Album Review – South of Salem / The Sinner Takes It All (2020)

This excellent UK outfit is ready to take the entire world by storm with an album full of cult anthems that have a truly original (but recognizable) take on the rock and metal genres with a horror twist.

Having spent the best part of a decade working on various musical projects supporting the likes of Iced Earth, The Damned, Wednesday 13, and The Birthday Massacre, the up-and-coming Bournemouth, UK-based Hard Rock outfit South of Salem has just brought to life their debut effort The Sinner Takes It All, an album full of cult anthems that have a truly original (but recognizable) take on the rock and metal genres with a horror twist. Recorded at Grindstone Studio in Suffolk, UK and produced, mixed, and mastered by Scott Atkins (Cradle Of Filth, Amon Amarth, Sylosis, Behemoth), the title of the album, according to vocalist Joey, guitarists Kodi and Fish, bassist Dee and drummer Pip, “represents the corruption connected to wealth and power. How in dark times the rich become more affluent and the poor become more disconnected. During the current pandemic, small businesses are going under and people are more reliant on their government. Human beings abusing others, when they should be helping one another. The sinners are truly preparing to take it all. Enough is enough!”

A Rock N’ Roll storm is about to begin in Let Us Prey, with its lyrics inspired by The Purge film series (“They call us sick but we’re feeling fine / Just counting down to the killing time / Tonight, tonight was made for us / We know we’re sick but we hide it well / On a murder mile straight to hell / Tonight we’re armed and dangerous”) while Kodi and Fish sound beyond insane with their riffs, followed by The Hate In Me, a modernized hybrid of Motley Crüe and Godsmack with a heavier twist where Joey exhales rage through his vocals while Pip keeps pounding his drums in great fashion. Then it’s time for the band’s guitar duo to slash their axes nonstop in the Hard rock extravaganza No Plague Like Home, the perfect soundtrack for a pub brawl with Dee and Pip bringing the thunder to the overall result, not to mention its kick-ass guitar solos, whereas the rumbling bass punches by Dee provides Joey a dense base for his introspective vocals in Pretty Little Nightmare, a song about the darkest side of love, ready to be played on any Rock N’ Roll radio station thanks to the dynamic and classic beats by Pip. After such introspective composition, let’s all rev up our engines to the sound of Made To Be Mine, where the fiery riffs by Kodi and Fish will make your blood boil, evolving into a melodious and vibrant sonority showcasing spot-on backing vocals and another excellent performance by Joey.

Piercing guitars and an 80’s-inspired vibe are the main ingredients in the Melodic Rock tune titled Cold Day In Hell, with Joey leading his crew with his rockin’ vocals in another song about obscure relationships, whereas in Demons Are Forever, featuring Alex Avdis (aka The AvD) of Red Method and The Defiled, we face a grim, eerie atmosphere generated by all band members while Joey delivers a somber performance on vocals. Furthermore, don’t forget to check the stunning official video for this song as it is intended to raise suicide awareness. Back to a more berserk and vicious mode, the quintet blasts the Punk Rock-infused Another Nail In My Coffin, blending elements from the music by The Misfits and Social Distortion with their classic rock sound, all spiced up by the song’s enfolding riffs, and keeping the level of adrenaline high South of Salem offer us all Severely Yours, a song about temptation in long-term relationships presenting a great job done once again by Joey with his raspy vocals while Pipi delivers classic beats nonstop. Finally, closing such excellent album we have one more punk-ish tune entitled Dead Hearts Don’t Break, dealing with negative thoughts and the way one relationship can contaminate all future ones, with Kodi, Fish and Dee being on absolute fire with their stringed weapons.

In a nutshell, South of Salem more than nailed it with The Sinner Takes It All, an album that will undoubtedly entertain any type of rock and metal fan, from the ones who love a good melody to rockers who enjoy some action in the mosh pit. Hence, don’t forget to follow the band on Facebook and on Instagram, to subscribe to their YouTube channel, to stream more of their music on Spotify, and above all that, to support those talented UK musicians by purchasing their debut album from their own Big Cartel page (and sooner than later from other retailers such as Apple Music and Amazon). Relationships are always tough, it doesn’t matter where you come from, your religion, sexual orientation and so on, and as there’s not much we can do about that besides trying to be the best person to our significant other every single day, why not doing that while also enjoying the top-of-the-line rock and metal music provided by South of Salem in their new album? I’m more than certain that at least your ears, your mind and your soul will feel a lot stronger and happier to the sound of their awesome creations.

Best moments of the album: Let Us Prey, No Plague Like Home and Another Nail In My Coffin.

Worst moments of the album: Pretty Little Nightmare.

Released in 2020 Independent

Track listing
1. Let Us Prey 3:24
2. The Hate In Me 3:35
3. No Plague Like Home 4:06
4. Pretty Little Nightmare 3:53
5. Made To Be Mine 3:41
6. Cold Day In Hell 4:28
7. Demons Are Forever 4:41
8. Another Nail In My Coffin 3:53
9. Severely Yours 3:15
10. Dead Hearts Don’t Break 3:35

Band members
Joey – vocals
Kodi – guitar
Fish – guitar
Dee – bass
Pip – drums 

Guest musicians
The AvD – keyboards and samples on “Demons Are Forever”

Album Review – Unleash The Archers / Abyss (2020)

The Matriarch is ready to eat our hearts while we fall into the abyss to the sound of the brand new album by one of the best Canadian metal bands of all time.

Formed in 2007 in Vancouver, the biggest city in the stunning province of British Columbia, Canada, the unrelenting Power/Melodic Death Metal squad known as Unleash The Archers has sharpened their arrows and hit the bullseye once again with their fifth full-length album, entitled Abyss. Featuring ten new tracks, this adventure is a concept album and a sequel to their 2017 masterpiece Apex, and was once again recorded with legendary producer Jacob Hansen of Hansen Studios in Denmark. Portraying another epic artwork, this time designed by Adam Burke (Nightjar Illustration), Abyss might not be as grandiose and breathtaking as Apex, something quite impossible to be done in my humble opinion, but it’s indeed a vibrant display of the band’s dexterity, their passion for Heavy Metal and their infinite creativity to bring forth a compelling storyline together with their music, proving why frontwoman Brittney Slayes, guitarists Grant Truesdell and Andrew Saunders, and drummer Scott Buchanan heave reached such high level of admiration and relevance all over the world, carving their spot in the hearts of all types of metalheads.

Smooth, serene guitar lines invite us all to join the band in their quest for metal in the opening tune Waking Dream, where Brittney already showcases all her vocal potency, gradually evolving into the epic title-track Abyss, with Grant and Andrew taking the lead with their crisp and strident riffs and solos. It will work beautifully when played live, blending their modern-day Power Metal with 80’s Glam Metal, I might say. Then again presenting an 80’s rockin’ vibe thanks to its background keys and classic beats we have Through Stars, sounding like it was taken from an old school Hard Rock album, being very pleasant while at the same time developing the story majestically told by Brittney, and when you think they’re going to slow down a little they come with an onrush of sounds titled Legacy, even bringing nuances of Black Metal added to their classic metal music. However, the music never really clicks, though, falling flat after a while (nothing to worry about, though).

In Return to Me the band brings forward a more progressive and groovier side, with Scott dictating the rhythm with his old school beats, resulting in another good composition by the quartet albeit a bit generic if compared to their older songs, whereas it’s with Soulbound that the party really starts, showcasing ass-kicking lyrics screamed by Brittney (“We race around the melted char of what was once a neutron star / And use the gravity to whip us into dark galactic rifts / Yet still somehow we can’t escape, they have no flaw, they feel no pain / These twisted shadows of the men I once condemned”) while Grant and Andrew are unstoppable with their axes in this ode to Heavy Metal. And get ready for another round of inspiring, metallic words (“Once more we’re flying fast as light / Dark matter passing in the night / Pursued by a force we can’t outrun / As we hurtle towards a dying sun / We maneuver through the remnants of a moon on the solar winds of supernovas / There is not a place to hide, the Matriarch is close behind, it’s plain to see she’s coming for us all”) in the superb Faster Than Light, bringing to our ears a stuninng Stratovarius-like feel (and an absolutely weird official video to our eyes, by the way), with all band members speeding things up and blasting sheer awesomeness for our total delectation.

After such intense tune, it’s time for a passionate performance by Brittney supported by her loyal bandmates in The Wind that Shapes the Land, with Grant and Andrew slashing our ears with their sharp riffage while Scott doesn’t stop hammering his drums throughout the song’s eight minutes of a top-of-the-line fusion of Melodic Death and Power Metal. Carry the Flame is another 80’s-inspired Hard Rock/Heavy Metal song showcasing a beautiful vocal duo between Brittney and Andrew, while Scott continues to bring the thunder to the music with his beats, all spiced up by some ass-kicking, soulful guitar solos. Lastly, in order to properly conclude the album the band brings to our ears the epic, symphonic and climatic Afterlife, a very detailed and dense composition where Brittney is once again flawless with her high-pitched, heroic vocals, accompanied by the galloping beats by Scott and the always flammable guitars by Grant and Andrew until the song’s serene and warm ending.

In a nutshell, as already mentioned, although Abyss is not on par with Apex, it will surely entertain all fans of the band while at the same time it puts a climatic conclusion to the overall story concept initiated with their 2017 album. Do not expect to listen to a new “The Matriarch”, “Call Me Immortal” or “Shadow Guide” in Abyss, but to brand new, unique compositions that have their place and purpose well defined by Unleash The Archers, and if you want to give their new album a shot you can stream it in full on Spotify or purchase a copy of it from several locations such as their own BandCamp page, Napalm Records, Apple Music, Amazon or indiemerchstore.com, among others. Also, don’t forget to follow Brittney and the boys on Facebook and on Instagram, getting up to date to all things related to one of the best metal bands of all time hailing from Canada. In the end, the Matriarch might eat our hearts while we fall into the abyss, but as long as that happens while we listen to the first-class metal blasted by Unleash The Archers, we can rest assured our souls will be free in the afterlife.

Best moments of the album: Through Stars, Soulbound, Faster Than Light and The Wind that Shapes the Land.

Worst moments of the album: Legacy and Return to Me.

Released in 2020 Napalm Records

Track listing
1. Waking Dream 3:45
2. Abyss 6:44
3. Through Stars 5:34
4. Legacy 5:26
5. Return to Me 5:34
6. Soulbound 3:54
7. Faster Than Light 5:11
8. The Wind that Shapes the Land 8:36
9. Carry the Flame 4:42
10. Afterlife 7:30

Band members
Brittney Slayes – vocals
Grant Truesdell – guitar
Andrew Saunders – guitar, harsh growls, additional vocals, synths
Scott Buchanan – drums

Guest musicians
Francesco Ferrini – orchestration on “Afterlife”
Ben Arscott – bass (session)

Album Review – Black Sun / Silent Enemy EP (2020)

Ecuador’s most prominent metal band is back in action with a new EP overflowing their trademark Heavy and Power Metal, serving as the inspiration for their first ever musical film.

Formed in the year of 1999 in Guayaquil, the second largest city of Ecuador, the three-piece Heavy and Power Metal act that goes by the straightforward name of Black Sun is set to release their fourth official album and their first EP, entitled Silent Enemy, following up on their previous albums Tyrant from a Foreign Land (2005), Dance of Elders (2011) and The Puppeteer (2017), while at the same time venturing through more “cinematic” lands as the EP also includes a short film in Blu-Ray. Featuring guest musicians from several amazing bands, most of them curiously from Finland, such as Sonata Arctica, Lordi, Battle Beast, Smackbound, Omnium Gatherum and Wintersun, which points to an interesting connection between the two countries, Silent Enemy is highly recommended for fans of classic Heavy Metal, overflowing epicness, electricity and a good dosage of 80’s Hard Rock, nicely cementing the names of guitarist Christopher Gruenberg, bassist Santiago Salem and drummer Nicolás Estrada in the local Ecuadorian scene as well as in the global metal community.

Just hit play and prepare your senses for a whimsical and futuristic voyage together with Black Sun in the intro Moebius, setting the stage for the breathtaking Resist, featuring Netta Laurenne (Smackbound) on vocals. This amazing tune has that delicious Hard Rock and Hair Metal feel from the 80’s amplified by Netta’s fantastic vocal performance, with Christopher kicking some serious ass with his in-your-face riffs while Nicolás pounds his drums in great fashion. Then we face Henning Basse (Firewind, Mayan, Sons Of Seasons) as the guest vocalist in Terror Zone, where Black Sun offer us all more of their thrilling fusion of Heavy and Power Metal with classic Hard Rock, therefore reminding me of old school Accept. Moreover, Santiago makes the earth tremble with his bass jabs, enhancing the song’s punch considerably. And Christopher takes the lead with his crisp riffs and solos in the instrumental feast titled Dark Mirror, while Santiago and Nicolás keep the band’s kitchen heavy and thunderous, also presenting tons of progressiveness and endless stamina.

After the short and atmospheric interlude No Return, it’s time for the incendiary Still Alive to inspire us all to bang our heads nonstop while enjoying an array of vocal styles the likes of Tony Kakko (Sonata Arctica), Mr. Lordi (Lordi), Noora Louhimo (Battle Beast), Pasi Rantanen (Thunderstone), Netta Laurenne (Smackbound), Jukka Pelkonen (Omnium Gatherum), Nino Laurenne (Thunderstone) and Asim Searah (Wintersun, Damnation Plan), not to mention Elias Viljanen (Sonata Arctica) and his wicked guitar solo, all embraced by the always solid Heavy Metal played by the Ecuadorian power trio and with Nicolás being on fire behind his drums, flowing into the climatic and melancholic outro Finale, putting a beautiful conclusion to the EP. In addition, as aforementioned, the EP also comes with a musical short film also named Silent Enemy in DVD format, developed by director and writer Gustavo Arguello alongside Black Sun, paving the way for experimentation and rediscovery of the “musical film” concept.

In summary, if you’re a fan of both old school Heavy Metal and the exciting world of action and Sci-Fi movies, you should definitely take a shot at Silent Enemy, which you can purchase from several locations such as the Rockshots Records webstore, Apple Music, Amazon, mvdshop.com, Craft & Vinyl, imusic.dk, and so on. Also, don’t forget to follow Christopher, Santiago and Nicolás on Facebook and on Instagram to know more about the band, and to stream all of their albums on Spotify. My only “compliant” about Silent enemy is that the EP is too short, with only 20 minutes of music (including the intro, interlude and outro), leaving me more than eager for more of their stunning metal music. Who knows, maybe next time Black Sun will return with not only a full-length opus, but also a full-bodied movie based on that, expanding their horizons even more and, consequently, showing the entire world Ecuador is an amazing alternative for metalheads who are searching for something that’s at the same time new and old school, technical and inspiring, just like what Black Sun have to offer in their new album.

Best moments of the album: Resist and Still Alive.

Worst moments of the album: None.

Released in 2020 Rockshots Records

Track listing
1. Moebius 2:14
2. Resist 3:47
3. Terror Zone 3:48
4. Dark Mirror 4:30
5. No Return 0:31
6. Still Alive 4:16
7. Finale 1:33

Disc 2 (DVD)
8. Silent Enemy (short film)

Band members
Christopher Gruenberg – guitars
Santiago Salem – bass
Nicolás Estrada – drums

Guest musicians
Tony Kakko, Mr. Lordi, Noora Louhimo, Pasi Rantanen, Jukka Pelkonen, Nino Laurenne & Asim Searah – vocals on “Still Alive”
Elias Viljanen – guitar solo on “Still Alive”
Netta Laurenne – vocals on “Still Alive” and “Resist”
Henning Basse – vocals on “Terror Zone”

Album Review – Thundermother / Heat Wave (2020)

Let’s turn up the heat to the sound of the brand new album by a Swedish band that doesn’t just play Rock N’ Roll. They are Rock N’ Roll.

Founded by guitarist Filippa Nässil in 2009 in Växjö, a town in southern Sweden’s Kronoberg County, but currently based in the Swedish capital Stockholm, Hard Rock/Rock N’ Roll all-female squad Thundermother is back in action with a brand new album entitled Heat Wave, their fourth full-length opus and the follow-up to their 2018 self-titled release, offering the listeners another round of their fantastic fusion of Rock N’ Roll, Hard Rock, Blues, Punk Rock and Heavy Metal. Even groovier than its predecessors, Heat Wave presents 13 catchy compositions showcasing all the skills and passion for heavy music by Filippa and her bandmates Guernica Mancini on vocals, Majsan Lindberg on bass and Emlee Johansson on drums, with the fine tuning being provided at Medley Studios in Copenhagen, Denmark by Hard Rock hitmaker Søren Andersen, an experienced producer and gifted guitarist who has already worked with Glenn Hughes, Dave Mustaine and Tommy Aldrige, to name a few,  resulting in a sophisticated version of an “AC/DC meet Motörhead” sound with fresh modern rock elements and a rich 70’s groove.

An Airbourne-like vibe permeates the air in the electrifying opening tune Loud and Alive, with Emlee pounding her drums in great fashion while Guernica inspires us all to rock like there’s no tomorrow with her piercing vocals, all spiced up by Filippa’s slashing riffs and solos. Then rockin’ guitar lines are accompanied by the rumbling bass by Majsan in the Hard Rock extravaganza titled Dog from Hell, an ode to classic Rock N’ Roll highly recommended for hitting the road or enjoying a cold beer, followed by Back In ’76, another song perfect for a live concert inspiring us all to raise our fists to Thundermother’s undisputed rock music where Filippa and Majsan are once again on absolute fire with their stringed axes, offering Guernica all she needs to mesmerize us all with her amazing vocal performance. And it’s time for the girls to put the pedal to the metal and kick us all in the face with the frantic, breathtaking tune Into the Mud, with Emlee obviously dictating the pace with her unstoppable beats, therefore generating a fantastic ambience while Filippa’s shredding and Majsan’s metallic bass bring sheer thunder to the overall result.

The title-track Heat Wave is an AC/DC-inspired feast of classic riffs and beats, keeping the album at a high level of adrenaline (and heat, of course), and I would love to listen to this old school rock song played on any radio station worldwide, whereas despite Sleep might not be a bad composition, we must admit the girls sound a lot more cohesive and exciting when playing faster songs. I mean, it works well as a ballad, in special Guernica’s passionate vocals, but perhaps this was something asked by their record label as it feels a little out of place among the other songs from the album. Back to a more visceral and unrelenting mode, Filippa brings to our avid ears an Iron Maiden’s “Two Minutes to Midnight”-ish riff, setting fire to the excellent Driving In Style, supported by the heavy kitchen by Majsan and Emlee. Put differently, I dare you to stand still to such insane Rock N’ Roll hymn, and it looks like Thundermother never get tired of embellishing the airwaves with their vibrant Hard Rock as we can all witness in Free Ourselves, one more tune tailored for admirers of the music by AC/DC and Airbourne where Guernica and Emlee make a truly dynamic duo with their combination of soulful vocals and classic drums.

Venturing through the realms of Southern Rock mixed with tequila and endless electricity, the girls fire the riding tune Mexico, spearheaded by the groovy bass by Majsan and the always pounding beats by Emlee, definitely inspiring us all to rock in Mexican soil; and blending the groove by Lenny Kravitz with classic rock form the 70’s they offer us the radio-friendly Purple Sky, showcasing another spot-on performance by Filippa with her always strident and hypnotizing riffs and solos. Let’s keep clapping our hands and raising our glasses to the Rock N’ Roll by Thundermother in Ghosts, a straightforward and extremely catchy tune that could have easily been played on a TV show like Sons of Anarchy. Needless to say, Guernica has another flawless performance on vocals, and speeding things up once again they bring forward the high-octane, thrilling Somebody Love Me, one of those songs I bet Emlee loves to play due to its pace. Moreover, how can we not heed Guernica’s call to love her? The whole song presents a sensational job done by this talented Swedish quartet, no doubt about that, whereas Majsan’s rumbling bass sets the tone in the closing tune Bad Habits, where Thundermother yet again smash our senses with their hybrid of Hard Rock and Rock N’ Roll, ending the extremely fun ride that is Heat Wave on a high note.

As the band itself likes to say, Thundermother don’t just play Rock N’ Roll. Thundermother are Rock N’ Roll, and Heat Wave is undoubtedly the perfect depiction of all their love for the genre, their undeniable talent and all the hard work they put on crafting each and every song of the album. Hence, don’t forget to give the girls a shout on Facebook and on Instagram, and to purchase your desired version of Heat Wave, which is also available for a full listen on Spotify, by clicking HERE (or HERE if you’re a Swedish customer). After all is said and done, why don’t we just forget about our problems and get back into the mud together with Guernica, Filippa, Majsan and Emlee, turning up the heat and enjoying the fantastic music blasted by four girls who put the word “thunder” in our good old, dirty and rebellious Rock N’ Roll?

Best moments of the album: Loud and Alive, Into the Mud, Driving In Style and Somebody Love Me.

Worst moments of the album: Sleep.

Released in 2020 AFM Records

Track listing
1. Loud and Alive 3:56
2. Dog from Hell 3:37
3. Back In ’76 3:34
4. Into the Mud 3:15
5. Heat Wave 3:56
6. Sleep 3:57
7. Driving In Style 3:43
8. Free Ourselves 3:52
9. Mexico 3:38
10. Purple Sky 4:48
11. Ghosts 3:45
12. Somebody Love Me 3:43
13. Bad Habits 3:35

Band members
Guernica Mancini – vocals
Filippa Nässil – guitar
Majsan Lindberg – bass
Emlee Johansson – drums

Album Review – Primal Fear / Metal Commando (2020)

Join Primal Fear’s undisputed rock brigade and become a true metal commando to the sound of their breathtaking new album.

Just like what happens with other renowned hardworking metal bands form all over the world, German Power Metal masters Primal Fear seem to follow a “strict” schedule of releasing a new album every two years, and that’s without counting their compilations and live albums. Well, let’s say that two-year formula followed by frontman Ralf Scheepers, bassist Mat Sinner, guitarists Magnus Karlsson, Alex Beyrodt and Tom Naumann, and newcomer Michael Ehré on drums has been working amazingly for the band, keeping them sharp, ready to rock and always hungry for more. Primal Fear have been on a roll for decades already, with all of their latest albums, those being Delivering the Black (2014), Rulebreaker (2016) and more recently Apocalypse (2018) being a lesson in Heavy and Power Metal with no shenanigans nor any artificial elements added to their trademark sound, and their streak seems far from being over with their 2020 opus Metal Commando, not only the thirteenth studio album in their undisputed career, but also as the name of the album already states, a lecture in our good old Heavy Metal.

The crisp and electrifying guitars by Magnus, Alex and Tom rev up the band’s engines in the exciting opening track I Am Alive, a traditional Power Metal tune by Primal Fear to properly kick things off with Ralf majestically delivering his usual (and absolutely awesome) high-pitched vocal lines, followed by Along Came the Devil, blending the classic metal music by Judas Priest with Primal Fear’s characteristic sound (also reminding me a lot of their own Apocalypse bonus track “Fight Against All Evil”, by the way), and with Mat and Michael making a thunderous duo with their bass jabs and rhythmic beats, respectively. In the inspiring Halo we’re treated to straightforward, thrilling lyrics (“One man genocide / Broken halos / Wings that used to fly / Into the dark / Angel in the light / And disappear / I can see your halo”) while the music transpires pure Power Metal for our total delight, with Ralf once again stealing the spotlight with his blazing screams, whereas less visceral and more melodic than its predecessors, Hear Me Calling is a very pleasant Hard Rock tune showcasing meaningful lyrics intertwined with the always razor-edged, hypnotizing guitar job done by Magnus, Alex and Tom, keeping the album at a high level of awesomeness.

And Michael pounds his drums with tons of power in the heavy-as-hell The Lost & the Forgotten, with Ralf and Mat generating a fantastic paradox between their soaring screams and rumbling bass punches, making it impossible to stand still to their headbanging feast. Then slashing riffs and fast and furious beats are the main ingredients in the high-octane My Name Is Fear, a lesson in German Power and Heavy Metal displaying a flawless fusion of harmony and rage (and fear, of course), all spiced up by the insane solos blasted by the band’s guitar triumvirate, and after so many metal anthems it’s time for a soothing ballad titled I Will Be Gone, where Ralf obviously thrives with another passionate performance while his bandmates generate an ethereal ambience perfect for embracing your loved ones on a cold winter night, followed by an ode to all things Rock N’ Roll entitled Raise Your Fists, where their riffs and solos will pierce your ears while Michael dictates the pace with his classic beats. Put differently, there’s nothing better than raising our fists and banging our heads to Primal Fear’s old school Heavy Metal, don’t you agree?

In Howl of the Banshee the band brings forth more of their trademark sonority presenting blast beats, singalong lyrics and another amazing performance by Mat with his unstoppable bass. Moreover, it’s easy to imagine Ralf kicking ass on stage singing this excellent tune to a huge crowd at a summer metal festival, while in Afterlife guess what Magnus, Alex and Tom do to our senses with their axes? It’s indeed another round of scorching, metallic riffs and wicked solos boosted by Ralf’s fulminating vocals, being therefore highly recommended for slamming into the circle pit, before our senses are fully captivated by the 13-minute aria Infinity, where Ralf beautifully declaims the song’s dark words (“Sitting here in the morning / Remembering what my father said / Another day is dawning / And demons are touching me / The rain is falling / And washes away the tears / It’s an early warning / The roar of my fears”) while his bandmates craft a hammering and bold atmosphere, resulting in a brilliant festival of breathtaking solos and flowing smoothly  until its dense and cinematic grand finale. In addition, I would highly recommend you go for one of the special editions of the album to get four amazing bonus tracks, the instrumental intro Rising Fear, the pounding and melodic Leave Me Alone, the 80’s-inspired Hard Rock chant Second to None and the bestial Crucify Me, as they’re all worth the extra investment hands down.

Primal Fear Metal Commando Box

Do you consider yourself a true metal fan? If your answer to this very simple question is a sounding YES, raising your fists and banging your head while answering it, then you must add Metal Commando to your Heavy Metal collection, and you can do so by purchasing the album from the Nuclear Blast webstore, or you can also buy a digital copy of it or stream it in full by clicking HERE, but if I were you I would certainly go for the Metal Commando Box available at the Napalm Records webstore, including the digipak double CD version of the album, a double vinyl with an exclusive color, a poster and a slipmat. Hence, you can also follow Ralf, Mat & Co. on Facebook and on Instagram to stay up to date with all things Primal Fear, and listen to Metal Commando and all of their previous albums on Spotify. Then, and only then, you’ll be ready to become a commando and join Primal Fear’s one and only metal brigade, armed to the teeth with their classy and piercing Power Metal while braving the battlegrounds of our everyday lives.

Best moments of the album: Halo, Hear Me Calling, The Lost & the Forgotten, My Name Is Fear and Infinity.

Worst moments of the album: None.

Released in 2020 Nuclear Blast

Track listing
1. I Am Alive 4:34
2. Along Came the Devil 4:21
3. Halo 4:19
4. Hear Me Calling 4:39
5. The Lost & the Forgotten 4:08
6. My Name Is Fear 4:04
7. I Will Be Gone 4:26
8. Raise Your Fists 3:52
9. Howl of the Banshee 4:54
10. Afterlife 4:29
11. Infinity 13:12

Deluxe Digipak/Japanese Edition bonus tracks
12. Rising Fear 1:39
13. Leave Me Alone 4:04
14. Second to None 4:12
15. Crucify Me 4:06

Band members
Ralf Scheepers – vocals
Mat Sinner – bass, backing vocals
Magnus Karlsson – guitars, keyboards
Alex Beyrodt – guitars
Tom Naumann – guitars
Michael Ehré – drums

Album Review – Bouquet of Dead Crows / Hemispheres Part 1: Celestial EP (2020)

Adopting a more progressive sound, this unstoppable UK-based Alternative Rock unity is more than ready to rock your world with the first half of their third full-length album.

After embellishing the airwaves with their refined fusion of Alternative Rock and Metal with nuances of Rock N’ Roll and Hard Rock in their previous efforts, those being their 2015 debut album Of The Night and their 2018 release Motus Octo, Cambridge, UK’s own Bouquet of Dead Crows are back from outer space with the first part of their third full-length album Hemispheres, the six-track EP titled Hemispheres Part 1: Celestial. Adopting a more progressive sound with their trademark riffs with big melodies approach being enhanced to incorporate more layered and nuanced elements, the band currently comprised of Antoinette Cooper on vocals, Neil Bruce on the guitars, newcomer Karen Gadd on bass, and Andrew Coxall on drums and synths is more than ready to rock your world with Celestial, also preparing us all for the second half of their musical journey, Cerebral, scheduled for a late 2020 or maybe even an early 2021 release.

Recorded at the beginning of the year at Parlour Studios, mixed and produced by Neil Haynes, and featuring a stylish artwork by longtime collaborator Stewart Harris, from Stewart Harris Designs, Celestial has an overall theme of mental health, which is a topic all band members are very passionate about. With each song, they’ve written about issues that affect them individually and personally. There’s been a lot of stigma about depression and anxiety over the years, and as the mood slowly shifts, this album captures the zeitgeist of our current unpredictable day-to-day life, the fears we are all experiencing right now. In addition, although written before the pandemic that the world is currently experiencing, a lot of the lyrics do seem strangely prescient and also very relevant, such as the chorus of the title track which says that “it’s not the end of the world this time, it feels like the end of the world every time.”

Atmospheric and eerie from the very first second, the Sci-Fi intro Terraformer will captivate your senses and warm you up for the British Rock extravaganza titled Before The Storm, where Neil and Karen are in absolute sync with their riffs and bass, respectively, providing Antoinette exactly what she needs to shine on vocals while also bringing elements of Jazz to their core alternative essence, flowing smoothly into the gentle and enfolding Caged, where Andrew does a superb job with both his beats and his ethereal synths. In addition, Karen brings the groove to the overall result, also full of nice breaks and variations, whereas Neil begins slashing his strings in great fashion in the fast and thrilling Left to Rot, the most metallic of all songs of the EP with Antoinette adding a touch of finesse to the rumbling sounds blasted by her bandmates with her piercing vocals. Then it’s time to celebrate all giant monsters from the Japanese culture like Godzilla and Gamera in Kaiju Hijinks, another explosion of groove and adrenaline by the quartet presenting elements from Stoner Rock and Jazz to make things more interesting, not to mention the razor-edged riffs by Neil, followed by the title-track for the full album, Hemispheres, an introspective and futuristic song that evolves into a gentle Hard Rock ballad led by Andrew’s rhythmic drums and Neil’s classic riffs, ending the EP on a high note and setting the bar high for the second act Cerebral in the coming months.

Celestial, which is available for a full listen on YouTube (as six very entertaining visualizers) and on Spotify, is definitely a step forward in the career of Bouquet of Dead Crows, and in order to show those rockers your true appreciation don’t forget to follow them on Facebook and on Instagram, to subscribe to their YouTube channel for more of their music, and of course to grab your copy of the EP from the German Shepherd Records’ BandCamp page, from Music Glue, from Apple Music or from Amazon. After putting your hands on this excellent EP, you’ll have the perfect soundtrack for rockin’ around your house or in your car during such strange times we’re living, while we all wait for Antoinette, Neil & Co. to deliver more of their stylish Rock N’ Roll with the next chapter in their evolutionary career, Cerebral.

Best moments of the album: Left to Rot and Kaiju Hijinks.

Worst moments of the album: None.

Released in 2020 German Shepherd Records

Track listing
1. Terraformer 1:32
2. Before The Storm 2:34
3. Caged 3:49
4. Left to Rot 3:31
5. Kaiju Hijinks 2:36
6. Hemispheres 5:22

Band members
Antoinette Cooper – vocals
Neil Bruce – guitars
Karen Gadd – bass, backing vocals
Andrew Coxall – drums, synths, programming, backing vocals

Album Review – Stormzone / Ignite The Machine (2020)

One of the most important names of the underground UK scene ignites their metal machine once again, offering us all another round of their undisputed Heavy Metal.

A name evoking images of power and strength, Belfast, Northern Ireland-based Heavy Metal/Hard Rock outfit Stormzone is set to release their seventh full-length album, entitled Ignite The Machine, featuring 12 original compositions of blistering Heavy Metal that have already been hailed as their strongest collection of tracks to date. A melting pot of Power Metal and traditional Heavy Metal, Ignite The Machine has all Stormzone trademarks, but more melodies and bigger, catchier choruses than ever before, raising the bar even higher than what the band currently comprised of John “Harv” Harbinson on lead vocals, Steve Moore and newcomer Dave Shields on the guitars, Graham McNulty on bass and backing vocals, and newcomer Davy Bates on drums did in their previous album, the 2018 high-octane metal party titled Lucifer’s Factory. From the very first notes in the opening track “Tolling Of The Bell” to the electrifying tribute to all bands we learned to love through the years in the closing tune “This Is Heavy Metal”, Stormzone kick some serious ass in Ignite The Machine, inviting us all to join those UK metallers in their exciting quest for heavy music.

Steve and Dave kick off the band’s metallic feast with their melodious riffs in Tolling Of The Bell, generating a beautiful base for Harv to shine on vocals in a classic Heavy Metal atmosphere inspired by the golden years of the NWOBHM, and speeding things up the band fires the electrifying title-track Ignite The Machine, where Harv’s piercing vocals are effectively supported by the band’s backing vocals and the unstoppable beats by Davy, bringing to our avid ears elements from the music by Judas Priest, Helloween and Gamma Ray, among other metal giants. After such insane start to the album, we face more of their strident riffs and solos in the also old school My Disease, where Graham and Davy bring forth a thunderous atmosphere with their respective weapons while Harv leads his metal crew with his high-pitched vocal lines, before Davy hammers his drums in the also fast and vibrant Each Setting Sun, with the band’s guitar duo showcasing all their passion for heavy music through their headbanging riffs, therefore maintaining the album at a high level of adrenaline.

Melodic guitar lines ignite another Heavy Metal extravaganza titled Dragon Cartel, heavier and groovier than its predecessors, with Stormzone investing into their darkest side, reminding me of some of their creations from Lucifer’s Factory, whereas in Nothing To Fear, which begins in a Dream Theater’s “Pull Me Under” style blended with 80’s Hard Rock, the sound of the guitars is absolutely heavy, sharp and piercing, resulting in a classic power ballad by the band where Harv puts his heart and soul into declaiming its inspiring lyrics. Then it’s time to venture through the realms of old school Heavy and Power Metal in Revolution, a dancing metal hymn led by Davy’s precise beats and the always powerful vocals by Harv, while Steve and Dave deliver sheer electricity from their awesome shredding and solos. And New Age Necromancer couldn’t have been more traditional and straightforward than this, with the galloping bass by Graham being accompanied by a razor-edged riffage and pounding drums, being highly recommended for having a cold beer while watching Stormzone playing it live on stage.

Bringing forward melodic guitar lines and rumbling bass punches the band delivers the heavy-as-hell Dealer’s Reign infused with modern-day Hard Rock nuances, with the entire band being in total sync (not to mention another passionate performance by Harv on vocals), whereas we’re treated to an 80’s metal feast in Flame That Never Dies, where Harv’s vocals are beautifully supported by smooth acoustic guitars and delicate beats before the band brings pure thunder to the music, resulting in another classic creation showcasing more of their incendiary guitar solos for our total delight. Slightly less creative and exciting than its predecessors, albeit still very enjoyable, Under Her Spell offers the listeners Stormzone’s classic sonority, but without truly taking off (nothing that could harm the album, though), and back to a more ferocious and rebellious sound we have a fantastic ode to all things metal entitled This Is Heavy Metal, where Harv sings about our passion for Heavy Metal and all of our heroes the likes of Iron Maiden, Judas Priest, Accept, Manowar and Black Sabbath, while his bandmates generate a headbanging, groovy and thrilling ambience form start to finish. Moreover, have fun with the song’s last part, trying to identify all classic bands, albums and songs mentioned by Harv in the lyrics.

As mentioned in our review for their 2018 album Lucifer’s Factory, the guys from Stormzone live and breathe Heavy Metal, which is the main reason why they keep delivering exciting music album after album, with Ignite The Machine being no exception to that. Hence, don’t forget to give them a shout on Facebook and on Instagram, to listen to more of their music on Spotify and on YouTube, and of course don’t forget to support Harv and his bandmates by purchasing Ignite The Machine from the Metalapolis Records webstore  as a CD + LP bundle or as an LP + digital download bundle, as well as from Apple Music or from Amazon. Stormzone definitely re-ignited their metal machine in their new album, proving once again that they’ll never sell out and that they will always be loyal to their foundations. Because this, my friends, is Heavy Metal.

Best moments of the album: Ignite The Machine, Revolution, Flame That Never Dies and This Is Heavy Metal.

Worst moments of the album: Under Her Spell.

Released in 2020 Metalapolis Records

Track listing
1. Tolling Of The Bell 5:45
2. Ignite The Machine 4:26
3. My Disease 4:54
4. Each Setting Sun 4:58
5. Dragon Cartel 5:12
6. Nothing To Fear 4:00
7. Revolution 3:49
8. New Age Necromancer 6:21
9. Dealer’s Reign 5:57
10. Flame That Never Dies 5:08
11. Under Her Spell 5:32
12. This Is Heavy Metal 5:31

Band members
John “Harv” Harbinson – vocals
Steve Moore – guitars
Dave Shields – guitars
Graham McNulty – bass, backing vocals
Davy Bates – drums

Album Review – Hearts & Hand Grenades / Adrenaline EP (2020)

Bang your heads nonstop to this fresh breath of Hard Rock that is not just built around the youth of today, but for all generations of true rock addicts.

In striving to create a true rock revival, and up-and-coming female-fronted Hard Rock unity that goes by the name of Hearts & Hand Grenades was formed in the beginning of 2019 in Buffalo, the second largest city in the state of New York, in the United States, focusing on creating a fresh breath of Hard Rock that is not just built around the youth of today, but for all generations of true rock addicts. After the release of their 2019 EP’s Wait and Nothing Left, it’s time for lead singer and bassist Stephanie Wlosinski, guitarists Kenny Blesy and Mike Bress, and drummer Tom Lafferty to showcase all their passion for rock music and dexterity with a new EP entitled Adrenaline, drawing influences from the likes of Metallica, AC/DC, Flyleaf and Halestorm, among many others. “We have been working very hard to bring our collective efforts to create a true hard rock sound with some meaningful lyrics. There is an undertone of frustration, desire, hope, and self- examining on these tracks. The agenda is to have something that anyone can relate to, no matter what walk of life you come from,” stated the band, aiming at filling the hole where true rock used to live with their new EP.

And our hearts begin beating to the rhythm of their classy Hard Rock in the title-track Adrenaline, where Stephanie and Tom will make the earth shake with their respective bass and drums while the band’s guitar duo extracts sheer electricity from their stringed axes, all spiced up by Stephanie’s thrilling vocals. Put differently, simply bang your head nonstop together with those talented rockers, just the way we love it in first-class Rock N’ Roll. Kenny and Mike keep hammering their guitars in great fashion in For the Weakened, bringing elements of Southern Rock and hints of Doom Metal to their already crushing musicality while Stephanie ventures through more aggressive lands with her piercing vocal lines. Then drinking from the more metallic fountain of NWOBHM, but still loyal to their Hard Rock foundations, Stephanie and the boys kick some serious ass once again with Daggers, a born-to-be-a-hit extravaganza where Kenny and Mike are on fire with their riffs, and there’s no sign of the band slowing down as they keep putting the pedal to the metal in the also headbanging Turning to Ashes, with its thrilling rhythm being dictated by Tom’s old school beats while the rest of the band fills out every single space in the air with the magic of Rock N’ Roll.

If you want to increase the amount of adrenaline in your life you can listen to such fun and vibrant EP in its entirety on YouTube, on Spotify and on Pandora, and of course purchase it directly from the band’s own webstore, as well as from Apple Music and Amazon. Also, don’t forget to follow Stephanie and the boys on Facebook and on Instragram, and to subscribe to their YouTube channel, to let their electrifying rock music penetrate deep inside your minds and your hearts each and every day where our good old Rock N’ Roll is required to lighten up our humor and make our lives a little better. After three awesome EP’s in just one year, Hearts & Hand Grenades are more than ready to focus their energy and passion for rock music in the creation of their first full-length opus, and as long as they keep loyal to their foundations, which means as long as they keep delivering more of the vibrant and fresh music found in Adrenaline, we can rest assured classic Hard Rock and Rock N’ Roll will never die.

Best moments of the album: Adrenaline and Daggers.

Worst moments of the album: None.

Released in 2020 Independent

Track listing
1. Adrenaline 5:29
2. For the Weakened 4:05
3. Daggers 3:31
4. Turning to Ashes 4:17

Band members
Stephanie Wlosinski – vocals, bass
Kenny Blesy – lead guitars
Mike Bress – guitars, keyboards
Tom Lafferty – drums

Album Review – Jessica Wolff / para dice (2020)

An unstoppable Finnish singer and her loyal “Wolffpack” will rock your world with their electrifying new album of modern-day Hard Rock.

The stunning Helsinki, Finland-based Hard Rock vocalist Jessica Wolff is a very busy young Finnish artist who’s not only committed to music, but she is also into acting, practicing kung fu and doing stunt work. However, behind the actions of this adrenaline junkie, you’ll find a warm-hearted girl with a striking personality, which is beautifully reflected in the music, in the catchy melodies and in the thought-provoking lyrics of her brand new album titled para dice, the follow-up to her 2013 album Renegade and her 2017 release Grounded, being highly recommended for fans of Pink Floyd, Joan Jett and Morcheeba, among others. Produced by Jonas Olsson, para dice, which title refers to going against the stream and daring to take risks in life if you want to achieve your goals, will offer your avid ears a direct and entertaining fusion of Hard Rock and Rock N’ Roll, showcasing all the talent by Jessica and her “Wolffpack” formed by guitarists Ari Manninen and Sebastian Lindqvist, bassist Taneli Tulkki and drummer Jarno Vanhanen.

Ari and Sebastian begin slashing their strings in great fashion in the opening track Ella’s Song, providing Jessica exactly what she needs to shine on vocals in a thrilling hybrid of modern-day Hard Rock with classic Rock N’ Roll. Not only that, this song is particularly special for Jessica and a little girl named Ella. “A couple of years ago I saw a post from the charity organization called Brother Christmas. It was about a girl who had been so school bullied she didn’t dare to go outside the house.  I contacted her mother and offered to come and hang out with Ella, talk, take walks or work out. I started to meet Ella who opened about her story. Ella is a true fighter with the heart of an angel. Her story really touched me and I asked if we could write a song about it,” said Jessica about the inspiration for such amazing tune. And keeping the adrenaline level truly high the band fires another dancing tune titled Perfect Kind Of Wrong, with Jarno dictating the rhythm with his classic beats while Jessica continues to embellish the airwaves with her piercing vocals, followed by All The Tight Things, a radio-friendly composition where Tanelli and his bass punches together with Jarno’s beats build a solid base for Jessica’s crisp vocals, while the band’s guitar duo delivers strident rockin’ riffs nonstop.

Then it’s time for a Blues-ish ballad by Jessica and the boys entitled The Sunny Side Of The Bay, with its delicate ambience being effectively boosted by Jarno’s minimalist beats, inviting us all to simply relax and enjoy the serene sounds and introspective lyrics of such enfolding song. In Kill Switch the unstoppable Jessica and her henchmen continue to venture through the gentle and passionate lands of rock ballads, but this time increasing their punch and electricity significantly and presenting a solid job done by both Ari and Sebastian with their riffs and solos, whereas in Fight Forever they blend contemporary Rock N’ Roll the likes of Paramore with the groove and heaviness of Hard Rock, also bringing forward another awesome vocal performance by Jessica supported by her loyal bandmates. Needless to say, this is a great option for hitting the road with your loved ones during the hot and fun days of summer.

The awesome Superhero offers us all a high dosage of acid lyrics with Jessica’s own feminine touch (“You say you need nobody / Here we go again why do you pretend / I see the pain inside you / You ain ́t fooling me, you ́re not a mystery / Yeah, come and look at mister cool, hey / Mister all the time, mister blow my mind, yeah / Come and look at mister fool, hey / I get so tired of your shit”) while at the same time presenting the heaviest riffs of the whole album, endless stamina and pounding beats, which together turn it into the best song of para dice hands down. Adding hints of Southern Rock to their Rock N’ Roll core essence, the band brings forth Demons, a headbanging tune where all guitar riffs and heavy beats create an interesting paradox with Jessica’s delicate but powerful vocals, while Take Me Away is another heavy ballad that keeps the momentum going with Jessica’s pensive vocal performance bringing a touch of finesse to the overall result while Taneli keeps hammering his bass, generating a welcome rumbling background sound. Lastly, closing the album we’re treated to the Rock N’ Roll extravaganza titled Strangers, offering the listener classic heavy riffs intertwined with lighter and more melodious moments and, therefore, putting a very pleasant and embracing ending to para dice.

If you’re more than curious to take a full and detailed listen at para dice, you can stream the album in its entirety on YouTube and on Spotify, but of course if you want to show your utmost support to such talented vocalist from the land of ice and snow you can purchase your desired version of the album by clicking HERE, as well as follow her on Facebook and on Instagram, and subscribe to her official YouTube channel. Jessica is definitely poised to become one of the biggest contemporary female singers of her homeland, following the steps of renowned vocalists such as Tarja Turunen (Nightwish, Tarja) and Suvi Hiltunen (Afire), with para dice representing a fantastic step in her career and the perfect path for her to follow in order to keep on rocking our world and our hearts with her classy and electrifying music.

Best moments of the album: Ella’s Song, Fight Forever and Superhero.

Worst moments of the album: All The Tight Things.

Released in 2020 Metalapolis Records

Track listing
1. Ella’s Song 3:14
2. Perfect Kind Of Wrong 3:45
3. All The Right Things 3:19
4. The Sunny Side Of The Bay 3:28
5. Kill Switch 3:44
6. Fight Forever 3:33
7. Superhero 4:09
8. Demons 3:23
9. Take Me Away 3:42
10. Strangers 3:08

Band members
Jessica Wolff – vocals
Ari Manninen – guitar
Sebastian Lindqvist – guitar
Taneli Tulkki – bass
Jarno Vanhanen – drums

Album Review – Häxan / White Noise (2020)

Three Welsh girls are ready to bring the noise armed with their first full-length album, always in the name of our good old Rock N’ Roll.

With an impressive array of live shows and festivals under their belt, including Download Festival, Monsters Of Rock Cruise, Rock The Boat Cruise and Hard Rock Hell, Cardiff, Wales-based all-female Hard Rock trio Häxan is ready to take the world of rock and metal by storm with their brand new album White Noise, a lecture in classic rock tailored for fans of the music by Led Zeppelin, Suzi Quatro, AC/DC and Black Sabbath. Recorded at Stompbox Studios in Wales, the album was produced, mixed and mastered by Todd Campbell (Phil Campbell and the Bastard Sons), who’s helped lead singer and guitarist Sam Bolderson, bassist Harriet Wadeson and drummer Jess Hartley reach a higher level with their music, all embraced by a straightforward and strong artwork by Matt Riste Illustration, and if you think the COVID-19 pandemic would stop the girls from embellishing the airwaves with their music you’re absolutely wrong. “We debated postponing the album launch until there was more certainty in our (and your) lives. We ultimately decided that so many of our fans and friends had been asking for this album for so long, that it was only right to continue with its launch and hopefully help to give everyone a little something to look forward to. We want White Noise to be able to mask the sounds of the uncertain outside world that’s around all of us currently, to allow people to escape it. It’s an opportunity to shut everything else out and enjoy the incredible potency of music.”

Let’s cut to the chase as it’s time to rock together with the girls from Häxan in the opening tune Damned If You Do, presenting elements from classic rock with the electrifying punk-ish sound blasted by bands like Volbeat, with Jess sounding fantastic on drums while Sam delivers sheer adrenaline with her spot-on riffs, followed by Killing Time, a mid-tempo headbanging tune led by the pounding drums by Jess accompanied by the crushing bass punches by Harriet, bringing a Survivor’s “Eye of the Tiger” vibe and, therefore, resulting in a lesson in 80’s Rock N’ Roll for admirers of the genre. After such great start the band offers us all Nine Lives, a Volbeat/Misfits-inspired composition by the trio where Sam and Harriet slash their strings beautifully while Sam blasts her delicate but potent vocals for our total delight. Needless to say, this is an amazing option for their live performances, which is also the case with Grave Digger, where the band ventures through more Blues-ish, Southern Rock lands. Furthermore, Sam poetically declaims the song’s lyrics while Jess keeps the song’s pace smooth and vibrant at the same time, not to mention the thrilling guitar solo blasted by Sam. And they keep smashing their instruments powerfully in the Hard Rock extravaganza Louder Than Words, with Harriet and Jess making the earth tremble with their thunderous bass and drums, also bringing to our avid ears soulful guitar riffs and solos and endless stamina.

In Black Sheep the trio gets back to a darker and groovier sonority, with Harriet hammering our heads with her fiery bass while Sam brings forward more of her charming vocals, sounding almost like a grim, badass rock ballad, whereas uniting the groove of Southern Rock with the old school Hard Rock by AC/DC Häxan offer us all the dancing Crash and Burn, with Sam’s vocals being nicely complemented by some crisp backing vocals, rockin’ guitar riffs and incendiary solos. In the flammable Skeletons, we’re treated to a high-speed, dirty pounding Rock N’ Roll party by the girls where Jess is unstoppable on drums, providing Sam all she needs to scream the song’s catchy chorus flawlessly (“Your skeletons are out to play, you thought you’d take them to your grave / You’ll always be the second best to demons that you’d laid to rest / Your skeletons are running wild, haunting you til the day you die / You believe what’s done is done, but you won’t ever run / From all your skeletons, skeletons”), before Living Dead closes the album in great fashion, albeit not as inspiring as the rest of the album, but still showcasing all the dexterity of the girls with Jess once again kicking ass with her beats together with Harriet’s rumbling bass jabs.

The talented and hardworking girls from Häxan are waiting for you on Facebook, on Instagram and on Spotify to rock your world like there’s no tomorrow, bu of course in order to show them your true support and to prove you deserve a place in the Rock N’ Roll heaven, go grab your copy of White Noise from their own BandCamp page, from Apple Music or from Amazon. In a nutshell, White Noise might not be a revolution in rock music, but that has never been the band’s intention anyway. Sam, Harriet and Jess just want to play pure, unfiltered rock music and give us all a very good reason for smiling, banging our heads and dancing the night away. After two astounding releases, those being their 2017 debut EP Breaking Down the Walls and now the top-of-the-line White Noise, what’s next for the girls from Häxan? Well, only time will tell, but we can all rest assured they will never sell out and will keep bringing the noise to our avid ears for many years to come, always in the name of our good old Rock N’ Roll.

Best moments of the album: Damned If You Do, Nine Lives and Skeletons.

Worst moments of the album: Living Dead.

Released in 2020 Independent

Track listing
1. Damned If You Do 4:50
2. Killing Time 4:07
3. Nine Lives 4:45
4. Grave Digger 5:03
5. Louder Than Words 4:07
6. Black Sheep 5:35
7. Crash and Burn 4:07
8. Skeletons 5:34
9. Living Dead 4:27

Band members
Sam Bolderson – vocals, guitar
Harriet Wadeson – bass
Jess Hartley – drums