Midnight Madness Metal e-Radio Promo Hour Of The Day – From Monday To Friday @ 8pm GMT

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http://midnight-madness.is-a-rockstar.com/Great news for all of you metalheads!

FROM MONDAY TO FRIDAY @ 8pm GMT, one of our kick-ass partners, Midnight Madness Metal e-Radio, broadcasting directly from London, England, will blast the best of underground metal music reviewed here at The Headbanging Moose during the PROMO HOUR OF THE DAY!

So remember, FROM MONDAY TO FRIDAY @ 8PM GMT tune into Midnight Madness Metal e-Radio to get your daily shot of the cream of the underground metal music crop, from Hard Rock to Black Metal, from Folk Metal to Thrash Metal, from Doom Metal to Metalcore, and so on! You’ll have the unique pleasure of listening to the superb music by bands like Charm Designer, Neverworld, Majesty Of Revival, Nervosa, False Coda, Atonismen, Diabolizer, The Silent Rage, Terrifier, Gaerea, and tons of other amazing metal acts from all over the world!

Here are all the options where can blow your speakers with Midnight Madness:

Official website
Twitter
Online Radio Box
Tunein
Streema
Listen2MyRadio
Radio Garden

And if you want to have your new album reviewed at The Headbanging Moose AND played at Midnight Madness Metal e-Radio, simply get in touch with us through our CONTACT US page.

Album Review – Dommin / Beautiful Crutch (2016)

Not only another step forward in the musical growth of this passionate Alternative Rock band from the United States, but also a highly recommended album for admirers of dark, lovesick music.

Rating4

dommin-beautiful-crutch-artworkTouching hearts and minds by making music that matters since their inception in Los Angeles, California in 1999, American Alternative/Gothic Rock quartet Dommin are releasing today their brand new full-length album Beautiful Crutch, following the great success achieved with their previous releases, the pain-ridden Love Is Gone (2010) and especially the darker Rise (2015). Overflowing romance, lust and hope, Beautiful Crutch is highly recommended for fans of the dark, lovesick music by renowned acts such as Type O Negative, Depeche Mode, Danzig, The Cure and HIM, among others, as well as the heavier Rock N’ Roll played by Volbeat and Bullet For My Valentine.

“Beautiful Crutch is another step forward in the band’s musical growth. While this is an expansion of the band’s soundscape, some of the moods will be familiar to those that fell in love with our first album”, stated the band’s enigmatic frontman and guitarist Kristofer Dommin. In Beautiful Crutch, Kristofer and his bandmates Billy James on bass, Konstantine on keyboards and Cameron Morris on drums deliver 11 beautiful, classy compositions blending elements from all the aforementioned bands with their own twist and personal experiences, making this a very personal and special album for them, and consequently a great addition to the collection of lovers of heartwarming rock music.

Dommin are ready to melt the hearts of the ladies with their Blues-ish Alternative Rock in Desire, a fiery declaration of love from Kristofer to a very special woman in his life (“I hunger and thirst / Naturally cursed / Never satisfied / Until the day I die / It’s you I desire / Whether it’s lose or win / It’s you I desire / And I can’t help but give in / It’s you I desire”), with drummer Cameron Morris keeping the passion flowing in the music through his slow and steady Goth beats. Show Me is an upbeat Rock N’ Roll tune with hints of Rockabilly, reminding me of some songs by Volbeat, where Kristofer and Billy do a great job with their respective guitar and bass, in special during the song’s kick-ass guitar solo; whereas The Scene is a radio-friendly rock song with the keyboards by Konstantine adding melancholy to the sonority. Furthermore, Kristofer might have a soft voice compared to almost all singers reviewed here at The Headbanging Moose, but he truly knows how to exhale strong emotions with his passionate performance.

Highly inspired by the pleasant sounding crafted by The Smiths, the soft rock chant This World blends an 80’s atmosphere with modern rock elements, showcasing a precise connection between the heavy bass sounds by Billy and the rhythmic drumming by Cameron. The next song, the title-track Beautiful Crutch, is a feast of opposite emotions, alternating between calm and introspective passages and electrified peaks, with the guitar lines by Kristofer leading all those beautiful changes; followed by I Die, where smooth piano notes and the mellow voice by Kristofer make this serene and pensive ballad an amazing listen to anyone. In addition , elements from Gothic Rock from the 80’s and its dark ambience set the perfect stage for another soulful guitar solo by Mr. Dommin. And in Vulnerable, another ballad offered by the  quartet to the Rock N’ Roll ladies all over the world, albeit there’s a strong focus on vocals and lyrics, all instruments end up bringing their share of passion to the overall result.

domminThen Dommin deliver what can be called alternative rockin’ Waltz in the excellent The Flame, with the Volbeat-like vocals by Kristofer and the enchanting keyboards by Konstantine being the song’s main ingredients. In my humble opinion, this is by far the song with the highest amount of creativity in the album, with its rhythm getting more and more addictive the more you listen to it. Madly sounds like a fusion of Smiths, Danzig and Depeche Mode (which could only result in music excellence), with its guitar solos being exactly what the song needed to be even more gripping. To be fair, why songs like this one are not getting played nonstop at rock stations everywhere is beyond my knowledge. Anyway, The Saddest Dream is a somber and modern creation by Kristofer and his crew where Billy and Konstantine generate a fantastic ambience with their instruments, flowing to a very alternative and peculiar form in the end. And lastly, the band offers us Van Halen-like keyboards and a strong feeling of hope in Outer Space, where Alternative Rock and Blues are nicely combined by all instruments. Cameron and Billy once again provide Kristofer all the support he needs for another emotional vocal performance, a constant throughout the entire album.

You can get a sneak peek of each song in Beautiful Crutch by clicking HERE, but of course I suggest you go grab your copy of the album at different online stores such as iTunes and Amazon. I’m sure that, after Beautiful Crutch, the realm of meaningful and passionate music created by Dommin will only get stronger, giving even more stamina and inspiration for the band to keep writing all those love rockin’ songs, keeping the hearts of their fans warm even during the coldest nights of winter.

Best moments of the album: Desire, This World, The Flame and Madly.

Worst moments of the album: Vulnerable.

Released in 2016 DNRecords

Track listing
1. Desire 3:32
2. Show Me 3:31
3. The Scene 4:14
4. This World 3:47
5. Beautiful Crutch 4:07
6. I Die 5:25
7. Vulnerable 3:36
8. The Flame 3:55
9. Madly 3:25
10. The Saddest Dream 6:36
11. Outer Space 5:23

Band members
Kristofer Dommin – vocals, guitars
Billy James – bass
Konstantine – keyboards
Cameron Morris – drums

Album Review – Ways. / Watching From Afar EP (2016)

Mixing several influences and musical styles from Alternative Rock to Post-Hardcore, this up-and-coming French quintet might be exactly what you’re looking for in modern heavy music.

Rating5

ways_watching-from-afarMixing several influences and musical styles, French Alternative Rock/Metal act Ways. might be exactly what you’re looking for in alternative music, offering a wide variety of genres in their compositions that will please fans of heavier groups such as Deftones, Marilyn Manson and Killswitch Engage, to radio-friendly bands like Foo Fighters. And that harmonious but still fierce fusion of styles can be easily witnessed in their debut EP entitled Watching From Afar, a six-track album that nicely summarizes what Ways. are capable of, their main influences and their goals with their music.

Formed in 2013 in Paris, France, this talented quintet brings forward dynamic and melodic music displaying elements from Alternative Rock, Heavy Metal and Post-Hardcore, among others, always keeping their musicality fresh and vibrant throughout the almost 20 minutes in Watching From Afar. You’ll be positively surprised by the band due to all their sudden tempo changes and variations, going from harsh and desperate screams to gentle vocals and smooth guitar sounds. Featuring a sexy artwork by French photographer Sebastien Bessac, Watching From Afar can entertain you at a pub, at home, in your car or anywhere else good music is required.

In the opening track, titled My Blue Stain, a melodic beginning quickly turns into a blend of Metalcore and Alternative Metal, with lead singer Clément smoothly transitioning from harsh screams to clean vocals. Furthermore, it’s easy to notice influences from Deftones and In Flames, among other bands, in all instruments, which is also the case in As A Duty, showcasing a lighter side of the band with Bruno and Nico doing a great job on guitars, firing gentle lines and heavier riffs in sync with the vocals by Clément. Overflowing anguish and melancholy, this nice composition displays hints of Alternative Rock (in special during the song’s calm passages) that add an extra flavor to the overall result. And in Misty Hope, despite starting in a calm and relaxing way, vocal lines keep fierce and deranged, being recommended for fans of Foo Fighters and Deftones in pursuit of a higher level of aggressiveness in music. In addition to that, drummer Tony leads the song’s pace with his rhythmic beats, increasing its effectiveness and appeal for the delight of the listener.

waysThe title-track Watching From Afar is an instrumental track that’s more progressive and introspective than everything else in the album (and also the shortest of all songs), a nice display of dexterity by all band members leading up to the melancholic tune Something To Say…, where the groovy and smooth lines by session bassist Thomas Houche, together with the atmospheric riffs by Bruno and Nico, provide all the support for another passionate performance by Clément on vocals. Watching From Afar closes with Twenty First Sectuary, the heaviest and in my opinion the best composition of the album, getting closer to Melodic Death Metal without losing the harmony of Metalcore. Not only all guitar lines by Bruno and Nico sound amazing in this chant, but Tony also pounds his drums harder than in any other song of the album, translating into more electricity and consequently accrediting it to be one of the best options for the band’s live performances.

You can get more details on the music and career by Ways. by visiting their Facebook page, YouTube channel and Instagram, and if you want to purchase Watching From Afar, simply go to their BandCamp page for a preview of the album and to get a physical copy of it, or you can also get it on iTunes, supporting not only Ways. but the entire heavy music independent scene. As previously mentioned, Ways. can offer you a wide range of heavy, classic and soft rock in their compositions, making your day better with their pleasant musicality and showing you that Watching From Afar is just the beginning and a nice sample of what’s coming next for those talented French musicians.

Best moments of the album: My Blue Stain and Twenty First Sectuary.

Worst moments of the album: None.

Released in 2016 Independent

Track listing
1. My Blue Stain 3:17
2. As A Duty 4:48
3. Misty Hope 3:17
4. Watching From Afar 2:13
5. Something To Say… 3:11
6. Twenty First Sectuary 3:39

Band members
Clément – vocals
Bruno – guitar
Nico – guitar
Elo – bass
Tony – drums

Guest musician
Thomas Houche – bass (session)

Album Review – Age of Atlas / Of Tongue and Tide. Of Flame and Honey. (2016)

Just hit play and enjoy a feast of heavy, catchy and groovy compositions, brought forth by four promising British musicians who are constantly challenging themselves and pushing the boundaries of progressive music.

Rating4

album-cover-frontIf you have never visited Kingston upon Hull, usually abbreviated to Hull, a city and unitary authority in the East Riding of Yorkshire, England, you’re missing all the vitality and distinctiveness of the city’s culture and heritage. For instance, you can go check their Humber Mouth literature festival, the annual Hull Jazz Festival, as well as several other exhibitions, theaters and concerts. Such cultural richness could only translate into amazing heavy music, which is exactly the case with Alternative Rock/Metal band Age of Atlas, who are releasing their first full-length album entitled Of Tongue and Tide. Of Flame and Honey., following on from their debut EP The Scale of Things to Come, from 2014.

With Peter Measures on vocals, Mikey Scott on drums and the two nearly identical twins Keelan and Kye Beavers on guitar and bass, respectively (which is probably the main reason why they are in perfect synchronicity at all times), this very technical Hull-based group formed in the year of 2012 is highly recommended for fans of the progressive heavy music played by Coheed and Cambria and Tides of Man, among many other distinct bands. Self-recorded at Mikey’s own studio Fruit Trade Music and featuring a beautiful artwork by James Fenwick Illustration, Of Tongue and Tide. Of Flame and Honey. epitomizes everything Age of Atlas are today in a feast of gripping riffs, stunning breaks and poetic vocal lines, obviously pointing to an absolutely bright future that lies ahead for this talented quartet.

The progressive and sharp opening track Sleight Of Hand Of Glory already offers the listener a taste of what Age of Atlas are capable of, with its alternative and psychedelic intro being boosted by the metallic bass lines by Kye before lead singer Peter Measures starts firing his modern poetry (“The thunder in your tongue finger lisps the blood from the thumb / Your hunter handed stitching yearns and breaks and comes undone”), not to mention the elements of Blues and Jazz added to the musicality which end up expanding its range even more. And that’s only the beginning, as the punchy riffs by Keelan and the roaring drums by Mikey steal the show in Natural Sciences, a hybrid of Dream Theater and Gojira with a Hard Rock twist. Despite being considerably heavy for many average radio listeners, I’m more than sure this electrifying tune could still be played at any rock n’ roll radio station in the world and become an instant hit. While that doesn’t happen, you can keep enjoying the intricacy provided by Kye on bass and the spot-on guitar solos by Keelan in For The Feast That Follows, some sort of “controlled craziness” that works really well from start ot finish, bringing pure awesomeness to our ears.

Presenting a modernized ambience, Father Of The Fear Of Falling is a soulful and technical composition where the complexity provide by Mikey on drums flawlessly supports the alternating moments of melodious softness and headbanging riffs found throughout the entire music; while Echoes Of Empire, presenting even more tempo changes and a passionate performance by Peter on vocals, is another sonic experiment for fans of Progressive Metal, with its backing vocals adding an extra touch of liveliness to the song. In The Brackening, highly influenced by Groove Metal but still having Progressive Rock as its core element, pay good attention to the “battle” between brothers Keelan and Kye with their unstoppable stringed weapons while Peter continues to blast his fiery vocal lines. An in Dead Eyed Sigils Of Our Failures Against Distance the band presents a more mainstream approach through smooth and progressive Hard Rock lines. This can be considered the most generic (or least innovative) of all tracks, albeit being well-crafted and offering a solid performance by Peter supported by the song’s background keyboards.

pic1Background electronic effects, rumbling bass lines and a headbanging rhythm make listening to the excellent Ambering a very positive experience, displaying even hints of pop music in certain moments. Furthermore, the last piece of the song is one of those progressive journeys loved by fans of the genre, which should sound incredible if played live. Then we have Needer, sounding heavier and sharper at first, but getting back to the band’s harmonious experimentations. Needless to say how bass and drums get inside your head and shake your brain in a good way, another remarkable characteristic of the music by Age of Atlas. And the icing on the cake comes in the form of an almost 7-minute aria of progressiveness named Gyromancer: it doesn’t matter if you prefer heavier and crazier sounds or a more serene complexity, the band brings forward all variations of Progressive Metal and Rock in this powerful tune, and the final result will certainly electrify the rest of your day.

As any other creative progressive band, Age of Atlas do not settle down at all and are already working on writing and refining new material for a follow up second album. While we wait for the next chapter in their promising career, let’s visit their Facebook page, YouTube channel and SoundCloud to know more about the band and to enjoy more of their music. And as an early Christmas gift (and to show how nice the citizens of Hull are), Of Tongue and Tide. Of Flame and Honey. is available as a free download for fans who sign up to the band’s mailing list (which you can do by clicking HERE). “We’ll always try and push ourselves in new ways and writing new material, working on new songs, is the most enjoyable way of challenging ourselves.” says vocalist Peter, and we must all agree that as long as they keep challenging themselves and releasing albums like Of Tongue and Tide. Of Flame and Honey., the future of progressive and groovy music looks more than good not only for Kingston upon Hull, but for the entire world.

Best moments of the album: Sleight Of Hand Of Glory, Natural Sciences and The Brackening.

Worst moments of the album: Dead Eyed Sigils Of Our Failures Against Distance.

Released in 2016 Independent

Track listing 
1. Sleight Of Hand Of Glory 4:26
2. Natural Sciences 3:06
3. For The Feast That Follows 3:49
4. Father Of The Fear Of Falling 3:43
5. Echoes Of Empire 4:08
6. The Brackening 5:28
7. Dead Eyed Sigils Of Our Failures Against Distance 4:37
8. Ambering 3:25
9. Needer 3:57
10. Gyromancer 6:52

Band members
Peter Measures – vocals
Keelan Beavers – guitar
Kye Beavers – bass
Mikey Scott – drums

Album Review – Witches Of Doom / Deadlights (2016)

The Italian coven of Doom and Gothic Metal returns in full force to put another electrifying Rock N’ Roll spell on you.

Rating4

WOD_DeadlightsAfter releasing their debut album Obey back in 2014, I knew it was just a matter of time until Italian Goth-Stoner-Doom Metal act Witches Of Doom returned with more of their mesmerizing Rock N’ Roll extravaganza. Two years have gone by since that amazing album, and here we have the Rome-based warlocks Danilo “Groova” Piludu on vocals, Federico “Fed” Venditti on the guitar, Jacopo Cartelli on bass, Graziano “Eric” Corrado on keyboards and Andrea “Budi” Budicin on drums offering all fans of old school dark music the likes of Type O Negative, Moonspell and The Cult their brand new album whimsically entitled Deadlights which, just like its predecessor, will put you to dance, drink and make love like there’s no tomorrow.

Although I’m not a professional musician, producer or anything similar to that, I must say the upward growth in the overall quality of the album in terms of its production and sound is one of those things that not only helped Witches Of Doom explore new horizons and add new elements to their music, but it also shows how professional those Italian metallers are and how much they are focused on what they do. Thus, due to the enhanced quality of their music and to the brand new songs added to their portfolio, I think the band is more than ready to reach new heights and start spreading their exciting music throughout the world by touring in places like the United States, Canada and South America, either by themselves or as one of the attractions of some music festivals held in those regions.

While we wait for their first world tour, let’s rock to the sound of the superb opening track in Deadlights, called Lizard Tongue, where after an alternative and electronic we are embraced by a modernized goth atmosphere and the band’s pure Rock N’ Roll attitude. These guys know how to bring that magic aura from the 80’s to our present days, with frontman Danilo being better than ever with his inebriate and dark vocals, perfectly declaiming the song’s catchy lyrics (“Daughter of a thousand sins / Angel praying for your last wish / The city crawls in the dead of night / A knife cuts deep flesh open wide / Trick or treat is the only law / Merchant on the killing floor / The city crawls in the dead of night / A knife cuts deep flesh open wide”). In Run with the Wolf, an eerie waltz mixed with symphonic elements in what’s probably their most obscure composition to date, keyboardist Andrea crafts the perfect doomed ambience, supported by the low-tuned bass lines by Jacopo; whereas in Deface (The Things That Made Me a Man), heavier and weirder than usual due to the rumbling bass by Jacopo and the always passionate guitar riffs and experimentations by the band’s mastermind Fed, the listener faces a solid blend of Gothic Rock with Alternative Rock and Metal.

WOD 2016Melancholy and sorrow flow from the beautiful Winter Coming, where Danilo once again provides an additional layer of emotion to the musicality with his vocal lines (not to mention the song’s sorrowful lyrics), followed by Homeless, another shot of wickedness provided by this talented band with the groovy bass lines by Jacopo and the progressive drumming by Andrea enhancing the song’s punch. In other words, this could become a radio hit anytime, anywhere. And get ready to be hypnotized by the Black Voodoo Girl, with its Gothic start getting heavier and darker until it becomes another one of the band’s “striptease” hymns. The keyboard passages by Graziano match perfectly with the heavy riffs by Fed and the somber vocals by Danilo, and you’ll surely have a good time singing its chorus along with the band.

In Mater Mortis, what begins as an epic chant quickly morphs into a futuristic tune, more specifically into an ode to the music from the 80’s with highlights to its awesome keyboards, and this instrumental voyage sets the tone for Gospel for War, a badass Gothic/Stoner Rock chant tailored for fans of Rock N’ Roll pub fights where Fed keeps blasting his excellent riffs while Andrea takes his drumming to a whole new and amazing level of intricacy. And last but not least, bringing elements from non-metal genres like Jazz and Blues to their sounding, the band offers us all the introspective and soulful I Don’t Want to Be a Star, showcasing smooth but fierce piano notes by Eric and strong performances by Danilo on vocals and by Fed with his fiery solos. If you love long and experimental songs with the energy and feeling of Rock N’ Roll, you might have found your new favorite song in rock music.

In summary, the music presented in Deadlights, which features a stunning artwork by Italian artist Carlo Muselli (who by the way is the big boss at Sliptrick Records) and is available on iTunes or on Amazon, has everything a true fan of heavy rock always looks for and more, and in order to know more about the Witches Of Doom, including their future plans and tour dates, don’t forget to go check their official Facebook page. This skilled coven of Doom and Gothic Metal is not among us to simply play some rock tunes, but in special to put an electrifying Rock N’ Roll spell on all of us, lovers of dark and rhythmic heavy music.

Best moments of the album: Lizard Tongue, Black Voodoo Girl and Gospel for War.

Worst moments of the album: None.

Released in 2016 Sliptrick Records

Track listing
1. Lizard Tongue 4:13
2. Run with the Wolf 4:49
3. Deface (The Things That Made Me a Man) 5:45
4. Winter Coming 4:35
5. Homeless 5:32
6. Black Voodoo Girl 4:46
7. Mater Mortis 3:01
8. Gospel for War 4:35
9. I Don’t Want to Be a Star 6:59

Band members
Danilo “Groova” Piludu – vocals
Federico “Fed” Venditti – guitars
Jacopo Cartelli – bass
Graziano “Eric” Corrado – keyboards
Andrea “Budi” Budicin – drums

Album Review – Sleep Signals / Transitions EP (2016)

High-quality and organic Heavy Metal perfect for enlivening us up anytime, anywhere, delivered by an extremely promising band from the United States who are just starting to pave their path to success.

Rating4

sleep signals_transitionsBlending elements of the most traditional form of Hard Rock from the 80’s and 90’s and the modern Heavy Metal played by bands such as Avenged Sevenfold, here comes the skillful American Alternative Rock/Post-Hardcore quintet Sleep Signals and their brand new EP, entitled Transitions, bringing you huge doses of electricity emanating from catchy choruses, powerful riffs and a true passion for music. Hailing for the city of Minneapolis, Minnesota, this five-piece act is here to stay, aiming at disseminating their high-octane music all over the world for many years to come.

After the release of their debut album Open Your Eyes in 2015, many doors opened to the band in terms of touring and radio exposure, and based on what you’ll be able to hear in Transitions this positive trend is going to continue without a shadow of a doubt. Either by singing about deep and thoughtful themes or by simply offering you a nice soundtrack for a Rock N’ Roll party at your place, you can rest assured the music by Sleep Signals will never let you feel bored or tired at all, always driving the level of energy (and the music volume) up, no matter what the occasion is.

The opening track, Means, quickly grows into contemporary Heavy Metal/Metalcore the likes of Avenged Sevenfold, but with noticeable Power Metal influences.  In addition, lead singer Kyle Hanson has a very potent voice and makes use of it to boost the level of adrenaline in this exciting tune, with the backing vocals providing him an incredible support. Then we have The Harbinger, where the riffs by guitarists Robert Cosgrove and Colin Smith sound heavily inspired by that fantastic movement from the 80’s called NWOBHM (New Wave Of British Heavy Metal), while drummer Taylor Madden dictates the rhythm with his complex and fast beats. And in order to make this song even more memorable, Sleep Signals managed to craft an extremely catchy chorus that will put you to sing along with them instantly.

sleep signalsIn the next tune, Digital Sleep, it’s easy to notice how much they love the music they play, offering the listener a modernized version of Hard Rock with a more aggressive attitude. Besides, it’s amazing how clear and tuneful Kyle’s vocals are and, although any of the songs in Transitions can be played on the radio and become an instant hit, I believe this one is the catchier of all five and a serious contender to become a Rock N’ Roll underground anthem.

Oceanus Borealis brings forward a Power Metal-ish intro that morphs into pure Metalcore in a vibrant semi-ballad, with Taylor and bassist Logan Rieger crafting an uplifting atmosphere for Kyle to deliver an emotional message through his vocal lines. And lastly, the title-track Transitions closes the EP in a more introspective and melancholic way. It’s undisputedly a lot more progressive than all previous tracks thanks to the job done by Robert and Colin on the guitars and Taylor on drums, not to mention its effective backing vocals. And when the song accelerates, it becomes a solid mix of old school British Heavy Metal and modern American Alternative Metal, something quite common nowadays in the world of heavy music, but usually not as good as what Sleep Signals are offering in this case.

In summary, what Sleep Signals deliver in a little less than 20 minutes sounds so solid and thrilling it’s hard to believe this band is just starting their career. Anyway, if you want to know more about them (and also take a listen at their previous material), go check them on Facebook, YouTube and ReverbNation, and don’t forget to show your support for the new by purchasing Transitions at the band’s official webstore or on iTunes. If I had to pick just a few of the several new bands I receive every week as the most promising ones or the ones with the highest potential to succeed in heavy music, Sleep Signals would definitely be among my choices. It’s good, organic and honest Heavy Metal that can be played anywhere, anytime, and that’s all we always look for in music, right?

Best moments of the album: The Harbinger and Digital Sleep.

Worst moments of the album: None.

Released in 2016 Independent

Track listing
1. Means 3:58
2. The Harbinger 3:39
3. Digital Sleep 4:02
4. Oceanus Borealis 3:51
5. Transitions 5:21

Band members
Kyle Hanson – vocals
Robert Cosgrove – guitar
Colin Smith – guitar
Logan Rieger – bass
Taylor Madden – drums

Album Review – Bouquet of Dead Crows / Of The Night (2015)

Take a good listen at this classy rock album by a very talented British quartet and you might be able to understand what a “bouquet of dead crows” is all about.

Rating5

bodc_of the nightAlthough it might be a bit tough for most of us to imagine how a “bouquet of dead crows” would look like, a group of talented rockers hailing from Cambridge, UK can definitely help us in turning this difficult task into a pleasant Rock N’ Roll party, especially if you’re a fan of female-fronted bands. This is what you’ll find in the smooth and trenchant Of The Night, the brand new album by British Alternative Rock/Metal act Bouquet of Dead Crows.

Formed in 2013, Bouquet of Dead Crows truly know how to combine big riffs with big melodies, presenting a sequence of very consistent and rousing compositions led by lead singer Antoinette Cooper and guitarist Neil Bruce. Featuring an exquisite artwork by Stewart Harris Designs, Of The Night is perfect for a day on the road by yourself or with your significant other, a relaxing Sunday afternoon or any other situation where you need to soothe your spirit without giving up the electricity we all love in Pop Rock.

Instruments begin to arise from an acoustic intro in the opening track Everything Is Temporary until the beautiful voice by Antoinette Cooper fills your ears with passion and melancholy, followed by Epicentre, showcasing strong bass lines by Graeme Clarke and heavier guitar riffs by Neil to counterbalance with Antoinette’s voice. In other words, this nice tune proves how romantic and metallic the band can sound at the same time, which is also valid for Just A Little More, another great display of Alternative Rock/Metal with some progressive elements added to boost its pleasant rhythm. When this song is over, I’m sure you’ll be eager for more of it.

Graeme kicks off Without You with his resonant bass before it becomes a gentle ballad, focused on its touching lyrics about what true love is (“Hold me close, don’t let me go, because I just can’t go on without you…”). In my humble opinion, this charming song has all it takes to become a radio hit, it’s just a matter of it getting in the hands of the right people. The next song, Drownout, which by the way is another excellent choice for a rock n’ roll radio playlist, provides some “mystery” to the listener due to its elaborate bass lines and guitar solo, including a thoughtful chorus perfect for singing along with the band in a moment of reflection (“Rising up through the current / Must break free / Peaceful water laps at our skin / Letting us be”).

bodc_live 2015Then we have The Fundamental Flaw Of Solitude, a modern Rock N’ Roll chant with hints of Blues Rock and electric performances by Antoinette and Neil; and The Silent Path (Time Goes By), a minimalist but very effective song tailored for lovers of ballads with Folk Rock influences. And adding a good amount of horsepower to their musicality, Bouquet of Dead Crows fire pure Rock N’ Roll the way we love in Don’t Panic!, with the whole band providing Antoinette what’s needed for her to shine and turn this into one of the best songs of the album (if not the best), not to mention another great guitar solo by Neil.

Before Of The Night is over (and showing how well they master the art of switching between high-octane rock music and beautiful ballads), this talented British quartet still delivers the touching Like A Flower, with its poetic lyrics flawlessly declaimed by Antoinette (“The shadows fall away / Lost in the tranquility of the night / The sun warms the face / Tilted up like a flower / Sending the angst astray”), and Endless, a 7-minute rock journey with awesome guitar lines by Neil and another charge of catchy lyrics to sing together with the band, until it reaches its end on a high note.

In case alternative rock music is your cup of tea, you can get in touch with Bouquet of Dead Crows through their Facebook page, and obviously listen to Of The Night and purchase it at the official German Shepherd Records BandCamp page. Perhaps after taking a good listen to the entire album, all by yourself or together with someone you love, you might be able to create a good depiction of a “bouquet of dead crows” inside your mind to the sound of this classy rock band from the UK.

Best moments of the album: Drownout, Don’t Panic! and Like A Flower.

Worst moments of the album: Everything Is Temporary.

Released in 2015 German Shepherd Records

Track listing
1. Everything Is Temporary 3:29
2. Epicentre 3:08
3. Just A Little More 2:56
4. Without You 4:44
5. Drownout 3:47
6. The Fundamental Flaw Of Solitude 4:06
7. The Silent Path (Time Goes By) 2:51
8. Don’t Panic! 3:02
9. Like A Flower 3:50
10. Endless 7:04

Band members
Antoinette Cooper – vocals
Neil Bruce – guitars, ukulele
Graeme Clarke – bass, acoustic guitar
Andrew Coxall – drums, percussion, programming

Album Review – Novallo / Novallo II EP (2015)

A wicked fusion of metal, rock, pop, electronic, jazz and tons of other contrasting genres, crafted by a talented and promising American band.

Rating4

cover artRanging from the delightful turmoil brought forth by Progressive Metal to the catchy tunes from modern Pop/Rock, the vibrant experimentations by American Alternative/Experimental Metal band Novallo will definitely hit you like a bullet train at full speed and put you to dance, bang your head or simply move your body in any unconventional way you might enjoy. And let me tell you that such a weird sounding ends up making the task of putting a label to Novallo extremely hard. I personally can’t say if they’re a pop version of Dream Theater or a heavier version of Justin Timberlake, if not both at the same time.

Founded in the city of Columbus, Ohio (the 15th largest city in the United States) in 2006, Novallo released their self-titled debut EP in 2012, earning them some considerable recognition and appreciation by a growing fan base, as well as a spot on the 2015 edition of the Rock on the Range festival (as the only unsigned band on the bill, by the way), playing on May 16 alongside renowned acts such as  Saxon, Ministry, Babymetal, Godsmack, In Flames and Judas Priest. Now, after beginning to solidify their path to stardom, they’re back with a brand new EP entitled Novallo II, another wicked fusion of unlike music genres crafted by these talented and professional musicians.

How crazy, electronic and innovative can an intro be? Take a listen at Wake and you’ll see, right before Betty Phage Goes to Bronxton offers you a  unique mix of Alternative and Progressive Metal with hints of Jazz and electronic music. Put differently, it’s a very fun tune that’s appealing and complex all at once, something not so common in music nowadays. Drummer Nick Salvatore kicks ass behind his drum set hands down, which is also the case in the even more electronic I AM, a well-crafted rock-ish version of dance music where it’s pretty easy to notice their influences from the King of Pop Michael Jackson.

novalloA lot heavier than all other tracks from the EP, Sideways Bird nicely blends elements from Groove Metal with Alternative Rock. Besides, I dare you to try to make any sense out of the song’s loco lyrics (“First ride hitched on a glitch – am I coming or going? / Insanity photographed consciousness flowing. / Discount tricks shaped like bits from the back corner store man. / Liquid crime – amplified to extract and delete even more.”). In contrast, Give Gravity a Choice is significantly smoother and more progressive, with its calm passages and stronger soundings creating together a relaxing environment enhanced by the solid vocals by Sam Gitiban, who provides the song all the necessary energy and balance.

Showcasing freakish electronic effects that sound like something you would find in a Mario Bros. videogame, White Phoenix keeps the madness rolling thanks to the sick riffs by Gino Bambino and the precise breaks by Nick Salvatore, not to mention the brilliant work done by Brandon Johnson with his metallic bass lines. And although the movie-ish outro Sleep might put an end to the album, we all know the band is just starting their promising journey through the world of eccentric music.

To sum up, what Novallo has to offer in Novallo II, available at their BandCamp page (or you can take a peek at what the band can do at their YouTube channel, if you prefer), is indeed unique, or maybe I should say substantially distinct when compared to almost any other band or artist you can think of. Their music will most probably suit you no matter if you’re one of those orthodox fans of Progressive Metal that looks down on anything that doesn’t contain a billion intricate notes and riffs, or if you don’t give a shit about complexity as long as you can feed your inner dancer with the music. In other words, whilst you have a craving for a special type of music, Novallo definitely have the righteous tunes to fulfill all your needs.

Best moments of the album: Betty Phage Goes to Bronxton and Sideways Bird.

Worst moments of the album: None.

Released in 2015 Independent

Track listing
1. Wake 0:29
2. Betty Phage Goes to Bronxton 3:07
3. I AM 3:35
4. Sideways Bird 3:35
5. Give Gravity a Choice 5:18
6. White Phoenix 4:21
7. Sleep 1:05

Band members
Sam Gitiban – vocals
Gino Bambino – guitar
Brandon Johnson – bass
Nick Salvatore – drums, percussion

Album Review – Nocturnal Escape / Nocturnal Escape (2015)

Do you love elaborate music, but at the same time do you feel an urge to bang your head nonstop? This skillful German act might have exactly what you’re looking for.

Rating5

Nocturnal Escape - Nocturnal Escape - coverIf you’re one of those demanding metalheads who’s always looking for fresh and complex music, which at the same time still offers a raw vibe or an evil aura that keeps the music as underground as possible the likes of Moonsorrow, Enslaved, Opeth and Amorphis, you’ll have a great time banging your head to Nocturnal Escape, the self-titled debut album by German Progressive Death/Black Metal band Nocturnal Escape.  It might not be an easy listen for people who are used to more straightforward rock and metal at first, but the quality of the music found in this album is so good you’ll end up succumbing to the band’s intricate darkness after a short while.

As a matter of fact, this Augsburg-based group is more like a project created by multi-instrumentalist Leo Bergmann in January 2014, a few months after his previous band, Bleak, disbanded in 2013. Leo was joined by his brother, bassist Klaus Bergmann (who also plays for the excellent German Death Metal band Disgusting Perversion), in late 2014, and also by vocalist Thomas Zimmermann, who added clean vocals to the album in 2015. I don’t know if they can be called a “power trio”, but they surely know how to make a lot of noise and how to fill every empty space with their notes, riffs and beats.

A demonic voice introduces us to the music by Nocturnal Escape in War Of Beliefs, a blend of Death and Black Metal so technical and obscure it’s not recommended for the faint-hearted. However, amidst all turbulence there’s room for tons of progressiveness and melody, with kudos to Leo for crafting such solid and entertaining musicality. What starts as an epic battle hymn evolves to boisterous Black Metal in Age Of Atrocity, with highlights to the nonstop riffs by Leo, the good balance between harsh and clean vocals thanks to a great job done by Thomas, and its meaningful lyrics (“Don’t follow leaders for whom you are lifestock / Pull out now to prevent the shellshock / Cluelessness is bliss of the mindless herd / Set yourself aside and feast on your hate”). Besides, although it’s less progressive than the opening track, it still presents intricate passages and lots of tempo changes.

A Lucid Mind, which leans towards cleaner Progressive Metal despite the growling vocals by Leo, offers us calm and relaxing passages focusing on Thomas’ clean voice and an embracing atmosphere to soothe our souls, while the other pieces of the song are an ode to madness and freedom; followed by Disillusion Strikes, where the band gets back to a more direct sounding, a modern Death Metal tune with hints of the craziness generated by bands such as Devin Townsend, turning it into one of the top moments of the album. The title-track, Nocturnal Escape, starts in some kind of “cosmic” way due to its synths, before switching to Progressive Metal enhanced by Leo’s devilish growls while Thomas declaims his vocal lines, developing then an interesting storyline to be followed attentively throughout the entire song as you can see in its lyrics (“The pain feels good the pain feels right / This cleansing torture drives me through the night / I follow this path and come to me / With this aquired taste in human tragedy”). A similar situation is found in Screaming Heart, with yet another melancholic intro that grows in sorrow and darkness until it becomes a Progressive Dark/Doom Metal exhibit. Not only it feels like two or three songs in one, but the strong focus on riffs and solos were clearly done on purpose by Leo to enhance the song’s punch.

Nocturnal Escape - logoWhat initially seems to flirt with Alternative Rock and modern Hard Rock turns into a Black Metal feast with a desperate ambience that will invade your mind in Gaia’s Demise, with its funereal riff and the well-balanced duo of harsh and clean vocals leading this progressive tune through its acoustic passages and mesmerizing rhythm. And what if Deep Purple, Devin Townsend and Arch Enemy got together for a jam session? The result would probably resemble the thrilling tune entitled Call To Humanity, which keeps rolling at full speed fueled by its awe-inspiring guitar riffs and solos. It’s indeed an amazing mix of Speed and Death Metal with huge dosages of progressiveness and feeling to close the album on a high note, and in my humble opinion it’s the best tune of the album by far. In addition, pay close attention to the song’s special guests Paul Perlberg, Joscha Radaj (Zerfetzer, Musikalischer Gesundheitsdienst), Tobias Ruf (Disgusting Perversion), Julian Gruber (Running Death) and Simon Bihlmayer (Running Death), as they add some crazy amount of wickedness to the final result.

You can get more details on Nocturnal Escape at their official Facebook page, as well as purchase their debut album through BandCamp. This is a great opportunity for fans of progressive and aggressive music to witness the inception and rise of a talented metal act from Germany who are not afraid of experimenting and adding different layers of complexity to their compositions, creating a unique sounding that, as aforementioned, will beautifully reach to your heart and definitely make you bang your metal head.

Best moments of the album: Age Of Atrocity, Disillusion Strikes and Call To Humanity.

Worst moments of the album: Nocturnal Escape.

Released in 2015 Independent

Track listing
1. War Of Beliefs 7:37
2. Age Of Atrocity 5:23
3. A Lucid Mind 6:52
4. Disillusion Strikes 4:34
5. Nocturnal Escape 7:01
6. Screaming Heart 4:19
7. Gaia’s Demise 6:36
8. Call To Humanity 6:31

Band members
Leo Bergmann – harsh vocals, guitars, keyboards, drum programming
Thomas Zimmermann – clean vocals
Klaus Bergmann – bass

Guest musicians
Paul Perlberg – vocals on “Call To Humanity”
Joscha Radaj – keyboards on “Call To Humanity”
Tobias Ruf – second guitar solo on “Call To Humanity”
Julian Gruber – fourth guitar solo on “Call To Humanity”
Simon Bihlmayer – sixth guitar solo on “Call To Humanity”

Album Review – Cherry White / Staring at the Sun EP (2015)

Sit down, relax and enjoy this beautiful display of Blues Rock by an emerging British band destined to conquer the world with their elegant music.

Rating5

cherry white_staring at the sunSometimes we all must slow down a bit in our hectic lives, relaxing our minds before we go nuts with all the wildness surrounding us. In order to achieve that desired level of peacefulness, there’s nothing better than enjoying some soft and passionate Rock N’ Roll, and the music crafted by British Contemporary Rock band Cherry White has exactly what it takes to help soothe our weary spirits. However, do not think the music you’ll find in their brand new EP entitled Staring at the Sun lacks excitement. Quite the contrary, the EP emanates electricity, gripping your attention even during its smoothest passages.

Insired by life in London during its austerity era, encompassed by the greed of the wealthy, the six tracks in Staring at the Sun circle around an aspiration for this London-based four-piece band to reach higher and achieve their goals in the music industry and beyond. Blending the Soft Rock by Fleetwood Mac with the Blues Rock from bands like The Raconteurs, Cherry White seem to be in the right path to accomplish their mission, offering their fans high-quality rock music that sounds incredibly authentic and original, making you feel good while listening to it.

Despite never getting truly heavy, the opening tack Drifter can still be considered badass Southern Rock, starting in a groovy and catchy way with frontwoman Donata Sounds needing only a few seconds to show her exceptional skills as a singer. In addition, it’s when the rest of the instruments hit the music (especially the power of the harmonica) that things get really exciting without exaggerating on the dosage, making it the perfect example for the famous expression “less is more”. The next tune, Do It Better, sounds a lot more commercial, a mix of Alternative Rock and Pop Rock that could be played on any radio station in the world, with highlights to guitarist Russell Jones and drummer Felipe Drago for their superb job building the atmosphere for Donata to deliver her gorgeous vocal lines.

cherry whiteAngel is a smooth Rock N’ Roll ballad that will unquestionably become a fan favorite, and although the main focus is on Donata’s voice there’s room for all band members to shine. Pay good attention to the strong bass lines by Ralph Beeby in the background and you’ll see what I’m talking about, and also don’t forget to enjoy the melancholy in the last part of the song as it will touch your heart in a lovely way. Following that gentle music exhibit, we have the modern but at the same time very old school rock song 7 Days, where the dirty and exciting riffs sound totally inspired by the music from the 70’s, and there’s no way you won’t get thrilled with the song’s amazing guitar solo and chorus.

Then it’s time for Cherry White to sing the Blues in Blue Eyes, an introspective tune where all instruments sound so clean and polished to the point that, by just closing you eyes, you can perfectly imagine a scene at a first-class pub with Donata’s sexy performance in the spotlight while the rest of the band is wearing black suits and playing in the shadows. Moreover, some passages remind me of the classic ballads by Faith No More, and if you know how much I like Mike Patton and his crew you can have an idea of my joy while listening to this song. And closing the EP we have another delicate and progressive rock tune brought forth by these talented musicians, the title-track Staring At The Sun, a song full of passion and sorrow with a short but very enjoyable rockin’ ending that could work as a bridge or connection to their next release, if they haven’t thought about that already.

Cheery White can be found on Facebook, Twitter, YouTube and SoundCloud, and if you’re a fan of softer and lively rock music and want to grab your copy of Staring at the Sun, simply go to their BandCamp page to do so. Now please excuse me because it’s time to relax and enjoy this beautiful display of Blues Rock by Cherry White, an emerging band from the UK that will soon conquer the entire world with their elegant music, no doubt about that.

Best moments of the album: Drifter and Blue Eyes.

Worst moments of the album: None.

Released in 2015 Independent

Track listing
1. Drifter 3:39
2. Do It Better 3:11
3. Angel 7:06
4. 7 Days 3:25
5. Blue Eyes 4:42
6. Staring At The Sun 6:16

Band members
Donata Sounds – lead vocals
Russell Jones – guitars, vocals
Ralph Beeby – bass guitars, piano, organ, harmonica, vocals
Felipe Drago – drums