guitar. And when the song is over, you’ll just realize there’s not a single moment in Gods of Violence that’s below excellent, as simple as that.

You can get a lot of extra details about Gods of Violence, including tour dates and news, at the special microsite created for the album, and grab your desired version of it at the Nuclear Blast webstore, including the amazing special edition with the bonus Blu-ray/DVD “Live at Wacken 2014”. It’s already a great moment for heavy music in general whenever Kreator release new material, but when the album is as splendid as this, we know it’s our duty to listen to it nonstop and  praise the best Teutonic Thrash Metal institution of all time, as the gods of violence come alive.

Best moments of the album: World War Now, Totalitarian Terror, Gods of Violence, Hail to the Hordes and Fallen Brother.

Worst moments of the album: None.

Released in 2017 Nuclear Blast

Track listing
1. Apocalypticon 1:06
2. World War Now 4:28
3. Satan Is Real 4:38
4. Totalitarian Terror 4:45
5. Gods of Violence 5:51
6. Army of Storms 5:09
7. Hail to the Hordes 4:02
8. Lion with Eagle Wings 5:22
9. Fallen Brother 4:37
10. Side by Side 4:19
11. Death Becomes My Light 7:26

Band members
Miland “Mille” Petrozza – vocals, guitar
Sami Yli-Sirniö – guitar
Christian “Speesy” Giesler – bass
Jürgen “Ventor” Reil – drums

Guest musician
Boris Peifer – bagpipes on “Hail to the Hordes”

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Interview – Hateful Warfare

Take a shot at this fun interview with Hateful Warfare to have a very good depiction of the everyday life, experiences and dreams of a true underground Death Metal band from Brazil.

Hateful WarfareThe Headbanging Moose: As you’re a brand new Death Metal act, I guess we need to start by presenting you to our readers. In other words, who are Hateful Warfare? Can you please share with us some details on how the band got together, why and how you chose the name “Hateful Warfare”, where each band member comes from, and what your main goals are for the future?

Hateful Warfare: The band is comprised of Andrei (bass/vocals), Norba (guitar) and Denis (drums), a traditional Death Metal power trio. The band is a reformation of another project we had in the past, which didn’t end up working well and so the three of us decided to remain together and focus our common ideas on our songwriting and composing. The name of the band came in a moment of anger (laughs), as we were searching for a name that was impactful and that at the same time matched with our personalities on stage. Our goals for the future are recording our first full-length album, shooting a video clip, and then going on a tour of the album across Brazil.

THM: The band might be new, but there has already been a significant change to your music when one of the guitarists left and Hateful Warfare became a power trio. How has that influenced your music and the dynamism among the three band members left? What are the positive outcomes of this important change?

HW: His time with the band was short mainly due to his geographic location/distance to the rest of the band, which was a huge hassle for our rehearsals. It was decided that we would go on as a power trio, and our dynamism only tends to grow because when you’re a power trio you have more freedom in terms of composition, improvisation, harmony, acquaintanceship, among other positive points. In addition to that, Andrei and Norba are father and son, which already helps a lot. We are all comfortable in what we’ve been doing so far and this is very significant for a band to move on.

THM: I had the pleasure of reviewing your short but extremely heavy debut EP, entitled Scenarios Of Execution. If I had to describe the album in just a few words, I would say it’s old school Death Metal exactly the way it’s supposed to be. How was the songwriting and composition period of the album? How long did it take to finalize everything, and what were the highlights of the entire process to you?

HW: Thank you for your kind words, this is very gratifying for us.  The creative process was very demanding, rehearsing two or three times a week, always composing riffs and with focus on creating something new everyday. We all thought about something during the week, wrote something, created the riffs, recorded at home and then presented that during the rehearsal in order to always capitalize on something. The recording was done at the Audio Goblin studio with the local producer and musician Fábio Gorresen (Flesh Grinder/Zombie Cookbook). It took one month to finalize the recording, mixing and mastering, and after that we released a few physical copies of the EP. We believe that the impact of the EP has been very positive, making us even more excited to record our full-length album as soon as possible.

THM: I would like to know more details about my favorite songs of the EP, starting with the excellent Welcome to my Nightmare. As mentioned in our review for the EP, the vocals sound inspired by the early days of the iconic Max Cavalera. Is he one of your main influences in music? How do you prepare your voice for the thunderous Death Metal by Hateful Warfare? In addition, although the riffs are extremely dirty, the overall result of the song is very melodic. How did you manage to reach that amazing level of balance between brutality and harmony?

Hateful Warfare02HW: There is no secret, it’s just a matter of keeping the throat always moist and sing with hatred (laughs). Regarding you mentioning the song being dirty and melodic, I believe that actually comes from our influences, as this song was inspired by classic Death Metal the likes of Scream Bloody Gore (Death)  to the Thrash Metal from the album Extreme Aggression (Kreator). There’s always aggressiveness followed by something harmonious that matches perfectly with the style.

THM:  My other favorite tune, Bloody Night, brings lots of awesome elements from different subgenres of extreme music, such as Black and Doom Metal. Was that something you planned on doing, or did it come up naturally during the writing process? How does the audience react to songs that are not purely Death Metal like this one?

HW: It was something natural, we don’t write our music trying to remain 100% loyal to Death Metal. We have an infinitude of influences inside each of our heads and that was what best suited the music, lyrics thrown to the imaginary with an aggressive theme and several variations in the instrumental, stressing the heaviness and the speed at different times.

THM:  Brazil might not be considered the most metal country in the world, but there’s still a good share of incredible bands spread across the country, not to mention how crazy most Brazilian headbangers are. In your opinion, how is the current Heavy Metal scene in Brazil? Do you feel that there are enough bands, venues and concerts down there to keep the fire of metal burning bright for many years to come? What are the main issues for a heavy band in Brazil?

HW: There are excellent new bands rising month after month, incredible places spread throughout Brazil, high-skilled musicians and the utmost quality. The only disturbing things are the high costs to maintain a band, equipment with extremely high taxes, and if you do not have a studio yourself you have to pay a lot of money to rehearse every single week. What drives metal in Brazil is the underground, we have to be headbangers faithful to the art, because making a living from metal in Brazil is still a dream for all of us, some can do it but that’s just a minority.

THM: What are top 5 albums that influenced the band members the most, and how much do those albums still inspire you to craft your music? What about non-metal bands and artists, are there any you enjoy that also impact the way you write your music?

HW: The top 5 albums that are the most present in the playlists of each one of us are Piece of Mind (Iron Maiden), Leprosy (Death), Severed Survival (Autopsy), Hell Awaits (Slayer) and Arise (Sepultura). Our writing process involves the whole context of what’s going on through our heads. At the moment I don’t have any specific albums to mention, but I would like to stress out that the lyrics for the song Addiction to Kill were written based on the story of the TV series Dexter.

THM: What would be the “dream tour” for Hateful Warfare? I mean, which bands would you feel honored to play with, and what are the cities, venues or festivals you would love to visit together with those bands?

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Album Review – Hateful Warfare / Scenarios Of Execution EP (2015)

HW: There is an infinity of bands who we dream of playing together, such as Destruction, Gruesome, Cancer, Kreator, Obscura, Obituary, Sodom, Vader and so on (laughs). With every passing year high-quality festivals are born in several countries, but like any headbanger it would be a dream come true to step on the stage at Wacken Open Air, Hellfest, Monsters of Rock, Obscene Extreme, among others.

THM: In regards to your current tour dates, how are the concerts to promote Scenarios Of Execution going? Do you have any funny stories to share with us, or talk about something that went horribly wrong with the band? And do you have any plans for an international tour here in North America, in Europe or anywhere else?

HW: The shows have been taking place only in the state of Santa Catarina, Brazil, and they have been very positive so far for us. We have several good stories happening every night, the funniest being our first show. We were tuning the instruments to hit the stage and the intro was already going to start playing, when we lost sight of our drummer. We sought him all over the venue and no sign of him. We spent about 10 minutes looking for him and when we finally found him he was outside talking to some friends, while we were getting absolutely mad after him for a while (laughs).

THM: Muito obrigado pela entrevista! Please feel free to send a final message to all readers of The Headbanging Moose and to all fans of old school Death Metal all over the word.

HW: First of all, thanks for the compliments on our work, and also to the space provided for the interview. To all fans of old school Death Metal, always seek for novelties in the genre, there is a lot of good stuff emerging but that’s not getting recognized as it should. This genre has a lot to be unraveled yet, and that this Death Metal vein never runs out of blood!

Links
Hateful Warfare Facebook | YouTube
Sangue Frio Produções Facebook | Website

Concert Review – Arch Enemy & Kreator (The Opera House, Toronto, ON, 10/29/2014)

Mosh pits, mosh pits! We’ve got mosh pits! Come grab your mosh pits!

OPENING ACTS: Starkill and Huntress

arch enemy_kreator_natour2014Unfortunately, due to the absolutely insane traffic to get from Oakville to The Opera House in Toronto at 6pm on a Wednesday (plus the fact there were TWO accidents on the highway, making things even worse), I missed BOTH opening acts, American Melodic Death Metal band STARKILL and American Heavy Metal band HUNTRESS. Well, I got the very last song from Huntress and it was truly kick-ass for the less than 5 minutes I had to see them, but I cannot say I actually saw those two bands in action. I’m really sorry, guys! It’s the price to pay when you live in the suburbs and have to work for the entire day before going to concerts, but I’ll try to review Starkill’s 2014 new album Virus of the Mind as soon as possible and a new Huntress album whenever it’s released in the future for sure. And Jill Janus is so beautiful, she will be a Metal Chick of the Month one day here at The Headbanging Moose.

KREATOR

IMG_3046Fuckin’ brutal, fuckin’ sick, fuckin’ awesome, and all other “fuckings” you can think of. German Thrash Metal behemoths KREATOR delivered a motherfuckin’ amazing nonstop violent concert, tearing the house down with their classic, fast and furious heavy music. Mille Petroza drove the fans crazy each time he screamed “TORONTO!”, demanding every single person at The Opera House to slam into the mosh pits and scream as loud as possible. And what can be said about drummer Jürgen “Ventor” Reil? One day we’ll see the guy arrested for excessive violence against his drum kit.

The band’s setlist was also a lesson in violence, with classics such as Violent Revolution, Extreme Aggression, Phobia, Voices of the Dead and Impossible Brutality putting a smile on everyone’s faces, as well as some bruises along our bodies, of course. However, there were three songs that reached perfection and made their whole performance even more memorable: the sensational Enemy of God (my favorite Kreator song of all time), the new and boisterous Phantom Antichrist, and the last song of the setlist, Pleasure to Kill, which left a beautiful trail of devastation at the venue. The only problem with their performance and with the whole festival for me was: who was (were) the motherfucker(s) farting every 5 seconds during the concerts? C’mon, what had you eaten before getting to the venue? Rotten food? Five pounds of pulled pork? Rat meat? That smell was destroying my respiratory system, you sick bastard(s).

IMG_3055Anyway, I guess one of the top moments in everyone’s memories will be the infamous “Wall of Death”, especially for the ones who were at the opposite side of a giant fat bastard. Even at such a small venue, we did it, and it was so cool I saw people eager for more walls of death at every song played. Moreover, it’s always a pleasure to see metalheads picking other metalheads up whenever there was a fall, showing how respectful and united we are. Also, it amazes me to see more and more girls, Asians, Latin Americans and people from any other nationalities, religion, sexual orientation etc. at Heavy Metal concerts. I’m not going to be arrogant and say we are the evolution of mankind, but at least we’re trying harder and getting better results than any other “organized” society in the world, and that makes me really proud to be a metal fan.

Setlist
1. The Patriarch
2. Violent Revolution
3. Civilization Collapse
4. Extreme Aggression
5. Phobia
6. Enemy of God
7. Voices of the Dead
8. Endless Pain
9. Victory Will Come
10. Mars Mantra
11. Phantom Antichrist
12. Impossible Brutality
13. Hordes of Chaos (A Necrologue for the Elite)
14. Pleasure to Kill

Band members
Miland “Mille” Petrozza – vocals, guitar
Sami Yli-Sirniö – guitar
Christian “Speesy” Giesler – bass
Jürgen “Ventor” Reil – drums, vocals

ARCH ENEMY

IMG_3072When ARCH ENEMY open their concert with the superb Enemy Within, one of the best Melodic Death Metal songs in the history of music, you know it’s going to be a wild night. From the very first to the very last minute of their incredible performance, Michael, Alissa & Co. perfectly commanded the crowd with a flawless setlist, full of insane classics blended with newer songs. Maybe the only change I would have done to their setlist was replacing  the boring You Will Know My Name, which wasn’t that good live, with something more brutal like “Diva Satanica” or “I Am Legend/Out For Blood”, but that’s just my opinion. In regards to the other new songs from War Eternal, both War Eternal and As the Pages Burn sounded A LOT better live, with the latter being responsible for a humongous circle pit.

And how not to get thrilled with masterpieces like Ravenous, Revolution Begins, My Apocalypse, Dead Bury Their Dead, Blood on Your Hands and Nemesis? So many good moments I don’t even know what to say. Even less bestial songs like Under Black Flags We March, with Alissa White-Gluz waving the Arch Enemy flag for the delight of all fans, and No Gods, No Masters, where she led an intense jumping up and down during the entire song, were brilliant. By the way, although all songs played are classics or powerful enough to even wake up the dead, it was the band members’ individual performances that made the night truly memorable. Nick, Sharlee and Daniel were amazing, Alissa was a beast, and Mr. Michael Amott makes playing the guitar look so fuckin’ easy I want to buy one right know and start shredding, even if I have no idea on how to do it. Seriously, how can he be that awesome? It’s unbelievable how smooth, technical and soulful his guitar lines are. Snow Bound, oh, Snow Bound!

IMG_3087Talking about Alissa, our Canadian goddess was absolutely stunning, electrified, and more than happy and excited to be playing in Canada for the first time since joining Arch Enemy earlier this year. The smile on her face while holding the Canadian flag up high was priceless (and she looks gorgeous either smiling or playing the badass angry woman, no matter what). Now I truly know why Angela Gossow herself chose Alissa to replace her as the frontwoman of one of the most influential Melodic Death Metal bands of all time.

The Opera House will never be the same after all those hours of endless mosh pits, fists and horns in the air, and PURE FUCKIN’ METAL. They should change the name of the venue from now on to “The Mosh Pit House” or something like that. It was totally awesome, and I’m sure everyone that attended the festival will agree with me. At the end of the day, getting back to Oakville, waking up at 6am the next morning to work and go to the gym in the evening was extremely hard due to all the glorious pain flowing through my body, but nothing that some more Arch Enemy in my car and in my MP3 player couldn’t take care of. Mosh pits anybody?

Setlist
1. Tempore Nihil Sanat (Prelude in F minor)
2. Enemy Within
3. War Eternal
4. Ravenous
5. Revolution Begins
6. My Apocalypse
7. You Will Know My Name
8. Bloodstained Cross
9. Under Black Flags We March
10. As the Pages Burn
11. Dead Eyes See No Future
12. No Gods, No Masters
13. Dead Bury Their Dead
14. We Will Rise

Encore:
15. Khaos Overture
16. Yesterday Is Dead and Gone
17. Blood on Your Hands

Encore 2:
18. Snow Bound
19. Nemesis
20. Fields of Desolation (outro)
21. Enter the Machine

Band members
Alissa White-Gluz – vocals
Michael Amott – lead guitars
Nick Cordle – lead guitars
Sharlee D’Angelo – bass
Daniel Erlandsson – drums

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