Metal Chick of the Month – Mariia “Masha” Dementieva

Raise some hell, our true Lady Evil!

Are you ready to scream and roar together with our metal chick of the month of April in the name of darkness and evil, here on The Headbanging Moose webzine? If you’re a fan of the blasphemous, obscure and absolutely awesome music played by renowned acts like Behemoth, Septicflesh and Kaoteon, among many others, you’ll fall in love with the talent and beauty of Mariia “Masha” Dementieva, also known as simply Masha (or even  Mary Crematorium in a not-so-distant past, and if you prefer, Мария Дементьева in her mother tongue), the unrelenting frontwoman for Ukrainian Blackened Death Metal horde Nordwitch. That, of course, if you come from another galaxy or dimension and haven’t listened to Nordwitch’s sulfurous music yet, because if you’re from this planet I’m sure you’re already addicted to Masha’s demonic growling.

Although there’s isn’t much available online about Masha’s personal life (apart from many awesome photos from her career as a model, photo model and alternative tattoo model), you can still enjoy a good amount of information from her ass-kicking Kyiv-based band Nordwitch, formed in 2015. Singing about some very interesting topics such as satanism, occultism and ancient Scandinavian mythology, Nordwitch bring forth a flammable fusion of Black and Death Metal in their music, offering tons of melody amidst a brutal sonic devastation. The name Nordwitch, according to Masha herself, is the band’s representation of the mysticism and mystery of Scandinavian witches with a hint of female sexuality, which by the way matches perfectly with her diabolical vocal style. As a matter of fact, before becoming Nordwitch, Masha and the rest of the band, guitarists Max and Leo and bassist Max Senchilo, were all part of a Symphonic/Progressive Metal band named Crystalnight, where Masha was not their vocalist, but their keyboardist. If you’re curious to know how Masha and her bandmates used to sound before morphing into the dark beast known as Nordwitch, you can take a listen at some of their songs from their ReverbNation profile, such as Dark Angel and the original version of Nordwitch’s crushing tune Lady Evil.

In addition, not only Masha spearheads her horde of Blackened Death Metal in Nordwitch, but she was also one of the producers of their 2016 opus Mørk Profeti together with the other members of the band. You can listen to their pulverizing album in full on YouTube, and raise your horns to amazing songs like the aforementioned Lady Evil and Messiah of Death, or search for some live footage online like this one where the band is playing Lady Evil live at MHM – Metal Head’s Mission Festival in 2018. Furthermore, don’t forget to buy your copy of the album at the Satanath Records BandCamp, to subscribe to the band’s YouTube channel (where you can find for example a fun and raw version of the song No Regret live in Kyiv, Ukraine in 2016), follow them on VKontakte, and listen to more of their music through their ReverbNation and SoundCloud profiles. Who doesn’t enjoy listening to some brutal metal music like this remastered live version of Messiah of Death, right?

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In regards to her idols and main influences in music and in life in general, Masha said in one of her interviews that not only herself but all of her bandmates are inspired by mysticism, occultism and several other eccentric topics when writing their music, always trying to make their sound as unique as possible. As the main founder and central figure of Nordwitch, a project that was originated inside her pagan mind, Masha is obviously influenced by all classic Black Metal bands, such as Mayhem, Watain and Bathory, which she’s been a fan since she was a teenager, and you can see how much she’s passionate about such controversial but fantastic subgenre of heavy music by visiting her official Instagram account and searching for her personal videos playing several Black Metal classics on the piano and keyboard. For instance, take a very good listen at her delicate but at the same time piercing piano versions for Burzum’s Dunkelheit and Han Som Reiste, Dark Funeral’s Stigmata, Dissection’s Where Dead Angels Lie and Thorns Of Crimson Death, and Shining’s Tillsammans Är Vi Allt, among others, as well as non-Black Metal hymns like Type O Negative’s Love You To Death. In addition, she mentioned in an interview that she’s also influenced by classical music and Scandinavian folk music, which kind of explains her passion for the piano, and that Runhild Gammelsæter, a Norwegian musician notable for being the vocalist for the American bands Thorr’s Hammer and Khlyst, is her favorite female metal singer of all time, complementing by saying that she cannot choose only one male singer as her favorite, though, as there are too many.

When asked about her hobbies outside of music, Masha listed a few very interesting and healthy activities, like working out and practicing sports, modeling and photography, also mentioning her interest in satanism, occultism and the mythology of ancient Scandinavia, which as aforementioned are the main topics covered in the music by Nordwitch. In addition, Masha said in one of her interviews she’s an apolitical person, as in her opinion true Black Metal has always been and will continue to be away from politics or anything related to it, being focused on religion and other more obscure topics. She also said that she had always dreamed about being in an Extreme Metal band like Nordwitch, but she wasn’t sure if that was going to actually happen one day, also saying she understands being a woman in a Black and Death Metal band from the underground scene is not easy at all, but that she won’t give up and keep on rockin’, always counting on the support form her family, friends and fans, aiming as high as possible with Nordwitch in the years to come. And we, true metalheads, will be ready to hail darkness and raise our horns together with the unstoppable Masha and her henchmen, no doubt about that.

Masha’s Official Instagram
NordWitch’s Official Facebook page
NordWitch’s Official VKontakte
NordWitch’s Official YouTube channel

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Metal Chick of the Month – Federica Lanna

While angels are turning into grace… Demons languish because of their pains…

It’s time to be embraced by the beautiful voice of the stunning Italian singer Federica Lanna, frontwoman for Modena-based Symphonic Metal act Sleeping Romance, here on The Headbanging Moose, and let me tell you that once you are touched by the mesmerizing, delicate and passionate vocals by our metal chick of the month of March, you’ll become addicted to her voice and music. That’s what first-class Symphonic Metal with female vocals is all about, and Federica is here to show us all the metallic scene in Italy is alive and on fire and that her band is one of the most interesting names we should be paying attention to when it comes to symphonic music.

Born on April 26, 1986 in Modena, a city in Italy’s Emilia-Romagna region known for its balsamic vinegar, opera heritage, Ferrari and Lamborghini sports cars, Federica lives up to the legacy and culture of her hometown, having studied opera singing for around three or four years in her career. She had to stop her course, though, due to the high cost for her at that time, but that doesn’t mean she hasn’t resumed her studies in recent years, when she began studying with a speech therapist as well as started working with Italian singer, keyboardist, producer, bassist and vocal coach Michele Luppi (Vision Divine, Secret Sphere, Whitesnake). Federica said in one of her interviews that unfortunately she doesn’t play any other instruments like guitar or keyboards, but who said she needs more than her voice to embellish the airwaves, right?

In regards to her career with Sleeping Romance, when she joined the crew in 2012 the band was at that time still called Hybrid Resolution, playing a style closer to Gothic Metal instead of their current Symphonic Metal. Federica didn’t release anything under the name Hybrid Resolution, though, with the band’s only release since their inception in 2009 being their 2011 five-track self-titled debut EP. The original idea of the band’s mastermind, guitarist Federico Truzzi, was about combining orchestral and symphonic music to rock and metal, which is why it was originally named Hybrid Resolution, but they decided to change the name to Sleeping Romance in 2013, already with Federica as their lead singer, to give the band a darker, more evocative and more romantic touch. Owner of a delicate but at the same time very powerful voice, Federica’s approach when developing her vocals for the music by Sleeping Romance is quite straightforward, as she works together with Federico in order to create vocal lines that not only value her voice, but the entire song. The duo tries different solutions and ranges together until they reach a desired shape and form, with Federico always providing her keyboard drafts to help her with the vocal melodies.

Drawing influences from movie soundtracks and classical music, and playing what can be labeled as “Mediterranean Symphonic Metal”, the band currently comprised of our diva Federica Lanna on vocals, the aforementioned Federico Truzzi on the guitar and orchestrations, Fabrizio Incao also on the guitar, Lorenzo Costi on bass and Francesco Zanarelli on drums have already released two full-length albums, those being Enlighten, in 2013, and Alba, in 2017, as well as a few singles through the years. Since the release of their debut opus, the band has toured quite extensively in Europe, playing mini-tours and one-off festival shows around the continent, including Brainstorm Festival and FemME in the Netherlands, Christmas Rock Night in Germany and many others. There are several videos on YouTube where you can enjoy Federica’s voice (and obviously her beauty), such as Lost In My Eyes, Where The Light Is Bleeding, My Temptation, December Flower, The Promise Inside, and an acoustic version of Finding My Way.

Also, although Federica hadn’t been in any band of certain significance before joining Sleeping Romance, you can still enjoy her gorgeous voice as a guest singer in the song The Final Crusade, released in 2017 by Austrian Symphonic/Progressive Power Metal band Serenity in the album Lionheart. Besides that special appearance, Federica also updates her own YouTube channel on a regular basis with her personal versions for metal and even non-metal songs from an array of bands and musicians, such as Within Temptation’s Somewhere (in partnership with Angela Di Vincenzo, from Secret Rule), Epica’s Storm the Sorrow (together with Alex Lady Owl), and Tesseract’s Tourniquet.

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As Federica started singing when she was still a child, growing up among Disney soundtracks and her father’s albums (which included classics like Pink Floyd, Queen, Enigma and Enya), her range of influences in music can be considered quite wide. For instance, she loved singing both Bohemian Rhapsody and The Sleeping Beauty, two very distinct but obviously very impactful and multi-layered songs. Apart from Freddie Mercury, Disney movies like The Little Mermaid and her father’s influence, Federica said in one of her interviews that it was when she discovered the music by Within Temptation that she began developing her taste for Symphonic Metal, falling in love with the genre. Among her favorite bands, she always mentions Within Temptation, Nightwish, Evanescence, Rhapsody and so on, also including other bands and styles on her list in recent years, such as Shoegaze, Djent and Progressive Metal.

When asked about the metal environment in her homeland Italy, specially the Symphonic Metal scene, Federica said that, due to the increasing number of amazing bands, the biggest challenge not only for Sleeping Romance but for any band is to be unique, to stand out and not be just a copy of a band which already exists like Nightwish and Within Temptation. She complemented by saying that despite the fact Sleeping Romance is a fairly young band and that it’s an honor for them to be compared to renowned names in the scene, they’re always trying to create something unique and recognizable, always aiming at generating their own sound. Federica also said that metal in Italy is undervalued in spite of all those excellent new bands appearing in the scene, and that’s one of the reasons why she doesn’t usually have a lot of chances to meet other musicians and play with other metal bands in her homeland.

Federica is obviously passionate about touring with Sleeping Romance and playing live, saying that during her first ever tour with the band she hadn’t eaten anything for two days before their first gig in Holland so excited she was then, also saying that tour was one of the best experiences of their lives. When asked about the most important aspects while preparing for a live show, our talented metalhead said that it’s essential for all band members to work, move and look on stage as one single entity, focusing on the songs instead of on their individual performances, complementing her thought by saying that they truly enjoy involving the audience by stimulating their senses and imagination during their concerts. In addition, as a tip to anyone who’s going on a tour with a band, she said touring is not always easy despite all the satisfaction it might give you, and that it’s really important to take care of yourself, bringing with you things like medicine and blankets, as well as being very patient with everyone and everything and be ready for whatever comes during the tour.

Last but not least, Federica said in one of her interviews that finding the perfect lineup before getting into the studio to record a new album is more than essential (which is why by the way she ended up playing with Sleeping Romance, as they changed singers), and that recording an album that truly represents the musicians involved and show the listener the band in their very nature is something Sleeping Romance is always in pursuit of. Furthermore, as the only woman in Sleeping Romance, Federica said she feels like “the princess among the ogres”, saying that the guys can be quite rude sometimes, but that doesn’t mean she doesn’t like spending time with them; quite the contrary, that’s one of the main reasons why she enjoys being with them so much as it’s never boring or tiresome. Personally, I believe it’s Federico, Lorenzo, Francesco and Fabrizio who truly benefit from having such talented, beautiful and fun metal woman among them all the time, don’t you agree? That certainly brings a very welcome balance to their lives in the studio and on the road with Sleeping Romance.

Federica Lanna’s Official Facebook page
Federica Lanna’s Official Instagram
Federica Lanna’s Official YouTube channel
Sleeping Romance’s Official Facebook page
Sleeping Romance’s Official Instagram

“I have never thought to be so good to deserve a musical career and then Sleeping Romance came into my life and I experienced a constancy and a love that I ‘ve never felt for anything, and a couple of years ago I also started to teach singing; music gave me my place in the world when I didn’t know what to do with myself.” – Federica Lanna

Metal Chick of the Month – Tanza Speed

No kisses, no games, don’t think I want love… Do not complain, it’s the speed metal way!

It’s time to put the pedal to the metal here on The Headbanging Moose by presenting to you one of the meanest, fastest and most ferocious ladies in the world of heavy music, a woman that loves Heavy and Speed Metal from the bottom of her heart and who takes no prisoners in her quest for underground music. Not only a talented musician, she’s also a model, a designer and an artist, always fighting for her dreams and never giving up or slowing down no matter what. I’m talking about Constanza Godoy Díaz, better known by her fast and furious moniker of Tanza Speed (or simply Tanza), the vocalist and multi-instrumentalist behind American Heavy/Speed Metal band Outline and the project’s previous incarnation, Chilean Speed Metal band Demona. With that said, are you ready to accelerate and bang your heads together with Tanza?

Born on August 13, 1990 in Quilpué, a city and capital of the Marga Province in central Chile’s Valparaíso Region, and living her entire childhood in Villa Alemana near her family and friends, Tanza is the daughter of two 80’s metalheads and has always been linked to the metal scene (by the way, her father Mauricio “Jackie” Godoy played guitar in two bands from Valparaíso, those being Distorsion and D.O.D.), with her passion for metal music starting when she was around 12 years old while searching for her own identity and exploring different styles. In 2007, at the age of 17, she created her own band Demona (a project without major expectations that didn’t release anything until 2008), only days after moving to Santiago to study English in university. She didn’t finish her career, though, because she realized it was not what she wanted and decided to change her major and study what she really wanted, photojournalism. However, that only lasted for one year, as she couldn’t continue her studies due to her move to Canada in 2011. Tanza actually said being a photographer was pretty exciting, especially in her home country due to all violence and riots happening at that time, and she still takes photos at her home studio and publishes those on her own website.

Our dauntless musician considers herself a person that likes to learn and study by observing things, always trying to notice the differences between cultures as she’s already lived in Chile, Canada and the United States, and traveled to countries like Brazil and Japan, enjoying seeing the contrasts in people. For instance, when she was a kid she enjoyed observing her mother and grandmother sew, always trying to replicate what they were doing, which ended up helping her develop her skills as a fashion designer. Regarding the time when she moved to Canada, in 2011, Tanza said that was necessary as she was being bullied a lot in her homeland Chile. The local scene didn’t really love her, and due to her lack of experience things got out of control and she couldn’t continue in the band she was at that time anymore. It was thanks to her Canadian friends that she decided to save some money and try a new life in Canada, opening up a whole new world of possibilities for her not only as a musician, but as an artist and a businesswoman.

Before Demona, Tanza was part of a couple of bands with some friends, but nothing that could be considered a serious or professional project, those being Chilean Thrash Metal band Corrosion, where she played guitars and with whom she played a few live concerts and recorded only one demo, and another band named Poisoned, where she was also the guitarist, but that lasted only for a few months. In addition, you can also find Tanza collaborating with American Power/Thrash Metal band Destructor in their 2016 album Back in Bondage, not as a musician but as their cover model, giving a touch of delicacy and sexiness to their crushing music. However, as aforementioned, after forming Demona in 2007 Tanza really started to build a career in heavy music, with the band either working as her solo project, where she took care of vocals and played all instruments, or as a regular band with other musicians involved. Since 2008, Tanza and her Demona have released a promo EP in 2008, followed by the demo Metal Is Me in 2009, the EP Die in Violence in 2010, the demo Nightmare in 2011, the EP MIM / The Assassin in 2012, the full-length albums Metal Through the Time, in 2012, and Speaking with the Devil (which she was also responsible for the layout), in 2013, and finally the EP 2015, obviously launched in 2015. The idea behind Demona was quite simple, as Tanza started playing the guitar at home on a regular boring day during her teens, wrote an original song and voilà, the project was born, with the name Demona being inspired by the word “demon”, but with the additional “a” giving it a more feminine touch. You can visit the band’s YouTube channel to get a good taste of their vicious music, like this video of the band playing the song The Apocalypse live in Sherbrook, Quebec, Canada on August 12, 2011, or also go to Tanza’s personal channel to watch her kicking some ass live in Osaka, Japan in 2014 with the songs Demona and Dirty Speed Metal.

In addition, as briefly mentioned in the beginning of this tribute to Tanza, Demona recently morphed in 2017 to a new entity entitled Outline, having released in 2017 their first demo named Fire Whiplash and, more recently, an expanded and more professional version of that demo, with the addition of a few new songs to it and, of course, a better overall production. Outline is not just a continuation of Demona, but an enhanced project where Tanza, together with J. Hammer, the mastermind behind American Black/Speed Metal/Punk one-man army Hammr, reveal to the diehard fans of Demona a newer and more traditional side of Tanza, and you can take a good listen at that metamorphosis directly at Outline’s BandCamp page or YouTube channel, like the title-track to their debut album Fire Whiplash. Under this new name, Tanza is known as “The Speed”, while J. Hammer is simply “The Hammer”, just to give you an idea of how raw, direct and metallic their music sounds.

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Not only an up-and-coming metalhead, Tanza is also the founder of her own clothing store named Speed Clothes, an idea that was originated as soon as Tanza moved to Canada in 2011, when she was broke and didn’t speak the language, and therefore felt the need and desire to start her own business inspired as mentioned by her mother and grandmother. In 2012, she made her first printed swimsuit on spandex and things started to change, but it was in 2015 when she relocated to the United States after getting married that her business really took off, investing all she had at that time to create a product that would fulfill every girl’s demands when it comes to metal clothing, empowering them to dress as they please and “looking hot without sacrificing brutality”, as frontman Mauro Gonzales from American Thrash Metal act Bonded by Blood said once. Furthermore, as Tanza herself stated, she’s not just selling clothes, but also taking care of all other business areas such as marketing, promotion, photography, customer service and website development, for example. You can get more information about Speed Clothes from their official website or from their Facebook page, getting in touch with Tanza and, if you’re a girl who loves metal above all things, maybe even purchase new clothes or accessories for your devilish wardrobe.

Still regarding Speed Clothes and fashion in general, Tanza said in one of her interviews that freedom and creativity are the key points in metal fashion, allowing people to express themselves and to innovate, which is something Tanza believes is a crucial part of metal music. “Metal wouldn’t be what it is now without innovation, and innovation comes with trying new things. Whether you want it or not, it implies that you have to mix and try and invent things. Mainstream artists wear a lot of leather with studs and stuff and, if that’s what you mean then, I think that’s great,” said our multi-talented metaller, complementing by saying why innovation is essential in her line of business. “You cannot pretend you are still in the ‘80s when you are using the internet, you know? Even in metal, we can’t keep it squarely in the ‘80s. I understand the tendency, but the 17-year-old girls of today simply do not care about the ‘80s anymore. They want cool things. And why shouldn’t there be cool things for metal, as there are for everything else in life?”

Tanza’s inspirations and idols in music and arts in general are pretty much everything we metalheads love, with underground bands like Living Death, Wardance, Desaster and Sentinel Beast being among her favorite ones alongside metal titans such as Judas Priest and the early days of Metallica. However, she mentioned in one of her interviews that she also takes lots of inspiration from other kinds of music like classic rock, such as Queen and Led Zeppelin, and also from 80’s synth pop like Yazoo, Depeche Mode and Trans X. As a matter of fact, Tanza and her Demona were originally inspired by her own personal experiences plus a wide range of styles, from national classic folklore to the most remote and underground bands that may exist, which is basically why her music sounds so raw, vibrant and honest, working as a representation of her own true self.

When asked about the metal scene in her homeland Chile, Tanza said that Chilean metal fans are extremely passionate, loving metal from the bottom of their hearts and with their souls, but that also means they can be very hateful as well to anyone who doesn’t have the same beliefs and ideas or to who’s too different from them. She said that, while she was living in Chile, women were not very accepted in the metal scene, not being taken seriously as they should as the scene was too sexist and elitist at that time which, as already mentioned, was one of the main reasons why she left her country and moved to Canada. However, even with all those hassles, Tanza loves metal from her homeland, with bands like Force of Darkness, Atomic Aggressor, Pentagram, Insanity and Invocations Spells being among the ones she personally recommends to anyone who’s interested in knowing more about Heavy Metal made in Chile.

It was in 2014 when Tanza had perhaps her biggest adventure in the world of heavy music, having visited and played in Japan, the “Land of the Rising Sun”, something not very common for several bands (especially if we’re talking about bands from Chile), with the story behind her trip to Japan being very curious to say the least. Before travelling to Japan, Tanza was going through a boring and depressed period in her life, almost ready not to play with Demona anymore. One day, out of nowhere, a Japanese label called Rock Stakk Records contacted her for playing her music in Japan alongside Japanese musicians, resulting in the first ever (and so far, the only) occasion Demona performed live in Japan. Furthermore, Tanza obviously has a strong connection now with the Japanese rock and metal scene, recommending countless local bands such as Sabbat, Metalucifer, Gastunk, X Japan and Loudness, among many, many others.

And last but not least, when asked about her hobbies and other activities, our alternative Chilean singer and model (or “trollmodel”, as her own uncle would say) answered that she actually doesn’t have much time for hobbies, although she loves doing some relaxing activities like taking pictures and recording videos once in a while. Overall, her time is divided between music, her clothing store and modeling (and of course her husband). There are several interesting interviews with Tanza Speed online, such as this one for The Noise Hour Radio Show on May 22, 2013, where she talks about the music by Demora and other nice-to-know details about her career. The only thing is that the full interview is in Spanish, her mother tongue, but as a true supporter of underground metal I guess it’s a very good opportunity for you to practice your Spanish, right? All in the name of our good, old, fast and furious Heavy Metal.

Tanza Speed’s Official Facebook page (Speed Clothes)
Tanza Speed’s Official Instagram (Speed Clothes)
Tanza Speed’s Official Twitter
Outline’s Official Facebook page
Outline’s Official Instagram
Outline’s Official YouTube channel

“Metal wouldn’t be what it is now without innovation, and innovation comes with trying new things. Whether you want it or not, it implies that you have to mix and try and invent things.” – Tanza Speed

Metal Chick of the Month – Wanda Ortiz

I’ve been looking so long for you now… You won’t get away from my grasp…

As 2019 promises to be another memorable year for Maidenmaniacs from all over the world, especially for the ones that reside in the United States, Canada, Mexico and South America who will have the utmost pleasure of seeing Steve, Bruce & Co. live during their upcoming Legacy of the Beast Tour 2019, there’s nothing better than kicking off our Metal Chick of the Month section with an amazing bass player that truly understands what it means to be part of the legacy (and also continuing our tradition of starting the year with a badass girl on bass guitar, of course). I’m talking about Wanda Ortiz (or Wanda A. Ortiz), the skillful bass player for the all-female tribute band The Iron Maidens (billed as the “World’s Only Female Tribute to Iron Maiden”) under the brilliant stage name of Steph Harris, who’s ready to crush your skull in half to the sound of her thunderous, galloping bass allied to her endless stamina when performing live.

Born on March 27, 1968 in Huntington Beach, a California city southeast of Los Angeles, Wanda first learned to play bass at the early age of nine years old, when the elementary school she attended had a music program that enabled students to sign up and choose an instrument. When she arrived late on the first day of music class, she wound up with a junior-sized double bass, and from that moment on we can say it was “love at first gallop”. In addition to that, while she took lessons on the double bass, also known as an upright bass, Wanda also taught herself how to play electric bass when she was 11 years old in order to play in the school jazz band, and she continued playing bass throughout her school years, eventually earning a Bachelor of Music in Performance (BMus) degree from UCI – University of California, Irvine. One funny thing about Wanda and her relationship with the bass guitar is that, according to Wanda herself, she felt a little sad about her instrument when in high school because she could rarely play the melody, which were the fun parts for her, as she got stuck with simpler lines meant to hold down the beat (in other words, a typical bass line), which despite being very important could get really boring at times. Luckily, she had a friend who told her about bands like Iron Maiden and Rush that really featured bass in their music and, after listening to them, she felt a lot better.

Moving on to her career as a musician, our dauntless bassist, who plays a variety of styles such as Heavy Metal, Hard Rock, Blues and classical music armed with her glitter blue G&L SB-2 bass guitar and her black SB-2 bass guitar on select shows, started playing in a more professional way in 1997, when she joined a California-based Punk Rock/Rock N’ Roll band named Rotten Rod & The Warheads. She was their bassist from 1997 to 2002, having recorded with the band a demo in 1998 titled Practice Bomb (under the eccentric moniker of “Wanda Smart Bomb”), containing songs like Germs and Cruel World. I don’t know about you, but I would love to listen to the music by this fun and electrifying band on any rock n’ roll radio out there. Anyway, while still playing for Rotten Rod & The Warheads, she was also the bassist for Heartache City from 1999 to 2001, with whom she recorded the band’s self-titled album in 2001. I couldn’t find anything online form this band, but if Wanda was their bass player I’m sure their music was at least fun to listen to, right? Furthermore, Wanda was also the bassist for a Huntington Beach-based Rock/Blues band named Field of Vision in 2004, having recorded with them the six-track album FOV that same year, highly influenced by renowned acts such as David Bowie, The Rolling Stones and Velvet Underground. Once again, there’s nothing online about this specific album, but as aforementioned we know from the bottom of our hearts it’s good music we’re talking about. As a matter of fact, in 1998 and 2004, she won the Best Female Bassist award at the Rock City News Awards and, in 2003, she also won the best bassist award at The All Access Music Magazine Awards, proving how talented and focused she has always been as a musician.

In addition to those previous acts and to The Iron Maidens, our ass-kicking bassist also works as a freelance musician in various groups and orchestras in the Southern California area, including The South Coast Symphony as principal bassist since 1996. When asked about how different it is playing for The South Coast Symphony and for The Iron Maidens, if that’s the type of diversity she needs in her playing style, Wanda said that she likes to play classical music just as much as metal, and after playing an upright bass she thinks it keeps her chops up, also saying that it’s like someone who enjoys playing basketball and baseball, two different sports but both fun, which is the same with classical music and metal for her. Moreover, her talent is also recognized by several important brands and companies, being endorsed by BBE Sound, Digitech, Dunlop Manufacturing, G&L Musical Instruments, RotoSound Strings, Schroeder Superior Sound Cabinets, Coffin Case and Monster Energy Drink, and she’s also been in a couple of interesting documentaries recently, those being Hair I Go Again (2016) and the upcoming Rock Is Dead? (2019).

It was in September 2002 when Wanda finally joined The Iron Maidens, remaining with the band ever since and adopting her stage name “Steph Harris” as an obvious reference to Iron Maiden’s iconic bassist and founder Mr. Steve Harris. So far, she has recorded with the band the albums World’s Only Female Tribute to Iron Maiden (2005), Route 666 (2007), The Root of All Evil (2008) and the video Metal Gathering Tour Live in Japan (2010), trying to be as loyal as possible to Iron Maiden’s original sound. In one of her interviews, Wanda said that when she joined the band everyone was just looking for a fun and original side project (there were already several all-female tribute acts for bands like AC/DC in the area), as they all had their own bands and projects, with a goal of playing maybe once or twice a month at some local pubs. However, after the first few shows a lot of people started calling them, with things really kicking off after the band had been together for about a year despite the fact they never took themselves too seriously at that time. As a matter of fact, if there’s one thing they always took very seriously was the music, always trying to replicate the original tones from Iron Maiden the best possible way even with the different instruments they use like Wanda’s bass, which is technically a Fender bass but not the same one used by Steve. If you want to take a good listen at how amazing Wanda and the girls from The Iron Maidens are, simply search for them on YouTube, as there are countless fantastic videos of their live performances such as The Trooper and Die With Your Boots On in California in 2014, or these two full concerts recorded in New York in 2018 and in California in 2013. Also, how about a nice and relaxed interview with the entire band conducted by Grasser Production in 2017 called “15 questions with The Iron Maidens”?

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Regarding the songs she likes to play the most from the Iron Maiden vast and rich discography, she said her all-time favorite are Losfer Words (Big ‘Orra), Phantom of the Opera, Powerslave and Rime of the Ancient Mariner, and when questioned if it’s hard for The Iron Maidens to come up with a setlist to please all fans she said it’s not difficult at all because it’s drummer Linda McDonald who keeps track of all places the band plays and what songs they played before, also taking into account her own endurance and the timing for their lead singer to do a costume change, for example, and always focusing on old songs not usually played by Iron Maiden during their current concerts and tours. She was also questioned if she ever struggles with identity, wanting to do her own original material and showcasing it, and she said she doesn’t really have any issues with that, stating that she actually enjoys playing music written by a wide variety of different composers, either metal or orchestral music, and that it doesn’t stop her from writing her own music which she has done before in original bands. Also, when asked if the band has ever had to deal with any issues related to artwork, royalties, cease-and-desists from lawyers or anything like that, she said the band does everything they can to avoid that, but that they were asked to change their logo many years ago (and they did). She complemented by saying that wasn’t a big deal, and she doesn’t think the guys from Iron Maiden were even aware of it; they simply have a good team of people who help look after everything.

Of course, it’s impossible not to talk about her “relationship” with Mr. Steve Harris and his two-fingered galloping bass method. In one of her interviews, Wanda talked about how much Steve Harris and his bass have influenced her taste for music and her playing style, talking about the aforementioned story of her playing only the basic notes while her friends would play the melodies with their violins and violas in high school, but that after listening to the all-time classic Piece of Mind she fell in love with her bass guitar again and never stopped listening to the music by Iron Maiden ever since. Apart from Steve Harris, she also cites Geddy Lee, lead vocalist, bassist, and keyboardist for Canadian Rock titans Rush, and Chris Squire, bassist and founding member of English Progressive Rock band Yes, among her influences, once again showing how much she loves the most intricate, unique and vibrant sounds anyone can extract from a bass guitar. There’s also a price to pay for having Steve Harris as her major influence, and especially for playing Iron Maiden’s music, which comes in the form of fans who believe they can offer her advice on how to perform that material beyond her considerable talent. “Every once in a while, there will be a bass player in the audience. There’s a couple songs that I’ve gotten used to playing it a certain way or maybe a different position, but they’re the same notes, but it’s not the same position (Harris) plays it in. Sometimes I’ll get that, or sometimes I’ll get like, ‘Well, Steve uses two fingers’. Well, okay. Sometimes I’ll hear that. Very rarely though,” said our talented bassist.

Wanda’s first ever Iron Maiden concert happened many years ago during the World Slavery Tour, when according to Wanda herself she didn’t drink anything to avoid having to leave to use the bathroom, as she didn’t want to miss any part of the show (well, it’s the same for me). Years later, Wanda was even able to get to know Iron Maiden in person when Michael Kenney, Steve’s long-time bass tech and the band’s onstage keyboard player, introduced the whole band to them at a concert in Irvine, California. Wanda and the other girls were obviously nervous at first for meeting their idols, but the guys were really friendly to them and down to earth, making the whole experience very pleasant. The only thing that didn’t go as planned was that they weren’t able to give them cookies that they baked specially for them, as their singer left them in her car. I’m pretty sure those cookies were delicious, but you know what was even better than that? The fact that The Iron Maidens were not only able to meet their icons in person for the first time ever, but also that the band led by Mr. Steve Harris supports them, acknowledging their undisputed talent, their passion for metal and their hard work, and that they can rest assured “Steph Harris” and the girls will always represent this more “feminine” and “delicate” side of Eddie with a lot of energy, respect and admiration. Having said that, don’t forget to check Wanda and the girls live whenever they take your city by storm, and of course, as usual… UP THE IRONS!

The Iron Maiden’s Official Facebook page
The Iron Maiden’s Official Instagram
The Iron Maiden’s Official Twitter

“As a bass player, of course, you’re going to be drawn to music more challenging, interesting and fun. I’ve always been an Iron Maiden fan since I was very young. When the band first formed everybody wanted to do something different, something more challenging. Since we all wanted something unique that nobody else was really doing, we thought Iron Maiden would be a good fit. We are all coincidentally huge Iron Maiden fans, so that made it better.” – Wanda Ortiz

Metal Chick of the Month – Lilith Astaroth

Kneeling at my feet, encased in black sheaths of ecstasy… Fulfill your deepest desire to submit to me…

It’s time to set fire to The Headbanging Moose with a woman that’s perhaps the most eccentric, distinct and explosive of all metal chicks who have already embellished our pages through the years. She’s not only a professionally trained actress, dancer, singer, performer and an internationally recognized model in the Gothic and fetish genres, having been featured in several publications and websites, but also an activist and the frontwoman for an American metal act that blends the heaviest and most obscure elements from Gothic, Black and Death Metal. If you have absolutely no idea who that woman is, I bet you’ll be stunned by her talent, beauty and passion for music and arts in general. Having said that, let’s cut to the chase and begin our humble tribute to our last metal lady of 2018, the unstoppable and dauntless Lilith Astaroth (also known as Goddess Lilith), lead singer for Boston, Massachusetts-based metal entity Sorrowseed. In other words, are you ready for total chaos and anarchy with Lilith?

Born on October 31, 1997 in Cambridge, just outside of Boston, Massachusetts, in the United States, Lilith loves music from the bottom of her heart, having started her musical pursuits at the age of five when she learned to play the piano. At the age of fourteen, she began to teach herself how to play the guitar, and in the following year she started her first band, curiously named Satan’s Kids, a Grunge and Rock N’ Roll project inspired by the music from icons like Marilyn Manson, Nirvana and Pantera. And Lilith received a lot of criticism in her early days as a singer, as people kept saying she sounded “like a guy” and that she should start singing “like a normal person”. However, despite that continuous criticism, including being kicked out of a band for “screaming too much”, she refused to change her vocal style and kept working hard for several years, until Sorrowseed came along in 2009 after numerous failed band attempts.

Her style of singing combines low guttural growling and high-pitched shrieking, being often compared to famous extreme vocalists like Dani Filth and Angela Gossow, but also exploring after 2010 a more operatic style in the soprano range, like in her 2011 cover version for the classic Christian Woman, by Type O Negative (I guess all women who succumbed to the dark side of music are admirers of the deceased Peter Steele). A true lover of cybergoth, steampunk and latex fashions, Lilith explores her sexuality while creating music at the same time, offering her fans a full-bodied experience during her live performances and on her videos. Using a combination of inhalation and exhalation screams, she is able to produce a vast array of sounds with her voice, turning each live show into a ferocious display of intensity. Since the beginning of her career, she has released several solo works and has lent her voice and performed live with many different projects throughout New England including Sorrowseed, Mostri and Pandora’s Toybox, always loyal to the Doom, Death, Industrial and Gothic Metal styles. Her biggest inspirations when writing and composing music are quite straightforward and interesting. Lilith was very clear and honest when saying that hatred, or unbridled hatred for humanity and its ignorance, always inspire her to write music, as her day-to-day experiences with other human beings gave her plenty of reason to be angry much of the time. Obviously all that hatred and anger couldn’t be better represented than the flammable fusion of Extreme Metal styles from all her bands and projects.

In regards to her most famous project, American Melodic Doom Metal band Sorrowseed, Lilith formed the band in 2009 in Boston highly influenced by bands like Amorphis, Behemoth, Cradle of Filth, Dimmu Borgir, Emperor, Satyricon and Therion, singing about controversial topics like the Apocalypse and anything related to the total annihilation of mankind, as well as spreading stories of madness, death, destruction, dark mythology and horror to the masses, all embraced by the band’s obscure musicality.  As a matter of fact, the band started in 2008 by Josh Carrig, of Pandora’s Toybox, evolving to its desired shape and form only in 2010, with the concept behind the band being based on the story of two characters, the Reaping Willow and the Scarab Prophet. Lilith obviously portrays the Reaping Willow, who was once the nature Goddess, Demeter.  Over time, she watched humankind’s pollution, ignorant destruction and environmental abuse overcome the earth. She wept for the ignorance of mankind, becoming enraged with madness and, as a consequence, transforming into the Reaping Willow who, along with the Scarab Prophet, is set upon the destruction of mankind, unleashing apocalyptic terror onto humanity. The band has already released one EP titled Portents, in 2009, and four full-length albums since their inception, those being The Extinction Prophecies (2011), Descent of the Scarab Prophet (2012), Dread Sylvan Summonings (2012), and Nemesis Engine (2013), including incendiary songs like Ocean Scorn (and you can always listen to their albums and obviously purchase them from their own BandCamp page). Working as a way for Lilith to channel her powerful feelings into something creative and non-destructive, as she’s always been very much about vengeance, wrath, and destruction, Sorrowseed kick some serious ass live as you can see in their performance during the Damsels of Darkness Tour playing the song Arcana (of the Lich Queen), with their first ever concert happening at the launch party of 420Mass.com during the 2010 Boston Freedom Rally.

You can also find Lilith lending her beautiful and devilish voice to several distinct bands and projects in the world of heavy music, such as doing vocals for Chilean/American Thrash/Death Metal band Angor from 2014 to 2015, and for American Blackened Death Metal band Coffin Birth starting in 2016. She also worked as a guest vocalist in the song Bloodborne Penance, from the 2016 album The Bowels of Chaos, by Coffin Birth; in the song Halle Ravine, from the 2017 album The Sachem’s Tales, by American Atmospheric Black Metal band Dzö-nga; and in the song The Black Feathered Vixen, from the 2013 EP Unleash the Inferno, by American Death Metal one-man band Eric Pellegrini. There are other projects which are not as “clear” as the ones listed above, such as her involvement as the lead singer of Nemesis Engine, a hybrid of ex-Sorrowseed and ex-Theogonia members which was actually a code name used for the revamped Sorrowseed lineup, as well as her participation with other bands including a Melodic Death Metal band (with use of electric violin) with former bandmate Chris Adamcek and Rachel Zuckerman named Akashic Shadow, in 2012, and an upcoming collaboration with Melodic/Progressive Death Metal act Solemn Vision, from New York.

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As aforementioned, Lilith is not only a regular vocalist and musician, but also an actress focused on the underground and independent scene. It was in 2009 when she began exploring the world of acting, starting with taking courses from Harvard University, doing extra work for major films, and landing minor roles in independent films such as God of Vampires, Nun of That, Heaven and Hell, Legless and Scrooge in the Hood. She has also appeared on NESN as a ring girl for Boston Boxing, has done several interviews in the cosplay documentary Cosplayer Nation, appeared on NBC’s The Dr. Keith Show to talk about safety as a public figure on the internet, and appeared several times in the reality-based web series Quiet Desperation. You’ll also find Lilith in many different music videos as an actress, such as When Steel and Bone Meet, by Goatwhore; Misbegotten Candy, Down in the Mire, and Slaves to the Sleigh, by Pandora’s Toybox; Runnin From Jesus, by Matalon; and Babylon Train, by Desar.

Furthermore, you can take a look at her her IMDb profile to see in detail all B-movies, shorts and TV series she’s been featured, like playing a character named Petunia Pete Sawyer in the 2017 comedy-horror movie Groundhog. In addition to that, Lilith has also attended a good amount of public events through the years, like doing public speaking in different editions of the annual Boston Freedom Rally and the Philadelphia Freedom Festival Benefit, as well as constantly improving her acting skills by taking several training sessions and courses like Introduction to Acting and Advanced Acting from Harvard University, in 2009, Acting Shakespeare and Introduction to Public Speaking also from Harvard University, in 2010, and private classes in C.O.R.E. Acting, in 2013. Do you think that’s already a lot for just one person? Well, you better be prepared, because there’s still a lot more to come.

If you haven’t noticed yet, Lilith is also an internationally recognized professional model, having shot in different exotic locations ranging from Iceland to Montreal, Ireland, Costa Rica, London, Germany and Italy, as well as all over the United States, with some of her favorite runway events being the Montreal Fetish Weekend Fashion Show, and the New Designer’s Fashion Show of New England. A versatile model with 8 years of experience and a wide variety of looks, ranging from classic pinup, swimsuit, Gothic, cosplay, fantasy, fetish, sci-fi, horror, among many others, Lilith has already done event hosting, art modeling, spokesmodeling, living art, bodypainting, being a Ring Girl, Go-Go dancing, and modeling for some of the edgiest latex designers emerging in the fetish fashion scene. However, when asked which career out of music, modeling, dancing and acting she would like to pursue the most, our devilish goddess said music is what she’s really focused on (as we all know, screaming is something that has always been very natural to her), but she also truly wants to pursue professional acting to the fullest. Acting is according to Lilith herself the most challenging of all activities because there’s always room for improvement with anyone, but finding appropriately paying work in modeling and dancing is the most challenging thing she’s been facing on a regular basis. In addition, maintaining a healthy balance of all those activities and responsibilities is not an easy task at all (by the way, she’s also a LMT – Licensed Massage Therapist, an activist for cannabis legalization, animal rights, and preservation of nature, and a reiki master), but as a great and very efficient multi-tasker she is, nothing stops Lilith from always moving forward in her life and career.

One very important topic to Lilith is her utmost support to the legalization of marijuana, and she has a very strong opinion about what should be done in this case. In one of her interviews, she said that people need to focus the war on drugs against the real problems, like pills, which originate with drug companies, and crime which is funded in large part from marijuana. In her own words, Lillith said that “no one is making pills at home – they come from drug companies with bad policies, operating under bad laws with bad inventory and bad control, they have huge lobby groups that let them get away with this and pills have become one of the most major problems in America.” She complemented by saying that she personally would rather not put any chemicals in her body or take the risk of becoming addicted to a chemical, and she has found that she doesn’t need to take those risks, because marijuana helps alleviate her health issues. “We need to take ‘the money’ out of the illegal marijuana equation; by legalizing and regulating we would lower the prices by lowering the value (the price is artificially propped up by its illegal status), and this would take a big bite out of the pocketbook that funds guns and harder drugs, and open the door to affordable, safe and legal medical marijuana.”

When asked in one of her interviews about the current music scene in the United States and what has changed since she started her career in 2009, Lilith said that it actually hasn’t changed much, despite an increase in the number of metal bands in her area, New England, which according to Lilith herself is at the same time a good and a bad thing because some of those bands are very talented, but others are just terrible. She also said there are some bands she’s a good friend of, such as Faces of Bayon, Matalon, Abnormality, AbSynthe, Necrophiliac Meat Circus, Fever Vein and Voices of the Dead, among others, and that she loves to meet and work with bands that play a similar style to hers because those are not only easier to keep in touch, but to also play more shows together. And last but not least, when asked how important her fans are to her, she was pretty straightforward saying that without fans there would be no one to perform for. She does her best to treat her fans well and hook them up with good prices and merch, and communicate with them every day through her website and all her social media. That being said, I guess no one can complain at all that Lilith is a lazy or an arrogant person; quite the contrary, although we all know how unique she is, the world of metal music definitely needs more women with the same attitude, stamina and passion as the multi-talented Lilith Astaroth.

Lilith Astaroth’s Official Facebook page (music)
Lilith Astaroth’s Official Facebook page (acting & modeling)
Lilith Astaroth’s Official YouTube channel
Lilith Astaroth’s Official Twitter
Goddess Lilith’s Official Instagram
Goddess Lilith’s Official Twitter
Sorrowseed’s Official Facebook page
Sorrowseed’s Official YouTube channel
Sorrowseed’s Official Twitter

“Since I was young, I’ve always been the center of attention. My parents were always sticking a camera or video camera in my face, so I got used to it early. It wasn’t until I was 15, however, that I decided I wanted to front a band. Oddly enough, it was Nirvana that inspired me to find this path. I taught myself how to play guitar and formed my first band shortly thereafter.” – Lilith Astaroth

Metal Chick of the Month – Polina Psycheya

I’ll take you far away to another land…

Brothers and sisters of heavy music, let’s all travel this November to Chelyabinsk (or Челя́бинск in Russian), a city in west-central Russia located in the northeast of the oblast, around 210 kilometers south of Yekaterinburg, just to the east of the Ural Mountains on the border of Europe and Asia, to meet our stunning and unstoppable metal chick of the month. She considers herself a true Russian Viking, always ready for heading into the battlefield armed with her potent vocals and endless energy, and in case you haven’t heard of this amazing frontwoman yet, I bet you’re going to be surprised by how talented, hardworking and passionate about metal she is. I’m talking about Polina Psycheya, whose real name is Polina Sibrikova (or Полина Сибрикова), former lead singer for Russian Melodic Death Metal band All I Could Bleed and current main frontwoman for Portuguese Symphonic Progressive Metal band The Autist, an obstinate woman that takes no prisoners in her quest for heavy music.

Before starting her career as an Extreme Metal singer, Polina had what we can call a normal life in her hometown Chelyabinsk, graduating from МОУ СОШ № 41 (or “secondary school number 41 of Chelyabinsk”) in 2007, and advancing for a degree in Graphic Design from РБИУ (or RBIM – Russian-British Institute of Management) in 2010, a higher education international institute also located in Chelyabinsk. As a matter of fact, even after joining All I Could Bleed she kept working as an artist and clothing and apparel designer, as you can see on her official Facebook page titled “World of Polina Psycheya”, where she usually posts details about her works, tutorials and items for sale. However, it looks like heavy music is her true passion in life, with her skills as a designer becoming a complement to her role as a female growler. And if you think she took any special courses in singing, you’re absolutely wrong, as Polina simply learned how to scream and growl by herself, only training during the band’s rehearsals, always shaping up her own vocal style without copying anyone or anything from books.

As already mentioned, Polina was the frontwoman for Russian act All I Could Bleed starting 2009, but the band started a few years before that, more precisely in 2004 when two old friends, guitarists Alex Sibrikov and Max Melnikov, decided to form a Death Metal band together as an outlet of their aggression. When they released their first single Follow Me, in 2009, Polina was not yet part of the band, with Alex taking care of the vocal duties. However, after Polina joined All I Could Bleed, the band reached its desired shape and form and was ready to take the world of heavy music by storm, with the release of their 2011 debut full-length album Burying the Past (available for a full listen on YouTube) being the culmination of a lot of hard work and dedication of all band members to their music. As a matter of fact, Polina not only growled and screamed like a beast in the album, but she was also responsible for the lyrics, cover art and design, proving that although she might not be a founding member of All I Could Bleed, she had definitely become the band’s heart and soul during her time with them.

After the release of Burying the Past, Polina and her bandmates got back in action in 2014 when they released a single titled Debris of Earth, a lot more melodic, more experimental and groovier than all songs form their debut installment. Furthermore, if there’s one thing Polina loves from the bottom of her heart is playing live, and she certainly translates that passion into sheer energy during the band’s live performances. When asked about the idea for their onstage outfits, she said she took the inspiration from dark, ancient and powerful warriors like the Riders of the Apocalypse, designing all the clothing herself, and when she was asked about her first ever concert as the frontwoman of All I Could Bleed, she mentioned it was indeed an unforgettable night for her in her hometown Chelyabinsk, in 2009. Due to the fact she wasn’t writing the lyrics for their songs at that time, her bandmates gave her the task of learning the classic Enemy Within, originally recorded by Arch Enemy, and singing it as part of their setlist. Well, Polina didn’t disappoint at all; quite the contrary, the reception of the crowd at the venue was amazing, inspiring her to keep growling in the name of metal. You won’t be able to find that concert online, but there’s no need for panicking, as you can at least enjoy All I Could Bleed’s full (and absolutely awesome) performance at the Tele-Club in Yekaterinburg, Russia on April 24, 2014, where Polina simply kicked some serious fuckin’ ass on stage.

Apart form her career with All I Could Bleed, Polina has also been involved since 2017 with Portuguese Symphonic Progressive Metal band The Autist, a female-fronted metal project with progressive and symphonic elements highly recommended for fans of truly melancholic, tragic and conceptual music that was inspired by deep emotions we all go through in our lives. The origin of the project dates back to 2014 and is the mind reflection of guitarist and composer Pedro Remiz, who decided to recreate his own musical world after the end of Darkside of Innocence. Also featuring Alina Lesnik (from German Symphonic metal band Once), Chiara Tricarico (from bands like RavenWord and Sound Storm) and several other guest musicians, besides of course Polina as the band’s main vocalist, The Autist have already released two EP’s and one full-length album so far, with Polina lending her slashing roars to the songs The Sanctuary, Ethereal and Pandora’s Curse, from their 2017 album The Coldest Sun, and to the songs The Idol, Anima and Bloodlust, from their 2018 EP Anima.

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Regarding Polina’s biggest idols and influences in heavy music, her list is beyond fantastic, including bands (and obviously their respective vocalists) such as Rammstein, Metallica, Death, Pantera, Children Of Bodom, Arkona, Kreator, Destruction and Motörhead, all of which she would love to play alongside at Wacken Open Air by the way, with Rammstein and Children Of Bodom being considered by Polina herself the two bands with the highest impact on her vocal style and musical direction. In addition, during one of her interviews she was also asked to list the top 5 albums anyone should have in their collection, and once again her choices didn’t disappoint, including Metallica’s Master of Puppets, Death’s Symbolic, Dimmu Borgir’s Puritanical Euphoric Misanthropia, Black Sabbath’s Paranoid, and Pantera’s Vulgar Display of Power. Hence, you can enjoy Polina paying a tribute to several of her idols on her official YouTube channel, recording her own versions to classics like Dimmu Borgir’s Progenies Of The Great Apocalypse (together with German multi-insturmentalist André “Agordas” Groschopp); Arch Enemy’s Nemesis; Pantera’s all-time hit Walk  (recorded with All I Could Bleed during one of their rehearsal sessions); and Death’s Symbolic (recorded during one of All I Could Bleed’s live performances). Furthermore, you can also enjoy other exclusive videos on her YouTube channel, such as Progressive/Melodic Power Metal masters Kamelot featuring not only Polina but also the amazing Kobra Paige live in Moscow in 2017; and Polina herself talking a little about her style, about Death Metal and about Arch Enemy,  and the reason for that is because in the past let’s say Polina wasn’t very happy when compared to Arch Enemy’s former vocalist Angela Gossow. She said in one of her interviews that she didn’t like the comparison because it was only based on sex, not on their vocal styles, as she believes her vocals are a lot closer to Death’s  iconic Chuck Schuldiner’s than to Angela’s. Now Polina is a fan of Arch Enemy, but again, if you meet her don’t waste her time asking about Angela Gossow, right?

When questioned about the current state of heavy music and the metal scene in her homeland, especially the Death Metal scene, our Russian warrior said that despite the huge amount of talented and hardworking bands found in the underground Russian scene, Heavy Metal is not respected and it’s extremely hard to make a living out of it, resulting in several musicians leaving their bands and entire bands calling it quits. In her opinion, the only Russian band that has truly conquered success in Russia and outside of the country is Pagan/Folk Metal institution Arkona, always keeping in mind they were one of the pioneers of the genre and started their career over 15 years ago. On the other hand, she doesn’t think that metal becoming mainstream would be the solution for that because albeit mainstream bands can make a considerable amount of money to support their careers, not to mention touring and recording videos become a lot easier, she believes you can lose or give up your honesty if you’re not underground anymore. In other words, she thinks somewhere in between mainstream and underground would be ideal, and seeing successful but still loyal-to-their-roots bands like Trivium, Primal Fear and the aforementioned Arkona only corroborates with her opinion. In addition, Polina actually thinks metal isn’t thriving anywhere in the world except for South America, and that she sometimes wishes she was reborn in the 70’s or 80’s as those where the decades when metal was the big thing. She also said she doesn’t really care about all metal classifications and labels, as long as it’s metal and an honest way to express yourself, complementing by saying that despite the heaviness and aggressiveness of the lyrics, metal is a lot more honest and inspiring than other styles like pop and rap, where musicians only promote negative things like debauchery, drugs, dullness and false moral values. As Polina herself said, it’s hard to make a living out of metal music in Russia, and that’s why she keeps working as a designer while her former bandmates from All I Could Bleed also have regular day-to-day jobs like working at a music school or on railroad construction, as well as playing in bars and pubs with other projects and cover bands. Not only that, but just like any other regular person she also has her hobbies, all related to her passion for music, for costume designing and for outdoor sports such as hiking and bike riding. Who knows, maybe one day if you’re just walking around Chelyabinsk you might be surprised by our Russian Viking staying healthy and in shape on her bike.

As expected, Polina was also asked to give her opinion on how she sees the increasing importance and participation of women in heavy music, especially regarding the growing number of female singers in extreme music bands, and her answer to that was quite curious. Our gorgeous growler said she has never actually felt like an “outsider” in a male-dominated world, saying she doesn’t “feel” like a woman but just like a Death Metal musician. Moreover, when asked if she’s ever had any issues with fans, Polina said that despite her stunning beauty, her fans have always been very respectful with her, understanding she has always worked hard, always true to the foundations of Death Metal and never backing down, getting full support from all of her followers. And last but not least, still regarding the support received from fans from all parts of the world, when questioned about illegal downloads and all types of websites posting her material without her official consent, she mentioned that in the end that’s not as bad as it looks, saying that exposure in the internet is actually a good thing for unknown underground bands because they end up receiving free PR, and several people who get in contact with the band through an illegal download will buy the album or any other type of official merch, and attend the band’s concert if possible, meaning more money than expected will go to the band’s pockets. Having said that, although Polina herself is not against illegal downloads, I’m pretty sure our metal diva would simply love if you purchased Burying the Past from the Darknagar Records’ BandCamp page or from Discogs, or any of the releases from The Autist from their BandCamp page, showing your true support and appreciation for these two extremely talented bands and their Viking frontwoman.

Polina Psycheya’s Official Facebook page
Polina Psycheya’s Official Instagram
Polina Psycheya’s Official Twitter
Polina Psycheya’s Official YouTube channel

Metal Chick of the Month – Brittney Slayes

There’s no hiding from her, she sees everything!

In order to properly celebrate nothing more, nothing less than FIVE years of The Headbanging Moose, there’s nothing better than paying a humble tribute to a true Warrior of the North as our metal chick of this month of October, a woman that perfectly represents all the passion, strength and perseverance from the people that make our beloved Canada one of the best places to live in the world. Born in 1985 in Vancouver, one of the most beautiful cities not only in the province of British Columbia but in the entire country, here comes the dauntless vocalist Brittney Slayes, whose real name is Brittney Hayes, frontwoman and founding member of Canadian Heavy Metal band Unleash The Archers, always ready to show you what metal music from the Great White North is all about.

The talented Brittney, who discovered her voice when she was five years old and began singing in her local community choir at the age of eight, traveled with several choirs during her school years, taking part in many musical theater productions and working with some of the best vocal coaches in Western Canada. In university, she attended the UVic School Of Music, but choosing instead to attain her undergraduate degree in History. Furthermore, during her time at the University of Victoria, she traveled the world as a member of the Juno Award-winning ensemble the Uvic Chamber Singers. As a UVic alumna and the lead singer of Victoria-born Unleash the Archers, Brittney gave a keynote talk on July 10, 2018 for UVic’s upcoming conference Boundaries and Ties: The Place of Metal Music in Communities, with her talk, entitled “View from the ‘Apex’: A Metal Musician’s Views on Metal and Community”, drawing on her firsthand experience with local, national, and international metal communities. And do you want to know what our metal warrior thinks about us, metalheads? “People are so open-minded. They’re not going to cast judgement and never give you a chance. From what I’ve seen, metalheads are very kind and caring and open-hearted. I just think that the metal community is uplifting, really,” said our wise vocalist.

Apart from her time singing with different choirs, our Canadian warrior had never been involved in any other bands or music projects before founding Unleash The Archers back in 2007 with her boyfriend and drummer Scott Buchanan, and according to Brittney herself starting the band was the best thing she could have ever done (and we all agree with that, of course), allowing her to use her background in classical music and her four octave range to provide a more dynamic approach to the band’s incendiary fusion of traditional Heavy Metal with Power and Melodic Metal. In late 2008, the band recorded a self-titled four-song demo, which featured two songs (Black Goat of the Woods and Destroyer) they would end up re-recording for their first studio album. In one of her interviews, Brittney explained a little more about the origins of the band, saying it all began when Scott, former guitarist Brayden Dyczkowski (who left the band in 2014) and herself were in university, when Scott and Brayden were playing in a Death Metal band together, and as the drummer’s girlfriend Brittney simply loved to go to their shows and rock out. When the band broke up, she called Brayden and asked him if he wanted to start a band with herself as the vocalist and Scott on drums, and from that day on Unleash The Archers became a reality, leading the band to grow and become a reference in Canadian metal music, winning the Best Metal Band and Best Vocalist awards during the 2015 Vancouver Whammy Awards, as well as being voted number 6 in Exclaim Magazine’s Readers Choice Awards for Best Metal Albums of 2009.

Apart from the aforementioned self-titled debut demo, Unleash The Archers have already released four full-length albums and one EP, those being their 2009 debut album Behold the Devastation (when she was still known as as B. Hayes), the 2011 album Demons of the AstroWaste, the 2012 EP Defy the Skies, the 2015 album Time Stands Still, and last year’s highly acclaimed opus Apex. Currently comprised of our Canadian Valkyrie of metal Brittney on vocals, Grant Truesdell and Andrew Kingsley on the guitars and harsh growls, and Scott Buchanan on drums, as well as Nick Miller taking care of the bass duties during their live performances, Unleash The Archers have a great selection of official videos, lyric videos and unofficial live footage for us to enjoy for hours on YouTube. For instance, you can join Unleash The Archers in their quest for metal with the songs Tonight We Ride, Ten Thousand Against One, Apex, General Of The Dark Army, Time Stands Still, Cleanse The Bloodlines, Awakening, The Matriarch and Dawn Of Ages. And if live concerts and performances are your cup of tea, you can enjoy Brittney and the guys kicking ass with the songs Dreamcrusher and Time Stands Still live in Montreal in 2015; General Of The Dark Army live at the Pont Rouge in Monthey, Switzerland  in 2016; an acoustic version of The Outlander recorded live at CHSR in New Brunswick with Matt Nightingale during the 2011 “Tour Through The AstroWaste”; and their full set during their 2015 appearance at ProgPower USA in 2015. When asked about her favorite Unleash The Archers songs, those she believes a newcomer to their metal world should definitely take a listen at, Brittney said she has always loved Battle In The Shadow (Of The Mountain), from their second album Demons of the AstroWaste, saying she has a strong emotional connection to that song, also including on the list Four In Hand, from their debut album Behold the Devastation, as it’s about sin becoming personified as a cloaked figure riding around in a chariot pulled by the four horsemen of the apocalypse. Interesting, isn’t it?

Brittney has also been featured in several other bands and projects as a guest musician, each one of them being very peculiar and showcasing all the talent and range of our metal warrior. For instance, she provided additional vocals to the song Leather Lord, featured on the 2013 EP Live at Mushroom: Vol. I, by Canadian Power/Heavy Metal band 3 Inches of Blood; guest vocals on the song Queen of the Galaxy, from the 2014 EP Queen of the Galaxy (and also featured on the 2018 album The Extraterrestrial Compendium), by American Power/Thrash Metal band Dire Peril (and you can also check a cool live version of it in 2016 at the Blue Lamp HERE); vocals on the song Lunar Sunrise, from the 2014 album The Age of Ether, by American Power/Progressive Metal band Disforia; vocals for the full 2018 album Terror of the Cybernetic Space Monster, by American Power Metal band Helion Prime, like in the song Spectrum; vocals for the excellent song Burn It Down (With Fire), from the 2018 album Shadows from the Past, by American Heavy Metal band Lords of the Trident; and last but not least, she was also a guest on the song Siren’s Song, from the 2016 album Lawful Evil, by The Dread Crew of Oddwood (an acoustic pirate band from San Diego, California).

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Regarding her career and life on the road, Brittney said that living life through music is every musician’s dream, living and breathing music every second of every day while on tour, and she wants to keep playing with Unleash The Archers everywhere, every corner of the globe, every continent and every type of venue, from Japan to Scotland, from Brazil to Antarctica (if they can find metalheads there, of course). When asked about the main difference between festivals and regular shows, she said that in the end they’re not that different, only that there are a lot more bands hanging out backstage waiting for their turn and the atmosphere seems quite a bit more laid back. Having already played with Unleash The Archers all over the world, from North America to China and Japan, Brittney has been collecting a lot of good memories and moments from each and every concert, such as their performance at Hell & Heaven Fest in Mexico City in 2014, where they played a side stage but were able to see the concerts by some of their favorite bands like Angra and KISS. Furthermore, all that passion for heavy music and her family had a very positive impact on her performance on stage. For instance, her brother used to play in a punk band and her father worked as a musician for a long time in the 60’s and 70’s. She used to play with his music equipment when she was a little kid, and there are many pictures of Brittney rocking out with an old SM57 in her hand standing on a table or any other stage-like apparatus. Also, as aforementioned, she was always involved in musical theater, drama, choir or any other sort of performing art, making her feel very comfortable when facing the crowd, it doesn’t matter if at a small venue or at a big renowned festival.

As it happens with any up-and-coming artist in metal music, Brittney has been asked several times through the years about who her biggest idols and influences are in music and in life in general, and her answers couldn’t be more classic, more inspiring and, of course, more metal. She said in one of her interviews that as a vocalist she has always been highly influenced by the one and only Bruce Dickinson, the metal god Rob Halford, Geoff Tate, Kai Hansen (Gamma Ray), Björn “Speed” Strid (Soilwork), Daniel Heiman (Lost Horizon), and Jonas Heidgert (Dragonland), among many others, with bands such as Iron Maiden, As I Lay Dying, All That Remains, Helloween and Septicflesh playing an important role in the development of her taste for music and her singing style. Furthermore, Brittney mentioned that the unparalleled Countdown To Extinction, released by Megadeth in 1992, was the first metal record she’s ever heard in her life, and that was basically the moment that would define her musical preferences for the rest of her life, but she also complemented her thought by saying Best Of The Beast, Iron Maiden’s first “best of” album, released in 1996, was the album that inspired her to use her vocal talents as a singer in a metal band. In addition, when questioned which bands she would choose if she could create her own festival, Brittney simply listed Iron Maiden, Lost Horizon, Iced Earth, Sabaton and Dragonland, all beyond formidable acts, also saying that she would love to tour with Iced Earth, one of her favorite bands of all time, as their music speaks to her on a whole other level.

And last but not least, When Brittney was asked how it feels to be in a Power Metal band from a country like Canada where the Power Metal scene is not as developed as in other places like Scandinavia and Japan, she admitted it’s a bit tough for bands that play metal the likes of Unleash The Archers due to the music culture in Canada being a lot more inclined to Death Metal and other more extreme styles, with Canadian metalheads growing up with bands like Kataklysm and Voivod,  even saying a Power Metal band can feel very “lonely” in the country. However, she also mentioned that even in that not-so-inspiring scenario there are still lots of traditional Power Metal acts all over the country, proving that as long as Power Metal bands keep playing music from their hearts and stay united and strong, the genre has all it takes to grow in popularity among Canadian fans. And there’s no one better than the warrior princess Brittney to lead that metal army and “unleash the archers” upon all of us.

Brittney Slayes’ Official Facebook page
Brittney Slayes’ Official Instagram
Brittney Slayes’ Official Twitter
Unleash The Archers’ Official Facebook page
Unleash The Archers’ Official Instagram
Unleash The Archers’ Official Twitter

“There’s always going to be those faces in the crowd that you have known since the beginning, and that you know will always be there for you; they were fans, and they’ve become friends. I think that there’s very much this foundation of fans that keep you standing. That will never change. The only thing that happens is that it just grows.” – Brittney Slayes

Metal Chick of the Month – Jill Janus (September 2, 1975 – August 14, 2018)

“The dark, the dark… The darkness falls on you. The dark, the dark… The darkness swallows you.” – The Dark, by Huntress

It took me a while to think of a proper beginning to this posthumous tribute to the talented and gorgeous metal vocalist Jill Janus, frontwoman for one of the most promising metal acts of the past few years, California-based Heavy Metal squad Huntress, but as I mentioned HERE she was going to me our metal chick one day no matter what. Owner of an extremely powerful and captivating voice, delivering beautiful high-pitched screams that were capable of putting a huge and genuine smile on the face of the Metal God himself Rob Halford, Jill unfortunately committed suicide this past August 14, 2018 outside of Portland, Oregon at the age of 42, after years battling against her inner demons. In this humble tribute, let’s remember the life and career of Jill, her bands and projects, her contribution to heavy music, her fight against mental illness, and bang our heads and raise our horns to her flammable Heavy Metal, because she might be gone from this world, but her spirit undoubtedly lives on.

Born on September 2, 1975 in Catskill Mountains, a physiographic province of the larger Appalachian Mountains, located approximately 160 km north-northwest of New York City and 60 km southwest of Albany, Jill was always very reserved about her personal life, much to the impact her mental disorder had to her memories. All we know is that Jill, a huge fan of bands like Suicidal Tendencies and Lamb of God, started her musical journey as a child performing opera in Upstate New York, and that as a teenager she traveled to Europe taking on coloratura soprano roles and was awarded a scholarship to the American Musical Dramatic Academy in Manhattan. She was such an intense musician that even during her relatively short career she was able to make a significant impact on the scene, taking part of several amazing projects and bands since the beginning. For instance, Jill, who was a trained opera singer according to several sources, was not only the voice for Huntress, but also the singer for acts such as Chelsea Girls, Vexy Strut, Under the Covers and The Starbreakers, not to mention her future project that was going to be called Victory: The Rock Opera, and her time as a Playboy model and as a topless DJ, being known as either Penelope Tuesdae or simply Tuesdae in some of these endeavors.

In regards to her career with Huntress, and I might say that I personally consider Jill and Huntress to be one single entity, the band was “unofficially” founded in 2007 when Jill released two demo songs, those being Back from the Dead to Kill and Call of the Wild, to be used as “bait” for potential musicians for her band. It was in 2010 when Jill joined forces with underground Heavy Metal band Professor in Highland Park, California to finally form the Huntress we learned to admire, always true to the roots of Heavy Metal with hints of Thrash, Death and Black Metal and with Jill being responsible for the vocal duties with her breathtaking Amazonian-inspired 4-octave vocal range as well as for the lyrics, releasing right away a three-song EP titled Off with Her Head, containing the songs Off With Her Head, Hollow Hills and The Creeper. Singing about occult and obscure topics such as witchcraft, sorcery and witch hunters, Huntress then released three incendiary full-length albums in the span of four years, starting with their debut opus Spell Eater, in 2012, followed by Starbound Beast, in 2013, and finally Static, in 2015, leading the band to tour the world as a supporting act to several metal heavyweights like Lamb of God, Arch Enemy, Kreator, Amon Amarth, Killswitch Engage, Testament, Danzig, Trivium, Sabaton and Dragonforce. You can purchase all three albums directly from their BandCamp page, and remember Jill’s extraordinary voice on YouTube with the videos for the songs Sorrow, Zenith, Spell Eater and Flesh.

In an interview Jill gave to a metal webzine from Brazil called Portal do Inferno in 2014 (you can check the full interview HERE in both Brazilian Portuguese and English), she explained the band’s discography as her spiritual journey through three elements and a tribute to the Goddess in her three forms, the maiden, the mother, and the crone, with each one of her three albums representing one of those elements. Spell Eater was the maiden, sounding ferocious and raw; Starbound Beast was the mother, more thoughtful and showcasing better musicianship and songwriting; and Static was the crone, being vicious, brutal and consequently heavier and darker. During that same interview, Jill provided some details about her partnership with the one and only Lemmy Kilmister (R.I.P.), who wrote the lyrics for the excellent song I Want to Fuck You to Death from the album Starbound Beast. Jill said they were good friends, that they would meet at the Rainbow in Los Angeles for drinks, that one day she asked him to write a song for her and, voilà, Lemmy gave her two pieces of paper with the lyrics to the song, which according to Jill herself was at that time “the most romantic thing a man had ever done to her.”

Furthermore, if live performances are your cup of tea, or in other words, if you deeply need to see an artist or band playing live to know if they’re actually good, you can have a really good time watching some live footage from Jill and her Huntress on YouTube, such as their acoustic version for Blood Sisters in 2013 at the 100.3 the X studios, which by the way was the first time ever the band has done a live acoustic performance; a live version of the song Spell Eater in 2012; their performance of the song Senecide at the Tidal Wave Festival 2012 in San Francisco, California (courtesy of Capital Chaos TV); and the song The Tower live at First Avenue in Minneapolis, Minnesota in 2012, on tour with Dragonforce. Hence, it’s ass-kicking performances like those that will keep the name of Jill Janus resonating in the air waves through the years.

Her contribution to other metal and rock bands and projects was also superb, with the most interesting one being the Los Angeles-based all-female supergroup The Starbreakers, comprised of Jill on vocals together with guitarists Nita Strauss (We Start Wars, Alice Cooper, Iron Maidens) and Courtney Cox (Iron Maidens, Femme Fatale), bassist Emily Ruvidich (Paradise Kitty, Misty Day), and drummer Lindsay Martin (We Start Wars, Wasi Wasi, The Aviators). Formed in 2017, the main goal of those five blonde metallers was simply to rock like there’s no tomorrow by playing songs from their metal heroes, and there are plenty of videos on YouTube for you to have a sonic blast with the girls. For example, you can check them kicking some serious ass by playing several classics such as Judas Priest’s all-time metal hymn Painkiller and Dio’s undisputed hit Holy Diver at The Viper Room, in West Hollywood on March 11, 2017, during their first ever live performance; Metallica’s roaring tune Master of Puppets also at The Viper Room in 2017; and Megadeth’s breathtaking classic Hangar 18 at Whisky A Go Go, in West Hollywood earlier this year.

All her other projects are just as fun and interesting, starting with the Chelsea Girls, an all-girl cover band formed by Jill together with Samantha Maloney (Hole, Motley Crüe), Allison Robertson (The Donnas), and Corey Parks (Nashville Pussy), with the band’s name referencing an Andy Warhol flick. She was also the vocalist (under the name Tuesdae) for Vexy Strut from 2003 to 2006, a New York-based Hard Rock band where all other band members were guys, playing music in the veins of Aerosmith and Guns N’ Roses with overtly sexual and cocky lyrics; she sang along with Dave Navarro (Jane’s Addiction) in an acoustic project called Under the Covers for a while (and you can check some photos of the duo HERE); and last but not least, Jill and Angus Clark of the Trans-Siberian Orchestra have recently announced a “Rock n’ Roll romance of innocence and lust” named Victory: The Rock Opera, telling the tale of Victory, an internet sensation and a social media superstar whose God-like reach has given hope to the desolate and deranged. There are some demos available on their official website, but no one knows for sure what will happen with the entire project after Jill’s death. Apart from her career as a singer, as aforementioned she was also a topless DJ under the pseudonym Penelope Tuesdae, and if you’re curious to see what she was like at that time you can check some NSFW photos HERE, as well as a behind the scenes photo shoot on Vimeo. If you think Jill was ashamed of her endeavor as a topless DJ, you’re absolutely wrong. “I was living in New York City and needed cash. So I learned how to DJ, but added a gimmick to make more money. I did it topless. A few years later, I have Playboy to thank for legitimizing topless DJ’ing as a lucrative business, although I quit when Vexy Strut was formed. That was my goal all along – to get your attention as a singer and songwriter. So what – I showed you my boobs. Mission accomplished!”, said our diva in one of her interviews.

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Jill’s standpoint regarding her classical music and opera background is also very interesting, as she told Portal do inferno during the same interview mentioned  before that she was always listening to opera singers and classical music, especially Maria Callas due to her vocal richness and skills, that her classical training helped her support her metal voice, and that she was very strict separating metal from opera. The reason for that split was that she never liked Symphonic Metal, calling it “easy listening” metal, showing she was indeed a tough old school metalhead with great passion for the more straightforward, ass-kicking and no-shenanigans-nor-preservatives type of metal. As a matter of fact, just take a listen at any of the Huntress albums and you’ll notice there’s nothing there that’s not deeply rooted in old school metal and rock music, and that’s one of the reasons why she was so loved by several icons like Lemmy and Halford.

When asked about being a female artist in an environment mostly dominated by men, she said she loved being the only girl on tour, calling the rest of the band and all other bands as her brothers, who used to take good care of her. She was also asked to give some advice to any female metal singers starting their careers, and her answer to that was quite direct: she said any girl should go after her vocal coach Melissa Cross, who has already worked with tons of other amazing vocalists such as Randy Blythe (Lamb of God) and Angela Gossow, former singer for Arch Enemy, due to the exceptional job she does with singers, warming them up, training them, teaching them how to take good care of their voices, among other awesome tips and activities. She also said during that same interview she was never afraid of using her sexuality and sex appeal to draw her listeners “close to the flame”, as she considered herself a witch and a pagan, becoming very natural for her to be nude. I have to admit being naked was something so natural and easy for her it was far from being something dirty or porn, but simply the way she found to better connect to her inner self and to nature itself.

Unfortunately, it’s not possible to write a tribute to Jill now without talking about her recent death on August 14 this year (check this video summarizing this sad event HERE). She had always been very open over the years about her mental illness in the form of bipolar disorder, schizophrenia, dissociative identity disorder and alcoholism, which resulted in several struggles throughout her life. Also diagnosed with uterine cancer in 2015 while the band was working on Static, she was able to win that personal battle after undergoing a hysterectomy, being declared cancer-free later. In an interview to Revolver, she described how the schizoaffective disorder evolved into full schizophrenia, which affected her in her 20’s and continued until her death. She said “I was suicidal constantly. I was very suicidal early on in my life. Then in my mid-20’s, it shifted to full-blown mania, where I can’t really remember much of my 20’s. I can’t remember anybody from high school, either. I lost my long-term memory and can’t remember names, faces, or even places. We’ll be at a venue on tour and Blake will be, like, ‘We’ve played here two times before,’ but I’ll have no recollection.” Jill told Psychology Today in a 2015 interview that she attempted suicide for the first time at the age of 16 “with a pair of scissors. I was getting mandatory counseling at school but didn’t see a psychiatrist until I was 20,” she said. “I was then diagnosed manic-depressive and participated in a medical study at New York-Presbyterian Hospital in Manhattan.” She was eventually diagnosed with schizoaffective disorder, telling Psychology Today “I’ve always seen and heard things others couldn’t. Many visions or dreams would manifest into reality, which my family and friends described as my ‘psychic ability.’ This caused more drama at school, being called a ‘freak’ and getting beaten up. When I was 17, the visions and encounters with ‘other-worldly creatures’ was almost a daily occurrence.”

Some of the most interesting and peculiar parts of her interview with Psychology Today are a very good depiction of how serious any type of mental illness can be, impacting not only the life of the person suffering from it but also everyone else living around this person. For instance, one of the ways that her mental illness manifested was that she created different “characters” or “identities” and was eventually diagnosed with dissociative identity disorder. Dissociative identity disorder is characterized as having two or more distinct personality states. People often forget parts of their life as they cannot recall experiences from one personality state when they are in a distinct, separate personality state. She described these different “characters” this way: “As a child, I had a very active imagination and would pretend to be characters I created. This seems normal for a kid, but then I started seeing these characters and they’d take over my body. It felt like being possessed like in the movies. I could shed it easily as a child, but when I hit my 20’s, it became very difficult to shake it.” She complemented by saying “I spent 10 years as ‘Penelope Tuesday,’ the persona I initially created to conceal my true identity as I worked the NYC nightlife scene. I cannot remember much of my life during those years, except through stories from my friends and family. I was manic, fiercely ambitious and slept very little. I was not drinking or abusing drugs during my time in New York. My family became very worried and moved me home to get help after discovering I had breast-augmentation surgery. But I wasn’t aware that I had done this until a few weeks later when I snapped back to reality and saw I had breast implants. It was terrifying. I spent time at Bassett Hospital in Cooperstown, New York, and was diagnosed with multiple personality disorder (dissociative identity disorder).”

She also explained how the bias manifested in her youth. “I was embarrassed about being perceived as ‘crazy.’ As a kid I was made to feel bad or was bullied for being different. As a child, I would make up things about myself to avoid seeming odd. This coping tactic got more intense after college and then I felt other personalities taking hold,” she said. “I used an alias for most of my life, keeping who I really was hidden. Only now am I capable of letting go of my various identities, but it’s still painful to feel vulnerable.” As time went on, she was able to find treatments that were effective in managing her mood and psychotic symptoms. She also said the combination of medication and cognitive-behavioral therapy was effective for her. Cognitive-behavioral therapy often includes examining how one’s thoughts and behaviors may influence emotions and well-being, and how modifying thoughts and behaviors can improve clinical outcomes. In addition to that, she also found that her music was influential in her coping. Her experience is supported by research that shows that music therapy improves clinical outcomes among individuals with mental illness, including schizophrenia and mood disorders. “Music saved my life. My mother says I was singing before I could speak. I knew my purpose as soon as I could talk. It was always music. I relate to the mathematics behind music, it soothes my brain and helps me cope with my various disorders,” she said. “By the time I was 10, I was performing in operas and musicals. My vocal range developed quickly. I was using four octaves by 13. The discipline and focus was beyond my years. But I’ve never had much patience for people. I was always one step ahead. Music is the only way I ever knew how to cope.”

And you can notice how much Jill loved her music and metal in general, and how open she always was about her mental condition, by watching several interviews with her on Youtube, such as her chat with Brittney Patton in 2016 where she talks about mental illness, artwork, sobriety and other topics; talking about touring and her childhood to Rock Hard Megazine in 2012; an interview to Yell! Magazine during Heavy MTL in 2013; a two-part interview filmed by JAM Magazine on tour backstage at the Verizon Theatre in Grand Prairie, Texas on November 2, 2013 (check part one HERE and part two HERE); an interview to Jeanette LeBlanc from The Heavy Press after a Huntress show at The Kool Haus, in Toronto in 2013; or simply watch this EPK published by Huntress in 2012 where Jill talks about the band and their music.

After Jill’s passing this August, several renowned artists and bands from the rock and metal scene shared their shock and sadness on social media, such as Rob Halford, Lzzy Hale, Alex Skolnick, johan Hegg, Starkill, DragonForce, Otep, Randy Blythe, Cristina Scabbia, Alissa White-Gluz, and obviously her boyfriend, bandmate and partner in crime Blake Meahl, among many, many others as you can see HERE and HERE, showing how respected, loved and admired Jill was her entire life and career, and that she was never alone despite all her mental issues. Having said that, if you or someone you know and love might be at risk of suicide, please call 1-800-273-8255 to reach the National Suicide Prevention Lifeline (or use the Lifeline Chat) if you’re in the United States, reach out to the Canadian Association for Suicide Prevention if you live here in Canada, or any other support number or website from this international list of suicide crisis lines no matter where you are located in the world.

Jill Janus’ Official Instagram
Jill Janus’ Official Twitter
Huntress’ Official Facebook page
Huntress’ Official Twitter

“Once you decide to choose your purpose and live only for that purpose, that is when you will find success, and right now Huntress is it. I’m married to heavy metal and that is all that I have.” – Jill Janus

Metal Chick of the Month – Mallika Sundaramurthy

Eat the dead, cut the flesh!

Let’s turn up the heat on this last month of summer here on The Headbanging Moose with some old school, gory and extremely violent Death Metal, and in order to do that in style we have “recruited” the unstoppable Mallika Sundaramurthy, frontwoman for American Technical/Brutal Death Metal band Abnormality, as our metal chick of the month. Born in Gardner, a city in Worcester County, Massachusetts, in the United States, but currently residing in Prague, the beautiful capital of the Czech Republic (or Czechia), Mallika is not only the owner of a potent voice, but she’s also absolutely passionate for all things Death Metal, being a huge supporter of underground metal as a fan, as a musician and as a businesswoman as well. Having said that, get ready to slam into a vicious circle pit together with Mallika, because things are about to get as savage and heavy as hell.

Half Indian and half English-American, with her father coming from Chennai, the capital of the state of Tamil Nadu on the Bay of Bengal in eastern India, and her mother being from New Hampshire, a state in the New England region of the northeastern United States, Mallika is married to Russian musician Serge Gordeev, from Death Metal bands like Epicardiectomy and Fleshbomb. As you can see, pure Death Metal runs through the veins of the couple, which led to the creation of their own label Ultimate Massacre Productions. But before we talk about their label, let’s focus on the early days of Mallika, who has been playing in Death Metal bands since 2002, a couple of years after she graduated from Gardner High School, located in Gardner, Massachusetts. While Mallika was giving her first steps in extreme music, she was at the same time studying illustration at the Massachusetts College of Art and Design, in Boston, Massachusetts, which she graduated in 2004. And that knowledge she gained through her studies was not in vain, becoming a fundamental part of her up-and-coming career.

Regarding her career as a musician, Mallika got into Heavy Metal during her high school years. In the beginning, Mallika was more into classic rock and metal the likes of Led Zeppelin, Jimi Hendrix and Alice in Chains, with her taste for heavier and more brutal music growing after she started listening to the pulverizing Death Metal by Deicide and Cannibal Corpse. By the way, becoming a fan of Death Metal was the main reason why she decided to do extreme vocals, which is pretty much the same path followed by anyone who chooses to play an instrument based on their favorite bands and styles. And just as a side note, our ruthless growler joined her first metal band while studying abroad in Barcelona, Spain, but there aren’t any details available online about that part of her career.

What you will for sure find online are all details about her history with her own Death Metal band, Massachusetts-based squad Abnormality, formed in late 2005 by Mallika together with guitarist Jeremy Henry, drummer Jay Blaisdell and guitarist Michael O’Meara (who left the band in 2009), with bassist Josh Staples joining the band in 2009 and guitarist Sam Kirsch in 2015 to complete their current lineup. The band strives to make high quality extreme music without worrying about conforming to certain boundaries or styles, having released to date a four-track demo in 2007 (including the song Visions, which found its way onto the popular video game Rock Band 2 as a bonus track), a three-track EP titled The Collective Calm in Mortal Oblivion in 2010, and the full-length albums Contaminating the Hive Mind in 2012, and Mechanisms of Omniscience in 2016. If you want to have a very good taste of all the brutality and electricity flowing from the music by Abnormality, you can check for instance their official videos on YouTube for the songs Mechanisms of Omniscience, Monarch Omega, and Fabrication of the Enemy, or even take a more detailed listen at their full discography at their own BandCamp page (which obviously means you should also buy their albums from there). Furthermore, Mallika mentioned in one of her interviews that Abnormality did a cover version for the classic Desperate Cry by Sepultura at the formation of the band when she joined a band named Teratism on stage, impressing their then members Jay and Michael (culminating with the creation of Abnormality, as you can see), also playing other cover songs live over the years such as Eric Clapton’s Cocaine and Death’s The Philosopher, but never including any of those in their recorded material. Finally, one last interesting note about Abnormality is that their first concert ever happened in 2006 at a house party organized by their drummer Jay, including the bands Dehumanized, Sexcrement and Soul Remnants. That was probably one hell of a demolishing Death Metal party, I must say.

Apart from Abnormality, Mallika, who takes care of her potent voice by doing usual things like getting proper rest, keeping her throat hydrated and avoiding alcohol, is also the frontwoman for American Death Metal all-female band Castrator, an international project formed in 2013 and based in New York City with members from distinct parts of the earth such as Mexico, Norway, Sweden, Colombia and the United States. As you can see by the name of the band, Castrator is a confrontational band, with all of the song titles found in their 2014 demo and 2015 EP, both titled No Victim, being some sort of feminist revenge fantasy, such as Honor Killing and The Emasculator. Mallika explained that the band was born when her friend Carolina Perez, drummer for American Death/Thrash Metal act Hypoxia, expressed the desire to form an all-female band, aiming at writing aggressive music, playing some devastating concerts, and have fun together above all things. She also mentioned it was important to bring up through the horror and intensity of their lyrics the issues and struggles women from all over of the world face every single day, in particular parts of the world where women’s rights are far behind. When writing the lyrics, Mallika researched and read countless stories and documentaries of individual cases of honor killings, as well as violence, rape, and murder against women, translating all that hatred and negative thoughts into Death Metal lyrics. In order to be smashed by Castrator, go check their BandCamp page, where you’ll be able to listen to (and to buy) the austere and utterly brutal tunes Honor Killing, No Victim and The Emasculator.

Our relentless growler was also part of American Technical/Brutal Death Metal band Parasitic Extirpation from 2011 until 2015, with whom she recorded the EP Putrid Crown, in 2014. You can enjoy Mallika kicking some serious ass in this also very interesting band with the title-track Putrid Crown,  and all other tracks directly from their BandCamp page. And even with all her duties with Abnormality, Castrator and Parasitic Extirpation, she still found time to be part of several other bands and projects as a guest musician, like singing live for British Technical Brutal Death Metal unity Unfathomable Ruination, in 2017; and being a guest studio singer in the songs Circumcised with a Chainsaw, from the 2013 album Skewered in the Sewer by Indian Brutal Death Metal act Gutslit; the title-track The Redemption of Past Supremacy, from the 2012 album The Redemption of Past Supremacy by American Brutal Death Metal act Habitual Defilement; Endless Outrage, from the 2016 album Ouroboric Stagnation by International Brutal Death Metal act Neurogenic;    Dies Irae…, from the 2013 album Lords of Rephaim by America Brutal Death Metal act Pathology; Tower Deflower, from the 2012 album Festering Human Remains by America Death Metal act Scaphism; the superb cover version for Pat Benatar’s Heartbreaker, from the 2014 EP XXX Bargain Bin Vol​.​2 by American Death Metal act Sexcrement; and Incinerator, from the 2013 album Black and Blood by American Death Metal act Soul Remnants. As you can see, all those songs are beyond brutal and demolishing, exactly the way good Death Metal is supposed to be.

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With respect to Mallika’s main influences in music, she’s a diehard and longtime fan of several renowned acts of the Extreme Metal scene such as Suffocation, Gorgasm, Decapitated, Immolation, Cryptopsy, Cannibal Corpse, Monstrosity, Carcass and Morbid Angel, among several others, with American Death Metal masters Hate Eternal, standing out among their influences if you take a detailed listen at their music. Questioned about which album she would take to her own grave, Mallika answered Pierced from Within, released in 1995 by American Technical Death Metal band Suffocation, and while listening to that album it makes total sense as to why she handpicked it instead of tons of other classics. Needless to say, Suffocation would obviously be part of her dream metal fest lineup, also including bands such as Immolation, Deeds of Flesh, Cryptopsy (with Lord Worm), Origin, Malignancy, Monstrosity, Vader, Gorgust, Wormed, Defeated Sanity, Napalm Death, Incantation, Vile, Decapitated, Hate Eternal, Nile, Krisiun, Devourment, and so on. And lastly, when asked to list the five albums any metalhead must have in his or her collection to have a deeper understanding of what Brutal and Technical Death Metal is all about, Mallika selected Close to a World Below by Immolation, Effigy of the Forgotten by Suffocation, Altars of Madness by Morbid Angel, She Lay Gutted by Disgorge, and Masticate to Dominate by Gorgasm. Also, when questioned about what inspires her and the rest of Abnormality when writing their lyrics, she said that the whole band enjoys writing about current events at home and abroad, conspiracies, and their contempt for the New World Order, as well as other things in their lives, in their imagination, science fiction and fact, corruption, and time travel, always focusing on the darker side of humanity and never afraid to take a political stand. Of course, Mallika considers real life horror far worse than anything imagined in fiction, albeit she also thinks those monsters in fiction reflect that same dark side of our own humanity and the evils that we are capable of.

Mallika’s business side together with her utter passion for extreme music are an essential piece of Ultimate Massacre Productions, an extreme music label managed by Mallika herself and her husband Serge Gordeev, originally founded in 2012 by Serge as a licensed merch supplier for metal bands. After her arrival and after taking on Mexico’s Human Decomposition as their first signed band, the project propelled to a new and promising direction, which could be seen in her own words at that time. “We thought it would be great to build the label together, combining our collective experience and passion for music to grow Ultimate Massacre,” she said, also mentioning that “our main goal is to spread great music that we ourselves love, and to help the bands on our roster to reach new levels.” Mallika and Serge work endlessly for the joys that art brings with it, putting a lot of effort and passion into making the label a genuine home for underground extreme bands. Based in Prague, the label has increased their portfolio considerably through the years, including today bands such as Apophys, Incontinence, Chordotomy, Fungus, Imperium and Natrium. Hence, if you consider yourself a true death metaller, you can keep an eye at their official Facebook page for new kick-ass bands and releases from the underground Death Metal scene.

As aforementioned, Mallika is a huge admirer and connoisseur of underground metal music, saying she’s fine with a huge part of metal music staying underground mainly because it’s extreme and offensive, and therefore not recommended for mainstream listeners. However, she also said it’s extremely difficult to survive in the underground scene, as the majority of underground musicians have to have income coming from other sources such as day jobs despite their passion and dedication to heavy music. Well, having to face issues like that doesn’t seem to be a problem for musicians like Mallika, because the underground scene at least in the United States seems to be very strong to her eyes, with lots of great bands keeping the flames of extreme music burning bright in her homeland. For instance, she recommends bands like Malignancy, Disgorge, Dehumanized, Bloodsoaked, Guttural Secrete, Goemagot, Sapremia, Habitual Defilement and Expurgate for starters, and from her hometown she thinks you should take a good listen at Revocation, Sexcrement, Dysentery, Hivesmasher, Scalpel, Scaphism, Soul Remnants, and many, many more. She also mentioned she believes that classifications in metal such as Deathcore, Power Metal, Blackened Death Metal and so on are necessary to help listeners find new bands according to their likes and dislikes, as long as people are not carried away with creating new subgenres. Furthermore, Mallika has a very peculiar view on how many people nowadays end up knowing new bands through illegal downloads, as she understands that albeit illegal downloads are inevitable due to several reasons such as lack of money for buying all the music downloaded, those fans need to realize the bands depend on that money to stay alive, but as long as they support the bands in other ways like attending their concerts, buying a shirt or listening to their music for free on Spotify or YouTube, some sort of balance can be reached.

When asked about how she feels being a woman in a male-dominated scene like Death Metal, Mallika said she has always felt good, always having a good time with her bands since the beginning of her career. She mentioned there are more and more talented and hardworking women making a name for themselves in the Death Metal scene, being really proud of them and supporting them whenever and however she can. She said it’s not easy to be a woman in metal as there’s a lot of sexism in the world and even more discouragement for a woman to be part of the extreme music scene; however, she hopes one day that will end, and it will become something we won’t even think about discussing as men and women will just be equal in numbers and in talent. If you think about names like Angela Gossow, Tarja Turunen, Simone Simons, Doris Yeh, Cristina Scabbia and Alissa White-Gluz, not to mention all the other ladies who put their hearts and souls into making first-class metal music from all parts of the world, I also believe we’re not that far from reaching Mallika’s dream.

Last but not least, Mallika is as aforementioned a professional graphic and concept artist in the video game industry, having already worked for Harmonix Music Systems (the company that created the Rock Band franchise) for four years, and later becoming a freelance artist and working for a company called Techona as a graphic artist since earlier this year. Regarding her time with Harmonix, Mallika provided a few interesting details about how Abnormality got involved in the game Rock Band 2 with the song Visions. While she was working on the game together with a team of artists, the company allowed employees to submit music for consideration to be entered into the game; at first she didn’t want to do it, but the rest of Abnormality asked her to try, and in the end the company picked their music to be one of the songs of the game together with a lot less violent (or I should say not violent at all) bands like Bon Jovi, Avenged Sevenfold and Blondie. Needless to say, Mallika is not only passionate about Death Metal, but also crazy for old school Death Metal album arts, dark fantasy and surrealism, being inspired by artists such as Zdzisław Beksiński, Wayne Barlowe, and Dan Seagrave. As a matter of fact, you can easily see all that passion for abstract art and surrealism in the Abnormality album arts, all designed and created by our obstinate growler herself, as well as the cover art for the 2012 split album Phylum Morph-Apokalupsis by American Brutal Death Metal/Grindcore bands Animals Killing People and Andromorphus Rexalia, the layout and cover art for the 2016 album Eon by American Technical Death Metal band Formless, and the cover art for the 2013 EP One Inch Monster by Swedish Thrash Metal act Sonic Assault. As talented, honest and diligent as she is, being capable of screaming and gnarling like a beast with her band and of translating all the violence and gore of Death Metal into stunning album arts, it’s more than obvious why Mallika has turned into a reference in extreme music, and may she have a long and prosperous reign as our queen of guttural vocals.

Mallika Sundaramurthy’s Official Facebook page
Mallika Sundaramurthy’s Official Twitter
Mallika Sundaramurthy’s Official YouTube channel
Mallika Sundaramurthy’s Official Instagram
Abnormality’s Official Facebook page
Abnormality’s Official Twitter
Abnormality’s Official YouTube channel
Abnormality’s Official Instagram

“I see there are many more talented women stepping up the plate in the death metal scene. I am really proud of my fellow ladies who are kicking ass, and I call many of them friends. I DO personally go out of my way to support women in metal, especially those who work hard, carry themselves professionally, and play really well. I know it’s not easy. There is so much sexism in the world, and we women are so often discouraged from taking part of the extreme metal scene.” – Mallika Sundaramurthy

Metal Chick of the Month – Rie a.k.a. Suzaku

Shredding is her business… and business is good!

If you’re a fan of the enthralling art of shredding, I’m sure you’ll have an absolute blast with our metal chick of the month of July, because not only she kicks some serious ass with her unstoppable guitar, but her looks are also beyond eccentric, sexy and mesmerizing. Born on November 26, 1985 in Funabashi, a city located in Chiba, a prefecture of Japan located in the Kantō region and the Greater Tokyo Area, the stunning Rie a.k.a. Suzaku, whose real name is Rie Tomimatsu (or if you prefer, it’s 富松里恵 in Japanese), is among us to show how a guitar should be treated, always delivering beautiful and electrifying riffs and solos. Highly influenced by traditional Heavy Metal, Power Metal and Hard Rock, Rie doesn’t limit her musical range to only those classic styles, being extremely adaptable to all kinds of music and situations with her refined technique. Having said that, are you ready to explore top-notch, unique metal music from the Land of the Rising Sun with our unstoppable Japanese guitarist?

As already mentioned, our Asian solo Heavy Metal guitar player draws a lot of influence from old school heavy music, with some of her favorite bands being Children of Bodom, Dream Theater, Arch Enemy, Helloween, In This Moment, Labyrinth, In Flames, Killswitch Engage, Ozzy Osbourne, Sonata Arctica and Nevermore, among several others, as well as other artists like American rock guitarist Eric Johnson, Japanese composer, arranger and musician Yoko Kanno, and electronic/orchestral musical and performing group Juno Reactor. Although her style is sometimes compared to Australian vistuoso Orianthi, Rie stands out by herself, crafting her own sound and style in the world of heavy music. First and foremost, she doesn’t sing, and second of all, she is a billion times more metal than Orianthi, playing Melodic Metal similar to Japanese bands like Destrose, Mary’s Blood, Aldious and Cyntia.

Rie’s solo career might have started back in 2008, but it was only in 2010 that she released her debut album, an EP titled Messiah, where she was responsible not only for playing the guitars, but also keyboards, programming and bass (on the song “Suzaku”), not to mention all lyrics and songwriting. As Rie is not a singer, the vocal duties on the EP were shared by Japanese female musicians Ibuki, Kaoru, Dia and Sattin, with bassist Hiroyasu Watanabe and drummer Isamu Tamaru completing the lineup. On her second EP, titled Mother Earth, which was released in 2011, Rie is supported once again by Hiroyasu Watanabe and Isamu Tamaru on bass and drums, respectively, as well as the returning Dia on vocals and newcomer Shizuka. The year of 2012 saw the birth of another EP by Rie a.k.a. Suzaku, entitled Dreaming Eyes, with almost the same lineup, except for Shizuka on vocals, and with vocalists Ibuki and Akane sharing vocals with Dia. After three EP’s in a row it was time for Rie to release her frist full-length album in 2013, named Kingdom of the Sun, a full instrumental album where Rie’s incendiary guitar riffs and solos were accompanied by Taku Yabuki on the piano, Isamu Tamaru on drums, and an array of bassists (Yoshihiro Naruse, Kenji Jino Hino, Ikuo and Isamu Takita) playing each in a different set of songs.

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In 2015 Rie released her second full-length installment, titled Noah’s Ark, a very interesting blend of instrumental songs with tracks featuring a guest female vocalist named Aira, including some of her longest compositions to date, which together formed some sort of concept aria within the album totalizing over 20 minutes of music split into four tracks (those being Noah’s Ark Prologue, Genesis, Noah’s Ark, and Noah’s Ark Epilogue). And the year of 2016 saw her latest release as a solo artist, an instrumental EP titled Seven Seas, comprised of seven “ocean-summer-like-inspired” tracks, such as Dolphin Dance, Sunrise and Ocean Breeze. Apart from those EP’s and full-length albums, you can also find in her portfolio three live DVD’s, those being Legend of Messiah (released in 2011), Dreaming Eyes Tour 2012, and Kingdom of the Sun Live Tour 2013, and a four-track single released in 2014 named Sonic City. As you can see, Rie is an extremely active musician with tons of releases already in her up-and-coming career, and if you want to enjoy her mind-blowing music you can check her official videos on YouTube for the songs Dreaming Eyes, Southern Wind‪, Seven Seas, Kingdom of the Sun, Messiah, Across the Sky, and Cyber Moon, as well as several videos with her stunning live performances.

Apart from her solo career, Rie also played the guitar live for Japanese Melodic Heavy/Power Metal band Crying Machine in 2011, and in January 2017 she joined forces with Japanese musicians Nicky (vocals), Ami (bass) and ViVi (drums) to form what would become a brand new band named RiViNi, with its name, which is a wordplay with the names of three of the band members (as bassist Ami only joined the band later), being chosen by their fans. Blending several elements form the rock and pop universes, RiViNi released earlier this year their debut mini-album titled Resistance, containing six distinct and very interesting tracks (幻想プラトニック, Emerald, Eternal Truth, Resistance, Sunflower and I Wish), and if you want to have a taste of their music you can watch their official videos for 幻想プラトニック (which means something like “platonic illusion” in English) and the title-track Resistance.

Fan of common things that most people also enjoy such as chocolate, ramen and swimming, Rie is also involved in quite a few other distinct projects and initiatives, such as playing original instrumental songs on a DVD for Young Guitar Magazine, appearing in a program named Effector Love for Roland, and performing at a booth at the Tokyo Guitar Show in 2011. However, perhaps the most curious fact about Rie also involves her own sister, Emi Tomimatsu, who’s a professional mixed martial arts fighter. Emi is not only a daredevil in the ring, but she gets pumped up for doing that by using Rie’s songs as her entrance themes, as you can see for example in this video posted on Twitter. Well, we have to agree that when you have a sister like Rie, delivering top-notch, electrifying metal music through her incendiary guitar, that’s all you need to get more than ready to rumble inside the octagon.

Equipment
Jackson USA RR-1 Skulls
Jackson USACorey Beaulieu Signature USA KV 7
Jackson USA RR-1 Ferrari Red Black
MXR (ZW – 44) BOSS (DD – 6) ERNIE BALL (VPJR) Maxon (AD – 80) (effector)

Rie a.k.a. Suzaku’s Official Facebook page
Rie a.k.a. Suzaku’s Official Twitter
Rie a.k.a. Suzaku’s Official Instagram
Rie a.k.a. Suzaku’s Official YouTube channel