Album Review – Solitary / The Diseased Heart of Society (2017)

When four veteran thrash metallers canalize all the hatred, degradation and perversions of our modern-day society into their music, the final result couldn’t have been more exhilarating than their brand new first-class, unrelenting album.

Rating3

coverThe brand new album by British thrash metallers Solitary, the enraged opus The Diseased Heart Of Society, is so much more than “just another album”. It represents the complete rebirth of one of the most enduring Thrash Metal outfits from the UK, a roar of defiance from a band that are sick of the state of the world around them and tired of the weak imitations that have been masquerading as their beloved Thrash Metal. In other words, if you’re a fan of traditional and aggressive Thrash Metal the likes of Slayer, Testament and Forbidden, bands that stay true to their roots no matter what happens in their lives,  I’m sure Solitary will quickly become one of your new favorite bands right after your first listen at The Diseased Heart of Society.

Founded in 1994 in Preston, a city located in Lancashire, England, Solitary have rediscovered with The Diseased Heart of Society the passion and anger that first inspired them to take up arms and rage at the world around them. Their allegiance to the Thrash Metal cause has always been unflinching and from the heart, with their live album I Promise to Thrash Forever, released back in 2014, summarizing in its title everything Solitary stand for, and in their new album, featuring an austere artwork by Andy Pilkington (Very Metal Art) and some furious guitar solos by guest musician Stan Havard (Xentrix), they reinforce their love for heavy music in a professional, potent and crisp manner that will inspire you to slam into the pit and bang your head nonstop to their electrified thrashing tunes.

An ominous and serene intro named Blackened Skies permeates the air before all hell breaks loose in Wait, where drummer Roy Miller doesn’t waste a single second and begins crushing his drums mercilessly. Furthermore, the song’s belligerent melody and pace, together with the raspy vocals by Richard Sherrington delivering an aggressive message through the lyrics, remind me of the more contemporary albums by Exodus such as Shovel Headed Kill Machine, which of course translates into sheer awesomeness. And at the blink of an eye, Solitary fire more or their high-speed Thrash Metal, an insane, metallic chant entitled Trigger Point Atrocity, where the bass guitar by Pete Hewitt will keep rumbling inside your head while Richard and Andy Mellor deliver modern and piercing riffs that would make Testament’s own Eric Peterson and Alex Skolnick really happy. And their feast of modern Thrash Metal goes on with another solid composition named Anthem of Regret, sounding slightly darker and more melancholic than the previous tunes. In addition, Andy is not only an excellent riffer, but his solos also bring a lot of adrenaline to the music by Solitary.

solitaryIn the superb Architects of Shame, a melodic intro keeps rising and accelerating until it reaches the boiling point of old school Bay Area Thrash, with its kick-ass pace and the perfect sync between guitars and drums turning it into one of the most electrifying of all songs, not to mention Richard’s amazingly acid performance on vocals. After that lesson in violence, the title-track The Diseased Heart of Society brings forward a Slayer-inspired start, with Richard and Andy suddenly slashing our ears with their riffs while Roy delivers very rhythmic and fierce beats. Put differently, this is a song tailored for triturating our necks by banging our heads as hard as possible. Then it’s time to speed up the music and slam into the pit with Solitary in the first single of the album, titled Unidentified, showcasing obscure lyrics about human trafficking violently declaimed by Richard (“Righteous another victim they’re dying everyday / I am the fallen saviour for the one who’s lost their way / Faceless all I have chosen salvation’s in my eyes / Corruption and exploitation their dependency is mine”). Every single time I face a modern thrashing tune like this I realize Thrash Metal has been the genre that evolved the best in the past few decades, offering the listener brutal riffs, sharp solos, metallic bass lines and furious drumming without sounding outdated or obsolete, all we need in this form of music.

The Words Define sounds like a “sequel” to the previous song, keeping the speed above the recommended limit while Richard is as visceral as usual with his harsh vocals, a combination that should sound incredible during their live performances. And if violence is what you want, that’s what Solitary offer you in the ruthless The Edge of Violence, where you’ll be treated to nonstop thrashing action, with Richard leading his bandmates with his rabid growls. Furthermore, the cutting guitar solos throughout the song end up bringing even more potency to the overall result, making it a must-listen for admirers of true Thrash Metal. And closing the album we have one more fast and furious chant by Solitary, the spiteful Humanity’s Decline, offering straightforward, brutal Thrash Metal to put anyone who’s still alive to an end, yet again displaying another bestial performance by Roy on drums.

You can grab your copy of such flammable, rip-roaring Thrash Metal opus at the UKEM Records’ webstore or at Solitary’s webstore, where you can also find available a sensational bundle  including a signed digipak, a media card with the digital version of the album, pre-production demo’s and documentary, the “I Promise to Thrash Forever – The Solitary Story” book, a Solitary key ring, a “The Diseased Heart of Society” patch, a Solitary sticker, a limited edition of the Solitary T-shirt (with breast, sleeve and back print) and a limited edition of the artwork in a 15×15 digital print on a metal plaque (please note that both the T-shirt and the artwork have only ten copies produced). The unstoppable Solitary, whose kick-ass music and all other details can be found at their official Facebook page, managed to transform in The Diseased Heart of Society all the degradation and downfall of our world into first-class, unrelenting Thrash Metal, which means at least musically speaking there’s something really good coming out of all tragedies we’ve been experiencing in the past few years, and we need to thank those British metallers for that.

Best moments of the album: Trigger Point Atrocity, Architects of Shame, Unidentified and The Edge of Violence.

Worst moments of the album: Anthem of Regret.

Released in 2017 UKEM Records

Track listing
1. Blackened Skies | Wait 4:30
2. Trigger Point Atrocity 3:26
3. Anthem of Regret 4:27
4. Architects of Shame 3:42
5. The Diseased Heart of Society 4:33
6. Unidentified 2:50
7. The Words Define 3:40
8. The Edge of Violence 2:54
9. Humanity’s Decline 2:56

Band members
Richard Sherrington – vocals, guitar
Andy Mellor – lead guitar
Pete Hewitt – bass
Roy Miller – drums

Guest musician
Stan Havard – lead guitar

Midnight Madness Metal e-Radio Promo Hour Of The Day – From Monday To Friday @ 8pm GMT

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http://midnight-madness.is-a-rockstar.com/Great news for all of you metalheads!

FROM MONDAY TO FRIDAY @ 8pm GMT, one of our kick-ass partners, Midnight Madness Metal e-Radio, broadcasting directly from London, England, will blast the best of underground metal music reviewed here at The Headbanging Moose during the PROMO HOUR OF THE DAY!

So remember, FROM MONDAY TO FRIDAY @ 8PM GMT tune into Midnight Madness Metal e-Radio to get your daily shot of the cream of the underground metal music crop, from Hard Rock to Black Metal, from Folk Metal to Thrash Metal, from Doom Metal to Metalcore, and so on! You’ll have the unique pleasure of listening to the superb music by bands like Charm Designer, Neverworld, Majesty Of Revival, Nervosa, False Coda, Atonismen, Diabolizer, The Silent Rage, Terrifier, Gaerea, and tons of other amazing metal acts from all over the world!

Here are all the options where can blow your speakers with Midnight Madness:

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And if you want to have your new album reviewed at The Headbanging Moose AND played at Midnight Madness Metal e-Radio, simply get in touch with us through our CONTACT US page.

Album Review – Avenford / New Beginning (2017)

A lecture in melodic, progressive and vigorous Power Metal by a band that has all it takes to be one of the greatest names in Power Metal within the next few years.

Rating4

avenford-new-beginningFormed in the summer of 2012 by guitarist Peter Szehoffner and lead singer and guitarist Arpie Gamson in Hungary, inspired by the music by Masterplan, Jorn Lande, Yngwie Malmsteen and Iron Maiden, among others, but currently residing in London, England, Power Metal quartet Avenford has been making a name for themselves in the world of heavy music since their inception, delivering first-class Heavy Metal for fans of melodic guitars, fast and rhythmic drums and epic high-pitched vocal lines. After releasing their debut album in 2014, titled Mortal Price, and after beginning to conquer Europe and the rest of the world with their music, it’s time for Avenford to strike us all again with their fresh new album New Beginning.

The list of guest musicians in New Beginning is quite extensive, each one adding their own share of adrenaline to the final result. We have Apollo Papathanasio (Spiritual Beggars, Firewind), Zoltan Marothy (Kiss Forever Band), Roland Grapow (Masterplan, Helloween), Zoltan Kiss (Iron Maidnem), Bodor Mate (Alestorm) and Piotr Sikora (Exlibis) lending their feeling and refined techniques to Avenford, contributing with Peter, Arpie, bassist Tom Longbottom and drummer Jivodar Dimitrov in crafting beautiful and exciting Heavy Metal perfect for hitting the road, for having a good time with your friends, or for simply relaxing and enjoying it by yourself.

The opening track Dead or Alive doesn’t waste a single second and comes ripping in a heavy and melodic way led by the guitars by Arpie and Peter, suddenly turning into a fast-paced metal feast with guest singer Apollo Papathanasio kicking some serious ass on vocals, resulting in Power Metal at its finest; whereas Back in Time is a Symphonic Power Metal composition with a strong focus on its electrified atmosphere and the fierce drumming by Jivodar, also featuring an amazing solo by guest guitarist Zoltán Maróthy. And progressiveness, intricacy and tons of feeling are the main ingredients in the fast-paced chant Assassin, where not only both guitarists are on fire, blasting beautiful riffs and solos, but the rumbling bass lines by Tom are also very effective and add a lot of groove to the music.

avenfordAlbeit slightly slower, Fury Road is still very progressive and heavy, with the one and only Roland Grapow doing what he does best, which is of course delivering awesomeness though his guitar solo, before the short and pleasant instrumental bridge Maze of Visions builds the ambience for the title-track New Beginning, a heavy power-ballad where Arpie has an amazing performance on vocals while the rest of the band sounds extremely cohesive and focused on delivering top-tier Power Metal to the masses. And in Overlord, a futuristic warlike intro explodes into Progressive Power Metal due to the accelerated beats by Jivodar, with both Arpie and Peter making the perfect dynamic duo on guitars. In other words, if you love high-octane Melodic Heavy Metal, this thrilling tune will definitely please your metallic ears.

With guest singer Zoltán Kiss giving a lesson in melodic vocals, Dark Angel presents the perfect combination of guitars and keyboards the likes of Stratovarius and Sonata Arctica, having all it takes to become a classic among fans of the genre. Besides, how not to get excited with the song’s amazing chorus? In Mask, we’re treated to more electricity and passion for heavy music from Avenford, a very traditional sonority led by the potent vocals by Arpie and the unstoppable drums by Jivodar, and featuring a great guitar solo by another guest Máté Bodor; while Return from the Land of Emeralds is the dream of every musician that loves complex and metallic Power Metal. All band members are in perfect sync in this instrumental feast, with Tom and Jivodar crafting the perfect atmosphere for all the song’s inspiring guitar solos. And my favorite track of the album, Unholy Game, featuring the sharp keyboards by guest musician Piotr Sikora, brings elements from old school Rock N’ Roll and Hard Rock that truly elevate the song’s electricity to a whole new level. No one can stand still to such amazing tune, with Arpie being absolutely fantastic on vocals.

In a nutshell, New Beginning is a lecture in melodic, progressive and vigorous Power Metal by a band that sounds like veterans of the genre, despite being on the road for less than a decade, and if you’re fond of this always galvanized genre of heavy music I highly recommend you go visit Avenford’s Facebook page and YouTube channel to get more details on this excellent band and their inspiring music. And of course if you want to add New Beginning to your distinct collection of Power Metal albums, you can find it at the Pride & Joy webshop, at Record Shop X, on iTunes or on Amazon. The name of the album might be New Beginning, but what we have is actually a solid continuation to the career of a band that has an immeasurable potential to become one of the greatest names in Power Metal within the next few years.

Best moments of the album: Dead or Alive, New Beginning, Dark Angel and Unholy Game.

Worst moments of the album: Back in Time.

Released in 2017 Pride & Joy Music

Track listing
1. Dead or Alive 4:22
2. Back in Time 3:50
3. Assassin 4:30
4. Fury Road 4:32
5. Maze of Visions 1:21
6. New Beginning 7:13
7. Overlord 5:41
8. Dark Angel 3:43
9. Mask 3:56
10. Return from the Land of Emeralds 5:49
11. Unholy Game 3:48

Band members
Arpie Gamson – vocals, guitar
Peter Szehoffner – guitar, backing vocals
Tom Longbottom – bass
Jivodar Dimitrov – drums

Guest musicians
Apollo Papathanasio – vocals on “Dead or Alive”
Zoltán Maróthy – lead guitars on “Back in Time”
Roland Grapow – lead guitars on “Fury Road”
Zoltán Kiss – vocals on “Dark Angel”
Máté Bodor – lead guitars on “Mask”
Piotr Sikora – keyboards on “Unholy Game”

Album Review – Dead Witches / Ouija (2017)

Beware as the witches are coming to take your soul with their occult, stoned-out Doom Metal.

Rating4

hps048_deadwitches_300dpi_cmykBritish drummer Mark Greening (Electric Wizard, Ramesses, With The Dead) and Italian singer Virginia Monti (Psychedelic Witchcraft) have joined forces to establish the heaviest occult, psych superbeast to see the light in 2017, taking the shape of Occult Stoner/Doom Metal act Dead Witches and unleashing upon us mere mortals their debut album obscurely entitled Ouija, a must-have for followers of bands like Electric Wizard, Sleep and Pentagram, among others, who love the combination of dark and strong melodies, heavy guitar riffs and a truly supernatural vibe.

Ouija is comprised of six distinct songs that will mesmerize you during the album’s 33 minutes of somber passages, classic Doom Metal beats and a stunning performance by Virginia on vocals, all perfectly depicted by the bewitching artwork designed by Goatess Doomwych. In addition, Ouija also ended up being the last release in the career of guitarist Greg Elk, who sadly passed away late 2016, giving the album an extra mystical touch. In other words, while listening to Ouija, let the awesome sound of Greg’s guitar penetrate your mind and soul, taking you to the other side for a quick visit where he’s definitely having a good time with his deceased guitar heroes right now. I’m pretty sure that’s what Greg and the rest of the band want you to feel with their music.

The album’s two-and-a-half-minute long Intro informs a dark, misty storm is upon us, with the menacing bass by Carl Geary sending a clear message that there will be no sign of happiness from now on, beginning with the excellent Dead, where Greg and Mark generate the most damned atmosphere you can think of with their fetching guitar riffs and Doom Metal beats, respectively, before the classy Virginia begins firing her sexy devilish vocals, leading us all to burn into the fire as the music progresses. And as the icing on the cake, Greg delivers an outstanding solo to make the whole song even more captivating.

deadwitches_02Then it’s Greg and Carl who build the wicked atmosphere in the sensational Drawing Down The Moon, my favorite song of the album where Virginia sounds even more rapturous on vocals. Moreover, when Mark speeds his beats up we’re treated to a potent sonority full of electricity, passion and the delicious obscurity of Doom Metal. The title-track Ouija is a lot more melancholic, highly recommended for savoring a full bottle of a high-quality, traditional red wine. Greg keeps blasting pure awesomeness through his riffs and solos, while at the same time we get hypnotized by the song’s vocal lines and beats inspired by ritualistic Doom Metal.

In Mind Funeral, get ready to play with the words “self”, “mind”, “control” and “funeral” together with Virginia throughout the whole song in a gripping way, while the rest of the band delivers their low-tuned, obscure lines flawlessly. Although this amazing chant might darken your heart a bit, I’m pretty sure you won’t regret feeling that darkness growing inside you thanks to the electrifying sonority brought forth by this England-based group. And A World Of Darkness, the last tune of this darkly alluring album, showcases powerful performances by Mark and Carl in over seven minutes of raw, straightforward old school Doom Metal that smoothly flow into a Stygian ending. Needless to say, the guitar sounds by Greg feel really touching the whole song, an amazing job done by a talented guitarist that will surely be missed by his family, friends and fans.

You can join the entrancing coven by this excellent UK band through their Facebook page or YouTube channel, and you’ll soon be able to buy your copy of Ouija at the Heavy Psych Sounds Records website, at the All That Is Heavy webstore, on Amazon and other locations. So beware, my dear headbanging friend, as the witches are coming to take your soul with the occult, stoned-out music found in Ouija, an album that has all it takes to become a fan-favorite among admirers of underground Doom Metal without a shadow of a doubt.

Best moments of the album: Drawing Down The Moon and Mind Funeral.

Worst moments of the album: None.

Released in 2017 Heavy Psych Sounds Records

Track listing
1. Intro 2:27
2. Dead 6:05
3. Drawing Down The Moon 5:54
4. Ouija 5:04
5. Mind Funeral 5:00
6. A World Of Darkness 7:35

Band members
Virginia Monti – vocals
Greg Elk (R.I.P.) – guitar
Carl Geary – bass
Mark Greening – drums

Album Review – Warcrab / Scars of Aeons (2016)

Enjoy one of the most complete and thrilling Sludge Metal albums of the past few years, courtesy of six exceptional musicians from the UK.

Rating4

coverIt’s time to get extremely heavy with the precise fusion of Death, Sludge and Doom Metal blasted by British squad Warcrab, a sextet that has been on the road since 2009 offering their warlike music to fans of the dark side of underground metal, starting with their self-titled debut EP in 2012 and then with their 2014 EP named Ashes of Carnage. Hailing from Plymouth, a city on the south coast of Devon, England, Warcrab are back with new material and will crush your head with the darkened and sluggish compositions found in Scars of Aeons, their debut full-length album and one of the best of the genre from the past few years in my humble opinion.

The music by Warcrab is not only highly recommended for connoisseurs of Sludge Metal, but it’s also an amazing alternative for fans of bands like Bolt Thrower, Amon Amarth and Slayer due to the more aggressive approach coming from their Death Metal influences. That exciting mix of different types of extreme music led them to play numerous shows across the UK in 2015, sharing the stage with renowned artists such as Vader, Incantation and Desecration, which also turned out to be an excellent source of creativity and potency for the music found in Scars of Aeons. If there’s a word that can be used to define their musicality, I would say that word is “heaviness”.

The intro to the opening track Conquest couldn’t be more obscure and damned, but it’s when drummer Rich Parker starts pounding his drums that a dark feeling truly impregnates the air. Martyn Grant’s vociferations boost the vileness of the song, with guitarists Paul “Budgie” Garbett and Leigh Jones being spot-on with their heavy and demonic riffs throughout the song’s eight raw and fierce minutes, ending with a sensational solo by lead guitarist Geoff Holmes. The following song, Destroyer of Worlds, is tailored for breaking your neck and pulverizing your spinal cord, with the Death Metal vocals by Martyn matching perfectly with the musicality generated by the rest of the band. It is a kick-ass combination of the heaviness and moodiness of Sludge Metal with the belligerence of Death Metal, or in other words, the level of brutality in this amazing composition is definitely not for the lighthearted. And increasing their speed a bit and leaning towards a more Death Metal vibe, Warcrab keep attacking us all with their visceral music in the solid In the Shadow of Grief, where all guitarists are in perfect sync while Rich continues to fire his rhythmic and potent beats.

group-photoIn the sensational Bury Me Before I’m Born, Geoff’s soulful solos are exactly what’s needed to give more balance to the overall inhumanity generated by the band in the beginning of the song, before Martyn growls his possessed words in a demonic way. Moreover, it has a primeval and tribal feel that gets mesmerizing as the song progresses, with the thunderous bass by Dave “Guppy” Simmonds snarling like an evil monster in the background. Warcrab still have a 10-minute ode to darkness and hate to offer us all, the title-track Scars of Aeons, a groovy and powerful composition where Martyn leads the band’s Doom Metal assault with his deranged growls and screams. Despite being a neck-breaking tune, it also brings forward a good amount of melody and harmony to the listener, proving how talented the whole band is, gradually slowing down and getting more and more blackened and melancholic until all is said and done.

As aforementioned, I consider Scars of Aeons one of the most complete and thrilling Sludge/Doom Metal albums of the past few years, offering all the elements traditionally found in this type of music and at the same time presenting a fresh vibe thanks to the sensational job done by all Warcrab guys with their instruments. They deserve our respect and support for carrying the flag of extreme music in such a classy way, and in order to do that we should all give them a shout at their Facebook page, bang our heads to their music at their YouTube channel, and obviously purchase Scars of Aeons at the Black Bow Records’ BandCamp page.

Best moments of the album: Destroyer of Worlds and Scars of Aeons.

Worst moments of the album: None.

Released in 2016 Black Bow Records

Track listing
1. Conquest 8:29
2. Destroyer of Worlds 4:47
3. In the Shadow of Grief 5:56
4. Bury Me Before I’m Born 4:51
5. Scars of Aeons 10:09

Band members
Martyn Grant – vocals
Geoff Holmes – lead guitar
Paul “Budgie” Garbett – guitar
Leigh Jones – guitar
Dave “Guppy” Simmonds – bass
Rich Parker – drums

 

Album Review – Cryptic Shift / Beyond the Celestial Realms EP (2016)

An action-packed voyage through space and time, led by a Sci-Fi Death Metal Assault Squad from the UK eager to conquer the entire universe with their progressive and technical brutality.

Rating5

btcr-coverAre you ready for a voyage through space and time, a daredevil journey to a parallel universe where you’ll face technology a million light-years beyond our knowledge and where unknown forms of extraterrestrial life coexist, all to the sound of a very progressive and technical fusion of Death and Thrash Metal? This is what you’ll get in Beyond the Celestial Realms, the brand new EP by British Progressive Death/Thrash Metal act Cryptic Shift. If you’re a fan of the hard-hitting and intricate sound of iconic bands such as Death, Obituary and Voivod, lasers will blast from your eyes with excitement while listening to Cryptic Shift.

Formed in 2010 under the name Crÿptic Shift, this Leeds-based group calls itself a “Sci-Fi Death Metal Assault Squad”, a distinct designation that makes total sense as soon as you start listening to their high-quality material. And this blend of extreme music and Sci-Fi led the band to share the stage with renowned acts like Exodus, Hirax and Lost Society, also playing at some up-and-coming festivals in the UK such as Thrashersaurus, Full Thrash Assault and Thrashoholic Fest, all between 2014 and 2015. Beyond the Celestial Realms, which features a “futuristic old school” (if that expression exists) artwork by Nemesis Design, can be considered the “encapsulation” of the band’s short but very active career,  containing revamped versions of some of their original demos mixed with brand new compositions and, of course, a high level of brutality and stamina.

In the cinematic/alien-inspired intro Beyond the Celestial Realms, ominous acoustic lines and a phantom voice inform the listener a dangerous journey is about to begin, entitled Voyage Through Dimensions.  This feast of old school Death and Thrash Metal with a futuristic concept brings forward sheer dexterity and aggressiveness through the guitar riffs by Xander Bradley and Henry Parker, which precisely follow the potent rhythm imposed by drummer Ryan Sheperson. The second half of the song gets groovier thanks to the rumbling sound of the bass guitar by John Riley, adding layers to a song that has all it takes to become the band’s biggest classic in the future.

cryptic-shiftWhen a song is named Deathcrusher, we all know it’s going to be a demonic onrush perfect for breaking your neck headbanging until its apocalyptic ending, with its Slayer-ish riffs being nicely complemented by some traditional Death Metal beats.  In addition to that, Xander and Ryan not only have their kick-ass riffs to provide us, but their solos are also amazing. The following song, Spore, showcases a traditional fast-paced Death Metal rhythm boosted by the piercing guitars by Xander and Ryan, sounding like a fusion of Anthrax and Death, in special the vocal lines by Xander. And after the song’s calm and harmonious break halfway through it, we’re treated to a storm of groovy high-end guitar solos and endless progressiveness. Lastly, the initial peace found in Glacial Reclamation suddenly gives place to an outstanding Thrash Metal extravaganza, with Xander blasting his growls while John keeps delivering his low-tuned punches. All band members display a high level of adroitness with their instruments in this solid and thrilling composition, getting even more progressive than all previous tracks.

The gates to the parallel universe of Death Metal crafted by Cryptic Shift can be found at the band’s Facebook page, YouTube channel, SoundCloud and ReverbNation, and the key to open those gates can be purchased at their official website or BandCamp page, at the Fractured Mind Records’ BandCamp, at the Nightbreaker Productions’ webstore, at the Tictail’s webstore, or at the Blood Harvest’s webstore. Cryptic Shift aim at conquering this universe (and any other existing ones) with their fusion of progressiveness and brutality, and based on the high quality of the music found in Beyond the Celestial Realms, we can say their spaceship of Death Metal is on course without a shadow of a doubt.

Best moments of the album: Voyage Through Dimensions.

Worst moments of the album: None.

Released in 2016 Fractured Mind Records/Nightbreaker Productions

Track listing    
1. Beyond the Celestial Realms 1:12
2. Voyage Through Dimensions 5:29
3. Deathcrusher 6:04
4. Spore 5:40
5. Glacial Reclamation 4:40

Band members
Xander Bradley – vocals, guitars
Henry Parker – guitars
John Riley – bass
Ryan Sheperson – drums

Album Review – Age of Atlas / Of Tongue and Tide. Of Flame and Honey. (2016)

Just hit play and enjoy a feast of heavy, catchy and groovy compositions, brought forth by four promising British musicians who are constantly challenging themselves and pushing the boundaries of progressive music.

Rating4

album-cover-frontIf you have never visited Kingston upon Hull, usually abbreviated to Hull, a city and unitary authority in the East Riding of Yorkshire, England, you’re missing all the vitality and distinctiveness of the city’s culture and heritage. For instance, you can go check their Humber Mouth literature festival, the annual Hull Jazz Festival, as well as several other exhibitions, theaters and concerts. Such cultural richness could only translate into amazing heavy music, which is exactly the case with Alternative Rock/Metal band Age of Atlas, who are releasing their first full-length album entitled Of Tongue and Tide. Of Flame and Honey., following on from their debut EP The Scale of Things to Come, from 2014.

With Peter Measures on vocals, Mikey Scott on drums and the two nearly identical twins Keelan and Kye Beavers on guitar and bass, respectively (which is probably the main reason why they are in perfect synchronicity at all times), this very technical Hull-based group formed in the year of 2012 is highly recommended for fans of the progressive heavy music played by Coheed and Cambria and Tides of Man, among many other distinct bands. Self-recorded at Mikey’s own studio Fruit Trade Music and featuring a beautiful artwork by James Fenwick Illustration, Of Tongue and Tide. Of Flame and Honey. epitomizes everything Age of Atlas are today in a feast of gripping riffs, stunning breaks and poetic vocal lines, obviously pointing to an absolutely bright future that lies ahead for this talented quartet.

The progressive and sharp opening track Sleight Of Hand Of Glory already offers the listener a taste of what Age of Atlas are capable of, with its alternative and psychedelic intro being boosted by the metallic bass lines by Kye before lead singer Peter Measures starts firing his modern poetry (“The thunder in your tongue finger lisps the blood from the thumb / Your hunter handed stitching yearns and breaks and comes undone”), not to mention the elements of Blues and Jazz added to the musicality which end up expanding its range even more. And that’s only the beginning, as the punchy riffs by Keelan and the roaring drums by Mikey steal the show in Natural Sciences, a hybrid of Dream Theater and Gojira with a Hard Rock twist. Despite being considerably heavy for many average radio listeners, I’m more than sure this electrifying tune could still be played at any rock n’ roll radio station in the world and become an instant hit. While that doesn’t happen, you can keep enjoying the intricacy provided by Kye on bass and the spot-on guitar solos by Keelan in For The Feast That Follows, some sort of “controlled craziness” that works really well from start ot finish, bringing pure awesomeness to our ears.

Presenting a modernized ambience, Father Of The Fear Of Falling is a soulful and technical composition where the complexity provide by Mikey on drums flawlessly supports the alternating moments of melodious softness and headbanging riffs found throughout the entire music; while Echoes Of Empire, presenting even more tempo changes and a passionate performance by Peter on vocals, is another sonic experiment for fans of Progressive Metal, with its backing vocals adding an extra touch of liveliness to the song. In The Brackening, highly influenced by Groove Metal but still having Progressive Rock as its core element, pay good attention to the “battle” between brothers Keelan and Kye with their unstoppable stringed weapons while Peter continues to blast his fiery vocal lines. An in Dead Eyed Sigils Of Our Failures Against Distance the band presents a more mainstream approach through smooth and progressive Hard Rock lines. This can be considered the most generic (or least innovative) of all tracks, albeit being well-crafted and offering a solid performance by Peter supported by the song’s background keyboards.

pic1Background electronic effects, rumbling bass lines and a headbanging rhythm make listening to the excellent Ambering a very positive experience, displaying even hints of pop music in certain moments. Furthermore, the last piece of the song is one of those progressive journeys loved by fans of the genre, which should sound incredible if played live. Then we have Needer, sounding heavier and sharper at first, but getting back to the band’s harmonious experimentations. Needless to say how bass and drums get inside your head and shake your brain in a good way, another remarkable characteristic of the music by Age of Atlas. And the icing on the cake comes in the form of an almost 7-minute aria of progressiveness named Gyromancer: it doesn’t matter if you prefer heavier and crazier sounds or a more serene complexity, the band brings forward all variations of Progressive Metal and Rock in this powerful tune, and the final result will certainly electrify the rest of your day.

As any other creative progressive band, Age of Atlas do not settle down at all and are already working on writing and refining new material for a follow up second album. While we wait for the next chapter in their promising career, let’s visit their Facebook page, YouTube channel and SoundCloud to know more about the band and to enjoy more of their music. And as an early Christmas gift (and to show how nice the citizens of Hull are), Of Tongue and Tide. Of Flame and Honey. is available as a free download for fans who sign up to the band’s mailing list (which you can do by clicking HERE). “We’ll always try and push ourselves in new ways and writing new material, working on new songs, is the most enjoyable way of challenging ourselves.” says vocalist Peter, and we must all agree that as long as they keep challenging themselves and releasing albums like Of Tongue and Tide. Of Flame and Honey., the future of progressive and groovy music looks more than good not only for Kingston upon Hull, but for the entire world.

Best moments of the album: Sleight Of Hand Of Glory, Natural Sciences and The Brackening.

Worst moments of the album: Dead Eyed Sigils Of Our Failures Against Distance.

Released in 2016 Independent

Track listing 
1. Sleight Of Hand Of Glory 4:26
2. Natural Sciences 3:06
3. For The Feast That Follows 3:49
4. Father Of The Fear Of Falling 3:43
5. Echoes Of Empire 4:08
6. The Brackening 5:28
7. Dead Eyed Sigils Of Our Failures Against Distance 4:37
8. Ambering 3:25
9. Needer 3:57
10. Gyromancer 6:52

Band members
Peter Measures – vocals
Keelan Beavers – guitar
Kye Beavers – bass
Mikey Scott – drums

Album Review – Free From Gravity / Saints and Sinners EP (2016)

Come along and take away a bit of kick-ass British Rock N’ Roll.

Rating5

FFG_Saints and Sinners EPLet’s take a short and sweet break from all the insanity and devastation that usually blasts from The Headbanging Moose and chill out to the dancing music by British Hard Rock/Rock N’ Roll group Free From Gravity. Highly inspired by classics such as The Who, Eric Clapton and The Beatles, among other renowned artists who have showed the world the beauty of a catchy chorus, of melodious but punky guitars and obviously of those famous yeah-yeah-yeah’s, Free From Gravity play what they call “Kick Assed Chilled Out Rock” (or Soft Rock with Attitude), and that’s exactly what you’ll find in each one of the four compositions that together give life to Saints and Sinners, the brand new EP by this classy four-piece act from Portsmouth, a large port city located on the south coast of the UK.

Led by vocalist and guitarist Vince Barnes, Free From Gravity are affiliated to Yes To Life, a cancer charity dedicated to helping people find complementary and alternative medicines to combat cancer, also inspiring Vince and his crew to write music as you can see in their debut single The Long Road (see more details HERE). That alone is already enough for all of us headbangers to give all our respect to the band, but add to that their professionalism, their dexterity with their instruments and their passion for rock music and there you have the perfect recipe for awesomeness.

The frist song of the EP, titled Crazy Lady, feels like a journey back to the 60’s and 70’s when Psychedelic Rock (or just Rock N’ Roll if you prefer) the likes of The Beatles and The Who dominated the entire world. Vince Barnes has that smooth type of voice perfect for telling a story through music, not to mention the song’s yeah-yeah-yeah’s, and I truly love the deep sound emanating from Lewis Trickett’s bass throughout the entire song. Faster and heavier, Dance with Me is a traditional British Rock N’ Roll tune where Vince and lead guitarist Tony “ToneDeff” Bennett put us all to dance with their electrified riffs and extremely catchy chorus, with the outstanding guitar solo by Tony adding a lot of energy to the music. Hence, I’m pretty sure this fun song will pump up the crowd during their live performances.

FFGA Hard Rock name like Saints and Sinners obviously demanded a Hard Rock vibe, and that’s what the entire band effectively offers to the listener in this case. Drummer TJ Jackson keeps the fuel flowing through the band’s engine with his crisp beats, with Tony once again firing an excellent guitar solo while backing vocals nicely complement the vocal lines by Vince. I want to see more of this wilder side of Free From Gravity, letting their Southern Rock-ish vein flourish even more in their future compositions. And there’s more traditional Brit Rock for you embraced by a 60’s/70’s aura named Step into the Sunlight, a recommended song to listen on the road where Vince and Tony once again deliver some exciting guitar lines and solos, leaving the doors open for more Free From Gravity in a near future (perhaps with their first full-length album).

Not only you can connect with Free From Gravity through their Facebook page, YouTube channel and SoundCloud, as well as purchase their EP at the CD Baby webstore or on Amazon, but if you live near Portsmouth you can  also see the band performing live in what’s known as “guerrilla gigs” across the south coast of England. The exact location of those gigs will be kept a secret, with the band announcing each one only hour ahead of time on Facebook (which means fans will need to keep a keen eye on their Facebook page). As all members from Free From Gravity are fully behind the philosophy “Come Along And Take Away A Bit Of Magic”, why don’t you help them “fight” those guerrillas while enjoying their kick-ass Rock N’ Roll? I’m sure you’ll have a very good time doing that.

Best moments of the album: Saints and Sinners.

Worst moments of the album: None.

Released in 2016 Independent

Track listing
1. Crazy Lady 4:47
2. Dance with Me 4:49
3. Saints and Sinners 3:47
4. Step into the Sunlight 4:40

Band members
Vince Barnes – vocals, rhythm guitar
Tony “ToneDeff” Bennett – lead guitar
Lewis Trickett – bass guitar
TJ Jackson – drums

Album Review – Burial / Unholy Sedition (2016)

Profane, rebellious and vicious music for all diehard lovers of Black Metal, piercing your ravenous ears directly from the UK.

Rating5

CD DigiPak 4 Panel 1 TrayThe good old city of Manchester, England might be known worldwide by the everlasting rivalry between Manchester City and Manchester United, two of the biggest soccer teams in the world, but since 2005 the city has also become a synonym to extreme music due to the scalding Blackened Death Metal forged by an up-and-coming power trio that goes by the name of Burial. After releasing a demo in 2008 named Shadowed by Satan, the EP Dissidence in 2010 and more recently their debut full-length album Beneath the Light in 2013, those black metallers are back with their second opus, entitled Unholy Sedition, a must for lovers of Black Metal, nuns, beer and Satan.

Fans of the music played by bands like Satyricon in their early days will have a great time listening to what this underground British act is capable of offering, being visceral but extremely technical at the same time. In addition, if you already know Burial you’ll notice a slight change in their musicality from their previous album, dropping part of the Death Metal sound and delivering an all-out Black Metal assault. In case this is your first contact with the band, get ready for 30 minutes of brutality in the form of the short, fast and devastating tunes found in Unholy Sedition. You won’t regret being blasted by the band’s ferocious music, I should say.

After a quick distorted intro, the opening track Infernal Spirit brings forward brutal Black Metal led by the bestial beats by drummer David Buchan, while lead singer and bassist Derek Carley varies his vocals from devilish screams to cavernous growls; and without a break they start firing the following tune, entitled Malevolent Possession, displaying some pulverizing riffs by guitarist Richard Barraclough. Not only that, even when they slow down a bit during this enraged song their heaviness remains at an outstanding level. Their malignancy keeps flowing in Satanic Immolation, a sick Black Metal song with hints of Death Metal where it’s amusing how violent the band can get in less than three minutes, with Derek’s vocals sounding exactly as many old school Black Metal vocalists.

Burial Band photoIn the high-speed havoc Coven of Death, David is unstoppable behind his drums, providing Richard the support he needs to craft his blazing riffs before we’re treated to Nothing Awaits, where a Blackened Doom-inspired intro powered by the gruesome vociferations by Derek suddenly explodes into vile Black Metal, with highlights to the metallic guitar lines by Richard. This is perhaps their best song to date, an excellent composition sounding as three distinct songs in one, and therefore showcasing the band’s highly developed abilities with their instruments. And in the rhythmic and dense Defile The Sacrament, right after a somber intro that goes on for almost two minutes, we have a furious fusion of Black and Death Metal with Derek barking like a rabid beast.

Cast To The Flames can be considered the most old school Black Metal of all tracks with the blast beats by David being its guiding “star”, never letting the level of dark energy go down; whereas Beyond Redemption seems to be the most Death Metal of all mainly due to the deep guttural growls by Derek, with its beats at the speed of light demolishing everything and everyone that stands in their way. Before Uholy Sedition comes to its end, Burial offer us all more of their putrid growls and a heavy atmosphere in the Black Metal hymn Devoured By The Earth, displaying sheer violence and gore in the form of music with highlights to the groovy and boisterous drumming by David. And lastly, we have the remarkably short but sensational Extreme Metal anthem Nun Fucking Black Metal, which not only has a beautiful name but also pays homage all things Black Metal, concluding the album on a high note with amazing performances by all band members.

In case you want to know more about the music by Burial, go visit their Facebook or ReverbNation pages, and if you’re interesting in putting your hands on a copy of Unholy Sedition, you can find the album for sale at the UKEM Records’ BandCamp page or webstore (it’s out of stock according to the website, though), or at the band’s official Big Cartel page, where you can also find a nice exclusive bundle including a physical copy of the album and a T-shirt for a very decent price. It’s profane and rebellious Black Metal for diehard lovers of the genre, and also a great option for newcomers to get introduced to the world of extreme music.

Best moments of the album: Satanic Immolation, Nothing Awaits and Nun Fucking Black Metal.

Worst moments of the album: None.

Released in 2016 UKEM Records

Track listing
1. Infernal Spirit 3:03
2. Malevolent Possession 4:00
3. Satanic Immolation 2:22
4. Coven Of Death 2:07
5. Nothing Awaits 3:35
6. Defile The Sacrament 4:14
7. Cast To The Flames 2:55
8. Beyond Redemption 3:57
9. Devoured By The Earth 3:47
10. Nun Fucking Black Metal 1:12

Band members
Derek Carley – vocals, bass
Richard Barraclough – guitar
David Buchan – drums

Interview – Ben Colton (Neverworld)

If you want to know more about the past, present and future of Neverworld, one of the most promising Heavy Metal bands from the UK, take a shot at this fun interview with the band’s lead singer and guitarist Ben Colton. Can you guess which songs he would save for the future of mankind? You will surely enjoy his list.

ben colton_neverworldThe Headbanging Moose: Could you please introduce yourselves to the readers who are getting in contact with Neverworld for the first time? What’s the origin of the band, your main objectives and your dreams? And what was the inspiration for the name Neverworld?

Ben Colton: Howdy! Certainly. I am Ben, lead guitarist and vocalist of the band Neverworld. We formed in late 2009 and the plan was always to take it as far as we possibly could. We sat down and discussed at length about the music we wanted to make and it became apparent quite quickly that we would need a suitable name. A name that would give us the scope to be the audio/visual outfit that we wanted to be. So Neverworld was born and 6 and a half years and 3 releases later here we are! Our main objectives at this point in time are to keep progressing, keep pushing the boundaries, keep playing awesome shows and to keep having lots of fun doing it!

THM: I have to admit I can’t stop listening to your brand new album, the excellent Dreamsnatcher. It’s perfect for listening at home, at the gym, on the road or anywhere else. How did the whole process to compose the album go? Was there anything you think that could have worked better in the recording period?

BC: Well thank you very much that means a lot to us and I really appreciate the feedback. The recording process this time around was actually a lot of fun. We knew what we had to do and that was better than ‘Visions Of Another World’. So every week we would go into the studio and write riffs, choruses, verses, intros etc. until we felt we had 10 songs that completely summed us up. ‘Dreamsnatcher’ is an album that defines who we are right now and for that reason it was a great relief to achieve that. We learned a lot doing our first album so we didn’t make the same mistakes. All the music was written in about 8 months and then it was a case of writing the vocal melodies and lyrics. From the writing process to the demo stage to the actual release it took 18 months which was awesome. When you’re a perfectionist, and this band has a few, you will probably always look back and say I could of done that better but there comes a point where you just have to bite the bullet and leave it to the critics mercy! So far so good!

THM: Although none of your releases are concept albums, there’s a special concept behind the band as a whole. As quoted on the review for your 2014 release Visions Of Another World, you said that “Neverworld is a place of dreams, a world we all visit in our sleep and the band explore this magical realm in their lyrics and artwork.” Having said that, what’s the link between Visions Of Another World and Dreamsnatcher? Is there any type of storyline connecting both albums, and even your debut EP Welcome To…, from 2010?

CD Cover ArtWork - Dreamsnatcher (2015)

Album Review – Neverworld / Dreamsnatcher (2016)

BC: Basically there are some links in certain songs like ‘Visions Of Another World’ and ‘Dreamsnatcher’ but we are yet to explore the Neverworld concept fully. We are writing and recording demos already and the plan is now to release an EP toward the end of this year and then a concept album. It’ll be our third full length album and that feels like the right thing to do. We’ve discussed it in the past and we all knew the day would come where we did the whole concept thing. It’s very early days yet but we are planning the story and will write accordingly to fit that. It’s likely to be pretty dark but all will become clear as to what Neverworld is and what can happen there!

THM: There are several details that make Dreamsnatcher a must-have for fans of traditional Heavy Metal. The guitars are heavier than ever, the overall production is a lot more consistent than in your previous releases, there are many interesting additional layers of intricacy added to each and every song, among other things. How do you see the evolution of your music so far, and what can we expect from Neverworld in the future?

BC: Evolve is a great word where music is concerned. It’s something you have to do to keep it fresh and interesting. We will never make the same album twice. You’ll always know it’s us but you won’t always be able to predict what’s coming! You are one of the first people to mention the added layers of the songs and I’m really pleased you noticed! That was a very conscious thing. I love the way certain bands build songs with layers. They can be very subtle and you may not notice them initially but take them out and the song can sound naked! The future of our music I guess will depend on many factors but for me I’d like us to add more progressive elements. Mainly for the reason that there really are no rules with progressive metal and I love that. I hate restrictions. Fortunately we have none really. If an idea is cool then we use it. We do exactly what we want and that is make music that we’d like to listen to!

THM: Before we talk about a couple of specific songs from Dreamsnatcher, I just wanted to quickly go back to Visions Of Another World, where you performed an amazing duet with British singer Christina Gajny in the powerful ballad Blood and Romance. Can you tell the readers more about how Christina got involved with Neverworld and how this beautiful song was recorded? And why are there no guest musicians in the new album?

BC: Christina was just meant to be for us. I woke up one day and just thought it would be cool to do a duet with a female vocalist. So I hit the net to seek one out. She was the first one I looked at and the last. I listened to her doing a cover of ‘Black Velvet’ and was blown away. She is an incredibly versatile singer with a staggering grip on melody. I think Blood and Romance really helped us. Christina was in a band called Interlock just prior to doing the duet and was fairly well known in London. Because of her when we started playing London there were actually people there to see us! I did want her on ‘Dreamsnatcher’ too but in the end we decided that we had the 10 songs we needed and also it was another 10 songs we could add to our live performance. We’d been playing pretty much the same set for 2 years and we desperately wanted to be able to pick from a bigger selection so we could give our die hard fans a new experience every time we played. However we are indeed working on the follow up to Blood and Romance with Christina. It’ll probably be called ‘A Gothic Tragedy’ and will be part 2 in the vampire/mortal love saga. Writing is under way and it will be on the EP release so if you love Christina’s voice as much as we do you can get excited about that! I know I am!

THM: Now let’s get back to Dreamsnatcher, more specifically to the opening track, the epic Into the Mouth Of Madness. This is not a regular opening song for an album, being more progressive, more melodic and a lot longer than the opening songs found in most Heavy Metal albums. I would say it’s a similar situation to what Iron Maiden did in their 1995 album The X Factor, when they had the 11-minute masterpiece Sign of the Cross kicking off the album. Why did you choose this specific song to be the first of the album? Aren’t you afraid it might be too complex or maybe too lengthy for the average listener who’s just getting to know the music by Neverworld?

BC: Into The Mouth Of Madness was actually the first track we wrote when we went back into the studio again. I think it was what set the bar for the whole album really and also sums Neverworld up in 9 minutes or thereabouts! It’s kinda got everything. The intro, the prog, the metal, the big chorus, the epic solo section, light and shade etc. It seemed the obvious choice to us to kick things off for ‘Dreamsnatcher’. If you don’t ‘get’ that track then I don’t think we are for you! So no I wasn’t worried about it putting anyone off because anyone who doesn’t like it probably won’t like the rest of the album either! From a personal point of view a lot of my favourite songs are long, epics. ‘Still Remains’ for example by Fates Warning is my all time favourite song. It has everything! I think every album we do will end up having a few epics on.  It’s becoming a bit of a habit for us! A cool habit though I think!

THM: My favorite song in Dreamsnatcher is by far the high-octane Under The Asylum. As mentioned in the review of the album, this song has the perfect balance between aggressiveness and harmony, being highly recommended for any type of metalhead from anywhere in the world. What inspired you to write this song, and can you provide us some details on the story being told through its lyrics?

neverworld_logoBC: Thank you! I’m glad you dig! It’s a lot of fun to play live too. The inspiration for the song comes from a couple of things. I grew up near a mental asylum. Near it. Not in it! It was a Victorian era one and only shut down in 1998. Going round the place when it was derelict was an eye opening experience to say the least. That place was dark. It had its own atmosphere and was the size of a village. It just oozed sorrow and woe. I’d always felt it was a great theme for a song anyway but then American Horror Story season 2 came out and that kicked the idea off again. So really the song is about the underground workings of an asylum and all the nasty shit you don’t see happening. Very Neverworld!

THM: What are your biggest influences in music? Do you only listen to Heavy Metal, or do you also drink from the fountain of Jazz, Blues, Pop or any other type of music? And if you had to select five albums that define who Neverworld are today, which ones would you choose?

BC: Haha well I certainly don’t drink from Jazz fountain but I listen to all sorts really. Obviously being a guitar player and a singer it’s either guitar or vocal based but of course I prefer it when it’s both! Heavy Metal was my first love as a child and that just captured my imagination. In later years you learn to appreciate different things. I love classic rock as in Blue Oyster Cult, Van Halen, Boston, The Eagles etc. I love prog, hair metal, Thrash, Motown, even Grunge era stuff too (although I don’t call Mother Love Bone, Candlebox, Soundgarden, Pearl Jam or Alice In Chains ‘Grunge’). I just like good music. Well played, well sung, well written. I don’t have any rules anymore. I just like what I like. Ok picking just 5 albums is a really hard thing to do but because it’s what influences my own part of the Neverworld sound it’s a bit easier. As much as I love Iron Maiden, Judas Priest and Manowar I find that I am no longer influenced by them. It’s strange but I lean towards more progressive stuff now just because there are so many more elements going on to keep your mind occupied. Ok here goes!…

1. Fates Warning ‘Disconnected’ – Brilliant album by the criminally underrated Fates. This album is the soundtrack to my life. Love it!

2. King Diamond ‘Conspiracy’ – King seems to have got bigger and bigger over the years and that pleases me a lot. The guy is an evil genius and Andy LaRouque is one of my favourite guitar players. It’s not until you sit there trying to work out King’s music you realize how complex it is, how clever it is. Love this album. A huge influence on me.

3. Crimson Glory ‘Transcendence’ – This album is just timeless. A masterpiece by a band who should have been playing arenas. Very classy, very intelligent music!

4. Winger ‘Pull’ – I imagine a few people will shake their heads at this choice but Winger are an amazing collective of breath taking musicians. Kip Winger is one of the most intelligent song writers out there. When you really listen to a Winger song and analyze it you can hear all the magic that has gone into making it. I chose ‘Pull’ for the groove aspect. Some of the riffs on this album are jaw droppers! Also Kip is one of my favourite singers and Reb Beach is one of my favourite guitar players. Another big influence for sure.

5. Queensrÿche ‘Rage For Order’ – Geoff Tate has a pretty bad rep these days. Personally I couldn’t care less what people think of him as a person, he’s a God of a singer. Just watch ‘Live Evolution’ to see his prowess in all its glory. I adore this album. The songs are great, the vocals are soulful, theatrical, grand, unusual. A perfect album!

So there are my 5. Just want to give a quick shout out to Lost Horizon, Circus Maximus, Redemption, Megadeth and Magnitude 9 too. They are all big influences on my part of the Neverworld sound too!

THM: If you were given the task of saving only between 10 and 20 songs from any music genre, band or artist for the future of mankind, which ones would make it to that special playlist? Let’s imagine you would add those to a capsule that would be preserved for a very long time and opened only in a distant future, and those would be the only songs left on earth, just for you to have an idea of how important your mission would be.

BC: Haha that is a very important mission indeed! Ok all these songs mean something to me. They all helped me. They changed my life and the way I think about music. Here goes…

1. Fates Warning ‘Still Remains’
2. Candlebox ‘Far Behind’
3. Mother Love Bone ‘Chloe Dancer/ Crown Of Thorns’
4. Circus Maximus ‘The Last Goodbye’
5. Redemption ‘Black and White World’
6. Queensrÿche ‘Walk In The Shadows’
7. Iron Maiden ‘Where Eagles Dare’
8. Judas Priest ‘Victim Of Changes’
9. Manowar ‘Bridge Of Death’
10. Winger ‘Rainbow In The Rose’
11. Guns N’ Roses ‘Civil War’
12. Lost Horizon ‘Lost In The Depths Of Me’
13. Crimson Glory ‘Lonely’
14. King Diamond ‘Sleepless Nights’
15. Thin Lizzy ‘Wild One’
16. Temple Of The Dog ‘Say Hello To Heaven’
17. Van Halen ‘Runnin’ With The Devil’
18. Blue Oyster Cult ‘Astronomy’
19. Boston ‘Something About You’
20. Dan Reed Network ‘Stronger Than Steel’

A pretty eclectic mix there!

Front Cover

Album Review – Neverworld / Visions Of Another World (2014)

THM: Talking about what any musician loves the most, which is playing to a live audience, what are your current and future tour plans for the UK and/or any other countries? How difficult it is for you to schedule tour dates and to be on the road for long periods of time? And what has been the band’s most memorable concert to date?

BC: It is difficult to tour for long periods due to all of us having work and family commitments. However we are planning on doing a week long tour this year with scattered dates surrounding it. Playing live is very important to us. It’s a hard feeling to beat when you’re up there and the crowd are with you. We are always looking for dates in the UK and abroad so keep an eye out for us in the near future. I have several fond gig memories with Neverworld. Our home town club shows are always special. Very well attended and there’s always a great buzz but the 3 that really stand out for me are when we played with Freedom Call at the Barfly in Camden on the night we released our debut. The place was absolutely packed! We opened and went down a storm. That was awesome. The next is again in Camden but this time at The Underworld. Purely because it was The Underworld. What an honour to play that hallowed stage. I’ve seen most of my favourite bands there so it was great to be able to tick it off the list. Lastly when we played Larissa in Greece. We left this weird building in the middle of nowhere to get something to eat thinking well this is going to be shit! When we came back the place was full! Couldn’t believe it! That was a great night playing with our friends Wardrum and completed an absolutely awesome experience. We’ve actually been pretty blessed with live shows over the last 4 years. We’ve played with some fantastic bands too. Long may that continue!

THM: Thank you very much for your time, I truly appreciate that.  Please feel free to send a final message to all our readers and all metalheads not only in Canada, but everywhere else in the world.

BC: No, thank you! It’s been an honour. I just want to say a huge thank you to all the good people out there supporting us. If I could put into words how much we appreciate it I would! The Neverworld family is growing all the time and that my friends is awesome! I really hope you all enjoy the new album! Peace and good will to you all \m/

Links
Neverworld Official Website | Facebook | Twitter | YouTube | Big Cartel
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