Album Review – Augury / Illusive Golden Age (2018)

Following the same path of extreme pounding riffing mixed to the sci-fi and historical concept of their first two albums, this Canadian four-piece act returns with a brand new (and crushing) opus.

Hailing from Montreal, “La Métropole du Québec”, Canadian Progressive Death Metal squad Augury began their journey in 2001 from the ashes of many local acts such as Foreshadow, Kralizec, Atheretic, Quo Vadis, Disembarkation and Neuraxis, with an intent from the start to deliver an extreme dose of Death-Black-Progressive Metal along with an intriguing scientific and esoteric lyrical concept. Comprised of lead singer and guitarist Patrick Loisel, guitarist Mathieu Marcotte (Humanoid), bassist Dominic “Forest” Lapointe (First Fragment, Teramobil, Beyond Creation), and newcomer Antoine Baril (Contemplator) on drums, Augury are back in action with their third full-length installment, titled Illusive Golden Age, following the same path of extreme pounding riffing mixed to the sci-fi and historical concept of their first two albums Concealed and Fragmentary Evidence.

Featuring a somber artwork by Canadian musician Filip Ivanović, from Flat Bathtub, Illusive Golden Age will please all fans of progressive and extreme music who are also in constant pursuit of a good background story or meaningful content, making the entire band really proud of the final result achieved. “It took us quite a long time to concretize so we’re eager to see people’s reaction to our new music. Illusive Golden Age is a poetic tale about the recurrence of downfall and a glance at some factors that bring down societies, influenced by lost civilizations and their enigmas”, said those talented Canadian metallers about their brand new spawn.

Thnigs can’t get any more progressive than the title-track Illusive Golden Age, an epitome of modern Progressive Death Metal where Patrick together with Mathieu and Dominic give a lesson in how to treat your strings with respect, delivering beautiful riffs and solos while Antoine demolishes his drums; and Antoine and Dominic ignite the furious The Living Vault in a groovy and captivating way, before Patrick vociferates deeply like an uncanny beast. Furthermore, the song evolves to a very intricate and exciting musicality, with its slashing riffs blending flawlessly with its insanely complex drums until its wicked grand finale. It’s certainly impressive how they blend Progressive and Death Metal so perfectly, which is exactly the case in another lesson in creativity and fury by the quartet titled Carrion Tide, presenting lyrics fans of the genre will definitely love (“They swarm the clouds / Seeded with the morgellon plague / Falling like manna / Tapeworms weave through your brains / Witness the parasite becoming a host / Witness the anthill getting boiled down / Setting to sail / The carrion tide”), whereas in Mater Dolorosa the band takes their ferocity and madness to a whole new level in a feast of crushing riffs, demented drums and deep, cavernous roars (not to mention how the bass punches by Dominic will make your skull tremble), resulting in one of the best and most pulverizing of all songs.

Then if you love demented metal music you’ll have a blast with Maritime, where the band’s guitar duo is not only in total sync, but they complement Antoine’s bestial drumming in a precise manner, setting the stage for Kevin and his berserk gnarls. Message Sonore leans towards more traditional Progressive Metal, with the metallic sounds emanating from their riffs being the core element in this intricate instrumental exhibit (and I should say it would be extremely nice to see them jamming like this live), while Parallel Biospheres carries a classy name for another frantic onrush of Progressive Death Metal led by Antoine and his phenomenal drumming. Put differently, this is a total delight for lovers of the most insane side of progressive music, with Kevin sounding beyond demonic on vocals. And last but not least, their most complex creation, entitled Anchorite, is also their longest one, presenting utterly melodious guitar lines, rhythmic drums and an enfolding atmosphere, with the brutish growls by Kevin effectively bringing an extra dosage of aggressiveness to the overall musicality, culminating in a true musical journey through the wicked universe ruled by Augury until everything comes to a tempestuous and awesome ending.

You can listen to Illusive Golden Age in full on YouTube, and follow Augury on Facebook for news, tour dates and all other updates by the band. And in case Progressive Death Metal is your cup of tea and you’re eager to put your hands on this thunderous and very progressive album, you can find it on sale at the band’s own BandCamp page, at The Artisan Era’s webstore, on iTunes or on Amazon. In a nutshell, the third full-length opus by Augury not only cements their name as one of the most exciting new groups of the underground extreme scene, but it also points to a bright future for a band that’s not afraid at all to experiment with sounds while at the same time being as aggressive and heavy as they can be.

Best moments of the album: The Living Vault, Mater Dolorosa and Maritime.

Worst moments of the album: None.

Released in 2018 The Artisan Era Records

Track listing
1. Illusive Golden Age 5:49
2. The Living Vault 6:07
3. Carrion Tide 5:03
4. Mater Dolorosa 6:50
5. Maritime 4:31
6. Message Sonore 3:22
7. Parallel Biospheres 4:31
8. Anchorite 8:07

Band members
Patrick Loisel – vocals, guitars
Mathieu Marcotte – guitars
Dominic “Forest” Lapointe – bass
Antoine Baril – drums

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Album Review – Necronomicon / Advent of The Human God (2016)

Behold the descent of the human god upon humanity to the symphonic and scorching Black Metal delivered by the most prominent Canadian horde of all time.

Rating4

Necronomicon_AHG_2000x2000_Rev_02If the original meaning of “Necronomicon” is a fictional grimoire (or textbook of magic), appearing in the stories by horror writer H. P. Lovecraft, I believe we should refer to what Canadian Symphonic Black/Death Metal veterans Necronomicon offer us in their brand new opus entitled Advent of The Human God as a sonic compilation of evil spells. Discharging a lethal dose of symphonic and scorching Blackened Death Metal through their music, this power trio from the city of Montreal, Quebec takes no prisoners in their battle against religion, and nothing better than their artistic view of the descent of a human god upon humanity to showcase the always negative outcomes caused by our blind faith.

Fans of controversial bands like Behemoth, Cradle of Filth and Dimmu Borgir will connect instantly with the lyrics and themes explored by Necronomicon in their new album, which are in line with what was presented in their previous releases such as Rise of The Elder Ones (2013), Return of The Witch (2010) and Pharaoh of Gods (1999). Featuring a beautiful and ungodly artwork by Canadian artist and musician Filip Ivanović and having bassist Mars debuting on the low-keys, Advent of The Human God is another step further in the solid career of this precious gem made in Canada, which obviously translates into pure awesomeness for fans of extreme music.

The symphonic and epic intro The Descent grows until the tile-track Advent of The Human God comes smashing us all with its blasting beats and dark melody, with the iconic lead singer and guitarist Rob “The Witch” Tremblay firing his deep vociferations in this work-of-art the likes of Dimmu Borgir and Behemoth. And this is just the beginning, because The Golden Gods starts right where the previous track ended, with drummer Rick blasting his heavy artillery of darkness until all instruments join him and all hell breaks loose. In addition to that, Rob provides some wicked solos that only enhance the song’s quality, making the overall result very progressive and obviously thrilling.

Necronomicon - photo - Credit - Myriam Francoeur 6Sounding like if it was extracted from a futuristic horror movie, the symphonic instrumental tune Okkultis Trinity will captivate you and drag you to the underworld, where the ferocious Unification of The Four Pillars will crush your spine and distort your mind, showcasing yet another flawless performance by Rick on drums while Rob leads the musicality with his solid riffs and growls, all nicely complemented by the symphonic elements and choir in the background. And in Crown of Thorns, its “opening of an evil ceremony” morphs into brutal and merciless Black Metal (with huge doses of harmony to give more balance to it), and this sonic earthquake keeps kicking ass throughout the entire song for our absolute delectation.

Leaning towards the musicality by Behemoth, The Fjord is slightly slower but as demonic and aggressive as usual, displaying a great synchronicity between Rob and Rick, which ends up creating an imposing atmosphere perfect for nonstop circle pits and brutal headbanging; whereas the sinister and atmospheric Gaia, another movie-like instrumental bridge, slowly sets the stage for the puissant I (Bringer Of Light), which needs only two seconds to hit you like a lightning bolt. This precise fusion of Symphonic Black Metal and Blackened Death Metal presents a completely infuriated and possessed Rob, who helps increase the song’s effectiveness in special during its powerful chorus. Innocence And Wrath, a cover version for the intro from Celtic Frost’s 1985 cult album To Mega Therion, doesn’t do much for the album as it’s just a short instrumental track, and Alchemy Of The Avatar, a symphonic and melodic onslaught of Black Metal, concludes the album with Rick firing unstoppable beats and fills while Rob switches his voice to a more satanic level and back to his regular deep growls, with all these elements helping the music flow into a climatic ending.

In case you’re from another planet and haven’t heard anything about Necronomicon yet, I suggest you go check their Facebook page, YouTube channel and ReverbNation profile, and in order to get your copy of Advent of The Human God you should visit their BandCamp page or Season of Mist’s official webstore. As aforementioned, the advent of a human god upon humanity couldn’t have a better soundtrack than the unique Blackened Death Metal by this skillful Canadian horde.

Best moments of the album: Advent of The Human God, Unification of The Four Pillars and I (Bringer Of Light).

Worst moments of the album: Innocence And Wrath.

Released in 2016 Season of Mist

Track listing
1. The Descent 1:18
2. Advent of The Human God 5:27
3. The Golden Gods 4:13
4. Okkultis Trinity 2:27
5. Unification of The Four Pillars 3:27
6. Crown of Thorns 4:30
7. The Fjord 4:39
8. Gaia 2:43
9. I (Bringer Of Light) 4:04
10. Innocence And Wrath (Celtic Frost Cover) 1:08
11. Alchemy Of The Avatar 5:14

Band members
Rob “The Witch” Tremblay – vocals, guitar
Mars – bass
Rick – drums