The Year In Review – Top 10 Hard Rock/Heavy Metal Albums of 2016

“I don’t know where I’m going from here, but I promise it won’t be boring.” – David Bowie

The unexpected death of the most badass musician in history, Motörhead’s heart and soul Lemmy Kilmister, on December 28, 2015 was a harbinger of all the bad, shocking and revolting things that would turn the year of 2016 a true nightmare for mankind. That dark prophecy was confirmed less than two weeks later, more specifically on January 10 when we lost another true star in rock music to cancer, the unparalleled chameleon David Bowie, just two days after the release of his final masterpiece Blackstar. If that was not enough to make 2016 a miserable year, we also had to endure the passing of other icons who, despite not being metal, have always inspired countless bands and artists in heavy music. We lost Prince, Leonard Cohen and Keith Emerson (Emerson, Lake & Palmer), to name a few, all irreplaceable losses to music in general. In addition, important names in the history of Heavy Metal also left us in 2016, such as Nick Menza (Megadeth) and Jimmy Bain (Rainbow, Dio), not to mention the disbandment of amazing groups like Eths (who are by the way part of our top 10 this year), Crucified Barbara and Bolt Thrower. And I’m not even going to talk about all other types of disasters and tragedies that happened all over the world, as the list is too macabre and grievous to be remembered in full.

Fortunately, 2016 was considerably generous for us headbangers in terms of the quantity and quality of albums released throughout the entire year, especially for diehard fans of old school Thrash Metal. Except for Slayer and Exodus, all other prominent names in Thrash Metal blasted the world with their high-speed, thrilling music, led by another superb album by Testament. Even Metallica released a decent album this year, just to give you an idea of how fruitful 2016 was for this rebellious type of music. Having said that, it’s time for The Headbanging Moose’s Top 10 Hard Rock/Heavy Metal Albums of 2016, excluding EP’s, best of’s and live albums. And even if 2017 is as hideous as 2016, let’s never forget the wise words by Bill S. Preston, Esquire and Ted “Theodore” Logan. Be excellent to each other, and party on, dudes!

testament_brotherhood-of-the-snake1. Testament – Brotherhood Of The Snake (REVIEW)
Join the Brotherhood of Thrash Metal spearheaded by one of the heaviest, most technical and most electrifying bands on the entire planet.
Best song of the album: The Number Game

cover2. Charred Walls Of The Damned – Creatures Watching Over the Dead (REVIEW)
A magnificent lecture in Heavy Metal by four electrified beasts.
Best song of the album: As I Catch My Breath

Cover3. Eths – Ankaa (REVIEW)
One of the most prominent and innovative French bands of all time returns with a true masterpiece of complexity, darkness and heaviness.
Best song of the album: Nefas

cover4. Primal Fear – Rulebreaker (REVIEW)
Who said rules must be broken for a metallic eagle to spread its wings and soar high in the skies of heavy music?
Best song of the album: Rulebreaker

megadeth_dystopia5. Megadeth – Dystopia (REVIEW)
And the dystopian world portrayed in the brand new album by the iconic Dave Mustaine and his Thrash Metal army is beyond awesome.
Best song of the album: Lying In State

abbathsoloface_6386. Abbath – Abbath (REVIEW)
The one and only Abbath takes a new step in his career with a brand new band an album.
Best song of the album: Fenrir Hunts

death angel_the evil divide7. Death Angel – The Evil Divide (REVIEW)
Fast and furious anthems, dark mid-tempo songs, austere lyrics and endless stamina. This is how Thrash Metal should always be done.
Best song of the album: Hell To Pay

anthrax_for all kings8. Anthrax – For All Kings (REVIEW)
A classy and electrifying Thrash Metal album especially crafted for all of us, the real kings of heavy music.
Best song of the album: Breathing Lightning

front9. Axel Rudi Pell – Game of Sins (REVIEW)
You might be a sinner, but don’t be a fool and go relish another magnificent album by Mr. Axel Rudi Pell and his loyal henchmen.
Best song of the album: Falling Star

nervosa-agony-201610. Nervosa – Agony (REVIEW)
Brazil’s meanest power trio returns with another marvelous blast of their kick-ass high-octane Thrash Metal.
Best song of the album: Theory of Conspiracy

And here we have the runner-ups, completing the top 20 for the year:

11. Blaze Bayley – Infinite Entanglement (REVIEW)
12. The Silent Rage – The Deadliest Scourge (REVIEW)
13. Neverworld – Dremasnatcher (REVIEW)
14. Ancesttral – Web Of Lies (REVIEW)
15. Front – Iron Overkill (REVIEW)
16. Dö – Tuho (REVIEW)
17. Be Under Arms – Doomed To Life (REVIEW)
18. SystemHouse33 – Regression (REVIEW)
19. Gojira – Magma (REVIEW)
20. False Coda – Secrets and Sins (REVIEW)

As in Heavy Metal the artwork is just as important as the music itself, like what always happens with bands such as Iron Maiden, Megadeth, Metallica, KISS and tons of other metallic titans, we decided to list the Top 10 Cover Artworks of 2016. There are several reasons for an album art to be considered outstanding, such as its strong connection with the music like Iron Maiden’s Powerslave, its visual impact (usually associated with its controversial content) like Slayer’s God Hates Us All, or its perfect minimalism and finesse like Pink Floyd’s Dark Side Of The Moon. Do you agree with our list?

1. Anthrax – For All Kings [by Alex Ross]
2. Primeval Mass – To Empyrean Thrones [by Karmazid]
3. Witches Of Doom – Deadlights [by Carlo Muselli]
4. Ragehammer – The Hammer Doctrine [by Robert A. von Ritter]
5. Howls Of Ebb – Cursus Impasse: The Pendlomic Vows [by Agostino Arrivabene]
6. Testament – Brotherhood Of The Snake [by Eliran Kantor]
7. Henriette B – Tales of Reality (EP) [by Pierre-Alain D.]
8. Skáphe – Skáphe² [by H.V. Lyngdal]
9. Diabolizer – Apokalypse (MCD) [by Robert A. von Ritter]
10. Hostis – Hostis [by Zvonimir Grabić & Milena Nićić]

Rest assured in 2017 we at The Headbanging Moose will keep providing you the best of the underworld of Death, Thrash, Black, Symphonic, Epic, Power Metal and all other genres and subgenres of heavy music, as well as our view of the biggest names worldwide. There are already brand new albums confirmed for 2017 by Kreator, Sepultura, Grave Digger, Battle Beast and more, which means at least musically the new year promises to be really good. Thank you very much for your precious time, and keep on rockin’! Au revoir!

Metal Xmas and a Headbanging New Year! See you in 2017!

Well, before we go, here’s a special gift from Iron Maiden to all metalheads all over the world… A nice festive yule log fireplace to keep our hearts warm during the entire season!

Album Review – Eths / Ankaa (2016)

One of the most prominent and innovative French bands of all time returns with a true masterpiece of complexity, darkness and heaviness, shining brighter than the main star of the Phoenix constellation.

Rating2

CoverThere’s a thin line between change and evolution several bands worldwide can’t or simply just don’t know how to walk without losing their balance and, consequently, damaging their core essence. Fortunately, this is not the case with French Neo-Metal adventurers Eths, who in my humble opinion have just released their boldest and most innovative album to date, the splendid Ankaa, but still being the Eths we all learned to love. Although I had been preparing myself for quite a while for another blast of creativity by Mr. Staif Bihl and his bandmates, I must say I was blown away by the level of intricacy, darkness and heaviness found throughout the entire album. This beautiful work-of-art crafted by this distinguished group hailing from the city of Marseille, France is the perfect depiction of what evolution in music is all about, and it will surely help spread the electricity and emotions flowing from the music by Eths to the entire world.

Ankaa, which features a unique selection of guest musicians such as Björn “Speed” Strid (Soilwork), Sarah Layssac (Arkan), Jon Howard (Threat Signal), Faustine Berardo and session drummer Dirk Verbeuren (Soilwork), not to mention it is also Eths’ first full-length album with the stunning Rachel Aspe on vocals, shines brighter than the main star of the Phoenix constellation, which by the way was the inspiration for the album name. “This album is linked to the cosmos and the concept of rebirth for the band as well as personally”, said Staif, and that’s indeed what you’ll experience while listening to each one of its twelve jaw-dropping multi-layered songs, all beautifully and meticulously connected to tell a bigger story to the listener. Again, Eths might have changed their musicality in Ankaa considerably, but it was a change towards evolution that no one in their right mind should ever complain about.

One of the best compositions in the history of Eths, entitled Nefas (the Latin word for “atrocity” or “wrong”), kicks off Ankaa in a very impactful way, being insanely heavier, faster and darker than anything the band has ever done before. It’s a feast of Metalcore, Melodic Death Metal, Alternative Metal and many other subgenres of heavy music perfectly put together, and pay good attention to what our screaming diva Rachel does with her “voix incroyable”, it sounds beyond astonishing. Nihil Sine Causa (or “nothing happens without a cause”, from Latin), featuring Sarah Layssac and Jon Howard, is yet another obscure and thunderous composition where the band’s mastermind Staif showcases his always solid guitar lines, with the addition of the Arabic words by Sarah as well as the electronic effects during the song’s second half bringing a fresh taste to the music. And in Amaterasu, part of the Japanese myth cycle seen as the goddess of the Sun and the Universe, Dirk (who sounds like a beast behind his drums) makes a great duo with newcomer Damien Rivoal and his low-tuned and heavy as hell bass lines. Moreover, it’s impossible not to love this brutal Groove Metal aria, and I don’t recall coming across such a powerful triumvirate of songs like these starting an album in recent years.

eths 2016All the craziness, occultism and darkness found in Ankaa keep growing with each and every song, and in Seditio (or “rebellion”, from Latin) that couldn’t be any different. It amuses me how Rachel can sound like a beauty and a beast at the same time, showcasing all her vocal skills and contributing to the song being heavier than usual but still innovative and progressive, just like we expect from such a talented group of musicians. Then we have the startling Nixi Dii, a general term applied by the Romans to those divinities who were believed to assist women at the time when they were giving birth to a child, where its eerie background effects, demonic drumming, choir-like backing vocals and lots of breaks and variations, together with Rachel growling like an evil queen, are all the ingredients you need for awesomeness. In other words, it offers you eight minutes of the best modern metal music you can find in the entire world. And just when you think things couldn’t get more alternative we’re treated to Vae Victis (Latin for “woe to the vanquished”), with Staif providing an amazing piano base for Rachel to shine once again, this time with a mix of clean vocals and visceral growls. As a side note, the production of the album is so brilliant you can clearly hear every single note coming out of each instrument, enhancing the overall experience even more.

The next song, named HAR1 (the acronym for human accelerated region 1, a short DNA region identified recently to have evolved the most rapidly among highly constrained regions since the divergence from our common ancestor with chimpanzee) and featuring Björn “Speed” Strid, gets closer to traditional Melodic Death Metal thanks to the contribution of Björn, but of course with Eths’ own touch added to it; while in Sekhet Aaru, the Egyptian reed fields considered the heavenly paradise where Osiris rules in ancient Egyptian mythology, your soul will be transported to those fields in a flawless fusion of alternative and occult music. Sarah is back with her gorgeous voice as a guest vocalist in Kumari Kandam, which refers to a hypothetical lost continent with an ancient Tamil civilization (located south of present-day India, in the Indian Ocean), perhaps the closest song to Eths’ old musicality with Damien and Dirk providing all the uproar while Rachel takes care of the song’s tranquility, sorrow and anguish.

eths-ankaa-digibox

Ankaa Deluxe Digibox

Last but not least, Eths bring forward a spine-tingling trilogy inspired by the Orion constellation, accurately representing the idea of rebirth. The first piece of this trilogy is named Alnitak, a multiple star (also known as “Zeta Orionis”) that’s part of the famous Orion’s Belt, which Staif effectively translated into an epic and vibrant chant overflowing his deepest emotions. The second piece, entitled Alnilam, a large blue supergiant star also known as “Epsilon Orionis” estimated to be 275,000 to 537,000 times as luminous as the Sun and around 34 times as massive, is an extremely powerful and aggressive tune led by a relentless Rachel, with Dirk yet again pounding his drums mercilessly. And finally, the climatic end to this trilogy comes in the form of another violent chant with esoteric passages and a pleasant ambience named Mintaka, from منطقة (“manṭaqa”), which means “the belt” in Arabic.

As aforementioned, calling Ankaa simply as a “change” in the music direction by Eths is an understatement of the actual evolution Staif, Rachel and the others reached with their musicality, as well as of the brilliant destiny that lies ahead for them. Ankaa is not just another regular metal album, and I’m sure it will shortly become a reference in contemporary heavy music. Thus, if you want to join Eths in this exciting path they are taking towards the future of Heavy Metal, I suggest you go grab your copy of Ankaa (which can be listened to in its entirety HERE), in special its top-notch deluxe digibox including a CD and an exclusive DVD “Live at Hellfest 2015” in digisleeve with a 24 page booklet, an Eths metal key ring and a pyramid folding card, at the Season Of Mist webshop or at the Napalm Records webshop. After listening to such a masterpiece like Ankaa, you will quickly realize it is no wonder Eths are considered by many the most prominent and innovative French band of all time.

Best moments of the album: Nefas, Nihil Sine Causa, Amaterasu, Nixi Dii and, from the Orion-inspired trilogy, I would say Alnilam is the most entertaining composition.

Worst moments of the album: None.

Released in 2016 Season Of Mist

Track listing
1. Nefas 3:50
2. Nihil Sine Causa (feat. Sarah Layssac and Jon Howard) 4:53
3. Amaterasu 3:57
4. Seditio 6:36
5. Nixi Dii 7:58
6. Vae Victis 5:05
7. HAR1 (feat. Björn “Speed” Strid) 4:04
8. Sekhet Aaru 4:09
9. Kumari Kandam (feat. Sarah Layssac and Faustine Berardo) 4:15
10. Alnitak 4:04
11. Alnilam 3:40
12. Mintaka 5:07

Band members
Rachel Aspe – lead vocals
Staif Bihl – guitars, keyboards, programming, vocals
Damien Rivoal – bass
R.U.L. – drums (live)

Guest musicians
Dirk Verbeuren – drums (studio recording)
Sarah Layssac – additional vocals on “Nihil Sine Causa” and “Kumari Kandam”
Jon Howard – additional vocals on “Nihil Sine Causa”
Björn “Speed” Strid – additional vocals on “HAR1”
Faustine Berardo – additional vocals on “Kumari Kandam”