Album Review – Night Screamer / Dead of Night (2019)

Mixing 80’s horror movies, political lyrics and fast cars into their old school Heavy Metal blender, this London, UK-based unity will rock you like there’s no tomorrow with their debut full-length album.

Formed in 2013 in London, England, the birthplace of classic Heavy Metal, the unstoppable five-piece metal unity known as Night Screamer is ready to rock you like there’s no tomorrow with their mix of 80’s Heavy Metal, Hard Rock and Thrash Metal in their debut full-length album Dead of Night. Comprised of lead singer Gadd, guitarists Calvin Lever and Jamie Carter, bassist Julia B Cadau (who’s by the way also part of an excellent Symphonic Metal band named Angel Nation) and drummer Kilian Noise, Night Screamer offer in Dead of Night all elements that made their debut EP’s Hit n’ Run (2014) and Vigilante (2015) so entertaining and a lot more, with every song painting a different picture while staying truthful to the household formula, mixing 80’s horror movies, political lyrics and fast cars into the band’s traditional metal blender. In other words, if you’re a diehard fan of the powerful and epic 80’s sound from the NWOBHM, Night Screamer are here, almost 40 years years later, to keep the flame of classic metal alive with Dead of Night.

An enfolding intro quickly becomes a feast of razor-edged riffs, rumbling bass lines and nonstop beats in the opening track Sacrifice, a traditional 80’s metal hymn tailored for lovers of Iron Maiden, Judas Priest and Saxon led by Gadd’s piercing vocals, whereas the song that carries the name of the band, Night Screamer, is just as electrifying as its predecessor, with both Calvin and Jamie spitting fire from their guitars while Gadd powerfully screams the song’s catchy chorus and Kilian dictates the rhythm with his classic, steady beats. And there’s still a lot more, as in Blood On The Wall (F***ed It Up), a true headbanger perfect for cracking your neck in half, Julia and Kilian make the earth tremble with their bass punches and pounding drums, respectively, not to mention the straightforward, flammable solos by the band’s sharp guitar duo.

Then blazing guitars ignite the rockin’ tune Hit n’ Run, showcasing Hard Rock-inspired lyrics declaimed by Gadd (“Your love is speed / Your love is fire / Your love is more / Than I could ever desire / With black hair / And dagger eyes / You got your kicks / From bloody cries / HIT RUN! HIT RUN!”) and feeling like a hybrid of the early days of Judas Priest with the debauchery of Mötley Crüe. In March Of The Dead we’re treated to an epic instrumental intro with Julia bringing thunder to the music with her metallic bass, morphing into a mid-tempo song that leans towards the most classic form of Heavy Metal you can think of while also presenting faster and more melodic moments the likes of Helloween; and it’s time to dance together with Night Screamer in Party With The Devil, a fun and vibrant composition where the whole band adds tons of groove to the musicality as well as spot-on backing vocals, allowing Gadd to thrive with his high-pitches, raspy screams one more time.

Then in Paradise Lost, featuring an ominous intro with spoken words by Gadd, we face lyrics about a world that doesn’t exist (“When I was just a boy / I swore I’d run away / To find the paradise / We lost along the way / A place with no conditions / And free from binds that tie / You’d call this boy a dreamer / I’d call it all a big lie”), complemented by beautiful guitar solos and a dark aura that together enhance the song’s impact considerably. Rise Above is another rip-roaring, in-your-face metal attack by the quintet where Calvin and Jamie are on absolute fire, supported by Julia’s dense bass lines and once again mixing NWOBHM with classic German Power Metal, before Out Of My Mind ends the album on an utterly high note. Clearly inspired by the music blasted by their countrymen Judas Priest, this excellent metal hymn will leave you eager for more of the music by Night Screamer, with Gadd’s vocals being in perfect sync with the song’s slashing riffs for the total delight of admirers of the genre.

In case you’re ready to scream in the night together with Gadd, Calvin, Jamie, Julia and Kilian, all you have to do is follow them on their official Facebook page, subscribe to their YouTube channel, and of course purchase their debut full-length opus Dead of Night from their own BandCamp page and keep banging your head and raising your horns in the name of traditional Heavy Metal. In Dead of Night, Night Screamer do not try to be progressive, alternative, symphonic, atmospheric, nor any other of those shenanigans. All they want to do is play our good old Heavy Metal, and they do it extremely well throughout the over 43 minutes of first-class music found in their newborn spawn. This is what good old rock and metal is all about, with bands like Night Screamer proving once and for all that no matter how much the rest of the world tries to kill Heavy Metal, our most beloved type of music will never go away.

Best moments of the album: Night Screamer, Hit n’ Run and Rise Above.

Worst moments of the album: None.

Released in 2019 Independent

Track listing
1. Sacrifice 6:08
2. Night Screamer 3:59
3. Blood On The Wall (F***ed It Up) 4:24
4. Hit n’ Run 4:23
5. March Of The Dead 6:13
6. Party With The Devil 5:18
7. Paradise Lost 5:19
8. Rise Above 3:52
9. Out Of My Mind 4:13

Band members
Gadd – vocals
Calvin Lever – guitars
Jamie Carter – guitars
Julia B Cadau – bass
Kilian Noise – drums

Metal Chick of the Month – Elina Siirala

The heat that licks my skin, it takes me high…

Brothers and sisters of metal, let’s all get together to praise our metal chick of the month of April 2018, the stunning Finnish soprano and vocal coach Elina Siirala, better known for being the founder and frontwoman for English Melodic Metal band Angel Nation (formerly known as EnkElination), and for joining German Symphonic/Viking Metal act Leaves’ Eyes as the second female vocalist in the history of the band, replacing the iconic Liv Kristine. Having said that, are you ready to know more about such talented musician, and obviously head into the battlefield side by side with her?

Elina was born on October 27, 1983 in the Finnish capital Helsinki, being the second cousin of Tuomas Holopainen, well known founder and keyboardist of Nightwish. And let’s say that music truly runs in her veins as her whole family is comprised of musicians, not to mention she’s the third generation of teachers, with her passion for singing having started at a very young age when she was only 5 years old. Both her parents are teachers at the renowned Sibelius Academy in Helsinki, and her brother works as a professor in Munich, which means there was a lot of singing, playing and listening to music in her life while she was growing up. One funny story about her passion for music was that she basically begged her parents to start violin lessons, even building her own violin out of a piece of wood and rubber bands. She ended up playing the violin for seven years and also learned how to play piano by herself, but in the end singing was always what she loved the most in music.

After taking singing lessons at the age of 17, Elina got into the Metropolia University of Applied Sciences in Helsinki two years later, completing a Bachelor’s degree in classical music and performing in operas and concerts during that period, and after finishing her studies she decided to broaden her knowledge by moving from Helsinki to London, England, where she spent another year studying contemporary styles such as Rock & Soul (a very challenging one vocally speaking according to Elina herself), a course that also included a lot of performing by the way. In addition, throughout all those years of study, she was also a music teacher and wrote a lot of music, which culminated in 2011 with the creation of her own band EnkeliNation. As a matter of fact, her move to London was the true catalyst of her love for heavy music, with some hard times in her personal life being a source of inspiration for her music and lyrics.

In regards to her career with Angel Nation, as aforementioned it all started in November 2011 when she formed the band under the name EnkElination, with the band’s name being a play on words featuring “enkeli”, which is the Finnish word for “angel”, and also her own name “Elina” in the middle, changing the name to Angel Nation in 2016. Elina was initially joined by guitarist Shadow (Empyreal Destroyer, Stand Aside, Shadow Venger), playing the local London scene and developing the band as a live act while going through several lineup changes during the band’s first few years. Angel Nation also played a few important European festivals such as Bloodstock Open Air, Lankafest and The Dames of Darkness Festival, having released so far in their career the three-track, download-only EP titled Never Ending in 2012, and the albums Tears of Lust, in 2014, and Aeon, in 2017, as well as a couple of singles. Currently comprised of Elina on vocals and keyboards, Sonny Antoniou on the guitar, Julia B Cadau on bass, and Lucas Williamson on drums, Angel Nation play classic, straightforward Symphonic Metal, and you can enjoy their stylish music on their official YouTube channel, having the pleasure of listening to Elina’s powerful vocals in songs like Last Time Together (also available as an acoustic live version), Do It Anyway, and Tears Of Lust, as well as other live videos and special announcements.

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During one of the concerts where Angel Nation worked as a supporting act, Elina came up to the attention of Leaves’ Eyes, being invited in 2016 to join the band to replace their departing singer Liv Kristine. And she started touring and recording with Leaves’ Eyes immediately after joining the band, including a tour with Leaves’ Eyes alongside Sabaton in the United States in 2016 (while at the same time still managing and fronting Angel Nation), and some very unique concerts like the one in Indonesia where she sang in front of 21,000 people despite the heavy tropical storm that hit the venue before the gig, and a small but fully packed venue in Belgium that she considers one of the hottest shows she’s ever done, feeling like a sauna on stage. Since Elina became the new frontwoman for Leaves’ Eyes, the band has already released a handful of singles; an EP titled Fires in the North, in 2016, which includes an original song (also presented in acoustic format) and three re-recorded songs from the band’s 2015 album King Of Kings; and now in 2018 their first full-length album with Elina on vocals, entitled Sign of the Dragonhead. You can have a very good time together with Elina and Leaves’ Eyes by listening to excellent songs such as Edge of Steel, Across The SeaFires in the North, Jomsborg, and Sign Of The Dragonhead. When asked about her favorite songs by Leaves’ Eyes, our dauntless Valkyrie mentioned Take the Devil in Me (from the band’s 2010 album Njord) and Sacred Vow (originally from King Of Kings, but re-recorded with Elina on vocals for their EP Fires in the North) as two songs she would definitely add to her personal playlist, while Edge Of Steel and Swords In Rock (both also from King Of Kings and re-recorded with Elina on vocals for their EP Fires in the North) might be the ones she has the most fun playing live.

As previously mentioned, our Finnish diva has also been a vocal coach and teacher since she was 19, as during her years studying classical singing there was a a large variety of subjects such as music history, music theory and also music teaching, giving classes and lessons about breathing technique, vocal exercises (vocal placement and projection), stylistic awareness, repertoire, and stage and performance technique. Elina mentioned that she really loves teaching and that it’s been a pleasure for her to have already had many different students over the years, saying it’s at the same time challenging and rewarding. Of course, having to balance between Angel Nation and Leaves’ Eyes together with her vocal coach and teaching activities is not an easy task, with very little free time left, something she has to manage by scheduling and planning well in advance. Furthermore, she mentioned in one of her interviews that whenever she has some free time, she likes seeing her friends, watching movies and relaxing, also saying she doesn’t really have any time for hobbies. And to stay in shape on and off tours, Elina said she has an active lifestyle, practicing all kinds of sports to keep her fitness up, and while she’s on tour she said that being on stage is already a good workout for her, always resulting in her losing some weight.

Lastly, when asked about her biggest idols in music, and singers she admires and that inspired her in any way, Elina said that she really likes female singers such as Dutch goddess Sharon den Adel (from Within Temptation) and Whitney Houston, as she enjoys all kinds of styles, while her favorite male singers are Spanish tenor, conductor and arts administrator Placido Domingo, who she used to idolize when she was a teenager, and the one and only British icon Freddie Mercury, her all-time inspiration as a singer. Anyone who admires Mr. Freddie Mercury already deserves our utmost respect, and when that person is as talented, energetic and hardworking as our unstoppable Finnish banshee Elina Siirala, things get even better and more epic.

Elina Siirala’s Official Facebook page
Elina Siirala’s Official Twitter
Elina Siirala’s Official Instagram
Angel Nation’s Official Facebook page
Angel Nation’s Official Twitter
Angel Nation’s Official Instagram
Angel Nation’s Official YouTube channel
Leaves’ Eyes’ Official Facebook page
Leaves’ Eyes’ Official Twitter
Leaves’ Eyes’ Official Instagram
Leaves’ Eyes’ Official YouTube channel

“I think it’s amazing how much emotions music can awaken in people, how it can change your mood and bring back memories. It’s the perfect way of expressing myself as an artist and sometimes writing songs is almost like therapy that helps you through hard times. Compared to other instruments I’ve played, singing is definitely the most personal for me as I’m actually the instrument and I get to express everything through my own voice and of course lyrics.” – Elina Siirala