The Year In Review – Top 10 Hard Rock/Heavy Metal Albums of 2017

“We sort of find that music tames the beast, you know.” – Malcom Young

It’s that wonderful time of the year again, and I’m obviously not talking about Christmas and the holiday season. In a year where we lost so many talented and important musicians in rock and heavy music for various reasons, including Malcolm Young (AC/DC), Chris Cornell (Soundgarden), Chester Bennington (Linkin Park), Trish Doan (Kittie), Martin Eric Ain (Celtic Frost), Warrel Dane (Nevermore, Sanctuary), John Wetton (Uriah Heep), David Zablidowsky (Adrenaline Mob, Trans-Siberian Orchestra), Chuck Mosley (Faith No More) and Cherry Taketani (Okotô, Hellsakura, NervoChaos), among several others, not to mention the end of the unmatched Black Sabbath, who we were able to witness live one last time during their farewell tour The End, only the freshness and energy flowing from brand new metal music can give us hope, not allowing Heavy Metal and Rock N’ Roll to die as many like to prophesy every single year.

Having said that, it’s time to blow our goddamn speakers with The Headbanging Moose’s Top 10 Hard Rock/Heavy Metal Albums of 2017, excluding EP’s, best of’s and live albums, taming the beast inside us all as wisely said by AC/DC’s heart and soul Malcolm Young (R.I.P.). And as 2017 was the year of bands that cannot be considered dinosaurs in metal (or at least not yet), such as Trivium and Mastodon, that certainly points to a bright future ahead for Heavy Metal with their recent releases because, as you know, we won’t have behemoths like Iron Maiden, Judas Priest and Metallica kicking ass on stage forever. By the way, this was definitely a fantastic year for Mastodon, who not only released one of the best albums of 2017, the excellent Emperor of Sand, but they also had some extra energy to burn with the classy EP Cold Dark Place, which by the way is part of our top 10 EP’s of the year (as you’ll see after our top 10/20 list). Alright, without further ado, turn up the volume and enjoy our 2017 list… LET THERE BE ROCK!

1. Trivium – The Sin and the Sentence (REVIEW)
A superb album full of fast and intricate riffs, poetic lyrics, a sensational new drummer and, above all, the return of Matt’s trademark screams.
Best song of the album: Betrayer

2. Kreator – Gods Of Violence (REVIEW)
We shall praise the best Teutonic Thrash Metal institution of all time, as the gods of violence come alive.
Best song of the album: Totalitarian Terror

3. Blaze Bayley – Endure And Survive (REVIEW)
The indomitable Blaze Bayley returns with the second installment of Infinite Entanglement, his most ambitious project to date.
Best song of the album: Blood

4. Mastodon – Emperor of Sand (REVIEW)
Follow the inspirational story of a desert wanderer who has been handed a death sentence in this excellent album of Progressive Metal.
Best song of the album: Word to the Wise

5. Accept – The Rise of Chaos (REVIEW)
Let total chaos and destruction rise to the sound of the brand new album by the unstoppable Teutonic masters of Heavy Metal.
Best song of the album: Analog Man

6. Moonspell – 1755 (REVIEW)
An orchestral and emotional concept album that will take you to the year when a giant earthquake destroyed the city of Lisbon.
Best song of the album: Todos Os Santos

7. Striker – Striker (REVIEW)
Canadian Heavy Metal has never been more vibrant and rapturous than this.
Best song of the album: Born To Lose

8. Divine Element – Thaurachs Of Borsu (REVIEW)
Witness the passage of a soldier through various levels of consciousness about the reality of war and human society.
Best song of the album: Thaurachs Of Borsu

9. Torture Squad – Far Beyond Existence (REVIEW)
Don’t cross the path of one of the most respectful bands from the Brazilian Thrash and Death Metal scene.
Best song of the album: Blood Sacrifice

10. Solitary – The Diseased Heart of Society (REVIEW)
Four veteran thrash metallers canalizing all the hatred, degradation and perversions of our modern-day society into their music.
Best song of the album: Architects of Shame

And here we have the runner-ups, completing the top 20 for the year:

11. Karkaos – Children Of The Void (REVIEW)
12. Prometheus – Consumed In Flames (REVIEW)
13. Battle Beast – Bringer Of Pain (REVIEW)
14. Terrifier – Weapons of Thrash Destruction (REVIEW)
15. Body Count – Bloodlust (REVIEW)
16. Dzö-nga – The Sachem’s Tales (REVIEW)
17. Cradle of Filth – Cryptoriana – The Seductiveness of Decay (REVIEW)
18. Cannibal Corpse – Red Before Black (REVIEW)
19. Infernäl Mäjesty – No God (REVIEW)
20. Katharos XIII – Negativity (REVIEW)

As aforementioned, we also have for you this year our Top 10 EP’s of 2017, ranging from the most rebellious form of Deathcore to the most melodic type of Symphonic Metal, from visceral Doom Metal to demonic Black Metal, and so on. In addition, those bands hail from all four corner of the earth, proving once again that it doesn’t matter where you go you’ll always be able to find first-class metal music, including all of its genres and subgenres, to please your avid metallic ears.

1. Primal Age – A Silent Wound (REVIEW)
2. Sinners Moon – Far Beyond The Stars (REVIEW)
3. Aversio Humanitatis – Longing for the Untold (REVIEW)
4. Loathfinder – The Great Tired Ones (REVIEW)
5. Ljosazabojstwa – Sychodžańnie (REVIEW)
6. Lorn – Arrayed Claws (REVIEW)
7. Jupiter Hollow – Odyssey (REVIEW)
8. Dö – Astral: Death/Birth (REVIEW)
9. Mastodon – Cold Dark Place (REVIEW)
10. Afire – Afire (REVIEW)

Do you agree with our list? What are your top 10 albums of 2017? If you want to check another awesome list, I highly recommend Antichrst Magazine’s Top 10 Albums of 2017 (Editorial Staff), a great online publication that we at The Headbanging Moose also contribute to on a regular basis. Also, don’t forget to tune in to Timão Metal every Tuesday on Rádio Coringão for a blazing fusion of metal and soccer, and to The Headbanging Moose Show every Thursday on Midnight Madness Metal e-Radio for the best of underground metal from all over the world!

Metal Xmas and a Headbanging New Year! See you in 2018!

Actually, before all is said and done, here’s for you the 2017 Christmas single from Norwegian Melodic Power Metal project Aldaria called When The Time Has Come, featuring several renowned guest musicians such as Ralf Scheepers (Primal Fear), Yannis Papadopoulos (Beast In Black),  Lars Rettkowitz (Freedom Call) and Morten Gade Sørensen (Pyramaze), among others, with 100% of all income of this single being donated to Cancer Research. “This is a very important cause for me, as I lost my mother to this horrible disease in 2010. The single will be available across all streaming and digital platforms, and on Aldaria’s official webstore, where you will get a special edition with a lossless audio file, instrumental, high resolution cover art, and lyrics”, commented guitarist Frode Hovd, the mastermind behind Aldaria. Let’s all support such important cause!

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Album Review – Moonspell / 1755 (2017)

An orchestral and emotional concept album sang completely in Portuguese that will take you to the year of the horror when a giant earthquake destroyed the city of Lisbon.

The year of 1755 marks the year of the horror when a giant earthquake destroyed the city of Lisbon, when almost 100 thousand souls lost their lives, and this tragic event is still considered one of the most disastrous catastrophes in European history and nature. Now in 2017, in remembrance of the victims and the band’s hometown, the 1755 Lisbon earthquake was turned into a vicious, rip-roaring concept album straightforwardly titled 1755, the twelfth full-length studio release by Portuguese Dark Metal masters Moonspell, an orchestral and emotional adventure sang completely in Portuguese (which gives the whole album an additional poetic touch) that will transport your mind and soul to November 1, 1755, the holy day of All Saints’ Day and the day that the earth shook like never before in Lisbon.

There are a few remarkable differences between 1755 and Moonspell’s latest releases such as Night Eternal, Alpha Noir/Omega White and especially Extinct, as the band “distanced” themselves a little from the more Gothic and melodic approach from the past decade to venture through the realms of symphonic and epic sounds, and the final result couldn’t be more breathtaking. Featuring a lavish artwork by Portuguese artist João Diogo (Dramafall), 1755 might not be an easy listen at first for newcomers to the world of Moonspell or even to longtime fans of the band who don’t know a single word in Portuguese, but the final result is so compelling, sharp and cohesive I’m sure the whole album will grow on you until it becomes a mandatory part of your day-to-day playlist.

When I first saw the tracklist for 1755 I asked myself why they added one of their old songs as the opening track of the album, but after hitting play everything made sense. Em Nome Do Medo (or “in the name of fear”) is an obscure, haunting and absolutely awesome orchestral version for their biggest classic sung in Portuguese, from their 2012 album Alpha Noir/Omega White (take a listen at the original version HERE), with highlights to the superb job done by guest musician Jon Phipps (who actually created the orchestrations for the whole album) and the insanely beautiful choir (comprised of the amazing Crystal Mountain Singers and Tristania’s own Mariangela Dermutas) that accompanies frontman Fernando Ribeiro and his piercing vocals, and that epic aura of darkness goes on in the title-track 1755, where keyboardist Pedro Paixão delivers as usual some insane keys that complement the guitar sounds flawlessly. And what to say about Ricardo Amorim’s souful guitar solo? Put differently, I simply can’t wait to witness Moonspell playing this metallic opera live. And leaning towards a more metallic, rockin’ vein we have the threatening In Tremor Dei (or “fear Of God”), presenting the band’s characteristic Dark Metal with Fernando being beautifully supported by guest vocalist Paulo Bragança (who supplies the trenchant voice of a Fado fallen angel who is a big part of the Portuguese culture), with the song’s lyrics perfectly depicting the fire, wreckage, despair and death that took over Lisbon that day.

Desastre (the Portuguese word for “disaster”) gets closer to what the band did in Night Eternal, with Fernando’s growls sounding deeper and more enraged as he screams the word “culpado” (or “guilty” in English) with all his fury. Furthermore, the beats by drummer Miguel Gaspar will hit you hard inside your mind, showing how acute the entire album is. Then orchestral elements shine in another great display of Dark Metal blended with classical music titled Abanão (which means “quake” or “shakeup”), where Pedro once again boosts the song’s epicness with his keyboards while Miguel and bassist Aires Pereira live up to the song’s name with their rumbling beats and bass punches, respectively; followed by Evento (or “event”), where Moonspell keep blending their own sonority from Night Eternal with Memorial and more intense elements from orchestral music, not to mention how its lyrics showcase the thin line between love and hate people experience with religion. It’s another one of the top moments of the album, and needless to say it should also sound fantastic if played live. And 1 De Novembro (or “1st of November”), in reference to the day the earthquake happened, brings forward a more contemporary version of Moonspell where Fernando’s voice sounds considerably different than usual and where tons of heaviness and epicness arise due to the excellent job done by Pedro and Miguel on keys and drums.

1755 Deluxe Box

Then infused with modern Gothic and Dark Metal similar to what they did in the darkest and most melancholic tracks of Alpha Noir/Omega White, but with an epic twist, Ruínas (or “ruins”) displays an 80’s-inspired rhythm where the bass lines by Aires sound ominous, with its lyrics passionately declaimed by Fernando transmitting a true sense of hopelessness, setting the tone for Todos Os Santos (or “all saints”), one of the strongest tracks of the album and the musical depiction of the eternal war between men and God. Its thrilling guitars combined with the powerful vocals by Fernando and its thunderous backing vocals result in top-notch Moonspell music, also presenting a catchy-as-hell chorus (even if you don’t know anything in Potuguese) in a beyond perfect closing to such sad and important event in the history of Portugal. As a matter of fact, there’s still one more song in the regular version of the album, their cover version for Brazilian rock band Os Paralamas do Sucesso’s hit Lanterna Dos Afogados (listen to the original song HERE), feeling more like a “bonus” than a regular track and sounding very somber, melancholic and touching, with Fernando giving a lesson in dark vocals. Moreover, if you go with any of the special editions of 1755, you’ll also be treated to the Spanish version of Desastre, which according to Moonspell themselves is a homage to all their Spanish-speaking fans around the world, as in the late 18th century a mixture of Spanish and Portuguese was spoken in the streets of Lisbon.

What Moonspell did in 1755, turning all devastation, death and grief from the 1755 Lisbon earthquake into first-class art, is not only terrific musically speaking, but it also proves that the human being is capable of finding beauty even in the most adverse moments, and I guess that’s some sort of subliminal message the band wanted to send us all with this excellent album. With that said, go grab your favorite version of 1755 at the Napalm Records webshop, or at the band’s own BandCamp page or official European webstore, and learn more about one of the saddest and most terrifying day in the history of Portugal. 1755 might be known as the year of the horror, as the year when God abandoned the people of Lisbon, but at least we have Moonspell to properly tell that grim story to us all and to soothe our hearts and souls forevermore with their undisputed Dark Metal.

Best moments of the album: 1755, In Tremor Dei, Evento and Todos Os Santos.

Worst moments of the album: None.

Released in 2017 Napalm Records

Track listing
1. Em Nome Do Medo 5:32
2. 1755 5:12
3. In Tremor Dei 4:26
4. Desastre 3:22
5. Abanão 4:08
6. Evento 4:43
7. 1 De Novembro 3:53
8. Ruínas 4:45
9. Todos Os Santos 5:10
10. Lanterna Dos Afogados (Os Paralamas do Sucesso cover) 6:30

Deluxe Box/Digipak/Limited Edition/Japanese Edition bonus track
11. Desastre (Spanish Version) 3:36

Band members
Fernando Ribeiro – vocals
Ricardo Amorim – guitars
Pedro Paixão – keyboards, guitars
Aires Pereira – bass
Miguel Gaspar – drums

Guest musicians
Jon Phipps – orchestrations
Paulo Bragança – vocals on “In Tremor Dei”
Martin Lopez – darbuka in “1755”
Crystal Mountain Singers (Carmen Simões, Alexandra Bernardo, Silvia Guerreiro) and Mariangela Dermutas – choirs