Album Review – Blaze Bayley / The Redemption of William Black (Infinite Entanglement Part III) (2018)

What does the future hold for Mr. William Christopher Black? Here he is, the indomitable Heavy Metal icon Blaze Bayley, to tell us the dramatic conclusion to his stunning Infinite Entanglement Trilogy.

All good things must come to an end, including the beyond fantastic Infinite Entanglement Trilogy by the indomitable British Heavy Metal icon Blaze Bayley. After the stunning two first parts Infinite Entanglement and Endure And Survive (Infinite Entanglement Part II), it’s time for Blaze and his amazing band to tell us the conclusion to this thrilling sci-fi story in the third and final installment The Redemption of William Black (Infinite Entanglement Part III), the tenth solo album in Blaze’s unique career, and believe me, the story of Mr. William Christopher Black couldn’t have ended in a more dramatic, exciting and electrifying way.

Featuring guest vocal performances from Fozzy singer and WWE superstar Chris Jericho and from Luke Appleton, bassist from American powerhouse Iced Earth and rhythm guitarist with British metallers Absolva, as well as several other guest vocalists and narrators such as Liz Owen and Harry Webster Appleton II, The Redemption of William Black continues where the earlier albums left off, with Blaze’s trademark infectious choruses, blistering lead guitar work from Chris Appleton and a bedrock rhythm section from Karl Schramm on bass and Martin McNee on drums, all three also members of Absolva. Co-written by Blaze and Chris Appleton, everything in the album is perfectly aligned with the previous two albums in the trilogy, including its rip-roaring artwork and layout designed by Akirant Illustration. Hence, get ready for another lecture in traditional Heavy Metal by Blaze and his henchmen, and to finally know what the future holds for the dauntless William Black.

The album starts with our anti-hero seeking for redemption, saying he will “save the best of this world”, and Blaze Bayley & Co. make it quite clear with the high-octane, heavy and thrilling opening track Redeemer, with the guitar by Chris sounding extremely acute like a sharpened axe, also bringing one of those electrifying choruses tailored for singing along with Blaze. Then without giving us any time to breathe Blaze and his bandmates fire another metallic hymn titled Are You Here, where Chris and Karl sound thunderous with their strings while Martin never lets the energy level go down with his pounding beats; followed by Immortal One, a powerful song about immortality showcasing a fantastic guitar solo by Chris and an imposing rhythm, increasing in intensity until its crushing finale. Put differently, it can’t get any more Heavy Metal than this, my friends.

In the outstanding The First True Sign the band doesn’t get tired of smashing our ears with pure Heavy Metal, with its initial tribal sounds being suddenly joined by Chris’ most awesome, lancinating riffs of the whole album, turning it into a terrific choice for their live performances. Moreover, Blaze as usual passionately declaims the song’s poetic lyrics, captivating our attention from start to finish. After such metallic extravaganza, it’s time for one of those stunning ballads by Blaze, entitled Human Eyes, where acoustic guitars are accompanied by a pensive Blaze reciting the song’s extremely touching words, and all that dedication and focus by Blaze goes on until the song’s melancholic ending; whereas in Prayers of Light, the aforementioned guest Chris Jericho delivers some cryptic words before the flammable riffs by Chris ignite another explosion of traditional metal music. It’s indeed an upbeat tune perfect for cheering up your day, with both Jericho and Luke Appleton doing an amazing job on backing vocals. And Blaze’s minstrel side strikes again in 18 Days, where he poetically sings the song’s potent lines amidst a feast of mid-tempo heavy riffs and beats, making a sensational vocal duo with guest Liz Owen who delivers beautiful, ethereal vocals together with the Messiah.

With elements from Hard Rock added to the band’s classic Heavy Metal, we’re treated to the very precise and exciting work done on strings by Chris and Karl in Already Won, providing Blaze all he needs to thrive on vocals. And Blaze definitely knows how to reach deep inside our hearts with his introspective vocals like what happens in Life Goes On, being powerfully accompanied by lighter, acoustic parts intertwined with heavier moments crafted by his band members. The second to last act in the epic and futuristic tale of William Black comes in the form of The Dark Side of Black, a thrilling tune bringing forward all we love in the music by Blaze Bayley, that being fast-paced beats, melodic and cutting riffs, and obviously his resonant, potent vocals. Furthermore, Chris once again fires a superb guitar solo as the icing on the cake of the most obscure side of our protagonist translated into first-class metal. Last but not least we have Eagle Spirit, ignited by a special narration by a British war hero, Leading Aircraftman (LAC) Harry Webster Appleton II, before the band offers us all over nine minutes of gripping passages and flammable riffs, with Martin delivering rhythmic, puissant beats to make the whole song even more impactful. And after all is said and done, William finally finds his redemption as the story comes to a climatic and absolutely beautiful ending.

You can buy your copy of The Redemption of William Black (Infinite Entanglement Part III) directly from Blaze Bayley’s official webstore, as well as from other retail outlets such as iTunes, Amazon, Heartland Music, Collectors’ Choice Music and metalmailorder.com, among others. At the same time, a special deluxe box will be available exclusively from Blaze’s website, specially made to house all three albums from the Infinite Entanglement Trilogy (needless to say, I highly recommend you listen to all three albums in a row without breaks to properly experience the full saga), and later this year the new album will also be made available as a vinyl LP, again in a specially-made deluxe box to house all 3 LP’s. Now that the astonishing tale of Mr. William Christopher Black is over, let’s all keep an eye on Blaze’s official Facebook page for news and tour dates, as he’s certainly going to kick some ass live in a city near you pretty soon (just like he did last year in Toronto). I have absolutely no idea if we’ll ever see William Black again, but if there’s one thing that’s certain, it’s that the daredevil Blaze Bayley is in the best shape of his life and will therefore keep blowing our minds with his unmatched fusion of old school Heavy Metal and top-tier sci-fi storytelling.

Best moments of the album: Redeemer, The First True Sign, 18 Days and The Dark Side of Black.

Worst moments of the album: None.

Released in 2018 Blaze Bayley Recordings

Track listing 
1. Redeemer 4:11
2. Are You Here 2:32
3. Immortal One 2:56
4. The First True Sign 4:04
5. Human Eyes 5:36
6. Prayers of Light 3:25
7. 18 Days 4:03
8. Already Won 2:58
9. Life Goes On 5:00
10. The Dark Side of Black 3:25
11. Eagle Spirit 8:50

Band members
Blaze Bayley – vocals
Chris Appleton – guitars, backing vocals
Karl Schramm – bass, backing vocals
Martin McNee – drums

Guest musicians
Chris Jericho – narration, backing vocals on “Prayes of Light”
Luke Appleton – backing vocals on “Prayes of Light”
Liz Owen – female vocals on “18 Days”
Melissa Adams & Joanne Kay Robinson – backing vocals, choir
Aine Brewer, Rob Toogood, Michelle Sciarrotta & Harry Webster Appleton II – narration

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The Year In Review – Top 10 Hard Rock/Heavy Metal Albums of 2017

“We sort of find that music tames the beast, you know.” – Malcom Young

It’s that wonderful time of the year again, and I’m obviously not talking about Christmas and the holiday season. In a year where we lost so many talented and important musicians in rock and heavy music for various reasons, including Malcolm Young (AC/DC), Chris Cornell (Soundgarden), Chester Bennington (Linkin Park), Trish Doan (Kittie), Martin Eric Ain (Celtic Frost), Warrel Dane (Nevermore, Sanctuary), John Wetton (Uriah Heep), David Zablidowsky (Adrenaline Mob, Trans-Siberian Orchestra), Chuck Mosley (Faith No More) and Cherry Taketani (Okotô, Hellsakura, NervoChaos), among several others, not to mention the end of the unmatched Black Sabbath, who we were able to witness live one last time during their farewell tour The End, only the freshness and energy flowing from brand new metal music can give us hope, not allowing Heavy Metal and Rock N’ Roll to die as many like to prophesy every single year.

Having said that, it’s time to blow our goddamn speakers with The Headbanging Moose’s Top 10 Hard Rock/Heavy Metal Albums of 2017, excluding EP’s, best of’s and live albums, taming the beast inside us all as wisely said by AC/DC’s heart and soul Malcolm Young (R.I.P.). And as 2017 was the year of bands that cannot be considered dinosaurs in metal (or at least not yet), such as Trivium and Mastodon, that certainly points to a bright future ahead for Heavy Metal with their recent releases because, as you know, we won’t have behemoths like Iron Maiden, Judas Priest and Metallica kicking ass on stage forever. By the way, this was definitely a fantastic year for Mastodon, who not only released one of the best albums of 2017, the excellent Emperor of Sand, but they also had some extra energy to burn with the classy EP Cold Dark Place, which by the way is part of our top 10 EP’s of the year (as you’ll see after our top 10/20 list). Alright, without further ado, turn up the volume and enjoy our 2017 list… LET THERE BE ROCK!

1. Trivium – The Sin and the Sentence (REVIEW)
A superb album full of fast and intricate riffs, poetic lyrics, a sensational new drummer and, above all, the return of Matt’s trademark screams.
Best song of the album: Betrayer

2. Kreator – Gods Of Violence (REVIEW)
We shall praise the best Teutonic Thrash Metal institution of all time, as the gods of violence come alive.
Best song of the album: Totalitarian Terror

3. Blaze Bayley – Endure And Survive (REVIEW)
The indomitable Blaze Bayley returns with the second installment of Infinite Entanglement, his most ambitious project to date.
Best song of the album: Blood

4. Mastodon – Emperor of Sand (REVIEW)
Follow the inspirational story of a desert wanderer who has been handed a death sentence in this excellent album of Progressive Metal.
Best song of the album: Word to the Wise

5. Accept – The Rise of Chaos (REVIEW)
Let total chaos and destruction rise to the sound of the brand new album by the unstoppable Teutonic masters of Heavy Metal.
Best song of the album: Analog Man

6. Moonspell – 1755 (REVIEW)
An orchestral and emotional concept album that will take you to the year when a giant earthquake destroyed the city of Lisbon.
Best song of the album: Todos Os Santos

7. Striker – Striker (REVIEW)
Canadian Heavy Metal has never been more vibrant and rapturous than this.
Best song of the album: Born To Lose

8. Divine Element – Thaurachs Of Borsu (REVIEW)
Witness the passage of a soldier through various levels of consciousness about the reality of war and human society.
Best song of the album: Thaurachs Of Borsu

9. Torture Squad – Far Beyond Existence (REVIEW)
Don’t cross the path of one of the most respectful bands from the Brazilian Thrash and Death Metal scene.
Best song of the album: Blood Sacrifice

10. Solitary – The Diseased Heart of Society (REVIEW)
Four veteran thrash metallers canalizing all the hatred, degradation and perversions of our modern-day society into their music.
Best song of the album: Architects of Shame

And here we have the runner-ups, completing the top 20 for the year:

11. Karkaos – Children Of The Void (REVIEW)
12. Prometheus – Consumed In Flames (REVIEW)
13. Battle Beast – Bringer Of Pain (REVIEW)
14. Terrifier – Weapons of Thrash Destruction (REVIEW)
15. Body Count – Bloodlust (REVIEW)
16. Dzö-nga – The Sachem’s Tales (REVIEW)
17. Cradle of Filth – Cryptoriana – The Seductiveness of Decay (REVIEW)
18. Cannibal Corpse – Red Before Black (REVIEW)
19. Infernäl Mäjesty – No God (REVIEW)
20. Katharos XIII – Negativity (REVIEW)

As aforementioned, we also have for you this year our Top 10 EP’s of 2017, ranging from the most rebellious form of Deathcore to the most melodic type of Symphonic Metal, from visceral Doom Metal to demonic Black Metal, and so on. In addition, those bands hail from all four corner of the earth, proving once again that it doesn’t matter where you go you’ll always be able to find first-class metal music, including all of its genres and subgenres, to please your avid metallic ears.

1. Primal Age – A Silent Wound (REVIEW)
2. Sinners Moon – Far Beyond The Stars (REVIEW)
3. Aversio Humanitatis – Longing for the Untold (REVIEW)
4. Loathfinder – The Great Tired Ones (REVIEW)
5. Ljosazabojstwa – Sychodžańnie (REVIEW)
6. Lorn – Arrayed Claws (REVIEW)
7. Jupiter Hollow – Odyssey (REVIEW)
8. Dö – Astral: Death/Birth (REVIEW)
9. Mastodon – Cold Dark Place (REVIEW)
10. Afire – Afire (REVIEW)

Do you agree with our list? What are your top 10 albums of 2017? If you want to check another awesome list, I highly recommend Antichrst Magazine’s Top 10 Albums of 2017 (Editorial Staff), a great online publication that we at The Headbanging Moose also contribute to on a regular basis. Also, don’t forget to tune in to Timão Metal every Tuesday on Rádio Coringão for a blazing fusion of metal and soccer, and to The Headbanging Moose Show every Thursday on Midnight Madness Metal e-Radio for the best of underground metal from all over the world!

Metal Xmas and a Headbanging New Year! See you in 2018!

Actually, before all is said and done, here’s for you the 2017 Christmas single from Norwegian Melodic Power Metal project Aldaria called When The Time Has Come, featuring several renowned guest musicians such as Ralf Scheepers (Primal Fear), Yannis Papadopoulos (Beast In Black),  Lars Rettkowitz (Freedom Call) and Morten Gade Sørensen (Pyramaze), among others, with 100% of all income of this single being donated to Cancer Research. “This is a very important cause for me, as I lost my mother to this horrible disease in 2010. The single will be available across all streaming and digital platforms, and on Aldaria’s official webstore, where you will get a special edition with a lossless audio file, instrumental, high resolution cover art, and lyrics”, commented guitarist Frode Hovd, the mastermind behind Aldaria. Let’s all support such important cause!

Concert Review – Blaze Bayley (The Rockpile, Toronto, ON, 08/19/2017)

A journey through the past, present and future in the career of the unstoppable Blaze Bayley in the form of first-class Heavy Metal for his diehard fans in Toronto.

OPENING ACT: Cadillac Blood

I’ll never understand why people who call themselves diehard metalheads would miss a chance to attend a top-notch Heavy Metal concert like what we had this Saturday at the really nice venue The Rockpile, which despite being usually referred as located in Toronto, technically speaking it’s in Etobicoke, an administrative district and former city that makes up the western part of the city of Toronto, around 18km from downtown. The weather was perfect, the beer was nice and cold, the food was great and all prices were very, very reasonable (including the ticket price). And those so-called fans of heavy music keep complaining on Facebook, Twitter etc. that metal doesn’t have the proper support and all those shenanigans. How about instead of just typing, you get up from that couch, head to a place like The Rockpile and support underground metal?

If you do that, perhaps you’ll face an electrifying band like the young and restless thrashers from CADILLAC BLOOD, a completely independent act from Keswick, Ontario, located 70km north of Toronto. Blending elements from Thrash Metal, Punk Rock and Rock N’ Roll in their music, and being clearly inspired by bands such as Volbeat (by the way, the band’s name comes from Volbeat’s classic album Guitar Gangsters & Cadillac Blood if you haven’t noticed yet), Metallica, Motörhead and Anthrax, the quartet comprised of Luke Morrell on vocals, Tyler Morrell on guitar, Sean Murphy on bass and Dean Fraser on drums delivered an excellent warmup to the fans that were there for Blaze Bayley, being extremely professional and excited from start to finish, in special Luke who didn’t stop jumping and headbanging for a single second while singing at the same time. Unfortunately I don’t have their full setlist, but you can go to their BandCamp page and check out songs like Crow’s Nest and Devil’s Brew, both played by the band on Saturday.

Band members
Luke Morrell – vocals
Tyler Morrell – guitar
Sean Murphy – bass
Dean Fraser – drums

BLAZE BAYLEY

When it was time for the unstoppable BLAZE BAYLEY to hit the stage with his Endure and Survive World Tour 2017, at around 10:30pm, The Rockpile was not even half full, maybe due to lack of better promotion or because the pub was a bit far for fans who rely on public transportation to move around, but I think those are just excuses for our society’s growing laziness to do anything that’s not online. Blaze deserved a much bigger crowd (he even joked it was his fault, as he asked that only true metalheads attended his concert), as he’s been doing superior music being totally independent, with very little support from anyone but himself and his bandmates. His music is powerful and vibrant, his lyrics are poetic and meaningful, and his energy on stage is simply fantastic. What else do you need in a metal concert?

Anyway, the brave fans who were at The Rockpile had the absolute pleasure of witnessing an amazing performance by Blaze and his amazing band formed by the talented Chris Appleton on guitars and backing vocals, Karl Schramm on bass and backing vocals, and Martin McNee on drums, who are not only the guys who recorded the first two parts of the kick-ass Infinite Entanglement trilogy with Blaze, the 2016 album Infinite Entanglement and the 2017 follow-up Endure And Survive (Infinite Entanglement Part II), but who are also three quarters of British Heavy Metal act Absolva, a great underground band highly recommended for lovers of old school metal music.

When Blaze was in Toronto for the last time, at the now defunct Hard Rock Café in 2014, he was supported by a Canadian Iron Maiden cover group named Maiden Quebec, and although they were a very good band, Blaze’s performance was somewhat hampered by their lack of chemistry. Fortunately for the fans at The Rockpile this Saturday, Blaze and the guys from Absolva were in perfect sync, a reflection of their years working together, delivering to the crowd a top-notch setlist encompassing the best of Blaze’s past, present, and even future (if you think of Infinite Entanglement as an evolving project), playing simply the best songs from Wolfsbane, Iron Maiden and his unparalleled solo career. From the very first notes of the inspiring Endure and Survive, to the speed and violence of Blood, Dark Energy 256 and Man on the Edge (see his intro video to this all-time classic HERE), and the epicness of The Clansman, their performance was flawless.

As I mentioned before, Blaze is a metal poet, and there was always a reason for a song to be inserted in his setlist, always bringing a powerful message to the fans who were singing along all lyrics with Blaze. For instance, his speech about how we all fail and how we all must stand up from our failures and fight our fears again and again in Fight Back, from his latest album, only shows how much he loves what he does and how much he’s passionate about Heavy Metal, as well as how he said us fans are his “home” in the emotional Calling You Home. Of course there was also room for lighter topics, like when he explained the origins of Wolfsbane and how we all would feel “sexier” after screaming the words “man hunt” during Wolfsbane’s biggest hit Man Hunt. By the way, the “duel” between Blaze and the rest of the band during this song was awesome, with Chris and Karl stealing the show with their refined techniques. Blaze made sure he acknowledged the undeniable talent of Chris not only as a guitarist, but also as a songwriter and producer, something we can easily see through his work with both Absolva and Blaze Bayley.

After the last song of the setlist, A Thousand Years (my favorite track from Infinite Entanglement), Blaze and the guys stayed at the venue for a free autograph and photo session with their fans, not charging a single penny as most band do nowadays with their “meet & greet experiences”, as a sign of his respect and admiration for us, supporters of independent music. All band members were very nice and courteous with everyone, talking about their tour across Canada and the US, their plans for the future and other topics. And all true metal fans who attended the concert on Saturday went back home with a huge smile on their faces, something that happens every single time you see a concert by the metal warrior Blaze Bayley. As simple as that.

Setlist
Endure and Survive
Escape Velocity
Futureal
Blood
Silicon Messiah
Fight Back
Virus
Calling You Home
Stare at the Sun
The Clansman
Man Hunt
Man on the Edge
Dark Energy 256
Lord of the Flies
A Thousand Years

Band members
Blaze Bayley – vocals
Chris Appleton – guitars, backing vocals
Karl Schramm – bass, backing vocals
Martin McNee – drums

Album Review – Blaze Bayley / Endure And Survive (Infinite Entanglement Part II) (2017)

The indomitable Blaze Bayley returns with the second installment of Infinite Entanglement, his most ambitious project to date, this time offering an action-packed album bursting with anger, passion and mystery.

Less than one year after the release of the gripping Infinite Entanglement, the indomitable Blaze Bayley returns with the also astounding Endure And Survive, the second part of his most ambitious project, a Sci-Fi trilogy about Mr. William Christopher Black, a man who doesn’t know if he’s a man or a machine on a futuristic mission to discover one of the new Kepler planets. After the dark and climatic ending of the first part, I’m sure all fans of the Heavy Metal crafted by Blaze (including myself, of course) have been waiting anxiously for the next chapter in the eccentric journey of our mysterious main character, and Endure And Survive offer us all that and more in a brilliant way.

Once again accompanied by the talented Chris Appleton (guitar), Karl Schramm (bass) and Martin McNee (drums), all from British Heavy Metal band Absolva, plus many other very special guests such as Anne Bakker (violin) and Thomas Zwijsen (acoustic guitars), Blaze continues to tell the story of William Black magnificently, with a lot of poetry in his lyrics and, as usual, endless passion and energy in his vocals. The album’s futuristic artwork, designed once again by Andreas Sandberg with additional images from Christopher Steenstrup (who is also working on a Blaze Bayley video game), builds an instant connection with part one, showing how focused Blaze was on providing his loyal fans the most cohesive and exciting story possible.

Shall we begin? That’s precisely how the powerful title-track Endure and Survive starts, exactly where the first part ended, with the music itself continuing to be heavy, melodic and thrilling. In my humble opinion, Blaze found in Chris the perfect guitarist for his vocals as we can see in this epic tune, not to mention the song’s inspiring chorus and the amazing narrations, effectively taking us to the Sci-Fi world created by Blaze. In Escape Velocity, the story goes on at the speed of light, with Chris, Karl and Martin crafting electrifying music full of exciting solos and fast beats, while Blaze canalizes all his passion for metal and science fiction into his potent vocals, resulting in another classic song that I can’t wait to see him performing live. And after a dark intro we’re treated to the best musicality Blaze and his bandmates can offer, titled Blood, a high-speed furious Heavy Metal hymn absolutely perfect for the song’s aggressive lyrics, with Chris being simply insane with his riffs. Furthermore, a man and a woman explain who William Black really is, a murderer with blood on his hands according to them. Is that really the truth? Well, I don’t know the answer, at least not yet, but I know this song kicks some serious ass.

A pensive and anguished William is the centerpiece of the dark composition Eating Lies, showcasing all the talent of Blaze as a storyteller, as you can feel all the inner suffering from the story’s main character due to the lies being told about him through his vocals; followed by Destroyer, presenting that traditional sonority by Blaze seen in pretty much all his albums. In other words, it’s a very cohesive and rhythmic song about the “destroyer of worlds”, with the classic beats by Martin and the soulful riffs and solos by Chris supporting another excellent performance by Blaze. Then we have the epic Dawn of the Dead Son, where a woman with a suave voice seems to be talking inside William’s mind, with the music being a mix of his years with Iron Maiden with his contemporary material, displaying a galloping rhythm and blazing guitars. Each and every song has a reason to exist and this one is no exception to that, taking the listener once again on a dangerous but exciting journey before a serene ambience takes place in the stunning acoustic chant Remember. This troubadour-inspired folk version of Blaze is simply superb, being more melodic and romantic than “What Will Come” from part one, with Blaze flawlessly declaiming the song’s lyrics. Needless to say, his partnership with Thomas and Anne couldn’t sound more in sync, with the song’s female backing vocals also being a thing of beauty.

Returning to a more classic musicality, Fight Back is a song that would have already been amazing on its own in any of Blaze’s old albums, but that in Endure And Survive also plays an important part in the storyline, with Karl and Martin adding tons of heaviness to the music, therefore making it easier for Blaze to effectively deliver his potent vocals. Exhibiting hints of the classic Doom Metal played by Black Sabbath and some songs by Dio in his solo career, in special his biggest hit Holy Diver, the stunning The World Is Turning the Wrong Way brings forward a sensational aura and a profound, catchy chorus, with Chris’ guitar sounding heavier than hell, absolutely in line with all the darkness and agony found in the song’s lyrics. And finally, we have Together We Can Move the Sun, the most introspective and passionate of all songs, with Blaze’s strong voice being flawlessly complemented by the female vocal parts. Blaze and his crew offer us all eight minutes of a touching ballad, showcasing classy guitar lines, inspiring lyrics and an enigmatic (and extremely climatic) conclusion, building a sensational expectation for the third and final installment of the story of William Black, and in the end we all understand what has to happen in part three. William Black must… DIE!

Despite being avid for the conclusion of Blaze’s futuristic adventure, I’m more than happy to wait for it listening to both Infinite Entanglement and Endure And Survive in a row, savoring each and every line declaimed by the Messiah in those two albums. His official Facebook page is probably the best place to keep updated with all advancements in the recording of the next album and to know when he’ll be crushing your city with his amazing metal, and in order to put your hands on the second part of this kick-ass trilogy simply visit his official webstore, iTunes, Amazon or Discogs. Only Blaze knows the destiny of the dauntless voyager William Christopher Black, if he will live or die, or even if his entire life was real, and that marvelous uncertainty created by Blaze is the main ingredient that makes Endure And Survive (as well as Infinite Entanglement) stand out beautifully in contemporary heavy music.

Best moments of the album: Endure and Survive, Blood, Remember, The World Is Turning the Wrong Way and Together We Can Move the Sun.

Worst moments of the album: None. The whole album is awesome.

Released in 2017 Blaze Bayley Recordings

Track listing
1. Endure and Survive 4:27
2. Escape Velocity 3:27
3. Blood 4:41
4. Eating Lies 4:48
5. Destroyer 4:30
6. Dawn of the Dead Son 5:19
7. Remember 3:58
8. Fight Back 3:25
9. The World Is Turning the Wrong Way 4:35
10. Together We Can Move the Sun 8:14

Band members
Blaze Bayley – vocals
Chris Appleton – guitars, backing vocals
Karl Schramm – bass, backing vocals
Martin McNee – drums

Guest musicians
Corvin Bahn – accordion
Anne Bakker – violin, backing vocals
Thomas Zwijsen – acoustic guitars
Liz Owen, Melissa Adams, Joanne Kay Robinson & Luke Appleton – backing vocals
Michelle Sciarrotta – backing vocals, acoustic guitars, narration
Rob Toogood – backing vocals, narration
Aine Brewer – narration