Album Review – Voidnaut / Nadir (2019)

A thrilling and very detailed album of Melodic Groove Metal made in Greece, overflowing heaviness, punch and electricity.

Hailing from the always vibrant city of Athens, Greece, Heavy/Groove Metal act Voidnaut was formed in 2015 by guitarist Kostas Krikos and vocalist Stavros Benardo as a small project, gradually evolving into a much bolder and violent beast with the additions of drummer Kostas Alexakis (Acid Death) and bassist Kostas Tasakos (Double Square) not long after. With influences ranging from Disturbed to Pantera and the overall sound of American Heavy Metal, Voidnaut are unleashing upon us their debut full-length album, entitled Nadir, mixed and produced at Devasounds Studios by Fotis Benardo (SixforNine, Septic Flesh), mastered by Steve Lado (Tardive Dyskinesia), and featuring a modern artwork by Giannis Nakos (Remedy Art Design). And overflowing heaviness, punch and electricity, of course.

The acoustic guitar by Kostas Krikos in the intro Nadir works as the “calm before the storm”, warning us all there’s a demolishing feast of Groove Metal coming entitled Back from the Grave, a straightforward and catchy tune where Kostas Alexakis provides those traditional pounding beats we love in heavy music, while its lyrics remind me of some of the most interesting creations by bands like Dream Theater and Trivium (“I shut off the engine of light and in darkness I reigned / To another dimension,My redemption… / All I need is a sign-an unknown sacrifice I’m the keeper of light. / In my hour of pain wicked forces I gained for I’m back from…”). Then get ready to bang your head to a fusion of Southern and Groove Metal named Hunted, where Stavros does a great job with his raspy, angry vocals while Kostas Tasakos extracts pure metallic lines from his bass; and Stavros kicks off the flammable This Pain of Mine with a demented scream, while the rest of the band fires modern-day Alternative and Groove Metal lines, sounding perfect for jumping up and down during their live performances.

Control is another smashing tune by Voidnaut led by Kostas Alexakis’ thunderous beats and spiced up by Kostas Krikos’ electryfing riffs and solos, with all four band members being on fire from start to finish in an awesome display of modern metal music. Then more modernity and contemporary sounds invade our ears in Porcelain Lady, displaying a great sync between Kostas Tasakos and Kostas Alexakis with their rumbling bass punches and beats, respectively, while Stravos keeps roaring like a pro on vocals; and putting the pedal to the metal the band offers us Damage Done, blasting sheer rage and groove from their sharp instruments, with highlights to Kostas Alexakis’ incendiary performance on drums, not to mention the amazing guest vocals by Fotis Benardo and guest guitar solo by Bob Katsionis (Firewind, Outloud).

Kostas Krikos keeps cutting our skin deep with his razor-edged riffs in Scarred for Life, highly inspired by the music crafted by icons like Killswitch Engage, Light The Torch and other exponents of the Metalcore and Alternative Metal scene, with Stravos simply kicking some serious ass with his screams, followed by Road to Nowhere, probably the most commercial track of the album (which doesn’t mean it’s bad at all, though, just less electrifying), presenting solid instrumental pieces spearheaded by Kostas Krikos and his in-your-face riffs. Lastly, closing the album Voidnaut deliver tons of aggression in Savage World, drinking from the same fountain as bands like Trivium, sounding groovy, heavy-as-hell and vibrant, with Kostas Alexakis once again stealing the spotlight with his rhythmic and furious drumming. They’re definitely on beast mode in this great song, which obviously puts a climatic ending to the album, therefore leaving us eager for more of their modern-day Melodic Death and Groove Metal.

It’s quite easy to feel all of Voidnaut’s groove and punch from Nadir, as all you have to do is listen to the album in full on Spotify, or purchase it from iTunes or Amazon. You can also keep updated with all things Voidnaut such as tour dates and new releases by following the band on Facebook, and enjoy more of their music (and videos) by subscribing to their YouTube channel, showing your true support to another excellent Hellenic band that will surely keep fighting for metal music for years to come with their talent, passion and energy. Needless to say, we should all thank them for that by banging our heads nonstop to their powerful music.

Best moments of the album: This Pain of Mine, Control and Damage Done.

Worst moments of the album: Road to Nowhere.

Released in 2019 7hard/7us Records

Track listing
1. Nadir 1:17
2. Back from the Grave 4:16
3. Hunted 3:20
4. This Pain of Mine 4:15
5. Control 3:38
6. Porcelain Lady 4:26
7. Damage Done (feat. Fotis Benardo & Bob Katsionis) 4:36
8. Scarred for Life 4:26
9. Road to Nowhere 4:15
10. Savage World 3:52

Band members
Stavros Benardo – vocals
Kostas Krikos – guitars
Kostas Tasakos – bass
Kostas Alexakis – drums

Guest musicians
Fotis Benardo – vocals on “Damage Done”
Bob Katsionis – guitar solo on “Damage Done”

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Interview – Through The Noise

It’s time for vocalist Jowl Nyberg and guitarist Marcus Skantz to make some noise in this fun interview where they talk about their excellent band Through The Noise and their brand new album Dualism .

Through The Noise

The headbanging Moose: Could you please introduce yourselves to our readers? How would you define Through The Noise?

Jowl Nyberg: I’m Jowl and I’m the vocalist and one of the founders of the band. We’ve always struggled to define Through The Noise, at least genre-wise, since we’ve never tried to fit in to a specific genre. We’re just a couple of guys who enjoy heavy music and try our best to present our listeners with just that: heavy music. We play metal with a touch of hardcore, that’s as close as we can come when we try to define it.

Marcus Skantz: Marcus and one of the guitarist in the band. To me, Through The Noise is a high energetic with both a lot of aggression and big melodies.

THM: Your brand new album Dualism is a fun and electrifying feast of heavy and hardcore sounds, but also full of melody and very polished. How was the recording process of the album, and did everything go according to your original plan?

JN: We knew from the start that we wanted to work with Erik Wiss at Wiss Music Productions again, why change a winning concept, right!? He knows our sound and we love to work with him, he always pushes us towards perfection and has nice inputs on our work. Although this time around Marcus had joined the band and he have some recording skills and equipment that the rest of us don’t, so we decided to record only the vocals and drums at Wiss Music Productions. The guitars and bass tracks are recorded in Marcus bedroom and then mixed at Wiss Music Productions along with everything else.

We only had like two-three tracks to work with before we booked the studio, so the process to write the rest of the songs was pretty intense, but that’s the way we like it: we thrive under pressure! Marcus and I spent many late nights at his place during this period. This was a bit different than our last album ´Fall Of Gaia´ where we wrote all the songs together in our rehearsal space.

MS: We booked the studio to record our second album just a month after I joined the band by the end of the summer 2017. By then, we just had one finished song and two song ideas to work with but we really needed a sharp deadline to kick our selves in the butt and write some new music. Five months later we had nine songs pre prodded and ready to be recorded. Peter went to Erik at Wiss Music Production and tracked all drums by the end of February and then me, Victor and Martin had about a month to record all the guitars and bass in my home studio before we returned to Erik to finish with all the vocals. The whole recording process went great even though it resulted in many late nights in my home studio due to my day work plus me, Jowl and Peter participating in a short film project where I helped with all post editing of sound and effects.

Jowl Nyberg (Through The Noise)

THM: Which songs from Dualism do you think better represent the band, and do you think your fans get that message while listening to your music or while watching you guys play live?

JN: We’ve always strived for intense, energetic songs with catchy and melodic choruses and I’d say that we deliver on that with all the songs on ´Dualism´ but if I had to pick one, I’d go with Psychomachia. If one truly wants to experience Through The Noise though: live is the way to go!

THM: One of my favorite songs of the album, Maktbegär (which I believe means “lust for power” from Swedish), is the only one sung in your mother tongue. Why did you guys decide to record that specific song in Swedish? Is there a special reason behind that?

JN: You are quite right in your translation, it does indeed mean “lust for power”.

I’ve always wanted to try and write something in Swedish and this is something that I’ve dabbled (and struggled) with at home for some time. ´Maktbegär´ actually started out as a translation and my own interpretation of a song called ´Mercy Me´ by one of my favourite punk-rock bands ´Alkaline Trio´ that I made for fun. The more I worked with it, it turned into something completely different that was too good not to use and the first time Marcus showed me this song I just knew that it would fit like a glove. I’ve also always felt like our regional dialect “skånska” fits well with hardcore-type vocals.

THM: How did you guys invite local Swedish punk vocalist Jahna Lund (from Death By Horse) to sing in three songs from Dualism? She has an amazing voice and matched perfectly your music. Can we expect more of that type of partnership in your future releases?

JN: Jahna and her band ´Death By Horse´ are close personal friends of mine: I love their music and Jahna’s characteristic voice! We’ve joined each other on stage plenty of times and I love collaborations and features on records, so it felt natural to invite her to add another level to our work. On our last record ´Fall Of Gaia´ I did a similar thing with a friend from work for the song ´The Accursed´ which turned out great so it might be a recurring theme on our albums!

MS: Jahna is a personal friend to us and we asked her to do some vocals on Psychomachia. While writing the song Secret Project we realized we needed a lot of choirs so we thought that she could be part of that song as well. The day she was in Erik’s studio she listened to some of the songs that was finished and when she heard the track Beyond Betrayal she got some ideas she wanted to test and that’s how she ended up in three songs of the record.

You just never know! If we write a piece where we think her voice would fit, we would not hesitate on asking her to do some more guest vocals.

Marcus Skantz (Through The Noise)

THM: Do you consider yourselves a metal band with punk and hardcore influences, or a punk and hardcore band with metal influences? How are the more diehard fans from both sides reacting to your music?

JN: This is interesting because we’ve always felt like we’re “in between”, so to speak. We’ve been considered “not hardcore enough” for hardcore festivals as well as “not heavy enough” for metal festivals. This is both a blessing and a burden in my opinion, it makes us somewhat unique but at the same time it alienates us from some gigs and crowds. Since I come from the punkrock/hardcore-scene originally and most of the other guys are more metalheads it’s only natural that our music sounds like something in between and that’s what makes us who we are.

MS: If you ask me we are a metal band with punk and hardcore influences, but that is me coming mainly from a thrash and melodic death background and I write songs in a certain way. If you ask Jowl I bet he thinks of it the other way around. I don’t think it really matters. We are a metal/hardcore band and we blend many different kind of styles into the mix with the outcome that we sound like Through The Noise.

THM: How’s the local metal and hardcore scene in your hometown Lund, in the city of Malmö and in Sweden in general? Can you recommend some bands from the underground scene that you think our readers should take a listen at?

JN: We have a lot of great local bands but not a lot of places for them (us) to play, unfortunately. Most bands around here head for Germany, eastern Europe, the Balkans and so on since there are more places to play and bigger audiences. It’s like the old saying “Big In Japan”, many bands are huge in other countries and almost unknown back home in Sweden.

Eastern High (Progressive-Metal), The Generations Army (Thrash-Metal), Wolves Within (Melodic-Hardcore), Mörbultad (Hardcore in Swedish), Chine (Death/Groove-Metal), Escaping Amenti (Theatrical/Apocalyptic Metalcore), Faithful Darkness (Melodic death-metal), Pandemonium (Symphonic Black Death-Metal) just to name a few!

MS: Both in general and locally, we have a thriving metal and hardcore scene in Sweden with a lot of great underground and up-and-coming bands. Kill The Kong, Imminence, Eleine and Eastern High just to name a few. We have a long tradition of great hard rock, metal and hardcore bands coming from Sweden which inspires us all.

Album Review – Through The Noise / Dualism (2019)

THM: Who are your biggest influences in music, and what inspires you to write heavy music?

JN: My biggest influences when it comes to lyricwriting are Matt Skiba of ´Alkaline Trio´ and Buddy Nielsen of Senses Fail. I tend to write deep, often melancholic, emotional and (at least to me) meaningful lyrics with a lot of metaphors that tells a story and I believe that I have these two gentlemen to thank for a lot of that! When it comes to my vocal style I guess Alexander Hagman of ´Raised Fist´, Andrew Neufeld of ´Comeback Kid´ and Tim McIlrath of ´Rise Against´ are some influences but also guys like Jake Luhrs of ´August Burns Red´. Other than that: playing and making heavy music is a great stress and anger release!

MS: My biggest influences comes from bands like Metallica, Pantera, Killswitch Engage and Machine Head in terms of how to build up a song, get the right groove and surprise or satisfy the listener. I often tries to write songs, riffs and so on that I myself would like to hear. I think it’s an honest way to treat the song and keep it real for both the listener and me as a composer.

THM: What about the future of the band? What can we expect from Through The Noise in the short and long term? And how are your tour plans going so far for the promotion of Dualism?

JN: We’re planning and hoping to take the band to the next level with this album! At the moment we are trying our best to book as many shows as possible for the rest of the year, at least, and after that we look forward to the process of making our next album! We’re here to stay and this is what we put all our effort into!

MS: In short term we are currently trying to book as many shows as possible with a fall of 2019 tour in the early planning stage. Of course we’re also planning for a follow up EP or full-length but since, while writing this, we have not released Dualism yet our focus right now is mainly on promoting the record and get out to play.

THM: Thanks you very much for your time! Please feel free to send your final considerations to our readers, to remind them where to buy your music, and anything else you would like to say.

JN: Thank you for taking an interest in our band! We would be very grateful if you visit and follow us on our social media pages and web shop (see links below), add our songs to your playlists and (of course) catch us live! This means the world to us and would really help us out!

Upcoming shows
May 4 @ Helltown Mini Festival at Jutan, Helsingborg, Sweden
June 7 @ Backstage Varberg, Varberg, Sweden

Links
Through The Noise Facebook | Intagram | Twitter | YouTube | Big Cartel | Spotify | iTunes | Amazon | Google Play | Deezer

Album Review – Through The Noise / Dualism (2019)

Let’s make some noise to this five-piece Swedish Hardcore and Nu Metal act and their melodious brand new album overflowing rage and rebelliousness.

Founded in 2013 in the city of Lund, located around 30km from Malmö, in southern Sweden, the unruly five-piece Post-Hardcore/Nu Metal act comprised of Jowl Nyberg on vocals, Victor Adonis and Marcus Skantz on the guitars, Martin Lingonblad on bass and Peter Liwgren on drums, collectively known as Through The Noise, is back in action now in 2019 for our total delight with their second full-length album, entitled Dualism, a natural follow-up to their 2013 demo Adorn The Silence and their 2015 debut album Fall of Gaia, showcasing all the band’s talent, energy and, above all that, their absolute passion for heavy music.

Mixed by Erik Wiss (Eleine, Creye, To Dust), engineered by Ermin Hamadovic (Periphery, Devin Townsend Project, Architects), and mastered by Thomas ‘Plec’ Johansson (Soilwork, Watain, Scar Symmetry) at The Panic Room in Skövde, Sweden, Dualism is a pummeling mix of Hardcore and Nu Metal, containing nine glorious songs that are guaranteed to please even the ficklest of critics. Not only that, Dualism also brings to our ears the amazing guest vocals by local Swedish punk vocalist Jahna Lund (from Death By Horse), adding an extra touch of finesse and rage all at once to three of the most electrifying songs from the album.

The opening track Shattered already provides the listener a heavier-than-usual version of Hardcore from the very first second, with Peter sounding like a machine gun on drums while Jowl begins screaming rabidly, also presenting an atmospheric background that makes an interesting paradox with the slashing riffs by Victor and Marcus. Then featuring the aforementioned Jahna Lund we have Psychomachia, a frantic and aggressive tune perfect for slamming into the circle pit like there’s no tomorrow, and where the sound of the guitars couldn’t be more metallic and vibrant than what it already is. Peter keeps smashing his drums in the also fast and furious House of Asterion, a well-balanced mix of Metalcore, classic Hardcore and Alternative Metal where Martin’s bass lines rumble beautifully while Jowl roars nonstop like a maniac, followed by Digital Playground, a rock n’ roll radio hit where the entire band kicks us in the head with their rebellious instruments, spearheaded by Peter’s violent beats and the guitar duo’s lancinating riffs. And featuring Jahna once again, lending her gorgeous voice to the band’s crisp musicality, we have Secret Project, not as berserk as its predecessors but still very heavy and melodic, with Peter and Martin bringing thunder to the overall result with their respective instruments.

Deceiver is another explosion of Metalcore and Alternative Metal by the quintet, being highly recommended for breaking your neck in half headbanging but obviously maintaining a pleasant harmony in its core, all boosted by Jowl’s visceral growls and screams; whereas in Maktbegär, which translates as “lust for power” from Swedish, the band delivers an aggressive feast of smashing beats, cutting riffs and endless rage,  or in other words, a mosh pit-catalyst Metalcore tune that will work amazingly when played live (and even if you don’t know a single word in Swedish you’ll starting singing the song’s chorus with the band). And there’s no time to breathe as Through The Noise don’t slow down not even a bit in Meaning Through Noise, hammering our skulls with more of their violent fusion of Hardcore and Nu Metal and also presenting those melodious clean vocals we got used to in first-class Metalcore, while the talented growler Jahna joins the band one more time for their last blast of ass-kicking heavy music in Beyond Betrayal, where the amazing job done by both Victor and Marcus with their razor-edged riffs provides Jowl all he needs to scream and shout, inviting us all to jump up and down with the band in a very fun and vibrant way and, therefore, closing the album on a high note.

All the insane and entertaining noise blasted by Through The Noise can be better appreciated by subscribing to their YouTube channel and by listening to their music on Spotify, and if you truly enjoyed the hybrid of Metalcore and Hardcore with a modern-day Nu Metal twist crafted by those Swedish guys in Dualism, don’t forget to purchase your copy of the album from iTunes or from Amazon, and to follow them on Facebook for news and tour dates. Through The Noise definitely know how to make a lot of noise, always loyal to the foundations of Hardcore, and if they keep generating such thrilling music in the years to come I’m beyond sure we’ll hear a lot more from them, a band that can already be considered one of the best bands of the Swedish Hardcore scene, and a band that deserves all our noise in their honor.

Best moments of the album: Psychomachia, Deceiver and Maktbegär.

Worst moments of the album: Shattered.

Released in 2019 Eclipse Records

Track listing
1. Shattered 4:10
2. Psychomachia (feat. Jahna Lund) 2:55
3. House of Asterion 3:47
4. Digital Playground 4:48
5. Secret Project (feat. Jahna Lund) 6:17
6. Deceiver 4:02
7. Maktbegär 4:54
8. Meaning Through Noise 4:48
9. Beyond Betrayal (feat. Jahna Lund) 5:19

Band members
Jowl Nyberg – vocals
Victor Adonis – guitar
Marcus Skantz – guitar
Martin Lingonblad – bass
Peter Liwgren – drums

Guest musician
Jahna Lund – additional vocals on “Psychomachia”, “Secret Project” and “Beyond Betrayal”

Concert Review – Disturbed (Scotiabank Arena, Toronto, ON, 03/04/2019)

David Draiman and his henchmen took Toronto by storm once again, providing us all a touching and memorable night of heavy music, life and friendship.

OPENING ACTS: Three Days Grace

Monday night in Toronto was damn cold, windy and, even if it was sunny and hot, it was still Monday. However, there’s nothing better than a good rock and metal concert to warm us up on such a boring day, right? That’s exactly what over 20,000 fans got at the now named Scotiabank Arena (formerly known as Air Canada Centre) during the Disturbed: Evolution Tour, featuring Three Days Grace as the opening act and, obviously, Disturbed, spearheaded by the iconic David Draiman. I was surprised with the amount of very young people at the venue, proving that rock music is far from being done (and I’ll talk more about it later), and not even that annoying bitterly cold wind was capable of stopping us all to raise our fists in the air to one of the most important bands in the history of Alternative Metal.

I must confess I’ve never paid too much attention to THREE DAYS GRACE, mainly because their music is not my cup of tea, sounding way too radio-friendly at times. That doesn’t mean I didn’t enjoy their performance, though, as those Toronto-based rockers put on a very energetic and fun concert, still promoting their 2018 album titled Outsider. Frontman Matt Walst didn’t stop running around and jumping up and down for a single second, demanding the audience to sing along with him and to ignite some circle pits. A few songs stood out from their setlist, like The Good Life, Pain, Riot and, of course, their biggest hit I Hate Everything About You, all working as a good warm-up for the main attraction of the night. In other words, if a fan of Thrash, Death and Black Metal like me enjoyed their show, I can imagine how happy they made their diehard fans playing in their hometown.

Setlist
Intro (Livin’ On a Prayer)
The Mountain
Home
The Good Life
Pain
Infra-Red
Painkiller
Break
Right Left Wrong
I Hate Everything About You
Animal I Have Become (with “Seven Nation Army” interlude)
Never Too Late
Riot

Band members
Matt Walst – lead vocals, rhythm guitar
Barry Stock – lead guitar
Brad Walst – bass, backing vocals
Neil Sanderson – drums, keyboards, backing vocals 

DISTURBED

It was around 8:50pm when the lights went off and the humongous screen at the back of the stage started showing scenes from several DISTURBED concerts through the years, also presenting some rebellious and inspiring messages to the crowd, and that video worked flawlessly to pump up every single person at the venue for the opening track Are You Ready, from their 2018 album Evolution (which is definitely not their best effort, but it still has some very good moments, I might say). And although the whole concert might not have been as electrifying as their latest performance in the city in 2016 with Breaking Benjamin while promoting their 2015 album Immortalized (partially due to the extreme cold outside, as their 2016 show was outdoors in the middle of the summer), David & Co. kicked ass with a very solid and diversified setlist, proving once again why they’re still relevant after all those years on the road.

It was indeed a feast of classic tunes from the band, with crushing hymns like Stupify (where David gave a short speech about how the media wants us to believe we’re divided, when in fact we’re all united no matter our color, race, gender or sexual orientation), Voices, Ten Thousand Fists and their cover version for Genesis’ Land of Confusion (my favorite of the night, by the way) inspiring everyone to jump, headbang, mosh and sing together with the quartet. Dan Donegan, John Moyer and Mike Wengren were on fire with their instruments, providing David everything he needed to blast his unparalleled screams. Furthermore, despite the biggest part of their setlist being comprised of heavy songs, it was when they played their ballads that they truly connected with the audience, and that happened for a very simple and delicate reason. It was visible that all four members of the band were very sad and touched by the death of their longtime friend Keith Flint, the wicked frontman for British electronic music trailblazers The Prodigy, who committed suicide at the age of 49 at his home in Essex earlier that same day, turning the concert in Toronto something very special for the entire band.

When they played Hold On to Memories on the main stage, showing photos and images of their entire career including some pictures and old footage with their friends Chester Bennington (from Linkin Park, who also committed suicide in 2017) and the unparalleled Pantera brothers Dimebag Darrell and Vinnie Paul, who died in 2004 and 2018, respectively, it was already a memorable moment for everyone at the venue, a celebration of life and friendship by Disturbed, but it was when they moved to the smaller acoustic stage at the back of the floor section to play A Reason to Fight and Watch You Burn that we could clearly see a lot of tears falling down from their eyes. David took some time to give a very meaningful speech about how depression is not something people choose to have, but a very serious disease that can consume even the most famous and richest people on the planet, dedicating that part of the show to Keith Flint just like what he had done a week before remembering the lives of Chris Cornell, Scott Weiland and Chester Benington during their concert in New York. There are (several) other people out there either suffering from depression or who had already reached the unfortunate point of suicide, like the talented Huntress frontwoman Jill Janus who passed away in 2018, and as David said we need to reach out to those in need to win this battle against such horrendous illness.

The other three unforgettable moments for me (and for most people at the venue) were first and foremost their already classic tribute to Simon & Garfunkel with their flawless version for their ballad The Sound of Silence, the insane fire on stage during Inside the Fire (for obvious reasons), and the amazing kids with their parents on stage to celebrate rock music during The Light, proving once and for all as David said that rock is not dead like the media enjoys “vomiting” in our faces every single day. And lastly, as the icing on the cake, how about two of my all-time favorite Disturbed songs, the superb Stricken and the demented Down With the Sickness, which ignited a big, fun and frantic circle pit that took over a significant part of the central area of the floor section? That’s what good rock and metal music is all about, right? Having a good time with your loved ones, enjoying a nice beer while watching a great band like Disturbed perform, and resting assured that while bands like Disturbed are alive and kicking, our beloved Rock N’ Roll will never, ever die.

Setlist
Are You Ready
Prayer
The Vengeful One
The Animal
Stupify
Voices
Land of Confusion (Genesis cover)
Hold On to Memories
Ten Thousand Fists
The Game
A Reason to Fight
Watch You Burn
The Sound of Silence (Simon & Garfunkel cover)
Indestructible
Inside the Fire

Encore:
The Light
Stricken
Down With the Sickness

Band members
David Draiman – vocals
Dan Donegan – guitar
John Moyer – bass
Mike Wengren – drums

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Album Review – DeeVer / You Need This (2019)

If you also think Rock N’ Roll is not dead and you enjoy all modern shapes and forms of the genre, you definitely need this album made in the UK.

Hailing from Darlington, a large market town in County Durham, in North East England, Deever are a modern Hard Rock band with Heavy Metal influences who are making a name for themselves in their homeland, delivering an onslaught of aggressive riffs and captivating hooks with a distinct British edge highly recommended for fans of Foo Fighters, Muse, Shinedown and several other bands that play a heavier version of our good old Rock N’ Roll. Now in 2019 it’s time for vocalist and guitarist Wil ‘Billy’ Taylor (from Inglorious) together with his henchmen Stevie Stoker on the guitar, Phil Appleton on bass and Dan ‘Higgy’ Higgins on drums to show us what they got with their debut album, titled You Need This, all in the name of rock and metal music.

“I love the classics when it comes to rock music, and I’ll always appreciate my time with Inglorious. All of the guys are extremely talented musicians and we shared some things most people don’t get the opportunity to do. Things change though, and I knew I wanted to do something different that suited me, something more contemporary based musically. Now I’m in a band back home with some of my best mates, hammering out the hard stuff and having a great time doing so. It’s reminded me of all the reasons why I wanted to do music in the first place! We all love what we are doing and are very excited for where DeeVer is heading,” commented Billy about his new band and what to expect when you hit play and let the music found in You Need This invade your senses.

Rev up your engines to the sound of the dirty riffs by Billy and Stevie, who lead a Stoner Metal and Hard Rock onrush of sounds titled Fire At Will, a song perfect for sharing a beer with your friends at a rock n’ roll pub while Higgy pounds his drums like a beast. Then Phil shakes the foundations of the earth with his groovy bass, igniting another modern and vibrant rockin’ party entitled All Come Running, with its guitars and bass walking hand in hand, therefore generating a fun atmosphere for our total delight; and it’s Phil who once again kicks things off in the also thrilling Alright, a well-balanced and dense mix of Hard Rock and Rock N’ Roll infused with Southern Rock, Grunge and even Progressive Metal nuances, or in other words, a born-to-be-a-radio-hit beautifully crafted by the quartet.

Back Down presents hints of Glam and Hair Metal but without sounding cheesy at all; quite the contrary, it’s a vibrant feast of razor-edged riffs and rhythmic beats perfect for dancing the night away, with Billy kicking some ass with his spot-on vocals, whereas in Waves the band speeds things up a bit, even bringing elements from Punk Rock to their sound, with Billy, Stevie and Phil being on fire with their stringed weapons while Higgy keeps the energy level truly high through his precise beats. And the party goes on with Parachute, where a headbanging start gradually morphs into a more melodic musicality, alternating between heavier and more serene passages (which is also reflected in Billy’s vocals), getting too radio-friendly at times but still very enjoyable; and back to a more aggressive, rockin’ attitude, the band offers our avid ears the fast and punk-ish Only Enemy, where Billy’s vocals get an amazing support from the backing vocals by the rest of the band, while the song’s slashing riffs and thunderous bass punches will pierce you head, reaching deep inside your mind.

Drinking from the fountain of Alternative Rock and Metal, Phil and Higgy build a rumbling background for Billy and Stevie to attack with their stringed weapons in We Are, setting the tone for the next tune, simply titled Jim, a fast-paced, straightforward Rock N’ Roll composition tailored for fans of bands like foo Fighters and Breaking Benjamin where the sound of guitars nicely complements the precise vocals by Billy. Put differently, it could easily be part of the soundtrack of any teen or rock n’ roll movie in my humble opinion. Lastly, I Am The Cavalry, the closing song of the album, brings more of the band’s modern-day Hard Rock, being led by Higgy’s potent beats while the rest of the band continues to extract sheer electricity and thunder from their strings.

In a nutshell, if you’re a fan of both old school and contemporary rock music, as the title itself already says, “you need this” album in your collection, and in order to grab your copy of such electrifying display of modern-day heavy music simply go to the band’s Big Cartel, to iTunes or to Amazon, and show your support to DeeVer by following them on Facebook and by listening to their music on Spotify. Billy and the boys did an amazing job in You Need This, proving one more time that as long as there are people out there who love, live and breathe rock and meta; like the guys from DeeVer, Rock N’ Roll will never die.

Best moments of the album: All Come Running, Back Down and Only Enemy.

Worst moments of the album: Parachute.

Released in 2019 Independent

Track listing
1. Fire At Will 3:47
2. All Come Running 3:45
3. Alright 3:44
4. Back Down 3:44
5. Waves 3:24
6. Parachute 3:44
7. Only Enemy 3:30
8. We Are 3:26
9. Jim 3:33
10. I Am The Cavalry 3:50

Bonus track
11. Only Enemy (Radio Edit) 3:27

Band members
Wil ‘Billy’ Taylor – vocals, guitar
Stevie Stoker – guitar, vocals
Phil Appleton – bass, vocals
Dan ‘Higgy’ Higgins – drums

Album Review – SynlakrosS / Malice Murder (2018)

Get ready to be transported to a world of adventure with a good deal of rebellion in the brand new ass-kicking album by one of the most prominent names of the underground metal scene.

Formed in 2008 in the stunning city of Valencia, Spain by bassist Pablo “Roro” Fuentes and drummer Tiko Martínez, the unstoppable female-fronted Melodic Death Metal outfit that goes by the stylish name of SynlakrosS has just taken another amazing step in their (r)evolutionary career with the release of their third full-length installment, the creative, incendiary and utterly fun Malice Murder, cementing their name as one of the best bands in the Melodic Death Metal, Nu Metal and Metalcore scene all over the world, therefore being highly recommended for fans of bands such as In Flames, Slipknot, Butcher Babies, Arch Enemy and Lamb Of God, among several others. Injecting a considerable dosage of energy into our hearts and minds with their music and thematic lyrics, SynlakrosS will transport you to a world of adventure with a good deal of rebellion in Malice Murder, always moving forward but at the same time always loyal to their foundations and, of course, to their already huge fanbase.

In my humble opinion, what really stands out in Malice Murder, apart from its top-of-the-line production and endless electricity, are the insanely metallic and piercing sounds extracted by Pablo from his infernal bass, and especially all the experimentations and different vocalizations blasted by the band’s stunning frontwoman Patricia Pons. She sounds vile, demented, passionate and defiant with her wicked growls, roars and screams, taking her vocals to a whole new (and previously unexplored) level that will certainly please all fans of modern-day Melodic Death Metal. Add to that mix the crushing riffs and solos by the band’s axemen Iván Muñoz and Aarón Hidalgo, not to mention the sensational album artwork designed by Patricia herself, and there you have not only the perfect follow-up to their 2016 opus Death Bullets for a Forajido, but also a gargantuan avalanche of breathtaking metal sounds that will blow your senses mercilessly.

The opening track, titled Angel on Fire, sounds modern, electrified and vibrant right from the very first second, with its futuristic sounds and Patricia’s hypnotizing whispers kicking off a Melodic Death Metal party led by Pablo’s infuriated bass punches. Then in the fast-paced, heavy-as-hell extravaganza named Fatal Frame the band puts the pedal to the metal showcasing furious riffs and tones by the band’s stringed triumvirate, with Patricia growling and gnarling like a she-wolf while Tiko smashes his drums beautifully; followed by Dark Seed, not only the first single of the album but also the epitome of modern-day Metalcore, exhaling sheer madness and rage and with Patricia stealing the spotlight once again with her rabid growls and demented vociferations, as well as Aarón and Iván with their heavy and aggressive shredding. Put differently, this is the type of song that’s absolutely perfect for setting the crowd on fire during their live concerts. And let me remind you that the party is just starting, as in Alone in the Dark, spearheaded by Pablo and his thunderous, hammering bass, melodic guitar lines are flawlessly intertwined with moments of sheer lunacy, living up to the legacy of renowned Nu Metal acts like the iconic Korn.

Eternal Darkness showcases a classic song name for an explosive fusion of Metalcore, Melodic Death Metal and Groove Metal, breaking your neck in half to the precise beats by Tiko (which means it might become a fan-favorite if they add it to their setlists, of course), while Killing Diablos gets closer to their sonority from Death Bullets for a Forajido, but with a 2018 twist if I might say that. In addition, its background effects and tones nicely add an extra touch of madness to the music, while Patricia alternates between her rabid roars and demented clean vocals. Resurrection is another solid and well-crafted metal chant by SynlakrosS where the razor-edged guitars by Aarón and Iván shine brighter than the sun, also presenting a futuristic vibe and atmosphere and, as a consequence, being tailored for jumping up and down with the band; whereas in Morrígan it’s time for total devastation with this steampunk Spanish army, as the “Morrígan” is a figure from Irish mythology that represents a “great queen” or “phantom queen”, being mainly associated with war and fate, especially with foretelling doom, death or victory in battle. Does that remind you of someone? Anyway, I simply love how Patricia screams the song’s name from the bottom of her heart, making it impossible to stand still to this groovy and rumbling tune.

The last batch of songs from Malice Murder begins with Bloody Waltz, a dark an eerie “waltz” of contemporary Alternative Metal presenting elements from the wicked music by Rob Zombie and Marilyn Manson, such as its uncanny background keys, sounding and feeling very theatrical, which means it’s perfect for Patricia to showcase all her skills as the amazing singer and performer she is. Then the number of the beast, the famous 666, names another furious and ominous hymn by the quintet where Pablo slams his bass strings manically, extracting beyond lancinating sounds from it and, therefore, supporting Patricia’s screams flawlessly; whereas in Under the Ice there’s absolutely no sign of the band slowing down or getting any softer. Quite the contrary, it’s time for total anarchy with highlights to the perfect sync between Pablo’s bass and the guitar duo’s crisp riffage, sounding even more modernized than all previous songs. In the short and sweet semi-acoustic bridge Undying, we’re treated to some sort of futuristic western-like sonority, before SynlakrosS come crushing one last time in Siren’s Bloody Curse, the perfect conclusion to such powerful album, feeling more melancholic and obscure than all previous songs, transpiring melody and displaying an amazing performance by Pablo on bass and Iván with his fiery guitar solo. Needless to say, Patricia once again slays our senses with her potent growls and gripping clean vocals throughout the entire song.

In case you’re not a “curly wolf” yet, you should definitely start following SynlakrosS on Facebook, subscribe to their YouTube channel, and obviously purchase your copy of Malice Murder (available for a full listen on Spotify) from their own webstore in regular CD format or as a CD + T-shirt bundle (with the T-shirt also being designed by the unstoppable Patricia), as well as from iTunes, Amazon, or CD Baby. And if you’re already a diehard fan of SynlakrosS, you know the band is going places with their hard work, talent and extreme dedication, with the incendiary Malice Murder beautifully representing what their music is all about and pointing to an even brighter future for what’s in my humble opinion the best metal act hailing from Spain from the past decade and one of the best new names of the current metal scene worldwide.

Best moments of the album: Fatal Frame, Dark Seed, Morrígan and 666.

Worst moments of the album: None.

Released in 2018 Independent

Track listing
1. Angel on Fire 4:24
2. Fatal Frame 3:26
3. Dark Seed 4:03
4. Alone in the Dark 3:46
5. Eternal Darkness 4:33
6. Killing Diablos 3:50
7. Resurrection 3:54
8. Morrígan 3:38
9. Bloody Waltz 3:56
10. 666 3:18
11. Under the Ice 4:05
12. Undying 2:24
13. Siren’s Bloody Curse 4:26

Band members
Patricia Pons – vocals
Iván Muñoz – guitar
Aarón Hidalgo – guitar
Pablo Fuentes – bass
Tiko Martínez – drums

Album Review – Bouquet of Dead Crows / Motus Octo (2018)

Enjoy the “eight movements” of modern-day rock music presented by this talented Cambridge, England-based Alternative Rock and Metal squad.

If you’re not only a fan of all the aggressiveness and speed of more extreme forms of metal music, but also an admirer of the melodious and gentle waves of Alternative Rock and Metal, you’ll be extremely pleased to know that Cambridge, England-based alternative rockers Bouquet of Dead Crows are finally back after three long years with a brand new album  titled Motus Octo, the follow-up to their 2015 debut album Of The Night. The title, referring to the fact that there are eight tracks on the album, essentially means “eight movements”, or eight emotions, and that’s exactly what you’ll get throughout the entire album, with each of its tracks awakening different emotions and reactions from deep inside your heart and mind.

Featuring a beautiful packaging designed by Stewart Harris Designs, Motus Octo is a very different beast to the band’s previous work, moving into more of a progressive direction but still showcasing all the characteristics that made people enjoy their first album, such as the huge wall-of-sound guitar riffs by Neil Bruce, the pounding bass lines by Graeme Clarke and the bat-shit drumming by Andrew Coxall, all sitting beautifully underneath vocalist Antoinette Cooper’s soaring vocals. Furthermore, the quartet goes from the heavier waves of Alternative Metal to the charm of British Rock and the melancholy of Blues, extracting crisp and vibrant sounds from their instruments throughout the entire album, keeping us hooked on their music and always eager for more.

Distorted, whimsical waves ignite the fun Faultlines, before Graeme and Andrew come crushing with their bass lines and beats respectively in a modern display of British Rock infused with alternative elements from bands like Garbage and Hole, while Neil slams and slashes his guitar mercilessly. And their music gets even more piercing and rumbling in The Devil’s in the Detail, with the beautiful voice by Antoinette leading the band in this Alternative Rock feast while Neil fires his classic solos, presenting hints of Ska and traditional Rock N’ Roll; followed by No Tomorrow, a song perfect for enjoying a nice and relaxed road trip with your loved ones, once again showcasing an inspired Antoinette on vocals and a precise and groovy Andrew on drums. Then Bouquet of Dead Crows deliver an introspective and enfolding ballad titled Slow Motion Ghosts, where all band members provide Antoinette all she needs to thrive, exhaling passion and delicacy through her vocals until the music gently fades away.

Fragments (Black Hole Eyes) contains some very welcome elements from the music by AC/DC blended with contemporary Rock N’ Roll and even Stoner Rock, not to mention how inspired Neil is with his stylish riffs and solos, while Andrew pounds his drums with tons of precision, therefore turning it into one of the best songs of the album. In Cold Inside, the band slows things down a bit in another gentle rock ballad, with highlights to the solid synchronicity between Neil and Graeme with their strings, getting considerably heavier at times in special when Neil is firing his guitar solos; whereas in Incessant Desire things get groovier, faster and heavier, which obviously translates into awesomeness, being highly inspired by classic Ska and Rock N’ Roll music from the 90’s, spearheaded by Neil and Andrew while Antoinette sounds extremely sexy with her fiery vocal lines. And lastly we have Undone, bringing forward an eerie intro to the thunderous sounds of Graeme’s bass punches and the passionate vocals by Antoinette, evolving into a Stoner Rock extravaganza perfect for headbanging while enjoying a cold beer (or even a strip-tease, it’s up to you), until wicked noises put an end to the song and, obviously, to the entire album.

As you already know, all you need to do to keep in touch with Bouquet of Dead Crows and stay informed about their plans for the future, tour dates and other shenanigans is follow them on Facebook and subscribe to their YouTube channel, but of course if you want to show your true support to one of the most promising names from the current British Rock scene, you should definitely purchase your copy of Motus Octo from the German Shepherd Records’ BandCamp page, as well as from the band’s own webstore in CD or vinyl. In addition, in order to celebrate the release of Motus Octo, the band will be playing a special launch gig at The Blue Moon  in Cambridge on November 24, where they’ll play the full album live. If you’re going to be around the Cambridge area that day, why not joining Antoinette, Neil & Co. for a night of kick-ass rock music accompanied by good food, cold beer and nice people? You can buy your ticket HERE, get ready to rock, and show your “eight movements” on the dance floor, how about that? That’s the way our good old Rock N’ Roll should always be enjoyed, and Motus Octo is the perfect soundtrack for that.

Best moments of the album: The Devil’s in the Detail, Fragments (Black Hole Eyes) and Incessant Desire.

Worst moments of the album: Cold Inside.

Released in 2018 German Shepherd Records

Track listing
1. Faultlines 7:14
2. The Devil’s in the Detail 3:29
3. No Tomorrow 3:56
4. Slow Motion Ghosts 5:42
5. Fragments (Black Hole Eyes) 3:49
6. Cold Inside 8:37
7. Incessant Desire 3:40
8. Undone 6:14

Band members
Antoinette Cooper – vocals
Neil Bruce – guitars
Graeme Clarke – bass
Andrew Coxall – drums

Album Review – Meka Nism / The War Inside EP (2018)

One of the most promising new names of the Orlando metal scene strikes again with an electrifying EP of modern-day Alternative Rock and Metal.

Formed back in 2006 under the name of Meka Nism and Her Rusty Tears, Orlando-based Alternative Metal act Meka Nism strikes again with a brand new EP titled The War Inside, following the same pattern of modern and metallic sounds from their three previous releases, those being their 2016 live album Live From the Machine,  the 2015 EP The Shift, and their 2013 debut EP The Dance at the End of the World, not to mention the 2006 album Mad to Love (released under the band’s original name).  Having shared the stage with heavyweight bands like Mastodon, Gojira, Sevendust, Hellyeah and Otep, among others, along with festival appearances at Kink Festival (Orlando, Florida), SXSW (Austin, Texas) and Breeding Festival (Germany), and named Orlando’s #1 Metal Band by Orlando Weekly in 2016, Meka Nism continue to carve their name in the scene, solidifying the band as one of the most interesting new names in Alternative Rock and Metal.

Comprised of vocalist Ms. Meka Nism (or simply Meka), who by the way was the former guitar player for Orlando punk legends Dirty Barby and Angel Autopsy, guitarists Bobby Keller and Danny Arrieta, bassist Jarret Robinson, keyboardist Jay Adkisson and drummer Nick Colvin, Meka Nism offer in The War Inside five distinct songs of passion and hatred, war and peace, sanity and madness, all embraced by the band’s modern and captivating sonority and led by Meka’s powerful vocals. If you’re searching for a nice female-fronted alternative in modern metal music, Meka Nism have all it takes to captivate your senses, with the music found in The War Inside being the perfect depiction of what this American six-piece squad is capable of.

The smooth keys by Jay Adkisson ignite the melodic and fresh title-track The War Inside, where Bobby and Danny are in total sync with their electrified riffs while Meka beautifully declaims the song’s passionate words (“Fighting Through the War Inside / Reaching from the chaos / Wait for me, I’ll wait for you / Nothing can keep us apart / Wait for me, I will find you!”). Less modernized and alternative, These Years of Silent Screams leans towards more traditional Heavy Metal, a neck-breaking tune by Meka Nism with the band’s eccentric frontwoman showcasing an amazing vocal performance. Then it’s time to slam into the pit together with the band in Trailblazer, led by the potent and precise drums by Nick, alternating between heavier moments and lighter, inspiring parts. Moreover, both guitars come slashing our skin mercilessly, while Meka thrives with both her demented growls and her clean vocals; and the keys by Jay help build a soothing ambience in Arrows of Alchemy, accompanied by the rumbling bass by Jarret in a semi-ballad that will please fans of the genre and that could easily be played on any rock n’ roll radio show, ending in a classy and touching way. And lastly, Black Sky (It’s Not Over Yet) is another song that begins as a heavy ballad highlighting Meka’s smooth voice and Jay’s enfolding piano notes, evolving into a heavier but still melancholic sonority before its poetic ending to the voice of Meka.

You can take a detailed listen at The War Inside on Spotify, follow Meka Nism on Facebook, subscribe to their YouTube channel, and obviously purchase the EP from their own BandCamp page or webstore, as well as from iTunes, Amazon or CD Baby. After listening to The War Inside, it will become clear to you as to why Meka Nism were chosen the best metal band based in Orlando by Orlando Weekly a couple of years ago, pointing to a bright future ahead for the band’s red-haired shaman and her loyal bandmates and leaving us eager for more of their music (and perhaps their first full-length album) in a not-so-distant future.

Best moments of the album: Trailblazer.

Worst moments of the album: None.

Released in 2018 Independent

Track listing
1. The War Inside 4:49
2. These Years of Silent Screams 3:32
3. Trailblazer 4:32
4. Arrows of Alchemy 5:22
5. Black Sky (It’s Not Over Yet) 4:03

Band members
Ms. Meka Nism (Meka) – vocals
Bobby Keller – lead guitar
Danny Arrieta – rhythm guitar
Jarret Robinson – bass
Jay Adkisson – keys
Nick Colvin – drums

Album Review – Godsmack / When Legends Rise (2018)

A rollercoaster of good and bad moments in the band’s first effort away from more traditional Heavy Metal into a softer and exaggeratedly radio-friendly Hard Rock sound.

Almost four years after the release of the incendiary 1000hp, American Alternative Rock/Metal icons Godsmack are back in action with When Legends Rise, the seventh studio album in their solid career, and their first effort away from more traditional Heavy Metal into a softer and exaggeratedly radio-friendly Hard Rock sound. And when I say “exaggeratedly radio-friendly” I’m not exaggerating (not sure if I’m allowed to use that word and its variations so many times in just a couple of lines), because not only When Legends Rise doesn’t bring the same horsepower, rage and heaviness of 1000hp, but it sounds and feels way too mellow and generic compared to everything they’ve already released since their inception.

As early as 2015, frontman and guitarist Sully Erna spoke of his will to create a new sound for Godsmack in their next album, later describing the album in 2017 as a “reinvention” for the band, as a “new chapter” juxtaposed against older albums, of which he described as “vintage classic Godsmack”. Let’s say he succeeded and failed miserably at the same time, because it doesn’t matter if you’re a longtime fan of the band or if you’ve never heard of them before, as soon as you finish listening to the 11 tracks in When Legends Rise you won’t be able to tell if it was a good or bad experience so many highs and lows the entire album has. As a matter of fact, I guess if you follow Godsmack from the very beginning, the lowest moments of the album will make you feel extremely disappointed with this “new direction” chosen by Sully and his henchmen.

The tribal-like beats by Shannon Larkin kick off the best and most metal song of the entire album, the title-track When Legends Rise, which despite not being a masterpiece, it’s indeed a catchy and entertaining song led by the unique vocals by Sully, sounding as radio-friendly as the band wants but still bringing some of their old school aggressiveness. Then we have Bulletproof (if you’re a regular radio listener you might have heard it a billion times already), which is not that bad but with potential to be a lot better (and by that I mean heavier), with bassist Robbie Merrill doing a very good job in keeping the atmosphere dense and rumbling; followed by Unforgettable, probably the cheesiest song ever written by Godsmack, sounding way too happy for my taste and with the support choir by The Gilbert H. Hood and West Running Brook Choir being plain boring. Well, as I’ve mentioned a thousand times in this webzine, I hate generic choirs.

Every Part of Me presents hints of the sounding from their early days, especially through the melodious guitar lines by Tony Rombola, resulting in a very decent song that reminds us all of the potential Godsmack is throwing away by trying to sound more mainstream than they should, while Take It to the Edge sounds quite similar to its predecessor, but with heavier and more piercing guitar and bass lines. Furthermore, it’s good to hear Sully screaming and sounding a little angrier, and albeit this is not their classic Alternative Metal it can be considered something like a well-crafted version of modern-day Hard Rock. After that interesting sequence of heavy tunes the band offers us the ballad Under Your Scars, and although I’ve complained about almost every song so far I must admit this is indeed a good one, mainly due to the beautiful job done by guest violinist Zvezdelina Haltakova and guest cellist Irina Chirkova. And in Someday, after a not-so-exciting start the music evolves to a harder but still generic sonority that goes on for too long, ruining what could have been a good Hard Rock song. In addition, a weak song such as this would have benefited a lot from a guitar solo, something the whole album lacks by the way, and something that really started to bother me after a few listens.

And the “genericism” found in When Legends Rise goes on in Just One Time, even with Robbie and Shannon bringing some decent groove to the music, saving it from being a total failure. Then we have the excellent Say My Name, proving that when Sully and his crew speed up their pace and deliver stronger, more austere lyrics, they sound a billion times better. Hence, together with the opening track, this is by far one of the best songs of the album, presenting flammable Rock N’ Roll guitar riffs and rhythmic beats, which unfortunately cannot be said about Let It Out, another so-so creation alternating between heavier moments and very bland passages. It might once again sound good on the radio for the average listener, but definitely not for Rock N’ Roll fans, with the biggest issue for me being that the sound of both guitars is really low, or even worse, almost nonexistent. Furthermore, what’s also very irritating in the entire album is that there are moments like the closing song Eye of the Storm where a very promising start morphs into tasteless rock music; however, the more aggressive pieces of the song save it from total damnation, not to mention that we finally have a guitar solo added to it.

In the end, after When Legends Rise (available for a full listen on Spotify), we have to agree with this article from the online publication The Top Tens listing Godsmack as one of the top 10 bands that aren’t metal according to Encyclopaedia Metallum, together with names such as Avenged Sevelfold, Disturbed, Korn and Rage Against The Machine, but at least those bands still deliver a significant amount of rage and rebelliousness through their music, as opposed to what Godsmack (unfortunately) did in their new album. And if that toned-down version of Hard Rock is the direction Sully Erna really wants to take from now on with his band to reach a “broader audience”, well, good luck with that. I’ll personally stick to their more vibrant material from Godsmack, Awake and 1000hp.

Best moments of the album: When Legends Rise, Take It to the Edge and Say My Name.

Worst moments of the album: Bulletproof, Unforgettable, Someday and Let It Out.

Released in 2018 Universal Music

Track listing
1. When Legends Rise 2:52
2. Bulletproof 2:57
3. Unforgettable 3:28
4. Every Part of Me 3:20
5. Take It to the Edge 3:15
6. Under Your Scars 3:51
7. Someday 4:44
8. Just One Time 3:09
9. Say My Name 3:38
10. Let It Out 3:41
11. Eye of the Storm 3:21

Band members
Sully Erna – vocals, guitar
Tony Rombola – lead guitar
Robbie Merrill – bass
Shannon Larkin – drums

Guest musicians
Zvezdelina Haltakova – violin on “Under Your Scars”
Irina Chirkova – cello on “Under Your Scars”
The Gilbert H. Hood and West Running Brook Choir – additional vocals on “Unforgettable”