Metal Chick of the Month – Tina Guo

A true metal cello Wonder Woman!

She might not be a pure Heavy Metal woman, but her superior skills and her passion for music truly make her unique. Armed with her flammable cello or with her whimsical erhu (the same two-stringed bowed musical instrument used by Taiwanese metallers Chthonic), she has been embellishing stages, movies, television and video game scores with her refined technique and stunning looks since around 1994, when her unparalleled career kicked off. Born on October 28, 1985 in Shanghai, China’s biggest city, a global financial centre and transport hub and one of the most populous cities in the world with a population of more than 24 million as of 2017, but currently residing in Los Angeles, California, United States, here comes the internationally acclaimed and Grammy-nominated Chinese-American cellist, erhuist, recording artist and composer Tina Guo (or 郭婷娜 in Chinese), a woman with a multi-faceted career and mastery in a wide range of genres, showcasing a deep and strong passion for musical exploration, artistic expression and technology. And of course, among all that, there’s still time for her to demonstrate her appreciation for our good old heavy music.

Tina Guo was born in Shanghai to father Lu-Yan Guo, a concert cellist, and mother Fei-Fei Soong, a concert violinist, both artistic directors of the California International Music and Art Festival, an annual event held in San Diego, California. She began playing piano at the age of 3 in China, but once she moved to America at the age of 5 with her family, she began violin lessons with her mother. At the age of 7, she began studying the cello under the instruction of her father, with both her parents forcing her to practice 6 to 8 hours a day. She then continued her professional cello studies with Slovenian cellist Eleonore Schoenfeld (1925–2007), one of the most influential cellists of the 20th century (who also taught Guo’s father), at the University of Southern California’s Thornton School of Music on full scholarship.

During her freshman year, Guo started dating a guitar player of an 80’s-style classic Heavy Metal band, and after attending one of their shows one night at The Whiskey in Hollywood, she started to think about how she could incorporate the cello into the metal style, experimenting with pedals and different techniques while trying to figure out how to play the cello and sound like a guitar player. While the fingering for both instruments were virtually the same, it took her three years and many YouTube videos to figure out what she was doing. She eventually left USC in her junior year, despite having a full scholarship to attend, after she found it increasingly difficult to balance performing and going to classes. Her parents were very angry and didn’t understand her decision at the time, getting used to the idea after a while. As a matter of fact, she claims to hold a Bachelors in Metaphysical Theology with a focus on Eastern Philosphy from the International College of Metaphysical Theology, but this is an unaccredited distance learning degree mill.

Her career has reached such a complex and diverse level I’m pretty sure you’ve listened to the cello by our Asian virtuoso at least once in your lifetime in a movie score, in a video game, or in a multitude of other media platforms. Known for her distinct videos showcasing her talent against theatrical backdrops and elaborate costumes, she has already appeared in her career as a soloist with the San Diego Symphony, the National Symphony Orchestra in Mexico, the Thessaloniki State Symphony in Greece, the Petrobras Symphony in Brazil, and the Vancouver Island Symphony in British Columbia, not to mention her participation in the Civic Youth Orchestra at the age of 10, her performance with violinist Midori Goto in Dvorak’s American String Quartet at Walt Disney Concert Hall in Los Angeles, and her four national tours of Mexico and Italy performing the Shostakovich, Dvorak, Haydn, and Saint-Saëns Cello Concertos. Tina endorses Larsen Strings, Yamaha, Line 6, Sennheiser, Focusrite, ENGL Amps, Voodoo Lab Pedals, Coffin Case, Samson, Reunion Blues, Analysis Plus Cables and Apogee Electronics.

Among her countless other projects and appearances as a special guest musician, some of the most interesting ones are her performance with the Tenerife Symphony and Choir in the Canary Islands performing Batman: The Dark Knight; her 2017 Australian tour with an all-girl crossover band named Metaphor; her 2008 Grammy Awards performance with the Foo Fighters; her 2011-2013 tour as the featured electric cellist with Cirque du Soleil’s Michael Jackson: The Immortal World Tour; her performance for the League of Legends World Championship to a sold out arena at Staples Center in Los Angeles and an audience of 33 million streaming online; playing the electric cello in a super-band with The Crystal Method, Wes Borland (Limp Bizkit), Danny Lohner (NIN), Joe Letz (Combichrist) and the Hollywood Scoring Orchestra; playing with Brazilian guitarist Victor Biglione in a Jimi Hendrix Tribute Concert at the Copacabana Palace in Rio de Janeiro; performing as soloist on music from Vikings, Dexter, Game of Thrones, and Chicago Fire with the Krakow Symphony and Polish Radio Choir at the Krakow Film Music Festival; and completing an acoustic tour and two sold-out performances at Carnegie Hall in 2016 with Blues Legend Joe Bonamassa, as you can see in the song Black Lung Heartache.

Furthermore, Tina has already shared the stage in her career with The Tenors, Stevie Wonder, Peter Gabriel, Josh Groban, John Legend, LeAnn Rimes, Chris Isaak, Il Divo, Ariana Grande, Lupe Fiasco, and Michael McDonald, among others, and has been featured as a soloist on the scores of several movies such as Wonder Woman, Dunkirk, Inception, Clash of the Titans, Olympus Has Fallen, Escape Plan, Sleepy Hollow, Hancock, Battle: Los Angeles, Predators and X-Men: First Class, as well as TV shows like  The Mentalist, Family Guy, American Dad, King of the Hill, commercials for Apple, Under Armour, and countless video games. As a solo artist, Tina has already released 8 albums, those being Autumn Winds and The Journey (both in 2011), Eternity (2013), Ray of Light and A Cello Christmas (both in 2014), Inner Passion (with Peter Kater) and Cello Metal (both in 2015), and more recently Game On! (2017). Furthermore, you can enjoy some very interesting videos on YouTube where Tina shows all her skills with her erhu, such as “Tina Guo plays music from Uncharted 2 on the Erhu with the GSPO”, and “Tina Guo and Michael Barry Random Jam: Danny Boy on Erhu and Piano”, or simply enjoy some of her official videos and songs like World of Warcraft, Dragonborn, Forrest Gump: Feather Theme and Genesis Rising.

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In regards to Tina’s contributions to the metal scene, she has been featured as a guest cellist in numerous distinguished bands and projects since 2009. For instance, in 2009 she played the cello in the songs The Lone Spaniard and So Far Gone, from the album Molecular Heinosity by American Progressive Metal/Rock keyboardist Derek Sherinian; in the song I Am the Nothing, from the 2014 album The Beauty of Destruction by  American Metalcore act Devil You Know (now called Light The Torch); in the 2017 album Störtebeker, by German Heavy/Power/Progressive Metal band FB1964; in the single Let Down, from the 2011 album Secret Passion by Dutch Symphonic Gothic Metal group Imperia; in the song Duet for Electric Guitar and Electric Cello in A Minor, from the 2010 album Speed Force by American shredder Maxxxwell Carlisle; and in the 2015 album The Life I Remember, by American Groove Metal act Once Human.

Among her main influences in music, we’ll find the most diverse range of bands and artist like Rammstein, Jacqueline du Pre, System of a Down, Hans Zimmer, Ennio Morricone, Lady Gaga, Apocalyptica, Metallica, Sevendust, Marilyn Manson and Nine Inch Nails, just to give you an idea of how eclectic our stunning cellist is. Moreover, when asked about what music means for her, Tina said that playing music requires an intense emotional connection, and that she didn’t always have such level of creative freedom in her life due to her strict childhood with her parents, who lived through the Chinese Cultural Revolution and who consequently didn’t allow her to listen to any other types of music at home besides classical music. However, it was through a critically acclaimed album by one of the aforementioned influences, the classic Antichrist Superstar by the iconic American rockstar Marilyn Manson, that she got her first taste of Industrial Metal and heavy music in general, getting to know the rebellious music by bands like Daft Punk and Guns N’ Roses from then on.

The indomitable Tina Guo is not our metal chick of the month in vain, having released in 2015 a majestic album of heavy music titled CELLO METAL, with Tina obviously on the electric cello and featuring Wes Borland and John Huldt on the guitars, Marty O’Brien (We Are The Fallen) on bass, and Glen Sobel (Alice Cooper, Alcatrazz) on drums, as well as guitarists Al Di Meola, John 5 (Marilyn Manson) and Nita Strauss (The Iron Maidens). Tina and her henchmen delivered ass-kicking cello-infused cover songs for some of the biggest metal classics with this album, which by the way took around three years to be ready, those being Iron Maiden’s The Trooper, Slayer’s Raining Blood, Black Sabbath’s Iron Man, Pantera’s Cowboys From Hell, and Metallica’s Sanitarium, together with five original songs (Child of Genesis, The God Particle, Eternal Night, Forbidden City and Queen Bee). By the way, Tina spent her entire life savings (a little under US$ 6,000) on the official video for Queen Bee, a metal-inspired take on the orchestral interlude “Flight of the Bumblebee” by Russian composer Nikolai Rimsky-Korsakov, and that risk paid off as what’s probably her “most extreme” music video to date (it got an 18+ restriction on YouTube) caught the attention of Hans Zimmer, who at that time was searching for a cellist to play on the score of Sherlock Holmes. “I wasn’t trying to get into the soundtrack world. Actually, I was hoping that Rammstein would see the video and invite me to play with them”, said our skillful cellist in one of her interviews. Anyway, you can have a very detailed listen at Cello Metal on Spotify, and see why this Asian bombshell is respected and admired by the entire world of music, including the always-demanding metal scene.

And Tina is not only an accomplished cellist, but she’s also a writer, a philanthropist and a very successful businesswoman. As a writer, her first published work was called “Event Horizons of Yin and Yang”, a collection of philosophical prose and poetry. As a philanthropist, Guo is a passionate supporter of the Academy of Music for the Blind, Partners in Health, Animal Welfare Institute, Homes for our Troops and Child Find of America. For instance, in 2015, she released a Charity album with 13 composer friends called Tina Guo & Composers for Charity, with 100% of the proceeds from the album going directly to Mr. Holland’s Opus Foundation in support of music education. And last but not least, as a businesswoman, she runs a Los Angeles-based venture named Tina Guo Contracting, which provides exclusive musicians and entertainment for live performances, recording and corporate events; she has a sample library that composers and producers can purchase and use; and above all that, she started her own music instrument line, named Tina Guo Strings, selling custom acoustic cellos, carbon fiber cases, and colourful “unicorn hair” bows for the violin, viola, and cello, with her first products available being the Tina Guo Model 300 cello, the Tina Guo Elite Master Art Model 600 cello, and a full line of custom Tina Guo bows. As a matter of fact, she has been self-managing her career since the beginning, having only signed an exclusive recording contact with Sony Music in 2016, as she thinks it’s very important to understand the business aspect and see everything that’s going on, especially because managers are always going to have other clients they’re dealing with.

However, despite being a successful musician and entrepreneur, she hasn’t been immune to sexism yet, noting that image sells in the performing world, and as a young Asian-American woman she’s more than familiar with the challenges that come with working in these two very white male-dominated spheres. “As a performing artist, we don’t only listen with our ears”, she said in one of her interviews. “If I look different or wasn’t as young, I might have a very different experience.” You can get a sense of all the awesomeness surrounding Tina as a musician and as a woman by watching several videos on YouTube where she’s either playing her cello or talking about her career and skills, such as “Tina Guo and her troublesome cello”, an interview with Tina Guo on classical and electric cello, or a mini-tutorial on playing fast, proving she’s more-than-ready to conquer the entire world of music and arts no matter how sexist that world might be.

Equipment
Gand & Bernardel Cello (Paris, France, 1878)
Custom Tina Guo Model Yamaha SVC-210
Erhu (Shangai, China)

Tina Guo’s Official Facebook page
Tina Guo’s Official Twitter
Tina Guo’s Official Instagram
Tina Guo’s Official YouTube channel

“When I make music, I am completely pure, naked, and open. I long for the moments when my outer shell no longer matters. I hunger for every genuine tear of sorrow, joy, or understanding shared. When you can hear me for who I am, and see me in a way that doesn’t involve looking at me, but rather looking through me, only then can I be satisfied.” – Tina Guo

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Metal Chick of the Month – Melissa Bonny

Feel the fire dancing with your soul, now you’re alive…

I honestly find impressive the huge amount of excellent metal bands hailing from the glamorous Switzerland, a country of only around 8 million inhabitants, but that has already provided the world remarkable acts such as Celtic Frost, Eluveitie, Gotthard, Hellhammer, Krokus, Sybreed and my favorite Swiss band of all time Triptykon, as well as tons of amazing underground groups already reviewed at The Headbanging Moose like Voice of Ruin, Henriette B, Way Of Changes and Black Diamonds. We already had a while ago the absolutely stunning Vanja Šlajh as our Metal Chick of the Month, and now it’s time to get back to the “Land of Milk and Honey” to pay a tribute to another fantastic Swiss metaller, a rising star named Melissa Bonny, lead singer of the up-and-coming Swiss bands Rage Of Light and Evenmore.

Born in Montreux, a traditional resort town on Lake Geneva in Switzerland, on January 23, 1993, Melissa started her life in music when she was only 6 years old by singing in a school choir for several years.  When she finished school, she spent most of her free time making music by herself or with some friends and took part in several events in her area, singing on stage, alone or accompanied. She also mentioned that one of her favorite pastimes was to make parodies of famous songs, and that the unexpected success of those parodies convinced her that she should move forward with her music career. That was when she started looking for a band, singing during a short time with a cover band from Valais, a canton in southern Switzerland, in 2012 before being recruited that same year by Symphonic Folk Metal band Evenmore as their lead vocalist, which gave her the opportunity to release her creativity while writing music and the chance to broaden her horizons and perform on great stages before well-known bands such as Lacuna Coil, Eluveitie and Xandria.

Owner of a potent and versatile voice, which allows her to sing as a mezzo-soprano or to do guttural growls the likes of Angela Gossow and Alissa White-Gluz, Melissa is highly influenced by several amazing metal acts, in special female-fronted groups like Delain, Eluveitie, Arch Enemy, Nightwish, Within Temptation, The Agonist, Amaranthe and Epica, as well as bands with a very epic and melodic sonority such as Kamelot and Sonata Arctica. For instance, among her favorite albums you’ll find several classic releases that perfectly represent her passion for dark and imposing metal music, including the albums The Black Halo by Kamelot, Origins and Helvetios by Eluveitie, and Shadows Of The Dying Sun by Insomnium. As you can see, Melissa nurtures a profound admiration for more contemporary Melodic Metal, where the music is joined by an exciting theatrical piece that became a trademark of almost all bands from her playlist.

Her list of favorite songs obviously includes many compositions found in her favorite albums, and you’ll notice that all of those songs have an epic vein, a potent punch and a detailed focus on the overall harmony. You can bang your head together with our dark-haired muse and feel the energy flowing from modern classics such as Kamelot’s March of Mephisto (featuring the one and only Shagrath, from Dimmu Borgir, as a guest vocalist) and The Haunting (featuring the stunning Simone Simmons, from Epica); Epica’s Storm the Sorrow; Arch Enemy’s You Will Know My Name; Sonata Arctica’s Only the Broken Hearts; Delain’s Get the Devil Out of Me; After Forever’s Energize Me; and my favorite from this list, The Agonist’s kick-ass hit Thank you Pain. We have to admit this is a damn good playlist of modern-day metal music, don’t you agree?

Although Melissa is already working on her own solo material, which had been left aside for several months, let’s focus on her two bands, Evenmore and Rage of Light, as those are already a reality in the world of heavy music and also where Melissa has been shining bright with her fantastic vocal range and mesmerizing looks. Let’s begin with Evenmore, a Symphonic Folk Metal band from Romont, a municipality and capital of the district of Glâne in the canton of Fribourg in Switzerland, formed in 2011 which, since its creation, has for ambition to offer its audience intense moments while listening to its musical creations. Apart from Melissa, the band is composed of guitarist Landry Pernet, bassist Frederic Jorand, drummer Florian Bard and pipes/whistles player Matthieu Bopp.

It was in June 2014 that Melissa and her bandmates from Evenmore relased their first EP, titled The Beginning, comprised of four distinct songs, including the excellent The Black Knight. Welcoming new instruments and aiming at creating a beautiful balance between metal and traditional music, Evenmore worked hard on developing their Celtic vein, culminating with the release of their first full-length album in 2016, named Last Ride, which received many positive feedback thanks to the versatility and the quality of its compositions, transporting the audience into a story that evolves song after song. From that album, you can enjoy Melissa’s unique vocals in the songs The Ride Begins, Eleana and Breaking The Silence. Furthermore, if you prefer watching the band live to actually confirm if they have what it takes to succeed in the world of metal, I recommend you go to YouTube to check some good quality footage from their live concerts, such as the songs Winter is Over at the Grande Salle de Cojonnex in Montreux in 2014, The Ride Begins at the famous Z7 in Pratteln in 2015, and also Last Breath at the Rocking Chair in Vevey in 2014. Hence, after listening to such powerful tunes, you’ll see why Evenmore already had the pleasure of sharing the stage with renowned acts like Lacuna Coil, Eluveitie and Xandria in their short but solid career.

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In regards to Swiss Trance Metal act Rage of Light, this hybrid project was actually conceived several years before our ebony growler joined the band in 2015. Rage Of Light was born in 2007 from the desire of its creator, multi-instrumentalist Jonathan Pellet, to combine two music styles that he loved for a long time, those being metal and trance, inspired by the Swiss trance scene of the early 2000’s and by the sound crafted by Melodic Death Metal bands. However, due to his duties with the bands Dysrider and Nodafreth, Jonathan had to put Rage of Light aside for a few years, until reigniting it again between 2011 and 2015 by writing new material and recruiting Melissa for the vocal duties and his bandmate from Nodafreth, Noé Schüpbach, for the guitars. The trio released in 2016 their debut EP, titled Chasing a Reflection (which can be enjoyed in its entirety HERE), comprised of four original songs, Beautiful Slave, Deception, Sick and Requiem, and a cover version for Lollipop (Candyman), a hit single from the 90’s originally recorded by Danish Dance-Pop group Aqua. You can compare Rage of Light’s version with the original one by clicking HERE, but I guess I don’t even need to point out that the new version by the Swiss power trio is a billion times better.

And it seems that Rage of Light truly enjoyed giving a new arrangement and taste to a classic hit, as earlier this year they released a stunning version for Amon Amarth’s unparalleled hymn Twilight of the Thunder God, which you can take a shot at the end of this tribute to Melissa. In my humble opinion, this is the perfect example of a cover song that’s already fantastic musically speaking, but that its official video makes it even more majestic thanks to the alluring solitude and passion exhaled by Melissa up in the Swiss Alps. If I were you, I would definitely keep an eye on Rage of Light’s BandCamp page, as I’m pretty sure this very entertaining project will soon publish more of their excellent material and maybe even another vibrant cover song for an old classic.

As aforementioned, Melissa is also working on a solo project which hasn’t taken its final shape and form yet, but that doesn’t mean you cannot have a good time watching her videos from her own YouTube channel, where she covers some of her favorite bands and artists, such as these versions for Kamelot’s March of Mephisto, Hozier’s Take Me To Church and Epica’s The Second Stone. If any of these cover songs are an indication of what’s her solo project is about to be, I guess we can be more than excited for her original material then, don’t you agree?

Melissa is obviously a very normal woman with more-than-usual habits, hobbies, likes and dislikes, just like any of us. In one of her interviews, she stated that among her favorite activities besides making music and her bands we’ll find travelling, hanging out with her friends, cooking, and watching several TV shows such as Vikings, The 100 and Game of Thrones. Well, let’s say those TV shows are indeed a great source of inspiration for Melissa when writing her music and obviously when performing live, as you can see in the official videos as well as all the unofficial footage of Evenmore playing live. Who knows, maybe one day the guys from Vikings or even Game of Thrones will get to watch her amazing performances with Evenmore and Rage of Light, and we can then enjoy our Swiss Valkyrie kicking ass on one of those shows with her stunning looks and magnificent voice.

Melissa Bonny’s Official Facebook page
Melissa Bonny’s Official Twitter
Melissa Bonny’s Official Instagram
Melissa Bonny’s Official YouTube channel
Evenmore’s Official Facebook page
Evenmore’s Official Twitter
Evenmore’s Official YouTube channel
Rage of Light’s Official Facebook page
Rage of Light’s Official BandCamp
Rage of Light’s Official YouTube channel

“Boredom follows me but I’m too fast!” – Melissa Bonny

Concert Review – Primal Fear & Luca Turilli’s Rhapsody (The Mod Club, Toronto, ON, 06/01/2016)

In metal we trust, for metal we live. And last night in Toronto was just another beautiful attestation of all that passion for heavy music, courtesy of the indomitable Primal Fear and the epic Luca Turilli’s Rhapsody.

OPENING ACT: Vesperia

NorthAmerica-PFLTR-TourLet me start this review by thanking Mother Nature for being so amazing to all Torontonians since the end of winter, providing us some beautiful sunny days, warmer-than-usual temperatures and almost no precipitation. And when the weather is as good as now, there’s nothing better than going out with your friends and loved ones for a beer and some good old Heavy Metal, right? If you’re a true metalhead, a true lover of old school Power Metal, last night was the perfect occasion for that to the sound of three excellent heavy bands at the cozy The Mod Club, starting with Canadian Epic/Progressive Death Metal band VESPERIA.

IMG_1344Promoting their latest installment, their 2015 EP entitled The Iron Tempests, which by the way helped them win the 2015 edition of Wacken Metal Battle Canada (and consequently play at the biggest metal festival on earth the same year), this talented quartet showcased all their refined abilities with their instruments during their entire performance, with this demolishing and intricate uproar made in Canada being masterfully led by lead singer and bassist Morgan Rider. Unfortunately I do not have the setlist for their presentation (I know they played songs like Iron Saga and In the Hall of the Mountain King), but I can assure you each and every song sounded just amazing on stage. If you’re searching for a new band that offers complex passages, blazing riffs and an endless amount of stamina in their music, Vesperia might be exactly what you’ve been craving for.

Band members
Morgan Rider – vocals, bass
Frankie Caracci – lead guitars
Casey Elliott – guitars
Dylan Gowan – drums

PRIMAL FEAR

IMG_1353After Vesperia was over, all the metalheads at the venue had a short break to have another beer or quickly go to the washroom before German power metallers PRIMAL FEAR came crushing our ears with their thunderous and metallic music. When you’re a band like Primal Fear, all you have to do to hypnotize the audience right away is kicking off the concert with one of your best compositions to date, and last night not only they did that, but they chose my favorite tune of all to start their setlist, the flammable and thrilling Final Embrace. After that masterpiece, the unstoppable Ralf Scheepers, Mat Sinner & Co. kept firing some of their biggest classics blended with brand new songs from the awesome Rulebreaker, and the reaction of the fans to the new songs couldn’t have been better. Well, you know an album is goddamn amazing when fans really want to listen to new songs on the show, right?

IMG_1370From all new songs played, the ones that drew the most excited screams from the fans and made everyone at the venue raise their fists in the air were Rulebreaker and The End Is Near, not to mention their beautiful performance during the power ballad The Sky Is Burning. In regards to their top-notch metal classics, as a huge fan of the band I must say Angel in Black, Sign of Fear and Metal Is Forever drove the audience crazy while they were being played. Who doesn’t love to scream the words “There is blood there is pain / But my agony is not in vain / Cause there’s life after death / And I’m sure coming back to attack / As an angel in black” together with Ralf and the rest of the band?

IMG_1360The entire band was incredible as usual, with highlights to the explosive performances by Mat and the new drummer Francesco Jovino. Obviously, I don’t need to describe the perfection which Ralf sang all songs of the setlist, nor how guitarists Alex Beyrodt and Tom Naumann blasted some potent riffs and solos throughout the whole concert. The only issue during this entire North American tour was the absence of their third guitarist, Magnus Karlsson, despite having recorded the new album. Three guitarists live would have been awesome, but anyway, it was another exceptional performance by one of the best Power Metal acts in the world (just as good as their 2014 concert in Toronto), and after the encore was over with two more classics, Rollercoaster (another one of their songs I truly love) and Running In The Dust, the German troopers were gone and it was time to set the stage for the last concert of the night. I was expecting Primal Fear to headline the night, but that’s fine, we all got our share of their brilliant Power Metal. There was absolutely nothing to complain about that.

Setlist
Countdown to Insanity/Jaws of Death
Final Embrace
In Metal We Trust
Angel in Black
Rulebreaker
Sign of Fear
The Sky Is Burning
Nuclear Fire
Angels of Mercy
The End Is Near
When Death Comes Knocking
Chainbreaker
Metal Is Forever

Encore:
Rollercoaster
Running In The Dust

Band members
Ralf Scheepers – vocals
Mat Sinner – bass, backing vocals
Alex Beyrodt – guitars
Tom Naumann – guitars, backing vocals
Francesco Jovino – drums

LUCA TURILLI’S RHAPSODY

IMG_1388It was indeed a huge surprise for me that Italian Epic/Cinematic Metal band LUCA TURILLI’S RHAPSODY was the main attraction of the night. Nothing against them, but I believe Primal Fear are a lot more relevant to the world of heavy music than Luca and his crew, especially after all the countless changes the band has suffered through the years. Honestly, I lost count of how many times the band switched from one name to another, all the band members coming and going, and so on. I don’t know anymore if a song was originally recorded by Rhapsody, by Rhapsody of Fire, by Luca Turilli’s Rhapsody or by any other of those weird ramifications. If you’re a fan of any of those bands (or just a fan of one of them, who knows), please forgive me for my ignorance.

IMG_1386Anyway, what can I say about a band that claims to play “Cinematic Metal”? All fans were able to actually witness the soundtrack to an epic battle movie, one of those fantasy blockbusters full of dragons, knights, princesses and so on. The band itself looks very theatrical (and sometimes even cartoon-ish), and their performance was a lot better than what I was expecting, especially the idiosyncratic moves and facial expressions by the band’s leader, Mr. Luca Turilli. It was fun watching him firing his complex riffs while prancing around the stage with his stylish hair and a Guess T-shirt. Truly unique, I should say.

Although I got lost in time with all the changes that affected the original Rhapsody, it was a pleasure to see the band playing old classics like Unholy Warcry (my favorite of their setlist) and Emerald Sword, whereas at the same time their Game Of Thrones-themed drum solo was a very welcome surprise for all fans. My only complaint about their concert was the excessive usage of pre-recorded sounds used for all orchestrations and choir. I bet when they play at any European festivals that shouldn’t be a problem, but for smaller venues it sometimes sounds like a metal karaoke. That’s not the band’s fault, though, just a minor annoying detail in their decent performance. Now please excuse me, as I have to grab my sword, my shield and get ready for battle.

Setlist
Nova Genesis (Ad Splendorem Angeli Triumphantis)
Knightrider of Doom
Rosenkreuz (The Rose and the Cross)
Land of Immortals
Unholy Warcry
Son of Pain
Prometheus
Drum Solo (Game Of Thrones Theme)
Il Cigno Nero
Guitar Solo
The Pride of the Tyrant
Demonheart
Bass Solo
Dawn of Victory

Encore:
Quantum X
Emerald Sword
Outro

Band members
Alessandro Conti – vocals
Luca Turilli – guitars
Dominique Leurquin – guitars
Patrice Guers – bass
Alex Landenburg – drums