Concert Review – Judas Priest (Tribute Communities Centre, Oshawa, ON, 03/28/2018)

A night of celebration of the purest form of British Heavy Metal in the Ontarian city of Oshawa, spearheaded by the unparalleled Judas Priest.

OPENING ACTS: Black Star Riders and Saxon

Getting from Oakville to Oshawa for a concert is always a nightmare due to the humongous distance (almost 100km) and the fact I have to drive there exactly during the peak of rush hour. However, for my total delight, it was fairly quick to get to the Tribute Communities Centre in Oshawa yesterday where the mighty Judas Priest was going to play their unparalleled classics, supported by the ass-kicking Black Star Riders and Saxon as the opening acts. After a Tuesday of rain and fog, the day yesterday was beyond perfect, being totally clean and dry, and with the temperatures reaching almost the positive double digit mark. I guess the weather knew it shouldn’t mess with the Metal Gods, right?

One thing I highly recommend if you ever attend a concert or a sports event at the Tribute Communities Centre is to grab a bite before (or maybe even during) the event at the Prospects Bar & Grill, the pub that’s right inside the venue. Good food, cold and crisp beer, and all for a very decent price, helping you to properly get ready for the event. Actually, because I arrived there right when BLACK STAR RIDERS, a band formed by members and ex-members of renowned acts like Thin Lizzy and Alice Cooper, started their concert, I couldn’t really watch them perform, but I was listening to their music from the pub with attention and they sounded solid and entertaining with their old school Rock N’ Roll, with their cover song for Thin Lizzy’s Jailbreak and their own song Bound for Glory being the highlights of their performance.

Setlist
All Hell Breaks Loose
Jailbreak (Thin Lizzy cover)
Before the War
Heavy Fire
Who Rides the Tiger
Kingdom of the Lost
When the Night Comes In
Bound for Glory

Band members
Ricky Warwick – vocals, guitar
Scott Gorham – guitars
Damon Johnson – guitars
Robert Crane – bass
Chad Szeliga – drums

After a short break (and now already sitting in my proper place in the floor section), it was time for Biff Byford and his Heavy Metal institution SAXON to begin their sonic attack on stage, delivering pure metal from the NWOBHM, with songs like Power and the Glory, Motorcycle Man, Denim and Leather and Heavy Metal Thunder inciting all fans at the venue to start banging their heads nonstop to their classic Heavy Metal. The band was on fire from start to finish promoting their brand new album Thunderbolt, not giving any time for the crowd to breathe or take a bathroom break, with Mr. Byford being a true beast on vocals. My favorite tune played from their new album was by far They Played Rock and Roll, introduced by the band as their personal and honest tribute to the greatest Rock N’ Roll band of all time, the glorious Motörhead. And let’s face it, any tribute to the one and only Lemmy Kilmister is never enough, right? He always deserves more and more, and when that comes from such an amazing band like Saxon, the homage paid is even more powerful.

Setlist
Olympus Rising
Thunderbolt
Power and the Glory
The Secret of Flight
Motorcycle Man
Nosferatu (The Vampires Waltz)
Dallas 1 PM
They Played Rock and Roll
Denim and Leather
Princess of the Night
Wheels of Steel
Never Surrender
Heavy Metal Thunder

Band members
Biff Byford – vocals
Paul Quinn – guitars
Doug Scarratt – guitars
Nibbs Carter – bass
Nigel Glockler – drums

JUDAS PRIEST

The intensity of the metal played by Saxon was exactly what everyone needed to get really warmed up for the main attraction of the night, the iconic metal behemoths JUDAS PRIEST. It was already past 9pm when Black Sabbath’s War Pigs started playing on the speakers, followed by the intro Guardians, before the band spearheaded by the Metal God Rob Halford hit the stage to the sound of their newborn classic Firepower, the opening track of their majestic new opus Firepower, putting a smile on everyone’s faces and showing everyone at the venue that the Metal Gods still got it no matter what happens to them. Of course I missed seeing the guitar hero Glenn Tipton (who’s not touring with the band due to the complications of his recently diagnosed case of Parkinson’s disease) slashing our senses with his riffs and solos on stage, but Andy Sneap did a pretty good job replacing him. And what to say about Richie Faulkner? The guy is undoubtedly a core piece of Judas Priest now, showcasing all his skills as a great guitarist that he is and also having an excellent performance on stage.

Nothing I can say about the setlist will represent its true beauty, as the Priest played a mix of some of the best songs of the new album, such as Lightning Strike and Evil Never Dies, with amazing classics from almost all of their albums, including really old school material such as Running Wild, The Ripper, Some Heads Are Gonna Roll and especially Saints in Hell, from Stained Class, and album that turned 40 years old this past February 10. After watching them playing that stunning song live, I once again must say their music is definitely like wine, getting better and better as time goes by. Furthermore, the video they played on their background screen during Saints in Hell was superb, with all the dark and red imagery of Christ, demons and wild beats being mesmerizing, and I wonder if one day they’ll upload it somewhere like YouTube as an alternative video for this beyond classic metal hymn.

My only complaint about their setlist was replacing one of the most touching metal ballads of all time, the absolutely beautiful Angel (which they were playing until their concert at The Anthem in Washington, D.C. on March 18), with the good-but-not-fantastic The Green Manalishi (With the Two Prong Crown). This song feels like when Iron Maiden play “Wrathchild” on their live concerts, as we all certainly enjoy it but we also know deep down inside there are far better options to be part of their setlist. Anyway, the last part of their setlist, including the encore, was a true feast of pure Heavy Metal, working like a tribute to the Rock N’ Roll lifestyle, with metallic hymns like Breaking the Law, Hell Bent for Leather and Living After Midnight being some sort of “motto” or “guide” to anyone who lives and breathes rock music 24/7. I was honestly hoping that Glenn would hit the stage out of nowhere to play the last batch of songs with the band last night, just like what he did at The Prudential in Newark, New Jersey on March 20, but unfortunately that did not happen in Oshawa. Well, I can’t complain at all, as seeing Judas Priest live once again was truly amazing and memorable, making even my 90km drive back a lot easier and smoother than I thought, and I can’t wait to see them again in a not-so-distant future, hopefully with Glenn back in action.

Setlist
War Pigs (Black Sabbath song)
Guardians
Firepower
Running Wild
Grinder
Sinner
The Ripper
Lightning Strike
Bloodstone
Saints in Hell
Turbo Lover
The Green Manalishi (With the Two Prong Crown) (Fleetwood Mac cover)
Evil Never Dies
Some Heads Are Gonna Roll
Breaking the Law
Hell Bent for Leather
Painkiller

Encore:
The Hellion
Electric Eye
Metal Gods
You’ve Got Another Thing Comin’
Living After Midnight
We Are the Champions (Queen song)

Band members
Rob Halford – vocals
Richie Faulkner – guitar
Andy Sneap – guitar
Ian Hill – bass guitar
Scott Travis – drums

Metal Chick of the Month – Emmi Silvennoinen

emmi01

Aina sydämessäin oon… Neito pohjolan…

Brothers of the North, sharpen your swords and axes, grab your war hammers and shields, paint your faces with the colors of your Norse clans and be prepared to bleed in the battlefield fighting side by side with our Metal Chick of the Month, the lionhearted Finnish warrior Emmi Silvennoinen, former keyboardist for Finnish Epic Folk Metal band Ensiferum. If you dig Scandinavian girls and are also crazy for electrifying fighting chants, Emmi will certainly drive you moonstruck.

Born on April 9, 1988 in the city of Vantaa, Finland, the fourth most populated Finnish city and also part of the inner core of the Finnish Capital Region along with Helsinki, Espoo, and Kauniainen, Emmi stepped in as the keyboardist for Ensiferum for their live performances following the departure of Meiju Enho in September 2007, until she finally joined the band as their permanent keyboard player for the recording of the album From Afar, in 2009.

Before becoming part of Ensiferum’s metallic army, our gorgeous Scandinavian shieldmaiden was the keyboardist for a Finnish Melodic Death/Gothic Metal band named Exsecratus, from Helsinki, with whom she recorded the demo Execute, in 2006, and the full-length album Tainted Dreams, in 2007. Although the band doesn’t exist anymore, you can still enjoy Emmi’s impassioned keyboard notes embellishing the band’s sounding in interesting songs such as Under the Winter Moon, My Last Fight and Suicide. As you can see, Emmi used to play a completely different style than her work with Ensiferum, but that doesn’t mean her excellent skills behind the keyboards were less important or less effective for the music by Exsecratus.

As aforementioned, our Finnish “valkyrja” joined Ensiferum back in 2007 as the band’s keyboardist for all their upcoming live performances when in 2009 she finally got the full-time job with them, recording her first single with Ensiferum called From Afar, which is also the name of her first full-length album with the band, from 2009. From that album, one of the most interesting tracks is Twilight Tavern, which official video features live footage from the famous venue Nosturi, located in Helsinki. After that strong start, Emmi also recorded with Ensiferum the singles Stone Cold Metal (2010) and Burning Leaves (2012), the full-length album Unsung Heroes (2012), the fun Suomi Warmetal EP (2014), and more recently the full-length album One Man Army (2015).

Among all Ensiferum songs that could be used to present Emmi’s solid skills as a musician, I believe the title-track of their latest album, One Man Army, is a very good example of what she’s capable of doing. In addition, why not grab a cold beer and enjoy the sound of her keyboards in their cover versions for the all-time classics Wrathchild (Iron Maiden) and Breaking The Law (Judas Priest)? Despite the fact both original songs do not have any keyboard parts at all, she managed to add her own notes to the music, enhancing their uniqueness compared to all other cover versions for those two songs you might find anywhere.

Emmi hasn’t been in many parallel projects apart from her full-time commitment with Ensiferum, except for playing keyboards in the album Hymns of the Mortals – Songs from the North (2014) by Finnish Melodic Death Metal band Thyrien. Again, the musicality crafted by Thyrien is quite different from the Folk Metal by Ensiferum, as you can see in the excellent tune When The Horizon Burns, once again showcasing Emmi’s versatility and ability to adapt to what the music is asking for.

One very important detail about Emmi’s natural aptitude for music is that she doesn’t only play regular keyboards in her life and career, but she can also play the Hammond organ, the pump organ, the regular organ and the piano, not to mention she was also doing the backing vocals in all songs by Ensiferum. If that doesn’t prove to you how dexterous our charming keyboardist is, I honestly have no idea what really would.

This slideshow requires JavaScript.

Due to the fact that Emmi was a live musician for a good couple of years with Ensiferum, I thought it would be nice to have some words from our diva regarding her life on the road, her opinion about the importance of live performances to a metal band, or anything similar to that. Fortunately, I was able to find an interview where, when asked about the differences between playing at a big festival and playing at small venues, she gave a short and sweet explanation of the importance of festivals to bands like Ensiferum. “There are usually more people who hasn’t heard of our music, and festivals are a place to show all we got”, she said, and let’s admit she’s absolutely right about that.

Furthermore, if you’re either a fan of Emmi and the music by Ensiferum or if you’re a newcomer to the world of Epic and Folk Metal, you can enjoy Emmi kicking ass on her favorite place on earth, which is on a festival stage together with the other members of the band, playing songs such as Windrider (at With Full Force XV, Germany, 2008), Lai Lai Hei and Token Of Time (both at Wacken Open Air, Germany, 2008), or even Ensiferum’s full performance at the RockHard Festival, in Germany, on May 18, 2013.

However, in the past few years Emmi was unfortunately forced to sit out of some of Ensiferum’s tours around the world for personal reasons (which were not disclosed anywhere), culminating in her definite departure from the band in April this year. In 2013, she missed the band’s South American tour which was scheduled to start on May 28 in Bogota, Colombia, with her parts being replaced by backing tracks as per a statement released by the rest of the group. And in the beginning of 2015 Emmi couldn’t make it to Ensiferum’s European and North American tours, when she was replaced by the digital accordion of Netta Skog (ex-Turisas). “This was a very tough decision for me to make to not be a part of the European and North American tours, but I am so happy that not only an amazing musician will be standing in for me, but also a close friend. I hope you all enjoy the shows and the new songs with Netta – I’m looking forward to returning to play them for you in the summer!”, she stated, showing her relationship with the band was more than perfect at that time. Unfortunately, she couldn’t get back in action due to family reasons, being replaced permanently by Netta.

Lastly, I wish there were more interviews (both written and on YouTube) with Emmi to be shared with all of you, but it looks like she’s either more reserved than the other members of the band, or that interviewers all over the world are wasting some amazing opportunities to ask a few questions to such a unique musician. Anyway, if you speak Finnish you might have a good time with this interview to a Finnish channel called MoonTV (I couldn’t understand almost anything, obviously), and if you’re a fan of radical sports you can check Emmi and the other members of Ensiferum going paragliding in the valleys of Slovenia after their concert at Metaldays, held in Tolmin, Slovenia in 2013. Adrenaline has always been the perfect catalyst for good heavy music, don’t you think?

“It’s nice to see Scandinavian folk metal bands, especially Finnish bands, are doing well all around the world. I’m proud to be part of this, and it’s nice to see people are loving this kind of music, and getting inspirations from Scandinavian bands for their own music and all their lifestyles.” – Emmi Silvennoinen

Concert Review – Judas Priest (Air Canada Centre, Toronto, ON, 11/12/2015)

Thousands of Heavy Metal maniacs screamed for vengeance together with the Metal Gods on a memorable night in Toronto.

OPENING ACT: Mastodon

Judas-Priest-Redeemer-of-Souls-Tour-2015Fortunately, after the excruciating hassle of having to drive for hours to get to Casino Rama to see Judas Priest last year, an enlightened soul realized there was an urge emanating from all metalheads in Toronto to have the Metal Gods in town for a proper concert, and therefore we were all granted with a memorable Heavy Metal celebration at the Air Canada Centre last night. I know some people loved the fact they could stay in Orillia for some gambling and beer, taking a day or two off for that, but they must understand this is all about praising the almighty Judas Priest, not about wasting your money in tedious slot machines. I just wish the floor section didn’t have those stupid seats. Why not just having a floor section, period?

IMG_0770The opening band this time were American metallers MASTODON, with all their craziness, psychedelia, heaviness and unquestionable talent. However, the biggest problem for me (and I’m sure it was the same with lots of other Priest fans at the concert) was their lack of charisma. I mean, they have all the ingredients to be one of the best metal acts in activity, but unless you’re high on something it’s pretty hard to enjoy their full setlist. Songs like High Road and Megalodon stand out among the others, but the overall result is not as exciting as watching a less skilled band on stage playing simpler but a lot catchier songs. All band members masterfully handle their instruments, and if you’re a guitar player you probably go insane with their intricate riffs and compositions, but I think it’s a lot better to listen to their music at home or in your car than at a venue like the Air Canada Centre. I’m not saying it was a bad concert, quite the contrary, Mastodon were pretty good. It just wasn’t what I had in mind as the perfect warm-up for the Metal Gods.

Setlist
Tread Lightly
Blasteroid
The Motherload
Chimes at Midnight
High Road
Aqua Dementia
Mother Puncher
Halloween
Bladecatcher
Black Tongue
Ember City
Megalodon
Blood and Thunder

Band members
Brent Hinds – guitar, vocals
Bill Kelliher – guitar
Troy Sanders – bass, vocals
Brann Dailor – drums, vocals

JUDAS PRIEST

IMG_0773Finally back to the CITY of Toronto after four long years, Heavy Metal titans JUDAS PRIEST seem to be getting better and better as years go by. Perhaps it’s the fresh energy brought to the band by the awesome guitarist Richie Faulkner, or the fact that Redeemer Of Souls put the band back on track in their career, but the truth is that they’ve been delivering flawless concerts for years in a row now, putting smiles on everyone’s faces and reminding us all why they’re called “Metal Gods”.

When the backdrop curtain carrying the Priest classic logo dropped, right after the venue sound system played an excerpt of “War Pigs” by Black Sabbath and the intro to one of their own new songs, the excellent “Battle Cry”, an avalanche of Heavy Metal classic mixed with some of their new tunes began, driving all diehard fans crazy with their intensity and passion in this successful Redeemer of Souls Tour 2015. And from the very beginning we could see how impressive the performance by the one and only Rob Halford is nowadays. The Metal God is already 64 years old, but he can still deliver it like if he was just 20 something. It’s sometimes unbelievable how powerful his voice still is at this stage of his career, don’t you agree?

IMG_0780I personally found part of the fans at the venue a little too slow for the electricity imposed by the band, but anyway most Heavy Metal maniacs had an unforgettable time singing and screaming together with Halford & Co. during the entire setlist. From the first part of the concert, I must say it was beautiful witnessing Halford singing the classic Desert Plains while Richie and the iconic Glenn Tipton were ripping our hearts off with their razing riffs, as simple and effective as that. And what to say about Halford’s monumental performances in the unparalleled Victim of Changes and the newer Halls of Valhalla, already a classic song for many? Holy shit, that gave me metallic goosebumps so awesome it was.

Then after playing a few more incredible tunes, such as The Rage and Turbo Lover, it looked like the Metal Gods wanted to mark our hearts, bodies and souls with their burning metal as the sequence of Heavy Metal anthems was beyond superb. They didn’t just play my favorite Priest song of all time, the fiery Screaming for Vengeance, they executed it to perfection. Add to that the back video where you could follow its lyrics (and see a meme of Halford SCREEEEAAAAAAMING! on the video by the end of the song), and you have the most astonishing moment of the night. Not only that, as soon as this masterpiece was over, Halford intoned his famous “Woo-woo-woo-yeah!” before the whole band kicked some serious ass with Breaking the Law and Hell Bent for Leather, the latter featuring Halford’s shining Harley-Davidson for the delight of everyone at the venue.

IMG_0793But before Judas Preist let Toronto be that quiet and cozy city again, they fired two final rounds of all-time classics, including Electric Eye, Painkiller and Living After Midnight. Let me tell you something about Painkiller, as it was a really bold move by the band to put it at the end of the setlist knowing how demanding it is, especially for Halford. When the unstoppable drummer Scott Travis provoked Toronto to go wild with his unique drumming intro, I wasn’t sure if Halford would be capable of delivering his high-pitched screams during the whole song. Well, guess what? That was by far the best performance by the Metal God singing Painkiller I’ve ever seen in my life, a billion times better than their 2005 DVD Rising in the East, and that was over 10 years ago.

At around 11pm the concert was over, people started heading back to their homes by car, subway or, like I did, by Go Train. Everyone was displaying a mix of happiness and complete exhaustion on the way back, but one thing is beyond certain after you witness such a beautiful ode to Heavy Metal. It doesn’t matter how long it takes for Judas Priest to return to Toronto again, we’ll all be there one more time to enjoy our metallic deities celebrating heavy music and, of course, SCREEEEEEAAAAAAAAAAAMING FOR VENGEANCE!

Setlist
War Pigs (Black Sabbath song)
Battle Cry
Dragonaut
Metal Gods
Desert Plains
Victim of Changes
Halls of Valhalla
The Rage
Turbo Lover
Redeemer of Souls
Beyond the Realms of Death
Screaming for Vengeance
Breaking the Law
Hell Bent for Leather

Encore:
The Hellion/Electric Eye
You’ve Got Another Thing Comin’

Encore 2:
Painkiller
Living After Midnight
Beginning of the End

Band members
Rob Halford – vocals
Glenn Tipton – guitar
Richie Faulkner – guitar
Ian Hill – bass guitar
Scott Travis – drums

Concert Review – Judas Priest (Casino Rama, Rama, ON, 10/07/2014)

The Metal Gods descended from the sky to assault all of us with their magnificent Heavy Metal in a land far, far away.

INTRODUCTION: The Lost Civilization of Casino Rama

Judas-Priest-Redeemer-of-Souls-Tour-2014If you want to stay away from any type of civilization in this world, I suggest you go to a place called Casino Rama, located around two and a half ENDLESS hours from Toronto. In theory it should be a lot faster than that, but if you take into account the 5pm traffic to leave the city on a Tuesday (right in the middle of the week, by the way) and an annoying dose of heavy rain, the hassle of getting there is horribly extended and becomes a real torture. Who the hell decided Casino Rama on a tuesday night were the best venue and date for Judas Priest to perform in Ontario? I swear to God, Odin, Buddha and any other deity that I’ll NEVER return to that place again if not for Iron Maiden or Judas Priest. No other band can make me go there again, not even Slayer or Megadeth.

Not only that, I truly hate Heavy Metal concerts with pre-assigned seats. Why not leaving the floor section without those fuckin’ chairs? Just create a general floor area, and whoever wants to sit down while Judas Priest are playing Hell Bent For Leather (if that’s humanly possible), simply take one of the seats at the back. As simple as that, but it seems the very “knowledgeable” organizers were expecting Judas Priest to be as smooth as Kenny G or any other shit like that. Anyway, let’s try to always look on the bright side of life: at least the venue was nice and clean, parking was free, and the sound quality was beyond perfect. And of course, if you’re addicted to gambling, that’s also a good place to be.

OPENING ACT: Steel Panther

IMG_2955When the opening act are Hard Rock/Glam Metal jesters STEEL PANTHER, you know it’s going to be a memorable night. Although they’re truly funny even with 99.9% of their sexist jokes being really stupid, I believe their superb skills as musicians are what make them so awesome to watch, especially vocalist Michael Starr. In my opinion, he’s a much better singer than all hard rockers from the 80’s. Well, maybe only singer Ralph Saenz (ex-L.A. Guns) can be compared to him. Got it?

Their setlist might have been a little shorter than usual, but still full of classics such as Asian Hooker, Gold-Digging Whore, and Death To All But Metal, plus some songs from their new album All You Can Eat like the good Gloryhole, all perfectly complemented by their jokes about the age of the attendees (especially those screaming ladies in their 40’s and 50’s), their debate about Michael Starr being a fat version of Bret Michaels or a skinny version of Vince Neil, among many other “pearls of wisdom”. There couldn’t have been a better warm-up than that for the Metal Gods.

Before I talk about the Priest, I just wanted to say that it might be really cool and a huge honour for Russ Parrish to be on the road with the Metal God Rob Halford once again, even if they’re in different bands now. If you don’t get it, click HERE and you’ll understand why I mentioned that.

Band members
Michael Starr – lead vocals
Satchel – lead, rhythm and acoustic guitars
Lexxi Foxxx – bass guitar
Stix Zadinia – drums, percussion, piano

JUDAS PRIEST

IMG_2973It was around 9:30pm when Rob Halford, Glenn Tipton & Co. hit the Casino Rama stage for another flawless performance. Right after Black Sabbath’s War Pigs and the intro for Priest’s own new song Battle Cry, thunders roared, the curtain was dropped and there they were with the excellent new song Dragonaut assaulting our bodies and souls with the purest Heavy Metal in the whole universe. What can I say about those guys that hasn’t been said yet? Rob Halford is not human: he is and will always be the METAL GOD, with his unique voice being absolutely perfect for both heavy stuff and smoother ballads; Scott and Glenn were as precise and heavy as usual; Richie injected some new oxygen to the band and proves with each concert why he was an amazing choice to replace K. K. Downing; and for the first time in my life, due to the sound quality of the venue, I could listen to Ian Hill’s bass lines.

Perhaps the most curious detail of their performance at Casino Rama (and during this whole tour so far) is the total absence of any songs from the masterpiece Painkiller, including its title-track, as well as other classics like “Electric Eye” and “Rapid Fire”, from the setlist. Instead, they opted for other types of classics, a little bit more underground but just as great as any of those songs, such as Devil’s Child, Jawbreaker, Love Bites, and Defenders of the Faith (which could have been complemented with “Heavy Duty” right before it like in the studio album, but that was awesome anyway), kind of celebrating 30 years of their classic album Defenders of the Faith.

And as we’re talking about the mighty Judas Priest, there’s a lot more to enjoy than “just” their unparalleled Heavy Metal: each and every song had a different background, with highlights to the fun and exciting images of the cult movie Nosferatu (1922) during Love Bites; Halford’s famous “robot walk” during Metal Gods; their badass Harley-Davidson in Hell Bent For Leather; and Halford letting the crowd sing Breaking the Law on their own, just like he did with his solo band during his Rock In Rio III concert in 1999.

IMG_2967One thing I truly loved during this concert was the fact that all new songs from Redeemer Of Souls sounded awesome live and were perfectly blended with their old classics, especially the magnificent Halls Of Valhalla. What an outstanding performance by the whole band during this powerful song, especially, of course, Mr. Rob Halford. Just as I mentioned in my review of the new album in regards to this song, “… which I’m sure will become a fan-favourite especially due to its lyrics and chorus and will also sound superb when played live”, and I was totally right!

The encore, with anthems like You’ve Got Another Thing Comin’ and Living After Midnight, was a sonic orgasm to all Heavy Metal lovers that attended the show, but in my opinion the most memorable moment of their entire performance happened a little before that, when they played the all-time classic Beyond The Realms Of Death. Honestly, Rob Halford almost made me cry so beautiful and emotive his performance was. It was one of those moments you know why you love heavy music so much, and fully understand why he is entitled the Metal God.

I must admit the long and boring journey back from Casino Rama to Toronto on the same night (I got home at around 2am) was a lot easier thanks to the adrenaline running through my veins after such a stunning concert by the Priest. Although the band members are visibly aging (Rob, Glenn and Ian are all in their mid-60’s already), does that mean it’s the “beginning of the end” for the band? I don’t think so. As far as I could see, they’re better than ever, very excited to craft new powerful music, and playing their old classics with so much passion they look like they’re just starting their careers. And, of course, I cannot wait to see the Metal Gods kicking some serious ass live again with their unique jaw-dropping Heavy Metal. JUDAS FUCKIN’ PRIEST!

Band members
Rob Halford – vocals
Glenn Tipton – guitar
Richie Faulkner – guitar
Ian Hill – bass guitar
Scott Travis – drums

This slideshow requires JavaScript.

Metal Chick of the Month – Militia Vox

militia01

The Black Goddess Rises!

I guess I don’t need to say that any type of prejudice is stupid and should be banned from this planet, no matter if it’s related to sex, race, religion, sexual orientation, nationality or anything else. Unfortunately (and please don’t ask me why), Heavy Metal has always been seen as a racist genre, like if it was music for “white men only”, with no girls, gays or black people allowed. However, the situation nowadays is quite the opposite, as we pretty much embrace any kind of person to our tribe of metalheads, which just makes our experience as headbangers a lot more beautiful and interesting.

It’s still weird though that there are very few black men in Heavy Metal, like Derrick Green (Sepultura), Phil Lynott (Thin Lizzy), Lajon Witherspoon (Sevendust) and Howard Jones (ex-Killswitch Engage), even with the roots of heavy music having strong connections to Blues and Jazz. The numbers are even worse for black women in heavy music (it seems they’re almost all doing some generic R&B), but maybe our Heavy Metal babe this month can inspire some ebony beauties to grab a microphone, a guitar, a bass or the drumsticks and start playing some heavy tunes louder than hell. She’s a singer, songwriter, actress, VJ, model, and above all, a true headbanger: the Black Goddess Militia Vox, also known as “The Songslayer”, “The Metal Goddess”, or simply MilitiA.

Based in New York City, NY, United States, Militia has all the attributes we look for in a Heavy Metal frontwoman: she’s not only pretty, but also has a very powerful voice and a unique performance on stage. Most of us know her for being the awesome frontwoman of the band Judas Priestess, the world’s only all-girl tribute to the METAL GODS Judas Priest, but she’s also the lead singer and songwriter of Progressive Hard Rock band Swear On Your Life, the leading lady of Dee Snider’s Heavy Metal horror orchestra Van Helsing’s Curse, and also the “Rock Goddess” of the Brooklyn based Afropunk movement. You can check many of her electrifying performances on YouTube, like these ones where she performs Judas Priest’s unparalleled Heavy Metal anthems Breaking the Law, Desert Plains and Riding On The Wind with the Judas Priestess, or this one with Living Colour playing the classic Cult of Personality.

She has also performed and collaborated in her extensive career with important names in the world of music such as Dee Snider, Cyndi Lauper, Nancy Sinatra, Ana Gasteyer (Saturday Night Live), and many other, as well as appeared in several films, TV shows and other music projects. In 2013, she staged two provocative and sexy cabaret-style concerts called “MilitiA.’s Roadhouse Blues” and “MilitiA’s Heavy Metal House of Voodoo” in New York City and in Los Angeles, and released the song Covet (which can be seen in the video below), from her multimedia project and upcoming album The Villainess.

All of those projects just prove she’s a nonstop hardworking musician who’s absolutely crazy for heavy music, but not only that, she’s also a well-known black model, having appeared in several calendars, promos, ads and spokesmodeled for top hair product companies, makeup brands and various clothing lines such as Manic Panic, Paul Mitchell, Harley Davidson, Shiseido Cosmetics, Hard Candy, and others. If you are a girl and want to see this non-musical side of Militia, check out her Militious Makeup videos on YouTube.

This slideshow requires JavaScript.

In regards to our diva being a black girl in a music genre commonly ruled by white guys, Global News’ weekly investigative news magazine program 16×9 has recently broadcasted on TV an awesome segment with Militia and Heavy Metal journalist and photographer  Laina Dawes, author of the book What Are You Doing Here? Black Women in Heavy Metal, talking about the black female experience in the world of heavy music. The segment is called FULL STORY: Black Metal, featuring very interesting interviews with both girls, including also some footage of Judas Priestess kicking fuckin’ ass live. There are also two other parts of it, which can be seen here and here. Both online articles and video are very original and truly inspiring for any black girls that love Heavy Metal from the bottom of their hearts.

The last fact I wanted to share with you about Militia is a funny one that confirms there’s no such thing as each type of music is made for a specific type of person. “Just so you know, I fucking hate reggae so much. I can’t even tell you. I hear it and I want to like dig out my fucking ear drums with ice picks. Fucking. Hate. Reggae.”, says Militia. I believe no one expects to hear that from a black woman, right? Is she wrong for saying that? Absolutely not, she’s just being honest about her taste for music, and at the same time she wants to show us all music has nothing to do with sex, race or religion: it’s something that comes from our hearts and souls, something that unites us no matter who we are. Truth be told, we desperately need more Militias in the world.

Militia’s Official Facebook page
Militia’s Official Twitter

“My mom was like, ‘Please don’t be into that. That’s, like, redneck music. Stop listening to it.’ And I’m like ‘I don’t give a fuck, I love it.’ Like, it’s so exciting to me.” – Militia Vox