The Year In Review – Top 10 Hard Rock/Heavy Metal Albums of 2018

“Chasing a dream as I go higher
Playing it mean, my heart’s on fire
Living my life, ain’t no pretender
Ready to fight with no surrender.” – No Surrender, by Judas Priest

Another year goes by and, as usual, we lost a lot of good people, including family and friends. In heavy music, 2018 was the year several amazing musicians passed away, such as Dave Holland (former drummer of Judas Priest), Ralph Santolla (former guitarist of Iced Earth, Deicide, Death and Obituary), Vinnie Paul (the talented drummer of Hellyeah, Pantera and Damageplan), Jill Janus (the stunning vocalist of Huntress), and “Fast” Eddie Clarke, one of the meanest guitarists in history and the last of Motörhead’s “Three Amigos”, signaling the definitive end of Motörhead’s classic lineup. Not only that, we also saw the one and only Glenn Tipton, the iconic lead guitarist for Heavy Metal giants Judas Priest and one of the most influential guitar players in the history of metal, opening up about his ongoing fight against Parkinson’s disease and, as a consequence, having to pull out of the 2018 tour due to his health issues. However, as the Metal Gods themselves sing in their new ass-kicking song No Surrender, we can’t surrender and should keep on fighting with our heads high, always listening to our good old Heavy Metal to inspire us to face our daily struggles.

Enough said already, how about we show the world that we metalheads are still here, always ready for a fight, and that metal music is alive and kicking with The Headbanging Moose’s Top 10 Hard Rock/Heavy Metal Albums of 2018, excluding EP’s, best of’s and live albums? From classic bands like Judas Priest, Behemoth and Immortal, to underground bands from all four corners of the earth like Ukraine’s 1914, Australia’s Rise of Avernus and Canada’s Altars of Grief, we can say that 2018 was a damn good year for our beloved Heavy Metal, pointing to a promising future for all its genres and subgenres and proving once again that metal unites us all it doesn’t matter where we live, our culture, language, race or religion. So, get ready to raise your horns and bang your heads nonstop to our selection of best metal albums of the year, and always remember… NO SURRENDER!

1. Judas Priest – Firepower (REVIEW)
The Metal Gods are firing on all cylinders with their majestic new album of pure and highly inspired Heavy Metal.
Best song of the album: Firepower

2. Blaze Bayley – The Redemption of William Black (REVIEW)
What does the future hold for Mr. William Christopher Black? Enjoy the dramatic conclusion to Blaze’s stunning Infinite Entanglement Trilogy.
Best song of the album: The Dark Side of Black

3. Behemoth – I Loved You at Your Darkest (REVIEW)
Poland’s most blasphemous metal institution returns after four years with a much more melodic and dynamic approach than before.
Best song of the album: Ecclesia Diabolica Catholica

4. Dragonlord – Dominion (REVIEW)
Exploring themes of darkness, here comes Eric Peterson’s Symphonic Black and Thrash Metal project with their first album in 13 years.
Best song of the album: Northlanders

5. Primal Fear – Apocalypse (REVIEW)
The Teutonic eagles of Power Metal return with another sensational opus showcasing the perfect amount of creativity and melody.
Best song of the album: The Ritual

6. Immortal – Northern Chaos Gods (REVIEW)
The Gates of Blashyrkh have finally opened again to the sound of the pulverizing new album by the Northern Chaos Gods of Black Metal.
Best song of the album: Mighty Ravendark

7. 1914 – The Blind Leading the Blind (REVIEW)
It’s time to head into the battlefields of the Great War together with these Ukrainian Blackened Death and Doom Metal infantrymen.
Best song of the album: Passchenhell

8. Rise of Avernus – Eigengrau (REVIEW)
Here come Australia’s own Rise of Avernus with their most symphonic, heaviest and darkest opus thus far.
Best song of the album: Eigenlicht

9. Altars of Grief – Iris (REVIEW)
A superb album of Canadian Blackened Doom narrating a tragic story of a deeply flawed man and his dying daughter.
Best song of the album: Broken Hymns

10. Marduk – Viktoria (REVIEW)
A furious and aggressive fusion of Marduk’s classic Black Metal with their more contemporary warlike sound.
Best song of the album: Viktoria

And here we have the runner-ups, completing the top 20 for the year:

11. Stormzone – Lucifer’s Factory (REVIEW)
12. Motorjesus – Race to Resurrection (REVIEW)
13. Borgne – [∞] (REVIEW)
14. SynlakrosS – Malice Murder (REVIEW)
15. Xenoblight – Procreation (REVIEW)
16. Kaoteon – Damnatio Memoriae (REVIEW)
17. Tamerlan Empire – Age of Ascendancy (REVIEW)
18. Coiled Around Thy Spine – Shades (REVIEW)
19. Chthonic – Battlefields of Asura (REVIEW)
20. NovaReign – Legends (REVIEW)

In addition, how about another round of awesome albums released this year, this time presenting to you our Top 10 EP’s of 2018? Those shorter-than-a-regular-album but still heavier-than-hell releases are like going to a fancy restaurant, where you might not get a humongous amount of food, but what’s served on your plate is more than enough to please your palate (or your ears, in this case). And, of course, you leave the place eager for more of that tasty and exquisite metal music.

1. Violent Life Violent Death – Come, Heavy Breath (REVIEW)
2. Strangle Wire – The Dark Triad (REVIEW)
3. Godless – Swarm (REVIEW)
4. The Black Swamp – Witches (REVIEW)
5. Progenie Terrestre Pura – starCross (REVIEW)
6. Lebowskii – Liquidators (REVIEW)
7. Geisterwald – Geisterwald (REVIEW)
8. Soul Dissolution – Nowhere (REVIEW)
9. Dark Archive – Cultivate Our Blood in Aeon (REVIEW)
10. Forte Ruin – Rebuilding the Machinery (REVIEW)

Do you agree with our list? What are your top 10 albums of 2018? Once again don’t forget to check Antichrst Magazine’s Top 10 Albums of 2018 (Editorial Staff), tune in to Timão Metal every Tuesday on Rádio Coringão for a sensational fusion of metal and soccer, and to The Headbanging Moose Show every Thursday on Midnight Madness Metal e-Radio for the best of the underground and independent metal scene!

Metal Xmas and a Headbanging New Year! See you in 2019!

And last but not least, if you want to support Glenn Tipton and everyone else on their personal battles against Parkinson’s, you can purchase the official Glenn Tipton Parkinson’s Foundation Charity T-shirt by clicking HERE or make a direct donation following the instructions found HERE. You can always help your family, friends and fellow metalheads, as simple as that, and who knows, maybe we can make this world a better place to live.

Album Review – 1914 / The Blind Leading the Blind (2018)

It’s time to head into the battlefields of the Great War together with these talented and obstinate Blackened Death and Doom Metal infantrymen from Ukraine.

It’s time to head into the battlefields of World War I together with Ukranian Blackened Death/Doom Metal infantrymen 1914 and their brand new opus, the breathtaking The Blind Leading the Blind. World World I might not get explored as it should very often, as World War II typically overshadows it, but this Liviv-based squad, formed in 2014 at the 100th anniversary of World War I, makes a damn solid case for its historical significance (click HERE for an in-depth interview regarding the band’s ideology), with their unique and incendiary fusion of  Black, Death, Doom and even Sludge Metal being stomping, heavy-as-hell, therefore inspiring the strength and bravery within to march towards death.

Comprised of 2.Division, Infanterie-Regiment Nr.147, Oberleutnant – Ditmar Kumar on vocals, 37.Division, Feldartillerie-Regiment Nr.73, Wachtmiester – Liam Fessen and 5.Division, Ulanen-Regiment Nr.3, Sergeanten – Vitalis Winkelhock on the guitars, 9.Division, Grenadier-Regiment Nr.7, Unteroffiziere – Armin von Heinessen on bass and 33.Division, 7.Thueringisches Infanterie-Regiment Nr.96, Gefreite – Rusty Potoplacht on drums, 1914 pay homage to all that fell fighting the Great War, with their themes covering topics such as the Battle of Gallipoli (and the involvement of Ataturk), the Brusilovsky breakthrough, the Battle of Verdun and the gas attack at Ypres, not being political nor warmongers, but just telling the tales of war, injustice, fear, hopelessness and endless death as they happened. Featuring a deadly, lugubrious artwork by Czech artist Vladimir “Smerdulak” Chebakov, The Blind Leading the Blind is a precious gem of extreme music, positioning 1914 not only as one of the best underground metal bands of the current scene, but of the past decade without a shadow of a doubt.

War In is a beautiful, wicked and dark intro that takes us to the horrors of World War I, exploding into visceral Blackened Death Metal in Arrival. The Meuse-Argonne (inspired by the Meuse-Argonne Offensive, the greatest American battle of the First World War, where in six weeks the AEF lost 26,277 killed and 95,786 wounded), led by the pulverizing drums by Rusty, while Ditmar roars the song’s lyrics manically (“Arrival / The Meuse-Argonne offensive started like clockwork / We planned to break through the Hindenburg line / I know what we are fighting for / Hopefully to end the war”), also bringing the most Stygian elements from classic Doom Metal. Then we have A7V Mephisto, a World War I German tank masterfully translated into a brutal and heavy tune where the entire band showcases their heavy artillery by blasting sheer obscurity inspired by old school Black Sabbath and Celtic Frost, in special Liam and Vitalis with their lethal riffs, but with a more demonic twist; followed by High Wood. 75 Acres of Hell, an infernal display of Black and Death Metal spearheaded by Ditmar’s growls while Armin and Rusty keep the ambience as dense and grim as possible with their respective instruments, displaying the battle for High Wood’s 75 acres, which started on July 14 and raged nearly continuously for 64 days, coming to be known as “The hell of High Wood” or “The rottenest place on the Western Front.”

Bagpipes ignite a sinister and pulverizing cover version for The Exploited’s all-time hit Beat The Bastards, sounding as rebellious and fun as the original version, but of course with a more metallic and crushing vibe, with highlights to the beautiful job done by both Liam and Vitalis with their hellish guitars. In the interesting bridge Hanging On The Barbed Wire, the infantry sings while marching under a heavy storm (“If you want to find the General, / I know where he is, / If you want to find the General, / I know where he is / He’s pinning another medal on his chest / I saw him, I saw him / Pinning another medal on his chest.”), setting the tone for the superb Passchenhell, a wordplay with The Battle of Passchendaele, also known as the Third Battle of Ypres, a campaign of World War I fought by the Allies against the German Empire. Musically speaking, it’s another flawless display of Blackened Death Metal infused with Doom Metal nuances, also featuring the beyond special guest vocalist David Ingram (Benediction, Bolt Thrower, Just Before Dawn). Furthermore, Rusty is once again bestial on drums, whereas Ditmar together with David will haunt your soul with their demonic growling.

“Hello there, soldier! Ready to kill more Germans?” Those warlike words ignite a fantastic sonic havoc by 1914 titled C’est Mon Dernier Pigeon, leaning towards pure old school Black Metal, feeling and sounding as thunderous and menacing as possible and ending in the most demolishing way you can think of; followed by Stoßtrupp, the German word used to describe shock troops or assault troops created to lead an attack, where another eerie, obscure narration suddenly explodes into a darkened feast of Black and Death Metal tailored for cracking your neck headbanging, with Armin sounding vicious with his rumbling bass punches. Lastly, we have The Hundred Days Offensive, an Allied offensive that lasted from August 8 to November 11, 1918, ending World War I, and 1914 turned that battle into 10 minutes of first-class Blackened Death and Doom Metal where you can feel the horrors of the battlefield in the music, remaining very introspective, melancholic, and flowing infernally until the music morphs into the sensational and creepy outro War Out, the perfect ending to such brilliant album.

In summary, The Blind Leading the Blind, which by the way had as its official release date the 11th hour on the 11th day of the 11th month (Central European Time), marking the 100th anniversary of the end of World War I, is a must-have not only for admirers of Extreme Metal, but also for anyone who wants to learn more about World War I in a very unorthodox and exciting way. Available for purchase from the band’s own BandCamp page, as well as from the Archaic Sounds’ BandCamp page, from the Redifining Darkness Records’ BandCamp page, from iTunes and from Discogs, The Blind Leading the Blind definitely redefines the career of 1914, propelling them into a more-than-promising future. Having said that, don’t forget to follow them on Facebook, subscribe to their YouTube channel, grab your weapons and be prepared to face death in the battlegrounds of the Great War.

Best moments of the album: Arrival. The Meuse-Argonne, Beat The Bastards, Passchenhell and C’est Mon Dernier Pigeon.

Worst moments of the album: None.

Released in 2018 Archaic Sound/Redefining Darkness Records

Track listing
1. War In 1:14
2. Arrival. The Meuse-Argonne 6:20
3. A7V Mephisto 8:13
4. High Wood. 75 Acres of Hell 5:27
5. Beat The Bastards (The Exploited cover) 5:02
6. Hanging On The Barbed Wire 2:28
7. Passchenhell (feat. David Ingram) 7:01
8. C’est Mon Dernier Pigeon 5:22
9. Stoßtrupp 6:13
10. The Hundred Days Offensive 10:01
11. War Out 1:55

Band members
2.Division, Infanterie-Regiment Nr.147, Oberleutnant – Ditmar Kumar – vocals
37.Division, Feldartillerie-Regiment Nr.73, Wachtmiester – Liam Fessen – guitar
5.Division, Ulanen-Regiment Nr.3, Sergeanten – Vitalis Winkelhock – guitar
9.Division, Grenadier-Regiment Nr.7, Unteroffiziere – Armin von Heinessen – bass
33.Division, 7.Thueringisches Infanterie-Regiment Nr.96, Gefreite – Rusty Potoplacht – drums

Guest musician
David Ingram – vocals on “Passchenhell”