Album Review – Eli van Pike / Welcome to My Dark Side (2017)

Welcome to the dark and melodic world of Gothic Metal, Neue Deutsche Härte and Industrial Metal ruled by three outstanding musicians who will certainly fuel your inner passion for industrialized sounds.

Combining the best elements of Gothic Metal, Neue Deutsche Härte and Industrial Metal, creating their own identity and remaining true to a tougher musical line, German-American Industrial Metal entity Eli van Pike is releasing its debut album Welcome to My Dark Side, comprised of ten unique compositions with its lyrics being in both German and English, often representing a mirror of the abysses of the human psyche. Not only is this new project highly recommended for admirers of the music played by renowned acts such as Rammstein, Eisbrecher, Oomph! and Lindemann, but it’s also a very interesting option for newcomers who are always seeking for darker sounds with a strong melodic vein.

Formed in 2016 by German musician Thorsten Eligehausen (Schandpfahl, Cradle Of Haze) together with German multi-instrumentalist Marc Vanderberg (Devil May Care) and American singer Ken Pike (Firesphere), therefore the name Eli van Pike, composed of parts of the names of the band members, the project debuted in 2016 with the singles Even Heros Fall and Tears of War, getting in the focus of the Gothic and Industrial Metal scene. In 2017, after releasing an EP titled Herzschlag, it’s time for Thorsten and his crew to reach new heights with their debut full-length album, and I’m sure you’ll find yourself singing, dancing or simply banging your head to most of the songs of the album due to its high level of electricity and feeling.

And the eccentric Eli van Pike begin their industrialized attack on a high note with the Teutonic hymn Made in Germany, with the keys by Thorsten together with the brutal riffs by Marc forging a fierce and pleasant Industrial Metal sounding, also presenting a great balance between the clean vocals by Ken and the deeper growls by Thorsten. Herzschlag, or “heartbeat” in German, a powerful Neue Deutsche Härte hymn with the heaviness from guitars and drums being boosted by the song’s old school keyboards, transpires a Rammstein-inspired vibe, in special through the obscure vocals by Thorsten, but it’s in the next song that their metallic vein gets to a whole new level of insanity. Faster and crazier (but still very melodic), the thrilling 1-2-frei is pure Neue Deutsche Härte, with the addictive guitar lines by Marc being the icing on the cake of such industrialized hymn.

Although it’s hard to “accept” a ballad in an Industrial Metal album, World on Fire kind of works well: it might not the best ballad in the world, but its solid instrumental and decent lyrics make it a lot more enjoyable. Back to a much harder and more obscure sonority, Tears of War is exciting from start to finish, with the German words vocalized by Thorsten darkening the music even more while Marc keeps kicking ass with his riffs and Ken once again brings epicness to the overall result with his passionate vocals. Slowing down a bit, the band offers us One Last Rose, a fusion of Industrial Metal with 80’s Gothic Rock and Metal, hence presenting all the elements of a dark hit, with highlights to the song’s melodic vocals in sync with its piercing synths, followed by Peter, 41,  another industrialized composition that will rock the hell out of you. Moreover, Thorsten sounds simply amazing with his cryptic, deep voice, while Marc continues to add electricity and groove to the music with his strings.

The title-track Welcome to My Dark Side is a fantastic display of modern and fresh Neue Deutsche Härte, offering the listener heavy sounds mixed with gentle vocals and sharp keyboards, also showcasing a Dark Metal aura in the background the likes of Moonspell. After such amazing display of dark music, Eli van Pike’s blackened, mechanized attack goes on with a frantic creation entitled Amen, bringing forward three minutes of Stygian vocals by Thorsten supported by the slashing riffs by Marc. In other words, this is another one of their songs that will certainly put people to dance at an underground metal party. However, instead of closing the album with such magnificent tune, the trio ventures through the realms of acoustic ballads in Valentine’s Day, and let me be honest with you, in my humble opinion acoustic guitars should never be used in any Industrial Metal album under any circumstances. It’s not that the song is bad, but it’s completely disconnected from the rest of the album, sounding like filler in the end. Maybe with some electronic elements in the background this western-ish ballad could have been more enjoyable, or at least more in line with the concept behind Eli van Pike.

Anyway, despite this slight lapse of electricity, overall Welcome to My Dark Side is a damn good album taking into account the fact that the band has been together for just a short period of time. In case you want to know more about the project, go check their Facebook page and listen to their music on YouTube or Spotify, and buy Welcome to My Dark Side on BandCamp, at the darkSIGN-Records’ webstore, on iTunes, on Amazon or on Qobuz. And always remember, you’re welcome to join the dark side of Industrial Metal created by Eli van Pike any time, a project so compelling it will definitely fuel your inner passion for industrialized sounds.

Best moments of the album: 1-2-frei, Tears of War, Welcome to my Dark Side and Amen.

Worst moments of the album: World on Fire and Valentine’s Day.

Released in 2017 darkSIGN-Records

Track listing 
1. Made in Germany 4:10
2. Herzschlag 3:45
3. 1-2-frei 2:54
4. World on Fire 4:02
5. Tears of War 4:57
6. One Last Rose 3:40
7. Peter, 41 3:34
8. Welcome to My Dark Side 3:17
9. Amen 2:59
10. Valentine’s Day 2:28

Band members
Thorsten Eligehausen – vocals, keyboards
Marc Vanderberg – guitars, drum & bass programming
Ken Pike – vocals

The Headbanging Moose Show – Thursdays @ 20:00 UTC exclusively at Midnight Madness Metal e-Radio

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Attention, metalheads!

It’s time to rumble with THE HEADBANGING MOOSE SHOW every Thursday @ 20:00 UTC (with a reprise on Saturdays @ 19:00 UTC) exclusively at Midnight Madness Metal e-Radio, your London-based web radio blasting the best of heavy music nonstop 24/7!

Presented by Gustavo Scuderi, The Headbanging Moose Show will bring to you the cream of underground metal music, giving you a short and sweet background on every band played on the show. No silly jokes, no shenanigans… THIS IS PURE F****N’ METAL!

So remember, EVERY THURSDAY @ 20:00 UTC (with a reprise on Saturdays @ 19:00 UTC) tune into Midnight Madness Metal e-Radio to enjoy one hour of kick-ass underground metal from all over the world, courtesy of The Headbanging Moose!

Here are all the options where can blow your speakers with Midnight Madness:

Official website
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Streema
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Streamitter.com

Don’t forget to follow The Headbanging Moose on Facebook to know beforehand which bands will be played on the show every week.

And if you want to have your new album reviewed at The Headbanging Moose AND played at Midnight Madness Metal e-Radio, simply get in touch with us through our CONTACT US page.

Album Review – Through Chaos & Solitude / The Thawing Winds Of The Morning Sun EP (2017)

A classy and meaningful Melodic Black Metal project aiming at opening our eyes and show us that we, mankind, are our own blessing and our own curse.

“The thawing winds of the morning sun is us. Mankind. We are our own blessing and our own curse. We are the stroke of wing which causes these winds to blow. We try to become god ourselves while declaring him for dead and still we deny our nature. We subdue the earth and its children and still we strive for more. By now we already realized our purpose and we willingly choose to neglect it. We’re flying directly into the sun and still we’re accelerating…”

These dark, poetic words perfectly summarize the music you’ll find in The Thawing Winds Of The Morning Sun, the debut demo by German Melodic Black Metal project Through Chaos & Solitude, led by multi-instrumentalist Tim Rule (Forward to Eden) with the help of Sebastian D. (Castigator) on drums. Featuring a serene cover art by Pottriot Illustrationen, and written, recorded and mixed by Tim himself during this past winter in the city of Ruhrpott in North Rhine-Westphalia, the most populous state of Germany, The Thawing Winds Of The Morning Sun brings beautiful, melancholic and dark music in the vein of bands like Woods Of Ypres, Agalloch and Falls Of Rauros, with each one of its three songs sending a thoughtful message about life and death, our souls, our existence and our struggles.

The initial sound of the howling wind in the first song of the demo, titled The Intransigence Of The Soul, is suddenly joined by an onrush of heavy guitars and blast beats, with the demonic gnarls by Tim giving life (or I should say death) to the song’s poetic lyrics (“Constant struggle of the mind and the heart / Constant suspense of the body and the mind / Persistency in the thought – restlessly moving on / Intransigence of the soul…”). Furthermore, anguish, despair and loneliness are just a few of the emotions explored by Tim in this piercing Black Metal chant, ending in an acoustic and pensive manner before we face the second piece of the demo, A Heart Of Eternal Winter (And The Longing For Your Warmth), which builds a direct bridge to the opening track, beginning in a slow-paced rhythm inspired by the obscurity of Doom and Gothic Metal, also showcasing acute Black Metal blast beats by Sebastian D. and a somber ambience. Tim’s phantasmagoric vocals embrace us in darkness at first, shifting to his hellish growls and back to melodic clean vocals and, therefore, creating a nice paradox of voices inside our minds.

Also connected to its predecessor, If This Is The Best We Can Get Then I Am Disappointed brings forward obscure acoustic guitars and once again the haunting sound of the wind while Tim darkly grasps the song’s austere lyrics, which present his personal view of mankind (“Evolution has brought us so far / And still – look where we are / Creating life and taking life / All in the same conceited breath / We are appointing ourselves to gods / Whereas declaring him for dead / If this is the best we can be / Then please let it end with me / Evolution has brought us so far…”). In addition, this composition is another excellent sample of the clash of distinct sounds Tim enjoys putting together, displaying slow and steady beats à la Doom Metal during its first half, whereas the second part of the song brings an explosion of heavy and dissonant sounds that lives up to the legacy of Scandinavian Black Metal, until it finally reaches its lugubrious ending.

In summary, Tim and his Through Chaos & Solitude are not only offering us well-crafted, harmonious and dark heavy music, but he also discusses important topics about the dangerous direction mankind is taking, pointing to our dread but inevitable extinction. If you’re a metalhead that’s always in pursuit of high-end music coming from independent artists and bands who also care about the content and message transmitted through their creations, Through Chaos & Solitude might be exactly what you’re craving, and obviously don’t forget support this brand new project by purchasing The Thawing Winds Of The Morning Sun at the Bound By Modern Age Records’ BandCamp or webstore (in tape or CD format), at the Mark My Words Records’ BandCamp or webstore, or at Discogs. Let’s hope Tim goes on with Through Chaos & Solitude, a classy project with a meaningful message that only brings more energy to his already excellent Melodic Black Metal, and that mankind finally opens their eyes for all the wrongful things that are happening in our world before it’s too late.

Best moments of the album: The Intransigence Of The Soul.

Worst moments of the album: None.

Released in 2017 Bound By Modern Age Records/Mark My Words Records

Track listing
1. The Intransigence Of The Soul 7:58
2. A Heart Of Eternal Winter (And The Longing For Your Warmth) 5:10
3. If This Is The Best We Can Get Then I Am Disappointed 6:37

Band members
Tim Rule – vocals, guitars, bass, keyboards
Sebastian D. – drums

Album Review – Ibyss / Hate Speech EP (2017)

A feast of modern and industrialized sounds by a dynamic duo of German metallers who are not afraid of expressing their rage against censorship and rising authoritarian tendencies.

When it came to my attention that several German webzines and even leading print magazines refused to review or publish any news about Hate Speech, the brand new EP by German Industrial Metal duo Ibyss, because they think the album title is too “problematic” or “provocative”, I instantly thought there’s something wrong with the media and their “invisible” censorship. The duo even states in their material the specific topics their non-political EP deals with, such as third-wave feminism, trigger warnings and toxic masculinity, in an aggressive and unapologetic way against censorship and rising authoritarian tendencies in the midst of a battle of the sexes (which are already sweeping into the Heavy Metal subculture).

Formed in 2013 and highly influenced by the music by renowned acts like Nailbomb, Godflesh and Ministry, the duo comprised of Jens (vocals, guitars) and Nihil (guitars, bass, drum programming) hails from Düsseldorf, a city in North Rhine-Westphalia, Germany, known for its fashion industry and arts, having released in 2014 their very experimental debut album Obsidian, as well as a couple of singles in the coming years, carving their name in the German independent scene. Moreover, they nurture a deep passion for alternative and industrial music, they love to experiment with unusual and heavy sounds, and they’re not afraid of discussing about controversial topics through their creations. Put differently, they use their austere music as their form of expressing their view of our modern-day society, and Hate Speech deserves a shot for being such an honest and meaningful album. There’s nothing wrong with that, don’t you agree?

Anyway, opening the EP in a metallic and groovy way we have Bois Ton Sang (or “drink your blood” from French), where Jens begins screaming his acid words violently while Nihil’s bass sounds very old school, resulting in a German Industrial Metal extravaganza perfect for breaking your neck headbanging. Moving on with their industrialized attack, electronic elements permeate the air from the very first second in the excellent Face Off, an aggressive Industrial Metal chant the likes of Fear Factory where the razor-edged guitars by both Jens and Nihil dictate the rhythm, with the song’s thunderous and menacing bass lines bringing even more electricity to the already belligerent musicality presented. And making use of tons of industrial elements in the background and featuring German legend Rüdiger Schuster (Stumpff, U.L.A.A, Unlucky Childz) as a guest vocalist, Home Is Where The Graves Are also brings forward rumbling bass lines and piercing guitars to enhance the song’s potency and impact in a brutal way.

Like Drones feels like traditional Industrial Metal with hints of Sludge Metal, reminding me of some of the newest songs by Sepultura due to its grooviness and creativity, not to mention the great job done by Nihil with the drum programming by making it sound very organic and raw; whereas the ruthless Frontlines keeps up with the rest of the album in terms of electricity and punch. This time Jens presents not only his tormented growls, but also his gentle, clean voice, creating an interesting paradox of vocal lines throughout the whole song. Finally, when you reach the last song of Hate Speech, entitled Senseless Ordeal, you’ll be able to clearly acknowledge what the music by Ibyss is all about, their sonority and characteristic sounds, showing how cohesive the whole EP is. The duo keeps smashing their guitars unceasingly during the song’s seven minutes, sounding threatening and coarse (but always with a lot of harmony), building what can be considered a fusion of the music by Fear Factory, Marilyn Manson and Triptykon, or in other words, an Industrial-Doom-Gothic Metal feast.

Why the media is not supporting such riveting underground act is beyond my comprehension. If you think about it for one second, they come from the same country as Neue Deutsche Härte icons Rammstein, who gave the world extremely polemic creations such as “Pussy”, “Amerika”, and especially “Mann gegen Mann”. If you also think we all have the right to express our ideas, if you think freedom of speech is still important, and especially if you like modern and industrialized music, go check what Jens and Nihil are up to at their Facebook page, enjoy their music at their YouTube channel and SoundCloud, and buy your copy of Hate Speech at their BandCamp page. As mentioned before, this talented duo is not afraid of expressing their anger against censorship and their view of other controversial topics, and by doing that through their experimental compositions they ended up providing fans of heavy music an excellent and noteworthy option outside of the comfort zone of traditional metal.

Best moments of the album: Face Off and Senseless Ordeal.

Worst moments of the album: None.

Released in 2017 Independent

Track listing
1. Bois Ton Sang 4:50
2. Face Off 3:52
3. Home Is Where The Graves Are (feat. Rüdiger Schuster) 4:19
4. Like Drones 2:40
5. Frontlines 4:43
6. Senseless Ordeal 7:01

Band members
Jens – vocals, guitars
Nihil – guitars, bass, drum programming

Guest musician
Rüdiger Schuster – additional vocals on “Home Is Where The Graves Are”

Album Review – Madness Of Sorrow / N.W.O. The Beginning (2017)

Depicting the corrupt and sick system in which humanity is living, the new album by this Italian duo of Gothic and Horror Metal will certainly entertain you with its high dosage of acidness, energy and creativity.

Although the ceaseless danger of the emergence of a totalitarian world government (the conspiracy theory known as the New World Order) might incite fear in our hearts, it also fuels the creativity from artists all over the world, including Italian Gothic/Horror Metal band Madness Of Sorrow with their brand new release, titled N.W.O. The Beginning, the fourth studio album in their career. Depicting the corrupt and sick system in which humanity is living, focusing specifically on corporations, sex and serial killers, and featuring a dark and acid artwork by Italian artist Graziano Roccatani, N.W.O. The Beginning will take you on a journey through the shadows of our decaying world, showcasing how exciting heavy music can be when powered by controversial and disturbing topics.

Formed in March 2011 by multi-instrumentalist Murihell (aka Muriel Saracino) from the ashes of Italian Gothic Metal/Hard Rock group Filthy Teens in the region of Pisa and Livorno, in Tuscany (but currently located in Val d’Aosta, a region of northwest Italy bordered by France and Switzerland), Madness Of Sorrow are constantly delivering high-quality music for fans of Gothic and Horror Metal, starting with their debut album Signs in 2011, which by the way led them to play in 2012 in Milan with Italian Gothic Metal icons Cadaveria, followed by Take the Children Away from the Priest in 2013 and more recently III: The Beast in 2015. The project takes now one step further with N.W.O. The Beginning, their first album featuring new singer Prophet (aka Diego Carnazzola), widening their music horizons and venturing on new sounds unexplored by the band in their previous releases.

The intro N.W.O. welcomes the listener with an eerie voice talking about the aforementioned conspiracy theory, working as a warm-up for Salomon, where Prophet blasts powerful growls as well as dark, clean vocals while Murihell delivers a Gothic, industrial and obscure musicality, blending the styles by Mercyful Fate and Ministry (which translates into pure wickedness, of course), followed by the excellent Inside the Church, a song that should sound fantastic when played live, bringing elements from Thrash and Death Metal in its riffs and beats, not to mention its awesome accelerated pace and catchy lyrics and chorus. And despite almost sounding as a ballad, You’re Not Alone also presents the darkened elements commonly found in the music by Madness Of Sorrow, being a very good example of a song by an extreme band that could be played in any radio station, with highlights to the top-notch clean vocals by Prophet.

Speeding things up again, the duo offers a fast-paced and aggressive tune drinking from the fountains of Thrash and Gothic Metal entitled Necrophilia, with the slashing guitar lines by Murihell together with Prophet’s demented screams being all that’s needed to ignite some fun mosh pits during their live concerts. More modern and Gothic than all previous songs, Slut brings forward lyrics that are extremely porn and nasty, in line with what the music proposes, but that for obvious reasons cannot be played on any radio station; whereas R.I.P. is a song where Murihell showcases all his talent and passion for metal, sounding more melodic, rhythmic and leaning towards more traditional Heavy Metal, with even some hints of Symphonic Metal coming from its background keyboards. In Zombified, smooth but dark keys and low-tuned bass lines build a demonic ambience perfect for Prophet to darkly declaim the song’s wicked lyrics in a solid display of contemporary Gothic Metal for fans of the genre.

Keep Your Head Down, an interesting composition by this skillful duo from Italy, offers more of their Gothic and Symphonic Metal, albeit being slightly repetitive in my opinion (in special its chorus), whereas in DNA what feels like Gothic Metal at first becomes a vicious display of Dark and Industrial Metal with elements from Thrash Metal, proving how versatile the duo is. Moreover, Murihell does an amazing job on drums and guitars, paving the path for Prophet and his raging vocals to thrive. And with a Down with the Sickness-inspired beginning, but bringing forward elements from Melodic Death Metal in its guitars and beats, the awesome S.O.S displays a rockin’ rhythm and effective breaks throughout its three minutes to keep the sound always fresh and vibrant, therefore turning it into one of the best songs of the album (if not the best), flowing into a tribal Outro that also presents the band’s trademark obscure sounding.

In summary, the New World Order might fortunately be just a theory (at least for now), but Madness Of Sorrow are an exciting reality and the music you’ll find in their new album is highly recommended for facing our everyday issues and struggles due to its elevated amount of energy and creativity. You can find more information about them at their official Facebook page, and enjoy their music on YouTube as well as on Spotify. And in order to grab your copy of N.W.O. The Beginning, simply go to iTunes or to Amazon. But hurry up, before the New World Order is finally born and comes to destroy our freedom, our music and arts in general.

Best moments of the album: Inside the Church, You’re Not Alone and S.O.S.

Worst moments of the album: Keep Your Head Down.

Released in 2017 Independent

Track listing
1. N.W.O. 0:35
2. Salomon 3:26
3. Inside the Church 3:36
4. You’re Not Alone 3:21
5. Necrophilia 3:26
6. Slut 3:23
7. R.I.P. 3:26
8. Zombified 3:37
9. Keep Your Head Down 4:26
10. DNA 3:46
11. S.O.S 3:11
12. Outro 1:26

Band members
Prophet – vocals
Murihell – guitars, bass, drums

Live lineup
Prophet – vocals
Murihell – guitars
Hades – bass
Kronork – drums

Metal Chick of the Month – Caterina Nix

Wake up, this is my dream… Just let me sleep… In my loneliness, high above of me I fly.

The Republic of Chile might be known worldwide for its astounding attractions such as the arid Atacama Desert, the ski resort of Valle Nevado and the beach resort of Viña del Mar, as well as the country’s rich culture which has already provided the world the beautiful poetry of Pablo Neruda, for example. However, it’s time for the world to also know more about one of the most talented Chilean singers in heavy music, the gorgeous Caterina Nix, born Caterina Torrealba in Santiago, Chile and also known as Cati Torrealba, a solo artist better known for her partnership with the iconic Finnish guitarist Timo Tolkki in the Power Metal projects Chaos Magic and Timo Tolkki’s Avalon.

Caterina’s interest in singing and in music started at an early stage of her life, when she joined several rock bands during her adolescence at school and in the choir, discovering Heavy Metal during that period and falling in love for it. She started listening to classic bands such as Metallica, Pantera and Iron Maiden as a kid, expanding her metallic horizons a little more with bands like Tool and Fear Factory, before getting completely in love with female-fronted groups such as Lacuna Coil, Nightwish and After Forever. With metal and rock flowing through her veins, Caterina was always motivating her friends at school to play rock tunes when they were around 12 years old, which years later led to the creation of her first band, named Aghonya. In addition to that, our metal diva has a soprano vocal range and has received both classical and pop singing training, showcasing her versatility in music. Well, she mentioned in one of her interviews that her biggest idols in music are the unparalleled Freddy Mercury and Bruce Dickinson, and that singing along with them is like being in a master class, learning a lot by playing their music and imitating them. That alone says it all, don’t you think?

As aforementioned, Caterina’s first professional endeavor in the world of heavy music was with Chilean Gothic Metal band Aghonya, with whom she recorded a demo in 2006 and the full-length album Oxygen, in 2008, which she wrote all lyrics and vocal lines. Although the record was released independently, the band and Caterina garnered critical acclaim, leading the band to open for renowned acts like After Forever, Edguy and Within Temptation. In addition, Caterina believes that, as Aghonya started as a cover band for Nightwish, that helped shape her style to become the singer she is today, which you can see in songs such as Lead Me Into You (also check this nice live version at an extremely cheesy TV show from Chile called Sin Dios Ni Late) and the title-track Oxygen. Unfortunately, as it happens with several bands worldwide, Aghonya came to an end sometime in 2010, when each band member took a different path in life. The band’s drummer, Javier Guzman, moved to Australia; bassist Sergio Silva and guitarist Sebastián Coulon both got other jobs; and keyboardist Andres Cruz moved to a small town in the north of Chile.

Although it was only in 2015 when Caterina and Timo Tolkki joined forces to form Finnish/Chilean Symphonic Power Metal band Chaos Magic (together with Finnish drummer Jami Huovinen), our metal diva had already met Timo many years before that at a meet-and-greet at a Stratovarius concert in Chile, and they kept in touch after that. Years later, she sent Timo her material and they started to think about recording music together, which ended up happening when Frontiers Records came up with the idea of having a female vocalist to have a solo project written and produced by Timo, who opted for Caterina among three names, culminating with the release of their self-titled album Chaos Magic in 2015. The name Chaos Magic was chosen by Caterina herself, aiming at portraying our positivity and spirituality towards the universe, with each one of us being just one piece of energy altogether. You can feel the energy proposed by Caterina and all her passion for Melodic Metal in the classy tunes One Drop of Blood and A Little Too Late, as well as in the official video for I’m Alive (which you can see at the end of this tribute to Caterina). However, when asked about her favorite tracks of the album, she said she has a special place in her heart for Seraphim and Passionflow, as both are sexy and put a woman in a position of power, making her dive into the femme fatale character and sing from a powerful point of view.

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Our Chilean bombshell can also be seen in different bands and projects as a guest vocalist, including  Finnish Symphonic Power Metal project Timo Tolkki’s Avalon (yes, her partnership with Timo started before Chaos Magic was born), where she sang in two songs from their 2014 album Angels of the Apocalypse together with Simone Simons (Epica), Elize Ryd (Amaranth) and Floor Jansen (Nightwish), those being High Above Of Me and Angels of the Apocalypse. You can also enjoy her sweet vocals in the gentle ballad Believe In Me, from the 2015 album Post-Apocalyptic, by Croatian Heavy/Power Metal act Undercode, as well as in the song Lost Innocence, from the 2016 album The March of the Fallen by Chilean Power Metal band Triboulet. In addition to that, Caterina is also part of Vivaldi Metal Project (you can see a short clip of our diva introducing herself to the fans of the project HERE), and has been working hard as a solo artist, consistently performing live in several venues and cities. For instance, she had the chance to open for Nightwish in her hometown Santiago in October 2015, being chosen by the production of the show among hundreds of applicants. As a few excellent samples of what Caternia has been doing for metal music in her career, you can see her singing together with members from the bands from Delta, Resilience and Witchblade in a cover version for Dio’s all-time classic Rainbow in the Dark during The Metal Tour 2016 in Chile; delivering a passionate performance of Queen’s No One But You together with Ronnie Romero (Lords of Black, Rainbow); presenting an acoustic version of a new song called I’d Give it All; showing her heavier and groovier side in the excellent Throw Me To The Wolves; and kicking some serious ass at Chile Rock Festival 2016.

Furthermore, Caterina has a law degree and currently works as an attorney specializing in liability cases. She mentioned in one of her interviews it’s tough to earn a living as a musician in Chile, although she always wanted to be an opera singer (which her parents were against). She went to college, got her degree and works as an attorney (for a loss adjustment company specializing in liability) for the money, but her true passion is music. I guess that’s not too different from many of us, don’t you agree? Caterina mentioned that, if she could dedicate herself to music 24/7 that would be a dream come true, but that’s unfortunately not the reality for her, at least not yet. Furthermore, our Chilean diva said being an attorney somehow helps her being more aware if someone is not being honest with you or if someone is trying to do shady things behind your back, but also that so far nothing bad has happened and her record label has treated her with the utmost respect and transparency.

In regards to her favorite places in the world, Caterina said she had a blast visiting cities like Florence and Venice, in Italy, and the Sedlec Ossuary, the church made of human bones located in Kutná Hora, in the Czech Republic, not to mention an amazing AC/DC concert she had a chance to attend in Paris after many years waiting for a chance to see the most important Hard Rock band of all time. She’s also an animal and nature lover, being the proud owner of cats, a turtle and some birds, going outside to connect with nature when searching for inspiration, staring at the sky and having that instance of being alone with nature. Those seem to be very basic things, but Caterina consider herself a very simple person who loves singing and creating music, being in love and being loved, spending time with her family and with her pets, working out, eating different types of food and, obviously, shopping.

Her taste for music couldn’t be better, as she enjoys listening to several types of rock and metal music such as Tool and In this Moment, her youth classics Korn, Pantera, Black Label Society and Fear Factory, and of course female-fronted bands like Lacuna Coil, Amaranthe and Nightwish. When asked about the metal scene in her homeland, she said everyone knows how Chileans are completely passionate about Heavy Metal, with fans smashing each other to see their biggest idols playing live. However, when it comes to the local metal scene, Caterina said Chile is very different from Europe, for example, with local bands lacking the necessary resources to be known or listened to, with things slightly improving nowadays with the use of several online tools. It’s a case similar to her own, where you have to do music in Chile because you love it, not because of the money. Well, Caterina, your passion for heavy music is truly inspiring, and we’re sure it will encourage numerous bands and musicians, including talented women like you, to keep the fire of metal music burning bright in your charming “Land of Poets”.

Caterina Nix’s Official Facebook page
Caterina Nix’s Official YouTube channel
Caterina Nix’s Official Instagram

“I’ll do my best to bring people beautiful strong music and I’ll keep on screaming that no one should ever give up on their dreams. We all deserve a chance. We all deserve to give ourselves that chance.” – Caterina Nix

Album Review – Crossbones / WWIII (2017)

The most longstanding and influential metal act from Albania returns with a brand new opus, combining American Thrash Metal influences with a dark sound and typical Eastern European sonorities.

When vocalist Olsi Ballta grabbed an Albanian-English dictionary in 1996 and picked the first word on the page he randomly opened, he had no idea he would be founding the most recognized metal act in Albania and the only band from the mid 90’s that kept going. That’s how everything started for Tirana-based Heavy/Thrash Metal band Crossbones, the first Albanian rock band to have released a genuine full-length album on CD (their debut album called Days Of Rage, from 1997), who led them to play several concerts and festivals in the local scene, as well as within the region comprised of Macedonia, Montenegro, Greece and Kosovo, and to perform alongside major names such as Ian Paice (Deep Purple’s legendary drummer) and Rotting Christ.

After the release of a few singles, demos, a live album, a compilation and a stylish box set in the following years, Crossbones are finally back with new material, the full-length record entitled WWIII, combining American Thrash Metal influences with a dark sound and typical Eastern European sonorities in order to provide the listener a full-bodied metal attack that effectively represents not only the name and the artwork of the album, but also the core essence of the band. Perhaps due to the fact that Crossbones have been active through a couple of decades already, the music found in WWIII will provide you a voyage through old school and modern metal music, which only brings more flavor to the entire album. And let’s be honest, for a band that comes from a country where metal has absolutely (and unfortunately) zero support, what these guys do with their music is beyond fantastic.

The high amount of heaviness and groove emanating from all instruments from the very first second in I’m God, a potent mid-tempo Groove Metal composition with blazing guitar solos and neck-breaking riffs, will punch you in the face mercilessly, with lead singer Olsi Ballta delivering classic and melodious Thrash Metal vocal lines. And that’s only the beginning, as the straightforward tune Gates of Hell, led by guitarist Ben Turku and his slashing riffs, will please all fans of heavy music, with drummer Theo Napoloni and bassist Klejd Guza adding tons of groove to the musicality with their pounding beats and thunderous notes, respectively. In the slightly more atmospheric (but still as heavy as hell) Gjallë, or “alive” from Albanian, Theo and Klejd once again become the dynamic duo of fierceness, setting the perfect tone for Olsi to growl the song’s lyrics (which by the way are in Albanian).

The interesting WTF, which obviously means “what the fuck”, is more alternative than all previous tracks, focusing on the cutting strings by both Ben and Klejd while Olsi fires anguished and acid vocals, therefore increasing the song’s obscurity, with its ending being a sheer Groove Metal feast; whereas Messing with the Masses is a lot more introspective and somber, albeit not as exciting as the rest of the album. The dissonant and macabre guitar solo by Ben halfway through it is very effective though, while its second half sounds like a completely different song, being a mix of Alternative and Nu Metal. Schizo gets back to a more direct metal sonority thanks to the high dosage of harmony coming from the guitars by Ben, with Olsi also singing in his mother tongue and sounding more aggressive and demented, in sync with the theme proposed by the song’s name.

Rise offers thrilling Heavy Metal the way we headbanging bastards like it, also bringing elements from Sludge and Stoner Metal (therefore showing the band’s versatility) while Klejd simply kicks ass with his bass lines, supporting the song’s old school metallic lyrics (“I’m taking my chances / Roaming the streets / A wild stab in the dark / And over the fences / A million of thoughts / And fresh blood in the heart”). After a short eerie intro, the band delivers a dark version of Groove Metal with elements from Gothic Rock and Metal in You Fool, where Olsi steals the spotlight with his melancholic growls, supported by the heavy, obscure sounds blasted by all other bands members; followed by That Kind of Feeling, a dark semi-ballad by Crossbones featuring melodic elements from contemporary metal music blended with traditional vocal lines and the punch of Groove Metal, adding more taste to the album. And the second installment of the opening track, simply titled I’m God, Pt. 2, closes WWIII, beginning in a very sorrowful and pensive manner and being a lot more atmospheric than any other song of the album. In other words, a beautiful ending for WWIII, with Olsi having a truly passionate performance on vocals.

If you want to show your support to Crossbones and Albanian metal, simply visit their Facebook page, YouTube channel, SoundCloud and ReverbNation, and buy your copy of WWIII on iTunes, Amazon, Target, CD Universe, Walmart, hbdirect.com and several other retailers. We might not be ready for a real-life World War III, but we should all be more than happy with the music presented by this longstanding Albanian squad in WWIII, an album that will certainly cement the legacy of such important band for metal in Albania, in Eastern Europe and anywhere else where good music is appreciated.

Best moments of the album: Gates of Hell, Gjallë and Rise.

Worst moments of the album: Messing with the Masses.

Released in 2017 Nadir Music

Track listing
1. I’m God 6:55
2. Gates of Hell 5:52
3. Gjallë 4:39
4. WTF 6:32
5. Messing with the Masses 5:23
6. Schizo 6:05
7. Rise 4:41
8. You Fool 4:38
9. That Kind of Feeling 5:58
10. I’m God, Pt. 2 3:39

Band members
Olsi Ballta – vocals
Ben Turku – guitars
Klejd Guza – bass
Theo Napoloni – drums

Midnight Madness Metal e-Radio Promo Hour Of The Day – From Monday To Friday @ 8pm GMT

http://midnight-madness.is-a-rockstar.com/Great news for all of you metalheads!

FROM MONDAY TO FRIDAY @ 8pm GMT, one of our kick-ass partners, Midnight Madness Metal e-Radio, broadcasting directly from London, England, will blast the best of underground metal music reviewed here at The Headbanging Moose during the PROMO HOUR OF THE DAY!

So remember, FROM MONDAY TO FRIDAY @ 8PM GMT tune into Midnight Madness Metal e-Radio to get your daily shot of the cream of the underground metal music crop, from Hard Rock to Black Metal, from Folk Metal to Thrash Metal, from Doom Metal to Metalcore, and so on! You’ll have the unique pleasure of listening to the superb music by bands like Charm Designer, Neverworld, Majesty Of Revival, Nervosa, False Coda, Atonismen, Diabolizer, The Silent Rage, Terrifier, Gaerea, and tons of other amazing metal acts from all over the world!

Here are all the options where can blow your speakers with Midnight Madness:

Official website
Twitter
Online Radio Box
Tunein
Streema
Listen2MyRadio
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And if you want to have your new album reviewed at The Headbanging Moose AND played at Midnight Madness Metal e-Radio, simply get in touch with us through our CONTACT US page.

Album Review – Gothic / Demons (2017)

One of the most respected bands in the history of Romanian metal powerfully unleashes their “demons” upon mankind with their heavy and melodic new album.

Rating4

gothic-demonsEstablished back in 1992 by guitarist and singer Alin Petrut in the heart of the Carpathian Mountains of Transylvania, Romania, Melodic Death Metal band Gothic has quickly become one of the most respected metal bands in the country, having played alongside giants like Manowar, Dimmu Borgir, Europe, Korpiklaani, Gojira and Napalm Death, among many others. Even after changing the band’s name to Ali(e)n and then to Innerfire in 2003 when Alin re-located the band to Belgium, the band kept building a strong reputation among metalheads all over Europe, returning to their hometown Petrosani in 2005 again under the name Gothic (as a separate entity from the still-active Innerfire) and culminating with their participation in the 2012 edition of Wacken Open Air after winning the Romanian finals of Wacken Metal Battle that year.

Exactly 25 years after the band’s inception, Alin and his Gothic are back with Demons, their first full-length album since their 2013 release Expect the Worst. Displaying a darkly beautiful artwork by the band’s own bassist Csaba “Taly” Talpai, and featuring for the first time George Lazar on harsh vocals and Vlad Golgotiu on drums, Demons is definitely Gothic’s most professional and multilayered album to date, blending the classic sonority from the band’s extensive career together with fresh new elements from modern metal music. After listening to this cohesive and melodic album, it won’t be hard for you to understand why Gothic play such an important part in the history of Romanian metal.

In the opening track Shadow Man you’ll quickly notice their musicality is not really “Gothic” as the band’s name states, but fast, melodic and aggressive music, a great mix of traditional Death Metal with contemporary Melodic Death Metal where Alin delivers some sick, heavy riffs while George blasts pure fury through his guttural growls; followed by the excellent Disillusion, also exhibiting a similar Heavy/Death Metal hybrid vibe. This song presents a good headbanging pace with neck-breaking riffs by Alin, getting symphonic and futuristic at times due to the spot-on keyboards by Florian Lysy, not to mention its vengeful lyrics (“We grew apart / Betrayed our hearts / Our souls are black / Our minds are flack / You wanted that / Now take it back in your face”).

gothicIn the first single of the album, the title-track Demons, Alin, Taly and Vlad add a lot of groove and heaviness to the musicality, setting the stage for George to growl even deeper, feeling like a mix of Hard Rock with Gothic, Doom and Melodic Death Metal ideal for the song’s lyrics (“I feel their breath inside my dream / The darkness stains around me / A web of black, surrounding scent / The night is growing senseless.”). In Catacombs, which starts in a pleasant, harmonious and exciting way with Taly blasting a thunderous sound from his bass guitar, we face a magnificent balance between the havoc generated by all band members and the extremely melodic guitar solos and keyboards, whereas in Time, an upbeat composition by Alin and his henchmen, Vlad delivers precision and anger through his beats, and despite losing a bit of its electricity in the end it’s still a very enjoyable song.

Destroying the Masses, a powerful chant where Gothic displays their darkest side, brings forward a menacing atmosphere and deep guttural vocals closer to old school Death Metal, while modernity comes from the metallic riffs by Alin. And it seems the band really wants to crush our necks with their sick riffs and beats in From Within, with elements from traditional Heavy Metal added to its Melodic Death Metal sonority to make it even more harmonious. Last but not least we have A New End, a melancholic and passionate composition sung entirely in Romanian (which in my opinion is an interesting variation from the rest of the album) and featuring guest vocalist Klaus Pardos, offering the listener the heaviest version of modern Hard Rock you can think of.

Are you ready to face the heavy music engendered by these talented Romanian demons? If your answer is yes, you can follow all things Gothic at their official Facebook page and check their latest videos (including some fun tour diaries) at their YouTube channel, as well as purchase Demons at Loud Rage Music’s BandCamp or webstore. Gothic are unleashing their high-end Melodic Death Metal upon mankind with their brand new album, and if I were you I wouldn’t miss this great opportunity to get in touch with the music by such respected underground band.

Best moments of the album: Disillusion, Catacombs and Destroying the Masses.

Worst moments of the album: Time.

Released in 2017 Loud Rage Music

Track listing
1. Shadow Man 5:01
2. Disillusion 5:42
3. Demons 3:53
4. Catacombs 6:04
5. Time 4:55
6. Destroying the Masses 4:34
7. From Within 4:04
8. A New End (feat. Klaus Pardos) 5:13

Band members
Alin Petrut – guitar, clean vocals
George Lazar – harsh vocals
Csaba “Taly” Talpai – bass
Vlad Golgotiu – drums

Guest musician
Florian Lysy – keyboards
Klaus Pardos – vocals on “A New End”

Album Review – Sunterra / Reborn EP (2017)

Under the sign of the ancient Egypt goddess Isis, one of the most important Industrial Metal bands from the underground Austrian scene is reborn with a new lineup and a reinvigorated attitude.

Rating5

coverUnder the sign of the ancient Egypt goddess Isis, Austrian Gothic/Industrial Metal act Sunterra are celebrating their reunion after a 10-year hiatus from the music scene with their brand new EP titled Reborn, which as you can imagine by its name marks the resurrection of the band, presenting a musical progression without forgetting their own roots. Combining Industrial and Gothic Metal with hints of Electro and Dubstep, Sunterra aim at creating their own, distinctive sound, oferring the listener fresh and thrilling music that will put you on a trance and certainly sharpen your senses while listening to it.

Formed in 1998 in the charming city of Vienna, Austria after the split of a band named Virgin Seed, and having chosen their new name Sunterra as a game of words standing for the gathering of fire and earth, the band led by bassist and lyricist Chris enjoyed almost a decade of considerable success in the independent Austrian scene, releasing the demo In Diebus Illis in 1999 and the full-length albums Lost Time, in 2002, and Graceful Tunes, in 2005, before calling it a day in 2006. In 2015, with a brand new lineup and a reinvigorated attitude, Sunterra were reborn from the ashes like a phoenix and are more than ready to rock again, with their brand new EP being the first and exciting installment in this second incarnation of the band.

Electronic and futuristic elements set the tone in the solid Industrial Metal composition Reign Supreme, with the harsh growls by Carlos and the clean, gentle voice of Slovakian singer Lilly reaching a great balance, complementing each other’s lines effectively. In addition, the song’s chorus is quite catchy and should work really well live. In Shadow in the Dark, the band “abandons” their heavy industrialized musicality a bit, focusing on their Gothic Metal vein, with gentle piano notes and the delicate vocals by Lilly guiding the listener in this eccentric voyage. This is a melancholic, alternative ballad that ends with Carlos and Ivan delivering some heavy gnarls and riffs respectively, generating an interesting contrast with the song’s initial smoothness. Then in Lord of Lies we face some obscure guitar and bass lines by Ivan and Chris, which together with the potent programmed beats will break your neck while Lilly keeps delivering her angelical vocals. Put differently, this is a high-end professional fusion of Industrial and Gothic Metal, with its background effects helping make the overall sonority truly menacing.

sunterra-1This is W.A.R. brings forward an eerie futuristic ambience with elements from electronic music, feeling like a dance hit from the 80’s or 90’s with a metallic approach and gentle breaks being thoroughly inserted amidst the fury emanating from Carlos’ guttural growls; whereas Ministry of Thoughts presents a strong Marilyn Manson-inspired atmosphere, sounding extremely alternative and mechanized. In this song highly recommended for lovers of the darkest side of Industrial Metal, Ivan showcases an excellent performance on both guitar and all programmed elements, turning it into one of the best tracks of the album. And concluding the EP, Shut Up!!! begins in an ominous way with a whimsical dialogue between Carlos and Lilly before becoming a feast of electronic Industrial Metal perfect for hitting the dance floor, a creepy track by Sunterra to end Reborn on a high note.

As one of the most important Industrial Metal bands from the underground Austrian scene is finally back in action, why not feed their newly reborn fire  with your passion for heavy music? You can watch a preview of the entire EP on YouTube to get a better sense of what the music by Sunterra is all about, or stream it in its entirety to be enchanted by their modern metal music, as well as follow them on Facebook to know more about the band and their future projects and live concerts. And if you want to show your true support for these Austrian industrialists of darkness, you can get your copy of Reborn at their BandCamp page, on iTunes, on Amazon, at Discogs and several other online retailers.

Best moments of the album: Lord of Lies and Ministry of Thoughts.

Worst moments of the album: None.

Released in 2017 NRT-Records

Track listing
1. Reign Supreme 4:28
2. Shadow in the Dark 5:15
3. Lord of Lies 5:05
4. This is W.A.R. 4:49
5. Ministry of Thoughts 4:47
6. Shut Up!!! 3:51

Band members
Carlos – male lead vocals
Lilly – female lead vocals
Ivan – lead guitars, programming
Chris – bass