Album Review – Down To The Heaven / [level -1] (2018)

Bringing forth complex arrangements combined with a large dose of modern electronic music, here comes a metal unity from Poland ready to smash our senses with their debut album of incendiary Metalcore and Djent.

Electronicore, also known as Trancecore or Synthcore, is a fusion of Metalcore and Djent with elements of various electronic music genres, such as trance, electronica, and dubstep, with bands and artists like Attack Attack! in the United States and Enter Shikari in the UK having contributed to the development and the dissemination of the genre all over the world. Furthermore, it looks like the style has been expanding in a healthy and interesting way in recent years with the rising of bands like Switzerland’s own Rage Of Light and Polish Metalcore/Djent unity Down To The Heaven, who are releasing this year their debut album curiously titled [level -1].

Formed in 2013 in the city of Bielsko-Biała, Down To The Heaven have all it takes to become one of the references in Eletronicore and Djent. Comprised of Rusty on vocals, Shaun and Majster on the guitars, Grzela on bass, Cyfrowe Zło on keys and electronic noises, and Hoomer on drums, the band brings forth a style characterized by complex arrangements with heavy guitar playing combined with a large dose of melody and modern electronic music. In [level -1], which was mixed and mastered at Seeker Studio in Wrocław, Poland in 2017 and which features a modern and captivating artwork by Sztuczny Horyzont, this Polish six-piece act showcases all they got, being ready to smash your senses with their vicious and rumbling sounds and noises.

As if a wicked horror flick was about to begin, a creepy intro titled Down to the… gets heavier and heavier as time goes by, generating a metallic and embracing atmosphere for the demolishing Catharsis, where frontman Rusty barks deeply like a beast while the whimsical keys by Cyfrowe Zło make a vibrant contrast with the furious beats by Hoomer, resulting in a fantastic and modern hybrid between Metalcore, Industrial Metal and Melodic Death Metal. Then Shaun and Majster ignite another crushing feast of sounds named Lost in Memories with their cutting riffs, while Grzela will make your head tremble with his sick bass lines. Moreover, the music remains bold and thunderous from start to finish, proving how talented and heavy Down To The Heaven are. And putting the pedal to the metal the band blasts sheer madness and aggression in Unbroken, an excellent sample of contemporary Djent infused with elements from heavier styles where Rusty is once again demented on vocals, while Cyfrowe Zło brings insanity to the music with his keys and special effects.

Even more modernized and eccentric than its predecessors, No Vision is a movie-inspired instrumental extravaganza where its beautiful piano notes go along really well with the guitar solos and the mesmerizing atmosphere, whereas in Kingdom of Delusion it actually feels we’re “entering” a movie, with the rhythmic and tribal beats by Hoomer setting the stage for Rusty and his deranged, lunatic growls. In addition, the music evolves to a potent industrialized sounding, with both Shaun and Majster firing sheer electricity through their crisp riffs. In Tyrant’s Fall we’re treated to an explosion of modern-day Metalcore with an electronic and demented twist, led by Cyfrowe Zło and his piercing keys while Hoomer keeps pounding and smashing his drums and Rusty growls the song’s rebellious lyrics (“Arise in rage! / Image of madness / Dripping from rusty chains / Like deadly poison inside our brains / Blood under feet / Groan of tormented souls / Who’s lurking behind the Throne / BURN THEM ALL!”), before We Are, the last track of the album, continues to punch you in the head with the violent sounds extracted from all instruments, being effectively complemented by the most electronic noises of the entire album. Moreover, the song also presents clean vocals at times, making the whole experience of listening to it even more tasteful and, therefore, ending the album on a high and wicked note.

In summary, Down To The Heaven nailed it in [level -1], creating something truly unique by adding their own twist and electricity to the already innovative Eletronicore, and if you want to know more about this skillful act from Poland simply pay them a visit on Facebook for news, tour dates and other shenanigans, subscribe to their YouTube channel for more of their music, and purchase [level -1] directly from their BandCamp page or from iTunes. Put differently, if it’s fresh and modern music you’re craving, but without giving up that raw and aggressive vibe from heavy music, it’s time you get “down to the heaven”.

Best moments of the album: Catharsis, Unbroken and Tyrant’s Fall.

Worst moments of the album: None.

Released in 2018 Independent

Track listing
1. Down to the… 3:25
2. Catharsis 5:02
3. Lost in Memories 3:48
4. Unbroken 4:10
5. No Vision 6:07
6. Kingdom of Delusion 5:51
7. Tyrant’s Fall 3:32
8. We Are 3:02

Band members
Rusty – vocals
Shaun – guitar
Majster – guitar
Grzela – bass
Cyfrowe Zło – electronic noises, keys
Hoomer – drums

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Album Review – Ashes To Fire / Still Waters EP (2016)

A sea of complexity and groove thoroughly presented by an auspicious French quintet that definitely knows how to craft high-quality Djent and Metalcore.

Rating5

cover-ashes-to-fire-still-watersThe subgenre of heavy music known as Djent, a development of progressive metal named for an onomatopoeia for the distinctive distorted, low-pitch guitar sound first employed by Swedish icons Meshuggah, with bands like After The Burial, Sikth, Animals As Leaders and Born Of Osiris becoming some of its biggest exponents, has been also represented worldwide since 2013 by a dexterous quintet hailing from the charming city of Bordeaux, France named Ashes To Fire. Fans of Metalcore, Djent, Hardcore and Post-Hardcore will have a great time listening to the music by these French metallers, in special the six potent compositions from their brand new EP entitled Still Waters.

Featuring members of local French bands such as Hate To Eleven, Defeat The Foe and Heaven Can Wait, Ashes To Fire offer the listener a very professional and punchy fusion of all their metal inspirations. The artwork in Still Waters, designed by French artist Serge Cleoron, features an ocean that represents the harmony among all band members while the octopus and its tentacles depict some of the band’s main influences in music like August Burns Red, Thy Art Is Murder and Born Of Osiris, among others, continuing the musical path initiated with their 2014 self-titled demo and their 2015 debut EP Karmalogy. It doesn’t matter if you’re a longtime fan of Djent or not, you’ll certainly sense elements from all those bands in Still Waters, and will probably start banging your head to Ashes To Fire’s powerful compositions without even noticing.

Modern sounds together with heavy guitars in the EP’s Intro kick things off in a thunderous way, before guitarists Nico and Dylan lead the Metalcore massacre Real Life, with lead singer Yas growling like there’s no tomorrow. In addition, the song gets less violent and more melodic at times, keeping the sonority always fresh in an awesome display of what this French quintet is capable of. The violence of Hardcore turns Dad And Mum into the most electrifying and complete track of the EP, where once again again Yas demonstrates all his vocal potency while Corekie and William generate a true storm of metal music with their respective rumbly, noise bass and dense beats.

photo-ashes-to-fireBringing elements from Melodic Death Metal the likes of In Flames mixed with the modern American Metalcore from August Burns Red, To Disappear displays a flawless sync between the heavy riffs by Nico and Dylan and the roaring bass by Corekie, whereas in Roots To Sheet, the sound of guitars grows and is complemented by bass and drums in another solid exhibition of Djent and Metalcore by this awesome band. Moreover, a constant, heavy ambience keeps the music at a truly dark level perfect for Yas to fire his distressed harsh vocals. Finally, a sinister intro ignites the last track in Still Waters, titled Sara, being sharply joined by the intricate bass wallops by Corekie, with Nico delivering his solid guitar solos in a sea of complexity and groove that goes on until the song’s abrupt and effective ending.

In summary, the excellent Still Waters, available at Ashes To Fire’s BandCamp page or at M.U.S.I.C. Records’ webstore, is definitely your go-to album for contemporary high-quality Djent and Metalcore, and if you want to explore the already mentioned groovy sea of heavy music created by those French metallers simply visit their Facebook page and YouTube channel, consequently showing your support and appreciation for a music style that keeps reinventing itself, proudly carrying the flag of modern metal music all over the world.

Best moments of the album: Dad And Mum and To Disappear.

Worst moments of the album: None.

Released in 2016 M.U.S.I.C. Records

Track listing
1. Intro 1:11
2. Real Life 2:45
3. Dad And Mum 4:25
4. To Disappear 4:28
5. Roots To Sheet 4:18
6. Sara 5:04

Band members
Yas – vocals
Nico – lead guitar
Dylan – rhythm guitar
Corekie – bass
William – drums