Metal Chick of the Month – Lena Scissorhands

Walking in the night, I am trying to find you…

Before even starting this tribute to our metal chick of the month of July, let me just say her life is pretty much an open book. I mean, you can find pretty much anything about her online, and what you’re about to read might not be a surprise for you at all. However, that doesn’t mean she doesn’t deserve to be featured on our webzine, as she’s not only extremely talented and passionate for heavy music, but she’s also a hardworking metalhead that never stops creating top-of-the-line music and videos for the delight of hundreds of thousands of metalheads from all over the world. Not only that, apart from her life in Heavy Metal she’s also a model and a makeup artist, proving her success, respect and admiration from her fans are not in vain. I’m talking about the unstoppable Moldovan vocalist Lena Scissorhands, the ravishing frontwoman for an up-and-coming Alternative and Nu Metal act that goes by the classy name of Infected Rain. Having said that, are you ready to be “infected” by Lena’s charisma and electricity here on The Headbanging Moose?

Born on November 22, 1986 in Chișinău, also known as Kishinev, the capital and largest city of the Republic of Moldova, nestled between Ukraine and Romania in Eastern Europe, Lena Scissorhands, whose real name is Elena Kataraga, fell in love with alternative music when she was 13 years old, although her real “crush” for metal music happened when she was 14 as she got simply mesmerized by the energy flowing from the sound of heavy guitar riffs and the brutality from harsh, guttural vocals. Due to her poor beginnings in Moldova, life was quite challenging for Lena and her family, forcing her to start working at a very young age to support her parents (who were very young when they had Lena) and her two younger sisters, with whom she mentioned she used to share her clothes and eat whatever was available (as well as pretend to be the Powerpuff Girls with them to lighten things up a bit). Looking on the bright side of life, those tough early days turned Lena into a very strong woman, always eager to achieve more through her work and always ready to provide help to the ones in need.

Currently residing in Las Vegas, Nevada, in the United States, Lena mentioned in one of her interviews that the idea that the “Sin City” is a weird place bursting with people from all over the world only works if you’re a visitor, as living there is a complete different thing. She said if you live in Vegas you’re not really that much in contact with that lifestyle, unless of course that’s part of your job, but living there is pretty quiet due to the city’s remote location. Furthermore, apart from her current life in Vegas, Lena has also lived in different European countries, which kind of explains why she’s fluent in four languages, those being Russian, Romanian, English and Italian. “I’m very proud to speak all these four languages, and unfortunately I used to speak another language fluently. When I was a child, I used to live in Armenia, and I used to know Armenian like I know English – very, very well. I lived there for many years. But unfortunately, because of different life changing and living in different countries, and I was not in touch with my father because my parents separated and stuff like that, so I didn’t really use it. And a language, you lose it when you don’t use it. I do understand a little bit, and I can say a few things, but that’s it. So I don’t even consider that,” said Lena, who also explained she writes all her lyrics in English as the language became very natural to her, especially when she was attending university, although she actually started writing lyrics in Russian when she was a teenager at the age of 14.

It’s time to get down to business and start talking about Lena’s life with her awesome band Infected Rain, the band she started over ten years ago together with guitarist Vidick and Dj Kapa. At first, Lena said she didn’t know if she would be able to sing in a band in a professional way, but with the support from her bandmates and after starting taking vocal lessons with Tatiana Robertovna, with whom Lena learned how to breathe, how to feel the music and how to sing, Infected Rain became her number one priority and her reason to live. Formed in 2008 in her hometown Chișinău, Infected Rain combine a wide variety of styles such as Alternative, Death and Nu Metal with Metalcore and even elements from electronic music in an infectious sound, having already released a self-titled demo in 2008, the EP Judgemental Trap in 2009, and four full-length albums, those being Asylum (2011), Embrace Eternity (2014), 86 (2017) and more recently the excellent Endorphin (2019), showcasing all the power and versatility of the band currently comprised of our metal goddess Lena and her henchmen Vidick and Sergey on the guitars, Vladimir on bass and Eugene on drums. There are several official videos on YouTube for some of the best creations by Infected Rain, such as Me Against You, Mold, Stop Waiting, At The Bottom Of The Bottle, Serendipity, Enslaved By A Dream, a kick-ass cover version for Slayer’s Stain Of Mind, Judgemental Trap, Sweet, Sweet Lies, Fool The Gravity, Intoxicating, Orphan Soul, the absolutely stunning The Earth Mantra, Storm, Lure and Passerby, or you can also go to their official website or Big Cartel page to purchase their albums and some pretty cool merch.

Before signing with Napalm Records in 2019, Lena and the boys used to manage Infected Rain by themselves for around 10 years, booking their own concerts, taking care of all agreements and duties of a regular manager and so on, facing tons of challenges and hassles along the way. In one of her interviews, she mentioned that one of the biggest obstacles for Infected Rain during those years were promoters and booking agencies that didn’t want to work with them simply because they were independent, thinking they were a difficult band and that’s the reason why they were independent, when the only reason for that was the fact they came from a poor country with no possibilities at all. Having said that, why not enjoying a full performance by Infected Rain from their independent years, more specifically from their 2016 incendiary performance at Rockstadt Extreme Fest or from their 2017 concert at Club Thing in Germany? In addition, simply check this video titled “10 questions with Lena Scissorhands | Infected Rain” to know a little more about Lena and the band.

Apart from her life with Infected Rain, you can also find our multi-talented artist on a few other distinguished bands and projects, showcasing all her skills as a musician and her passion for music in general. For instance, she has been doing some singing during the live performances for a Moldovan Progressive Death Metal act called Neuromist since 2010 (although I couldn’t find any online video recording of her with the band), she has recorded a cover version for Russian duo t.A.T.u’s biggest hit All The Things She Said together with LA-based Alternative Rock act Chase The Comet, and also participated in some of the songs by Moldovan Progressive Metal/Rock band Seas on the Moon such as Promise and Hovering. As you can see, singing and playing became Lena’s own type of “drug”, her personal and healthy addiction, inspiring her to exercise and experiment a lot with her voice in different styles. All that work and experimentation would leave her voiceless for days in the beginning, but after starting her vocal lessons with renowned vocal coach Melissa Cross in 2013 everything changed for better in her life and career, allowing Lena to start delivering all the emotions, experiences, fears and disappointments in life from her very personal lyrics on stage without hurting her vocal cords.

As the amazing frontwoman that Lena is, she has obviously been asked a lot of times about how she views the current role and importance of women in heavy music, and what can be done to further enhance their relevance in the scene. However, although feminism and sisterhood in the metal scene are quite popular topics nowadays, she doesn’t consider herself a true feminist. “I know a lot of people expect me to be a little bit more feminist, or to talk more about how awesome it is to be a girl in metal. I really don’t do this big of a difference. I love seeing many girls in metal in general. It’s really cool because it takes dedication and women usually are very busy with their everyday life, with their families, with their kids, and it’s not that easy if you’re a woman, to give up everything. It’s a little bit easier for a man. Maybe. I don’t know,” said Lena, who also thinks that there isn’t a big difference between men and women in metal music, especially due to the fact she grew up in the company of boys in her neighborhood and considered herself very boyish until she was 15 or 16 years old. “I became more feminine later, but that’s it. That’s only the way I look. Inside I’m very fragile, I like being a woman, I like being fragile, I like being loved, I like being taking care of. But trust me, a man can say the same. Men also love to be loved, men also loved to be weak sometimes, and men also have weaknesses and emotions. We have blood, muscles, we are the same! Right? So, I really don’t see a big difference.”

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Lena is unsurprisingly addicted to sports, to touring and to adrenaline, saying she’s disciplined enough to work out at home, backstage or in a hotel room before her concerts. “I love yoga a lot because I become stretched really well. I like building up my body and you know, doing some weights sometimes. I don’t do cardio, because I have very low blood pressure, but at the same time I love hiking, I tried climbing as well, and I like biking a lot,” said Lena, who also mentioned she has a ritual before hitting the stage every show and sometimes even during her days off, requiring between half and a full hour of exercising and a minimum half hour of vocal warm-up, plus another hour to do her makeup, allowing her to feel perfectly prepared, stretched and warmed up prior to each concert. Moreover, Lena’s creations with Infected Rain are all meant to be played live, as according to our talented growler they’re extremely close to reality, expressing exactly what Lena was feeling when writing them, with some songs becoming even stronger during the band’s live performances.

As a huge fan of cartoons and horror flicks, Lena seems to be really into Disney and vampire movies, two completely different things that ended up helping her shape up her own persona quite well. “I became a big Disney nerd at an older age. When I was a kid I grew up in a pretty poor family and we didn’t really watch Disney movies unless they were on TV. So, I would say I really love Lion King because this was my first Disney movie I’ve ever seen and it’s very emotional. I also absolutely love Snow White, because I think it’s just amazing how unique it is, and it was the first cartoon movie that was made so… I also love a lot Alice in Wonderland, because I’m a big fan of the book as well, and I really like how unique the movie is, but still – you know – having the lot from the book… I can go on and on like this forever and ever. There are so many good ones,” commented Lena, who also said in one of her interviews that as she grew up with the tales of Dracula, she loves every type of vampire movie ever made, even lower budget productions or comedies about vampires, complementing by saying that she has also been watching a lot of zombie movies, that she has already gone through all the Halloween and Friday the 13th franchises, and that now she wants to watch all the Resident Evil and A Nightmare on Elm Street movies as well.

As already mentioned, Lena also used to be a hair stylist and makeup artist, and as a proud vegan she usually tries to use vegan makeup instead of the regular brands you can find anywhere, saying one of her favorite brands is Kat Von D as she’s a vegan artist and all her makeup line is vegan as well. However, despite working with makeup, she truly believes charisma and kindness are what really attract her in people, saying that’s the true beauty in everyone. Furthermore, she also thinks there’s too much judgement or bias based on how a person looks nowadays, saying she doesn’t reply and she deletes all types of unnecessary comments such as “you’re too skinny”, “you have too many tattoos” and so on from her social media, complementing by saying we all punish ourselves too much already inside our minds to allow strangers to do the same for no reason.

Regarding veganism and her view of what’s happening to our environment, our skillful vocalist said she decided to become a vegan to see how she would feel, how much that would impact her health and her body, realizing she started to have a lot more energy on tour after adapting her eating habits around three years ago. Hence, you can notice the impact of her vegan lifestyle in the music by Infected Rain, with songs like the amazing The Earth Mantra beautifully (and darkly) representing everything that’s wrong with mankind in terms of all the wicked things we are doing to our planet. Despite not considering herself a true environmentalist, Lena is trying to be sensitive about nature, about animals and plants, and being more aware of her surroundings and how her actions impact everything and everyone in her life. Although a lot of people are trying hard to change their habits to have a minimal impact on our planet, Lena still thinks that’s not enough, that the current situation is extremely bad and that unfortunately it will take decades for the human race to change. If you’re also trying to make the world a better place you’ll certainly love the official video for The Earth Mantra, where Lena “interacts” with different bugs and other animals most people are not comfortable dealing with. “All the animals were real. I was very gentle with them. The owner of them was there, telling me how to hold those animals so no harm was done. I’m not scared of any bugs or anything. It’s actually a problem because I’m not afraid and I want to pet them and I want to touch them. So no, I’m not afraid,” commented the dauntless Lena.

Lastly, as also mentioned in the beginning of this tribute to Lena, her life is like an open book online, and let’s say she’s very proud of not being afraid of sharing all aspects of her life with her family, friends and fans worldwide. One of the main places where you can know everything about Lena is her official YouTube channel curiously titled BANANAS (as well as her own Patreon page), where you’ll find pretty much anything about her life, her hobbies, her career, her tattoos and other nice-to-know details, including also some interviews and chats with artists the likes of Melissa Cross and CJ McMahon (Thy Art Is Murder), and with all videos being edited by one of her bandmates, guitarist Vidick. For instance, there’s a very interesting video of Lena talking about the origins of Infected Rain which you might find very entertaining and informative, showing how much she’s not only a fantastic singer, but also that she was born to be in the spotlight so natural and smooth her onscreen performance is, and that’s exactly how she wants her YouTube channel to be for the foreseeable future. “When I decided to have my own YouTube channel and I saw that the band is becoming more known around the world and people are curious about me as a person, I made myself one promise, and I’m just trying to stick with that, and that’s it. It’s just I’m always going to be myself, and if people are not gonna like what they see or what they hear, it’s not in my power to change anybody’s mind, and I will never try to do that,” said Lena, inviting us all to join her in her world of heavy music, veganism, tattoos, and of course, bananas.

Lena Scissorhands’ Official Facebook page
Lena Scissorhands’ Official VKontakte
Lena Scissorhands’ Official Instagram
Lena Scissorhands’ Official Twitter
Lena Scissorhands’ Official YouTube channel
Infected Rain’s Official Facebook page
Infected Rain’s Official VKontakte
Infected Rain’s Official Instagram
Infected Rain’s Official Twitter
Infected Rain’s Official YouTube channel

“Reality is frustrating sometimes, music has become my escape. I want to help as many people as I can with my music. I want to touch people somewhere deep inside, try to end their fears and give them that escape that they always search for. Music saved my life, but when I started to sing is when my life acquired color.” – Lena Scissorhands

Metal Chick of the Month – Mia Wallace

Hecate awaits where crossroads split…

If there’s a woman that loves heavy music from the bottom of her (darkened) heart, more specifically our always controversial and blasphemous Black Metal, as well as music in general, that lady has to be the unrelenting Italian-born bassist Mia Wallace, who you’ll also find in several bands and projects under the names Michelle Mia Wallace, Mia W. Wallace, White Wallace or even Winter Wallace. As a matter of fact, either being a coincidence or not, the name Mia Wallace was given to the fictional character portrayed by the stunning Uma Thurman in the 1994 Quentin Tarantino cult movie Pulp Fiction, just to give you an idea of how mysterious, sexy and provocative our metal chick of the month of May can be, exactly how we expect from any true Black Metal musician. Known for her work in distinguished metal projects such as The True Endless (under the controversial moniker Soulfucker), Abbath, Triumph of Death and Niryth, among several others, Mia will undoubtedly hypnotize you with her obscure looks and smash your senses with her thunderous bass, proving once and for all Black Metal is and will always be home for some of the most talented women in the history of music.

Born somewhere, sometime in the always gorgeous Italy, Mia Wallace started playing bass in the now distant year of 1994. She said in one of her interviews that her boyfriend at the time, Italian multi-instrumentalist Marco De Rosa (R.I.P.), also known as simply M., who would become her bandmate in distinct bands and projects and best friend for over 25 years, encouraged her to try his white Fender Squier Vintage bass. She mentioned it was extremely heavy, but she immediately became passionate about that amazing instrument. Her first bass was then a four-string Hoyer SG-type from 1970, helping Mia become most probably the first female bass player in the entire Italy to wear corpsepaint, to play Black Metal on stage, and to perform fire-breathing during her live concerts. Among her gear, you’ll find some amazing stuff such as the Epiphone Nikki Sixx Blackbird, the BC Rich Beast and the Clover BassTard bass guitars; the Boss ODB-3, Boss DD-3 and Marshall Reflector RF-1 effects; and the Warwick Profet 5.2 amps.

There are several bands and projects where you can enjoy Mia kicking some serious ass with her rumbling bass, and in order to tell you a little about each one of those let’s start with the most recent or active ones and then move on to her previous bands which have either disbanded or have been put on an indefinite hiatus. Right now, we can say Mia is involved in two main projects, those being an Italian Electronic/Industrial/Alien/Darkwave Pop/Rock project entitled Kirlian Camera, where not only she plays bass but also keyboards (also doing backing vocals), and a mysterious Swiss project that goes by the name of Niryth, where she’s a co-founder, songwriter and lead bassist. There might be a third project which could be called her solo band Mia Wallace, but as there’s nothing online anywhere about it let’s just say there’s no reason for extending the topic on it.

Anyway, her role with Kirlian Camera (which name was taken from what’s known as Kirlian photography, a collection of photographic techniques used to capture the phenomenon of electrical coronal discharges) obviously goes beyond her usual bass playing duties, providing a unique support to the band’s mastermind Angelo Bergamini and frontwoman Elena Alice Fossi during their live performances. The band was founded in the distant year of in 1979 in the city of Parma by Angelo Bergamini and was a pioneering act of the Italian synthpop scene, featuring musicians from four distinct locations (Piombino, Marciana, Parma and Novara, all in Italy), and after a few ups and downs the duo now shares the stage with obviously Mia and other renowned musicians form the Italian scene such as Alessandro Comerio, Davide Mazza and Falk Pitschk. Having released a good amount of albums since their inception, starting with their 1983 debut effort It Doesn’t Matter Now until their most recent installment Hellfire, released in 2019, the project has always pushed the boundaries of experimental and electronic music, winning several awards through the years, with Mia bringing her share of heaviness and creativity to the band on stage. You won’t be able to listen to Mia in any of their studio albums, of course, but you can certainly enjoy some awesome live footage on YouTube such as this soundcheck in 2018 at a festival in Switzerland, this live version of the song V2K in Leipzig, Germany in 2020, or this 30-minute footage of the band live in Torino, Italy in 2018 playing some of their songs such as Holograms, Black August and News.

Her other project is considerably unique and I can’t even say if it’s still going on or if it has been archived by its band members. I’m talking about Nyrith, a distinguished metal project founded by Mia together with the one and only Tom. G Warrior (Hellhammer, Celtic Fost, Trypticon) with tastes of heavy and obscure doom, blending different styles from the music by Sisters of Mercy to Pink Floyd, all performed by not only one, not two, but three bass players. In one of her interviews Mia mentioned that Nyrith were ready to release their debut album depicting their visions of life and death, their struggles and pains, but so far nothing has been made official yet. She also said the idea of Nyrith came from Tom after Mia was left without a band a few years ago (and we’ll talk more about that later), including the idea of having three bass players on the same band, as at that time nobody was comfortable giving a woman the control of a new or existing band. In this project, Mia mentioned she was working on all the music which was refused by her previous band, a very restricted and traditional Black Metal act by the way, with all of her ideas being pretty much outside the Black Metal world. As aforementioned, there’s nothing officially released up to now, but we should all keep an eye on Nyrith as this is a very promising metal project (if it truly happens one day, of course). In addition, as an accomplished bass player, Mia has been asked several times about her technique, about how she enjoys playing bass and other nice-to-know details. For instance, when questioned about the fact she would play a five-string bass with Nyrith, she said that “I’ve been playing four-string basses for 20 years, but with Niryth, it is absolutely essential to play five-string bass, as the music requires far more versatility. I always felt good vibes with BC Rich basses. Among my favorite basses is a BC Rich Beast, in fact.”

Now it’s time to talk about all of her previous bands, starting with the one that’s in my opinion her most interesting and powerful project to date, Italian Black Metal horde The True Endless, founded in 1997 by M. and Mia (under the moniker Pollon, and later under her most controversial moniker Soulfucker) with the main goal of crafting violent and trendkiller music. After a couple of rehearsal tapes and some shows, The True Endless recorded their first studio work in 1999 called The Trendkiller EP, followed by an array of EP’s, splits, compilations, livr albums and obviously some very interesting and heavy-as-hell full-length albums, those being Wings of Wrath (2003), A Climb to Eternity (2005), Buried by Time and Dust (2006), 1888 from Hell (2008), An Year in Black (2009), Legacy of Hate (2013), and last but not least, Blacklight Inferno (2017), all with Mia kicking ass on bass and even working in the mastering of their 2008 album 1888 from Hell. Featuring lyrics in English, Italian and Novaras, a dialect of the Piedmontese language (Piemontèis) that was used to give their sound a more ancestral feeling, the scorching Black Metal played by The True Endless led the band to share the stage with some of the most important names of the extreme music scene such as Marduk, Deicide, Vader, Helheim, Darkened Nocturn Slaughtercult, Besatt, Morrigan, Vesna, Mortuary Drape, Opera IX and many more, playing through countless countries across Europe. You’ll “only” be able to find their latest released Blacklight Inferno on their official BandCamp page, but you can enjoy several of their songs and live footage by visiting their official YouTube channel (as well as other channels), as for example their cover version for Hellhammer’s classic Massacra, the songs Pale Waves, Under The Horned Waning Moon, Black Swamp, I Drink The Devil’s Blood and Nightfall, and this live version of Freezing Moon in the Czech Republic in 2011.

Unfortunately, after months fighting against a deadly cancer, the multi-talented M. sadly passed away on November 16, 2017 at the age of 43, and due to such tragic loss Mia and the band’s drummer Algol decided to end the project after 20 years of intense activity. However, as Mia herself always says, “the flame will burn forever.” And the skillful M. was also the founder of many other amazing projects such as Darkness, Huggin, Skoll and Teuta, most of them featuring our dauntless Mia on bass and/or on keyboards, and usually under the moniker Pollon. For instance, she played bass on the 2013 album Anti Human Life, by Italian Black/Thrash Metal band Darkness, on the 1998 demo Tales (from the Ancient Times), by Italian Black Metal horde Huginn, and played keyboards on the 1999 album Through the Mist We Come Back and on the 2000 split Keep Alive Your Heathenfolk/La oss slakte Guds lam, both by Italian Pagan Black/Viking Metal band Skoll. After listening to such amazing bands, we must all agree with Mia that the flame of M. will always burn bright through his classy and dark music across the centuries, no doubt about that.

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Another memorable moment in Mia’s undisputed career happened between 2019 and 2020 when she joined the iconic Norwegian Black Metal act Abbath, spearheaded by one of the co-founders of Immortal, one of the trailblazers of the infamous Norwegian Black Metal scene. When asked about how the invitation to join Abbath in 2019 happened, Mia said that she always been part of the Bergen family, and as Abbath needed a strong figure to replace his previous bassist he noticed her as an experienced musician who would fit perfectly into his lineup. Mia was the bass player in Abbath’s latest opus, his 2019 album Outstrider, and you can enjoy her thunderous and menacing bass lines in songs like Harvest Pyre and Calm in Ire of Hurricane. Mia mentioned Outstrider was pretty much written when she joined the band, with Abbath asking her to write the bass lines and then they decided together about some adjustments on them, also saying that she didn’t feel any real pressure as the replacement of one of the most recognizable bassist in Black Metal, the iconic King ov Hell (God Seed, Gorgoroth), as they’re two musicians with different skills that were not actually competing nor anything like that. However, on January 28, 2020, Mia revealed that she was no longer part of the band, being informed over the phone by the Abbath’s manager shortly before the beginning of the Outstrider 2020 European tour. No formal announcement was made by the band, but she was replaced on bass by touring member, Rusty Cornell. As you can check HERE, Mia was not happy about the way things happened. “I am disappointed that none of my former colleagues have contacted me in this process except for the five minute phone call from Abbath’s manager in which I was told I would no longer be needed. I was told not to contact anyone in the band. The explanation for this had no substance and just made more questions and confusion for me. Up until then I had been preparing for the European tour as I had been told to do. I had to cancel other plans, and get time off work for the tour which I spent much time preparing for,” said Mia, also citing her comments to the media after the disastrous Abbath two-song concert in Argentina in 2019 as one of the probable reasons for being fired from the band.

Another amazing project where we were all able to enjoy Mia’s crushing bass lines between 2018 and 2019 was Tom G. Warrior’s Triumph Of Death, a tribute to his former group Hellhammer, consisting of playing the legendary music by Hellhammer from their  three demos (Death Fiend, Triumph of Death and Satanic Rites) and the EP Apocalyptic Raids onstage after 37 years, starting in the summer of 2019. According to Tom and Mia, Triumph of Death is a Zurich, Switzerland-based open-ended project playing only select concerts and festivals, basically choosing the songs from the band’s small but rich catalog depending on how they felt at that moment, always open to change from time to time. When asked about how she felt playing those songs together with Tom and therefore continuing the legacy of one of the pioneers of Black Metal, she said it was a true honor for her as she’s been highly influenced by Hellhammer throughout her entire career, and you can see how happy Mia truly was by watching her interviews together with Tom in 2019 at some of the best metal festivals in the world such as Hellfest, Wacken Open Air and Brutal Assault, always talking about how it feels to play with Triumph of Death, the legacy of Hellhammer and why the name Hellhammer wasn’t used, as well as performing at the same time with Tom and Abbath. In addition, if you want to experience the music by Triumph of Death live, you can check some awesome live footage on YouTube such as the song Vision of Mortality at Kilkim Žaibu (the biggest ancient traditions and Extreme Metal festival in the Baltic States), Blood Insanity at Hellfest, Triumph of Death in Essen, Germany, or this full concert at Psycho Fest in Las Vegas, Nevada, in the United States.

Lastly, there’s one more metal project that’s worth mentioning, which is Swiss Goregrind/Death Metal band Embalming Theatre, where Mia didn’t play bass or keyboards, but instead she was the one responsible for crafting the intros and outros to pretty much all of their releases from 2000 until 2006, such as the intro, intermezzo and outro to the 2003 album Sweet Chainsaw Melodies, and the intro to the 2004 split Death Metal Karaoke/My Flesh Creeps at Insects. One curious thing is that if you go to the band’s official BandCamp page you’ll notice most of the albums there do not contain the intros and outros by Mia, and I have absolutely no idea why those pieces are missing. Anyway, Embalming Theatre are a very entertaining Goregrind act, with all of their albums being worth a shot with or without Mia’s insane collaboration.

Regarding her main influences and idols in music and in life in general, as mentioned a couple of times already she sees the iconic Tom G. Warrior as her master and mentor, even saying that “he is the one who unleashed the dormant beast inside me.” Without him, Mia said she would not have been able to effectively express her music and her creativity, complementing by saying her writing and composing process is very similar to his due to the huge influence his music has always had on her since her childhood, even before knowing him in person.  According to our badass bassist, there would be no Black Metal without Tom, with his classic bands Hellhammer and Celtic Frost being obviously among her favorite metal acts of all time. Mia also mentioned in some of her interviews the huge influence she also had from Abbath himself, whose real name is Olve Eikemo, always acknowledging the humongous importance his former band Immortal has always had on the birth and evolution of our beloved Norwegian Black Metal. I guess even after being fired from Abbath’s solo band the way it happened, Mia still sees him as a legend and as a true inspiration, and I’m sure she’ll always keep those moments onstage with him among her best memories in her musical career. Furthermore, in regards to bass players, Mia always mentions the enigmatic and multi-talented Peter Steele (R.I.P.), the lead singer, bassist and composer for Gothic Metal band Type O Negative, as her personal bass hero, but she also said she has always been fascinated by the onstage charisma of Martin Eric Ain (R.I.P.), the former bassist for Extreme Metal titans Celtic Frost, proving Mia definitely knows how to choose her music idols.

Finally, as much as we all see Mia as the talented and indestructible Black Metal bass player that she is, needless to say she’s also a human being like the rest of us, having to handle her own issues and struggles just like any regular person. As you can see in this article by Blabbermouth from the end of February, Mia mentioned in a special and very personal Facebook post that the past few months have been the been the darkest and most painful period of her life, with all recent events leaving her physically and emotionally destroyed. “I tried to face hell trying not to crack, always holding hard in front of events which, daily, were destroying my soul and my emotions, unfortunately, also physically, by pushing up that strong Mia everyone knows,” she wrote, complementing that by saying that “these terrible experiences are always destructive, but they also left a positive note: the ability to see who stayed, who, day after day, try to be close to me, without judging me or making me feel wrong, without making me feel the weight of my reactions dictated by despair, but simply making me feel that even though Mia is going through a negative phase, something good in her is still there, holding my hands and telling me that it will pass, listening to my pain, drying my tears and looking for the best way not to make me collapse.These people are the people who love me, my family, the people to whom my gratitude and love will remain as long as I am alive, and to whom I will give all of myself, with my strength and, unfortunately, flaws.” Those were the honest and austere words by “the imperfect” Mia, who we all wish a quick and healthy recovery and, of course, who we wish to see on stage smashing our skulls with her thunderous bass as soon as possible.

May 6, 2020 UPDATE: As you can see HERE, the unrelenting Mia Wallace has just been announced as the new bass player for Brazilian all-female Thrash Metal band Nervosa! The band’s mastermind Prika Amaral couldn’t have made a better choice to take care of their bass duties! Congratulations, Mia!

Mia Wallace’s Official Facebook page
Mia Wallace’s Official Instagram
Mia Wallace’s Official Twitter

“As I have often been wont to do, I’ll quote Friedrich Nietzsche: ‘Without music, life would be a mistake.’ That has always been my modus vivendi.” – Mia Wallace

Metal Chick of the Month – Thalìa Bellazecca

I was raised by the storm and I’m living to serve my own pride!

Amidst one of the worst crisis the world has ever been through, with the COVID-19 pandemic bringing nothing but fear, anger and darkness to our hearts, let’s pay a humble tribute to the beautiful Italy, where the virus has had so far the most devastating outcome, by providing you, our dear readers, with an overview of the life and career of the gorgeous, skillful and unstoppable Thalìa Bellazecca, the young and restless guitarist for Italian Power Metal band Frozen Crown, bringing some joy to our hearts and souls during such difficult times. If you, like almost all of us here, are quarantined and getting bored due to the lack of things to do, perhaps this short and sweet homage to Thalìa and all her countrymen, and of course her razor-edged riffs and solos, can help you enjoy your time of confinement a lot better.

Born on April 19, 2000 in Cantù, a city and commune in the Province of Como, located at the center of the Brianza zone in Lombardy, Italy, Thalìa Bellazecca is of Italian and Cuban origin, which explains her undeniable talent, groove and passion for music, and that’s exactly what we are going to focus on in this humble tribute to such distinguished shredder, as Thalìa seems to be a very reserved woman who lives and breathes music 24 hours a day, 7 days a week. Furthermore, it’s impossible not to talk about Italian Power Metal band Frozen Crown, the band where we have all been able to witness Thalìa kicking some serious ass with her incendiary guitar since 2017.

Formed back in 2017 by guitarist and vocalist Federico Mondelli in the Italian metropolis of Milan, one of the global capitals of fashion and design, and fronted by the powerful singer Giada Etro (already known for her work in Ashes You Leave), Frozen Crown are a Power Metal band infused with classic Heavy Metal and Melodic Death Metal vibes, having released since their inception the singles The Shieldmaiden and Kings, in 2017, and Neverending, in 2019, and the full-length albums The Fallen King, in 2018, and Crowned in Frost, in 2019, where the band minimized their  Symphonic Metal side and amplified their core Heavy and Power Metal considerably. As a matter of fact, although you can enjoy Thalìa’s refined technique and stunning looks in pretty much all of Frozen Crown’s official videos, all guitars in both of their albums were recorded by Federico (except for the guitar solo in Kings, which was recorded by our metal lady Thalìa), who was also responsible for all keyboards and artworks as well. You can enjoy all of their albums and songs directly from their BandCamp page (where you can obviously buy their music, as well as from their Big Cartel page) and also stream everything on Spotify.

However, as aforementioned, who said we cannot have a blast with Thalìa in all official videos released by Frozen Crown through the years? You can definitely enjoy Thalìa shredding her strings in great fashion while she bangs her head like a maniac in amazing Power Metal anthems such as  Neverending, Kings, Everwinter, I Am The Tyrant, Forever and The Shieldmaiden, and if live performances are your cup of tea how about taking a shot at some of the band’s live footage playing their ass-kicking metal music to the masses like in the songs Kings, Fail No More, The Shieldmaiden and I Am The Tyrant live at C.G. Busto Arsizio in 2018 in Varese, Italy; Kings live in Toulouse in 2020; Arctic Gales/Neverending and Winterfall live at Dagda Retorbido in 2019 in Pavia, Italy; To Infinity live at Arci Tom in 2018 in Mantua, Italy; or simply enjoy this live footage of Frozen Crown taking the German cities of Munich, Augsburg and Aschaffenburg by storm in 2019.

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Apart from her career with Frozen Crown, we can also witness Thalìa embellishing the airwaves with her riffs and solos in a few other very interesting projects and bands; for instance, during part of 2018, Thalìa was one of the live guitarists for Russian Thrash Metal female-fronted band Pokerface, whose music can be described as a fusion of the music by Arch Enemy, Children of Bodom and Kreator. Also, Thalìa is one of the guitarists for a sensational Megadeth tribute band called Nuclear Winter, formed in 2015 by vocalist and guitarist Paolo Ingianni and active in the best Lombard and Piedmontese rock clubs since 2016. You can check their official Instagram and YouTube channel for more information on the band, such as this incendiary cover version for Tornado of Souls live in 2019 at Rock’N’Roll Milano.

In addition to all that, our dauntless left-handed shredder plays the guitar for the Italian Women Tribute, a music project that was born in 2016 from an idea by Andy Rox and is the first and only rock tribute to Italian female voices existing in Italy (and you can also find more information about it on their Instagram besides their official website), and was recruited to record a solo on one of the songs for a Syrian project called Storm of Death, of Adnan Al Hamdan, his third album featuring a selection of over 120 guest musicians from over 44 countries, which you can take a better look on the project’s official Facebook page. The song where we’ll have the pleasure of listening to Thalìa slashing her strings is not available yet, but I’m sure soon enough we’ll hear more from Adnan or from Thalìa herself with a link to listen to it.

Highly influenced by a vast array of guitar heroes such as Kiko Loureiro, Joe Satriani, Steve Vai, Guthrie Govan, Paul Gilbert, Andy Timmons, Marty Friedman, Jason Becker and Yngwie Malmsteen, among countless others, our stunning guitarist manages her own YouTube channel, uploading several videos on a regular basis showcasing all her skills and passion for heavy music and rock in general. You can enjoy Thalìa and her inseparable ax playing cover versions for Kiko Loureiro’s Moment Of Truth, Frozen Crown’s Queen Of Blades, Joe Satriani’s Headrush and Satch Boogie, and Megadeth’s Conquer or Die, or simply watch her doing some guitar improvisation showing how talented she is. And last but not least, I believe I don’t need to say Thalìa also ventures through the realms of modeling, right? Just by looking at her gorgeous photos you probably guessed that yourself, and if you’re curious to know more about that distinguished side of our guitar hero you can check her work (and of other models) on the official Instagram of PERSONA, from Milan. Having said all that, I think we must all admit that Thalìa has it all, a ravishing look and style, an undeniable talent armed with her guitar, endless stamina and a deep and healthy addiction to Heavy Metal. If that’s not the perfect combination for a true headbanging woman, I honestly don’t know what could be.

Thalìa Bellazecca’s Official Facebook page
Thalìa Bellazecca’s Official Instagram
Thalìa Bellazecca’s Official Twitter
Thalìa Bellazecca’s Official YouTube channel
Frozen Crown’s Official Facebook page
Frozen Crown’s Official Instagram
Frozen Crown’s Official Twitter
Frozen Crown’s Official BandCamp page

Metal Chick of the Month – İlkim Oulanem

Doomsday is not so far… See you in hell, İlkim!

Every single time we at The Headbanging Moose decide to honour a woman in Black Metal in our metal chick of the month segment, we have a really hard time finding most details about that specific woman most probably due to all the secrecy, mystery and obscurity that are inherent to such distinct subgenre of heavy music. Having said that, it couldn’t have been any different with our metal lady on the month of March, as almost everything related to İlkim Oulanem is about her career in Black Metal, with very few, rare interviews and other articles being available about her personal life. However, thanks to my superior “detective” skills, I managed to find a very interesting side of our Turkish Valkyrie that might be a surprise to most people that have already had any contact with İlkim’s work in the Black Metal scene, and as any good journalist I’ll save that distinct side of our metal lady for the end of this tribute, how about that? I’m sure you’ll love both her more aggressive and infernal Black Metal side, and her more recent endeavours in music.

Born in the year of 1989 in Ankara, Turkey’s cosmopolitan capital, sitting in the country’s central Anatolia region, İlkim began her career in Black Metal around 2005, when she formed a pure Black Metal band called Messershmit in Ankara. After performing as a vocalist and bassist for Messershmit until 2008, with whom she recorded a split album titled Split Way of Life in 2005 together with Turkish Black Metal band Satanic Verses, as well as an unlisted demo entitled Beyond the Wall of Sleep, İlkim formed her own one-woman Black Metal project self-titled İlkim Oulanem back in 2008, recording all vocals and instruments (and being also responsible for all lyrics) in all of her releases under the now defunct project. In addition, if you’re not familiar with the music by İlkim Oulanem, let me tell you that her sound suffered a few changes through the years, evolving from a raw Black Metal sonority to what can be called Melodic Black Metal or even Black n’ Roll.

As the one-woman band İlkim Oulanem (which you might also find under the name İlkim2), she released the two-track demo The Alarm, in 2005, gathering considerable interest from critics and fans in her homeland (which led her to tour around İstanbul, Gaziantep and Eskişehir), the EP Iblisbilim, in 2009, and her only full-length opus Girdap, in 2011, not to mention the split albums Pentagram, Legions of the Black Ice Fires, Unholy Culture and Sixth Hell of the East IV, all released in 2009, and BPMTh and International Black Scene Vol.1, both from 2010, with some amazing underground bands such as Storm of Darkness, Lux Serpent of Eden, Oculus Sathanas, Solus, Diabolis Interriym, Sirannon, Moderix and Ambient Fabric, among others. Hence, if you want to have a very good taste of the rawness and obscurity flowing from her music under her İlkim Oulanem moniker, you can listen to songs like Asil Varoluş, Hey Kukla and İblisbilim, all sung in her mother tongue Turkish, by the way, and always about controversial topics such as war and destruction.

Apart from her work with İlkim Oulanem, our talented metaller has also been involved with a band named Karabudun (albeit there’s nothing from this band available anywhere online), played drums for Mexican Black Metal band Demonic Forest in 2008, participated as a guest drummer in the 2009 demo titled 191919…, by Turkish all-female Death/Black Metal band Ancestry (previously known as War Ancestry), and was a guest vocalist and lyricist in the song Screams of Lost Horrors, from the 2010 album The Dark… the Withered…, by Colombian Depressive Black Metal band Asbel. Furthermore, after the end of her one-woman Black Metal project, she started playing pop and rock music under the name İlkim, but the only material you’ll find anywhere from that project is the official video for a song titled Melekler Hatırına.

Highly influenced by underground Black Metal, Death Metal and Grindcore bands, with Immortal being one of her biggest idols in extreme music, İlkim sees (or at least used to see) Black Metal as more than just music, being an essential part of her life it doesn’t matter if she’s simply walking down a street or drinking a cup of coffee. When asked about the Norwegian Black Metal scene and all the events that took place in the 90’s involving the infamous members of Mayhem and Burzum, she said that although she considers Norway the birthplace and a great nation for Black Metal, you can be a successful Black Metal musician anywhere in the world despite your age, sex or anything else, complementing by saying she doesn’t like to label different strands of Black Metal such as National Socialist Black Metal, Christian Black Metal (also known as Unblack Metal) or Anti-Human Black Metal, saying that for her there’s only one type of Black Metal, period. Moreover, she also mentioned in one of her interviews that she considers the Satanic imagery commonly used by Black Metal bands as a metaphor for individualism and personal freedom as the best option indeed, much better than any God imagery.

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As a one-woman Black Metal band in a country like Turkey, where extreme music is the underground of the underground, İlkim said the Turkish metal scene is very active and robust despite all the hassles that the Turkish society might impose to the musicians from the scene, also saying there’s a lot of room for creativity and that there are several underground venues where bands share their expertise, their stories and music. Regarding her writing process, İlkim mentioned that she doesn’t follow a strict or structured process to compose her music and write her lyrics, as everything comes straight from her heart and personal experiences and struggles, complementing by mentioning that although she has already used and consumed alcohol, cigarettes and even drugs in her life, she enjoys writing and recording her songs with a clean mind and a healthy body, without any external substances impacting her train of though.

Last but not least, as mentioned in the beginning of this tribute, there’s a very distinguished side of İlkim that I’m sure most people know nothing about, especially due to her “departure” from the Black Metal world back in 2011. As a matter of fact, while she was still playing Black Metal, İlkim mentioned in an interview that she loved listening to underground Black Metal and classical music, and it’s classical music what might have influenced her the most in her decision to step away from extreme music and venture through the realms of rock and pop music. However, even that pop period of İlkim seems a little shady, with nothing truly solid happening from 2011 until more recent years, and after searching and searching online for more information on her current career it was with great surprise that I found out İlkim is now known as İlkim Yılmaz, a music director and the chief orchestral conductor for Bilintur Women’s Chamber Orchestra and Muzed Music Teachers’ Orchestra during the 2019-2020 season. Unless she has an identical twin, a clone or there’s someone out there that looks exactly like her and uses her exact same name, our underground black metaller became a classical musician. Interesting, isn’t it?

If İlkim Yılmaz is indeed our İlkim Oulanem, and I’m pretty sure she is, she graduated from the Department of Composition and Music Theory at Başkent University State Conservatory in 2017 with  High Honor Degree and Secondary Degree, continuing her studies between 2017 and 2019 with the distinguished conductor Işın Metin. In addition, during her bachelor degree, she attended Burak Tüzün and Rengim Gökmen’s lessons at Hacettepe University Ankara State Conservatory between 2015 and 2017 as a guest, also conducting during that same period the youth chamber orchestra as a guest conductor. Furthermore, right after her graduation in 2017, İlkim became the assistant conductor for the Middle East Technical University Fine Arts Ensemble Choir, and in the spring of 2018 she served as the music director and conductor for the Middle East Technical University Fine Arts Orchestra, performing four concerts with them, three of which at the famous METU Kemal Kurdaş Hall. There are several other concerts, workshops and events she has already participated through the years in the classical and orchestral music scene in Turkey (and you can always know more about her work and events by following her on Facebook), and perhaps that’s exactly where she should be in spite of her undeniable contribution to Black Metal in Turkey. I’m quite sure she’s not ashamed of her past as a metalhead, and that deep inside her heart she still nurtures a great passion for Black Metal. And who knows, maybe one day İlkim Oulanem will arise from the ashes like a Black Metal phoenix for our total delight, right?

Metal Chick of the Month – Julie Simonsen

The Bridge of Light gives wings… Lead into the sea where you’ll be joining me…

Are you ready for some old school, dark and heavy-as-hell Doom Metal on The Headbanging Moose this month of February? If doom is what you love, I’m sure you’ll have a blast with our metal chick of the month, the badass, raven-haired Julie Simonsen, drummer for one of the most infernal and Stygian bands of the current European scene, the unrelenting all-female Doom Metal entity known as Konvent, an up-and-coming act that will surely become a driving force of primeval doom not only in their homeland Denmark, but anywhere else where obscure and devilish extreme music is properly appreciated. Having said that, fasten your seat belts and enjoy our humble tribute to a woman who albeit might be taking her first steps in her music career, has all it takes to conquer the hearts of metalheads form all over the world with her unique charisma and undeniable talent behind the drums.

Born and raised in Frederiksværk, a small town in the Halsnæs Municipality on Zealand, in Region Hovedstaden in Denmark, but currently residing in Søborg, a neighbourhood in Gladsaxe Municipality, located some 10 km northwest of central Copenhagen, Julie said she was feeling bored at school before joining Konvent. She said that after she moved to Søborg she attended some sort of “left-wing hippie music college” (which I believe is a school called Det frie Gymnasium) where she was supposed to play angry punk music, therefore getting more involved in the local punk and metal scene. After her graduation, she worked at H&M and even in the zoo where she sold ice cream, and now apart from her career with convent she is also currently working in a warehouse for an online clothing store.

Julien mentioned in one of her interviews she started playing drums when she was around 12 or 13 years old, getting her first drums from her parents and then starting taking lessons. Her father introduced her to the music by Kiss when she was a little girl, when she was only around 6 or 7 years old, and she instantly fell in love for it, saying she thought at that time Eric Singer was really cool with the makeup and everything else. As a matter of fact, that was actually the real reason that inspired her to play the drums. A few years later, after she started playing drums, Julie also started taking guitar lessons, which by the way it’s still a thing for her, but of course drums have always been her top priority.

It was at the end of November 2017 when our dauntless drummer joined Konvent, the all-female Doom Metal sensation formed in 2015 in Copenhagen following in the footsteps of Candlemass, Paradise Lost, Cult of Luna and Black Breath, who all unleashed the bleakest horror on mankind in the early 90’s, having already appeared with the band at several festivals such as Aalborg Metal Festival, Metal Magic, When Copenhell Freezes Over and Roskilde Festival. Kovent are currently comprised of Rikke Emilie List on vocals, Sara Helena Nørregaard on the guitars, Heidi Withington Brink on bass and, obviously, Julie Simonsen on drums, having released a demo in 2017 (still with their original drummer Mette Marie List), and just a few days ago their debut full-length opus entitled Puritan Masochism, via Napalm Records, a massive extreme metal highlight of early 2020 (which will obviously be reviewed at The Headbanging Moose soon) conjuring up a deserved revival for the whole death doom genre. Julie said the four girls in the band already knew each other from the Copenhagen metal scene, as the scene in the city is not actually really big, with most people knowing each other from concerts and other events. In addition, Julie said that when Konvent first got together, they didn’t want to commit to any specific genre, simply deciding to call their music “Primitive Death Doom” due to the slow rhythms and riffing combined with Rikke’s Death Metal-like vocals.

When asked about the recording process for Puritan Masochism and what lessons the band learned from their live performances that were applied to the album, Julie said that the whole recording got better and better as they got more and more comfortable with their instruments, having more control and more creativity while writing music, consequently becoming more fun, more relaxed and more instinctual. She also said it was indeed a very lengthy process at the beginning, especially due to all the concerts and rehearsals happening at the same time they were writing and recording material for the album. The girls had a very strict deadline, saying they wrote the last song for the album on the last day before the recordings, but that after all the pressure somehow contributed to their creative thinking and they were happy with what they took with them from the studio. If you want to get a very good (and infernal) taste of Konvent’s undisputed doom from their new album, with Julie smashing her drums beautifully, take a very good listen at the songs Trust and Ropes Pt. II, and don’t forget to also purchase their music directly form their BandCamp page. I’m beyond certain you’ll get addicted to their devilish creations.

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Highly influences by some of the most obscure and talented bands and artist from the extreme music universe such as Anaal Nathrakh, King Diamond, Candlemass, Mantar, Monolord, Alunah, Solbrud, Dirt Forge and Black Breath, Julie was questioned if she still feels the influence of Metallica’s own Lars Ulrich around Copenhagen and in Denmark in general. well, she said there will always be a comparison to Lars due to the fact she’s a drummer from his homeland Denmark, but she doesn’t really know if that’s a compliment. There’s this “love-hate” feeling due to Lars’ arrogance, but she still likes him and his style, saying he’s some sort of “goofy uncle” for all drummers, complementing by saying that he’s still a big celebrity in Denmark and that he’s not seen in public that often, as opposed to the guys from Volbeat who are always around town.

Julie and the other girls from Konvent were also inquired about the current state of the Danish metal scene, being asked about which bands from Copenhagen they would love to play with or see live, and their answers included several incredible bands from the beautiful capital of “Danevang” such as Dirt Forge, Solbrud, Alkymist, Møl, Afsky, Morild and Dying Hydra, among others, which by the way they said all made them feel very welcome to the scene, especially Dirt Forge with whom they had the pleasure to play with several times in the past few years. They complemented by saying the Danish scene is a very familiar one, as most bands know each other in some way and everyone is extremely friendly and helpful, also saying there are countless concerts happening everyday at different small venues and mentioning other Danish bands like Konvent that are branching out to the world and getting more and more attention such as Baest, Slægt and Møl. Hence, if you live in Copenhagen or if you’re visiting the city in the near future you should definitely try some of their best venues for some first-class underground doom and other heavy styles, including Ungdomshuset, which is the local youth house in Copenhagen, as well as the bigger venues such as Vega or Pumpehuset, also referred to as “The Bomb House”, whenever they put on metal, and Loppen, at the freetown Christiania in the middle of Copenhagen (which by the way Julie doesn’t feel one hundred percent safe as in the rest of the city), where Konvent has already taken their stage by storm.

As we’re talking about the Danish scene and venues for live metal performances, it’s obvious that Julie and the other girls love to play their music live and tour as much as they can, something that’s expected form any good metalhead. For instance, one of their biggest dreams was to perform at the biggest music festivals organized in their homeland, the exceptional Copenhell and Roskilde Festival, which they ended up doing in the same year, in 2019. Julie said it was truly unreal to be part of both festivals, saying they were extremely nervous and restless before the shows, and also mentioning that because they were supposed to play at a really early spot, at around 2pm, they didn’t think there were going to be so many people attending their concert. She also said they’re absolutely pumped for their first round of international concerts, including shows in Germany, Sweden and Norway, as well as international festivals such as Gefle Metal Fest in Gävle, Sweden, In Flammen Open Air in Torgau, Germany and the HRH Vikings – Chapter III in Sheffield, England. When asked about which countries or festivals apart from the aforementioned ones they would love to play, our stunning drummer said they definitely want to play at the 70,000 Tons of Metal cruise, also citing other major festivals like Brutal Assault, Sweden Rock, Hellfest and Eindhoven Metal Meeting. In addition to all that, Julia also mentioned Konvent have been receiving tons of positive feedback form all over the world, from countries and regions like the United States, Canada, Japan, Eastern Europe and South America, with the fans from the United States and Eastern Europe being the most excited with their music so far. If you would like to witness the power and obscurity of Konvent live, go check some YouTube videos such as their performance of the songs No End and Bridge at the Kaldet Fra Dybet III festival at Ungdomshuset, in Copenhagen, in February 2018; playing the song Puritan Masochism at Copenhell in 2019; and their full performance at When Copenhell Freezes Over at Vega in January 2018, where you can enjoy Julie smashing her drums in songs like Chernobyl Child, Tracks and Squares. Also, don’t forget to check their short and sweet “tour report” from their 2018 mini-tour in Germany as a support act for the bands Monolord and Firebreather, and Julie herself inviting us all to join them at the 2018 edition of Metal Magic.

When Konvent are not doing music, the girls like to do some distinct and fun activities either by themselves or together, with their curiosity about the world inspiring them to take walks in the nature, listen to science podcasts, travel the world, spend quality time with their friends and family and read books by authors like Dennis Jürgensen, Dan Turèll, and Patty Smith. As none of the girls smoke weed, they can only recommend some traditional Danish dishes to us fans, such as their famous Smørrebrød, an open-faced sandwich made with rye bread with loads of different toppings on it, and the Danish pastry called Snøfler. And lastly, when asked if they’re worried about all the work that Konvent might generate for them, Julie said that all the girls are trying their best to align their tasks and responsibilities as a band to their non-Konvent work and studies, and that of course one day they hope they can make a living from Konvent. In my humble opinion, based on the fantastic job done by the band so far with both their demo and their newborn full-length spawn they’re on the right path to stardom, and I can’t wait to see Julie and her bandmates slamming our heads with their pulverizing doom in North America in a not-so-distant future.

Julie Simonsen’s Official Facebook page
Julie Simonsen’s Official Instagram
Konvent’s Official Facebook page
Konvent’s Official Instagram
Konvent’s Official YouTube channel

Metal Chick of the Month – Nadja Peulen

Say it, Nadja! We’re out for blood!

As part of our annual tradition here at The Headbanging Moose, the first metal chick of the year must be a badass bass player to properly kick things off with a lot of thunder and heaviness just the way we like it in Heavy Metal, and in 2020 that couldn’t be any different than that, of course. Having said that, get ready to venture through the realms of Alternative and Nu Metal with the one and only Nadja Peulen, a German-born bassist and backing vocalist currently based in Los Angeles, California, in the United States known for bringing tons of groove to our avid ears as the bassist for American metallers Coal Chamber from 1999 to 2000, again between 2002 and 2003, and one last time after a huge band hiatus from 2013 until 2016 when the group disbanded once and for all.

Born on January 10, 1975 somewhere in the always beautiful Germany, our 1.73m-tall blue-eyed, red-haired bassist started her life in music at a very early age due to her family travelling a lot and staying at several different places, always on the road in the name of Rock N’ Roll, always surrounded by distinct people, and always attending music concerts. Of Polish and German descent, Nadja grew up in the Netherlands and listened to a lot of 70’s music such as Motown, disco and classic rock at home because of her parents, being highly influenced by those styles in her current way of playing bass. Originally starting out studying art with aspirations to be a painter, Nadja naturally decided to switch to music, playing drums before becoming a bassist and continuing her career as a drummer after moving to Los Angeles when she was only 18, learning from renowned drummers and jamming with several different musicians (while at the same time working in different jobs such as tiling bathrooms and working as a waitress in a strip bar).

After a while, when Nadja decided she wanted to get more into songwriting, she was given a bass guitar (a cheap $100 one, by the way) and started playing with one finger only, gradually evolving to a couple more fingers and never having a single lesson in her life. Three months later, she was already in an all-girl band named Tail, playing around Hollywood for a couple of years at Whisky a Go Go, The Viper Room and whatever clubs were there at the time. After a couple of years, Nadja was invited to join Los Angeles-based Nu Metal outfit Coal Chamber in 1999 while bassist Rayna Foss-Rose was on maternity leave, and again after the recording of the 2002 album Dark Days when Rayna left the band for good, playing live with the band in several domestic and international tours with bands like Drowning Pool co-headlining the tours. Despite not having recorded the bass lines in Dark Days, Nadja is featured in the official video for Fiend, one of the band’s most well known songs which is thought to be about how the band and the Nu Metal genre were getting heavily criticized at the time. In addition, Nadja was also featured as the band’s bass player in the excellent concert Live at the Maritime Hall, San Francisco, CA, 1999 in the bonus DVD from the 2005 special re-release of their 1997 debut album Coal Chamber.

Then after a long period of silence from 2003 until 2011, Coal Chamber reunited for a short run of international shows with bassist Chela Rhea Harper instead of Nadja, but our talented red-haired bassist officially returned to the band in October 2013 shortly before the band signed to Napalm Records to record a new album. “Beyond happy and excited today to announce my return on bass with Coal Chamber,” Nadja wrote on the day of her official return to the band. “I’ve missed my brothers and can’t wait to rock the stage with them again and see all of you!” It was in May 2015 that Coal Chamber released their fourth album in thirteen years and their only studio album with Nadja on bass, entitled Rivals, adding a touch of Groove Metal to their musicality while at the same time distancing themselves from their previous Gothic Metal style. From Rivals, you can enjoy Nadja’s rumbling bass punching you in the face in songs like Another Nail In The Coffin, Suffer In Silence (featuring Ministry’s driving force Al Jourgensen on guest vocals), and I.O.U. Nothing.

Apart from her awesome stints with Coal Chamber, Nadja was also the bass player and backing vocalist for a Los Angeles-based Theatrical/Alternative Avantgarde Rock duo known as Vera Mesmer, together with vocalist, guitarist and keyboardist Christopher Mesmer, formerly of Reveille, as well as guest drummer Bones Elias (Julien K, formerly of Dead by Sunrise), from 2010 until 2013. Vera Mesmer left two very interesting releases to the world before the duo parted ways in 2013, those being the 2012 EP Orphans and the 2013 single Down the Hole, showing a different and very theatrical storytelling side of both Chris and Nadja, as you can see for example in the official video for the song Back from the Dead. “We’re constantly brainstorming and creating. We’ve completely let go of templates and we don’t stick to the genre game,” said Nadja about the artistic freedom she found with Vera Mesmer while the band was still active. “We encompass all music styles while still undeniably retaining that Vera Mesmer sound.”

You can also find Nadja lending her thunderous bass lines to a project entitled Roadrunner United from 2005 to 2008, having recorded the excellent single and video The End together with Dino Cazares (Fear Factory), Roy Mayorga (Stone Sour) and Matt Heafy (Trivium), among others, for the 2005 album The All-Star Sessions, as well as the 2008 DVD featuring a making of and a live concert with several artists such as Ville Valo (HIM), Scott Ian (Anthrax) and Tim “Ripper” Owens, with Nadja kicking some serious ass in songs like Type O Negative’s all-time classic Black No. 1 together with Ville Valo on vocals, Andreas Kisser on lead guitar, Dino Cazares on rhythm guitar, Joey Jordison on drums and Rob Caggiano on keyboards, and Tired ‘n Lonely together with Mina Caputo on vocals, Matt Baumbach on lead guitar, Acey Slade on rhythm guitar, Joey Jordison on drums and Rob Caggiano on keyboards. Furthermore, between 2004 and 2006, Nadja was also featured in the music videos for the songs (Rock) Superstar and What’s Your Number? as part of the backup band with Tim Armstrong (Rancid) and Christian Olde Wobbers (Fear Factory), both by American Hip-Hop group Cypress Hill.

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As already mentioned, Nadja has a wide and eclectic taste for music, with her primary influences lying along the Trip Hop, Industrial and Alternative Rock and Metal vein the likes of Massive Attack, Killing Joke, The Cult, Faith No More, Jane’s Addiction, Ministry, Iggy Pop and The Stooges, David Bowie, Lynyrd Skynyrd, Grand Funk Railroad and Stevie Wonder, with the one and only Iggy Pop being part of one of the most exciting moments in her career. A friend of hers called Whitney, who used to play guitar for Iggy Pop, invited Nadja for a jamming session one day, but she initially said no. “Why don’t you come down to the Swinghouse and jam with me and a couple of friends?”, said Whitney, and she promptly answered “Well I’m in bed. My bass is dusty and I’m watching TV. I really don’t feel like jamming with you right now.” Whitey called back a couple of times and finally said, “Well, it’s Iggy and he wants to jam with you.” Nadja didn’t believe her friend, saying “Yeah you’re fucking with me. You just want me to come down there and hang out.” Then she got another phone call from Iggy’s manager, which turned out to be his son Eric. He said, “Yeah, Iggy Pop is down here and he really, really wants to jam with you.” She still thought it was a prank, when she finally got a phone call from Iggy himself where she recognized his voice and nearly pissed her pants. Iggy said, “Nadja, I have heard a lot of really good things about you. I want to jam with you. Come down here – can you be here in 10 minutes?” Needless to say, Nadja joined her idol and they jammed for a few hours, with Nadja later saying in one of her interviews that she was always afraid to meet someone like Iggy Pop because she believed a person like that would probably be an asshole and she would never be able to listen to his music the same way. However, he was really nice to her, a humble guy exactly how anyone would expect.

Regarding her life on the road with Coal Chamber, Nadja mentioned in one of her interviews that she really loved playing the songs Another Nail In The Coffin and Bad Blood Between Us live with the band, both from the album Rivals, and that she would have loved to be in a tour co-headlined by Coal Chamber, System Of A Down and Korn, the latter with whom Coal Chamber only played at the same festivals such as Heavy Montreal in 2015 and Graspop Metal Meeting in 2013. When questioned about the fact she was the only female on the tours with Coal Chamber, she said that it was indeed challenging as she had for example to get dressed in the bathroom of the bus, which was a very small space. However, Nadja also said she was fine being the only girl in a “boy’s club”, complementing by saying that being utterly professional was what kept everything working well. Also, on a side note, Nadja mentioned being on stage, being in that moment, is when her mind stops and she can achieve some peace of mind, having also achieved that peace by doing yoga, more specifically Kundalini Yoga, a school of yoga influenced by Shaktism and Tantra schools of Hinduism.

Nadja also launched in 2003 her own T-shirt and apparel company called CruelTees, selling her products not only online but also through stores such as Hot Topic. Owner and head designer of CruelTees, Nadja has always loved painting and sketching, having even been in Art Academy before quitting it to move to Los Angeles, with her designs fusing dark Gothic and wild Rock N’ Roll images with clever slogans. However, if you click on the official website for CruelTees, it will redirect you to her website Sonic Dominion without any products available. There are a few items in her webshop, though, but nothing related to CruelTees. Perhaps Nadja is working on a new collection for the future? If you’re curious to know more about CruelTees and ask Nadja for any updates on the brand, you can message her directly through her official website contact form, and who knows, maybe you’ll be one of the first to receive news on a new series of CruelTees shirts and apparel.

Endorsed by Schecter Guitars, Mesa Boogie, Dean Markley Strings, Monster Energy Drink and Monster Cable, our skillful bassist, who by the way thinks labeling a music style is not really that relevant, commented in one of her interviews that she’s happy to see an increasing number of female bass players (as well as guitarists and drummers) out in the market playing with their bands, which is always a good thing in heavy music, also saying she likes the fact that several of those bassists are adopting the finger style when playing their instruments, something that was a taboo in the past. Nadja herself is a finger bass player, as mentioned before, and the fact this old school technique is becoming popular again brings a lot of joy to her heart. And last but not least, Nadja’s relationship with her fans is quite healthy, with some of her fans even becoming her personal friends. She said that she can’t obviously answer everything to everyone due to her busy schedule, as she doesn’t consider herself an Internet person with enough time for social media. She actually doesn’t enjoy engaging on social media on a personal level, focusing on her work as a musician and as a designer instead. We have to agree with Nadja on that, and if you want to know more about her professional career you can either follow her on Facebook, Twitter and Instagram, or watch some of her interviews and other videos on YouTube like the BIAS FX demo, an interview during Heavy Montreal in 2015, an interview to INDIEPOWER TV! in 2015, or an interview she gave to Dean Markley at NAMM also in 2015. What are you waiting for to let one of the most badass female bassists of all time show you all she got? Nadja kicks some serious ass, and she will crush you like an insect with her thunderous bass, no doubt about that.

Nadja Peulen’s Official Facebook page
Nadja Peulen’s Official Instagram
Nadja Peulen’s Official Twitter
Nadja Peulen’s Official YouTube channel
Coal Chamber’s Official Facebook page
Coal Chamber’s Official Instagram
Coal Chamber’s Official Twitter

“To me being on stage and playing music is one of the best things because I have a very busy mind – I’m always thinking.” – Nadja Peulen

Metal Chick of the Month – Aura Dănciulescu

Let’s go fucking wild, Aura!

The year of 2019 might be coming to an end, but not before we fill the airwaves with the stunning vocals by Aura Dănciulescu, the winged frontwoman for Romanian Symphonic Heavy/Power Metal band Scarlet Aura and our awesome metal chick of the month of December. Born Aura Gabriela Danciulescu on October 28, 1985 in Fălticeni, a city in Suceava County, north-eastern Romania, situated in the historical region of Moldavia, Aura is a multi-talented singer, lyricist and songwriter, always passionate about music and writing. Of light brown hair (but currently dyed blonde) and brown eyes, Aura has all the attributes fans of heavy music look for in a vocalist, and I’m sure after reading a little about our gorgeous metalhead you’ll get addicted to her music and be quite impressed with her skills, transparency and deep love for our good old Heavy Metal.

Aura, who by the way has a famous sister, Mihaela Pohoaţă, a Romanian aerobic gymnast who won five world championships medals (three gold and two bronze) and three European championships gold medals during her career, started singing when she was just a little kid, and her initial performance was so bad her parents actually decided to put her in vocal lessons to improve her skills. By the way, her parents have always supported her decisions, letting her be free, believe in herself and have her own goals. She then naturally decided to become a singer after the vocal lessons when she was around 10 years old, developing her voice through the years until reaching the superb level she sings nowadays. Although she’s always been a rock and metal fan, it was when she met her now husband, Mihai Danciulescu, lead guitarist and backing vocalist for Scarlet Aura, that she really started to adore it, with Mihai explaining to her all the different styles of rock and metal music and introducing her to some of his biggest idols. Furthermore, before dedicating her life to music from the year of 2011 onward, Aura went to University of Bucharest and studied political science and law school, also holding a few extra courses on diplomacy and national defense and having worked for a few years at the Romanian Senate.

After numerous music projects and her first rock band Steelborn, having recorded with the band the EP’s Un Nou Inceput and Intr-Un Vis, both in 2010, and the full-length album Trup De Apa, in 2012, all in her mother tongue Romanian (and if you want to listen to Aura beautifully singing the band’s pleasant Rock N’ Roll you can check a couple of YouTube videos with the songs Orice Ar Fi & Suflet Furat live and Ratacire), it all eventually led to creation in 2014 of Scarlet Aura, the exotic rising metal star of the East that quickly got the attention of promoters and fans worldwide. By the way, if you would like to enjoy a very interesting “fusion” of Aura’s past and present, Scarlet Aura recorded in 2018 a heavier version of one of Steelborn’s oldest songs, Un Nou Inceput, the title-track to their 2010 debut EP. Having already toured with renowned acts like Tarja Turunen, Beast in Black and Soto, the band comprised of our unstoppable Aura on vocals, the aforementioned Mihai on the guitars and backing vocals, Rene Nistor on bass and backing vocals, and Doru Gheorghita on drums are on a roll since their inception, positioning them as one of the most promising names in the current European scene.

As a matter of fact, the name scarlet Aura was only adopted in 2015, with the band’s original name AURA being used only during their first year of existence, having released under their old name the album The Rock Chick. In addition, as you might have noticed, Aura and Mihai met in 2010 while playing with Steelborn, and after a few years they fell in love, got married and decided to pursue a career together as Scarlet Aura. Under their new and powerful name, Aura and the boys have already released the full-length albums Falling Sky in 2016, Memories in 2017, and Hot’n’Heavy in 2018, as well as the EP The Beast Within Me in 2017 and the CD/DVD box set Scarlet Aura in Concert (recorded live at Quantic Pub in Bucharest on April 27, 2017) in 2018. Moreover, Scarlet Aura are set to release in 2020 their fifth album, entitled Stormbreaker, and the second one in the trilogy The Book Of Scarlet, once again combining metal music with fantasy literature, and if you want to show your true support to Aura and the boys you can help them make the album come true by participating in their Indiegogo campaign. also, the band’s official YouTube channel is and endless source of awesomeness, providing us metalheads several first-class videos for the best songs form all of their albums, such as Hail To You!, High in the Sky, Hate is Evanescent, Violence is Forever, My Own Nightmare, You’re Not Alone, Immortal In Your Eyes and Fallin’ to Pieces, not to mention other interesting videos from the band playing songs like In The Name Of My Pain at a Romanian TV show called  Antena 1, and their full performance at Transalpina Rock Fest in 2018.

In addition to all of the band’s original material, I would also recommend you take a very good listen at their 2017 album Memories, which is pretty much a tribute to all of their idols and influences in music, mixing some of the biggest metal hits in history with non-metal cover songs as well. For instance, you can enjoy Aura giving her own feminine twist to all-time Heavy Metal and Hard Rock classics like Judas Priest’s Breaking the Law, Blind Guardian’s A Past and Future Secret, Europe’s The Final Countdown, Iron Maiden’s Wasting Love, Survivor’s Eye of the Tiger, Twisted Sister’s We’re Not Gonna Take It, Ozzy Osbourne & Lita Ford’s If I Close My Eyes Forever, and Dio’s Don’t Talk To Strangers, or maybe you fancy listening to her personal interpretation of hits by female-fronted bands from the most diverse styles like Skunk Anansie’s My Ugly Boy, Doro’s All We Are, and The Cranberries’ Zombie. You can obviously find these and all of their own original songs by directly visiting their Spotify profile, bringing to your metallic ears hours of first-class metal music made in Romania.

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Apart from her life with Scarlet Aura, was also a guest vocalist in a song called Plecăciune Zăului, from the album Zăul Moș, released in 2017 by Romanian Symphonic Black Metal band Syn Ze Șase Tri (with the name of the band translating as “I Am With Triple Six”, just to give you an idea of how dark their music is). Not only that, Aura has also been working as a moderator at Wacken Radio since April this year, spearheading the first ever English show of the radio called Go Wild. “I was invited to give an interview on Scarlet Aura in the S.T.U.N.T.S. metal show, for Wacken Radio, held by TinU and SlayerOfMadness. We connected immediately and the invitation to join them as host came naturally and I couldn’t be more honored and happy to say Yes! And soon I discovered that Wacken Radio supports radio hosts applicants that can join the family by applying and going through some tests and if they pass, they can be also part of Wacken Radio! I passed the tests too so here I am!”, said Aura about her new experience as a show host. Furthermore, this is not the first connection with Wacken organization for Scarlet Aura, as the band was supported by Wacken Foundation in 2018.

Aura doesn’t use only her voice as her instrument of work, as her brain also seems to be a nonstop source of great ideas and projects. For example, Aura is the managing director for a Tallinn, Estonia-based record label named Silver City Records, founded by Aura herself together with her husband and bandmate Mihai and Tatyana Shubina (from Outlanders Productions), exclusively for rock and metal bands, and if you have a band looking for an up-and-coming label you can contact them directly via Facebook or by e-mail at contact@silvercityrecords.com. She was also a guest speaker at an event held by Mastering the Music Business, the leading Romanian music conference and showcase event, where she talked about her music, her business and her vision as a a successful performing artist, manager and record label CEO that she is, and you can also hire Aura for marketing and advertising purposes as a voice actor through a website called Voices.com, where you can see our multi-talented diva has already worked for Vodafone România, real estate companies and other local advertising companies, being able not only to sing classical, rock and metal music, but also to impersonate voices from all ages in English, Romanian, French and Italian for an array of projects like animations, documentaries, movie trailers and video-games, among others. Well, in the end I think the question should be “is there something she CAN’T do?”

A lover of the simple things that make our lives more fun such as pizza, red wine, yoga, cats, writing, reading, carpentry and painting, with her favorite movie of all time being the 1939 classic Gone with the Wind and her favorite books being from English author Terry Pratchett, Aura has among her biggest idols some of the most iconic names in the history of Heavy Metal, including the one and only Ronnie James Dio (R.I.P.), the unstoppable Mr. Bruce Dickinson, and Slayer’s own roaring engine Tom Araya, as well as bands like German institution Helloween, and on a more feminine side she always mentions names like the unparalled Tarja Turunen and Doro. However, Aura mentioned in one of her interviews that she always searches inside herself for the power she needs to print her own convictions, her own beliefs and of course her own voice, also mentioning her own mother as her biggest idol of all, which is just fantastic, don’t you agree? She also considers scarlet as her favorite color (which makes total sense to me),  My Own Nightmare as her favorite Scarlet Aura song, and the day she married Mihai, on September 22, 2012, as the best day of her life.

Just like any other true metalhead, our Romanian bombshell simply loves touring and performing live, always eager to promote her music to the four corners of the earth and to inspire all girls out there to join her in her female-fronted metal movement. When asked about her experience sharing the stage with her idol Tarja Turunen in 2016, considered by many as the most influential woman in modern-day metal music, she said that meeting her was really overwhelming at first, and that she was able to learn a lot from her during that tour. One funny (and somewhat stressful) episode during the tour with Tarja happened when Scarlet Aura’s crew crew lost their stage clothing luggage, forcing the band to improvise by borrowing belts, T-Shirts and make up. Moreover, Aura also has very good memories of other conerts with renowned acts of the metal scene like Accept, Doro, Nazareth, Gotthard, Helloween and Europe, showing how much all members of Scarlet Aura are connected to metal and how much they admire and are influenced by their music idols. And last but not least, when Aura was asked about the current metal scene in her birthplace Romania, she said that it has been continuously growing, getting bigger and shinier as the years go by, and that she expects it keeps getting more and more important to the world of heavy music. She complemented by saying that growth, especially her own band’s rise to stardom, wouldn’t be possible without the support of metalheads in Romania and worldwide, always praising fans like us for all support and passion we have for our good old Heavy Metal.

Aura Dănciulescu’s Official Facebook page
Aura Dănciulescu’s Official VKontakte
Aura Dănciulescu’s Official Instagram
Aura Dănciulescu’s Official Twitter
Scarlet Aura’s Official Facebook page
Scarlet Aura’s Official VKontakte
Scarlet Aura’s Official Instagram
Scarlet Aura’s Official Twitter
Scarlet Aura’s Official YouTube channel

“As an artist I’m not afraid to dig into the unknown by approaching sensible subjects in our songs, subjects like the difficulty of being honest with others but also with yourself regarding your own feelings, the need of overcoming a huge sufferance that troubles you, the lack of courage when it’s about doing the right thing, the lack of love or the crying for it… subjects that make ourselves human, subjects that are in each one of us and that makes us who we are and maybe throughout our music, we get recovered, healed or better, we discover ourselves for who we really are because with any doubt music heals the spirit, metal heals the heart.” – Aura Dănciulescu

Metal Chick of the Month – Thais Amaral

Soldado não para!

If you’re a fan of the Crossover Thrash played by bands like Sepultura and Lamb of God, but at the same time highly influenced by Alternative and New Metal the likes of Korn, Jinjer and Deftones, get ready to be absolutely stunned by our metal chick of the month of November, who’s more than ready to rock like there’s no tomorrow together with her bandmates from a Brazilian band that goes by the stylish name of Endigna. Owner of a potent and versatile voice, she can deliver first-class clean vocals as well as demonic roars to our avid ears, both in Brazilian Portuguese and in English, leaving us all disoriented after her sonic attack is said and done. I’m talking about Thais Amaral, also known as Thais Endigna or even Babby Drunk, not only the frontwoman for Endigna but also a woman that brings a very welcome (and aggressive) feminine touch to a scene dominated by men.

Born and raised in Taboão da Serra, a municipality in the state of São Paulo in Brazil and part of the Metropolitan Region of the city of São Paulo, Thais started her life in music when she was around 8 or 9 years old because of the religious direction of her own family. As part of a gospel family, she got used to seeing people around her singing and playing different musical instruments; however, she only got interested in singing, never in playing an instrument, which led her to be part of the children’s choir at her church, moving on to the teenage group and to the youth group, later forming an all-female quintet where they used to sing a slightly different musical style more inclined to Soul and R&B. Although she decided to leave the church only when she was 16, she used to listen to a lot of rock music from the 90’s since she was around 12, which ended up having a huge influence on her desire to have her own band. That dream kind of came true when she was about to turn 18 years old, in 2003, when she formed a band named Goma 84, which unfortunately lasted for only two years until it was dissolved due to the different musical directions each member wanted to take. Through the years, apart from popular singing, Thais has also been enrolled in a course at IC&T – Instituto de Canto e Tecnologia in São Paulo, Brazil specialized in Heavy Metal vocal techniques, taught by Brazilian vocalist Thiago Bianchi (Shaman, Noturnall).

It was in 2007 that Thais formed her current band Endigna together with drummer (and also her husband) Tiago Sorrentino, aiming at showing a more aggressive side of rock and metal with lyrics in Portuguese, dealing with different introspective and rebellious topics. Highly influenced by renowned acts like Sepultura, Pantera, Lamb of God and Korn, as well as some very interesting names of the Brazilian scene such as Nação Zumbi and Raimundos, the band comprised of our metal lady Thais Amaral (or in this case Babby Drunk) on vocals, Tom Ayres on the guitar, Bruno Mota on bass and Tiago Sorrentino on drums released their debut EP entitled Soldado Não Para (which would translate as “a soldier doesn’t stop” or “a soldier never stops” from Portuguese) in 2014, and despite all the changes in their lineup through the years the band has solidified their name in the Brazilian underground scene, having already played in several cities across the country. At first, when the band was created, Thais and her bandmates were not exactly sure of what they wanted to do apart from obviously having fun playing in a metal band, and what started as a form of entertainment with the band playing cover songs from bands like Sepultura, System of a Down and Disturbed (like this live footage from 2012 where they play the classic Down with the Sickness), plus a couple of original compositions, quickly evolved to a more serious project, attracting more and more people curious to see that fusion of extreme music with female clean and harsh vocals.

In 2018, while Endigna was recording their first full-length album, Thais and Tiago faced a lot of problems with lineup changes and different musical ideas, which forced Thais to end the recordings and put an end also to Endigna as a band. However, after uploading on YouTube a vocal cover video for the song Pisces, by one of her favorite bands, Ukrainian metallers Jinjer, Thais was informed the video was not only seen by Jinjer themselves, but the band posted it on their official Facebook page, acknowledging it as the best cover version to one of their songs they’ve ever seen. If that wasn’t enough to make Thais extremely happy and proud of herself, Endigna were later invited to be the opening act for Jinjer at Manifesto Bar in São Paulo during their Latin American tour that year. Needless to say, that was a dream come true for Thais and the boys, re-igniting the fire inside Endigna for the delight of all fans of the band. If you want to enjoy the flammable music and live performances by Thais and her bandmates from Endigna, I recommend you take a good look and and even better listen at several Youtube videos from their official channel such as De Mãos Dadas, Pecado, Soldado Não Para, Lei Da Obediência, and several live videos like Morre Que Passa, Salvação at Mineiro Rock Bar, Pecado and Cara Da Derrota at Manifesto Bar in 2015, and Salvação, Sufocante and Lei Da Obediência live at Crazy Festival at Led Slay in 2011. Also ,don’t forget to check their SoundCloud page and official Instagram profile to know more about the band and their music.

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Apaart from her career with Endigna, our dauntless Thais can also be seen singing on the song Olho por Olho (which literally translates as “eye for an eye”) by a very peculiar project curiously named D.A.T.E.N.N.A (Desgraceiras Aterradoras Televisionadas Em Notícias Nada Agradáveis), a wordplay with the name of a Brazilian journalist who hosts a hideous TV show that deals mostly with the urban violence and nasty crimes in various regions of Brazil, as well as her aforementioned YouTube channel where you can find her vocal covers for Jinjer’s Pisces and Arch Enemy’s Reason To Believe, featuring special guest Hebberty Taurus,  guitarist for a Brazilian metal band called Dakhmas. Furthermore, Thais is also a skillful tattoo artist, running her own studio called Thais Amaral Tattoo in her hometown Taboão Da Serra (and you can get more details about the studio directly from its Facebook page or Instagram).

Regarding her biggest idols, influences and favorite bands and artists, Thais always mentions in her interviews iconic groups like Lamb Of God, Slayer, Deftones, Otep, Faith No More, A Perfect Circle, Tool and Stone Temple Pilots, and even pop artists like Beyoncé and P!nk; in addition, Thais also said in one of her social media profiles that the saddest song she’s ever listened to is Eric Clapton’s Tears in Heaven, the movie she’s watched the most in her life is The Craft, from 1996, saying she even owns it in VHS and DVD, and that she recommends the song Kriptonita, by a band named Ludov, for anyone who’s looking for good music from the Brazilian rock scene.

Thais, who by the way has been suffering from bulimia for several years but that fortunately has also been able to control that inner monster, said in one of her interviews that although the rock and metal scene are still considered sexist by many, she doesn’t really feel that difference or discrimination as she works better with guys than with girls, but that she obviously understands from a viewer standpoint that there’s a lot more pressure on women than on men. Also, our talented growler currently enjoys full support from her family in regards to her career as a musician, complementing by saying that this wasn’t the case in the beginning as the type of music played by Endigna isn’t exactly what we can consider a cash cow. Nevertheless, Thais and Endigna truly love to hit the stage and kick some serious asses, with her “ritual” before her live performances including a facial muscle warm-up, vocalizations and gargling with lukewarm water to drain her vocal chords, and after the concert is over she doesn’t talk or say anything for four or six hours to recover her voice.

Lastly, when asked about the rock and metal scene in her hometown and in the rest of Brazil, Thais said that there are countless amazing bands all over the country that deserve our attention, despite of course all hassles and barriers faced by any underground band that plays heavy music. She complemented by saying that her interaction with all organizers, as well as with all fans of heavy music, is always fantastic, praising the hard work by everyone involve in all festivals and events where Endigna played and saying she loves to interact with the fans, without whom Endigna wouldn’t exist in her opinion, also mentioning the importance of the internet for the band to spread their music, their videos and tour dates. And, as a bonus, if you speak fluent Brazilian Portuguese or have a very good understanding of the language, simply sit down, relax and enjoy this nice interview with Thais to a series called “A Cena É Delas” for Motim Underground, where she talks about everything that was mentioned above and more, focusing on the role of women in the current scene, showing that the underground in Brazil is stronger than ever with talented musicians like Thais proudly carrying the flag of heavy music wherever they go.

Thais Amaral’s Official Facebook page
Thais Amaral’s Official Instagram
Thais Amaral’s Official Twitter
Thais Amaral’s Official YouTube channel
Endigna’s Official Facebook page

Endigna’s Official Instagram
Endigna’s Official Twitter
Endigna’s Official YouTube channel

Metal Chick of the Month – The Harp Twins

Can you feel the wind of the north, my dear Camille and Kennerly?

How about we celebrate insane six years of The Headbanging Moose with two very talented women who have the unique ability of transforming the heaviest and most intense metal classics into serene and touching ballads only armed with their ethereal harps? I’m talking about Camille and Kennerly Kitt, known worldwide as The Harp Twins, who have achieved an unprecedented success not only among metal fans but in countless other music genres and entertainment segments, leading them to tour across several countries in North and America, Europe and anywhere else where their whimsical sounds are truly appreciated. And no, you’re not seeing double, as The Harp Twins are indeed identical twins, providing your avid ears double the pleasure with their refined skills by mixing all types of rock, metal and soundtrack arrangements with the gentle sounds flowing form their harps. Not only that, Camille and Kennerly are also accomplished actresses, showing there’s no actual limit for this talented American duo.

Born in the city of Chicago, Illinois, United States in 1989, with their heritage being mostly Norwegian mixed with Swedish, Finnish, English, Scottish, French, German and a little Cherokee Indian, Camille and Kennerly began playing the piano when they were children, followed by the harp when they went to junior high school. The duo was drawn by the beauty of the harp, saying it seemed like a magical instrument to them. By the way, their first harps (small, pre-owned lever harps) were bought with money they got from jobs such as babysitting and dog-walking, in order to show their mother they were really serious about playing the instrument. Classically trained in piano and also capable of playing a little percussion, the two blonde harpists also love to sing, which can be seen in some of their own original compositions and cover songs, although of course their main focus is and will always be their mesmerizing harps.

Having already played their electric harps, acoustic and electro-acoustic concert grand harps in several concert series, festivals, fairs and conventions in front of the most diverse crowds, even playing for US presidents, tech geniuses and global leaders, Camille and Kennerly have released over 100 singles online since the beginning of their career, as well as some very interesting cover albums, developing a huge cult of followers worldwide through their social media and becoming undoubtedly the most famous harp duo in the world. All that success is not in vain, of course, as both sisters hold a Bachelor of Music degree in Harp Performance and graduated with highest honors (“Summa Cum Laude”) at Wheaton College Conservatory of Music, located in Wheaton, Illinois, not to mention their previous years in a music studies program at a local college where they were in the Honors Scholar Program and represented the college at several collegiate summits.

Despite being formally trained in classical music and having the aforementioned degrees, their true obsession in music has always been taking the harp to new heights and exploring new grounds, nurturing a deep passion for arranging and performing rock, metal and soundtrack music as a harp duet, as well as their Nordic-inspired original songs thanks to their Scandinavian origin, always without any backtracks, studio productions or record labels involved, beautifully representing what it truly means to be an independent artist. And after listening to their duet arrangements of contemporary songs from artists including Iron Maiden, The Rolling Stones, Metallica, AC/DC, Pink Floyd, Bon Jovi, Aerosmith, Guns N’ Roses, Enya and Journey, among many, many others, you’ll be able to fully understand why they have chosen to follow such distinguished path, embellishing the airwaves with their gentle, melodic and classy harp fingering.

As already mentioned, The Harp Twins, who by the way perform on Venus “Classic” Concert Grand pedal harps and Lyon & Healy “Silhouette” Electric lever harps, have several albums released (also in physical format) apart from their hundreds of online singles and videos, with their YouTube videos totaling over 106 million views with over 600,000 subscribers as of September 2019. For instance, their cover of Led Zeppelin’s Stairway to Heaven alone garnered over three million YouTube hits as of September 2019, while their version of Iron Maiden’s Fear of the Dark received over 11 million views as of September 2019. Their six self-produced albums are Harp Attack (2013), Harp Attack 2 (2015), Harp Attack 3 (2018), Harp Fantasy (2013), Harp Fantasty 2 (2016), and Winter Lights (2017); while the Harp Attack series are dedicated to covers of Rock N’ Roll, Hard Rock and Heavy Metal songs and the Harp Fantasy series focus on covers of video game, anime, film and television soundtracks such as Game of Thrones, The Walking Dead, Pirates of the Caribbean, Final Fantasy, Star Trek, Star Wars, Vikings, Silent Hill and The Lord of the Rings, just to name a few, Winter Lights was their first-ever holiday album, including two new original songs and ten new arrangements of holiday classics from years gone by. Furthermore, their music has also been featured in countless media like National Geographic, The Huffington Post, ABC News, Conan O’Brien’s TeamCoco, AMCtv.com, Guitar World, Revolver, and many more, having also been praised by different music icons like Megadeth, Billy Idol, Kansas and Within Temptation, who shared the twins’ music on their official social media.

As a metalhead, I’m pretty sure you’re eager to listen to Camille and Kennerly playing some of your favorite metal classics of all time, right? Well, all you have to do is subscribe to their YouTube channel, sit down and enjoy their harp versions for, but not limited to, Rush’s Closer to the Heart, Black Sabbath’s Paranoid, Dio’s Rainbow in the Dark, Metallica’s Fade to Black, Iron Maiden’s Run to the Hills, and Megadeth’s A Tout le Monde. Go visit their official YouTube channel, or buy their music from CD Baby or from Apple Music, relax and enjoy these and countless other classic like Send Me an Angel, Smoke on the Water, Sweet Child O’ Mine, Hotel California, Don’t Stop Believin’, Every Breath You Take, and so on.

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Camille and Kennerly always say they switch off playing melody and accompaniment, even within the same piece, and also that apart from all cover songs they do either by request or by their own choice, they have also been composing original music for their harps for years, which can be seen in songs like North and the music theme for their own animated logo. In addition, you can also find Camille and Kennerly as guest harpists in the intro Time to Set You Free,  from the album The Second Big Bang, released in 2017 by Brazilian Melodic Power Metal project Soulspell. And regarding her main influences and idols in music, the twins mentioned in one of their interviews that their earliest musical influences were rock and classic rock because that’s what their mother used to listen to, including bands like The Rolling Stones, Aerosmith, Led Zeppelin, Billy Idol, Van Halen, ZZ Top and Johnny Cash, later expanding their range due to their classical training to most artists and bands who think outside the box and follow their own path.

Although their main focus is obviously on their harp career, the duo is also famous for their acting and modeling skills, being members of the Screen Actors Guild (SAG) and AFTRA and having already acted in theater, film and television. For instance, in the season 6 finale of The Walking Dead, they played a walker nicknamed “Ouch That’s My Hair”, who was fought and killed by the character Carol, and had roles as “The Marcelli Twins” in the dark teen comedy Blacktino (as you can see in the official trailer by clicking HERE), from 2011, as well as appearances in many other movies like Delivery Man (2013), Elephant Medicine (2010) and The End of Lost Beginnings (2009), and in several commercial such as a national Japanese commercials for Chupa Chups lollypops. Still talking about their film career, Camille and Kennerly always like to mention that they do all their videos by themselves, arranging the music, finding the filming location, making their own costumes, filming everything with a small hand-held video camera on a tripod, recording the sound in their own living room and editing the video themselves. Needless to say, there’s no such thing as playbacks or any other “magic tricks” in their videos, as what you hear is exactly how it’s being played by our multi-talented twins. Also, when asked about their life on the road, Camille and Kennerly said in several interviews they have lots of memorable moments to share, like when they represented the United States at the World Harp Festival in Paraguay, where they had extensive support from the American embassy resulting in a full concert the day after the event to a sold out theater, and all of their performances at several Walker Stalker Cons, playing right before panels with Norman Reedus, Andrew Lincoln, Chandler Riggs and Greg Nicotero. It’s impossible to list all events they have participated so far in their career, featuring in all types of public, private, philanthropic, academic, corporate, cultural and political events, proving once again how talented and professional they are.

Of course, there’s no Camille and Kennerly without their harps and vice-versa, and that’s why it’s important and truly interesting to know more about the girls’ ethereal weapons. Their acoustic concert grand harps are 6’3” (or 1.9 m) and weigh 90 lbs (or 40.8 kg), while their electric harps are 4’ (or 1.22 m) and weigh 16 lbs (or 7.25 kg); regarding the number of strings, their acoustic concert grand harps have 47 strings (which can have three different pitches, those being flat, natural and sharp), their electric lever harps have 33 strings (which can have two different pitches, either flat/natural or natural/sharp), and their Harpsicle Harps have 26 strings. In addition, although it’s possible for the twins to use distortion on their electric harps, they don’t actually do that due to the difficulty to use distortion while still continuing the melody and accompaniment; however, you can enjoy Camille and Kennerly blasting distorted harp sounds on their cover version for Billy Idol’s White Wedding (by the way, Billy Idol himself even said that “if you live long enough you get to see this version of White Wedding”), and a slight effect in their Doctor Who Theme and The Smith’s Asleep covers. When asked about how they manage to carry their harps everywhere and how they handle their weight while playing, they said they put a strap on their backs to do that, but that they also bruise their hips from the straps if they wear the harps for too long. They love the freedom of movement, though, helping them to properly perform rock songs with their electric harps. Some people like to ask them why they don’t move even more while playing, and they said it’s tougher to reach a necessary balance with the harps than with a guitar or violin, for example.

Aside from being impressive harpists, Camille and Kennerly also have a variety of other interests and hobbies in their lives, keeping them absolutely busy pretty much all of the time. For instance, the twins are third degree black belts in Tae Kwon Do and former Tae Kwon Do instructors, which by the way caused two broken fingers to Kennerly while sparring one day, and stitches to Camille’s face as a result of puncture wound sustained while holding a board that Kennerly was breaking. In the end, those incidents made them decide to stop practicing martial arts and focus on their career as harpists. Our beloved blonde musicians were also competitive swimmers as kids (having both qualified for the Junior Olympics five times), are experts in rifle marksmanship, and are trained in horseback riding, not to mention their passion for other activities and hobbies such as hiking, working out, watching TV shows like The Walking Dead and Vikings, reading, writing, and so on. Moreover, the Kitt Twins are also actively involved in their community, supporting education and health initiatives for unprivileged children overseas, and volunteering for many years at a monthly deaf/hard-of-hearing social gathering (and yes, they know sign language), among other endeavors, as they strongly believe in the importance of giving back. The girls also sponsor a few kids in Ethiopia, helping to provide them school, food, clothing and medical care, always hoping more and more people will follow their steps to make the world a better place.

Last but not least, Camille and Kennerly’s connection as twins is beautifully externalized in the way they always look at each other while they’re playing, and in their twin costumes (which as mentioned are always put together by the twins themselves by mixing and matching things they already have at home), unless of course they need to dress differently for a commercial, film or media project. Having said that, if you want to have double the fun with the classy and mesmerizing music by Camille and Kennerly, or if you are an event organizer who’s searching for a truly unique attraction to captivate the attention of your guests on your next big event, you can get in touch with The Harp Twins by sending an email to HarpTwins@HarpTwins.com, and don’t forget to keep an eye on their Events Page on Facebook for all of their public performances, concerts and other events. And if you want to show your support to their distinguished work with their harps, as aforementioned you can purchase their music from Apple Music and from CD Baby, or simply visit their official website for all music, news, tour dates and other nice-to-know information about the unstoppable twins who give a beyond welcome touch of delicacy to our good old rock and metal music.

Camille and Kennerly’s Official Facebook page
Camille and Kennerly’s Official Instagram
Camille and Kennerly’s Official Twitter
Camille and Kennerly’s Official YouTube channel

“When someone tells us that our music has helped them through an illness, or inspired their child to learn an instrument, or even just given them some peace after a trying day, that means the world to us. As musicians, it’s the greatest feeling to know that our music has touched someone else in some way.” – Camille and Kennerly Kitt