Album Review – Kult Mogił / Torn Away the Remains of Dasein (2020)

An unrelenting Polish entity returns with their sophomore full-length opus, presenting a new sound directed towards classic Death Metal from the 90’s.

Almost three years after the release of the EP Portentaque, Tarnów, Lesser Poland-based Blackened Death Metal entity Kult Mogił is back from the pits of the underworld with a brand new full-length album entitled Torn Away the Remains of Dasein, presenting to the listener a new line-up and, more important than that, a new energy and sound directed towards a more classic Death Metal style from the 90’s when compared to their debut full-length opus Anxiety Never Descending. Mixed and mastered at Satanic Audio by Haldor Grunberg and featuring a stylish cover artwork by Polish artist Sars (Gruzja, Odraza), Torn Away the Remains of Dasein reeks of pure violence from start to finish, showcasing all the talent and passion for extreme music by lead singer and bassist Deimos, guitarists Rzulty and Thisworld Outof, and drummer The Rays. “Instead of following trends of fashionable playing, we’re heading in the opposite direction, going back to the roots of death metal even more than before. This is our most essential recording, devoid of layers of sludge and other popular additions from previous releases. We want the new songs, stripped of these ornaments, to defend themselves with strong, load-bearing riffs. This album is 100% devoid of the desire to be avant-garde or experimental. We are destroying the previously developed formula so that we can on its ruins pay homage to the classics of the genre,” commented the band about their vicious new album.

And the opening track Hunger of Pride is the perfect depiction of this new version of Kult Mogił, sounding and feeling absolutely ominous, disruptive and violent from the very first second, with Rzulty and Thisworld Outof showing no mercy for our souls with their infernal riffage while Deimos roars and growls rabidly, resulting in a putrid Death Metal feast infused with Black Metal nuances. Then wicked sounds ignite another awesome display of brutality titled White.Death.Implosion, where The Rays sounds vile and demented on drums by blasting sheer havoc through his beats, therefore providing his bandmates all they need to shine with their venomous growls and sick riffs and solos, and not giving us a single second to breathe, the quartet fires the also hellish Blackened Death Metal tune Torment of Dasein, bringing to our ears pure savagery flowing from all instruments, with Deimos doing a fantastic job with both his guttural vocals and his menacing bass punches. In Idols in Blood we’re treated to an austere onrush of Black and Death Metal sounds spearheaded by the rhythmic and groovy beats by The Rays, while Rzulty and Thisworld Outof don’t stop extracting razor-edged riffs from their axes, reminding me of the total darkness of the early days of their countrymen Behemoth, whereas in A Wax Reverie the band adds hints of Doom Metal to their already otherworldly sonority, smashing our skulls once again and blending the gore of bands like Cannibal Corpse and Six Feet Under with their own share of dementia. And lastly, the rumbling bass by Deimos ignites the closing tune Fountain of Affliction, where the band’s guitar duo fires an endless amount of sulfur and rage from their stringed weapons while The Rays sounds like a bulldozer on drums, ending the album on an utterly obscure and aggressive note.

In case you’re not familiar with the music by Kult Mogił, I highly recommended you go take a good listen at their previous releases before listening to Torn Away the Remains of Dasein in full on YouTube to have a clear understanding of the musical evolution explained by the band until reaching their current shape and form, showing that the adjustments they made to their sound were more than welcome and spot-on, therefore pointing to a bright future to such obscure unity hailing from Poland. In addition, don’t forget to give the guys from Kult Mogił a shout on Facebook, and to grab your copy of Torn Away the Remains of Dasein from the Pagan Records’ BandCamp page or from their webstore in CD, black LP or red LP formats. After such pulverizing album, I wonder if Kult Mogił will continue to venture through even more classic Death Metal lands, if they’ll succumb to the darker side of Black and Doom Metal, or if they’ll simply merge all of their influences and all those styles into something new and fresh. As a matter of fact, it doesn’t matter what the final result is, as long as they keep bringing forth amazing records like Torn Away the Remains of Dasein we can rest assured the underground Polish scene will remain alive, vibrant and as brutal as it can be.

Best moments of the album: White.Death.Implosion and Idols in Blood.

Worst moments of the album: None.

Released in 2020 Pagan Records

Track listing
1. Hunger of Pride 5:43
2. White.Death.Implosion 4:57
3. Torment of Dasein 6:33
4. Idols in Blood 4:38
5. A Wax Reverie 6:24
6. Fountain of Affliction 5:37

Band members
Deimos – vocals, bass
Rzulty – guitars
Thisworld Outof – guitars
The Rays – drums

Album Review – Viles Vitae / IV EP (2017)

The four basic elemental principles from ritual magic converted into four powerful and tempestuous compositions by a new horde of experienced Portuguese black metallers.

Rating5

frontcover_vilesvitaeThere’s a new entity arising from the underworld of Portuguese Black Metal that goes by the name of Viles Vitae, or “worthless life” from Latin, who are unleashing upon humanity their debut EP simply titled IV, offering fans of extreme music the four basic elemental principles still used in ritual magic converted into four powerful and tempestuous compositions. Four elements, four songs, or as stated by the band, “a crescendo of feelings and cyclical repetitions to elevate thy souls of the dead straight to the heart of the listener.”

Although the band was brought into being only in 2015 in the capital city of Lisbon, Portugal, Viles Vitae are no beginners at all. Featuring experienced and known members of the underground Portuguese scene, this sinful power trio delivers in IV exactly what they wanted to expose, which is the primary spirit of Black Metal crafted from the heart. After facing the somber album art designed by Fábio Infante, you’ll already feel death and darkness growing inside you, but it’s when the music starts that you’ll finally understand how Stygian and complex the creations by Viles Vitae are.

The first track of the EP, The Vortex of Disharmony, begins is an atmospheric way, with background noises taking us to a desolate world before the guitar sounds by Belial Necro slowly impregnate the air together with the bestial drumming by Deimos. Moreover, this macabre and devilish fusion of Blackened Doom and Black Metal is definitely not recommended for the lighthearted, with Vulturius gnarling in the most hellish form possible. Leaning towards a more traditional Black Metal sounding, Sunless Redeemer brings forward demonic and steady blast beats that end up developing the desired ambience for the demon-like vociferations by Vulturius, turning the overall result into a dark hymn of extreme music that brings absolutely no hope to our hearts.

viles-vitae-25Highly influenced by obscure Doom Metal, Source Life Extinction presents a funereal vibe and a menacing musicality, with Belial Necro making sure his riffs sound as vile as possible. This sensational composition by Viles Vitae is not only very impactful and heavier than hell, but also the perfect example of what this demonic horde can offer us all in their future releases. The fourth and last song of the EP, named Theory of Deconstruction, is their most complex and multilayered creation, where Vulturius continues to blast his harsh growls while Deimos gets more blackened than ever on drums. Furthermore, transpiring blasphemy and hatred, the song’s howling wolves and background choir will hypnotize you for the last four minutes of this aria of darkness and despair.

The four basic elemental principles from ritual magic explored by Viles Vitae are available for purchase at the Caverna Abismal Records’ BandCamp page, and soon through their webshop as well. And in case you’re fond of the most obscure side of extreme music just like what is crafted by this amazing horde from Portugal, go check their Facebook page for more details and news about their current work, tour dates and future plans. After the spawn of the ominous IV, I wonder what type of malignancy the talented Vulturius, Belial Necro and Deimos are preparing as the next step in their career and, while we wait for it, the potent music from IV can keep us more than entertained without a shadow of a doubt.

Best moments of the album: Source Life Extinction.

Worst moments of the album: None.

Released in 2017 Caverna Abismal Records

Track listing
1. The Vortex of Disharmony 5:30
2. Sunless Redeemer 5:50
3. Source Life Extinction 6:15
4. Theory of Deconstruction 12:28

Band members
Vulturius – vocals
Belial Necro – guitars
Deimos – drums