Interview – Dimenzion:Psychosphere

Enjoy this “cold apocalyptic interview” with Norwegian Industrial Metallers Dimenzion:Psychosphere, where they talk about their career, the importance of the message in their music, the Industrial Metal scene in Norway, among other cool stuff.

DIMENZION PSYCHOSPHERE band photo 3The Headbanging Moose: Let’s start by talking about the band and your brand new album, the excellent Collapse. Can you tell us who Dimenzion:Psychosphere are, your history, goals and plans for the future? Also, how was the creative process for the new album and how did it differ from your previous releases?

Dimenzion:Psychosphere: About us first. We are five guys who’ve been playing together for quite a while, and for many years it was kind of a side project, since most of us had other bands with higher priority. But around 2010 we decided to put more time and effort into Dimenzion, first of all because we all felt this was the band closest to our hearts, and second, because we had more time. So we started working on our first full-length album DNA Phantom Effect, which was finished and released early 2012. Unfortunately we are not very good at promotion, so the album didn’t get the attention we hoped for, and we didn’t get very far. Hopefully will those who like Collapse check out DNA too, cos we still think it’s a great album. As far as the creative process goes, it has always been the same, but this time we had way more material to choose from, which made it easier to shape the concept and feeling of Collapse.

THM: As mentioned in the review of the album, songs like The Machine and Slaves deal with important issues our society is facing nowadays which can lead to some serious consequences in a not-so-distant future, maybe even to the apocalypse. However, despite all that negativity emanating from the lyrics, your music is very melodic and pleasant to listen to. How do you guys work on that balance between “good” and “evil” in your music?

D:P: It all comes naturally really. We like to work with different moods and styles. Though I think when it comes to the important issues you mention, they’re all pretty provoking. So the feelings about it ranges from anger, to sadness and to plain apathy sometimes, and the music is shaped thereafter. We are still angry even if we’re not screaming or growling all the time, and there are enough bands out there who do that already. Harmonies make everything more powerful if not overdone I believe.

afterlight (14)THM: Your “cold apocalyptic metal” sounds perfect for being part of the soundtrack of futuristic movies such as The Terminator, Blade Runner or The Matrix. I’m pretty sure you’re all huge fans of that type of movie and you probably get inspired by those (and many others) when composing new material. What else, besides futuristic movies, inspires the band to create music? Are there any specific books, movie genres or any other sources of information the band likes to go to for having some insights and fomenting your creativity?

D:P: The sound effects, the music and the dystopic feeling of those movies and others like them inspire us, yes. But lots come from documentaries, history, books and of course by watching/reading the news. The world is becoming a police state, with surveillance and new laws made to make us “safer”, which when you think about it, is just a way of limiting our rights and freedom. And it all makes you wanna fuck some shit up, which comes out musically instead of physically in our case.

THM: What about your code names and apparel, which seem to be inspired by bands such as Slipknot and video games like Call of Duty? Could you tell us something about how Dimenzion:Psychosphere decided to add those elements to the band, the original inspiration for that, and what they represent today to all of you?

D:P:  We have always tried to add something extra to our shows, and the all over black uniforms remove the focus on us as individuals, just leaving it to be this unit that is the show. The names came recently to fit the whole concept, by not drawing attention to who we are, but to the whole concept. Not inspired by anything particular, it just felt right to do.

THM: Collapse is your first release signed to a record label. How is it to be working with a record label for the first time in your career, and what can you tell us about your relationship with Crime Records?

D:P: It’s great to have someone to back us up with the promotion and stuff, since as we mentioned, we’re not so good at that. Our relationship with Crime started over a year ago when they heard the DNA album. And they pretty much followed the entire process up to the finishing of Collapse, and signed us even before the final mix. We liked their attitude, so we didn’t even bother to send anything to other labels either.


Album Review – Dimenzion:Psychosphere / Collapse (2014)

THM: How is the Industrial Metal scene in Norway, a country known for being the cradle of Black Metal? Do you face any issues sharing your space with Black Metal bands and/or bands from any other music genres there, or is it a very peaceful and even productive coexistence?

D:P: The industrial metal scene in Norway is very small, especially compared to black metal.

We haven’t had any issues sharing stage with black metal bands or any other bands, so I guess you could say it’s a pretty peaceful coexistence. We know several people who play black metal, and all of them have a pretty open mind when it comes to music.

THM: Who are your main influences in music? Which bands and artists helped define what Dimenzion:Psychosphere are today, and which bands would you love to have a “dream tour” together?

D:P: It might be a cliché, but we get our influences from nearly all styles of music (with some exceptions). From all eras too. So naming bands is maybe not so “us” I think. It would have to be a very long list then. A dream tour… Meshuggah perhaps. Devin Townsend, Entombed. Someone not so far from us musically.

THM: What bands and artists are part of your playlist in your free time, when you’re not with Dimenzion: Psychosphere? Do you have any new or underground bands you would like to recommend us?

DIMENZION PSYCHOSPHERE band photo 1D:P: I guess we have our different favourites within the band, so like the previous answer, all kinds of music. We can recommend some bands we work with now and then. Deafmazjiin, Ground Zero System and Among Gods. All from Southern Norway.

THM: How about your current tour plans, especially now that Collapse is fresh out in the market? Which countries are you planning on visiting, how do you choose your setlist, and can your fans expect from your live performances? And are you going to play any dates in North America in 2014, especially in Canada, or is the focus going to be solely in Europe this year?

D:P: We have no tour plans at the moment, but that is something we’re going to start working on as soon as collapse is out. Unfortunately we don’t have a management/ booking agency yet, so that’s probably going to be our next goal. We love doing live shows, so if someone invites us to come to Canada (or any other country) we’d be more than happy to come. I think if you like our albums you’re going to love what we do live.

The setlist we pretty much make before every show, depending on how much time we have. We do try to mix old stuff with new stuff, but I guess lately the majority of songs come from the Collapse and DNA Phantom Effect albums.

THM: Thank you for the interview, or I should say “takk for intervjuet”. Do you have any final words for your fans in Norway, Canada and all over the world?

D:P: First of all thank you for giving D:P some attention and we hope that the readers will check out our music. If you want to get the latest news from Dimenzion:Psychosphere you can join us on Facebook or check us out at

Dimenzion: Psychosphere Official Website | Facebook

Album Review – Dimenzion:Psychosphere / Collapse (2014)

These Norwegian “industrialists” are spot on with their cold and futuristic apocalyptic metal.


DIMENZION PSYCHOSPHERE - Collapse cover artIf you’re a fan of Industrial Metal bands that are a lot more “metal” than “industrial”, but that still have that cool electronic touch and a unique futuristic concept in each of their albums, such as the incomparable Rammstein, Ministry and Fear Factory, you should take a shot at Collapse, the new album by Norwegian Industrial Metal band Dimenzion:Psychosphere. After a few self-released EP’s and their debut album entitled DNA Phantom Effect (2012), Collapse is their first full-length album signed to a record label (Crime Records), and by far the best in terms of recording and production quality.

Based in the town of Mandal, Norway, this band does not play your average Industrial Metal, but a fresh and creative mix of industrial and heavy music elements, or as Dimenzion:Psychosphere themselves prefer to say, they play “cold apocalyptic metal from the north”. That crazy definition is corroborated by the band members’ monikers (The President, The Architect, The Trooper, The Scientist and The Engineer) and by their apparel, which can be described as a hybrid between Slipknot and Call Of Duty: Black Ops. You have to agree it can’t get any more bizarre than that.

And when all that visual and concept bizarreness translates into music as soon as the excellent opening track The Machine starts, everything makes a lot more sense: Dimenzion:Psychosphere breed a heavy and embodied mix of Industrial and Nu Metal, a kind of musicality only German Industrial Metal giants Rammstein would be able to produce, with highlights to its very entertaining and intelligent lyrics (“The walking machine’s still singing / The time has come to seize control / To which values are you clinging / To whom do you owe your soul?”). The following track, the groovy Fury, keeps up with the futuristic theme by offering us a truly mechanical atmosphere, which together with the “march” halfway through the song and its extremely heavy drums and bass make the whole song even more effective.

DIMENZION PSYCHOSPHERE band photo 2With its Fear Factory-ish intro and its dense and slow riffs enhanced by a dark “assembly line” rhythm, the song Void can be considered the representation of the band’s Industrial Doom Metal side, while the superb Epistemophobia should be used as part of the soundtrack to a futuristic suspense movie, especially due to the symphonic elements added by The Scientist with his insane synths. Moreover, if you don’t know what the name of this song means, Epistemophobia is the fear of knowledge, which ends up being the principle of the lyrics. In my opinion, I wouldn’t consider this lyric theme too futuristic, but extremely realistic (and painful) based on all the shit we see people doing all over the world. Does anyone still think the human being is actually evolving?

Anyway, the next track, Slaves, focus on more melodic lines, with its direct lyrics (“WE’RE ALL A BUNCH OF FUCKIN SLAVES”) and synths being responsible for generating a strong atmosphere once again, followed by the longest track of all, Psychodorm, full of modern American Metal elements the likes of Slipknot. Moreover, the “machinery” sonority created by all instruments is outstanding, boosted by a very cohesive melancholic tune after four minutes, which goes on until the end of the song. And last but not least, the title-track Collapse sort of kicks off from where the previous song ended, maintaining the same eerie sonority, with an amazing vocal performance by lead singer The President. The ending of this song (and the entire album) is very obscure, predicting there’s no sign of a “happy ending” for our society, which I totally agree.

The album art designed by TrippleOneVision is a terrific complement to the album concept, reminding us of the futuristic mechanical artwork found in many (if not all) albums by Fear Factory, and another sign of how professional and committed Dimenzion:Psychosphere are to their work. In short, Collapse, which will soon be available at the official Crime Records Webshop, doesn’t bring any optimistic message to humanity, but it surely provides fans of heavy music an exceptionally good soundtrack to apocalypse, so turn the volume up, relax and enjoy this awkward music journey until the world completely falls apart.

Best moments of the album: The Machine and Epistemophobia.

Worst moments of the album: Void.

Released in 2014 Crime Records

Track listing
1. The Machine 5:02
2. Fury 4:15
3. Void 6:26
4. Epistemophobia 5:18
5. Slaves 4:29
6. Psychodorm 8:49
7. Collapse 7:19

 Band members
The President – vocals
The Architect – guitar, vocals
The Trooper – bass
The Scientist – synth
The Engineer – drums