Album Review – Vistery / Death Is Dead (2018)

The new album by this ruthless squad hailing from the Belarusian capital Minsk has everything you crave in old school, crushing Death Metal.

Hailing from the Belarusian capital Minsk, here comes a ruthless Death Metal squad comprised of Ivan “Paranoid” on vocals, Aleksey “Wicked” on the guitars, Alexander “Soulless” on bass and Sergiy “Def” on drums, collectively known as Vistery, ready to crush our heads with their third full-length installment, titled Death Is Dead. Featuring a nocturnal artwork by Mosaeye, Death Is Dead is highly recommended for fans of the violent music by bands like Unleashed, Vader, Entombed and Grave, exhaling hatred and sounding as heavy as hell, which translates into the perfect soundtrack for your anti-social and anti-religious activities.

Vistery started by the end of 2010 as a solo project of Alexey “Wicked” Kizillo, who performed as a guitar player, drummer and vocalist with a number of bands in Minsk for several years, finally reaching the shape and form of a classic Death Metal band in the beginning of 2011. The following two years were very productive for Vistery with the release of two full-length albums, those being Procreation of the Wicked, in 2011, and Sinister Prophecy, in 2012. However, due to unforeseen issues such as several changes in the band’s lineup, Vistery went on a performing hiatus until 2017, when they returned to stage in Vitebsk, followed by the 7th anniversary celebration gig in Minsk. That renewed lineup inspired the band to record a new album, culminating with the pulverizing Death Is Dead now in 2018.

Ominous background noises and the groovy bass by Soulless kick off the vicious intro Winds Of Devastation, where Paranoid manically roars its cryptic lyrics (“Can you see the trees bowing helplessly / In the wake of a devastating power / Can you hear this howl / Rupture your eardrums / Unrelenting pressure / No relief to come”) before all hell breaks loose in Tormentor, a crushing and thunderous Death Metal hymn with tons of progressiveness flowing from Def’s beats and Wicked’s damned riffs, resulting in a dense feast of aggressive sounds perfect for breaking your neck headbanging. Then featuring guest guitarist Anton Smirnov (Goose Enough, Like a Gossamer) we have Rotting Earth, a mid-tempo Death Metal extravaganza spiced up by Progressive Death Metal elements where Soulless keeps smashing our brains with his visceral punches. And are you ready for the most violent and gruesome picnic ever? That’s what the quartet offers you in Picnic Party, with highlights to the deep and brutal work done by both Soulless and Def with their vile instruments.

In Omniphobic, the lyrics reek of old school Death Metal (“I can see your fear of death / Poisoning your every breath / Flight would be your primal instinct / If only your legs weren’t so rigid”) while the music remains as brutish as possible, with Soulless extracting low-tuned, hellish tones form his bass (not to mention the nonstop  smashing beats by Def); followed by Swamp, where the entire band delivers a more rockin’ sonority, even flirting with Melodic Death Metal, spearheaded by the demonic guttural vocals by Paranoid. Moreover, all instruments feel like they were “blessed” by Satan himself, including Paranoid’s vocals, sounding as dark and deep as Death Metal can be. Then it’s time to “die” together with this talented Belarusian act in Die From Within, showcasing great performances by Wicked with his flammable riffs and Soulless with his thunderous bass, while Paranoid roars and gnarls like a true demon, whereas in Black Magic an uncanny intro evolves into brutal devastation led by Def’s frantic beats and fills, getting heavier and more menacing as the music progresses and, therefore, being recommended for admirers of old school, putrid Death Metal, all embraced by a rumbling and obscure vibe.

Guest musician Anton Smirnov returns with his fiery guitar in Mortal Fear, a mid-tempo creation where the whole band is on fire, blasting a thrilling fusion of violence, groove and progressiveness, with Wicked’s guitar reminding me of the always amazing riffs by Cannibal Corpse, and Vistery will make sure your head is smashed with a hammer in Butchery, the perfect depiction of what their music is all about, sounding and feeling heavy, groovy and exciting form start to finish. Furthermore, Paranoid steals the spotlight with his deep roars, helping it become the best song of the album in my humble opinion. And the title-track Death Is Dead is just as thunderous and vibrant as the rest of the album, with the bass punches by Soulless getting more menacing than before. Put differently, there was no better way to end the album than with this ode to classic Death Metal.

If you need to listen to Death Is Dead in full before making the decision of purchasing it and supporting underground Death Metal made in Belarus, you can enjoy the album in its entirety on the band’s own website, on YouTube and on Spotify, but if you’re already familiar with the band’s music and can’t wait to add such demented album to your personal collection, you can get it from the band’s BandCamp page, from iTunes or from Amazon. In addition, don’t forget to follow Vistery on Facebook and VKontakte, and subscribe to their YouTube channel, showing the entire world Death Metal is still alive and kicking, with bands like Vistery leading the underworld hordes of devastation with their old school music like what they offer in Death Is Dead.

Best moments of the album: Picnic Party, Black Magic and Butchery.

Worst moments of the album: Rotting Earth.

Released in 2018 Independent

Track listing
1. Winds Of Devastation 1:50
2. Tormentor 2:56
3. Rotting Earth 3:27
4. Picnic Party 3:09
5. Omniphobic 3:39
6. Swamp 4:00
7. Die From Within 2:49
8. Black Magic 3:08
9. Mortal Fear 3:23
10. Butchery 3:02
11. Death Is Dead 3:01

Band members
Ivan “Paranoid” – vocals
Aleksey “Wicked” – guitars
Alexander “Soulless” – bass
Sergiy “Def” – drums

Guest musician
Anton Smirnov – guitar solos on “Rotting Earth” and “Mortal Fear”

Advertisements

Concert Review – Slayer (Budweiser Stage, Toronto, ON, 05/29/2018)

And Slayer said goodbye to Toronto in the most pulverizing (and best) way you can imagine.

OPENING ACTS: Testament, Behemoth, Anthrax and Lamb Of God

I don’t know what to say about the absolute devastation that happened at the always perfect (and I dare you to name one place in this planet that’s better than that for a live concert) Budweiser Stage yesterday in Toronto. When it was announced that there was going to be a Slayer Farewell Tour, I guess they forgot to say it was going to be a farewell to their diehard fans, brave people who lost their lives while crushing their heads and spines into the nonstop, infernal mosh pits that took over the entire venue (and I believe I saw some smaller ones even in the seated areas) during the more than SIX HOURS of brutal Thrash and Death Metal blasted by some of the best bands in the history of heavy music. As a matter of fact, whoever had the initial idea of putting together on the same day/night the great Testament, Behemoth, Anthrax, Lamb Of God and Slayer deserves a huge prize and our utmost respect forever. It was totally and amazingly insane from start to finish, on a beyond beautiful and sunny day in the city. My neck hurts and I’m as tired as hell, so I’ll try to be brief in writing a little about what was supposed to be the last fulminating performance by the almighty Slayer in Toronto (and I really, really hope it was not the last time we saw those guys here).

It was past 4pm when the gates finally opened and the fans could enter the venue for some beer, for getting a little shade away from the scorching sun, and for a few curious ones to enjoy the official pre-show party with Canadian Black Metal horde Panzerfaust at the River Bar at 4:30pm. As I was dying for a beer and pumped up already for TESTAMENT at 5pm, I unfortunately couldn’t attend that mini-gig, but I guess the band won’t be mad at us for doing that, right? Anyway, at 5 o’clock high there they were Chuck Billy, Eric Peterson, Alex Skolnick, Steve Di Giorgio and the demonic stone crusher Gene Hoglan for a short and demolishing lecture in Thrash Metal, still promoting their latest installment, the flawless Brotherhood Of The Snake, from 2016. It was insanity in the form of seven faster-than-a-bullet songs (who doesn’t love the thrashing classic Into the Pit?), with the bestial drums by Gene sounding like he was hired by TTC to help with the excavations for a new subway station, making our chests and even hats tremble with his beats. Yes, as awesome as that.

Setlist
Brotherhood of the Snake
Rise Up
Practice What You Preach
The Pale King
Into the Pit
The New Order
Disciples of the Watch

Band members
Chuck Billy – vocals
Eric Peterson – guitar
Alex Skolnick – guitar
Steve Di Giorgio – bass
Gene Hoglan – drums

After a short bathroom break, it was time for Poland’s most iconic metal band of all time to darken the stage with their blasphemous and sulfuric music. Polish Blackened Death Metal institution BEHEMOTH lived up to the expectations even playing a shorter setlist than usual (and at daylight, something they might not be used to), mixing classics with kick-ass songs from their latest album, their 2014 opus The Satanist, plus a brand new song named Wolves ov Siberia. Mr. Adam “Nergal” Darski was on fire throughout the entire performance, proving why he’s one of the most respected metal artists of the past decade, leaving the fans eager for more of their obscure music in a not-so-distant future. One funny thing is that Behemoth were the only band to not throw to the fans any guitar picks or drumsticks, but instead they were spitting blood on the people at the front row. If that doesn’t tell you how dark their music is, I don’t know what would.

Setlist
Ov Fire and the Void
Demigod
Ora Pro Nobis Lucifer
Wolves ov Siberia
Chant for Eschaton 2000
O Father O Satan O Sun!

Band members
Adam “Nergal” Darski – lead vocals, guitars
Patryk Dominik “Seth” Sztyber – guitars
Tomasz “Orion” Wróblewski – bass guitar
Zbigniew Robert “Inferno” Promiński – drums and percussion

Another bathroom break, another beer, and at 6:55pm sharp (don’t you feel amazed with how punctual all events are in Toronto?) it was time for the old school, slamming, riff-oriented Thrash Metal by the one and only ANTHRAX, who (guess what?) delivered a sequence of seven ass-kicking, frantic songs, including Evil Twin, from their 2016 album For All Kings, and beautiful classics such as I Am the Law, Madhouse and Indians. Scott Ian and Frank Bello were in their usual “I’m playing on stage but I’m also moshing up here together with you guys in the pit” mode, while Joey Belladonna was beyond happy with the warm reaction of the fans to each one of their songs. The low point of the show was that unfortunately Charlie Benante couldn’t play with the band as a result of an ongoing battle with carpal tunnel in his wrists, but the good thing is that he was replaced by the monstrous Gene Hoglan. Do I need to say more? In addition, Mr. Belladonna said that the concert yesterday was Anthrax’s biggest crowd ever in Toronto, and I’m sure everyone who was there banging their heads to their music was more than happy to have been part of such important day to the band.

Setlist
Caught in a Mosh
Got the Time (Joe Jackson cover)
I Am the Law
Madhouse
Evil Twin
Antisocial (Trust cover)
Indians

Band members
Joey Belladonna – lead vocals
Jon Donais – lead guitar
Scott Ian – rhythm guitar, backing vocals
Frank Bello – bass guitar, backing vocals
Gene Hoglan – drums*

*Replaced Charlie Benante due to illness.

After all the havoc generated by Testament, Behemoth and Anthrax, there was still more to come with Groove Metal titans LAMB OF GOD, still promoting their 2015 album VII: Sturm und Drang, and let me tell you the show was so heavy and insane I think some people went missing after the demented circle pits ignited by Mr. Randy Blythe and his henchmen. Playing a solid mix of songs from all of their albums, with all of them of course being as brutal as hell, Lamb Of God put a huge smile on the faces of their diehard fans, with Randy also praising all the bands of the “mini-festival”, requesting everyone to pay a humble tribute to the “Nature Boy” Ric Flair with a few WOOOOO’s, and jumping up and down like a maniac on stage nonstop. Well, everything a Redneck loves in life, right? And please correct me if I’m wrong, but was Randy wearing some sort of ankle monitor still due to the manslaughter case he was involved and arrested for a few years ago? If that’s the case, well, that’s what I call a badass frontman, ladies and gentlemen.

Setlist
Omerta
Ruin
Walk With Me in Hell
Now You’ve Got Something to Die For
512
Engage the Fear Machine
Blacken the Cursed Sun
Laid to Rest
Redneck

Band members
Randy Blythe – vocals
Willie Adler – guitar
Mark Morton – guitar
John Campbell – bass
Chris Adler – drums

SLAYER

“And the earth was without form, and void; and darkness was upon the face of the deep.” It’s with these classic words that I want to introduce you to the end of all days in the form of the Satanic Thrash Metal blasted by the heaviest, the most awesome and the most destructive band in the world, the all-powerful SLAYER. Actually, I should say FUCKIN’ SLAYER, or even SLAAAAAAAAAAAAYYYYYYYEEEEEEEEEEEEERRRRRRRRRR, as this is the right way to refer to the unrelenting Tom Araya, Kerry King, Gary Holt and the second stone crusher of the night, the barbaric Paul Bostaph (another guy that probably got some money from TTC to speed up the subway excavations yesterday). Playing at least one song from each one of their crushing albums, from their 1983 masterpiece Show No Mercy to their 2015 opus Repentless (with the exception of their 1998 controversial album Diabolus in Musica), Slayer put on a flammable performance (and I’m not using the word flammable in vain, as there was A LOT of fire during the whole concert), turning the entire floor section into one supreme, hot-as-hell, motherfuckin’ savage circle pit.

And that mix of classic Slayer with their more contemporary albums workd extremely well, creating a hellish balance of sounds for the total delectation of all admirers of their undisputed Thrash Metal. It was fantastic watching them performing faster, newer tunes like Repentless, Disciple, Hate Worldwide and Jihad, while at the same time delivering their classic infernal melodies in Mandatory Suicide, Postmortem and Black Magic. For instance, in my humble opinion the sequence comprised of Payback (one of the most pulverizing songs of the night), Seasons in the Abyss, Dittohead and Dead Skin Mask simply proves how timeless their music is, and how important they’ll always be to the world of heavy music. Then from Hell Awaits until the grand finale with the all-time classic Angel of Death it was an absolute chaos, with the circle pit getting bigger and bigger, people screaming at the top of their lungs and crowd surfing nonstop like if there was no tomorrow, and sweat and beer flowing everywhere. And I’m not going to say how cataclysmic the metal hymn Raining Blood was. If you were not there, you don’t deserve to know.

One thing I’ll never understand is how Mr. Paul Bostaph managed to play drums at that insane speed and intensity with all those blistering hot fires burning almost all the time all around his drum set. I think that proves he’s not human, as none of the guys from Slayer are. As a matter of fact, Slayer are a four-headed, rabid beast that would make even the “hound of Hades” Cerberus put his tail between his legs and run away, and if this was in fact their farewell tour, well, they’ll be beyond missed by all of us, diehard Slayer fans who consider Dead Skin Mask one of the best “ballads” ever composed by any band. Let’s wait and see if we’ll be treated to at least one more Slayer apocalypse in Toronto in the coming years as a second, third or whatever leg of their farewell tour, I don’t care, as long as they return. Now it’s time to take some rest from all madness from yesterday, do the body count (and maybe there are even some bodies floating in Lake Ontario near the venue), take a deep breath and keep doing what we all know how to at home, at school, at work or anywhere else where some good and reverberating screaming in required. And you know what word you need to burst your lungs screaming, right?

Setlist
Delusions of Saviour
Repentless
Blood Red
Disciple
Mandatory Suicide
Hate Worldwide
War Ensemble
Jihad
When the Stillness Comes
Postmortem
Black Magic
Payback
Seasons in the Abyss
Dittohead
Dead Skin Mask
Hell Awaits
South of Heaven
Raining Blood
Chemical Warfare
Angel of Death

Band members
Tom Araya – vocals, bass guitar
Kerry King – guitar
Gary Holt – guitar
Paul Bostaph – drums

Metal Chick of the Month – Fernanda Lira

Join the army, get in the violent mosh!

There’s nothing better than revving up the engines of 2018 with the thunderous sound blasted by one of the meanest and most humble bassists in contemporary Thrash Metal, a woman who not only kicks some serious ass with her roaring bass guitar, but who’s also an accomplished Extreme Metal vocalist, growling and gnarling like a beast anywhere she goes for our total delight. With that said, please welcome as our first metal chick of the year the stunning and electrifying Brazilian musician Fernanda Lira, better known as the lead singer and bassist for Brazilian all-female Thrash Metal power trio Nervosa. And you better be ready, because Fernanda will accelerate your heart and mercilessly rock you like a hurricane with all her passion for heavy music, her devilish screams and, above all, the groovy wallops of her mighty bass.

Fernanda B. Lira was born on September 9, 1989 in São Paulo, one of the world’s most populous cities with over 20 million inhabitants in its metropolitan area, having discovered her love for heavy music and for playing bass guitar at the age of 13, being influenced by her father, who was also a bass player (and with whom she remembers “jamming” with his acoustic guitar or “playing drums” on the leather couch as a child while he played) and a huge fan of bands like KISS and Venom, and by her biggest idol since childhood, Iron Maiden’s one and only Steve Harris. Furthermore, she never attended classes to learn how to play bass, always using her instincts and utter dedication to develop her skills as a musician, blending all that with her endless energy and aggressiveness to make her playing style truly unique. And despite deciding she wanted to be in a band when she was around 15 years old, Fernanda undertook several other endeavors before becoming (and even when she was already) the frontwoman for Nervosa, as for example studying journalism at Faculdade Cásper Líbero (the oldest journalism school in Latin America), working as an English teacher, and presenting a show called Heavy Nation on Rádio UOL together with her friend Julio Feriato from 2012 until 2015, among other projects.

Highly inspired by the aforementioned Steve Harris and by other renowned bassists such as Geezer Butler, Steve Di Giorgio, Geddy Lee, Ron Royce and Markus Grosskopf, our badass Fernanda eliminated the use of picks and dedicated herself to playing with her fingers, also trying to take down from the bass the function of only “marking” the rhythm of the music. Moreover, regarding her vocal inspirations, Fernanda has always tried to learn how to sing by imitating her metal idols Tarja Turunen, Michael Kiske and Geoff Tate; however, after she started working with more aggressive vocal-inspired bands, she began to migrate to a different style of singing, leaning towards a similar style used by extreme music singers Tom Araya (the iconic vocalist and bassist for Thrash Metal behemoths Slayer) and Schmier (from Teutonic Thrash Metal legends Destruction).

Before joining Nervosa, Fernanda was part of two other Brazilian metal bands, both hailing from the city of São Paulo, those being the all-female Heavy Metal act Hellgard (who played more melodic material the likes of Helloween and Edguy), from 2008 to 2009, and Thrash/Death Metal group HellArise, from 2009 to 2011, playing bass and doing some backing vocals, as well as playing bass live for a comedy Heavy Metal band known as Detonator e as Musas do Metal (which translates as “Detonator and the Muses of Metal”), in 2012. She recorded two demos in her pre-Nervosa era with those bands, one being a three-track demo with Hellgard titled Rise of a Kingdom, in 2009, and a four-track demo with HellArise named Human Disgrace, in 2010, with the title-track being re-recorded and re-released in 2016 already without Fernanda on bass. Apart from Hellgard, HellArise and obviously Nervosa, Fernanda was a guest musician for two distinct metal bands from Brazil in the past few years, Post-Black/Doom Metal act Fanttasma and Thrash Metal titans Torture Squad, and in both cases she acted as a guest vocalist, leaving her menacing bass guitar “dormant”, for lack of a better word. You can enjoy her potent vocals in the songs Metropolis and Life Is War, from Fanttasma’s 2013 album Another Sleepless Night, as well as in their 2014 single Voodoo, and in Torture Squad’s 2013 release Esquadrão de Tortura (throughout the entire album) and in their cover version for Coroner’s Divine Step, released as a bonus track for their 2017 opus Far Beyond Existence. And last but not least, she’s also featured in the song Carcaça de Outro Alguém, together with a band called Fire Strike, as part of a tribute album to the cult Brazilian Horror Punk band Zumbis do Espaço; in a partnership with Brazilian guitarist and producer Denis Di Lallo in a song called Struggle to Survive; and in countless live performances with distinct bands and musicians, like for example playing Slayer’s all-time classic Black Magic with Brazilian Thrash/Death Metal band Desaster.

It’s finally time to talk a little about her career with Nervosa, one of the most promising bands not only in Brazilian metal but in the entire world of Thrash and Death Metal. After quitting her previous bands, our raven-haired growler was already searching for an all-female thrash act when she met guitarist Prika Amaral, who already had Nervosa as a project and was in pursuit of a bassist and singer to bring the band into being, which ended up happening in 2010. And Nervosa have been on a roll since their inception, releasing their debut EP titled Time of Death, in 2012, followed by the full-length albums Victim of Yourself, in 2014, and more recently the underground masterpiece Agony, one of the top 10 metal albums of 2016 from our list. From all those three flammable releases by Nervosa, you can slam into the circle pit together with Fernanda and the girls to the songs Masked Betrayer, Death, Hostages and Guerra Santa (with a nice explanation of what this song is all about by Fernanda herself). As a matter of fact, in one of her interviews, our ass-kicking bassist explained in more details the concept behind Guerra Santa, which is Portuguese for “holy war”. According to Fernanda, this song “talks about all the intolerance that goes on when the subject is religion. Although this is not like a Black Metal song talking against God, Jesus or any religion because I totally respect people’s beliefs. So, this song is not against religion but against the way religion can be harmful sometimes; I mean, religions should be preaching about love, respect, being kind to the next of kin, doing good stuff but sometimes they preach about intolerance against like sexual orientation, races, other cultures – destroying temples of other religions – so what kind of good they bring?”

When asked about the fast and growing success of a relatively young band like Nervosa, Fernanda mentioned that metal is always renewing itself, and everything that’s new in metal, such as three girls playing furious and aggressive Thrash Metal like Nervosa, ends up catching a lot of attention from metalheads all over the world. In addition, she believes that, as part of the process, in some years that’s going to become more natural with more and more girls getting involved with metal. In my humble opinion, I strongly believe their music is what’s really driving their success in the heavy music scene, especially when Nervosa are performing live, and you can get a very good taste of their crushing thrash live in several videos on YouTube, such as the songs Time of Death at Estúdio Showlivre in 2012 in Brazil; Justice Be Done at Seis Tercios Sesiones in Colombia in 2014; Masked Betrayer, Victim of Yourself and Nasty Injury at Ao Vivo no Casarão in Brazil in 2013; and in distinct full live performances like their 2016 concerts in Bulgaria and Serbia, and in special their demolishing concert at Rock Al Parque in 2017, arguably the largest free rock festival not only in Colombia but in the entire continent. And Fernanda loves that life on the road and being on stage, having already visited a lot of different countries and cities, despite the fact she never has enough time to walk around and get to know more about the place she’s playing that night nor about its culture or people.

This slideshow requires JavaScript.

As expected, Fernanda has already been asked numerous times how it feels to be an all-female band and about the growing importance of women in metal music. She said that, at the end of the day, we’re all metalheads nurturing the same passion and admiration for Heavy Metal. She complemented by saying she doesn’t really care about being gendered, because in her opinion being called an all-female Thrash Metal band is just a way to describe a specific genre, like Folk Metal, Black Metal, and so on, given the fact that there aren’t many known bands like Nervosa in the market, and although it was a little difficult in the beginning because they’re playing an extreme style dominated by men in a sexist country like Brazil, people are changing their view of women in metal, supporting them, respecting them and encouraging other women to play heavy music. Moreover, she said there’s still a long way to go regarding this matter because there are many conservative metalheads that do not fully accept girls playing heavy music yet, but that’s something metal as a subversive kind of music can certainly change, with fans of heavy music being in their majority very open-minded, intelligent and cultural people. In addition to that, Fernanda said she has always felt like playing only with girls, as she has always dreamed about that and has always been inspired by girls in metal. All her previous bands were all-female groups, and she knew that it was something new that would help her and her bands stand out in metal.

Another interesting topic discussed by our charming growler in some of her interviews is the usage of the Portuguese language in her lyrics, something you can easily find in other heavy music styles like Punk Rock and Hardcore, with amazing bands like the unparalleled Ratos de Porão applying the Portuguese language to their music almost to perfection, but that’s not very common in Thrash, Death and Black Metal. Although Nervosa have two songs in Brazilian Portuguese, those being Urânio em Nós (from Victim of Yourself) and Guerra Santa (from Agony), she said she has always listened to metal in English despite the fact she was born and lives in Brazil, obviously due to the fact most major metal bands sing in English, and that writing lyrics in English is much more natural and easier for her than in Portuguese. And besides, she believes that the English language helps her spread her opinion and ideas much better than Portuguese to a wider audience worldwide (despite the fact that nowadays it’s quite easy to translate anything in any language), making people think, debate, agree or disagree about the topics and subjects contained in her lyrics.

If there’s one thing you can definitely spend hours watching on YouTube, those are several interviews Fernanda gave in both English and Portuguese to the most diverse channels, shows and websites, and in all of them you’ll be able to notice how fun and honest she is not only as a musician but also as a regular human being. I’ve selected a few of those videos for you, including an interview she gave during Nervosa’s performance at Obscene Extreme festival in the Czech Republic in 2015; her chat with the online show From Hero To Zero in 2016 during Nervosa’s European tour with Destruction, where she talks about how difficult it is to make a living out of metal in Latin America, among other topics; and my favorite (and most distinct) of all, Fernanda, together with João Gordo (the idiosyncratic frontman for Ratos de Porão) and vegan chef Willyan Balbino, preparing a vegan twist to a Brazilian popular food snack named “coxinha”, a savory dough shaped into a drumstick around a creamy chicken salad filling then battered and fried, but in this specific case as Panelaço do João Gordo is a vegan show the coxinha was prepared with jackfruit instead of chicken. They obviously talk about heavy music and other stuff, but the star of the show in the end is the jackfruit coxinha (even for a “meatatarian” like myself, those coxinhas look beyond delicious).

And closing our small tribute to the talented Fernanda, when asked about what her recommendations are for bands that are starting their career in heavy music, she said the best option in the beginning is for the bands to promote their music in their homeland, focusing on what’s around them first before going for bigger markets like the USA and Europe. Nervosa have hundreds of thousands of Facebook and Instagram likes, but most of them come from their fanbase in Brazil and the rest of South America. She strongly believes it’s essential to have a huge support from where you come from, with the only issue in their own case being the fact that it’s really hard to make heavy music in Brazil due to the lack of money, opportunities and support from the media. However, as an obstinate metalhead that she is, she believes in the power and unity of metal fans in Latin America, who are always buying albums, merchandise and attending concerts with more intensity than in other parts of the world, being proud of the scene and proudly carrying the flag of Brazilian metal anywhere she goes with Nervosa. And that, my friends, is how you join professionalism and passion in the best possible way.

Fernanda Lira’s Official Facebook page
Fernanda Lira’s Official Facebook fan page
Fernanda Lira’s Official Instagram
Nervosa’s Official Website
Nervosa’s Official Facebook page
Nervosa’s Official Twitter
Nervosa’s Official YouTube channel
Nervosa’s Official Instagram

“All of my best stories and memories are because of metal. I was born and raised in metal. So, all my boyfriends, all my friends, and experiences are related to metal. That’s why I’m so intense on the stage, I feel like I’m living the dream.” – Fernanda Lira

Concert Review – Slayer (Sound Academy, Toronto, ON, 09/12/2016)

When you have the iconic Death Angel, Anthrax and Slayer playing together in Toronto, you know it’s going to be an action-packed night of demented headbanging, beer drinking and brutal slamming.

OPENING ACTS: Death Angel and Anthrax

img_1784Anytime a concert is scheduled for a weekday that’s not Friday and there are a few bands on the lineup, I believe the organizers should push the whole event one hour later than planned to give more time to several fans that do not live right beside the venue to get there before the first band starts. And when the opening act is a band like Thrash Metal masters DEATH ANGEL, that extra time should be mandatory. The doors at a completely revamped Sound Academy (which will soon change its traditional name to Rebel, the most generic thing you can think of) opened at 6:30pm yesterday, and right after that Death Angel began their concert. Was I there to witness the amazing band led by Mark Osegueda fire their classics and new songs from the superb The Evil Divide? Of course not, nor hundreds of other fans who due to work or school could not get to the venue before 7:30pm. Is it too difficult to take into account the fact that most people do not live only five minutes from the venue, especially on a Monday night? We paid good money for the tickets, we deserved to see Death Angel, but it looks like some people just don’t care if you’re attending the full concert or not, right?

Setlist
The Ultra-Violence
Evil Priest
Claws in So Deep
Thrown to the Wolves
The Dream Calls for Blood
The Moth

Band members
Mark Osegueda – vocals
Rob Cavestany – guitar
Ted Aguilar – guitar
Damien Sisson – bass
Will Carroll – drums

img_1787And if you arrived after 7:30pm you might even have missed the beginning of the excellent concert by Thrash Metal titans ANTHRAX, simply proving how early the whole event started. Despite playing only nine songs in total, our good friends Joey Belladonna, Jon Donais, Scott Ian, Frank Bello and Charlie Benante kicked fuckin’ ass, with half of their setlist being comprised of songs from their latest album, the classy For All Kings. And let me tell you that those new songs worked really well live, especially Evil Twin and Breathing Lightning. Obviously, all fans got really pumped up when they played some of their biggest classics such as Caught in a Mosh, Antisocial and Indians (including a war dance), with Joey and Scott (“Do you love Thrash Metal?”) igniting some flammable mosh pits with their endless energy and unique charisma. I hope they get back to Toronto soon, and next time they have to be the headliners and play their full set, because I lost count of how many times I’ve seen Anthrax as the opening act only in the past few years, always having to cut down their setlist due to time restraints.

Setlist
You Gotta Believe
Monster at the End
Caught in a Mosh
Got the Time
Fight ‘Em ‘Til You Can’t
Evil Twin
Antisocial
Breathing Lightning
Indians

Band members
Joey Belladonna – lead vocals
Jon Donais – lead guitar
Scott Ian – rhythm guitar, backing vocals
Frank Bello – bass guitar, backing vocals
Charlie Benante – drums 

SLAYER

img_1796One very positive thing I have to say about the revamp at the Sound Academy is that they fixed all past issues they had with their sound system, turning what once was a muffled and tangled noise into detailed and crystal clear sounds. That, my friends, was what made the cataclysmic performance by Thrash Metal behemoths SLAYER, the most badass and heaviest band on earth, even heavier than what we were used to, in special the demolishing drums by Mr. Paul Bostaph. He sounded bestial the entire concert, louder and heavier than a construction zone working at full force, making our chests pump hard with his beats as if he was using a stone crusher instead of regular drum sticks behind his drums. Simply amazing.

Obviously, the rest of the band also had a fantastic performance, with Tom Araya leading the band with his deranged screams while Gary Holt and Kerry King showed us how a guitar duo should really sound in heavy music. After the devilish intro Delusions of Saviour ended and their new bone-crushing hymn Repentless started, it was a feast of old school classics the likes of Postmortem, Mandatory Suicide, War Ensemble and the demonic Seasons in the Abyss mixed with new material from Repentless (five new songs to be more precise, including the awesome You Againt You and Vices), generating some sick mosh pits and rabid screams from all fans at the Sound Academy.

img_1808A few songs from their setlist hit me like a stampede so heavy, dark and amazing they were played. First of all, it’s always a pleasure to see Tom reciting the chorus for Dead Skin Mask before the song starts, inspiring every fan to sing along with him. As Tom said, we love Slayer’s music and they love to play it, so it’s like a love affair, right? And what to say about the brutal Disciple (I bet you were bursting your lungs out screaming “God hates us all!” together with Tom during the song, just like I did), the chaotic Born of Fire, and the really old school Fight Till Death, from their 1983 masterpiece Show No Mercy? This one crushed me like an insect so fantastic it was.

I have no words to describe the apocalyptic aura generated by the last batch of classics played by Slayer, starting with one of the most demonic songs of all time, Hell Awaits, followed by the also obscure South of Heaven, my favorite Slayer song of all Raining Blood (where Paul Bostaph gave a lesson in drumming from the very first beat until the end), the classic Black Magic and finally, paying homage to the legacy of Jeff Hanneman, the unparalleled Angel of Death. That was the last song of a pure Thrash Metal night on a perfect day in Toronto, leaving us all eager for more Death Angel, Anthrax and Slayer in a not-so-distant future. Add to all that the excellent Dystopia by Megadeth and the upcoming releases by Testament and even Metallica (at least their new song sounds good, let’s wait for the rest of the album), and you know 2016 is the year of Thrash Metal. And, of course, Toronto couldn’t be left out of such an awesome party.

Setlist
Delusions of Saviour
Repentless
The Antichrist
Disciple
Postmortem
Hate Worldwide
War Ensemble
When the Stillness Comes
You Against You
Mandatory Suicide
Fight Till Death
Born of Fire
Dead Skin Mask
Seasons in the Abyss
Pride in Prejudice
Vices

Encore:
Hell Awaits
South of Heaven
Raining Blood
Black Magic
Angel of Death

Band members
Tom Araya – vocals, bass guitar
Kerry King – guitar
Gary Holt – guitar
Paul Bostaph – drums

The Metal Moose Show – Episode 2015-07-07

If you want to get more information about any of the bands featured at The Metal Moose Show, simply Google the band and/or the song name to find their official website and Facebook page and, more important than that, attend their live concerts and buy their music. Here at The Headbanging Moose you can find detailed reviews of Canadian Progressive Metal band id. and Iranian Death Metal band Nex Carnis (just click on the links below to read the reviews). Support your local bands… AND FOLLOW THE MOOSE!

On The Metal Moose Show this week:

1. Up Against It – Eye For An Eye
2. The Violet Hour – Insatiable
3. Symbolic – Suffering
4. Martyr – Afterlife
5. From Ashes To New – Downfall
6. Crawl – Crawl
7. Ciriac – The Separation Phase
8. Ancestral – Trust
9. Adorn The Wicked – I Cant Believe In You
10. Black Magic – Emerald Green
11. Falling From Grace – Blind Belief
12. Bearstorm – Americanus
13. Never A Hero – Kramer
14. The Ghoolz – Atomic Grave
15. id. – Sagittarius A
16. Offensive Ground – Drained
17. Nex Carnis – Dissolution In Vortex Of Sanity
18. From The Wolves – Ghost
19. Nine Miles South – Fingernails
20. Astrixion – Sepsis
21. Astrixion – Sinner Of Flesh

Click HERE to listen to this week’s episode on Spreaker.

Metal Moose Radio YouTube | Spreaker | Mixcloud

Concert Review – Slayer (Kool Haus,Toronto, ON, 11/21/2013)

Is it a tornado? Is it a tsunami? No, it’s motherfuckin’ OLD SCHOOL SLAYER NIGHT in Toronto!

OPENING ACTS: 4ARM and Gojira

Yesterday night was one of those things that will be forever in our minds, hearts, aching necks and torn muscles. I must admit I was really tired after a full day at work, and driving from Oakville to Toronto when it’s raining it’s not fun at all, but what happened at the Kool Haus last night was worth every minute spent in traffic downtown.

Before I start, I have to say something amazing I saw lat night, which was the huge number of parents with their small kids at the concert. There was this father with his son, who was pretty excited for the concert, so I asked him how old his boy was and he said “he’s 11 now”. That’s about when I started listening to Slayer! That made me sleep better this night (even with my neck killing me), knowing the future of mankind doesn’t look so bad while we still have headbanging kids like that.

The first band of the night was 4ARM, from Melbourne, which means we have another good Metal band from Australia now. It was a decent concert that I liked a lot, even though I knew nothing about their career. Quick question: why do over 50% of the metalheads today, including band members, look so much like Jesus Christ even when singing about Jesus being a lie is their favorite topic? Anyway, that was a good warm-up for the rest of the night and a good chance to enjoy some beers while listening to some fuckin’ heavy tunes.

Then came Gojira, or Godzilla in Japanese, which by the way was the original name of the band. If you like to bang your head non-stop like a mutherfucker, you must listen to this neck-breaking French band: they are far from being the fastest band in the world, but they’re as heavy as an obese elephant and perfect for having a beer and smashing your neck. I don’t know a lot about the band; however, songs like L’Enfant Sauvage and The Heaviest Matter of the Universe sounded excellent for live concerts. Merci beaucoup, Gojira, for such a nice performance!

And it was so funny between Gojira and Slayer, when the DJ was playing some AC/DC songs and some guys (including myself) started singing “Aaaaaaaa… SLAYER! Aaaaaaaa… SLAYER!”, instead of “thunder” in Thunderstruck. There are things that only Slayer fans can do.

SLAYER

IMG_1445Whoever is responsible for the management of the venue can definitely change its name to “Kool Hell” or “Slaughter Haus” from now on. I think any Slayer concert should be used for human population control, especially if it’s an OLD SCHOOL SLAYER NIGHT like last night in Toronto. The mosh pits were insane; it was like Hell on Earth! In fact, the entire venue was a mosh pit.

Talking about the concert itself and the band, and I know it doesn’t matter what or how I say it here, I’ll never be able to describe in words the perfection of the show. I’ve seen Slayer live a lot of times (how the hell am I still alive?), and they’ve never disappointed me. Slayer always delivers a brutally awesome performance on stage, no matter where they are. When the intro to the classic Hell Awaits started and the white sheet that was covering the stage went down, there they were: Tom, Kerry, Gary and Paul, all ready for some fuckin’ Thrash Metal, and the fans answered the best way possible with a crazy mosh pit.

After that it was a sequence of old classics to make all diehard fans go crazy: the fast Antichrist and Necrophiliac, the cool Mandatory Suicide and Captor of Sin, and then we had the havoc anthem War Ensemble. There’s nothing I can say about this song except HOLY FUCKIN’ SHIT! And when I thought I could have a break and breathe for a few seconds, they come with an avalanche of classics including some of my all-time favorite Slayer songs such as At Dawn They Sleep, Die by the Sword and Spirit in Black. Do you want to rest now? No, you don’t, because the next song is Seasons in the Abyss, which was sung out loud by all fans at the venue in a celebration of Thrash Metal.

IMG_1456

R.I.P. Jeff Hanneman!

Although we all love Jeff Hanneman (RIP) and respect that amazing punk attitude he brought to Slayer, we have to admit Gary Holt is a beast and a perfect fit for Slayer. I don’t want him to leave/end Exodus, no way, but the Thrash Metal riff master adds so much value to Slayer that it’s impossible to think of anyone else that could replace him now. And as a tribute to one of the most underrated guitar masters of all time, Kerry and Tom decided to add the magnificent Strike of the Beast to their entire tour. Holy shit, that was brutal and unforgettable! And just when things didn’t seem they could get more awesome, Slayer provides us another annihilating sequence with Dead Skin Mask (also sung by everybody there), one of the most violent songs in the world and one of my favorites Raining Blood, and the fuckin’ old school Black Magic. Was it the end (of the world)? No, there was still time for the encore, the famous one with the Heineken/Jeff Hanneman flag on the back with the obscure South of Heaven and my top Thrash Metal track of all, the slashing anthem Angel of Death. Although in my opinion Dave Lombardo shouldn’t have left Slayer, I feel really good with the monster Paul Bostaph on drums, and what he did in Angel of Death just confirmed my feelings.

Finally, it’s always a pleasure to see Tom Araya and Kerry King playing live. The first is always so serene and enjoys so much having a good time with the fans (he even  demanded the security guys to bring back one fan that was supposedly doing something wrong and was about to be expelled), while the other is an unstoppable shredding machine with his pretty evil guitar.

This slideshow requires JavaScript.

I swear I tried hard to find a Metallica T-shirt, but there was none. The Kool Haus in Toronto was a huge SLAYER NATION (the T-shirt I got yesterday!) last night, with no room for pussies. Well, there were many girls there, but they were not pussies at all (although they do have one): they were slamming in the pit with no mercy of the poor (or lucky?) guys close to them. Next time someone tells me Metallica is heavier than Slayer, I’m going to slap that stupid idiot in the face.

I didn’t see a single person that was just “OK” when that Armageddon came to an end. Quite the contrary, everybody was exhausted, sweating like a pig, but with an immense smile on their faces. I unfortunately hit a guy’s nose with the back of my head, and it might have hurt a lot on him (I feel so sorry for that guy). I also got a kind of a bruised eye, but nothing compared to a guy with a full black eye I saw when the show was over. My neck and the rest of the body hurt like if I was smashed by a steamroller, but hey, that’s FUCKIN’ SLAYER! No ballads, no acoustic shit, just pure fuckin’ Heavy Metal. Was it raining in Toronto when the show was over? Yes, but who cares? Inside the venue it was RAINING BLOOD, and I can’t wait to see my Thrash Metal heroes live again.

Slayer Setlist Kool Haus, Toronto, ON, Canada, North American Tour 2013

Band members

Tom Araya – lead vocals, bass guitar
Kerry King – guitars
Gary Holt – guitars
Paul Bostaph – drums