Album Review – Trivium / Silence In The Snow (2015)

Don’t scream for me, Matt.

Rating7

Trivium_Silence In The SnowCan you imagine what would happen if Motörhead decided one day to stop playing their badass Rock N’ Roll to start focusing exclusively on electronic music, or if Cannibal Corpse suddenly started playing only acoustic songs, singing about butterflies and unicorns, without a single drop of blood in their lyrics? That’s something almost impossible to visualize, right? And the reason for that is because if those bands actually decided to do that, to completely change their music direction, they would simply lose their core essence, the main element that defines who they are. Once in a while we see our beloved bands following that horrible path, like Megadeth with their awful “Risk” and obviously Metallica with the worst “metal” album of all time, the annoying “St. Anger”. Now it’s time for American Heavy Metal band Trivium to leave an unfortunate scar in their solid career with the tiresome Silence In The Snow, their seventh studio album and by far their worst work to date.

And I’m not complaining exclusively about the fact that there aren’t any unclean/harsh vocals at all from neither Matt Heafy nor Corey Beaulieu for the first time ever in a Trivium album, which is already a huge bummer, but also about the fact that the music itself is too generic, tasteless and pedestrian, despite being still technical and harmonious. In other words, it lacks so much energy to the point no one is saying anything about this being their first album with Mat Madiro on drums, and we all know how much fans of the band like to chat about which Trivium drummer is or was the best. Besides, where are the rumbling and complex bass lines by Paolo Gregoletto? Some people will try to defend the band saying they already changed their musicality in their latest albums In Waves (too weird?) and Vengeance Falls (too Disturbed-ish?), that they are evolving, but we cannot compare those electrifying releases with this ode to monotony. I listen to In Waves almost as much as to Shogun, without skipping a single song, because after all is said and done it’s a fuckin’ awesome Heavy Metal album. But Silence In The Snow, oh boy, I’m pretty sure I’ll never listen to it again of my own free will. It’s not Heavy Metal, Thrash Metal or even Metalcore.

The Star Wars-ish intro Snøfall is relatively good, but the problem is that after listening to the entire album it made me think a lot about Episode I – The Phantom Menace, which we all know is strongly abhorred by everyone that truly loves Darth Vader & Co. At least the title-track, Silence in the Snow, has its good moments, and albeit not brilliant it has an epic vibe mainly due to Matt’s potent clean vocals. In addition, as I mentioned on the review to their concert here in Toronto last week, it gains a lot of vitality when played live. The same can be said about Blind Leading the Blind, which is Trivium without harsh growls (maybe some screams would have turned it into a classic), providing the listener their catchy and metallic riffs thanks to a great performance by all members, especially Matt and Corey. From this point on it’s just downhill, starting with Dead and Gone, which is almost enjoyable if it wasn’t for one minor detail: this totally feels like a SCREAMING tune, something we should be busting our throats off together with the band, where instead of a clean “Dead and goooooone!” it should have been “DEAAAAD ANNHH GAAAAAAHHHNNN!”, you know what I’m saying? There’s no punch!

The first few seconds of The Ghost That’s Haunting You are promising, before it becomes a feast of generic noises including boring drums, even more boring riffs and a huge amount of “nothing” in its lyrics. This song desperately needed some screams to become decent, with its guitar solos saving it from a total disaster. Pull Me from the Void is yet another song with a favorable start, as fast as it should be, with its instrumental parts living up to Trivium’s legacy. However, I can’t explain why but it never really takes off, maybe it’s because of its horrible chorus, but the overall result is no better than just average. Then we have the ballad Until the World Goes Cold, which I learned to enjoy, but the problem in this case is that if it was something like “Of All These Yesterdays” from In Waves it would have been a lot more efficient.  I mean, if it was a COMPLEMENT to a powerful Trivium album I’m sure even the most diehard fan of the band wouldn’t complain about it, but when an average ballad is one of the highlights of the album you know there’s something wrong.

TriviumI don’t know where to start so bad Rise Above the Tides is. This mediocre tune sounds pretty much like the biggest hit from a generic band that plays at a pop/rock radio station for a few weeks or months and then disappears forever. I hope Matt & Co. never EVER play this garbage live, because that would mean they wouldn’t be playing something a billion times better instead, therefore wasting some precious time of the concert. And for a band that has crafted such bestial tunes like “Insurrection”, “Through Blood and Dirt and Bone” and “Becoming the Dragon”, the following track entitled The Thing That’s Killing Me is 100% unacceptable. It’s one more tricky song that begins in an exciting way but quickly turns into nothing remarkable again. Well, they can have this song played on any pop/rock radio station in the world, but is that what they really want for their career?

Anyway, Beneath the Sun feels like a double-edged sword: add screams and we would have a more than awesome tune; keep it the way it is and you might listen to it once or twice, but will surely never want to make that same mistake again. Not even the instrumental pieces remind me of the real Trivium, it’s just a lazy version of some generic Alternative Metal band added to the album for a reason beyond my comprehension. Fortunately, in the excellent Breathe in the Flames it seems the “generic” virus hasn’t killed all their essence yet, sounding (almost) like pure Trivium, just with the screams (unfortunately) missing, of course, and together with “Blind Leading the Blind” it’s the only song worth listening in the future when the album is no longer a new release and the initial excitement of it is gone. In fact, it’s the only one that sounds truly metal and that I want to see them playing live in their future concerts.

And that’s the end of Silence In The Snow. Well, the special edition contains two other non-exciting tunes that don’t add anything worth mentioning to the album (albeit Cease All Your Fire has its decent moments), so let’s not worry about those. When the album is over, there’s a strong feeling of void, you don’t feel energized or anything positive, and all you want to do is any other activity, no matter what, as long as that doesn’t include listening to it again. This is definitely NOT a good Trivium album, far from that, which makes me wonder if it wasn’t a better idea for Matt to have released it as a solo project instead. Leastwise, if Matt had let Corey scream in most of the songs, we might not have been complaining so much about it, but that’s just a distant dream now that the album is already released. I understand Matt’s goal to evolve as a singer, not screaming anymore, and I respect that, but that doesn’t mean we are forced to enjoy this below-average pop/rock album just because it is Trivium. In the end, I will always love their music, their previous albums and their ass-kicking live performances. But Silence In The Snow? Thanks, but no thanks.

Best moments of the album: Blind Leading the Blind and Breathe in the Flames.

Worst moments of the album: The Ghost That’s Haunting You, Rise Above the Tides, The Thing That’s Killing Me and Beneath the Sun.

Released in 2015 Roadrunner Records

Track listing
1. Snøfall 1:28
2. Silence in the Snow 3:40
3. Blind Leading the Blind 4:25
4. Dead and Gone 3:41
5. The Ghost That’s Haunting You 4:03
6. Pull Me from the Void 3:50
7. Until the World Goes Cold 5:21
8. Rise Above the Tides 3:50
9. The Thing That’s Killing Me 3:25
10. Beneath the Sun 3:52
11. Breathe in the Flames 4:59

Special edition bonus tracks
12. Cease All Your Fire 5:00
13. The Darkness of My Mind 4:44

Band members
Matt Heafy – guitar, lead vocals
Corey Beaulieu – guitar, vocals
Paolo Gregoletto – bass, vocals
Mat Madiro – drums

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Concert Review – Trivium & Tremonti (Phoenix Concert Theatre, Toronto, ON, 09/22/2015)

There might be silence in the snow during this coming winter, but there was surely a lot of good noise and blazing hearts on the last night of the summer in Toronto.

OPENING ACT: Wilson

harddriveradiotourupdated2015Unfortunately, due to traffic and working issues, I cannot say anything about the performance by American Hard Rock/Rock N’ Roll band WILSON, who were in charge of warming up the crowd for the main attractions of the night at the Phoenix Concert Theatre as part of the 2015 HardDrive Live Tour. All I can say is that if you’re curious to know how their music sounds, two very good songs are Give ‘Em Hell and College Gangbang, both part of their setlist. And, in addition, in case your first or last name is “Wilson” I suggest you go after their merchandise right away. Who wouldn’t love to have your own name on a cool T-shirt like this one? Maybe next time they’re around I’ll go check their live performances, but this time the Gardiner didn’t allow me to do so.

Setlist
Before I Burn
Give ‘Em Hell
College Gangbang
Waiting on the World to Cave In
Windows Down
All My Friends
Right to Rise
Susan Jane

Band members
Chad Nicefield – vocals
Jason Spencer – guitar
Kyle Landry – guitar
James Lascu – bass
Puhy – drums

TREMONTI

IMG_0675For those of you who don’t know this excellent guitarist, award-winning American musician MARK TREMONTI is the lead guitarist and founding member of the famous rock groups Creed and Alter Bridge, and since 2012 he’s been on the road with his solo project that takes his last name, being also responsible for the band’s lead vocals. And that’s probably the main reason why there were so many people eager to see Tremonti, I would say almost the same amount that were at the venue to see Trivium, because not only his music is clean and cohesive, but also fun.

Playing a mix of Hard Rock, Rock N’ Roll, Speed Metal and Alternative Metal, this Detroit-based band did a pretty good job during their relatively lengthy setlist, which ended up extending their concert to past 10pm and therefore “forcing” some people to go home before Trivium started due to different reasons, such as work or classes the next morning. I’ll be 100% honest and say that their music is not really my cup of tea, but I enjoyed their performance as much as I could while having a cold Rolling Rock. Perhaps the biggest issue with the concert was the huge amount of ballads, because when they played heavier stuff you could feel a much stronger reaction from everyone at the venue.

I’m not familiar with the names of the songs either, but if there were two that caught my attention were curiously the very first, Cauterize, and the very last, Decay, due to their strength and speed. In other words, if you’re more into old school metal music (including really heavy stuff like Death and Black Metal) like I am you might consider Tremonti a bit too light for your taste, but as a straightforward rock band they more than deliver it on stage.

Setlist
Cauterize
You Waste Your Time
All I Was
So You’re Afraid
Another Heart
Flying Monkeys
The Things I’ve Seen
Radical Change
Tie the Noose
Dark Trip
Arm Yourself
Brains
Wish You Well
Decay

Band members
Mark Tremonti – lead vocals, lead and rhythm guitar
Eric Friedman – lead and rhythm, backing vocals
Tanner Keegan – bass guitar, backing vocals
Garrett Whitlock – drums

TRIVIUM

IMG_0683After a short pause to the sound of the entire Ace Of Spades album, by Motörhead, lights went down and like many bands do, the speakers played a classic song TRIVIUM truly love to ignite the hearts of the fans waiting for their performance. Well, they chose the all-time battle hymn “Run to the Hills” by Iron Maiden for that. Do I need to say more? After that brilliant demonstration of passion for metal music and after their own intro Snøfall, our already iconic and influential Orlando-based metallers hit the stage between two giant skulls from their new album with one of their brand new songs, the good Silence in the Snow. Matt was electrified as usual, wearing a Dio T-shirt and an Emperor vest, again showing his respect and admiration for his idols in music and his loyalty to his roots, while Corey Beaulieu, Paolo Gregoletto and Mat Madiro interacted with the fans as much as possible during and between songs to make things even better.

I know some people are complaining Matt doesn’t want to scream anymore, but all three new songs (Silence in the Snow, Until the World Goes Cold and especially Blind Leading the Blind, which Matt dedicated to the unparalleled Ronnie James Dio while telling a story about food and friendship when they opened for Heaven & Hell in Japan in 2007) sounded truly powerful live, proving the harsh screams are not really necessary for them to work. However, as an old school metalhead I have to say it was when they played their classic assaults Throes of Perdition, Pull Harder on the Strings of Your Martyr and A Gunshot to the Head of Trepidation that things got really serious inside the mosh pits. Moreover, although Corey was incredible with his guitar, I think he seemed a little “lost” during the songs without the harsh screams. Let the guy scream, please!

IMG_0695And I was impressed (actually, the whole band was too) with the insane reaction of the crowd for each and every song of their setlist, in special their “newer” classics Strife (including a loud and awesome “Oh-oh-oh… Oooooh!” to its Iron Maiden-ish riffs, as demanded by Matt), Built to Fall (what a “built-to-fall” image seeing everybody singing the whole song at full force with Trivium!) and Black, showcasing how thrilling In Waves and Vengeance Falls are despite some diehard fans not digging those albums. Not to mention the amazing turmoil caused by the fans during the superb duo Capsizing the Sea/In Waves, which started with a decent wall of death just for you to have an idea of how crazy fans were. The band noticed that, enjoyed that and acknowledged that on their social media, saying Toronto was the best crowd of the entire tour. I have to agree with them, it was indeed a fantastic night, much better than their last concert back in 2013 at the same venue.

IMG_0687And in order to keep us all craving for more Trivium and more metallic tunes, the sound system played the masterpiece “Heaven & Hell” by Black Sabbath, which was sung by most fans so excited everybody got after Trivium finished their flawless performance. Now let’s wait and see how their entire new album sounds like, if there won’t be any screams at all or if they’ll still offer us some harsher moments like the ones we learned to love from their music. It might have been the last night of summer in Toronto, but it was more than enough to keep our hearts on fire through the fall and the winter, even if there’s total silence in the snow that’s about to come soon.

Setlist
Snøfall
Silence in the Snow
Down from the Sky
Becoming the Dragon
Strife
Pull Harder on the Strings of Your Martyr
Built to Fall
Until the World Goes Cold
Throes of Perdition
Anthem (We Are the Fire)
Black
A Gunshot to the Head of Trepidation
Blind Leading the Blind
Dying in Your Arms

Encore:
Capsizing The Sea
In Waves

Band members
Matt Heafy – guitar, lead vocals
Corey Beaulieu – guitar, vocals
Paolo Gregoletto – bass, vocals
Mat Madiro – drums