Metal Chick of the Month – Elli Berlin

Freiheit! Suche ich… Freiheit! Komm ans Licht… Sei mir unendlich!

Even if you don’t understand a single word in German, I bet you’ll fall in love with the talent, the charisma and the energy flowing from our metal chick of this month of September. Owner of a beyond versatile voice, which allows her to deliver from the most serene, cleanest lines to truly demonic growls and roars, German vocalist and alternative model Elli Berlin will rip your heart out and mesmerize your senses with her stunning looks and incendiary performance, showing you why her fantastic Alternative Metal band, which goes by the stylish name of Null Positiv, is on a constant rise in the world of heavy music. After reading more about Elli and listening to her wicked creations, you’ll be absolutely addicted to her voice and to her music, placing Null Positiv among one of your favorite bands of our modern times hands down.

Elli started her career as a vocalist at a young age, more specifically when she was around 13 years old, as she became aware of her skills and capabilities when different people started to approach her and compliment her for her talent. She then went to take singing lessons, starting with classical music and gradually moving on to pop and rock music, making her first recordings in a professional studio, and then forming her first band when she was only 16 years old. Elli said in one of her interviews that was a really hard time for her, with over 150 shows per year, but she’s very thankful for all that as she simply loves her touring life. At first her band only played cover songs, but of course they started writing their own music as time passed by, and although metal music has always been an important part of her life, she only began growling and screaming a few years ago.

It was in 2015 in Lübbenau, a small town in the Oberspreewald-Lausitz district of Brandenburg, Germany, when Elli began looking for like-minded musicians to join her project and work on powerful, modern metal music, resulting in what is known today as her very entertaining and electrifying band Null Positiv, bringing to our ears an incendiary hybrid of Alternative and Nu Metal with Neue Deutsche Härte. Since their inception a few years ago, Null Positiv have released an array of unique and vibrant albums, including their debut EP Krieger, in 2016, followed by the full-length albums Koma (2017), Amok (2018), and their 2020 brand new opus Independenz (which will be reviewed here at The Headbanging Moose sooner than you can say “Scheiße!”), having also toured extensively with over 100 shows in just a few years, having played with renowned acts the likes of Anthrax, The Raven Age and Life of Agony, while also having in their short but solid career an appearance at the Wacken Open Air Festival in 2017 and an European tour with the iconic band Therion.

Currently comprised of our gorgeous frontwoman Elli Berlin, guitarist Bene Gugerbauer, bassist Manu Altendorfer and drummer Flo Schnablo, Null Positiv got its name from 0+, one of the most common blood types, as Elli herself explained we all share it, we all have it flowing within our veins, being essential to keep us alive and, therefore, becoming a synonym to the general equality all band members believe in. “Furthermore, it also translates to the mindset within the band, lyrically and musically. We believe in telling things how they are, without sugar-coating stuff and digging deep into the sentiments, good or bad, that motivate or prevent people to do things. We do this intending to rouse people, to give the initial spark to start to deal with the problems that we as humanity are facing in modern times,” commented our multi-talented diva.

In addition, Elli and her henchmen are one hundred percent, purely independent from any label or management company, having founded their own label, named Triplebase Records, from which they have released all of their albums. Not only that, Null Positiv also shoot and produce all of their official videos, available through their YouTube channel. For instance, you can see Elli kicking some serious ass with her potent vocals and her ravishing looks in songs such as Freiheit (one of my favorite Null Positiv songs), Turm Der, Trauma, Amok, Kollaps, Koma, Hass, Hoffnung Ist Ein Suesses Gift, Friss Dich Auf, Wo Rauch Ist, Ist Auch Feuer, Unvergessen, Zukunft Ungewiss, and a short and eerie film called Puppets Of Hate. Furthermore, if live performances and everything that surrounds them are your cup of tea, you can also enjoy Elli and the boys blasting insane performances at Rock Am Stück in 2019 and at Near Castle Festival also in 2019, playing the song Labyrinth on a live tour rehearsal in 2019, or go behind the scenes with them during their European tours in 2018 and 2019, during Wacken Open Air in 2017, and during Gefle Metal Festival in 2018. Also, don’t forget to show Elli and her Null Positiv your utmost support by purchasing their music and merch from their official webstore, by streaming all of their insane albums and songs on Spotify and YouTube, and by following them on all social media such as Facebook, Instagram and Twitter.

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Highly influences by several renowned rock and metal acts including Korn, Slipknot, In This Moment, System of a Down, Papa Roach, Marilyn Manson, Linkin Park and Prodigy, among many, many others, as well as obviously by her countrymen Rammstein, Elli mentioned in a recent interview that the first album she’s ever bought was Life is Peachy, the second studio album by American Nu Metal band Korn, released in 1996, saying she deeply loves that album, and complementing by saying she got to know the other aforementioned bands through festivals she used to attend as a fan in her early days, and that nowadays it would be a dream come true to tour with bands the likes of Korn, Rammstein or Arch Enemy, and that her playlist currently includes Slipknot, I Prevail, Korn, Parkway Drive, Asking Alexandria, Infected Rain, Amon Amarth and Arch Enemy. Moreover, you can sense how much all those modern metal bands have influenced her taste and her style by taking a listen at the cover songs she uploaded to her own YouTube channel, like her version for German Neue Deutsche Härte/Medieval Metal band Tanzwut’s Ich bin der Nachtwind, and mainly her gorgeous version for American music duo Simon & Garfunkel’s all-time classic The Sound Of Silence, drawing inspiration not from the original song but from Disturbed’s majestic version released in 2015.

Elli also said that it’s hard for her to choose her favorite song or songs to play live, as she feels that a concert is like one single, big explosion, hitting the stage and then leaving it at the end without “paying attention” to each song played, feeling like one huge energetic track. When asked how she manages to stay healthy while on tour, Elli said that as tours can be lengthy and exhausting, she has to integrate a daily fitness program to them, being very disciplined despite the fact there are tons of parties to attend and have fun. Also, in early 2019 Elli suffered an unfortunate back injury which forced her to take a break for a few months before getting back to touring, and she said that although it was a very difficult time for her, she always got the support from her bandmates. The final result was that not only Elli returned in full force to play with Null Positiv in countries like Switzerland, France, Belgium and Italy, but the band also won an award as best new band at the Mera Luna Festival in 2019.

When questioned about the fact that women still face a lot of sexism both in our everyday life and in the metal community, Elli said that fortunately in her own case she has never experienced any negative experiences like that in her career, complementing by saying that she has always felt very comfortable and welcome in Heavy Metal, a very positive environment where people are united in the name of good music, in her opinion. In addition, when asked about who she considers the most influential women in metal today, her answer included the talented and unrelenting ladies Angela Gossow, Doro and Amy Lee, mainly for their hard work, technical capabilities and their persistence, and let’s say it’s easy to sense their influence on Elli’s vocal style, looks and taste for rock and metal, don’t you agree? Furthermore, besides her career with Null Positiv our dauntless vocalist said that among her hobbies we’ll find things like painting, editing the band’s videos and designing their own attire, saying she’s then an actress, director and alternative model beyond her vocal duties who loves to play with fashion and makeup and, therefore, showing how powerful and dynamic a woman can be.

Among other topics that Elli has already discussed in her career are crowdfunding, politics and social networks, and her opinion on all those subjects proves why she’s been experiencing such high level of success and admiration in the world of heavy music. First of all, when questioned about crowdfunding, she thinks it’s a great idea that gives interested people the direct possibility of influencing the market by supporting the artists, bands or any other projects they like, complementing by saying that as everybody knows the music business can be extremely hard in the beginning, and due to lack of funding many bands cannot put into practice all of their amazing ideas, which is why the band has an option for fans to financially support them directly through their official website (where you can also buy their music and merch). Regarding politics in music, Elli believes music is, and has always been throughout history, a very powerful tool for bringing positive change to the world and problems to the light, saying that writing about political issues is as useful and valuable as writing about human emotions like love, suffering or hate. And last but not least, our unstoppable, multi-talented artist considers social networking a beautiful way to communicate and to keep in touch with her fans, complementing by saying it’s a powerful way to receive love and encouragement and, therefore, to get all strength and inspiration needed to keep moving forward. However, she said people must not be obsessed with it, searching for what truly motivates you, being honest all the time and selective of who you follow. Well, I wonder who would dare to make any negative comments on social media about one of the most talented, promising and hardworking women from the current German rock and metal scene, right?

Elli Berlin’s Official Facebook page
Elli Berlin’s Official Instagram
Elli Berlin’s Official YouTube channel
Null Positiv’s Official Facebook page
Null Positiv’s Official Instagram
Null Positiv’s Official Twitter
Null Positiv’s Official YouTube channel

“I believe that music is, and has been throughout history, a very powerful tool for bringing positive change to the world and problems to the light.” – Elli Berlin

Metal Chick of the Month – Seraina Telli

Don’t leave me out in the cold…

She’s by far one of the best rock and metal singers of the current scene hands down. Owner of a beautiful, stunning and extremely potent voice, she’s also a songwriter, pianist, guitarist, vocal coach and designer, known for her awesome contributions to bands such as Dead Venus, Burning Witches and Surrilium, among other very interesting bands and projects, always ready to rock our hearts with her mesmerizing vocal lines. Ladies and gentlemen, please welcome our metal chick of the month of August, the ravishing Seraina Telli, the unstoppable musician from Aargau, one of the more northerly cantons of Switzerland, who can flawlessly translate all her passion for music and art into emotional and inspiring compositions that will certainly captivate your hearts from the very first second. Having said that, are you ready to rock together with Seraina here on The Headbanging Moose?

A self-employed musician and vocal coach, Seraina has always wanted to make music and sing, and although she’s a team player who loves to play in bands she sees independent people as their role models, saying that she didn’t want to be a singer who just needs a band to play with her, but that she wanted to learn what it’s like to make music herself, playing different instruments and therefore being independent. Her looks and attire are also an important part of her musical persona, with all of her piercings, tattoos and her dyed hair providing a unique look that more than fits in the world of rock and metal music, but you’re wrong if you think Seraina is only a beautiful woman, as she has years of formal and professional study that provided her an invaluable background, allowing her to become the exceptional performer she is. Just to give you an idea of her undeniable talent,  she took classical singing lessons between 2007 and 2008, studied at the Jazz & Rock School in Freiburg, Germany from 2010 to 2011, achieved a Bachelor of Arts at hKDM and International Music College also in Freiburg, with focus on Jazz, Rock and Pop, between 2012 and 2013, and attended the Musik- Akademie Basel in 2015.

In regards to her career with Swiss Heavy/Power Metal band Burning Witches, Seraina was the band’s frontwoman between 2015 and 2019, having recorded with the band their debut self-titled album in 2017 and their sophomore effort Hexenhammer in 2018, as well as a four-track live album released in 2018 titled Burning Alive, recorded on September 30, 2017 at the Z7 Club in Pratteln, Switzerland. There are a few official videos on YouTube from when Seraina was the band’s vocalist, such as Hexenhammer, Black Widow and Executed, and also some unofficial live footage including a concert in Mannheim, Germany in 2018, and a pocket show at Salzhaus Brugg in 2018. I’m not going to extend this tribute to Seraina with the origins of the Burning Witches, but as already mentioned when their guitarist and founding member Romana Kalkuhl was our metal chick of the month in July 2019, during a party at a festival she met Seraina, starting a very healthy and productive partnership between them, with Seraina’s ideas and experience from her studies at the Music Academy and her bands being exactly what Romana wanted for Burning Witches. Furthermore, although Seraina always mention Heavy Metal as one of her passions, at the moment she is determined to go full throttle with her own band Dead Venus, saying Progressive Rock has always been her thing; however, we can expect to see Seraina venturing through heavier and faster lands in a not-so-distant future without a shadow of a doubt.

As we already started talking about Seraina’s brainchild, female-fronted Progressive Rock unity Dead Venus, where she’s not only the band’s vocalist but she also plays acoustic guitars, keyboards and piano, let’s discuss a little about the origins of the band, their goals and what their music represents to Seraina. Formed in early 2015 by Seraina herself around a year after being singing for a German Neo-Progressive Rock band named Surrilium, Dead Venus is a triumvirate currently comprised of Seraina on vocals, obviously, together with bassist André Gärtner and drummer Mike Malloth, delivering music that’s at the same time charming, passionate and incendiary, applying her multidimensional vocals to bring the desired message with each and every song, that being through her piercing vocals or just by whispering the lyrics. As a matter of fact, Seraina mentioned that it’s difficult to tell when Dead Venus actually started, as she began writing songs at some point and then began studying music and developed it further with music theory, learning the instruments and techniques better, which helped in the development of the songs, before she started looking for people to play them with. Seraina placed an advertisement recruiting musicians for Dead Venus, getting a reply from Mike, who also referred André for the band, whom by the way she already knew through her father (who had always spoken very well of him).

Apart from a couple of singles, the trio recently released at the end of 2019 their debut album, a 12-track Progressive Rock extravaganza titled Bird of Paradise (available for a full listen on Spotify), pointing to a bright future for Seraina and her bandmates. In addition, Seraina said that their goals with Dead Venus do not include appealing to a broader or more demanding audience, saying their music already has enough pop character in it despite not being disco dance music, of course. She complemented by saying that what Dead Venus and any other band needs is an audience that listens and that feels inspired by the music being played, as long as the music is authentic like what she does with Dead Venus, putting no boundaries to what the trio can do. You can listen to their music and purchase their debut album by visiting the MUSIC page on their official website, or by subscribing to their YouTube channel, where you’ll find some amazing compositions (and videos) for the songs The Sirens Call, Bird of Paradise and Redemptionless in both regular and acoustic versions.

You can also enjoy Seraina’s unique voice in other interesting bands and projects, showcasing all her versatility and skills it doesn’t matter if it’s a rock band playing covers or a full-bodied progressive and symphonic act. For instance, she did female vocals for Swiss Melodic Heavy/Power Metal band Rizon from 2010 until 2014, having recorded with them the album Masquerade in 2012, which you can listen in its entirety HERE; and she’s been the vocalist for German Progressive Rock/Metal band Surrilium since 2011, having recorded with them the album Sir William in 2015. Seraina is also the vocalist for a distinct cover bands called Hit Grinder, taking hits that everyone knows and performing them in a unique way with heavy guitars, rocking drums and hard driving bass, giving those songs a more aggressive edge. The band is formed by Seraina on vocals, Stefan Schroff on the guitars, and a rotation between Yannick Schmidt and Emmi Lichtenhahn on bass and Franceso Gasparini and Alain Ackermann on drums, and you can get in touch with them and listen to more of their music on Facebook, on Instagram and on YouTube, with their renditions of Sia’s Chandelier and Michael Jackson’s Bad showing you all of the band’s awesomeness.

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Perhaps one of the most delicious works by Seraina is her personal YouTube channel, where she puts her heart and soul into delivering beautiful versions of several rock, pop and metal classics, usually only accompanied by her own piano. Simply visit her YouTube channel and you’ll be able to enjoy our talented singer kicking ass with her versions for Red hot Chilli Pepper’s classic Under the Bridge as a studio project band from the hKDM Music High School in Freiburg, Edgar Alan Poe’s The Haunted Palace, Rush’s masterpiece Closer to the Heart together with a children’s choir, Nancy Wilson’s The Nearness of You, The Misfits’ Dig Up Her Bones live at a pub in Zurich, Jason Mraz’s I Won’t Give Up, Sting’s The Hounds of Winter, Lady Gaga’s Million Reasons, John Lennon’s Imagine, and a very special version for Christina Aguilera’s Keep on Singin’ My Song, as according to Seraina herself Christina Aguilera was one of her teenage heroes and one of the reasons she started singing when she was around 13 years old. And let’s keep talking about her idols and influences, with bands like Opeth, Pain of Salvation and the almighty Judas Priest being among her favorite bands of all time. Seraina even mentioned in one of her interviews that playing with one of those three bands would be a dream come true for her, complementing by saying it would be beyond fantastic to be able to talk, interact and especially sing with the one and only Metal God Rob Halford.

When questioned about the fact she was in an all-girls band during her time with Burning Witches, our striking banshee said in the beginning the idea of only playing with other women in a band was quite funny for all of them, and that they never expected it to be such a big topic, having to face sexist comments and other situations related to the male/female gender differences. Needless to say, that didn’t have any impact on the way Seraina performs on stage, saying the most difficult part is actually dealing with her own emotions and feelings to make sure her voice perfectly sends the desired message. In addition, she said she usually has it under control, using the appropriate techniques to have the best results while playing live. Seraina is also responsible for designing her own outfits, saying it’s actually more like a hobby for her despite the fact she wanted to become a fashion designer before singing, mainly because it’s very time consuming. And regarding metal festivals, she said during her time with Burning Witches they always wanted to play something big such as Wacken Open Air, Sweden Rock Festival and Hellfest, but we must all agree that now with Dead Venus her focus is a lot more on smaller, more intimate venues and crowds.

When asked about her singing style, her limits as a vocalist and her writing and composing process, Seraina said she always puts her heart and soul into singing, it doesn’t matter if it’s a heavy-as-hell metal song or a serene rock ballad, complementing by saying that it’s all a matter of practice to know and understand your limits and what’s causing that barrier, such as breathing techniques and discipline. For example, she said she doesn’t do much Opera singing as she’s not professionally trained in it, but maybe with some time and by applying the right techniques she can reach a good performance singing it. Her process for writing and composing her songs is also very detailed and honest, with Seraina usually writing something on the piano and then complementing it with the guitar, not working with sequences and, therefore, sounding a lot more organic. She also said the order in which she writes the lyrics and the music is never the same, always depending on the song being composed and the situation she’s in, with most of the ideas for the music by Dead Venus coming from her past experiences, especially due to her anger, energy and creativity as a teenager, saying it wasn’t easy in the beginning for her as she doesn’t come from a family of musicians like several other artists.

If you also enjoy watching Seraina perform and not only listen to her powerful voice, you’ll notice she always carries a special chain or necklace, a symbol of luck that’s linked to her family. She said she had a very strong bond with her sister when they were kids, which by the way lasts until today, with the necklace being a gift she got for her 12th birthday from her stepfather that symbolizes two parts that are connected together and forever. As a matter of fact, the Dead Venus logo is a variation of that symbol, a Celtic cross knot with an “S” at the end. Talking about stunning looks in rock and metal, Seraina was asked what she would say if one day a band like Arch Enemy invited her to sing for them, and albeit she said she simply loves the charisma, the voice and the looks by the she-wolf Alissia White-Gluz, she said she couldn’t see herself fronting such distinct band.

Lastly, as an artist that has been making  music for a long time despite her young age, Seraina said she will always pursue a career in music no matter what, saying she got to know a lot of good people with both Dead Venus and Burning Witches that provide her all the support she needs to keep moving forward. She sees a lot of potential with Dead Venus, the type of music she has always wanted to do, but you can also hire her to feature on your next album doing backing vocals or singing one or more songs, for example, as she has already done a few studio and advertising jobs in her career. She can even sing in German (or Swiss German) if you prefer, and you can actually check Seraina speaking (not singing, though) in her mother tongue in a short interview where she talks about what it means for her to be from Aargau, how much she loves her hometown, and her life in the city. I guess after knowing about her personal life, her career and her passion for heavy music, there’s nothing better than banging our heads to Seraina’s piercing vocals or simply sitting down, relaxing and enjoying her more delicate creations, resting assured we’ll hear a lot more from such talented artist in the coming years.

Seraina Telli’s Official Facebook page
Seraina Telli’s Official Instagram
Seraina Telli’s Official YouTube channel
Dead Venus’ Official Facebook page
Dead Venus’ Official Instagram
Dead Venus’ Official YouTube channel

Metal Chick of the Month – Lena Scissorhands

Walking in the night, I am trying to find you…

Before even starting this tribute to our metal chick of the month of July, let me just say her life is pretty much an open book. I mean, you can find pretty much anything about her online, and what you’re about to read might not be a surprise for you at all. However, that doesn’t mean she doesn’t deserve to be featured on our webzine, as she’s not only extremely talented and passionate for heavy music, but she’s also a hardworking metalhead that never stops creating top-of-the-line music and videos for the delight of hundreds of thousands of metalheads from all over the world. Not only that, apart from her life in Heavy Metal she’s also a model and a makeup artist, proving her success, respect and admiration from her fans are not in vain. I’m talking about the unstoppable Moldovan vocalist Lena Scissorhands, the ravishing frontwoman for an up-and-coming Alternative and Nu Metal act that goes by the classy name of Infected Rain. Having said that, are you ready to be “infected” by Lena’s charisma and electricity here on The Headbanging Moose?

Born on November 22, 1986 in Chișinău, also known as Kishinev, the capital and largest city of the Republic of Moldova, nestled between Ukraine and Romania in Eastern Europe, Lena Scissorhands, whose real name is Elena Kataraga, fell in love with alternative music when she was 13 years old, although her real “crush” for metal music happened when she was 14 as she got simply mesmerized by the energy flowing from the sound of heavy guitar riffs and the brutality from harsh, guttural vocals. Due to her poor beginnings in Moldova, life was quite challenging for Lena and her family, forcing her to start working at a very young age to support her parents (who were very young when they had Lena) and her two younger sisters, with whom she mentioned she used to share her clothes and eat whatever was available (as well as pretend to be the Powerpuff Girls with them to lighten things up a bit). Looking on the bright side of life, those tough early days turned Lena into a very strong woman, always eager to achieve more through her work and always ready to provide help to the ones in need.

Currently residing in Las Vegas, Nevada, in the United States, Lena mentioned in one of her interviews that the idea that the “Sin City” is a weird place bursting with people from all over the world only works if you’re a visitor, as living there is a complete different thing. She said if you live in Vegas you’re not really that much in contact with that lifestyle, unless of course that’s part of your job, but living there is pretty quiet due to the city’s remote location. Furthermore, apart from her current life in Vegas, Lena has also lived in different European countries, which kind of explains why she’s fluent in four languages, those being Russian, Romanian, English and Italian. “I’m very proud to speak all these four languages, and unfortunately I used to speak another language fluently. When I was a child, I used to live in Armenia, and I used to know Armenian like I know English – very, very well. I lived there for many years. But unfortunately, because of different life changing and living in different countries, and I was not in touch with my father because my parents separated and stuff like that, so I didn’t really use it. And a language, you lose it when you don’t use it. I do understand a little bit, and I can say a few things, but that’s it. So I don’t even consider that,” said Lena, who also explained she writes all her lyrics in English as the language became very natural to her, especially when she was attending university, although she actually started writing lyrics in Russian when she was a teenager at the age of 14.

It’s time to get down to business and start talking about Lena’s life with her awesome band Infected Rain, the band she started over ten years ago together with guitarist Vidick and Dj Kapa. At first, Lena said she didn’t know if she would be able to sing in a band in a professional way, but with the support from her bandmates and after starting taking vocal lessons with Tatiana Robertovna, with whom Lena learned how to breathe, how to feel the music and how to sing, Infected Rain became her number one priority and her reason to live. Formed in 2008 in her hometown Chișinău, Infected Rain combine a wide variety of styles such as Alternative, Death and Nu Metal with Metalcore and even elements from electronic music in an infectious sound, having already released a self-titled demo in 2008, the EP Judgemental Trap in 2009, and four full-length albums, those being Asylum (2011), Embrace Eternity (2014), 86 (2017) and more recently the excellent Endorphin (2019), showcasing all the power and versatility of the band currently comprised of our metal goddess Lena and her henchmen Vidick and Sergey on the guitars, Vladimir on bass and Eugene on drums. There are several official videos on YouTube for some of the best creations by Infected Rain, such as Me Against You, Mold, Stop Waiting, At The Bottom Of The Bottle, Serendipity, Enslaved By A Dream, a kick-ass cover version for Slayer’s Stain Of Mind, Judgemental Trap, Sweet, Sweet Lies, Fool The Gravity, Intoxicating, Orphan Soul, the absolutely stunning The Earth Mantra, Storm, Lure and Passerby, or you can also go to their official website or Big Cartel page to purchase their albums and some pretty cool merch.

Before signing with Napalm Records in 2019, Lena and the boys used to manage Infected Rain by themselves for around 10 years, booking their own concerts, taking care of all agreements and duties of a regular manager and so on, facing tons of challenges and hassles along the way. In one of her interviews, she mentioned that one of the biggest obstacles for Infected Rain during those years were promoters and booking agencies that didn’t want to work with them simply because they were independent, thinking they were a difficult band and that’s the reason why they were independent, when the only reason for that was the fact they came from a poor country with no possibilities at all. Having said that, why not enjoying a full performance by Infected Rain from their independent years, more specifically from their 2016 incendiary performance at Rockstadt Extreme Fest or from their 2017 concert at Club Thing in Germany? In addition, simply check this video titled “10 questions with Lena Scissorhands | Infected Rain” to know a little more about Lena and the band.

Apart from her life with Infected Rain, you can also find our multi-talented artist on a few other distinguished bands and projects, showcasing all her skills as a musician and her passion for music in general. For instance, she has been doing some singing during the live performances for a Moldovan Progressive Death Metal act called Neuromist since 2010 (although I couldn’t find any online video recording of her with the band), she has recorded a cover version for Russian duo t.A.T.u’s biggest hit All The Things She Said together with LA-based Alternative Rock act Chase The Comet, and also participated in some of the songs by Moldovan Progressive Metal/Rock band Seas on the Moon such as Promise and Hovering. As you can see, singing and playing became Lena’s own type of “drug”, her personal and healthy addiction, inspiring her to exercise and experiment a lot with her voice in different styles. All that work and experimentation would leave her voiceless for days in the beginning, but after starting her vocal lessons with renowned vocal coach Melissa Cross in 2013 everything changed for better in her life and career, allowing Lena to start delivering all the emotions, experiences, fears and disappointments in life from her very personal lyrics on stage without hurting her vocal cords.

As the amazing frontwoman that Lena is, she has obviously been asked a lot of times about how she views the current role and importance of women in heavy music, and what can be done to further enhance their relevance in the scene. However, although feminism and sisterhood in the metal scene are quite popular topics nowadays, she doesn’t consider herself a true feminist. “I know a lot of people expect me to be a little bit more feminist, or to talk more about how awesome it is to be a girl in metal. I really don’t do this big of a difference. I love seeing many girls in metal in general. It’s really cool because it takes dedication and women usually are very busy with their everyday life, with their families, with their kids, and it’s not that easy if you’re a woman, to give up everything. It’s a little bit easier for a man. Maybe. I don’t know,” said Lena, who also thinks that there isn’t a big difference between men and women in metal music, especially due to the fact she grew up in the company of boys in her neighborhood and considered herself very boyish until she was 15 or 16 years old. “I became more feminine later, but that’s it. That’s only the way I look. Inside I’m very fragile, I like being a woman, I like being fragile, I like being loved, I like being taking care of. But trust me, a man can say the same. Men also love to be loved, men also loved to be weak sometimes, and men also have weaknesses and emotions. We have blood, muscles, we are the same! Right? So, I really don’t see a big difference.”

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Lena is unsurprisingly addicted to sports, to touring and to adrenaline, saying she’s disciplined enough to work out at home, backstage or in a hotel room before her concerts. “I love yoga a lot because I become stretched really well. I like building up my body and you know, doing some weights sometimes. I don’t do cardio, because I have very low blood pressure, but at the same time I love hiking, I tried climbing as well, and I like biking a lot,” said Lena, who also mentioned she has a ritual before hitting the stage every show and sometimes even during her days off, requiring between half and a full hour of exercising and a minimum half hour of vocal warm-up, plus another hour to do her makeup, allowing her to feel perfectly prepared, stretched and warmed up prior to each concert. Moreover, Lena’s creations with Infected Rain are all meant to be played live, as according to our talented growler they’re extremely close to reality, expressing exactly what Lena was feeling when writing them, with some songs becoming even stronger during the band’s live performances.

As a huge fan of cartoons and horror flicks, Lena seems to be really into Disney and vampire movies, two completely different things that ended up helping her shape up her own persona quite well. “I became a big Disney nerd at an older age. When I was a kid I grew up in a pretty poor family and we didn’t really watch Disney movies unless they were on TV. So, I would say I really love Lion King because this was my first Disney movie I’ve ever seen and it’s very emotional. I also absolutely love Snow White, because I think it’s just amazing how unique it is, and it was the first cartoon movie that was made so… I also love a lot Alice in Wonderland, because I’m a big fan of the book as well, and I really like how unique the movie is, but still – you know – having the lot from the book… I can go on and on like this forever and ever. There are so many good ones,” commented Lena, who also said in one of her interviews that as she grew up with the tales of Dracula, she loves every type of vampire movie ever made, even lower budget productions or comedies about vampires, complementing by saying that she has also been watching a lot of zombie movies, that she has already gone through all the Halloween and Friday the 13th franchises, and that now she wants to watch all the Resident Evil and A Nightmare on Elm Street movies as well.

As already mentioned, Lena also used to be a hair stylist and makeup artist, and as a proud vegan she usually tries to use vegan makeup instead of the regular brands you can find anywhere, saying one of her favorite brands is Kat Von D as she’s a vegan artist and all her makeup line is vegan as well. However, despite working with makeup, she truly believes charisma and kindness are what really attract her in people, saying that’s the true beauty in everyone. Furthermore, she also thinks there’s too much judgement or bias based on how a person looks nowadays, saying she doesn’t reply and she deletes all types of unnecessary comments such as “you’re too skinny”, “you have too many tattoos” and so on from her social media, complementing by saying we all punish ourselves too much already inside our minds to allow strangers to do the same for no reason.

Regarding veganism and her view of what’s happening to our environment, our skillful vocalist said she decided to become a vegan to see how she would feel, how much that would impact her health and her body, realizing she started to have a lot more energy on tour after adapting her eating habits around three years ago. Hence, you can notice the impact of her vegan lifestyle in the music by Infected Rain, with songs like the amazing The Earth Mantra beautifully (and darkly) representing everything that’s wrong with mankind in terms of all the wicked things we are doing to our planet. Despite not considering herself a true environmentalist, Lena is trying to be sensitive about nature, about animals and plants, and being more aware of her surroundings and how her actions impact everything and everyone in her life. Although a lot of people are trying hard to change their habits to have a minimal impact on our planet, Lena still thinks that’s not enough, that the current situation is extremely bad and that unfortunately it will take decades for the human race to change. If you’re also trying to make the world a better place you’ll certainly love the official video for The Earth Mantra, where Lena “interacts” with different bugs and other animals most people are not comfortable dealing with. “All the animals were real. I was very gentle with them. The owner of them was there, telling me how to hold those animals so no harm was done. I’m not scared of any bugs or anything. It’s actually a problem because I’m not afraid and I want to pet them and I want to touch them. So no, I’m not afraid,” commented the dauntless Lena.

Lastly, as also mentioned in the beginning of this tribute to Lena, her life is like an open book online, and let’s say she’s very proud of not being afraid of sharing all aspects of her life with her family, friends and fans worldwide. One of the main places where you can know everything about Lena is her official YouTube channel curiously titled BANANAS (as well as her own Patreon page), where you’ll find pretty much anything about her life, her hobbies, her career, her tattoos and other nice-to-know details, including also some interviews and chats with artists the likes of Melissa Cross and CJ McMahon (Thy Art Is Murder), and with all videos being edited by one of her bandmates, guitarist Vidick. For instance, there’s a very interesting video of Lena talking about the origins of Infected Rain which you might find very entertaining and informative, showing how much she’s not only a fantastic singer, but also that she was born to be in the spotlight so natural and smooth her onscreen performance is, and that’s exactly how she wants her YouTube channel to be for the foreseeable future. “When I decided to have my own YouTube channel and I saw that the band is becoming more known around the world and people are curious about me as a person, I made myself one promise, and I’m just trying to stick with that, and that’s it. It’s just I’m always going to be myself, and if people are not gonna like what they see or what they hear, it’s not in my power to change anybody’s mind, and I will never try to do that,” said Lena, inviting us all to join her in her world of heavy music, veganism, tattoos, and of course, bananas.

Lena Scissorhands’ Official Facebook page
Lena Scissorhands’ Official VKontakte
Lena Scissorhands’ Official Instagram
Lena Scissorhands’ Official Twitter
Lena Scissorhands’ Official YouTube channel
Infected Rain’s Official Facebook page
Infected Rain’s Official VKontakte
Infected Rain’s Official Instagram
Infected Rain’s Official Twitter
Infected Rain’s Official YouTube channel

“Reality is frustrating sometimes, music has become my escape. I want to help as many people as I can with my music. I want to touch people somewhere deep inside, try to end their fears and give them that escape that they always search for. Music saved my life, but when I started to sing is when my life acquired color.” – Lena Scissorhands

Metal Chick of the Month – Mia Wallace

Hecate awaits where crossroads split…

If there’s a woman that loves heavy music from the bottom of her (darkened) heart, more specifically our always controversial and blasphemous Black Metal, as well as music in general, that lady has to be the unrelenting Italian-born bassist Mia Wallace, who you’ll also find in several bands and projects under the names Michelle Mia Wallace, Mia W. Wallace, White Wallace or even Winter Wallace. As a matter of fact, either being a coincidence or not, the name Mia Wallace was given to the fictional character portrayed by the stunning Uma Thurman in the 1994 Quentin Tarantino cult movie Pulp Fiction, just to give you an idea of how mysterious, sexy and provocative our metal chick of the month of May can be, exactly how we expect from any true Black Metal musician. Known for her work in distinguished metal projects such as The True Endless (under the controversial moniker Soulfucker), Abbath, Triumph of Death and Niryth, among several others, Mia will undoubtedly hypnotize you with her obscure looks and smash your senses with her thunderous bass, proving once and for all Black Metal is and will always be home for some of the most talented women in the history of music.

Born somewhere, sometime in the always gorgeous Italy, Mia Wallace started playing bass in the now distant year of 1994. She said in one of her interviews that her boyfriend at the time, Italian multi-instrumentalist Marco De Rosa (R.I.P.), also known as simply M., who would become her bandmate in distinct bands and projects and best friend for over 25 years, encouraged her to try his white Fender Squier Vintage bass. She mentioned it was extremely heavy, but she immediately became passionate about that amazing instrument. Her first bass was then a four-string Hoyer SG-type from 1970, helping Mia become most probably the first female bass player in the entire Italy to wear corpsepaint, to play Black Metal on stage, and to perform fire-breathing during her live concerts. Among her gear, you’ll find some amazing stuff such as the Epiphone Nikki Sixx Blackbird, the BC Rich Beast and the Clover BassTard bass guitars; the Boss ODB-3, Boss DD-3 and Marshall Reflector RF-1 effects; and the Warwick Profet 5.2 amps.

There are several bands and projects where you can enjoy Mia kicking some serious ass with her rumbling bass, and in order to tell you a little about each one of those let’s start with the most recent or active ones and then move on to her previous bands which have either disbanded or have been put on an indefinite hiatus. Right now, we can say Mia is involved in two main projects, those being an Italian Electronic/Industrial/Alien/Darkwave Pop/Rock project entitled Kirlian Camera, where not only she plays bass but also keyboards (also doing backing vocals), and a mysterious Swiss project that goes by the name of Niryth, where she’s a co-founder, songwriter and lead bassist. There might be a third project which could be called her solo band Mia Wallace, but as there’s nothing online anywhere about it let’s just say there’s no reason for extending the topic on it.

Anyway, her role with Kirlian Camera (which name was taken from what’s known as Kirlian photography, a collection of photographic techniques used to capture the phenomenon of electrical coronal discharges) obviously goes beyond her usual bass playing duties, providing a unique support to the band’s mastermind Angelo Bergamini and frontwoman Elena Alice Fossi during their live performances. The band was founded in the distant year of in 1979 in the city of Parma by Angelo Bergamini and was a pioneering act of the Italian synthpop scene, featuring musicians from four distinct locations (Piombino, Marciana, Parma and Novara, all in Italy), and after a few ups and downs the duo now shares the stage with obviously Mia and other renowned musicians form the Italian scene such as Alessandro Comerio, Davide Mazza and Falk Pitschk. Having released a good amount of albums since their inception, starting with their 1983 debut effort It Doesn’t Matter Now until their most recent installment Hellfire, released in 2019, the project has always pushed the boundaries of experimental and electronic music, winning several awards through the years, with Mia bringing her share of heaviness and creativity to the band on stage. You won’t be able to listen to Mia in any of their studio albums, of course, but you can certainly enjoy some awesome live footage on YouTube such as this soundcheck in 2018 at a festival in Switzerland, this live version of the song V2K in Leipzig, Germany in 2020, or this 30-minute footage of the band live in Torino, Italy in 2018 playing some of their songs such as Holograms, Black August and News.

Her other project is considerably unique and I can’t even say if it’s still going on or if it has been archived by its band members. I’m talking about Nyrith, a distinguished metal project founded by Mia together with the one and only Tom. G Warrior (Hellhammer, Celtic Fost, Trypticon) with tastes of heavy and obscure doom, blending different styles from the music by Sisters of Mercy to Pink Floyd, all performed by not only one, not two, but three bass players. In one of her interviews Mia mentioned that Nyrith were ready to release their debut album depicting their visions of life and death, their struggles and pains, but so far nothing has been made official yet. She also said the idea of Nyrith came from Tom after Mia was left without a band a few years ago (and we’ll talk more about that later), including the idea of having three bass players on the same band, as at that time nobody was comfortable giving a woman the control of a new or existing band. In this project, Mia mentioned she was working on all the music which was refused by her previous band, a very restricted and traditional Black Metal act by the way, with all of her ideas being pretty much outside the Black Metal world. As aforementioned, there’s nothing officially released up to now, but we should all keep an eye on Nyrith as this is a very promising metal project (if it truly happens one day, of course). In addition, as an accomplished bass player, Mia has been asked several times about her technique, about how she enjoys playing bass and other nice-to-know details. For instance, when questioned about the fact she would play a five-string bass with Nyrith, she said that “I’ve been playing four-string basses for 20 years, but with Niryth, it is absolutely essential to play five-string bass, as the music requires far more versatility. I always felt good vibes with BC Rich basses. Among my favorite basses is a BC Rich Beast, in fact.”

Now it’s time to talk about all of her previous bands, starting with the one that’s in my opinion her most interesting and powerful project to date, Italian Black Metal horde The True Endless, founded in 1997 by M. and Mia (under the moniker Pollon, and later under her most controversial moniker Soulfucker) with the main goal of crafting violent and trendkiller music. After a couple of rehearsal tapes and some shows, The True Endless recorded their first studio work in 1999 called The Trendkiller EP, followed by an array of EP’s, splits, compilations, livr albums and obviously some very interesting and heavy-as-hell full-length albums, those being Wings of Wrath (2003), A Climb to Eternity (2005), Buried by Time and Dust (2006), 1888 from Hell (2008), An Year in Black (2009), Legacy of Hate (2013), and last but not least, Blacklight Inferno (2017), all with Mia kicking ass on bass and even working in the mastering of their 2008 album 1888 from Hell. Featuring lyrics in English, Italian and Novaras, a dialect of the Piedmontese language (Piemontèis) that was used to give their sound a more ancestral feeling, the scorching Black Metal played by The True Endless led the band to share the stage with some of the most important names of the extreme music scene such as Marduk, Deicide, Vader, Helheim, Darkened Nocturn Slaughtercult, Besatt, Morrigan, Vesna, Mortuary Drape, Opera IX and many more, playing through countless countries across Europe. You’ll “only” be able to find their latest released Blacklight Inferno on their official BandCamp page, but you can enjoy several of their songs and live footage by visiting their official YouTube channel (as well as other channels), as for example their cover version for Hellhammer’s classic Massacra, the songs Pale Waves, Under The Horned Waning Moon, Black Swamp, I Drink The Devil’s Blood and Nightfall, and this live version of Freezing Moon in the Czech Republic in 2011.

Unfortunately, after months fighting against a deadly cancer, the multi-talented M. sadly passed away on November 16, 2017 at the age of 43, and due to such tragic loss Mia and the band’s drummer Algol decided to end the project after 20 years of intense activity. However, as Mia herself always says, “the flame will burn forever.” And the skillful M. was also the founder of many other amazing projects such as Darkness, Huggin, Skoll and Teuta, most of them featuring our dauntless Mia on bass and/or on keyboards, and usually under the moniker Pollon. For instance, she played bass on the 2013 album Anti Human Life, by Italian Black/Thrash Metal band Darkness, on the 1998 demo Tales (from the Ancient Times), by Italian Black Metal horde Huginn, and played keyboards on the 1999 album Through the Mist We Come Back and on the 2000 split Keep Alive Your Heathenfolk/La oss slakte Guds lam, both by Italian Pagan Black/Viking Metal band Skoll. After listening to such amazing bands, we must all agree with Mia that the flame of M. will always burn bright through his classy and dark music across the centuries, no doubt about that.

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Another memorable moment in Mia’s undisputed career happened between 2019 and 2020 when she joined the iconic Norwegian Black Metal act Abbath, spearheaded by one of the co-founders of Immortal, one of the trailblazers of the infamous Norwegian Black Metal scene. When asked about how the invitation to join Abbath in 2019 happened, Mia said that she always been part of the Bergen family, and as Abbath needed a strong figure to replace his previous bassist he noticed her as an experienced musician who would fit perfectly into his lineup. Mia was the bass player in Abbath’s latest opus, his 2019 album Outstrider, and you can enjoy her thunderous and menacing bass lines in songs like Harvest Pyre and Calm in Ire of Hurricane. Mia mentioned Outstrider was pretty much written when she joined the band, with Abbath asking her to write the bass lines and then they decided together about some adjustments on them, also saying that she didn’t feel any real pressure as the replacement of one of the most recognizable bassist in Black Metal, the iconic King ov Hell (God Seed, Gorgoroth), as they’re two musicians with different skills that were not actually competing nor anything like that. However, on January 28, 2020, Mia revealed that she was no longer part of the band, being informed over the phone by the Abbath’s manager shortly before the beginning of the Outstrider 2020 European tour. No formal announcement was made by the band, but she was replaced on bass by touring member, Rusty Cornell. As you can check HERE, Mia was not happy about the way things happened. “I am disappointed that none of my former colleagues have contacted me in this process except for the five minute phone call from Abbath’s manager in which I was told I would no longer be needed. I was told not to contact anyone in the band. The explanation for this had no substance and just made more questions and confusion for me. Up until then I had been preparing for the European tour as I had been told to do. I had to cancel other plans, and get time off work for the tour which I spent much time preparing for,” said Mia, also citing her comments to the media after the disastrous Abbath two-song concert in Argentina in 2019 as one of the probable reasons for being fired from the band.

Another amazing project where we were all able to enjoy Mia’s crushing bass lines between 2018 and 2019 was Tom G. Warrior’s Triumph Of Death, a tribute to his former group Hellhammer, consisting of playing the legendary music by Hellhammer from their  three demos (Death Fiend, Triumph of Death and Satanic Rites) and the EP Apocalyptic Raids onstage after 37 years, starting in the summer of 2019. According to Tom and Mia, Triumph of Death is a Zurich, Switzerland-based open-ended project playing only select concerts and festivals, basically choosing the songs from the band’s small but rich catalog depending on how they felt at that moment, always open to change from time to time. When asked about how she felt playing those songs together with Tom and therefore continuing the legacy of one of the pioneers of Black Metal, she said it was a true honor for her as she’s been highly influenced by Hellhammer throughout her entire career, and you can see how happy Mia truly was by watching her interviews together with Tom in 2019 at some of the best metal festivals in the world such as Hellfest, Wacken Open Air and Brutal Assault, always talking about how it feels to play with Triumph of Death, the legacy of Hellhammer and why the name Hellhammer wasn’t used, as well as performing at the same time with Tom and Abbath. In addition, if you want to experience the music by Triumph of Death live, you can check some awesome live footage on YouTube such as the song Vision of Mortality at Kilkim Žaibu (the biggest ancient traditions and Extreme Metal festival in the Baltic States), Blood Insanity at Hellfest, Triumph of Death in Essen, Germany, or this full concert at Psycho Fest in Las Vegas, Nevada, in the United States.

Lastly, there’s one more metal project that’s worth mentioning, which is Swiss Goregrind/Death Metal band Embalming Theatre, where Mia didn’t play bass or keyboards, but instead she was the one responsible for crafting the intros and outros to pretty much all of their releases from 2000 until 2006, such as the intro, intermezzo and outro to the 2003 album Sweet Chainsaw Melodies, and the intro to the 2004 split Death Metal Karaoke/My Flesh Creeps at Insects. One curious thing is that if you go to the band’s official BandCamp page you’ll notice most of the albums there do not contain the intros and outros by Mia, and I have absolutely no idea why those pieces are missing. Anyway, Embalming Theatre are a very entertaining Goregrind act, with all of their albums being worth a shot with or without Mia’s insane collaboration.

Regarding her main influences and idols in music and in life in general, as mentioned a couple of times already she sees the iconic Tom G. Warrior as her master and mentor, even saying that “he is the one who unleashed the dormant beast inside me.” Without him, Mia said she would not have been able to effectively express her music and her creativity, complementing by saying her writing and composing process is very similar to his due to the huge influence his music has always had on her since her childhood, even before knowing him in person.  According to our badass bassist, there would be no Black Metal without Tom, with his classic bands Hellhammer and Celtic Frost being obviously among her favorite metal acts of all time. Mia also mentioned in some of her interviews the huge influence she also had from Abbath himself, whose real name is Olve Eikemo, always acknowledging the humongous importance his former band Immortal has always had on the birth and evolution of our beloved Norwegian Black Metal. I guess even after being fired from Abbath’s solo band the way it happened, Mia still sees him as a legend and as a true inspiration, and I’m sure she’ll always keep those moments onstage with him among her best memories in her musical career. Furthermore, in regards to bass players, Mia always mentions the enigmatic and multi-talented Peter Steele (R.I.P.), the lead singer, bassist and composer for Gothic Metal band Type O Negative, as her personal bass hero, but she also said she has always been fascinated by the onstage charisma of Martin Eric Ain (R.I.P.), the former bassist for Extreme Metal titans Celtic Frost, proving Mia definitely knows how to choose her music idols.

Finally, as much as we all see Mia as the talented and indestructible Black Metal bass player that she is, needless to say she’s also a human being like the rest of us, having to handle her own issues and struggles just like any regular person. As you can see in this article by Blabbermouth from the end of February, Mia mentioned in a special and very personal Facebook post that the past few months have been the been the darkest and most painful period of her life, with all recent events leaving her physically and emotionally destroyed. “I tried to face hell trying not to crack, always holding hard in front of events which, daily, were destroying my soul and my emotions, unfortunately, also physically, by pushing up that strong Mia everyone knows,” she wrote, complementing that by saying that “these terrible experiences are always destructive, but they also left a positive note: the ability to see who stayed, who, day after day, try to be close to me, without judging me or making me feel wrong, without making me feel the weight of my reactions dictated by despair, but simply making me feel that even though Mia is going through a negative phase, something good in her is still there, holding my hands and telling me that it will pass, listening to my pain, drying my tears and looking for the best way not to make me collapse.These people are the people who love me, my family, the people to whom my gratitude and love will remain as long as I am alive, and to whom I will give all of myself, with my strength and, unfortunately, flaws.” Those were the honest and austere words by “the imperfect” Mia, who we all wish a quick and healthy recovery and, of course, who we wish to see on stage smashing our skulls with her thunderous bass as soon as possible.

May 6, 2020 UPDATE: As you can see HERE, the unrelenting Mia Wallace has just been announced as the new bass player for Brazilian all-female Thrash Metal band Nervosa! The band’s mastermind Prika Amaral couldn’t have made a better choice to take care of their bass duties! Congratulations, Mia!

Mia Wallace’s Official Facebook page
Mia Wallace’s Official Instagram
Mia Wallace’s Official Twitter

“As I have often been wont to do, I’ll quote Friedrich Nietzsche: ‘Without music, life would be a mistake.’ That has always been my modus vivendi.” – Mia Wallace

Metal Chick of the Month – Thalìa Bellazecca

I was raised by the storm and I’m living to serve my own pride!

Amidst one of the worst crisis the world has ever been through, with the COVID-19 pandemic bringing nothing but fear, anger and darkness to our hearts, let’s pay a humble tribute to the beautiful Italy, where the virus has had so far the most devastating outcome, by providing you, our dear readers, with an overview of the life and career of the gorgeous, skillful and unstoppable Thalìa Bellazecca, the young and restless guitarist for Italian Power Metal band Frozen Crown, bringing some joy to our hearts and souls during such difficult times. If you, like almost all of us here, are quarantined and getting bored due to the lack of things to do, perhaps this short and sweet homage to Thalìa and all her countrymen, and of course her razor-edged riffs and solos, can help you enjoy your time of confinement a lot better.

Born on April 19, 2000 in Cantù, a city and commune in the Province of Como, located at the center of the Brianza zone in Lombardy, Italy, Thalìa Bellazecca is of Italian and Cuban origin, which explains her undeniable talent, groove and passion for music, and that’s exactly what we are going to focus on in this humble tribute to such distinguished shredder, as Thalìa seems to be a very reserved woman who lives and breathes music 24 hours a day, 7 days a week. Furthermore, it’s impossible not to talk about Italian Power Metal band Frozen Crown, the band where we have all been able to witness Thalìa kicking some serious ass with her incendiary guitar since 2017.

Formed back in 2017 by guitarist and vocalist Federico Mondelli in the Italian metropolis of Milan, one of the global capitals of fashion and design, and fronted by the powerful singer Giada Etro (already known for her work in Ashes You Leave), Frozen Crown are a Power Metal band infused with classic Heavy Metal and Melodic Death Metal vibes, having released since their inception the singles The Shieldmaiden and Kings, in 2017, and Neverending, in 2019, and the full-length albums The Fallen King, in 2018, and Crowned in Frost, in 2019, where the band minimized their  Symphonic Metal side and amplified their core Heavy and Power Metal considerably. As a matter of fact, although you can enjoy Thalìa’s refined technique and stunning looks in pretty much all of Frozen Crown’s official videos, all guitars in both of their albums were recorded by Federico (except for the guitar solo in Kings, which was recorded by our metal lady Thalìa), who was also responsible for all keyboards and artworks as well. You can enjoy all of their albums and songs directly from their BandCamp page (where you can obviously buy their music, as well as from their Big Cartel page) and also stream everything on Spotify.

However, as aforementioned, who said we cannot have a blast with Thalìa in all official videos released by Frozen Crown through the years? You can definitely enjoy Thalìa shredding her strings in great fashion while she bangs her head like a maniac in amazing Power Metal anthems such as  Neverending, Kings, Everwinter, I Am The Tyrant, Forever and The Shieldmaiden, and if live performances are your cup of tea how about taking a shot at some of the band’s live footage playing their ass-kicking metal music to the masses like in the songs Kings, Fail No More, The Shieldmaiden and I Am The Tyrant live at C.G. Busto Arsizio in 2018 in Varese, Italy; Kings live in Toulouse in 2020; Arctic Gales/Neverending and Winterfall live at Dagda Retorbido in 2019 in Pavia, Italy; To Infinity live at Arci Tom in 2018 in Mantua, Italy; or simply enjoy this live footage of Frozen Crown taking the German cities of Munich, Augsburg and Aschaffenburg by storm in 2019.

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Apart from her career with Frozen Crown, we can also witness Thalìa embellishing the airwaves with her riffs and solos in a few other very interesting projects and bands; for instance, during part of 2018, Thalìa was one of the live guitarists for Russian Thrash Metal female-fronted band Pokerface, whose music can be described as a fusion of the music by Arch Enemy, Children of Bodom and Kreator. Also, Thalìa is one of the guitarists for a sensational Megadeth tribute band called Nuclear Winter, formed in 2015 by vocalist and guitarist Paolo Ingianni and active in the best Lombard and Piedmontese rock clubs since 2016. You can check their official Instagram and YouTube channel for more information on the band, such as this incendiary cover version for Tornado of Souls live in 2019 at Rock’N’Roll Milano.

In addition to all that, our dauntless left-handed shredder plays the guitar for the Italian Women Tribute, a music project that was born in 2016 from an idea by Andy Rox and is the first and only rock tribute to Italian female voices existing in Italy (and you can also find more information about it on their Instagram besides their official website), and was recruited to record a solo on one of the songs for a Syrian project called Storm of Death, of Adnan Al Hamdan, his third album featuring a selection of over 120 guest musicians from over 44 countries, which you can take a better look on the project’s official Facebook page. The song where we’ll have the pleasure of listening to Thalìa slashing her strings is not available yet, but I’m sure soon enough we’ll hear more from Adnan or from Thalìa herself with a link to listen to it.

Highly influenced by a vast array of guitar heroes such as Kiko Loureiro, Joe Satriani, Steve Vai, Guthrie Govan, Paul Gilbert, Andy Timmons, Marty Friedman, Jason Becker and Yngwie Malmsteen, among countless others, our stunning guitarist manages her own YouTube channel, uploading several videos on a regular basis showcasing all her skills and passion for heavy music and rock in general. You can enjoy Thalìa and her inseparable ax playing cover versions for Kiko Loureiro’s Moment Of Truth, Frozen Crown’s Queen Of Blades, Joe Satriani’s Headrush and Satch Boogie, and Megadeth’s Conquer or Die, or simply watch her doing some guitar improvisation showing how talented she is. And last but not least, I believe I don’t need to say Thalìa also ventures through the realms of modeling, right? Just by looking at her gorgeous photos you probably guessed that yourself, and if you’re curious to know more about that distinguished side of our guitar hero you can check her work (and of other models) on the official Instagram of PERSONA, from Milan. Having said all that, I think we must all admit that Thalìa has it all, a ravishing look and style, an undeniable talent armed with her guitar, endless stamina and a deep and healthy addiction to Heavy Metal. If that’s not the perfect combination for a true headbanging woman, I honestly don’t know what could be.

Thalìa Bellazecca’s Official Facebook page
Thalìa Bellazecca’s Official Instagram
Thalìa Bellazecca’s Official Twitter
Thalìa Bellazecca’s Official YouTube channel
Frozen Crown’s Official Facebook page
Frozen Crown’s Official Instagram
Frozen Crown’s Official Twitter
Frozen Crown’s Official BandCamp page

Metal Chick of the Month – İlkim Oulanem

Doomsday is not so far… See you in hell, İlkim!

Every single time we at The Headbanging Moose decide to honour a woman in Black Metal in our metal chick of the month segment, we have a really hard time finding most details about that specific woman most probably due to all the secrecy, mystery and obscurity that are inherent to such distinct subgenre of heavy music. Having said that, it couldn’t have been any different with our metal lady on the month of March, as almost everything related to İlkim Oulanem is about her career in Black Metal, with very few, rare interviews and other articles being available about her personal life. However, thanks to my superior “detective” skills, I managed to find a very interesting side of our Turkish Valkyrie that might be a surprise to most people that have already had any contact with İlkim’s work in the Black Metal scene, and as any good journalist I’ll save that distinct side of our metal lady for the end of this tribute, how about that? I’m sure you’ll love both her more aggressive and infernal Black Metal side, and her more recent endeavours in music.

Born in the year of 1989 in Ankara, Turkey’s cosmopolitan capital, sitting in the country’s central Anatolia region, İlkim began her career in Black Metal around 2005, when she formed a pure Black Metal band called Messershmit in Ankara. After performing as a vocalist and bassist for Messershmit until 2008, with whom she recorded a split album titled Split Way of Life in 2005 together with Turkish Black Metal band Satanic Verses, as well as an unlisted demo entitled Beyond the Wall of Sleep, İlkim formed her own one-woman Black Metal project self-titled İlkim Oulanem back in 2008, recording all vocals and instruments (and being also responsible for all lyrics) in all of her releases under the now defunct project. In addition, if you’re not familiar with the music by İlkim Oulanem, let me tell you that her sound suffered a few changes through the years, evolving from a raw Black Metal sonority to what can be called Melodic Black Metal or even Black n’ Roll.

As the one-woman band İlkim Oulanem (which you might also find under the name İlkim2), she released the two-track demo The Alarm, in 2005, gathering considerable interest from critics and fans in her homeland (which led her to tour around İstanbul, Gaziantep and Eskişehir), the EP Iblisbilim, in 2009, and her only full-length opus Girdap, in 2011, not to mention the split albums Pentagram, Legions of the Black Ice Fires, Unholy Culture and Sixth Hell of the East IV, all released in 2009, and BPMTh and International Black Scene Vol.1, both from 2010, with some amazing underground bands such as Storm of Darkness, Lux Serpent of Eden, Oculus Sathanas, Solus, Diabolis Interriym, Sirannon, Moderix and Ambient Fabric, among others. Hence, if you want to have a very good taste of the rawness and obscurity flowing from her music under her İlkim Oulanem moniker, you can listen to songs like Asil Varoluş, Hey Kukla and İblisbilim, all sung in her mother tongue Turkish, by the way, and always about controversial topics such as war and destruction.

Apart from her work with İlkim Oulanem, our talented metaller has also been involved with a band named Karabudun (albeit there’s nothing from this band available anywhere online), played drums for Mexican Black Metal band Demonic Forest in 2008, participated as a guest drummer in the 2009 demo titled 191919…, by Turkish all-female Death/Black Metal band Ancestry (previously known as War Ancestry), and was a guest vocalist and lyricist in the song Screams of Lost Horrors, from the 2010 album The Dark… the Withered…, by Colombian Depressive Black Metal band Asbel. Furthermore, after the end of her one-woman Black Metal project, she started playing pop and rock music under the name İlkim, but the only material you’ll find anywhere from that project is the official video for a song titled Melekler Hatırına.

Highly influenced by underground Black Metal, Death Metal and Grindcore bands, with Immortal being one of her biggest idols in extreme music, İlkim sees (or at least used to see) Black Metal as more than just music, being an essential part of her life it doesn’t matter if she’s simply walking down a street or drinking a cup of coffee. When asked about the Norwegian Black Metal scene and all the events that took place in the 90’s involving the infamous members of Mayhem and Burzum, she said that although she considers Norway the birthplace and a great nation for Black Metal, you can be a successful Black Metal musician anywhere in the world despite your age, sex or anything else, complementing by saying she doesn’t like to label different strands of Black Metal such as National Socialist Black Metal, Christian Black Metal (also known as Unblack Metal) or Anti-Human Black Metal, saying that for her there’s only one type of Black Metal, period. Moreover, she also mentioned in one of her interviews that she considers the Satanic imagery commonly used by Black Metal bands as a metaphor for individualism and personal freedom as the best option indeed, much better than any God imagery.

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As a one-woman Black Metal band in a country like Turkey, where extreme music is the underground of the underground, İlkim said the Turkish metal scene is very active and robust despite all the hassles that the Turkish society might impose to the musicians from the scene, also saying there’s a lot of room for creativity and that there are several underground venues where bands share their expertise, their stories and music. Regarding her writing process, İlkim mentioned that she doesn’t follow a strict or structured process to compose her music and write her lyrics, as everything comes straight from her heart and personal experiences and struggles, complementing by mentioning that although she has already used and consumed alcohol, cigarettes and even drugs in her life, she enjoys writing and recording her songs with a clean mind and a healthy body, without any external substances impacting her train of though.

Last but not least, as mentioned in the beginning of this tribute, there’s a very distinguished side of İlkim that I’m sure most people know nothing about, especially due to her “departure” from the Black Metal world back in 2011. As a matter of fact, while she was still playing Black Metal, İlkim mentioned in an interview that she loved listening to underground Black Metal and classical music, and it’s classical music what might have influenced her the most in her decision to step away from extreme music and venture through the realms of rock and pop music. However, even that pop period of İlkim seems a little shady, with nothing truly solid happening from 2011 until more recent years, and after searching and searching online for more information on her current career it was with great surprise that I found out İlkim is now known as İlkim Yılmaz, a music director and the chief orchestral conductor for Bilintur Women’s Chamber Orchestra and Muzed Music Teachers’ Orchestra during the 2019-2020 season. Unless she has an identical twin, a clone or there’s someone out there that looks exactly like her and uses her exact same name, our underground black metaller became a classical musician. Interesting, isn’t it?

If İlkim Yılmaz is indeed our İlkim Oulanem, and I’m pretty sure she is, she graduated from the Department of Composition and Music Theory at Başkent University State Conservatory in 2017 with  High Honor Degree and Secondary Degree, continuing her studies between 2017 and 2019 with the distinguished conductor Işın Metin. In addition, during her bachelor degree, she attended Burak Tüzün and Rengim Gökmen’s lessons at Hacettepe University Ankara State Conservatory between 2015 and 2017 as a guest, also conducting during that same period the youth chamber orchestra as a guest conductor. Furthermore, right after her graduation in 2017, İlkim became the assistant conductor for the Middle East Technical University Fine Arts Ensemble Choir, and in the spring of 2018 she served as the music director and conductor for the Middle East Technical University Fine Arts Orchestra, performing four concerts with them, three of which at the famous METU Kemal Kurdaş Hall. There are several other concerts, workshops and events she has already participated through the years in the classical and orchestral music scene in Turkey (and you can always know more about her work and events by following her on Facebook), and perhaps that’s exactly where she should be in spite of her undeniable contribution to Black Metal in Turkey. I’m quite sure she’s not ashamed of her past as a metalhead, and that deep inside her heart she still nurtures a great passion for Black Metal. And who knows, maybe one day İlkim Oulanem will arise from the ashes like a Black Metal phoenix for our total delight, right?

Metal Chick of the Month – Julie Simonsen

The Bridge of Light gives wings… Lead into the sea where you’ll be joining me…

Are you ready for some old school, dark and heavy-as-hell Doom Metal on The Headbanging Moose this month of February? If doom is what you love, I’m sure you’ll have a blast with our metal chick of the month, the badass, raven-haired Julie Simonsen, drummer for one of the most infernal and Stygian bands of the current European scene, the unrelenting all-female Doom Metal entity known as Konvent, an up-and-coming act that will surely become a driving force of primeval doom not only in their homeland Denmark, but anywhere else where obscure and devilish extreme music is properly appreciated. Having said that, fasten your seat belts and enjoy our humble tribute to a woman who albeit might be taking her first steps in her music career, has all it takes to conquer the hearts of metalheads form all over the world with her unique charisma and undeniable talent behind the drums.

Born and raised in Frederiksværk, a small town in the Halsnæs Municipality on Zealand, in Region Hovedstaden in Denmark, but currently residing in Søborg, a neighbourhood in Gladsaxe Municipality, located some 10 km northwest of central Copenhagen, Julie said she was feeling bored at school before joining Konvent. She said that after she moved to Søborg she attended some sort of “left-wing hippie music college” (which I believe is a school called Det frie Gymnasium) where she was supposed to play angry punk music, therefore getting more involved in the local punk and metal scene. After her graduation, she worked at H&M and even in the zoo where she sold ice cream, and now apart from her career with convent she is also currently working in a warehouse for an online clothing store.

Julien mentioned in one of her interviews she started playing drums when she was around 12 or 13 years old, getting her first drums from her parents and then starting taking lessons. Her father introduced her to the music by Kiss when she was a little girl, when she was only around 6 or 7 years old, and she instantly fell in love for it, saying she thought at that time Eric Singer was really cool with the makeup and everything else. As a matter of fact, that was actually the real reason that inspired her to play the drums. A few years later, after she started playing drums, Julie also started taking guitar lessons, which by the way it’s still a thing for her, but of course drums have always been her top priority.

It was at the end of November 2017 when our dauntless drummer joined Konvent, the all-female Doom Metal sensation formed in 2015 in Copenhagen following in the footsteps of Candlemass, Paradise Lost, Cult of Luna and Black Breath, who all unleashed the bleakest horror on mankind in the early 90’s, having already appeared with the band at several festivals such as Aalborg Metal Festival, Metal Magic, When Copenhell Freezes Over and Roskilde Festival. Kovent are currently comprised of Rikke Emilie List on vocals, Sara Helena Nørregaard on the guitars, Heidi Withington Brink on bass and, obviously, Julie Simonsen on drums, having released a demo in 2017 (still with their original drummer Mette Marie List), and just a few days ago their debut full-length opus entitled Puritan Masochism, via Napalm Records, a massive extreme metal highlight of early 2020 (which will obviously be reviewed at The Headbanging Moose soon) conjuring up a deserved revival for the whole death doom genre. Julie said the four girls in the band already knew each other from the Copenhagen metal scene, as the scene in the city is not actually really big, with most people knowing each other from concerts and other events. In addition, Julie said that when Konvent first got together, they didn’t want to commit to any specific genre, simply deciding to call their music “Primitive Death Doom” due to the slow rhythms and riffing combined with Rikke’s Death Metal-like vocals.

When asked about the recording process for Puritan Masochism and what lessons the band learned from their live performances that were applied to the album, Julie said that the whole recording got better and better as they got more and more comfortable with their instruments, having more control and more creativity while writing music, consequently becoming more fun, more relaxed and more instinctual. She also said it was indeed a very lengthy process at the beginning, especially due to all the concerts and rehearsals happening at the same time they were writing and recording material for the album. The girls had a very strict deadline, saying they wrote the last song for the album on the last day before the recordings, but that after all the pressure somehow contributed to their creative thinking and they were happy with what they took with them from the studio. If you want to get a very good (and infernal) taste of Konvent’s undisputed doom from their new album, with Julie smashing her drums beautifully, take a very good listen at the songs Trust and Ropes Pt. II, and don’t forget to also purchase their music directly form their BandCamp page. I’m beyond certain you’ll get addicted to their devilish creations.

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Highly influences by some of the most obscure and talented bands and artist from the extreme music universe such as Anaal Nathrakh, King Diamond, Candlemass, Mantar, Monolord, Alunah, Solbrud, Dirt Forge and Black Breath, Julie was questioned if she still feels the influence of Metallica’s own Lars Ulrich around Copenhagen and in Denmark in general. well, she said there will always be a comparison to Lars due to the fact she’s a drummer from his homeland Denmark, but she doesn’t really know if that’s a compliment. There’s this “love-hate” feeling due to Lars’ arrogance, but she still likes him and his style, saying he’s some sort of “goofy uncle” for all drummers, complementing by saying that he’s still a big celebrity in Denmark and that he’s not seen in public that often, as opposed to the guys from Volbeat who are always around town.

Julie and the other girls from Konvent were also inquired about the current state of the Danish metal scene, being asked about which bands from Copenhagen they would love to play with or see live, and their answers included several incredible bands from the beautiful capital of “Danevang” such as Dirt Forge, Solbrud, Alkymist, Møl, Afsky, Morild and Dying Hydra, among others, which by the way they said all made them feel very welcome to the scene, especially Dirt Forge with whom they had the pleasure to play with several times in the past few years. They complemented by saying the Danish scene is a very familiar one, as most bands know each other in some way and everyone is extremely friendly and helpful, also saying there are countless concerts happening everyday at different small venues and mentioning other Danish bands like Konvent that are branching out to the world and getting more and more attention such as Baest, Slægt and Møl. Hence, if you live in Copenhagen or if you’re visiting the city in the near future you should definitely try some of their best venues for some first-class underground doom and other heavy styles, including Ungdomshuset, which is the local youth house in Copenhagen, as well as the bigger venues such as Vega or Pumpehuset, also referred to as “The Bomb House”, whenever they put on metal, and Loppen, at the freetown Christiania in the middle of Copenhagen (which by the way Julie doesn’t feel one hundred percent safe as in the rest of the city), where Konvent has already taken their stage by storm.

As we’re talking about the Danish scene and venues for live metal performances, it’s obvious that Julie and the other girls love to play their music live and tour as much as they can, something that’s expected form any good metalhead. For instance, one of their biggest dreams was to perform at the biggest music festivals organized in their homeland, the exceptional Copenhell and Roskilde Festival, which they ended up doing in the same year, in 2019. Julie said it was truly unreal to be part of both festivals, saying they were extremely nervous and restless before the shows, and also mentioning that because they were supposed to play at a really early spot, at around 2pm, they didn’t think there were going to be so many people attending their concert. She also said they’re absolutely pumped for their first round of international concerts, including shows in Germany, Sweden and Norway, as well as international festivals such as Gefle Metal Fest in Gävle, Sweden, In Flammen Open Air in Torgau, Germany and the HRH Vikings – Chapter III in Sheffield, England. When asked about which countries or festivals apart from the aforementioned ones they would love to play, our stunning drummer said they definitely want to play at the 70,000 Tons of Metal cruise, also citing other major festivals like Brutal Assault, Sweden Rock, Hellfest and Eindhoven Metal Meeting. In addition to all that, Julia also mentioned Konvent have been receiving tons of positive feedback form all over the world, from countries and regions like the United States, Canada, Japan, Eastern Europe and South America, with the fans from the United States and Eastern Europe being the most excited with their music so far. If you would like to witness the power and obscurity of Konvent live, go check some YouTube videos such as their performance of the songs No End and Bridge at the Kaldet Fra Dybet III festival at Ungdomshuset, in Copenhagen, in February 2018; playing the song Puritan Masochism at Copenhell in 2019; and their full performance at When Copenhell Freezes Over at Vega in January 2018, where you can enjoy Julie smashing her drums in songs like Chernobyl Child, Tracks and Squares. Also, don’t forget to check their short and sweet “tour report” from their 2018 mini-tour in Germany as a support act for the bands Monolord and Firebreather, and Julie herself inviting us all to join them at the 2018 edition of Metal Magic.

When Konvent are not doing music, the girls like to do some distinct and fun activities either by themselves or together, with their curiosity about the world inspiring them to take walks in the nature, listen to science podcasts, travel the world, spend quality time with their friends and family and read books by authors like Dennis Jürgensen, Dan Turèll, and Patty Smith. As none of the girls smoke weed, they can only recommend some traditional Danish dishes to us fans, such as their famous Smørrebrød, an open-faced sandwich made with rye bread with loads of different toppings on it, and the Danish pastry called Snøfler. And lastly, when asked if they’re worried about all the work that Konvent might generate for them, Julie said that all the girls are trying their best to align their tasks and responsibilities as a band to their non-Konvent work and studies, and that of course one day they hope they can make a living from Konvent. In my humble opinion, based on the fantastic job done by the band so far with both their demo and their newborn full-length spawn they’re on the right path to stardom, and I can’t wait to see Julie and her bandmates slamming our heads with their pulverizing doom in North America in a not-so-distant future.

Julie Simonsen’s Official Facebook page
Julie Simonsen’s Official Instagram
Konvent’s Official Facebook page
Konvent’s Official Instagram
Konvent’s Official YouTube channel

Metal Chick of the Month – Nadja Peulen

Say it, Nadja! We’re out for blood!

As part of our annual tradition here at The Headbanging Moose, the first metal chick of the year must be a badass bass player to properly kick things off with a lot of thunder and heaviness just the way we like it in Heavy Metal, and in 2020 that couldn’t be any different than that, of course. Having said that, get ready to venture through the realms of Alternative and Nu Metal with the one and only Nadja Peulen, a German-born bassist and backing vocalist currently based in Los Angeles, California, in the United States known for bringing tons of groove to our avid ears as the bassist for American metallers Coal Chamber from 1999 to 2000, again between 2002 and 2003, and one last time after a huge band hiatus from 2013 until 2016 when the group disbanded once and for all.

Born on January 10, 1975 somewhere in the always beautiful Germany, our 1.73m-tall blue-eyed, red-haired bassist started her life in music at a very early age due to her family travelling a lot and staying at several different places, always on the road in the name of Rock N’ Roll, always surrounded by distinct people, and always attending music concerts. Of Polish and German descent, Nadja grew up in the Netherlands and listened to a lot of 70’s music such as Motown, disco and classic rock at home because of her parents, being highly influenced by those styles in her current way of playing bass. Originally starting out studying art with aspirations to be a painter, Nadja naturally decided to switch to music, playing drums before becoming a bassist and continuing her career as a drummer after moving to Los Angeles when she was only 18, learning from renowned drummers and jamming with several different musicians (while at the same time working in different jobs such as tiling bathrooms and working as a waitress in a strip bar).

After a while, when Nadja decided she wanted to get more into songwriting, she was given a bass guitar (a cheap $100 one, by the way) and started playing with one finger only, gradually evolving to a couple more fingers and never having a single lesson in her life. Three months later, she was already in an all-girl band named Tail, playing around Hollywood for a couple of years at Whisky a Go Go, The Viper Room and whatever clubs were there at the time. After a couple of years, Nadja was invited to join Los Angeles-based Nu Metal outfit Coal Chamber in 1999 while bassist Rayna Foss-Rose was on maternity leave, and again after the recording of the 2002 album Dark Days when Rayna left the band for good, playing live with the band in several domestic and international tours with bands like Drowning Pool co-headlining the tours. Despite not having recorded the bass lines in Dark Days, Nadja is featured in the official video for Fiend, one of the band’s most well known songs which is thought to be about how the band and the Nu Metal genre were getting heavily criticized at the time. In addition, Nadja was also featured as the band’s bass player in the excellent concert Live at the Maritime Hall, San Francisco, CA, 1999 in the bonus DVD from the 2005 special re-release of their 1997 debut album Coal Chamber.

Then after a long period of silence from 2003 until 2011, Coal Chamber reunited for a short run of international shows with bassist Chela Rhea Harper instead of Nadja, but our talented red-haired bassist officially returned to the band in October 2013 shortly before the band signed to Napalm Records to record a new album. “Beyond happy and excited today to announce my return on bass with Coal Chamber,” Nadja wrote on the day of her official return to the band. “I’ve missed my brothers and can’t wait to rock the stage with them again and see all of you!” It was in May 2015 that Coal Chamber released their fourth album in thirteen years and their only studio album with Nadja on bass, entitled Rivals, adding a touch of Groove Metal to their musicality while at the same time distancing themselves from their previous Gothic Metal style. From Rivals, you can enjoy Nadja’s rumbling bass punching you in the face in songs like Another Nail In The Coffin, Suffer In Silence (featuring Ministry’s driving force Al Jourgensen on guest vocals), and I.O.U. Nothing.

Apart from her awesome stints with Coal Chamber, Nadja was also the bass player and backing vocalist for a Los Angeles-based Theatrical/Alternative Avantgarde Rock duo known as Vera Mesmer, together with vocalist, guitarist and keyboardist Christopher Mesmer, formerly of Reveille, as well as guest drummer Bones Elias (Julien K, formerly of Dead by Sunrise), from 2010 until 2013. Vera Mesmer left two very interesting releases to the world before the duo parted ways in 2013, those being the 2012 EP Orphans and the 2013 single Down the Hole, showing a different and very theatrical storytelling side of both Chris and Nadja, as you can see for example in the official video for the song Back from the Dead. “We’re constantly brainstorming and creating. We’ve completely let go of templates and we don’t stick to the genre game,” said Nadja about the artistic freedom she found with Vera Mesmer while the band was still active. “We encompass all music styles while still undeniably retaining that Vera Mesmer sound.”

You can also find Nadja lending her thunderous bass lines to a project entitled Roadrunner United from 2005 to 2008, having recorded the excellent single and video The End together with Dino Cazares (Fear Factory), Roy Mayorga (Stone Sour) and Matt Heafy (Trivium), among others, for the 2005 album The All-Star Sessions, as well as the 2008 DVD featuring a making of and a live concert with several artists such as Ville Valo (HIM), Scott Ian (Anthrax) and Tim “Ripper” Owens, with Nadja kicking some serious ass in songs like Type O Negative’s all-time classic Black No. 1 together with Ville Valo on vocals, Andreas Kisser on lead guitar, Dino Cazares on rhythm guitar, Joey Jordison on drums and Rob Caggiano on keyboards, and Tired ‘n Lonely together with Mina Caputo on vocals, Matt Baumbach on lead guitar, Acey Slade on rhythm guitar, Joey Jordison on drums and Rob Caggiano on keyboards. Furthermore, between 2004 and 2006, Nadja was also featured in the music videos for the songs (Rock) Superstar and What’s Your Number? as part of the backup band with Tim Armstrong (Rancid) and Christian Olde Wobbers (Fear Factory), both by American Hip-Hop group Cypress Hill.

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As already mentioned, Nadja has a wide and eclectic taste for music, with her primary influences lying along the Trip Hop, Industrial and Alternative Rock and Metal vein the likes of Massive Attack, Killing Joke, The Cult, Faith No More, Jane’s Addiction, Ministry, Iggy Pop and The Stooges, David Bowie, Lynyrd Skynyrd, Grand Funk Railroad and Stevie Wonder, with the one and only Iggy Pop being part of one of the most exciting moments in her career. A friend of hers called Whitney, who used to play guitar for Iggy Pop, invited Nadja for a jamming session one day, but she initially said no. “Why don’t you come down to the Swinghouse and jam with me and a couple of friends?”, said Whitney, and she promptly answered “Well I’m in bed. My bass is dusty and I’m watching TV. I really don’t feel like jamming with you right now.” Whitey called back a couple of times and finally said, “Well, it’s Iggy and he wants to jam with you.” Nadja didn’t believe her friend, saying “Yeah you’re fucking with me. You just want me to come down there and hang out.” Then she got another phone call from Iggy’s manager, which turned out to be his son Eric. He said, “Yeah, Iggy Pop is down here and he really, really wants to jam with you.” She still thought it was a prank, when she finally got a phone call from Iggy himself where she recognized his voice and nearly pissed her pants. Iggy said, “Nadja, I have heard a lot of really good things about you. I want to jam with you. Come down here – can you be here in 10 minutes?” Needless to say, Nadja joined her idol and they jammed for a few hours, with Nadja later saying in one of her interviews that she was always afraid to meet someone like Iggy Pop because she believed a person like that would probably be an asshole and she would never be able to listen to his music the same way. However, he was really nice to her, a humble guy exactly how anyone would expect.

Regarding her life on the road with Coal Chamber, Nadja mentioned in one of her interviews that she really loved playing the songs Another Nail In The Coffin and Bad Blood Between Us live with the band, both from the album Rivals, and that she would have loved to be in a tour co-headlined by Coal Chamber, System Of A Down and Korn, the latter with whom Coal Chamber only played at the same festivals such as Heavy Montreal in 2015 and Graspop Metal Meeting in 2013. When questioned about the fact she was the only female on the tours with Coal Chamber, she said that it was indeed challenging as she had for example to get dressed in the bathroom of the bus, which was a very small space. However, Nadja also said she was fine being the only girl in a “boy’s club”, complementing by saying that being utterly professional was what kept everything working well. Also, on a side note, Nadja mentioned being on stage, being in that moment, is when her mind stops and she can achieve some peace of mind, having also achieved that peace by doing yoga, more specifically Kundalini Yoga, a school of yoga influenced by Shaktism and Tantra schools of Hinduism.

Nadja also launched in 2003 her own T-shirt and apparel company called CruelTees, selling her products not only online but also through stores such as Hot Topic. Owner and head designer of CruelTees, Nadja has always loved painting and sketching, having even been in Art Academy before quitting it to move to Los Angeles, with her designs fusing dark Gothic and wild Rock N’ Roll images with clever slogans. However, if you click on the official website for CruelTees, it will redirect you to her website Sonic Dominion without any products available. There are a few items in her webshop, though, but nothing related to CruelTees. Perhaps Nadja is working on a new collection for the future? If you’re curious to know more about CruelTees and ask Nadja for any updates on the brand, you can message her directly through her official website contact form, and who knows, maybe you’ll be one of the first to receive news on a new series of CruelTees shirts and apparel.

Endorsed by Schecter Guitars, Mesa Boogie, Dean Markley Strings, Monster Energy Drink and Monster Cable, our skillful bassist, who by the way thinks labeling a music style is not really that relevant, commented in one of her interviews that she’s happy to see an increasing number of female bass players (as well as guitarists and drummers) out in the market playing with their bands, which is always a good thing in heavy music, also saying she likes the fact that several of those bassists are adopting the finger style when playing their instruments, something that was a taboo in the past. Nadja herself is a finger bass player, as mentioned before, and the fact this old school technique is becoming popular again brings a lot of joy to her heart. And last but not least, Nadja’s relationship with her fans is quite healthy, with some of her fans even becoming her personal friends. She said that she can’t obviously answer everything to everyone due to her busy schedule, as she doesn’t consider herself an Internet person with enough time for social media. She actually doesn’t enjoy engaging on social media on a personal level, focusing on her work as a musician and as a designer instead. We have to agree with Nadja on that, and if you want to know more about her professional career you can either follow her on Facebook, Twitter and Instagram, or watch some of her interviews and other videos on YouTube like the BIAS FX demo, an interview during Heavy Montreal in 2015, an interview to INDIEPOWER TV! in 2015, or an interview she gave to Dean Markley at NAMM also in 2015. What are you waiting for to let one of the most badass female bassists of all time show you all she got? Nadja kicks some serious ass, and she will crush you like an insect with her thunderous bass, no doubt about that.

Nadja Peulen’s Official Facebook page
Nadja Peulen’s Official Instagram
Nadja Peulen’s Official Twitter
Nadja Peulen’s Official YouTube channel
Coal Chamber’s Official Facebook page
Coal Chamber’s Official Instagram
Coal Chamber’s Official Twitter

“To me being on stage and playing music is one of the best things because I have a very busy mind – I’m always thinking.” – Nadja Peulen

Metal Chick of the Month – Aura Dănciulescu

Let’s go fucking wild, Aura!

The year of 2019 might be coming to an end, but not before we fill the airwaves with the stunning vocals by Aura Dănciulescu, the winged frontwoman for Romanian Symphonic Heavy/Power Metal band Scarlet Aura and our awesome metal chick of the month of December. Born Aura Gabriela Danciulescu on October 28, 1985 in Fălticeni, a city in Suceava County, north-eastern Romania, situated in the historical region of Moldavia, Aura is a multi-talented singer, lyricist and songwriter, always passionate about music and writing. Of light brown hair (but currently dyed blonde) and brown eyes, Aura has all the attributes fans of heavy music look for in a vocalist, and I’m sure after reading a little about our gorgeous metalhead you’ll get addicted to her music and be quite impressed with her skills, transparency and deep love for our good old Heavy Metal.

Aura, who by the way has a famous sister, Mihaela Pohoaţă, a Romanian aerobic gymnast who won five world championships medals (three gold and two bronze) and three European championships gold medals during her career, started singing when she was just a little kid, and her initial performance was so bad her parents actually decided to put her in vocal lessons to improve her skills. By the way, her parents have always supported her decisions, letting her be free, believe in herself and have her own goals. She then naturally decided to become a singer after the vocal lessons when she was around 10 years old, developing her voice through the years until reaching the superb level she sings nowadays. Although she’s always been a rock and metal fan, it was when she met her now husband, Mihai Danciulescu, lead guitarist and backing vocalist for Scarlet Aura, that she really started to adore it, with Mihai explaining to her all the different styles of rock and metal music and introducing her to some of his biggest idols. Furthermore, before dedicating her life to music from the year of 2011 onward, Aura went to University of Bucharest and studied political science and law school, also holding a few extra courses on diplomacy and national defense and having worked for a few years at the Romanian Senate.

After numerous music projects and her first rock band Steelborn, having recorded with the band the EP’s Un Nou Inceput and Intr-Un Vis, both in 2010, and the full-length album Trup De Apa, in 2012, all in her mother tongue Romanian (and if you want to listen to Aura beautifully singing the band’s pleasant Rock N’ Roll you can check a couple of YouTube videos with the songs Orice Ar Fi & Suflet Furat live and Ratacire), it all eventually led to creation in 2014 of Scarlet Aura, the exotic rising metal star of the East that quickly got the attention of promoters and fans worldwide. By the way, if you would like to enjoy a very interesting “fusion” of Aura’s past and present, Scarlet Aura recorded in 2018 a heavier version of one of Steelborn’s oldest songs, Un Nou Inceput, the title-track to their 2010 debut EP. Having already toured with renowned acts like Tarja Turunen, Beast in Black and Soto, the band comprised of our unstoppable Aura on vocals, the aforementioned Mihai on the guitars and backing vocals, Rene Nistor on bass and backing vocals, and Doru Gheorghita on drums are on a roll since their inception, positioning them as one of the most promising names in the current European scene.

As a matter of fact, the name scarlet Aura was only adopted in 2015, with the band’s original name AURA being used only during their first year of existence, having released under their old name the album The Rock Chick. In addition, as you might have noticed, Aura and Mihai met in 2010 while playing with Steelborn, and after a few years they fell in love, got married and decided to pursue a career together as Scarlet Aura. Under their new and powerful name, Aura and the boys have already released the full-length albums Falling Sky in 2016, Memories in 2017, and Hot’n’Heavy in 2018, as well as the EP The Beast Within Me in 2017 and the CD/DVD box set Scarlet Aura in Concert (recorded live at Quantic Pub in Bucharest on April 27, 2017) in 2018. Moreover, Scarlet Aura are set to release in 2020 their fifth album, entitled Stormbreaker, and the second one in the trilogy The Book Of Scarlet, once again combining metal music with fantasy literature, and if you want to show your true support to Aura and the boys you can help them make the album come true by participating in their Indiegogo campaign. also, the band’s official YouTube channel is and endless source of awesomeness, providing us metalheads several first-class videos for the best songs form all of their albums, such as Hail To You!, High in the Sky, Hate is Evanescent, Violence is Forever, My Own Nightmare, You’re Not Alone, Immortal In Your Eyes and Fallin’ to Pieces, not to mention other interesting videos from the band playing songs like In The Name Of My Pain at a Romanian TV show called  Antena 1, and their full performance at Transalpina Rock Fest in 2018.

In addition to all of the band’s original material, I would also recommend you take a very good listen at their 2017 album Memories, which is pretty much a tribute to all of their idols and influences in music, mixing some of the biggest metal hits in history with non-metal cover songs as well. For instance, you can enjoy Aura giving her own feminine twist to all-time Heavy Metal and Hard Rock classics like Judas Priest’s Breaking the Law, Blind Guardian’s A Past and Future Secret, Europe’s The Final Countdown, Iron Maiden’s Wasting Love, Survivor’s Eye of the Tiger, Twisted Sister’s We’re Not Gonna Take It, Ozzy Osbourne & Lita Ford’s If I Close My Eyes Forever, and Dio’s Don’t Talk To Strangers, or maybe you fancy listening to her personal interpretation of hits by female-fronted bands from the most diverse styles like Skunk Anansie’s My Ugly Boy, Doro’s All We Are, and The Cranberries’ Zombie. You can obviously find these and all of their own original songs by directly visiting their Spotify profile, bringing to your metallic ears hours of first-class metal music made in Romania.

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Apart from her life with Scarlet Aura, was also a guest vocalist in a song called Plecăciune Zăului, from the album Zăul Moș, released in 2017 by Romanian Symphonic Black Metal band Syn Ze Șase Tri (with the name of the band translating as “I Am With Triple Six”, just to give you an idea of how dark their music is). Not only that, Aura has also been working as a moderator at Wacken Radio since April this year, spearheading the first ever English show of the radio called Go Wild. “I was invited to give an interview on Scarlet Aura in the S.T.U.N.T.S. metal show, for Wacken Radio, held by TinU and SlayerOfMadness. We connected immediately and the invitation to join them as host came naturally and I couldn’t be more honored and happy to say Yes! And soon I discovered that Wacken Radio supports radio hosts applicants that can join the family by applying and going through some tests and if they pass, they can be also part of Wacken Radio! I passed the tests too so here I am!”, said Aura about her new experience as a show host. Furthermore, this is not the first connection with Wacken organization for Scarlet Aura, as the band was supported by Wacken Foundation in 2018.

Aura doesn’t use only her voice as her instrument of work, as her brain also seems to be a nonstop source of great ideas and projects. For example, Aura is the managing director for a Tallinn, Estonia-based record label named Silver City Records, founded by Aura herself together with her husband and bandmate Mihai and Tatyana Shubina (from Outlanders Productions), exclusively for rock and metal bands, and if you have a band looking for an up-and-coming label you can contact them directly via Facebook or by e-mail at contact@silvercityrecords.com. She was also a guest speaker at an event held by Mastering the Music Business, the leading Romanian music conference and showcase event, where she talked about her music, her business and her vision as a a successful performing artist, manager and record label CEO that she is, and you can also hire Aura for marketing and advertising purposes as a voice actor through a website called Voices.com, where you can see our multi-talented diva has already worked for Vodafone România, real estate companies and other local advertising companies, being able not only to sing classical, rock and metal music, but also to impersonate voices from all ages in English, Romanian, French and Italian for an array of projects like animations, documentaries, movie trailers and video-games, among others. Well, in the end I think the question should be “is there something she CAN’T do?”

A lover of the simple things that make our lives more fun such as pizza, red wine, yoga, cats, writing, reading, carpentry and painting, with her favorite movie of all time being the 1939 classic Gone with the Wind and her favorite books being from English author Terry Pratchett, Aura has among her biggest idols some of the most iconic names in the history of Heavy Metal, including the one and only Ronnie James Dio (R.I.P.), the unstoppable Mr. Bruce Dickinson, and Slayer’s own roaring engine Tom Araya, as well as bands like German institution Helloween, and on a more feminine side she always mentions names like the unparalled Tarja Turunen and Doro. However, Aura mentioned in one of her interviews that she always searches inside herself for the power she needs to print her own convictions, her own beliefs and of course her own voice, also mentioning her own mother as her biggest idol of all, which is just fantastic, don’t you agree? She also considers scarlet as her favorite color (which makes total sense to me),  My Own Nightmare as her favorite Scarlet Aura song, and the day she married Mihai, on September 22, 2012, as the best day of her life.

Just like any other true metalhead, our Romanian bombshell simply loves touring and performing live, always eager to promote her music to the four corners of the earth and to inspire all girls out there to join her in her female-fronted metal movement. When asked about her experience sharing the stage with her idol Tarja Turunen in 2016, considered by many as the most influential woman in modern-day metal music, she said that meeting her was really overwhelming at first, and that she was able to learn a lot from her during that tour. One funny (and somewhat stressful) episode during the tour with Tarja happened when Scarlet Aura’s crew crew lost their stage clothing luggage, forcing the band to improvise by borrowing belts, T-Shirts and make up. Moreover, Aura also has very good memories of other conerts with renowned acts of the metal scene like Accept, Doro, Nazareth, Gotthard, Helloween and Europe, showing how much all members of Scarlet Aura are connected to metal and how much they admire and are influenced by their music idols. And last but not least, when Aura was asked about the current metal scene in her birthplace Romania, she said that it has been continuously growing, getting bigger and shinier as the years go by, and that she expects it keeps getting more and more important to the world of heavy music. She complemented by saying that growth, especially her own band’s rise to stardom, wouldn’t be possible without the support of metalheads in Romania and worldwide, always praising fans like us for all support and passion we have for our good old Heavy Metal.

Aura Dănciulescu’s Official Facebook page
Aura Dănciulescu’s Official VKontakte
Aura Dănciulescu’s Official Instagram
Aura Dănciulescu’s Official Twitter
Scarlet Aura’s Official Facebook page
Scarlet Aura’s Official VKontakte
Scarlet Aura’s Official Instagram
Scarlet Aura’s Official Twitter
Scarlet Aura’s Official YouTube channel

“As an artist I’m not afraid to dig into the unknown by approaching sensible subjects in our songs, subjects like the difficulty of being honest with others but also with yourself regarding your own feelings, the need of overcoming a huge sufferance that troubles you, the lack of courage when it’s about doing the right thing, the lack of love or the crying for it… subjects that make ourselves human, subjects that are in each one of us and that makes us who we are and maybe throughout our music, we get recovered, healed or better, we discover ourselves for who we really are because with any doubt music heals the spirit, metal heals the heart.” – Aura Dănciulescu