Album Review – Alunah / Violet Hour (2019)

The Stygian clouds of doom are coming to darken the skies to the sound of the newborn spawn by a fantastic UK-based Hard Rock and Doom Metal unity.

Brace yourselves, my dear metalheads, as the Stygian clouds of doom are coming to darken the skies to the sound of Violet Hour, the brand new album by UK-based Hard Rock/Doom Metal frontrunners Alunah, one of the best albums of 2019 from the underground and independent scene without a shadow of a doubt. Founded in 2006 in “Sabbath City”, usually referred to as Birmingham, the band comprised of the enchantress Siân Greenaway on vocals, the talented Dean Ashton (bassist for UK’s Hard Rock institution Diamond Head) on the guitar, the unstoppable Daniel Burchmore on bass and founding member Jake Mason on drums is ready to strike once again harder than ever, bringing more riffs, more swagger and more groove to our avid ears with their newborn opus.

Recorded at Wales’ historic Foel Studio, produced by Chris Fielding (Skyhammer Studio), and featuring a beyond obscure and captivating artwork by Brazilian artist Felipe Froeder (Arcano XV), Violent Hour offers the listener a searing combination of intoxicating melodies and riffs on top of a high-class songwriting. “Alunah are very happy and excited to release Violet Hour to the world. It has been so enjoyable to write and record this album during an energetic and focused period for the band. Having it released on Heavy Psych Sounds is a great feeling and we cannot wait for people to hear it. The time to fear is now!”, commented the band about the album, inviting all of us to join them in their quest for old school doom.

Siân and the boys don’t give us a single second to breathe in the amazing opening track Trapped & Bound, spearheaded by Dean’s heavy-as-hell riffs and Jake’s pounding drums. I dare you to not bang your head to the song’s hypnotizing rhythm, a perfect fusion of the doomed music by Black Sabbath with the badass Sludge Metal played by Crowbar, and to show you how awesome this song is, it’s also featured on the 2019 compilation Doomed & Stoned in England, just like another crushing song by their countrymen Warcrab. And the somber, deep and addictive vocals by Siân add an extra touch of evil to the dark and sluggish Dance of Deceit, where Dean and Daniel are merciless with their stringed weapons, not to mention Dean’s amazing solo as the icing on the cake.

Then we’re treated to Hunt, a lesson in Doom Metal by Alunah sounding slow and enthralling form start to finish, with Jake’s beats bringing nuances of melancholy to the music while Siân beautifully declaims the song’s devilish lyrics. Put differently, it reminds me of some of the best tracks from Heaven & Hell’s classic The Devil You Know, and if you like that album you know what I’m talking about. In Hypnotised the name of the song says it all, with Dean being on fire with his demonic riffage and solos while Daniel couldn’t sound more thunderous on bass. Hence, it keeps the album at a high level of heaviness and darkness, being therefore recommended for all your beer-drinking, headbanging moments in life, whereas the title-track Violet Hour is just as mesmerizing and delicious as its predecessors, with Siân’s vocals sounding so powerful it’s hard to describe them in just a few words, and with Dean slashing our ears and minds with his grim guitar lines.

Jake smashes his drums fiercely in the also obscure and sexy Unholy Disease, one of those Doom Metal songs that will put you in a trance, or in other words, your soul belongs solely to Siân during the song’s five minutes of razor-edged riffs, low-tuned bass punches and an endless amount of electricity. Velvet sounds as delicate but at the same time as hot and striking as velvet itself, being the perfect soundtrack for a movie scene at an obscure pub somewhere in the middle of England, while Jake keeps hammering his drums slowly and steady just the way we like it, nicely boosted by Daniel’s metallic, rumbling bass. And crisp guitar lines and an enfolding atmosphere are the main ingredients in Lake of Fire, a dark and serene composition showcasing another flawless vocal performance by Siân supported by the thunderous sounds blasted by her bandmates, making you want to walk into a real lake of fire with her until the song’s ethereal finale.

This precious gem of classic Doom Metal made in the UK is already on pre-sale on the Heavy Psych Sounds Records’ BandCamp and webstore, as well as on several other locations such as the All That Is Heavy webstore, the Season of Mist webstore, the Shiny Beast music mailorder, and Amazon. Having said that, simply let your mind be enfolded by the spellbinding Doom Metal delivered by Alunah in Violet Hour, and may your damned soul forever be comfortable in darkness, exactly how we expect it to be in first-class Doom Metal from the always somber and charming United Kingdom.

Best moments of the album: Trapped & Bound, Hunt and Unholy Disease.

Worst moments of the album: None.

Released in 2019 Heavy Psych Sounds Records

Track listing
1. Trapped & Bound 4:58
2. Dance of Deceit 3:54
3. Hunt 5:38
4. Hypnotised 6:11
5. Violet Hour 4:24
6. Unholy Disease 4:55
7. Velvet 6:22
8. Lake of Fire 6:33

Band members
Siân Greenaway – vocals
Dean Ashton – guitar
Daniel Burchmore – bass
Jake Mason – drums

Album Review – Dead Witches / The Final Exorcism (2019)

One of the most infamous British covens returns to exorcise our demons with another fantastic lesson in Doom Metal.

The haunting vocals, heavy riffs, fuzzed bass and savage drumming blasted by the infamous British Occult Stoner/Doom Metal coven known as Dead Witches are back for our total delight in 2019 in their brand new sophomore opus titled The Final Exorcism, a follow up to their 2017 extravaganza Ouija. The brainchild of drummer Mark Greening, founding member of Electric Wizard, Ramesses and With The Dead, Dead Witches took the underworld of heavy music by storm with their debut album in 2017, but it’s now with The Final Exorcism that the quartet sounds even more powerful, damned and gloomy, just the way we like it in Doom Metal.

Featuring the aforementioned Mark on drums accompanied by bassist Carl Geary and newcomers Soozi Chameleone (from Satlan) on vocals and Oliver Irongiant (from Grave Lines, Sea Bastard and End the Agony) on the guitar, replacing Virginia Monti and Greg Elk (R.I.P.), respectively, The Final Exorcism is not only the epitome of everything Dead Witches stand for, but a highly recommended album for admirers of devilish and cryptic doom who simply love the night. Put differently, get ready to be dragged down to pitch black darkness with over 40 minutes of classic Doom Metal made in England split into seven distinct and beautifully crafted songs embraced by the somber artwork by Goatess Doomwych, who had already worked with the band in their previous effort.

A cryptic, horror movie-inspired intro named There’s Someone There sets the stage for the sluggish and grim title-track The Final Exorcism, where Oliver begins his riff-attack together with Carl’s reverberating bass punches, all enfolded by Soozi’s sexy and hellish vocals and roars. In other words, this is first-class neck-breaking Doom Metal, offering our ears over seven minutes of somber and atmospheric passages, pounding beats and endless obscurity. And the distorted guitar lines by Oliver keep dictating the rhythm in Goddess Of The Night, while Mark does what he knows best, which is smashing his drums slowly, steadily and fiercely. In addition, Soozi sings like she’s the true goddess of the night, embellishing the airwaves with her damned vocals. Then Dead Witches ask a simple question to us in the wicked When Do The Dead See The Sun, with the answer being quite easy (obviously never), and the music translates that fact into sheer melancholy, feeling like it was taken from a Tarantino movie and, consequently, warming up our senses for The Church By The Sea, where Mark and Carl generate a massive wall of sounds with their weapons while Soozi will put you on a trance in this Sabbath-inspired Doom and Stoner Metal aria. Also, don’t forget to check out this sick live footage recorded on February 22, 2019 during their performance at Heavy Psych Sounds Fest at The Borderline, in London. It’s doom in its rawest form.

The last part of the album is just amazing, starting with Lay, Demon, a brutal and visceral Doom Metal hymn led by Mark’s Stygian beats, while Oliver and Carl keep extracting absolute evil from their strings. “Lay, Demon was the second track that we wrote for the new record, The Final Exorcism,” said Mark. “This is a slab of old-school doom, with a heavy crushing swing to it, as it plods along to cast out any evil spirits that have entered your soul. Vocalist Soozi Chameleone adds lyrics that tell the tale of a demonic romance, and what happens when you become entranced by an evil spirit …”; whereas in Fear The Priest the whole band summons our spirits for one final exorcism, with its bass and riffs sounding menacing and thunderous from start to finish. Furthermore, the music remains disturbing and alluring for over nine minutes, with Soozi once again stealing the spotlight with her demonic vocal performance. As Mark himself said about this feast of blackened sounds, “Fear The Priest was the last track to be written to complete the album, the idea of the track is based around demonic possession, good vs evil, the fear the possessed person has towards the priest, it’s the longest track on the album, the riffs are pure evil and I think it’s the perfect track to let people know what to expect from the new album.”

You can have a blast with Dead Witches by listening to their brand new sonic exorcism in full on YouTube, by following them on Facebook, by subscribing to their YouTube channel or by listening to more of their music on Spotify, as well as of course by purchasing The Final Exorcism from the Heavy Psych Sounds Records’ BandCamp or webstore, from iTunes or from Amazon. It doesn’t really matter how you do it, as long as you join this talented coven hailing from the UK, a place where dark and damp days, exorcisms and doom are just around the corner waiting, readily available for everyone who loves top-of-the-line dark and sluggish metal music and whose soul has already been consumed by darkness and evil.

Best moments of the album: The Final Exorcism and Fear The Priest.

Worst moments of the album: None.

Released in 2019 Heavy Psych Sounds Records

Track listing
1. There’s Someone There 0:35
2. The Final Exorcism 7:32
3. Goddess Of The Night 8:08
4. When Do The Dead See The Sun 1:38
5. The Church By The Sea 7:33
6. Lay, Demon 5:47
7. Fear The Priest 9:29

Band members
Soozi Chameleone – vocals
Oliver Irongiant – guitar
Carl Geary – bass
Mark Greening – drums

Album Review – High Reeper / High Reeper (2018)

Reeper, deadly reeper, it’s time to rumble to the flammable fusion of Stoner Rock and Doom Metal by this up-and-coming five-piece act from Philadelphia.

Formed in 2016 in the city of Philadelphia, Pennsylvania’s largest city, in the United States by Zach Thomas on vocals, Pat Daly and Andrew Price on the guitars, Shane Trimble on bass and Napz Mosley on drums, Hard Rock/Doom Metal act High Reeper originally started as a studio band, but it rapidly became apparent that their music was meant to be heard live and loud, making their debut in the Philly stoner rock scene in early 2017 with success and, as a consequence, being followed up by the release of their self-titled debut album now in 2018. Deeply rooted in modern Stoner Rock but still giving a nod to the early days of Black Sabbath, the band’s first offering is driven by pounding rhythms, thick guitars and soaring, screeching vocals, meant to be played loud and to be played often.

In other words, High Reeper is an unapologetic punch in the face for fans of early 70’s proto-metal, with the sound and smell of leather, weed, boozing, gambling and death permeating the record from start to finish. Produced, engineered and mixed by bass player Shane Trimble at TTR studios in Philadelphia as well as his home studio Delwood Sound in Delaware, the sound is laced with old school elements while still maintaining the focus of a modern-sounding release, being highly recommended for fans of the aforementioned Black Sabbath, as well as other noisy and obscure bands like Saint Vitus and Orchid. Throughout its 42 minutes of music split into nine unique tracks, each one with its own purpose and soul, High Reeper will take you on a psychedelic and stoner musical journey, running from up-tempo straight-ahead rock, to slowed down, heavy, early doom.

Otherworldly riffs kick off the flammable Doom Metal feast titled Die Slow, a fun tune that will certainly put you into a trance where Shane with his rumbling bass and Napz with his rhythmic beats set the stage for the Ozzy-inspired vocals by Zach; and enhancing their electricity and stamina to a whole new level, the quintet delivers a rockin’ hymn titled Chrome Hammer, showcasing a great riffage by the guitar duo comprised of Pat and Andrew in what’s in my humble opinion the best song of the entire album. Keep in mind the party is just starting, as in Soul Taker we’re treated to another excellent Black Sabbath-like anthem by High Reeper, with Napz smashing his drums and Pat and Andrew delivering pure feeling with their strings.

The title-track High Reeper is sluggish and somber as expected in good old Doom Metal, ignited by the low-tuned bass by Shane before it becomes a drum feast by Napz, flowing into a thrilling, metallic ending; whereas in Reeper Deadly Reeper a dark and menacing intro evolves into a hard rockin’ Stoner and Doom Metal mass, with Zach putting his heart and soul into his performance, therefore enhancing the song’s already powerful vibe considerably. Then we have Weed & Speed, where the name says it all, with the weed part coming in the form pure Stoner Metal flowing from their instruments, while the speed appears every now and then amidst the most sluggish and soulful riffs you can think of. However, the final result doesn’t feel as cohesive as the other songs, falling flat after a while.

In the fantastic Double Down And Let It Ride, simply let their doomed sounds and noises invade your senses, led by the always thrilling guitars by Pat and Andrew. This is what I would call the perfect depiction of a hybrid between old school Doom Metal with modern Stoner Metal and Southern Rock, and a path High Reeper should definitely keep exploring in their future releases. Black Leather (Chose Us) is an ode to the 70’s lifestyle where heavy rockers used to wear black no matter what, translated into top-tier Stoner Rock full of crisp riffs and solos, rhythmic beats and the inebriate vocals by Zach. And last but not least, closing this feast of witchcraft and psychedelia we have another solid tune titled Friend Of Death, where we’re able to enjoy all the dexterity by the band’s guitar duo as well as the precision and feeling of Napz on drums for over six minutes, not to mention Shane with his blackened low-tuned punches, with its last part being a thing of beauty for fans of the genre.

You can easily enter the psychedelic world ruled by High Reeper by visiting their Facebook page and by purchasing their incendiary album through the Heavy Psych Sounds BandCamp or webstore (as a regular version or as a bundle that includes the album plus a T-shirt and a patch), as well as on iTunes, on Amazon, and on other retailers like Saturn and Best Buy. Because, you know, it’s time to rumble to the flammable fusion of Stoner Rock and Doom Metal by this excellent band from Philadelphia, and once you get into their vibe there’s no way out.

Best moments of the album: Chrome Hammer, Reeper Deadly Reeper and Double Down And Let It Ride.

Worst moments of the album: Weed & Speed.

Released in 2018 Heavy Psych Sounds Records

Track listing
1. Die Slow 5:28
2. Chrome Hammer 2:53
3. Soul Taker 3:27
4. High Reeper 4:37
5. Reeper Deadly Reeper 6:09
6. Weed & Speed 5:37
7. Double Down And Let It Ride 4:40
8. Black Leather (Chose Us) 3:28
9. Friend Of Death 6:07

Band members
Zach Thomas – vocals
Pat Daly – guitar
Andrew Price – guitar
Shane Trimble – bass
Napz Mosley – drums

Album Review – Dead Witches / Ouija (2017)

Beware as the witches are coming to take your soul with their occult, stoned-out Doom Metal.

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hps048_deadwitches_300dpi_cmykBritish drummer Mark Greening (Electric Wizard, Ramesses, With The Dead) and Italian singer Virginia Monti (Psychedelic Witchcraft) have joined forces to establish the heaviest occult, psych superbeast to see the light in 2017, taking the shape of Occult Stoner/Doom Metal act Dead Witches and unleashing upon us mere mortals their debut album obscurely entitled Ouija, a must-have for followers of bands like Electric Wizard, Sleep and Pentagram, among others, who love the combination of dark and strong melodies, heavy guitar riffs and a truly supernatural vibe.

Ouija is comprised of six distinct songs that will mesmerize you during the album’s 33 minutes of somber passages, classic Doom Metal beats and a stunning performance by Virginia on vocals, all perfectly depicted by the bewitching artwork designed by Goatess Doomwych. In addition, Ouija also ended up being the last release in the career of guitarist Greg Elk, who sadly passed away late 2016, giving the album an extra mystical touch. In other words, while listening to Ouija, let the awesome sound of Greg’s guitar penetrate your mind and soul, taking you to the other side for a quick visit where he’s definitely having a good time with his deceased guitar heroes right now. I’m pretty sure that’s what Greg and the rest of the band want you to feel with their music.

The album’s two-and-a-half-minute long Intro informs a dark, misty storm is upon us, with the menacing bass by Carl Geary sending a clear message that there will be no sign of happiness from now on, beginning with the excellent Dead, where Greg and Mark generate the most damned atmosphere you can think of with their fetching guitar riffs and Doom Metal beats, respectively, before the classy Virginia begins firing her sexy devilish vocals, leading us all to burn into the fire as the music progresses. And as the icing on the cake, Greg delivers an outstanding solo to make the whole song even more captivating.

deadwitches_02Then it’s Greg and Carl who build the wicked atmosphere in the sensational Drawing Down The Moon, my favorite song of the album where Virginia sounds even more rapturous on vocals. Moreover, when Mark speeds his beats up we’re treated to a potent sonority full of electricity, passion and the delicious obscurity of Doom Metal. The title-track Ouija is a lot more melancholic, highly recommended for savoring a full bottle of a high-quality, traditional red wine. Greg keeps blasting pure awesomeness through his riffs and solos, while at the same time we get hypnotized by the song’s vocal lines and beats inspired by ritualistic Doom Metal.

In Mind Funeral, get ready to play with the words “self”, “mind”, “control” and “funeral” together with Virginia throughout the whole song in a gripping way, while the rest of the band delivers their low-tuned, obscure lines flawlessly. Although this amazing chant might darken your heart a bit, I’m pretty sure you won’t regret feeling that darkness growing inside you thanks to the electrifying sonority brought forth by this England-based group. And A World Of Darkness, the last tune of this darkly alluring album, showcases powerful performances by Mark and Carl in over seven minutes of raw, straightforward old school Doom Metal that smoothly flow into a Stygian ending. Needless to say, the guitar sounds by Greg feel really touching the whole song, an amazing job done by a talented guitarist that will surely be missed by his family, friends and fans.

You can join the entrancing coven by this excellent UK band through their Facebook page or YouTube channel, and you’ll soon be able to buy your copy of Ouija at the Heavy Psych Sounds Records website, at the All That Is Heavy webstore, on Amazon and other locations. So beware, my dear headbanging friend, as the witches are coming to take your soul with the occult, stoned-out music found in Ouija, an album that has all it takes to become a fan-favorite among admirers of underground Doom Metal without a shadow of a doubt.

Best moments of the album: Drawing Down The Moon and Mind Funeral.

Worst moments of the album: None.

Released in 2017 Heavy Psych Sounds Records

Track listing
1. Intro 2:27
2. Dead 6:05
3. Drawing Down The Moon 5:54
4. Ouija 5:04
5. Mind Funeral 5:00
6. A World Of Darkness 7:35

Band members
Virginia Monti – vocals
Greg Elk (R.I.P.) – guitar
Carl Geary – bass
Mark Greening – drums