Metal Chick of the Month – Polina Psycheya

I’ll take you far away to another land…

Brothers and sisters of heavy music, let’s all travel this November to Chelyabinsk (or Челя́бинск in Russian), a city in west-central Russia located in the northeast of the oblast, around 210 kilometers south of Yekaterinburg, just to the east of the Ural Mountains on the border of Europe and Asia, to meet our stunning and unstoppable metal chick of the month. She considers herself a true Russian Viking, always ready for heading into the battlefield armed with her potent vocals and endless energy, and in case you haven’t heard of this amazing frontwoman yet, I bet you’re going to be surprised by how talented, hardworking and passionate about metal she is. I’m talking about Polina Psycheya, whose real name is Polina Sibrikova (or Полина Сибрикова), former lead singer for Russian Melodic Death Metal band All I Could Bleed and current main frontwoman for Portuguese Symphonic Progressive Metal band The Autist, an obstinate woman that takes no prisoners in her quest for heavy music.

Before starting her career as an Extreme Metal singer, Polina had what we can call a normal life in her hometown Chelyabinsk, graduating from МОУ СОШ № 41 (or “secondary school number 41 of Chelyabinsk”) in 2007, and advancing for a degree in Graphic Design from РБИУ (or RBIM – Russian-British Institute of Management) in 2010, a higher education international institute also located in Chelyabinsk. As a matter of fact, even after joining All I Could Bleed she kept working as an artist and clothing and apparel designer, as you can see on her official Facebook page titled “World of Polina Psycheya”, where she usually posts details about her works, tutorials and items for sale. However, it looks like heavy music is her true passion in life, with her skills as a designer becoming a complement to her role as a female growler. And if you think she took any special courses in singing, you’re absolutely wrong, as Polina simply learned how to scream and growl by herself, only training during the band’s rehearsals, always shaping up her own vocal style without copying anyone or anything from books.

As already mentioned, Polina was the frontwoman for Russian act All I Could Bleed starting 2009, but the band started a few years before that, more precisely in 2004 when two old friends, guitarists Alex Sibrikov and Max Melnikov, decided to form a Death Metal band together as an outlet of their aggression. When they released their first single Follow Me, in 2009, Polina was not yet part of the band, with Alex taking care of the vocal duties. However, after Polina joined All I Could Bleed, the band reached its desired shape and form and was ready to take the world of heavy music by storm, with the release of their 2011 debut full-length album Burying the Past (available for a full listen on YouTube) being the culmination of a lot of hard work and dedication of all band members to their music. As a matter of fact, Polina not only growled and screamed like a beast in the album, but she was also responsible for the lyrics, cover art and design, proving that although she might not be a founding member of All I Could Bleed, she had definitely become the band’s heart and soul during her time with them.

After the release of Burying the Past, Polina and her bandmates got back in action in 2014 when they released a single titled Debris of Earth, a lot more melodic, more experimental and groovier than all songs form their debut installment. Furthermore, if there’s one thing Polina loves from the bottom of her heart is playing live, and she certainly translates that passion into sheer energy during the band’s live performances. When asked about the idea for their onstage outfits, she said she took the inspiration from dark, ancient and powerful warriors like the Riders of the Apocalypse, designing all the clothing herself, and when she was asked about her first ever concert as the frontwoman of All I Could Bleed, she mentioned it was indeed an unforgettable night for her in her hometown Chelyabinsk, in 2009. Due to the fact she wasn’t writing the lyrics for their songs at that time, her bandmates gave her the task of learning the classic Enemy Within, originally recorded by Arch Enemy, and singing it as part of their setlist. Well, Polina didn’t disappoint at all; quite the contrary, the reception of the crowd at the venue was amazing, inspiring her to keep growling in the name of metal. You won’t be able to find that concert online, but there’s no need for panicking, as you can at least enjoy All I Could Bleed’s full (and absolutely awesome) performance at the Tele-Club in Yekaterinburg, Russia on April 24, 2014, where Polina simply kicked some serious fuckin’ ass on stage.

Apart form her career with All I Could Bleed, Polina has also been involved since 2017 with Portuguese Symphonic Progressive Metal band The Autist, a female-fronted metal project with progressive and symphonic elements highly recommended for fans of truly melancholic, tragic and conceptual music that was inspired by deep emotions we all go through in our lives. The origin of the project dates back to 2014 and is the mind reflection of guitarist and composer Pedro Remiz, who decided to recreate his own musical world after the end of Darkside of Innocence. Also featuring Alina Lesnik (from German Symphonic metal band Once), Chiara Tricarico (from bands like RavenWord and Sound Storm) and several other guest musicians, besides of course Polina as the band’s main vocalist, The Autist have already released two EP’s and one full-length album so far, with Polina lending her slashing roars to the songs The Sanctuary, Ethereal and Pandora’s Curse, from their 2017 album The Coldest Sun, and to the songs The Idol, Anima and Bloodlust, from their 2018 EP Anima.

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Regarding Polina’s biggest idols and influences in heavy music, her list is beyond fantastic, including bands (and obviously their respective vocalists) such as Rammstein, Metallica, Death, Pantera, Children Of Bodom, Arkona, Kreator, Destruction and Motörhead, all of which she would love to play alongside at Wacken Open Air by the way, with Rammstein and Children Of Bodom being considered by Polina herself the two bands with the highest impact on her vocal style and musical direction. In addition, during one of her interviews she was also asked to list the top 5 albums anyone should have in their collection, and once again her choices didn’t disappoint, including Metallica’s Master of Puppets, Death’s Symbolic, Dimmu Borgir’s Puritanical Euphoric Misanthropia, Black Sabbath’s Paranoid, and Pantera’s Vulgar Display of Power. Hence, you can enjoy Polina paying a tribute to several of her idols on her official YouTube channel, recording her own versions to classics like Dimmu Borgir’s Progenies Of The Great Apocalypse (together with German multi-insturmentalist André “Agordas” Groschopp); Arch Enemy’s Nemesis; Pantera’s all-time hit Walk  (recorded with All I Could Bleed during one of their rehearsal sessions); and Death’s Symbolic (recorded during one of All I Could Bleed’s live performances). Furthermore, you can also enjoy other exclusive videos on her YouTube channel, such as Progressive/Melodic Power Metal masters Kamelot featuring not only Polina but also the amazing Kobra Paige live in Moscow in 2017; and Polina herself talking a little about her style, about Death Metal and about Arch Enemy,  and the reason for that is because in the past let’s say Polina wasn’t very happy when compared to Arch Enemy’s former vocalist Angela Gossow. She said in one of her interviews that she didn’t like the comparison because it was only based on sex, not on their vocal styles, as she believes her vocals are a lot closer to Death’s  iconic Chuck Schuldiner’s than to Angela’s. Now Polina is a fan of Arch Enemy, but again, if you meet her don’t waste her time asking about Angela Gossow, right?

When questioned about the current state of heavy music and the metal scene in her homeland, especially the Death Metal scene, our Russian warrior said that despite the huge amount of talented and hardworking bands found in the underground Russian scene, Heavy Metal is not respected and it’s extremely hard to make a living out of it, resulting in several musicians leaving their bands and entire bands calling it quits. In her opinion, the only Russian band that has truly conquered success in Russia and outside of the country is Pagan/Folk Metal institution Arkona, always keeping in mind they were one of the pioneers of the genre and started their career over 15 years ago. On the other hand, she doesn’t think that metal becoming mainstream would be the solution for that because albeit mainstream bands can make a considerable amount of money to support their careers, not to mention touring and recording videos become a lot easier, she believes you can lose or give up your honesty if you’re not underground anymore. In other words, she thinks somewhere in between mainstream and underground would be ideal, and seeing successful but still loyal-to-their-roots bands like Trivium, Primal Fear and the aforementioned Arkona only corroborates with her opinion. In addition, Polina actually thinks metal isn’t thriving anywhere in the world except for South America, and that she sometimes wishes she was reborn in the 70’s or 80’s as those where the decades when metal was the big thing. She also said she doesn’t really care about all metal classifications and labels, as long as it’s metal and an honest way to express yourself, complementing by saying that despite the heaviness and aggressiveness of the lyrics, metal is a lot more honest and inspiring than other styles like pop and rap, where musicians only promote negative things like debauchery, drugs, dullness and false moral values. As Polina herself said, it’s hard to make a living out of metal music in Russia, and that’s why she keeps working as a designer while her former bandmates from All I Could Bleed also have regular day-to-day jobs like working at a music school or on railroad construction, as well as playing in bars and pubs with other projects and cover bands. Not only that, but just like any other regular person she also has her hobbies, all related to her passion for music, for costume designing and for outdoor sports such as hiking and bike riding. Who knows, maybe one day if you’re just walking around Chelyabinsk you might be surprised by our Russian Viking staying healthy and in shape on her bike.

As expected, Polina was also asked to give her opinion on how she sees the increasing importance and participation of women in heavy music, especially regarding the growing number of female singers in extreme music bands, and her answer to that was quite curious. Our gorgeous growler said she has never actually felt like an “outsider” in a male-dominated world, saying she doesn’t “feel” like a woman but just like a Death Metal musician. Moreover, when asked if she’s ever had any issues with fans, Polina said that despite her stunning beauty, her fans have always been very respectful with her, understanding she has always worked hard, always true to the foundations of Death Metal and never backing down, getting full support from all of her followers. And last but not least, still regarding the support received from fans from all parts of the world, when questioned about illegal downloads and all types of websites posting her material without her official consent, she mentioned that in the end that’s not as bad as it looks, saying that exposure in the internet is actually a good thing for unknown underground bands because they end up receiving free PR, and several people who get in contact with the band through an illegal download will buy the album or any other type of official merch, and attend the band’s concert if possible, meaning more money than expected will go to the band’s pockets. Having said that, although Polina herself is not against illegal downloads, I’m pretty sure our metal diva would simply love if you purchased Burying the Past from the Darknagar Records’ BandCamp page or from Discogs, or any of the releases from The Autist from their BandCamp page, showing your true support and appreciation for these two extremely talented bands and their Viking frontwoman.

Polina Psycheya’s Official Facebook page
Polina Psycheya’s Official Instagram
Polina Psycheya’s Official Twitter
Polina Psycheya’s Official YouTube channel

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Metal Chick of the Month – Alissa White-Gluz

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This is War Eternal, Alissa!

In order to properly celebrate the first awesome year of The Headbanging Moose, no one would have been a better choice for our Metal Chick of the Month than this Canadian girl. She’s at the same time the Beauty AND the Beast, an inspiration to many women all around the world, and her convictions and talent are truly taking her to stardom. From the beautiful city of Montreal, Quebec, here comes Alissa White-Gluz, founder and former lead singer of Canadian Metalcore band The Agonist, and currently the frontwoman of Swedish Melodic Death Metal icons Arch Enemy.

This vegan straight-edge kick-ass Québécois was born on July 31, 1985, and although she claims she has never taken any singing lessons her voice has become really powerful and versatile throughout the years, elevating her status as one of the most influential Heavy Metal female singers of the past decade, even leading to some comparisons with the one and only Angela Gossow. Well, those comparisons don’t seem to have been in vain, because on March 17, 2014, she was chosen to be the replacement for Angela herself and became the voice of Arch Enemy. In Alissa’s own words, “I am very honored and happy to announce a new chapter in my life and musical career beginning now; I have joined forces with one of my all-time favorite and globally respected bands, ARCH ENEMY. ‘Wages of Sin’ was the first metal album I ever bought, and it was love at first listen. It is not often that you get a phone call from your favorite band asking you to join! I am thrilled to have the opportunity to work with such amazingly talented musicians whom I also consider great friends. I look forward to being able to write and perform at a whole new level now with ARCH ENEMY! Music is forever, metal is limitless and this is only the beginning!”

Arch Enemy have recently released their first album with Alissa on vocals, entitled War Eternal, but there was a lot more of our Heavy Metal diva prior to that. She founded The Agonist back in 2004 with guitarist Danny Marino and bassist Chris Kells (when the band was still known as The Tempest), and recorded three excellent full-length albums and one EP with them: Once Only Imagined (2007), Lullabies for the Dormant Mind (2009), The Escape EP (2011), and Prisoners (2012), with Lullabies for the Dormant Mind being in my opinion their best album in terms of musicality, lyrics and creativity. In regards to Alissa’s performance in all The Agonist albums, she was always so electrifying and full of energy that it’s impossible to not get completely mesmerized by her voice and moves, as you can easily see in their official videos for Thank You, Pain, …And Their Eulogies Sang Me to Sleep, and Panophobia. By the way, I consider the video for Thank You, Pain, with its outstanding production, good storyline and, of course, Alissa kickin’ ass, one of the most professional and beautiful videos I’ve seen in a long time.

Besides her work with The Agonist, Alissa has also been featured as a guest musician in the following albums: Canadian Folk/Melodic Death Metal band Blackguard’s Profugus Mortis,  Canadian Melodic Black/Death Metal band Erimha’s Irkalla, Canadian Industrial Death Metal band Synastry’s Blind Eyes Bleed, American Melodic Power Metal band Kamelot’s Silverthorn and also in the single Sacrimony (which the amazing official video can be seen here), and more recently in Dutch Symphonic Metal band Delain’s The Human Contradiction. She was also a live guest singer during Kamelot’s recent 2011/2012 tours, as well as, along with Swedish singer Elize Ryd (Amaranth), replaced Anette Olzon while she was sick for a one-time Nightwish concert in Denver on September 28, 2012. An interview with both artists talking about that experience can be seen here and on Nightwish’s Showtime, Storytime (DVD), on the documentary footage section.

Also, in 2006 Alissa appeared on Canadian Idol singing a cover of Queen’s Bohemian Rhapsody, and in January 2012 she was featured as a coach on an episode of MTV’s Made. I don’t know if these can be considered part of her music career, as those TV shows are useless and do not bring any real benefits to real musicians, but anyway she was there and it was an alternative way for her to be exposed to different audiences that are not really into Heavy Metal.

While Alissa was with The Agonist, she toured the world with many different famous bands such as Epica, Kamelot, Sonata Arctica and Danzig, which is very demanding and time consuming, and now with Arch Enemy the frequency and intensity of world tours have just increased, making her eating habits and exercising more than essential for a professional and powerful onstage performance. That’s one of the reasons why she maintains a strong exercise routine, working out between 5 and 6 times a week, especially to strengthen her muscles. Alissa mentioned she loves working out, which is in her opinion the best remedy for anxiety, depression, self-esteem issues etc., and it’s one of the things that make her feel a happier and healthier person. I agree with her 100%, as I also love working out and feel the same results as she does, and also because The Agonist and Arch Enemy are always in my workout playlist.

Another important part of her life is her veganism, which according to Alissa herself is her most powerful source of energy and health. Although she was a vegetarian all her life, she decided to become a vegan when she was a teenager and carry that flag forever more, always mentioning that her family has been a huge inspiration for her. “My parents, along with my brother and sister, are vegetarians. I wasn’t raised in any way where I was forced to be a vegetarian too. I always had the choice. My mom would say, ‘I don’t eat the stuff, so I won’t cook it, but if you want to eat it, you can. Let me tell you why I don’t eat it.’ So she was open about it.”, she said. “From a young age, I learned what a non-vegetarian diet entails. I made the decision early on that I was going to stick to the lifestyle. It’s easier to stick with something like that than change it, if you’ve always done it. I’m grateful that my parents were open-minded with me.”

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In regards to her personal life, Alissa has mentioned during some interviews that among her favorite bands and musicians are Devin Townsend, Gwen Stefani, Muse, and, of course, Arch Enemy. Hence, it’s always interesting to see non-Metal bands or artists among the playlists of Heavy Metal icons (see other examples here and here), which makes us feel less “guilty” when singing any songs that are currently part of the top 40 list. Among her favorite places she has already traveled to, we have Japan, Peru and Austria, and in terms of movies she said her favorite one is still The Little Mermaid, which is by the way the reason why she started singing. I just don’t remember Ariel or Sebastian doing any guttural during the movie, but that’s just a minor detail, right? Moreover, our Heavy Metal goddess has been selected multiple times as one of “the hottest chicks in metal” by Revolver Magazine. Why am I not surprised at all with that?

Last but not least, Alissa is not only an animal lover (I believe she has two rescued kitties at home), but beyond that she’s an important animal rights activist just as her idol Angela Gossow, having already received an award from peta2 for her work in an international campaign advocating against the hunting of Canadian seals. Honestly, that’s for me her biggest achievement in life, even more important than her contribution to heavy music, and something she’s probably very proud of.

She mentioned in some interviews that she’s been active with a lot of different organizations helping kids, third world countries and animals, but that her true passion is in animal rights. She also said she started doing fundraising for peta2 and WWF when she was still in high school, and that the partnership between peta2 and her started when they used some stock footage in The Agonist’s first music video, Business Suits and Combat Boots. Since then the organization and Alissa have been working together to promote veganism and fight against animal cruelty as much as possible through different campaigns, protests, lectures, and many other activities. So don’t waste your time, go support peta2, get involved, do something good for this fuckin’ world, and you might end up meeting Alissa somewhere, an amazing person and one of the best frontwoman of the recent history of Heavy Metal. How about that?

Alissa White-Gluz’s Official Facebook page
Alissa White-Gluz’s Official Twitter

““The biggest thing for me is animal rights. That’s the number one factor that sort of means everything in my life, more than music or anything else. I think it’s a huge problem, and I think it’s refreshing to meet people, now and then, that actually do care about their impact on the planet, and not just care about themselves.” – Alissa White-Gluz

Album Review – Arch Enemy / War Eternal (2014)

More melodic than ever, less brutal than usual: this is the new album from one of the most important Swedish bands of all time. But isn’t their music getting too melodic to the point it fails to deliver?

Rating5

CoverWhen Swedish Melodic Death Metal icons Arch Enemy released a statement earlier this year about the unparalleled and irreplaceable diva Angela Gossow stepping down as the lead singer of the band to become their business manager, I must say I was truly shocked, not to mention I felt really worried about the future of one of my favorite bands from the past decade. However, when they announced the also amazing Alissa White-Gluz (from Canadian Melodic Death Metal/Metalcore band The Agonist) as her replacement, I knew the band was going to be in very good hands, which is proven by the good War Eternal, their ninth studio album and, more important than that, the beginning of a new phase in their extensive history.

Another very significant change in the band was the departure (for the second time) of Michael’s brother, the superb guitarist Chris Amott, replaced by American guitarist Nick Cordle in 2012, because although Nick has been with the band for two years now, this is his first studio album with them. I’m a huge fan of the Amott brothers playing together, and again I was a worried about the final result in War Eternal. Guess what? Once again I was “happily wrong”, as Mr. Cordle showcases an excellent performance throughout the whole album. So this means there’s nothing wrong in War Eternal? Well, let’s say the album is far from being a failure, but it has lots of highs and lows which you’ll be able to notice as soon as you take your first listen to it.

War Eternal kicks off with the interesting intro Tempore Nihil Sanat (Prelude in F minor), which is the Latin for “Time Heals Nothing”, before the band strikes the listener with the reverberating havoc named Never Forgive, Never Forget. This song is way better than I expected, especially after listening to the singles released earlier this year: this is the true Melodic Death Metal we learned to love from Arch Enemy, with the always bestial riffs and solos from Mr. Michael Amott and a totally inspired Daniel Erlandsson pounding his drums. On the other hand, War Eternal shows us a more contemporary Arch Enemy, which means less brutal and more melodic than ever. Moreover, the lyrics and chorus are annoyingly cheesy (“Try to tell you what to do / They love to have control of you / Back against the wall / In danger of losing it all / Search deep inside / Remember who you are”), which is kind of the same issue found in Khaos Legions, but thanks to its traditional riffs and Alissa’s excellent performance the song is not a complete disaster.

The following track, As the Pages Burn, is the Arch Enemy most fans want for sure: it is A LOT better than “War Eternal” in terms of rhythm, lyrics and creativity, with highlights to the beautiful solos by Michael and Nick at the end; while No More Regrets is the perfect example of how Michael Amott masters the art of starting songs with quick and efficient guitar solos, and by here you’ll be able to notice Alissa won’t use her clean vocals in Arch Enemy, at least not in this album, which in my opinion is completely understandable, expected and correct. Although I’m also a fan of The Agonist, simply remember the band here is and will always be Arch Enemy.

Then we have the biggest disappointment of the entire album, the unbearable You Will Know My Name, a song that cannot be considered Arch Enemy, but a totally disposable track that sounds like a rip-off of “No Gods, No Masters” with less intensity and horrible lyrics. Fortunately, after a traditional instrumental bridge called Graveyard of Dreams, the band gets back on track with the good Stolen Life, a song that reminds me of the musicality from their last two albums, especially its heavy groove, and the even better Time Is Black, with an excellent start, lots of shredding and some keyboard parts, sounding like some of their songs from Doomsday Machine.

arch enemyThe last part of the album is a music rollercoaster that starts with On and On, which despite its very cohesive sonority, lacks a lot of creativity and ends up falling flat; Avalanche, a good song with more keyboards and quick but awesome guitar solos, which should sound a lot better if played live; and the excellent Down to Nothing, where Daniel Erlandsson is kickin’ fuckin’ ass one more time. In addition, the bad chorus prevents it from being really awesome, but it’s one of the best songs of the album anyway (especially the guitar solos). Michael & Co. still have time for the instrumental Not Long for This World, a very traditional way to end an Arch Enemy album.

One might ask why I gave it only a 3.0 if I said so many good things about the album. Well, there are two main issues for me in War Eternal, which I do not expect everyone to agree 100% but at least acknowledge them: first of all, the lyrical themes are too cheesy and shallow again. Where’s all that obscurity and violence from their old records? And secondly, although some of the songs sound very strong, there isn’t a single one with that “wow factor” found in masterpieces such as “Enemy Within”, “Nemesis”, “Diva Satanica” or “I Am Legend/Out for Blood”. It’s not Alissa’s or Nick’s fault, though, it’s the lack of brutality that bothers me in War Eternal, not to mention the fact that the whole album seems to have been done a lot faster than it should, which probably hampered more in-depth and complex compositions.

Not only that, it looks like the main goal with their two official videos so far has been to literally showcase Alissa’s physical attributes to the fans instead of focusing on the music, as they were by far the worst songs of the whole album. Alissa is extremely hot, but I’m pretty sure all Arch Enemy fans prefer a more rampant musicality than fancy music videos. At least the excellent artwork for the album, created by Romanian artist Costin Chioreanu, lives up to Arch Enemy’s legacy.

To sum up, War Eternal is good, but not memorable, and I don’t believe that’s because Alissa is new to the band: she’s a superb singer and performer, and Arch Enemy couldn’t have found a better person to replace Angela. As I said a couple of times in this same review, it’s the extremely melodic (and sometimes too commercial) path the band has chosen to take that concerns me. For instance, I personally consider Johan Liiva just an average vocalist, but the music Arch Enemy used to play with him was so much more intense that lots of fans still miss him nowadays, even after the outstanding work done by Angela. I’ll keep loving Arch Enemy and headbanging to their music as always, but unfortunately most of the songs from War Eternal won’t be missed on my personal playlist in a couple of months.

Best moments of the album: Never Forgive, Never Forget, As the Pages Burn and Down to Nothing.

Worst moments of the album: War Eternal, You Will Know My Name and On and On.

Released in 2014 Century Media

Track listing
1. Tempore Nihil Sanat (Prelude in F minor) 1:12
2. Never Forgive, Never Forget 3:43
3. War Eternal 4:16
4. As the Pages Burn 4:01
5. No More Regrets 4:05
6. You Will Know My Name 4:37
7. Graveyard of Dreams (Instrumental) 1:10
8. Stolen Life 2:58
9. Time Is Black 5:23
10. On and On 4:04
11. Avalanche 4:38
12. Down to Nothing 3:47
13. Not Long for This World (Instrumental) 3:29

Band members
Alissa White-Gluz – vocals
Michael Amott – lead guitars
Nick Cordle – lead guitars
Sharlee D’Angelo – bass
Daniel Erlandsson – drums

Metal Chick of the Month – Angela Gossow

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Be As Free As You Can Be!

Every month from now on I’ll try to add a special post about an important woman in the world of Heavy Metal. Although we live in a very sexist world, I want to focus on the importance of each selected girl to heavy music, not only on their beauty. Well, most of them end up being very pretty, but let’s say that’s just a bonus to their talent, right?

The first one is in fact one of the heaviest and most eloquent of all: Angela Gossow is a beast (I would say she’s the personification of Megadeth’s She-Wolf), and at the same time a role model to many girls that are taking their chances in the world of Metal or to the ones that decided to become more engaged in social projects for human or animal rights.

Angela Nathalie Gossow was born on November 5, 1974 in Cologne, Germany, and she’s been on the road since 1991, beginning with the cool band Asmodina, then with Mistress and finally with one of my favorite bands in recent years, the Swedish Death Metal band Arch Enemy. I personally don’t think she will ever leave Arch Enemy and start a solo career, especially because she’s married to band’s guitar and founder, Michael Amott, and became some kind of leader of the group.

Her greatest strength is, of course, her unmatched guttural voice. I’ve seen Arch Enemy live once in Toronto, and it’s impressive how she can recreate on stage exactly what you listen to in their studio versions during the entire concert. Some Heavy Metal giants are among her biggest influences, as for example Rob Halford (Judas Priest), Chuck Billy (Testament) and Dave Mustaine (Megadeth), and what’s really interesting here is that it’s possible to notice nuances from each of these guys in her style and technique, even from a non-guttural singer like Halford.

Another extremely relevant point that must be taken into account in her entire career is her mighty on-stage performance. She sings, screams, bangs her head non-stop and interacts with the crowd all the time, making the experience of seeing Arch Enemy live even more delightful. There are so many Metal guys that consider themselves as being “the toughest men on Earth”, but that in fact do not deliver on stage not even 10% of what Angela does, and that’s a very good reason to respect this woman even more as an artist and a performer.

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On the other hand, as a lyricist she still has a long way to go. I’m not saying that I don’t like the band’s most recent albums (I love the musicality in Rise of the Tyrant and Khaos Legions), but the problem here is that since she started having more decision-making power in the band, despite the important messages she’s been trying to send to everybody about animal rights, religion or anarchism, all lyrics became too repetitive. She can keep on talking about those topics in her songs, but she needs to try doing that in a more creative way. If she refines her writing style, Arch Enemy will grow even more.

Regarding being a role model to many Metal or non-Metal girls, the fact that she’s an anarchist, an atheist, a vegan and a Death Metal singer, all at the same time, makes her unique and helps her influence a lot any woman that is pursuing a career in different areas ruled by men in our society, including heavy music. Angela and the rest of the band are huge supporters of non-profit organizations like Amnesty International and peta2 (People for the Ethical Treatment of Animals), sometimes even mixing their music with those institutions either by participating in some of their events or by allowing them to sell merchandise with the band’s name on it.

And lastly, let’s reflect about an insightful thought from Angela about religion and atheism. What do you think about it? Do you agree with her?

“To me, human rights go hand in hand with atheism. Atheists cannot hold some insane religious tradition responsible for their horrible deeds against mankind. We are fully responsible for everything we do. Until this does not apply to all religions on a world-wide basis I feel that religion is indeed the root of all evil.” – Angela Gossow