Album Review – Funeral Winds / Sinister Creed (2018)

A blasphemous and extremely austere album of old school Black Metal by a cult Dutch entity, offering us all endless fury, hate, rage and scorn, all spiced up by a bit of good old black magic.

Twenty seven years after their foundation, Dutch Black Metal horde Funeral Winds are more than ready to spread darkness upon the earth with the release of their fourth full-length album, titled Sinister Creed. Definitely not a prolific band, the Rotterdam-based offspring of multi-instrumentalist Hellchrist XUL won’t offer you anything that hasn’t been there since their beginning back in 1991, those being fury, hate, rage and scorn, all spiced up by a bit of good old black magic, allowing you to summon demons while listening to this blasphemous and extremely austere album of old school Black Metal. Written and recorded between 2014 and 2017 at Necromanteion Studio, in Belgium, Sinister Creed will please all fans of the darkest forms of extreme music without a shadow of a doubt, making your hearts and souls even darker than they already are.

Do not look for any fine music craftsmanship, as Funeral Winds are devoted to master the black arts, not some hip fine tune; therefore, there is only one thing you can expect from this infernal Dutch duo, and that’s total devastation. If you are into music evolutions, new genres and refined, subtle post-production gimmicks you are very welcome to look elsewhere, as Sinister Creed is an album for those whose thirst for blood was never satisfied, whose love for the early 90’s is still alive and kicking, and whose black flame never extinguished. It might have taken over 10 years for Funeral Winds to return with new material, with their previous installment, named Nexion Xul – The Cursed Bloodline, being released in the already distant year of 2007, but the duo is back in full force to destroy the silence that took place during their hiatus with endless dosages of hellspawn Black Metal.

Sinister noises ignite the ode to darkness entitled The Road to Perdition, before Hellchrist XUL comes crushing our souls mercilessly with his demented gnarls and pulverizing riffs, giving life (or I should say death) to the song’s darkly poetic lyrics (“The angles slowly align themselves / With every step I take / on this unpaved road to perdition / A path full of rocks with sharp edges / That cut strips of flesh / with each incautious step taken”). In Cursed is this Pantheon of Flesh we’re treated to absolute chaos and devastation in the form of Black Metal, with session drummer M.Z. Inversus sounding like an unstoppable bulldozer. Furthermore, the song has a hardcore feel that only makes it more flammable and therefore more enjoyable, setting the tone for another onslaught of aggressive, old school Black Metal named The Arrival, showcasing the always demented screams by Hellchrist XUL, powerfully boosted by the song’s sick drumming, insane guitar lines and endless obscurity.

The title-track Sinister Creed maintains the album’s acidity and rage at an extremely high level, With pure sulphur flowing from all instruments, in special from its blast beats and flammable guitars which will rip your heart out in a gruesome way. Then featuring Amon XUL on guest vocals, Funeral Winds manage to get even more frantic and demented than before in Blood, a fantastic display of visceral Black Metal that’s utterly loyal to the foundations of the genre; followed by Black Moon over Saturn: featuring Hekte Zaren on guest vocals, this insane tune presents an operatic, choir-like intro to a feast of blackened sounds and roars, resulting in a beautiful blend of raw Black Metal with Doom Metal and symphonic elements.

Never slowing down, never softening their music, Funeral Winds continue their path to the underworld by offering the listener an explosion of metallic riffs and bestial drums named Seven Arrows, Knife and Flame (Sekhmet), where Hellchrist XUL sounds truly possessed on vocals (which in Black Metal is always a very positive addition to the musicality, of course). And as the closing act of such demonic album we have Nunc et in Hora Mortis Nostrae, which means “now and at the hour of our death” in English, with its over seven minutes of first-class Black Metal that will disturb your peace and exterminate your mind, also presenting some insanely dark words vociferated by Hellchrist XUL (“I have crawled from the womb of eternal darkness / Out of the void into the light I abhor / I have crawled from the womb of emptiness / Out of the abyss into this world / I am here not to please, I am here not to bring joy”), with the music flowing flawlessly until its ungodly, transcendental ending.

You can take a full, detailed listen at Sinister Creed on YouTube or on Spotify, and in case you’re already a loyal member of the dark side you can purchase the album at the Funeral Winds’ BandCamp, at the Avantgarde Music’s BandCamp or Big Cartel, at the Season of Mist webshop, at Record Shop X, on iTunes or on Amazon. Also, don’t forget to follow Funeral Winds on Facebook and to keep an eye on their YouTube channel for more music and videos by such distinct Black Metal act, and may the pitch black darkness bred by Funeral Winds in their Mephistophelian career keep haunting our souls for decades to come.

Best moments of the album: Cursed is this Pantheon of Flesh, Blood and Nunc et in Hora Mortis Nostrae.

Worst moments of the album: None.

Released in 2018 Avantgarde Music

Track listing  
1. The Road to Perdition 4:47
2. Cursed is this Pantheon of Flesh 3:59
3. The Arrival 3:30
4. Sinister Creed 2:44
5. Blood 3:05
6. Black Moon over Saturn 5:26
7. Seven Arrows, Knife and Flame (Sekhmet) 4:27
8. Nunc et in Hora Mortis Nostrae 7:37

Band members
Hellchrist XUL – vocals, all instruments
M.Z. Inversus – drums (session)

Guest musicians
Amon XUL – additional vocals on “Blood”
Hekte Zaren – additional vocals on ‘Black Moon over Saturn”

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