Album Review – Sebastien / Act Of Creation (2018)

One of the biggest exponents of modern-day Czech metal returns with the next chapter in their always-evolving and exciting career.

One of the biggest exponents of modern-day Czech metal is back with a brand new album that will certainly please and entertain all fans of the most electrified form of Melodic Power Metal you can think of. After the releases of their debut album Tears Of White Roses, in 2010, and the critically acclaimed Dark Chambers Of Déjà-Vu, in 2015, it’s time for Brno-based metallers Sebastien to unleash their third full-length installment, titled Act Of Creation, continuing their evolution as a band and, as a consequence, cementing their name as the finest metal act you can find in the entire land of beer.

With its cover artwork designed by Hans Trasid (Dis-Art Design), and featuring an entourage of very special guests the likes of Swedish vocalist Apollo Papathanasio (Spiritual Beggars, Firewind) and Slovak vocalist Mayo Petranin (Signum Regis), Act Of Creation will bring to your avid ears fourteen exceptional compositions by skillful musicians who are at their prime, from passionate power ballads to those fast and crisp Melodic Metal anthems that will accelerate your heartbeat in an exciting and fun way. Furthermore, it’s very important to emphasize the fact that Sebastien maintained the same lineup from their previous album, which obviously translated into pure cohesiveness, precise timing and a powerful dynamism among all band members.

The title-track Act of Creation kicks off Sebastien’s metallic feast with a heavier-than-usual sonority, bringing elements from modern-day Groove Metal to their traditional Power Metal. Moreover, frontman George Rain has (as expected) an amazing performance showcasing a wide range of vocal styles in the same song, while Pavel Dvorak brings epicness to the overall sound with his keys. Then we have No Destination, a fast-paced, aggressive tune that will please even non-metal fans due to its thrilling rhythm, presenting the always flammable vocals by George supported by Czech guest vocalist Kristýna Dostálová and endless energy flowing from all instruments; and Wake Up, an imposing tune where Lucas R. leads the crew with his pounding drums, with all orchestral and choir-like elements in the background enhancing the song’s already potent vibe. But it obviously wouldn’t be a Sebastien album without a classic power ballad like Amy, displaying spot-on riffs by George and his bandmate Andy Mons while bassist Petri Kallio not only delivers some powerful bass punches, but his 80’s Hard Rock-inspired backing vocals also add a lot of feeling to the final result.

Venturing through the realms of Symphonic and Melodic Metal, the band delivers a futuristic metal chant titled Evermore, presenting a pleasant paradox between clean and harsh vocals, not to mention how determined Pavel is to arouse our senses with his fiery keyboards. My Empire reminds me of some of the latest creations by Sonata Arctica (which unfortunately is not a good thing these days), with an interesting work done with all background elements but nothing that truly connects in the end, whereas Queen from the Stars is a melancholic, serene ballad with passionate performances by George on vocals and Andy with his acoustic and electric guitars. Put differently, simply hold your lighter high and wave it together with Sebastien to this beautiful song. And featuring guest vocalist Mayo Petranin, Winner is a song where the sound of keyboards is considerably higher than the one of the guitars, therefore uniting in a pleasant way the classic sounding of the 80’s with Sebastien’s contemporary metal.

With Czech guest guitarist Djordje Erič (Citron) slashing us all with a gripping, flammable guitar solo, Heal My Soul goes back to a more traditional musicality, albeit still presenting hints of heavy music from the 80’s, and consequently pleasing both fans of the classic metal by Sebastien as well as the ones who prefer more modern Melodic Metal. In Promises, Kristýna Dostálová returns with her charming vocals in another symphonic ballad by Sebastien, with Andi and Pavel being in total sync with their respective riffs and keys, therefore boosting the electricity of the whole song; and featuring guest Apollo Papathanasio on vocals, it’s time for our Czech squad to put the pedal to the metal in the electrifying hymn Die in Me, where the whole band fires pure Melodic Power Metal for our total delight. Displaying a beyond catchy chorus and endless adrenaline, this metal hymn should sound absolutely fantastic during their live performances.

And Act Of Creation might be considered a long album with its over 60 minutes of music, but every song has its purpose just like Full Moon Child, portraying a classic name for a straightforward and very cohesive Power Metal sonority boosted by the precise beats by Lucas, with highlights to the spot-on riffs and solos extracted by Andy from his unstoppable guitar. The second to last metallic act by those Czech rockers comes in the form of a semi-acoustic ballad entitled Hero, with another powerful performance by George on vocals, before the bonus track V Síti Štěstí (or “in the network of happiness” from Czech) closes the album in sublime fashion. It’s not a secret to anyone that Sebastien never get tired of delivering soulful ballads to our ears; however, this is a fresh one, being fully sung in Czech, which seems to have provided George some additional room for adding never-before-seen nuances to his vocal lines.

It’s always a pleasure to see a talented and hardworking band like Sebastien evolving in their already solid career, and if you want to know more about the best metal band hailing from the enchanting Czech Republic you should definitely go check their Facebook page and YouTube channel for news, tour dates (and they do tour several other countries if you ) and, of course, more of their awesome Power Metal. Act Of Creation, which can be purchased from the Pride & Joy Music webstore, from the band’s own Facebook, from iTunes or from Amazon, is one of those albums that will put a smile on your face no matter how hard your day has been, proving once again Sebastien are here to stay and to keep bringing top-tier heavy music to our never-resting metal hearts.

Best moments of the album: No Destination, Evermore, Promises and Die in Me.

Worst moments of the album: My Empire.

Released in 2018 Pride & Joy Music

Track listing
1. Act of Creation 4:27
2. No Destination (feat. Kristýna Dostálová) 3:02
3. Wake Up 4:11
4. Amy 5:38
5. Evermore 4:32
6. My Empire 3:48
7. Queen from the Stars 4:34
8. Winner (feat. Mayo Petranin) 4:01
9. Heal My Soul (feat. Djordje Erič) 3:47
10. Promises (feat. Kristýna Dostálová) 3:29
11. Die in Me (feat. Apollo Papathanasio) 4:54
12. Full Moon Child 4:52
13. Hero 5:25

Bonus track
14.V Síti Štěstí 4:34

Band members
George Rain – vocals, guitars
Andy Mons – guitars
Petri Kallio – bass, backing vocals
Pavel Dvorak – keyboards
Lucas R. – drums

Guest musicians
Apollo Papathanasio – vocals on “Die In Me”
Mayo Petranin – vocals on “Winner”
Kristýna Dostálová – female vocals on “No Destination” and “Promises”
Djordje Erič – lead guitar on “Heal My Soul”
Vendula Skalová – backing vocals


Album Review – Blaze Bayley / The Redemption of William Black (Infinite Entanglement Part III) (2018)

What does the future hold for Mr. William Christopher Black? Here he is, the indomitable Heavy Metal icon Blaze Bayley, to tell us the dramatic conclusion to his stunning Infinite Entanglement Trilogy.

All good things must come to an end, including the beyond fantastic Infinite Entanglement Trilogy by the indomitable British Heavy Metal icon Blaze Bayley. After the stunning two first parts Infinite Entanglement and Endure And Survive (Infinite Entanglement Part II), it’s time for Blaze and his amazing band to tell us the conclusion to this thrilling sci-fi story in the third and final installment The Redemption of William Black (Infinite Entanglement Part III), the tenth solo album in Blaze’s unique career, and believe me, the story of Mr. William Christopher Black couldn’t have ended in a more dramatic, exciting and electrifying way.

Featuring guest vocal performances from Fozzy singer and WWE superstar Chris Jericho and from Luke Appleton, bassist from American powerhouse Iced Earth and rhythm guitarist with British metallers Absolva, as well as several other guest vocalists and narrators such as Liz Owen and Harry Webster Appleton II, The Redemption of William Black continues where the earlier albums left off, with Blaze’s trademark infectious choruses, blistering lead guitar work from Chris Appleton and a bedrock rhythm section from Karl Schramm on bass and Martin McNee on drums, all three also members of Absolva. Co-written by Blaze and Chris Appleton, everything in the album is perfectly aligned with the previous two albums in the trilogy, including its rip-roaring artwork and layout designed by Akirant Illustration. Hence, get ready for another lecture in traditional Heavy Metal by Blaze and his henchmen, and to finally know what the future holds for the dauntless William Black.

The album starts with our anti-hero seeking for redemption, saying he will “save the best of this world”, and Blaze Bayley & Co. make it quite clear with the high-octane, heavy and thrilling opening track Redeemer, with the guitar by Chris sounding extremely acute like a sharpened axe, also bringing one of those electrifying choruses tailored for singing along with Blaze. Then without giving us any time to breathe Blaze and his bandmates fire another metallic hymn titled Are You Here, where Chris and Karl sound thunderous with their strings while Martin never lets the energy level go down with his pounding beats; followed by Immortal One, a powerful song about immortality showcasing a fantastic guitar solo by Chris and an imposing rhythm, increasing in intensity until its crushing finale. Put differently, it can’t get any more Heavy Metal than this, my friends.

In the outstanding The First True Sign the band doesn’t get tired of smashing our ears with pure Heavy Metal, with its initial tribal sounds being suddenly joined by Chris’ most awesome, lancinating riffs of the whole album, turning it into a terrific choice for their live performances. Moreover, Blaze as usual passionately declaims the song’s poetic lyrics, captivating our attention from start to finish. After such metallic extravaganza, it’s time for one of those stunning ballads by Blaze, entitled Human Eyes, where acoustic guitars are accompanied by a pensive Blaze reciting the song’s extremely touching words, and all that dedication and focus by Blaze goes on until the song’s melancholic ending; whereas in Prayers of Light, the aforementioned guest Chris Jericho delivers some cryptic words before the flammable riffs by Chris ignite another explosion of traditional metal music. It’s indeed an upbeat tune perfect for cheering up your day, with both Jericho and Luke Appleton doing an amazing job on backing vocals. And Blaze’s minstrel side strikes again in 18 Days, where he poetically sings the song’s potent lines amidst a feast of mid-tempo heavy riffs and beats, making a sensational vocal duo with guest Liz Owen who delivers beautiful, ethereal vocals together with the Messiah.

With elements from Hard Rock added to the band’s classic Heavy Metal, we’re treated to the very precise and exciting work done on strings by Chris and Karl in Already Won, providing Blaze all he needs to thrive on vocals. And Blaze definitely knows how to reach deep inside our hearts with his introspective vocals like what happens in Life Goes On, being powerfully accompanied by lighter, acoustic parts intertwined with heavier moments crafted by his band members. The second to last act in the epic and futuristic tale of William Black comes in the form of The Dark Side of Black, a thrilling tune bringing forward all we love in the music by Blaze Bayley, that being fast-paced beats, melodic and cutting riffs, and obviously his resonant, potent vocals. Furthermore, Chris once again fires a superb guitar solo as the icing on the cake of the most obscure side of our protagonist translated into first-class metal. Last but not least we have Eagle Spirit, ignited by a special narration by a British war hero, Leading Aircraftman (LAC) Harry Webster Appleton II, before the band offers us all over nine minutes of gripping passages and flammable riffs, with Martin delivering rhythmic, puissant beats to make the whole song even more impactful. And after all is said and done, William finally finds his redemption as the story comes to a climatic and absolutely beautiful ending.

You can buy your copy of The Redemption of William Black (Infinite Entanglement Part III) directly from Blaze Bayley’s official webstore, as well as from other retail outlets such as iTunes, Amazon, Heartland Music, Collectors’ Choice Music and, among others. At the same time, a special deluxe box will be available exclusively from Blaze’s website, specially made to house all three albums from the Infinite Entanglement Trilogy (needless to say, I highly recommend you listen to all three albums in a row without breaks to properly experience the full saga), and later this year the new album will also be made available as a vinyl LP, again in a specially-made deluxe box to house all 3 LP’s. Now that the astonishing tale of Mr. William Christopher Black is over, let’s all keep an eye on Blaze’s official Facebook page for news and tour dates, as he’s certainly going to kick some ass live in a city near you pretty soon (just like he did last year in Toronto). I have absolutely no idea if we’ll ever see William Black again, but if there’s one thing that’s certain, it’s that the daredevil Blaze Bayley is in the best shape of his life and will therefore keep blowing our minds with his unmatched fusion of old school Heavy Metal and top-tier sci-fi storytelling.

Best moments of the album: Redeemer, The First True Sign, 18 Days and The Dark Side of Black.

Worst moments of the album: None.

Released in 2018 Blaze Bayley Recordings

Track listing 
1. Redeemer 4:11
2. Are You Here 2:32
3. Immortal One 2:56
4. The First True Sign 4:04
5. Human Eyes 5:36
6. Prayers of Light 3:25
7. 18 Days 4:03
8. Already Won 2:58
9. Life Goes On 5:00
10. The Dark Side of Black 3:25
11. Eagle Spirit 8:50

Band members
Blaze Bayley – vocals
Chris Appleton – guitars, backing vocals
Karl Schramm – bass, backing vocals
Martin McNee – drums

Guest musicians
Chris Jericho – narration, backing vocals on “Prayes of Light”
Luke Appleton – backing vocals on “Prayes of Light”
Liz Owen – female vocals on “18 Days”
Melissa Adams & Joanne Kay Robinson – backing vocals, choir
Aine Brewer, Rob Toogood, Michelle Sciarrotta & Harry Webster Appleton II – narration

Album Review – Death Keepers / Rock This World (2018)

A fresh, catchy and incredibly addicting blend of classic Power Metal with Hard Rock and Rock N’ Roll influences that will rock your world like there’s no tomorrow.

Born in the fires of Barcelona, the cosmopolitan capital of Spain’s Catalonia region, in late 2011 by the fusion of the experience and talent of an array of musicians who were driven into gathering the best of Heavy Metal of yesterday and today, five-piece squad Death Keepers sticks to the all-time Heavy Metal style, that quintessential sound and energy that so many fans fell in love with back in the 80’s, spiced up by the technological developments of our era, thus, bringing to life an experience of epic proportions like what you’ll find in their debut album, entitled Rock This World, a fresh and fulfilling Heavy Metal extravaganza pushed into the next wave of Heavy Metal evolution.

Death Keepers released their debut EP On the Sacred Way in 2013, and since then they’ve been working on their debut album, developing their own sound by adding more and more Hard Rock influences to their previous Power Metal sound. Including both revamped songs from their EP as well as brand new tunes, Rock This World brings to the listener a fresh, catchy and incredibly addicting blend of classic Power Metal the likes of of Helloween and Judas Priest with Hard Rock and Rock N’ Roll influences that give the whole album an unusual and tremendously infectious feel. With that said, simply put on your old school leather jacket and get ready to rock like there’s no tomorrow with those five Spanish metallers.

Ladies and gentlemen, start up your engines and join Death Keepers in their frantic race for Rock N’ Roll in the opening track straightforwardly titled Rock & Roll City, where frontman Dey Rus fires those classic metallic vocals we all love so much in heavy music, complemented by the fantastic guitars by both Eddy Gary and Antonio Maties. Fire Angel sounds and feels more melodic and epic with pure Heavy Metal flowing from all instruments, reminding me of the music by icons such as Edguy, Avantasia and Sebastien, being perfect for singing along with the band with your fists in the air; whereas in Death Keepers the band tells the world who they are by delivering an ass-kicking Heavy Metal sonority led by the fast and rhythmic beats by Miki Hunter (who’s by the way flawlessly supported by the rumbling bass by Gorka Alegre), being clearly inspired by old school Helloween. And the band’s guitar duo sounds even more Helloween-ish than before in Haven’s Heaven, showcasing great pace and dynamism among all band members in another ode to classic metal.

In the title-track Rock This World, not only the sound of the guitars by Eddy and Antonio keeps burning our skin, but their solos are also a thing of beauty, not to mention another solid performance by Dey on vocals. Put differently, Death Keepers definitely know how to rock our world in a beyond fun way, right? And it’s time to add a pinch of their Spanish musical heritage to the album through the melancholic acoustic guitars in Thriving Forcast, before all their electricity returns in this instrumental power ballad featuring some excellent guitar solos and tons of feeling; followed by Love’s Within (Yourself), where it’s quite interesting to see how the vocals by Dey feel like a fusion of Andi Deris and Tobias Sammet, while Miki keeps the sonority at full speed with his beats and Eddy, Antonio and Gorka create a thrilling onrush of metal with their strings.

If you consider yourself a diehard metalhead with true Heavy Metal flowing through your veins you’ll love Wildfire, with Dey being flawlessly supported by the song’s backing vocals. Hence, you’ll start playing some air guitar with Death Keepers without even noticing so compelling the entire song is. Then the bridge Invention IV presents one minute of pure dexterity on guitars before Metallia comes ripping our metal hearts in superb fashion, with the entire band firing the purest form of Heavy Metal you can think of with their scorching instruments. Furthermore, Gorka is a beast with his galloping bass lines, while Dey provides some excellent high-pitched vocals in this top-tier tribute to all things metal. And in the closing tune, named Smooth Hit Love, a Hard Rock-like acoustic start evolves into a passionate power ballad led by the touching riffs and solos by Eddy and Antonio, while Dey puts his heart and soul into declaiming the song’s love words until the sound of the ocean comes to end it beautifully.

You can take a full listen at Rock This World on Spotify, but if you love traditional Heavy Metal more than you love your own life and family I highly recommend you go purchase the album right now without even blinking through the Fighter Records BandCamp, through the Xtreem Music webstore, on iTunes or on Amazon, and add each one of its hard rockin’ songs to the playlist of your most electrifying moments in life. Because, you know, they are Death Keepers, and they’re among us with one single purpose in mind, to keep rocking our world like there’s no tomorrow.

Best moments of the album: Rock & Roll City, Death Keepers, Wildfire and Metallia.

Worst moments of the album: None.

Released in 2018 Fighter Records

Track listing   
1. Rock & Roll City 3:24
2. Fire Angel 4:40
3. Death Keepers 5:08
4. Haven’s Heaven 5:21
5. Rock This World 4:25
6. Thriving Forcast (Instrumental) 4:54
7. Love’s Within (Yourself) 5:04
8. Wildfire 6:38
9. Invention IV (Instrumental) 0:56
10. Metallia 4:37
11. Smooth Hit Love 8:50

Band members
Dey Rus – lead vocals
Eddy Gary – lead & rhythm guitar
Antonio Maties – lead & rhythm guitar
Gorka Alegre – bass
Miki Hunter – drums


Album Review – Sonic Prophecy / Savage Gods (2018)

Enjoy 10 fist-pounding tracks rooted in traditional Heavy Metal melded with the symphonic beauty of Power Metal, courtesy of a band that has the purest form of heavy music running through their veins.

Following their 2015 release Apocalyptic Promenade, an album that combined the melody and beauty of Symphonic Power Metal while maintaining the crunch, drive and power of traditional metal, plus their 2011 debut A Divine Act of War, which had its music placed in the television series Rock n’ Lock, the video game Volgarr the Viking and Danny Trejo’s 2006 movie Vengeance, American Power Metal warriors Sonic Prophecy return in 2018 with a brand new full-length album titled Savage Gods, featuring 10 fist-pounding tracks rooted in traditional Heavy Metal melded with the symphonic beauty of Power Metal, capturing the excitement and sound of such bands as Iron Maiden, Judas Priest, Helloween, Hammerfall and Kamelot while blending other musical styles to arrive at a sound of their own.

Officially founded in 2008 in Salt Lake City, the capital and the most populous municipality of the state of Utah, in the United States, Sonic Prophecy showcase all their passion and commitment to old school Heavy Metal in Savage Gods, with the album lyrics covering topics commonly found in heavy music, such as medieval wars, mechanized genocide and the dangers associated with extremist ideologies. “We think our fans will love this album! Savage Gods, as a record, basically combines all of the things I think people liked about our previous releases and then moves us forward into new areas musically and lyrically. For our fans, there will be no mistaking this is Sonic Prophecy, but we definitely cover some new exciting ground on this record”, commented frontman Shane Provstgaard on the album, also adding that “this is pure heavy metal with driving guitars, thundering drums, and some of what I feel is my best vocal work to date. With songs Night Terror, Unholy Blood and the album title track, we’ve really laid down a brutal sonic backdrop, along with keeping the melody, which is important to our music.”

An Iced Earth-inspired intro ignites the full-bodied title-track Savage Gods, led by the sharp axes by guitarists Darrin Goodman and Sebastian Martin while tons of epicness flow from the potent vocals by Shane. And their feast of old school metal music goes on with another amazing tune titled Night Terror, where Shane elevates the impact of his vocals to an even higher level, boosted by the beyond classic beast by drummer Matt LeFevre, followed by Unholy Blood, a song that begins in full force with a spot-on guitar solo before becoming a mid-tempo epic chant. Needless to say, this amazing song will definitely please fans of bands like Iron Maiden, Iced Earth, Blind Guardian, Judas Priest, and so on.

In Dreaming Of The Storm the band brings forward darker, more introspective lines to give the sense of a storm inside our minds, with bassist Ron Zemanek making sure there’s a good amount of thunder in the given storm while Matt keeps the musicality flowing smoothly through his precise beats. Then we have the aggressive Man The Guns, an 80’s-inspired hymn with hints of Hard Rock and Rock N’ Roll presenting galloping bass punches, exciting double bass roars and a good amount of shredding and solos, all embraced by Shane’s enraged performance on vocals.  What else can you ask for in heavy music, right? And leaning towards Melodic Metal the band fills our ears with very harmonious lines and smooth piano notes to make the overall result bolder in Walk Through The Fire, where Matt does a great job with his rhythmic beats while Darrin and Sebastian simply kick ass with their solos; whereas A Prayer Before Battle is one of those epic songs perfect for heading into the battlefield, with Shane evoking the gods of war with his Matt Barlow-like vocals, not to mention the NWOBHM-inspired drumming by Matt, guiding us to Valhalla together with Sonic Prophecy.

Iron Clad Heart is another song with a beautiful name and endless electricity flowing from all instruments, sounding like a hybrid between the music by Iced Earth and Iron Maiden, presenting accelerated riffs and beats while Shane continues to thrive on vocals. Put differently, if you love traditional metal from the bottom of your heart, this tune is absolutely made for you. The second to last song in Savage Gods, named Man and Machine, is one of those cases where if you listen to it as an individual song you’ll certainly enjoy it a lot, but compared to the rest of the album it lacks energy and impact. The low-tuned bass lines by Ron sound amazing throughout the whole song, though, but they’re not enough for the song to keep up with the other tracks. And last but not least Sonic Prophecy goes full Power Metal in Chasing The Horizon, delivering gripping riffs and fast-paced beats that effectively support another solid performance by Shane on vocals, with some nice variations making it sound like two songs in one.

It’s time to join Sonic Prophecy’s quest for traditional Heavy Metal by following them on Facebook and listening to their music on YouTube, and of course by purchasing the excellent Savage Gods at the band’s own webshop, at the Rockshots Records’ webshop, at the JPC webshop, and also on your usual online stores iTunes and Amazon. When Shane said Savage Gods is pure Heavy Metal he wasn’t exaggerating at all; quite the contrary, he was actually being slightly modest in his comment, as this album exhales the purest form of Heavy Metal, courtesy of a band that has incandescent metal running through their veins.

Best moments of the album: Night Terror, Man The Guns, A Prayer Before Battle and Iron Clad Heart.

Worst moments of the album: Man and Machine.

Released in 2018 Rockshots Records

Track listing   
1. Savage Gods 6:44
2. Night Terror 5:38
3. Unholy Blood 5:13
4. Dreaming Of The Storm 4:55
5. Man The Guns 5:04
6. Walk Through The Fire 7:09
7. A Prayer Before Battle 5:46
8. Iron Clad Heart 5:24
9. Man and Machine 6:44
10. Chasing The Horizon 6:14

Band members
Shane Provstgaard – vocals
Darrin Goodman – guitar
Sebastian Martin – guitar
Ron Zemanek – bass
Matt LeFevre – drums


Album Review – Rexoria / Queen Of Light (2018)

Welcome to the amazing world of Melodic Metal ruled by an up-and-coming four-piece act from Sweden.

Hailing from Jönköping, is a city on the shores of Lake Vättern, located in southern Sweden, Melodic Metal quartet Rexoria have been on a fast and healthy rise since their inception in 2016, having already toured several countries with bands like Bloodbound and Crystal Viper, as well as supporting renowned acts such as Backyard Babies, Entombed A.D. and Battle Beast in their homeland Sweden. And the reason for that amazing upward trend is obviously the extreme talent of their band members, their devoted passion for Heavy Metal and, as the icing on the cake, the stunning performance by frontwoman Frida Ohlin, who by the way was one of the finalists in the Swedish competition Årets Rockröst in 2016 (which would translate as “The Rock Voice”).

Blending their core Melodic Metal with folk influences, Rexoria released their debut EP in 2016, entitled Moments Of Insanity, followed by another EP in 2017, The World Unknown, both presenting what this talented Swedish band is capable of. However, it’s now with their first full-length album, elegantly named Queen Of Light, that fans of the more melodious side of Heavy Metal will be able to experience a full-bodied, detailed blast of the classy music crafted by Rexoria, heavily inspired by the golden years of Heavy Metal and spiced up by nuances of contemporary Power and Folk Metal. Put differently, if you’re crazy for Scandinavian Metal the likes of Stratovarius and Nightwish, you might have found your next addiction in heavy music.

The movie-inspired intro The Land in Between transports the listener to the whimsical and unknown world of Rexoria, with the guitar duo comprised of Jonas Gustavsson and Cristofer Svensson opening the gates for the harmonious vocals by Frida to welcome us all to the first song of the album, titled Stranded, a precise fusion of Melodic and Symphonic Metal highly inspired by bands like Epica and Nightwish; followed by the title-track Queen of Light, feeling even more imposing and melodic and also bringing elements from the classic Heavy Metal played by Doro, or in other words, it’s 80’s metal with a catchy chorus and electrifying riffs and beats where you can sense the amazing smell of epicness and power that permeates the air throughout the whole song. And leaning towards modern Folk Metal we have Voice of Heaven, with the keyboards by Frida generating a gentle ambience while the rest of the band makes sure the sounding remains as metal as it can be.

Way to Die is another stylish tune that effectively combines the more trenchant elements of Heavy Metal with the elegance and delicacy of symphonic and operatic music, with Frida once again having a remarkable performance with her potent voice. After such high-end display of heavy music we’re treated to a passionate, melancholic and gripping ballad named Song by the Angels, again taking us back to 80’s Heavy Metal with pure romance flowing from all instruments, especially the guitars by both Jonas and Cristofer which add tons of feeling and electricity to the overall result, whereas in Next Generation old school guitar riffs are in perfect sync with the precise beats by drummer Martin Gustavsson, not to mention the song’s fiery guitar solos and the epic vibe that supports the band from start to finish. The next tune, entitled The Saviour, offers more of Rexoria’s traditional metal lines with hints of Folk Metal and 80’s Hard Rock, with Jonas and Cristofer displaying all their passion for Melodic Metal by delivering smooth lines with their instruments and building the stage for Frida’s vocals to shine once again.

Hurricane is perhaps the most Heavy and Power Metal of all songs of the album (and definitely the most inspiring one), which is something you can already expect taking into account its name, showcasing an accelerated rhythm led by the potent drumming by Martin while Frida steals the spotlight yet again with her resonant vocal lines. Now think about an epic tune with a serene background led by the stunning vocals of a female warrior? That’s exactly what you’ll get in My Spirit Will Run Free, a song that can’t get any more 80’s than that, before the closing act You’ll Be Alright brings more of the band’s traditional musicality, with Jonas, Cristofer and Martin providing a beyond solid support for Frida to mesmerize us one last time, and when the song is over you’ll simply realize there’s nothing bad or out of place in the entire album.

You can purchase Queen Of Light at several online stores such as Pride & Joy Music, Nuclear Blast, and Bengans, as well as on iTunes and on Amazon, and remember you can always keep track of all things Rexoria through their official Facebook page, and listen to their music on YouTube and on Spotify. Then after having Queen Of Light on your hands, you’ll finally be allowed to enter the fantastic world of Melodic Metal ruled by Rexoria and let those four Swedish metallers guide you on a journey through the waves of harmonious and elegant Heavy Metal.

Best moments of the album: Queen of Light, Song by the Angels and Hurricane.

Worst moments of the album: None.

Released in 2018 Pride & Joy Music

Track listing   
1. The Land in Between 1:40
2. Stranded 4:49
3. Queen of Light 4:18
4. Voice of Heaven 4:43
5. Way to Die 4:16
6. Song by the Angels 5:36
7. Next Generation 4:18
8. The Saviour 4:44
9. Hurricane 4:53
10. My Spirit Will Run Free 5:11
11. You’ll Be Alright 5:37

Band members
Frida Ohlin – vocals, keyboards
Jonas Gustavsson – guitar, bass
Cristofer Svensson – guitar
Martin Gustavsson – drums


Album Review – Magick Touch / Blades, Chains, Whips & Fire (2018)

A “magickal” music journey to the golden years of rock and metal, reminding us all why we love those electrifying sounds so much.

In these times where trends seem to come and go on an almost monthly basis, sometimes it’s never more satisfying than to simply sit back and rock out. And that’s exactly what Norwegian Hard Rock/Rock N’ Roll power trio Magick Touch will make you do with their highly anticipated second full-length album, entitled Blades, Chains, Whips & Fire, a beyond exciting follow-up to their critically acclaimed debut endeavor Electrick Sorcery, released in 2015. In other words, there are no tricks, no special effects nor any other type of shenanigans in Blades, Chains, Whips & Fire, just three skillful musicians declaring all their passion for classic rock and metal through their music.

Formed in 2014 in Bergen, a southwestern coastal town in Norway, Magick Touch are HK Rein on guitar and vocals, Christer Ottesen on bass and vocals, and Bård Nordvik on drums, blending in their music several elements from the most classic forms of Heavy Metal and Rock N’ Roll with a strong focus on the synchronicity between their vocal lines and the slashing power of their guitar riffs. This Norwegian trinity of rock will take you on a journey to the golden years of rock music through the 10 electrifying tunes featured in Blades, Chains, Whips & Fire, always reminding you why you love the gripping sounds of rock so much in your life.

And the Rock N’ Roll running through their veins becomes latent in the opening track, the upbeat Under The Gun, bringing the purest form of rockin’ riffs and the high-pitched, electrified vocals by HK, with the bass punches by Christer knocking us out within seconds, and keep banging your freakin’ heads nonstop and raising your beers to the soulful guitar lines by HK in The Great Escape, while Bård keeps pounding his drum kit mercilessly. Following such electrified start to the album we have Midnite Sadusa and its Cat Scratch Fever-inspired main riff, an ode to 70’s and 80’s Rock N’ Roll where Christer and Bård are responsible for creating a massive wave of rumbling tones perfect for the classic vocals by HK. Put differently, this is one of those songs that would have been an all-time classic if written 30 years ago.

Leaning towards more contemporary Hard Rock with hints of the sonority by bands like Nickelback and Breaking Benjamin (but also showcasing the band’s old school core essence), Believe In Magick is a song tailored for dancing together with your boyfriend or girlfriend at a rock n’ roll party; whereas the roaring bass by Christer takes the lead in this potent fusion of Southern Rock, Stoner Metal and Hard Rock titled Polonium Blues, which will certainly please all fans of the golden years of Southern Rock. In Siren Song we’re treated to a thrilling intro that keeps growing in intensity until groovy Rock N’ Roll fills our ears, presenting sharp guitar lines with psychedelic elements while the vocal lines sound hard and heavy just the way we all love in rock music. And speeding up their pace, Magick Touch deliver a flammable rockin’ chant named Lost With All Hands, with its guitar and bass slashing our brains while the beats by Bård don’t let us stop dancing for a single second.

Slowing down again and bringing elements from Blues Rock to their sonority, the band offers us After The Fire, a radio-friendly composition with a solid drumming and a catchy rhythm, despite losing its grip after a while, followed by Electrick Sorcery, the second to last Hard Rock comet by Magick Touch and, more important than that, their personal tribute to 70’s and 80’s Rock N’ Roll and Heavy Metal, showcasing amazing performances by all band members (especially HK with his passionate vocals and spot-on riffs), and with its backing vocals adding an extra touch of awesomeness to the overall result. Furthermore, the last part of the song is absolutely fantastic, with the band paying homage to KISS, Judas Priest, AC/DC, Dio, Motörhead and other rock and metal idols through the song’s clever lyrics. At long last we have a song which name could have been easily used by Manowar in one of their songs, the title-track Blades, Chains, Whips & Fire, a mid-tempo heavy-as-hell hybrid of pure Rock N’ Roll with the most rumbling form of Southern Rock and Metal, also displaying an amazing chorus accompanied by the lowering bass by Christer and the slow, steady and fierce beast by Bård, even presenting some Iron Maiden-ish moments effectively inserted throughout its faster and more complex passages.

I guess I don’t need to say you should definitely let your rockin’ heart be touched by the electrifying and magical waves crafted by Magick Touch in Blades, Chains, Whips & Fire, and in order to do that simply go visit their Facebook page, YouTube channel, Spotify and SoundCloud for news, tour dates, videos and, above all that, first-class Rock N’ Roll. Blades, Chains, Whips & Fire, which is already on sale through several online stores such as the band’s own BandCamp page, the Edged Circle Productions’ webstore (in CD or LP format) and the Season of Mist’s webstore, as well as on Amazon, on iTunes or at Discogs, doesn’t aim at revolutionizing rock and metal music. Quite the contrary, Magick Touch’s main goal with their new album is simply to remind the whole world how awesome our good old Rock N’ Roll is and will always be, and the band not only nailed it, but they also provided us all a “magick” soundtrack to our days and moments on the road, at work, at school or anywhere else good music is needed.

Best moments of the album: Under The Gun, Midnite Sadusa and Electrick Sorcery.

Worst moments of the album: After The Fire.

Released in 2018 Edged Circle Productions

Track listing
1. Under The Gun 2:53
2. The Great Escape 2:56
3. Midnite Sadusa 3:39
4. Believe In Magick 3:36
5. Polonium Blues 4:17
6. Siren Song 4:30
7. Lost With All Hands 3:13
8. After The Fire 4:10
9. Electrick Sorcery 4:26
10. Blades, Chains, Whips & Fire 6:18

Band members
HK Rein – guitar, vocals
Christer Ottesen – bass, vocals
Bård Nordvik – drums, vocals


The Year In Review – Top 10 Hard Rock/Heavy Metal Albums of 2017

“We sort of find that music tames the beast, you know.” – Malcom Young

It’s that wonderful time of the year again, and I’m obviously not talking about Christmas and the holiday season. In a year where we lost so many talented and important musicians in rock and heavy music for various reasons, including Malcolm Young (AC/DC), Chris Cornell (Soundgarden), Chester Bennington (Linkin Park), Trish Doan (Kittie), Martin Eric Ain (Celtic Frost), Warrel Dane (Nevermore, Sanctuary), John Wetton (Uriah Heep), David Zablidowsky (Adrenaline Mob, Trans-Siberian Orchestra), Chuck Mosley (Faith No More) and Cherry Taketani (Okotô, Hellsakura, NervoChaos), among several others, not to mention the end of the unmatched Black Sabbath, who we were able to witness live one last time during their farewell tour The End, only the freshness and energy flowing from brand new metal music can give us hope, not allowing Heavy Metal and Rock N’ Roll to die as many like to prophesy every single year.

Having said that, it’s time to blow our goddamn speakers with The Headbanging Moose’s Top 10 Hard Rock/Heavy Metal Albums of 2017, excluding EP’s, best of’s and live albums, taming the beast inside us all as wisely said by AC/DC’s heart and soul Malcolm Young (R.I.P.). And as 2017 was the year of bands that cannot be considered dinosaurs in metal (or at least not yet), such as Trivium and Mastodon, that certainly points to a bright future ahead for Heavy Metal with their recent releases because, as you know, we won’t have behemoths like Iron Maiden, Judas Priest and Metallica kicking ass on stage forever. By the way, this was definitely a fantastic year for Mastodon, who not only released one of the best albums of 2017, the excellent Emperor of Sand, but they also had some extra energy to burn with the classy EP Cold Dark Place, which by the way is part of our top 10 EP’s of the year (as you’ll see after our top 10/20 list). Alright, without further ado, turn up the volume and enjoy our 2017 list… LET THERE BE ROCK!

1. Trivium – The Sin and the Sentence (REVIEW)
A superb album full of fast and intricate riffs, poetic lyrics, a sensational new drummer and, above all, the return of Matt’s trademark screams.
Best song of the album: Betrayer

2. Kreator – Gods Of Violence (REVIEW)
We shall praise the best Teutonic Thrash Metal institution of all time, as the gods of violence come alive.
Best song of the album: Totalitarian Terror

3. Blaze Bayley – Endure And Survive (REVIEW)
The indomitable Blaze Bayley returns with the second installment of Infinite Entanglement, his most ambitious project to date.
Best song of the album: Blood

4. Mastodon – Emperor of Sand (REVIEW)
Follow the inspirational story of a desert wanderer who has been handed a death sentence in this excellent album of Progressive Metal.
Best song of the album: Word to the Wise

5. Accept – The Rise of Chaos (REVIEW)
Let total chaos and destruction rise to the sound of the brand new album by the unstoppable Teutonic masters of Heavy Metal.
Best song of the album: Analog Man

6. Moonspell – 1755 (REVIEW)
An orchestral and emotional concept album that will take you to the year when a giant earthquake destroyed the city of Lisbon.
Best song of the album: Todos Os Santos

7. Striker – Striker (REVIEW)
Canadian Heavy Metal has never been more vibrant and rapturous than this.
Best song of the album: Born To Lose

8. Divine Element – Thaurachs Of Borsu (REVIEW)
Witness the passage of a soldier through various levels of consciousness about the reality of war and human society.
Best song of the album: Thaurachs Of Borsu

9. Torture Squad – Far Beyond Existence (REVIEW)
Don’t cross the path of one of the most respectful bands from the Brazilian Thrash and Death Metal scene.
Best song of the album: Blood Sacrifice

10. Solitary – The Diseased Heart of Society (REVIEW)
Four veteran thrash metallers canalizing all the hatred, degradation and perversions of our modern-day society into their music.
Best song of the album: Architects of Shame

And here we have the runner-ups, completing the top 20 for the year:

11. Karkaos – Children Of The Void (REVIEW)
12. Prometheus – Consumed In Flames (REVIEW)
13. Battle Beast – Bringer Of Pain (REVIEW)
14. Terrifier – Weapons of Thrash Destruction (REVIEW)
15. Body Count – Bloodlust (REVIEW)
16. Dzö-nga – The Sachem’s Tales (REVIEW)
17. Cradle of Filth – Cryptoriana – The Seductiveness of Decay (REVIEW)
18. Cannibal Corpse – Red Before Black (REVIEW)
19. Infernäl Mäjesty – No God (REVIEW)
20. Katharos XIII – Negativity (REVIEW)

As aforementioned, we also have for you this year our Top 10 EP’s of 2017, ranging from the most rebellious form of Deathcore to the most melodic type of Symphonic Metal, from visceral Doom Metal to demonic Black Metal, and so on. In addition, those bands hail from all four corner of the earth, proving once again that it doesn’t matter where you go you’ll always be able to find first-class metal music, including all of its genres and subgenres, to please your avid metallic ears.

1. Primal Age – A Silent Wound (REVIEW)
2. Sinners Moon – Far Beyond The Stars (REVIEW)
3. Aversio Humanitatis – Longing for the Untold (REVIEW)
4. Loathfinder – The Great Tired Ones (REVIEW)
5. Ljosazabojstwa – Sychodžańnie (REVIEW)
6. Lorn – Arrayed Claws (REVIEW)
7. Jupiter Hollow – Odyssey (REVIEW)
8. Dö – Astral: Death/Birth (REVIEW)
9. Mastodon – Cold Dark Place (REVIEW)
10. Afire – Afire (REVIEW)

Do you agree with our list? What are your top 10 albums of 2017? If you want to check another awesome list, I highly recommend Antichrst Magazine’s Top 10 Albums of 2017 (Editorial Staff), a great online publication that we at The Headbanging Moose also contribute to on a regular basis. Also, don’t forget to tune in to Timão Metal every Tuesday on Rádio Coringão for a blazing fusion of metal and soccer, and to The Headbanging Moose Show every Thursday on Midnight Madness Metal e-Radio for the best of underground metal from all over the world!

Metal Xmas and a Headbanging New Year! See you in 2018!

Actually, before all is said and done, here’s for you the 2017 Christmas single from Norwegian Melodic Power Metal project Aldaria called When The Time Has Come, featuring several renowned guest musicians such as Ralf Scheepers (Primal Fear), Yannis Papadopoulos (Beast In Black),  Lars Rettkowitz (Freedom Call) and Morten Gade Sørensen (Pyramaze), among others, with 100% of all income of this single being donated to Cancer Research. “This is a very important cause for me, as I lost my mother to this horrible disease in 2010. The single will be available across all streaming and digital platforms, and on Aldaria’s official webstore, where you will get a special edition with a lossless audio file, instrumental, high resolution cover art, and lyrics”, commented guitarist Frode Hovd, the mastermind behind Aldaria. Let’s all support such important cause!


Album Review – The Earth And I / The Candleman (2017)

Close your eyes and enjoy the first of two sister albums by this talented American band, introducing you to their unique fusion of groove-oriented sounds and captivating storytelling lyrics.

Playing a mix of groovy, moody, syncopated metal and more upbeat, accessible rock tunes inspired by bands like Periphery, Animals as Leaders and TesseracT, American Progressive Rock/Metal metallers The Earth And I (also known as TEAI, pronounced /tay/) are releasing their debut full-length album, titled The Candleman, the first of two sister albums (with the second one, named The Curtain, being scheduled for an early 2018 release). Featuring seven tracks through the course of 35 minutes, The Candleman will not only introduce you to the world of TEAI, but present to you in great fashion their unique music heavily focused on a fusion of groove-oriented sounds and captivating storytelling lyrics.

Formed in 2013 in the city of Warwick, New York, in the United States by guitarists Daniel Siew and Liam Zintz-Kunkel, drummer Suss Mackenzie and bassist Nick Petromilli, who were later joined by neo-soul vocalist Kendyle Wolven in 2017, TEAI aim at filling a serious need in the Progressive Metal world for non-operatic female vocals with The Candleman and The Curtain. Displaying a minimalist and classy artwork designed by the band’s own guitarist Daniel Siew, The Candleman definitely succeeds in bringing that vocal variation desired by TEAI to their metal music, effectively helping the band make a name for themselves in underground Progressive and Groove Metal.

The beautifully-titled atmospheric intro The Lake Under the Desert warms up the listener for the groovy and thunderous I. CGMTC (Life in the Sunset Zone), a powerful tune where Daniel, Liam and Nick create a wave of rumbling sounds with their strings, setting the stage for the mesmerizing vocals by Kendyle to shine brighter than the sun. Moreover, the song brings moments of hope flawlessly blended with passages full of anger, resulting in a full-bodied Progressive Metal experience for our senses enhanced by its poetic lyrics (“In the harbor, / the ship had turned to stone. / They watched from the Belfry, / long bones, and cold and unsound, / their skin drawn tight / over emaciated forms.”). Then in II. Little Frames, a more obscure, introspective creation by TEAI, the fiery Kendyle keeps blasting her potent vocals in a beautiful paradox with the harsh growls by Nick, with the musicality alternating between more technical Progressive Metal and rowdy Groove Metal. Put differently, simply close your eyes and let this feast of contrasting sounds penetrate deep inside your soul.

In the interesting And Now for a Slight Departure the band adds elements from Ska and Punk to their music, creating an upbeat vibe led by the high-pitched vocals by Kendyle and the rhythmic and precise beats by Adam, resulting in what can be considered a  more “radio-friendly” version of TEAI; while in Sugar High they get back to a darker sonority, with Daniel, Liam and Nick once again doing an amazing job with their axes, sounding like the bastard son of Dream Theater with Evanescence, but also presenting elements from Alternative Metal and Hard Rock to spice things up a bit.

Then as a break from all their groovy and wicked sounds TEAI offer us all a serene ballad named The Hollow Deluge, with Kendyle passionately (and effectively) declaiming its pensive words (“I stand before the most cloudy of waters. / I survey the scene with reserved apprehension. / There’s something not right here, like I’ve been here before. / It’s strangely familiar. / It’s almost uncomfortably comfortable.”), all boosted by the electricity that rises in the last part of the song, flowing into a climatic ending. And as the icing on the cake we have Skies Like Fences, bringing forward over 7 minutes of intricate drumming, metallic and extremely groovy bass lines, flammable guitar solos, deranged growls and endless energy, or in other words, an extravaganza of Progressive Metal once again led by Kendyle and her charming voice.

You can enjoy The Candleman in its entirety on YouTube or on Spotify, follow TEAI on Facebook, and buy your favorite version of the album through the band’s own BandCamp or webstore (in digipak or MP3 format, as well as on iTunes and on Amazon. In a nutshell, TEAI set the bar really high for themselves with The Candleman, but of course if they keep doing what they’re capable of in The Curtain next year, which is delivering high-end metal with a strong progressive vein, I’m sure all of us fans of Progressive Metal will be more than happy when their second album is released, just like how we are now with The Candleman.

Best moments of the album: I. CGMTC (Life in the Sunset Zone) and Skies Like Fences.

Worst moments of the album: None.

Released in 2017 Independent

Track listing
1. The Lake Under the Desert 0:56
2. I. CGMTC (Life in the Sunset Zone) 4:34
3. II. Little Frames 8:35
4. And Now for a Slight Departure 4:05
5. Sugar High 4:06
6. The Hollow Deluge 5:01
7. Skies Like Fences 7:37

Band members
Kendyle Wolven – lead vocals
Daniel Siew – guitar, vocals
Liam Zintz-Kunkel – guitar
Nick Petromilli – bass, vocals
Adam Susskind – drums


Album Review – Devilfire / Dark Manoeuvres (2017)

An electrifying lesson in how to set (devil) fire to a Rock N’ Roll party by five indomitable British musicians.

It’s said that some of the greatest bands of our time have been forged on the road, and British Melodic Hard Rock act Devilfire is no exception to that, brought into being in Birmingham, England during a studio session in 2013 when producer and singer Alex Cooper (Shy, Spike of the Quireboys, Ginger) was working with Uli Jon Roth drummer Lars Wickett, revealing to him his plan for a Birmingham-based Melodic Rock band. After 3 years of planning and writing, things finally fell into place in 2016, when the band (at that time known as Devilstar) was offered to open for Tarja Turunen during her Eastern European tour in the beginning of 2017, blasting their flammable music to rock and metal fans from places like Hungary, Romania, Greece and Turkey, as well as to a sold out festival crowd at Hard Rock Hell AOR 2017 in the UK as the icing on the cake.

And the year of 2017 couldn’t have been better for this five-piece act formed by Alex Cooper on vocals, Baz Blackett and Kieran Topp on the guitars, Dan Bate on bass and Lars Wickett on drums, as they’re ready to conquer the world with their debut album Dark Manoeuvres, released in the beginning of October. Mixed by acclaimed producer Romesh Dodangoda (Motörhead, Bring Me The Horizon, Bullet For My Valentine) and co-produced by Romesh and Devilfire frontman Alex Cooper at Long Wave Studios in Cardiff, Dark Manoeuvres is a mammoth 13-track album calling on several distinct influences with a darker melodic sound, pushing the boundaries of Rock N’ Roll while at the same time remaining loyal to their British roots.

Rock N’ Roll is in the air with the smooth sonic waves blasted by Devilfire in the opening tune Ready For War?, an excellent business card delivered by the band presenting an 80’s-inspired vibe led by the passionate, raspy vocals by Alex, followed by She’s Like Fire, a born-to-be-a-classic of underground Hard Rock where they speed up (and spice up) things considerably, perfect for dancing the night away with whoever you want to the sound of its catchy chorus and the precise beats by Lars. More melodic and romantic, (In and Out of Love) All of the Time is a potent display of classic 80’s Hard Rock,  a song for all rockin’ girls out there energized by the fiery guitars by Baz and Kieran; whereas Waiting For a Rockstar, a mid-tempo chant with a fun story told by Alex, brings hints of symphonic elements in the background to make it even more impactful, turning it into a serious candidate for becoming one of the band’s biggest hits.

In Lay It On the Line, a semi-ballad with the band’s characteristic approach, we’re treated to harmonious guitars and beats while Alex keeps firing his sharp vocal lines, reminding me of some of the old tunes by Motley Crüe, Bon Jovi and Poison, among other classics, while Kill Your Love is another awesome composition by this talented quintet, sounding faster and more violent than its predecessors (but still very melodic). Hence, this fantastic song could be played on any radio station all over the world, showcasing addictive vocals and soulful guitar solos and, therefore, being captivating form start to finish. Tear Me Apart is that kind of generic ballad that, despite having its good moments, is below the rest of the album in terms of creativity and complexity, albeit still displaying the band’s trademark guitar solos and overall solid melody. Fortunately, the band gets back on track in God Give Me Vengeance, a song to do the famous “air-drumming” together with Lars due to its catchy rhythm, presenting a fusion of modern Hard Rock with old school Rock N’ Roll boosted by touches of symphonic sounds.

Baz and Kieran are joined by Dan and his bass for an onrush of slashing strings and rumbling sounds in Devil In Your Eyes, tailored for fans of old school Hair Metal and Hard Rock, before the entire band comes crushing with the underground hit (You Gotta) Revolution, blending the classic sonority of bands like Van Halen with the rebelliousness of Motley Crüe, with Lex being flawlessly supported by the song’s elegant and potent backing vocals. Put differently, if Devilfire don’t play this song live, we riot. Anyway, She’s Always On the Run is another average ballad that doesn’t do any good nor any harm to the album, feeling like filler despite being one of their first ever songs recorded; however, for our total delight their upbeat musicality returns in great 80’s fashion in A Thousand Times, a song that made me think that if I didn’t know it was recorded now in 2017, I surely might have thought it was recorded back in 1980 something by a veteran Hard Rock band, mainly due to its beyond classic combination of vocals and backing vocals. And lastly we have the melancholic Somehow, which in my humble opinion is how the band should always sound when writing ballads, avoiding being cheesy or predictable. Quite the contrary, it’s very introspective, pleasant and deep, and consequently an interesting way to conclude the album without being literally electrified, but still feeling electrifying.

How can you put your hands on such top-tier album of Hard Rock, you might be asking yourself, right? Well, that’s easier than you can imagine, as Dark Manoeuvres is on sale at the band’s webstore, on iTunes or on Amazon. And in order to show your proper support to Alex, Lars and Co., simply go check the band’s Facebook page, YouTube channel and Spotify for news, tour dates and all other things Devilfire. Dark Manoeuvres is a lesson in how to set fire to any Rock N’ Roll party in the world, and if I were you I wouldn’t miss that celebration for anything.

Best moments of the album: She’s Like Fire, Waiting For a Rockstar, Kill Your Love and (You Gotta) Revolution.

Worst moments of the album: Tear Me Apart and She’s Always On the Run.

Released in 2017 Independent

Track listing
1. Ready For War? 3:07
2. She’s Like Fire 3:22
3. (In and Out of Love) All of the Time 3:33
4. Waiting For a Rockstar 4:10
5. Lay It On the Line 5:09
6. Kill Your Love 3:51
7. Tear Me Apart 4:00
8. God Give Me Vengeance 4:52
9. Devil In Your Eyes 3:10
10. (You Gotta) Revolution 4:58
11. She’s Always On the Run 3:49
12. A Thousand Times 4:31
13. Somehow 2:59

Band members
Alex Cooper – vocals
Baz Blackett – guitar
Kieran Topp – guitar
Dan Bate – bass
Lars Wickett – drums


Album Review – Heterochrome / Melancholia (2017)

Embark on a journey through the aggressive peaks and heavenly calm moments of life and death, crafted by a five-piece Iranian act that’s willing to face all adversities in their homeland to spread their music all over the world.

Every single time we at The Headbanging Moose do a review of an album by a band hailing from the Middle-East, we never know exactly how hard and dangerous it was (and is) for that specific band to record that album due to all restrictions imposed by religious and political parties in those countries. If you have no idea of what I’m talking about, take a quick read at this short and sweet article titled “How playing heavy metal in Iran can put your life in danger”, posted online at the Huck Maganize website. Formed in 2014 in Tehran, the capital of Iran located in the north of the country, female-fronted five-piece Progressive Metal act Heterochrome have just released their debut effort entitled Melancholia, a journey through the aggressive peaks and heavenly calm moments of life and death, and it seems that they are willing to face all perils and adversities in their homeland to spread their music all over the world.

The band was brought into being when guitarist Mohammadreza Rezaei and vocalist Mida met each other in 2014 and started writing music together, with the rest of the band members joining the duo in the coming years. Displaying a delicate but powerful artwork designed by Caelan Stokkermans, from Caelan Stokkermans Arts (who already worked with another band recently reviewed at The Headbanging Moose, called Ezerath), Melancholia is an amalgamation of sounds and styles, from the darkest and heaviest screams and thoughts to moments of tenderness, love and hope, all meticulously embraced by the band’s progressive and intricate passages. Furthermore, Mida ends up stealing the spotlight with her passionate vocal performance throughout the entire album, and if what people say is true about how women are completely discouraged to create music (in special Heavy Metal) in Iran, putting even their lives in danger for doing that, then she’s not only a highly skilled singer, but also a daredevil metalhead.

The opening track Cage displays tons of progressiveness flowing from all instruments from its very first second, being led by the sharp guitars by Mohammadreza and his bandmate Khashayar Oveisi, with Mohammadreza and the angelical voice of Mida bringing a classy and melancholic vibe to the music. Then leaning towards Progressive Rock blended with contemporary Hard Rock we have Hang, where Mida enchants us all to the precise beats by drummer Mohammad Mirboland and the metallic bass by Armin Afzali, with the songs harsh growls adding  an extra dosage of heaviness and electricity to the song’s introspective lyrics (“Every breath I take, brings me closer / Every second wasted, counts past the border / Every bridge falls broken, burning over  / As I sprint through the myst, the night is over”).

The following track, named Regret, is a smooth instrumental Progressive Metal tune with hints of Acid Rock, generating a dark and soulful “waltz” perfect for closing your eyes and banging your head together with the band. Moreover, Mohammad becomes the “captain” of the ship with both his fast-paced beats and more rhythmic drumming, with the song ending with a kick-ass guitar solo by Mohammadreza. And the band keeps the momentum going with Purgatory, a song highly recommended for fans of all types of heavy music that can be broken down into several distinct pieces, from the hypnotizing, gentle parts led by Mida to a pure metallic extravaganza and more progressive passages, therefore showcasing all the band’s versatility and also experimenting with darker sounds and nuances of Rock N’ Roll.

Their most experimental vein rises in Paradise, with the guitar duo comprised of Mohammadreza and Khashayar spearheading this feast of whimsical tunes and notes, boosted by the intricate bass lines by Armin. Furthermore, this pleasant composition proves Heterochrome definitely know how to use the fusion of male and female vocals in all their creations in a beyond compelling way. And last but not least, let the fires burn to the sound of the thrilling chant Inferno, a multi-layered mid-tempo tune that will pierce your mind and hypnotize you, while the bass lines by Armin embrace Mida’s stunning voice. Once again presenting a gripping guitar solo by Mohammadreza and beautiful, poetic lyrics as the icing on the cake (“Let me bleed / Naked by the fire / I’m drowning deep / Drowning in denial / Burning in / The inferno I made for myself”), the song remains flawless from start to finish, flowing to a gentle ending full of melancholy bursting from both Mida’s and Mohammadreza’s voices.

As aforementioned, I don’t know for sure how dangerous it is for a band like Heterochrome to craft their music in Iran, but it seems that they’re more than ready to take all possible risks in the name of Heavy Metal. With that said, we should all show our utmost support to those Iranian metallers (and to their freedom of speech) by liking their Facebook page, listening to their music on YouTube or on Spotify, and especially by purchasing Melancholia on BandCamp, iTunes, Amazon or CD Baby, always hoping that they succeed in their arduous journey and that they keep delivering good metal music to our ears, therefore inspiring others in Iran to do the same.

Best moments of the album: Hang and Inferno.

Worst moments of the album: None.

Released in 2017 Independent

Track listing
1. Cage 3:36
2. Hang 3:59
3. Regret 4:54
4. Purgatory 5:55
5. Paradise 3:55
6. Inferno 7:53

Band members
Mida – vocals
Mohammadreza Rezaei – guitars, backing vocals
Khashayar Oveisi – guitars
Armin Afzali – bass
Mohammad Mirboland – drums