Metal Chick of the Month – Tina Guo

A true metal cello Wonder Woman!

She might not be a pure Heavy Metal woman, but her superior skills and her passion for music truly make her unique. Armed with her flammable cello or with her whimsical erhu (the same two-stringed bowed musical instrument used by Taiwanese metallers Chthonic), she has been embellishing stages, movies, television and video game scores with her refined technique and stunning looks since around 1994, when her unparalleled career kicked off. Born on October 28, 1985 in Shanghai, China’s biggest city, a global financial centre and transport hub and one of the most populous cities in the world with a population of more than 24 million as of 2017, but currently residing in Los Angeles, California, United States, here comes the internationally acclaimed and Grammy-nominated Chinese-American cellist, erhuist, recording artist and composer Tina Guo (or 郭婷娜 in Chinese), a woman with a multi-faceted career and mastery in a wide range of genres, showcasing a deep and strong passion for musical exploration, artistic expression and technology. And of course, among all that, there’s still time for her to demonstrate her appreciation for our good old heavy music.

Tina Guo was born in Shanghai to father Lu-Yan Guo, a concert cellist, and mother Fei-Fei Soong, a concert violinist, both artistic directors of the California International Music and Art Festival, an annual event held in San Diego, California. She began playing piano at the age of 3 in China, but once she moved to America at the age of 5 with her family, she began violin lessons with her mother. At the age of 7, she began studying the cello under the instruction of her father, with both her parents forcing her to practice 6 to 8 hours a day. She then continued her professional cello studies with Slovenian cellist Eleonore Schoenfeld (1925–2007), one of the most influential cellists of the 20th century (who also taught Guo’s father), at the University of Southern California’s Thornton School of Music on full scholarship.

During her freshman year, Guo started dating a guitar player of an 80’s-style classic Heavy Metal band, and after attending one of their shows one night at The Whiskey in Hollywood, she started to think about how she could incorporate the cello into the metal style, experimenting with pedals and different techniques while trying to figure out how to play the cello and sound like a guitar player. While the fingering for both instruments were virtually the same, it took her three years and many YouTube videos to figure out what she was doing. She eventually left USC in her junior year, despite having a full scholarship to attend, after she found it increasingly difficult to balance performing and going to classes. Her parents were very angry and didn’t understand her decision at the time, getting used to the idea after a while. As a matter of fact, she claims to hold a Bachelors in Metaphysical Theology with a focus on Eastern Philosphy from the International College of Metaphysical Theology, but this is an unaccredited distance learning degree mill.

Her career has reached such a complex and diverse level I’m pretty sure you’ve listened to the cello by our Asian virtuoso at least once in your lifetime in a movie score, in a video game, or in a multitude of other media platforms. Known for her distinct videos showcasing her talent against theatrical backdrops and elaborate costumes, she has already appeared in her career as a soloist with the San Diego Symphony, the National Symphony Orchestra in Mexico, the Thessaloniki State Symphony in Greece, the Petrobras Symphony in Brazil, and the Vancouver Island Symphony in British Columbia, not to mention her participation in the Civic Youth Orchestra at the age of 10, her performance with violinist Midori Goto in Dvorak’s American String Quartet at Walt Disney Concert Hall in Los Angeles, and her four national tours of Mexico and Italy performing the Shostakovich, Dvorak, Haydn, and Saint-Saëns Cello Concertos. Tina endorses Larsen Strings, Yamaha, Line 6, Sennheiser, Focusrite, ENGL Amps, Voodoo Lab Pedals, Coffin Case, Samson, Reunion Blues, Analysis Plus Cables and Apogee Electronics.

Among her countless other projects and appearances as a special guest musician, some of the most interesting ones are her performance with the Tenerife Symphony and Choir in the Canary Islands performing Batman: The Dark Knight; her 2017 Australian tour with an all-girl crossover band named Metaphor; her 2008 Grammy Awards performance with the Foo Fighters; her 2011-2013 tour as the featured electric cellist with Cirque du Soleil’s Michael Jackson: The Immortal World Tour; her performance for the League of Legends World Championship to a sold out arena at Staples Center in Los Angeles and an audience of 33 million streaming online; playing the electric cello in a super-band with The Crystal Method, Wes Borland (Limp Bizkit), Danny Lohner (NIN), Joe Letz (Combichrist) and the Hollywood Scoring Orchestra; playing with Brazilian guitarist Victor Biglione in a Jimi Hendrix Tribute Concert at the Copacabana Palace in Rio de Janeiro; performing as soloist on music from Vikings, Dexter, Game of Thrones, and Chicago Fire with the Krakow Symphony and Polish Radio Choir at the Krakow Film Music Festival; and completing an acoustic tour and two sold-out performances at Carnegie Hall in 2016 with Blues Legend Joe Bonamassa, as you can see in the song Black Lung Heartache.

Furthermore, Tina has already shared the stage in her career with The Tenors, Stevie Wonder, Peter Gabriel, Josh Groban, John Legend, LeAnn Rimes, Chris Isaak, Il Divo, Ariana Grande, Lupe Fiasco, and Michael McDonald, among others, and has been featured as a soloist on the scores of several movies such as Wonder Woman, Dunkirk, Inception, Clash of the Titans, Olympus Has Fallen, Escape Plan, Sleepy Hollow, Hancock, Battle: Los Angeles, Predators and X-Men: First Class, as well as TV shows like  The Mentalist, Family Guy, American Dad, King of the Hill, commercials for Apple, Under Armour, and countless video games. As a solo artist, Tina has already released 8 albums, those being Autumn Winds and The Journey (both in 2011), Eternity (2013), Ray of Light and A Cello Christmas (both in 2014), Inner Passion (with Peter Kater) and Cello Metal (both in 2015), and more recently Game On! (2017). Furthermore, you can enjoy some very interesting videos on YouTube where Tina shows all her skills with her erhu, such as “Tina Guo plays music from Uncharted 2 on the Erhu with the GSPO”, and “Tina Guo and Michael Barry Random Jam: Danny Boy on Erhu and Piano”, or simply enjoy some of her official videos and songs like World of Warcraft, Dragonborn, Forrest Gump: Feather Theme and Genesis Rising.

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In regards to Tina’s contributions to the metal scene, she has been featured as a guest cellist in numerous distinguished bands and projects since 2009. For instance, in 2009 she played the cello in the songs The Lone Spaniard and So Far Gone, from the album Molecular Heinosity by American Progressive Metal/Rock keyboardist Derek Sherinian; in the song I Am the Nothing, from the 2014 album The Beauty of Destruction by  American Metalcore act Devil You Know (now called Light The Torch); in the 2017 album Störtebeker, by German Heavy/Power/Progressive Metal band FB1964; in the single Let Down, from the 2011 album Secret Passion by Dutch Symphonic Gothic Metal group Imperia; in the song Duet for Electric Guitar and Electric Cello in A Minor, from the 2010 album Speed Force by American shredder Maxxxwell Carlisle; and in the 2015 album The Life I Remember, by American Groove Metal act Once Human.

Among her main influences in music, we’ll find the most diverse range of bands and artist like Rammstein, Jacqueline du Pre, System of a Down, Hans Zimmer, Ennio Morricone, Lady Gaga, Apocalyptica, Metallica, Sevendust, Marilyn Manson and Nine Inch Nails, just to give you an idea of how eclectic our stunning cellist is. Moreover, when asked about what music means for her, Tina said that playing music requires an intense emotional connection, and that she didn’t always have such level of creative freedom in her life due to her strict childhood with her parents, who lived through the Chinese Cultural Revolution and who consequently didn’t allow her to listen to any other types of music at home besides classical music. However, it was through a critically acclaimed album by one of the aforementioned influences, the classic Antichrist Superstar by the iconic American rockstar Marilyn Manson, that she got her first taste of Industrial Metal and heavy music in general, getting to know the rebellious music by bands like Daft Punk and Guns N’ Roses from then on.

The indomitable Tina Guo is not our metal chick of the month in vain, having released in 2015 a majestic album of heavy music titled CELLO METAL, with Tina obviously on the electric cello and featuring Wes Borland and John Huldt on the guitars, Marty O’Brien (We Are The Fallen) on bass, and Glen Sobel (Alice Cooper, Alcatrazz) on drums, as well as guitarists Al Di Meola, John 5 (Marilyn Manson) and Nita Strauss (The Iron Maidens). Tina and her henchmen delivered ass-kicking cello-infused cover songs for some of the biggest metal classics with this album, which by the way took around three years to be ready, those being Iron Maiden’s The Trooper, Slayer’s Raining Blood, Black Sabbath’s Iron Man, Pantera’s Cowboys From Hell, and Metallica’s Sanitarium, together with five original songs (Child of Genesis, The God Particle, Eternal Night, Forbidden City and Queen Bee). By the way, Tina spent her entire life savings (a little under US$ 6,000) on the official video for Queen Bee, a metal-inspired take on the orchestral interlude “Flight of the Bumblebee” by Russian composer Nikolai Rimsky-Korsakov, and that risk paid off as what’s probably her “most extreme” music video to date (it got an 18+ restriction on YouTube) caught the attention of Hans Zimmer, who at that time was searching for a cellist to play on the score of Sherlock Holmes. “I wasn’t trying to get into the soundtrack world. Actually, I was hoping that Rammstein would see the video and invite me to play with them”, said our skillful cellist in one of her interviews. Anyway, you can have a very detailed listen at Cello Metal on Spotify, and see why this Asian bombshell is respected and admired by the entire world of music, including the always-demanding metal scene.

And Tina is not only an accomplished cellist, but she’s also a writer, a philanthropist and a very successful businesswoman. As a writer, her first published work was called “Event Horizons of Yin and Yang”, a collection of philosophical prose and poetry. As a philanthropist, Guo is a passionate supporter of the Academy of Music for the Blind, Partners in Health, Animal Welfare Institute, Homes for our Troops and Child Find of America. For instance, in 2015, she released a Charity album with 13 composer friends called Tina Guo & Composers for Charity, with 100% of the proceeds from the album going directly to Mr. Holland’s Opus Foundation in support of music education. And last but not least, as a businesswoman, she runs a Los Angeles-based venture named Tina Guo Contracting, which provides exclusive musicians and entertainment for live performances, recording and corporate events; she has a sample library that composers and producers can purchase and use; and above all that, she started her own music instrument line, named Tina Guo Strings, selling custom acoustic cellos, carbon fiber cases, and colourful “unicorn hair” bows for the violin, viola, and cello, with her first products available being the Tina Guo Model 300 cello, the Tina Guo Elite Master Art Model 600 cello, and a full line of custom Tina Guo bows. As a matter of fact, she has been self-managing her career since the beginning, having only signed an exclusive recording contact with Sony Music in 2016, as she thinks it’s very important to understand the business aspect and see everything that’s going on, especially because managers are always going to have other clients they’re dealing with.

However, despite being a successful musician and entrepreneur, she hasn’t been immune to sexism yet, noting that image sells in the performing world, and as a young Asian-American woman she’s more than familiar with the challenges that come with working in these two very white male-dominated spheres. “As a performing artist, we don’t only listen with our ears”, she said in one of her interviews. “If I look different or wasn’t as young, I might have a very different experience.” You can get a sense of all the awesomeness surrounding Tina as a musician and as a woman by watching several videos on YouTube where she’s either playing her cello or talking about her career and skills, such as “Tina Guo and her troublesome cello”, an interview with Tina Guo on classical and electric cello, or a mini-tutorial on playing fast, proving she’s more-than-ready to conquer the entire world of music and arts no matter how sexist that world might be.

Gand & Bernardel Cello (Paris, France, 1878)
Custom Tina Guo Model Yamaha SVC-210
Erhu (Shangai, China)

Tina Guo’s Official Facebook page
Tina Guo’s Official Twitter
Tina Guo’s Official Instagram
Tina Guo’s Official YouTube channel

“When I make music, I am completely pure, naked, and open. I long for the moments when my outer shell no longer matters. I hunger for every genuine tear of sorrow, joy, or understanding shared. When you can hear me for who I am, and see me in a way that doesn’t involve looking at me, but rather looking through me, only then can I be satisfied.” – Tina Guo


Metal Chick of the Month – Amanda Somerville

I hide you, I find you, I catch your fall…  I’ll be there when the lights go out…

She has already been involved with so many distinct bands and projects it feels like she’s a 100-year old veteran in heavy music, when in fact she’s just about to turn 39 years old. I’m talking about the unstoppable American vocalist Amanda Somerville, our metal chick of the month who’s not only a singer and songwriter, but also a vocal coach, being known primarily for her work with several renowned European Symphonic Metal bands such as Edguy, Avantasia, Epica, Kamelot and After Forever, and having also produced two solos albums and two solo EP’s so far, as well as a wide range of more underground acts like Aina, Trillium and Exit Eden. also, there are countless albums and songs from other artists in the world of heavy music where you can find the stunning Amanda delivering her beautiful vocal notes, only proving how professional she is and how much other musicians admire her talent and skills as a vocalist. Having said that, are you ready to get delightfully “lost” in the world of Amanda Somerville?

Born on March 7, 1979 in Flushing, a city in Genesee County in the U.S. state of Michigan, Amanda Somerville, whose full name is Amanda Somerville-Scharf, attended Flushing Senior High School, graduating a full year early and winning a scholarship for graduating with high honors to the University of Michigan in Flint, Michigan, where she majored in psychology. In 1999 she moved from the United States to Wolfsburg, Germany, working mainly in Germany and in the Netherlands. Her voice has a wide range, but she has said herself that her tessitura is in the alto range, and if you have no idea of what that means you can take a quick look at this short and sweet explanatory video HERE. On August 19, 2013, she announced that she was engaged to be married to After Forever’s former guitarist Sander Gommans, and the pair were married in July 2014; less than one year after their marriage, on January 8, 2015, the couple announced they were expecting their first child, who was born on July 17, 2015 and named Lana Elise Gommans, and now in January the couple and little Lana were joined by the identical twins Anya Jayne and Juliet Marlies (and you can expect to hear more from Amanda and her new babies through her official blog).

Amanda has started singing from a very early age in her life, having grown up in a very musical family where music was a very basic and essential part of life. Furthermore, not only she had that influence and inspiration at home, but she mentioned she also had very good music mentors at elementary school, learning how to read music and play the piano at a rather young age. In addition, she said she has always dreamed about becoming a musician, and that’s all she ever wanted to do. For instance, throughout her life she has always performed in talent shows, competitions and concerts, hosting karaoke, singing in cover bands and jazz combos to earn money while she was in university, and even doing some appearances as a DJ. However, albeit being famous worldwide for her participation in several metal bands and projects, Amanda said that when she started her career she was a solo artist directed to the Pop Rock genre with some American folk elements. It was only when she decided to record a single with her bass player and drummer years ago that she met German guitarist, bassist and musical producer Sascha Paeth, who at that time was related to her bass player and owned a recording studio. Both Sascha and German keyboard player and musical producer Michael “Miro” Rodenberg were at the spot, helped them set up everything and listened to them performing, until they asked Amanda if she wanted to do something together with them, opening the doors of heavy music for our stunning diva. And regarding her education in music and arts in general, she said she never really studied music in a formal way, nor was she classically trained in singing. Amanda mentioned that it was her grandmother who taught her how to read music and gave her the basic foundation that she still uses for composing until today. Furthermore, as a vocal coach she was able to work with several distinguished musicians, always being open to learn from her students and to face new challenges they might bring her, therefore growing as a musician and as a person.

Trying to list every single band and project Amanda was or is still involved in Heavy Metal might be one of the toughest tasks one can try to accomplish, as she has already written and recorded with several renowned acts like the ones mentioned in the beginning of this essay about our gorgeous American vocalist, as well as her solos releases (which by the way were primarily soft and elegant Pop Rock with some Hard Rock, folk and soul music influences) and a rock opera, among other distinct endeavors. Let’s start with her solo career, with the releases of the albums In the Beginning There Was… (2000) and Windows (2008), and the EP’s Blue Nothing (2000) and Never Alone (2003), with her upcoming album Conformity Challenged to be announced soon. You can have a listen at her softer and more graceful side in songs like I Miss America and Puzzling Rapunzel, from her debut album, and Inner Whore and Sometimes, from Windows, but that’s the lightest music you’ll find in this tribute to Amanda, as from now on it’s going to be pure heavy music flowing through her veins and vocals.

Her first venture in metal was her collaboration with German multi-instrumentalist Robert Hunecke-Rizzo (Heavens Gate, Luca Turilli, Kamelot, Rhapsody of Fire), co-writing the rock opera Aina, a Symphonic and Progressive Heavy/Power Metal project featuring a number of guest appearances including Glenn Hughes, Michael Kiske and Candice Night, where the concept and lyrics were written by Amanda herself. There was only one album released under the project, the 2003 opus Days of Rising Doom (which you can listen in its entirety HERE), and don’t expect to see anything new from Aina in the short or even long-term. After Aina, she made a similar collaboration with her husband-to-be Sander Gommans, providing vocals and lyrical concept for HDK (the acronym for Hate Death Kill), a Melodic Death/Gothic Metal project with whom she released the albums System Overload, in 2009, and Serenades of the Netherworld, in 2014. Do you want to bang your head to the music by HDK? Try the songs System Overload and Mortal Zombie, one from each release by the project, and see if you like this more ferocious side of Amanda.

Perhaps her most remarkable project to date is her partnership with the iconic German vocalist Michael Kiske (Helloween, Unisonic) on a musical project entitled Kiske/Somerville, also featuring Primal Fear’s own Mat Sinner on bass and Magnus Karlsson on guitars (who by the way are the two main songwriters of the project), and Czech drummer Veronika Lukešová. In 2010, the project released their debut self-titled album, followed by another full-length release named City of Heroes, in 2015. From their debut installment, you can enjoy on YouTube songs such as Silence and If I Had A Wish, and from City of Heroes you should take a listen at Walk on Water.

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Another very interesting project by Amanda goes by the name of Trillium, a Symphonic Metal band formed in 2011 in the Netherlands (where she currently resides), featuring some of her longtime fellow musicians Sander Gommans, Sascha Paeth and Michael “Miro” Rodenberg, having released in 2011 the full-length album Alloy. She described the music by Trillium as “more like an expedition with my musical family to explore and celebrate the metamorphosis I’ve gone through as an artist over the past several years”, while the name of the band “symbolizes a trinity because things are always showing up in 3s in my environment and there are a number of triads occurring in this project, as well”. And she went on saying that “the name of the album, Alloy, is symbolic and metaphorical. An alloy is a substance composed of two or more metals, or of a metal or metals combined with a non-metal, intimately mixed. It also means standard; quality; fineness and is an admixture, as of good with evil. I’m a Pisces, so I’m all about duality and combining known elements – sometimes opposing each other – to create something different. Though I’ve been working myself further and further into the metal scene, I still always feel the need to add an extra element to make it shine, bling, stand out”. From Alloy, you should check the song Coward, and if you like what you hear you can enjoy the full album HERE.

In 2017, Amanda joined a new project entitled Exit Eden, featuring four female singers from the rock and metal scene from four different countries, those being Clémentine Delauney (Visions of Atlantis, Serenity) from France, Marina La Torraca (Highlight Kenosis, Phantom Elite) from Brazil, newcomer Anna Brunner from Germany, and obviously Amanda Somerville. The band was conceived with the plan “to show the world that almost every classic song can be transformed into a solid metal-rock song”, a concept similar to Finland’s Northern Kings, releasing in 2017 the album Rhapsodies In Black, comprised of 11 metallic versions for some of the biggest pop and rock classics like Rihanna’s Unfaithful, Depeche Mode’s A Question Of Time, Shontelle’s Impossible, Lady Gaga’s Paparazzi, Backstreet Boys’ Incomplete, and Bonnie Tyler’s Total Eclipse Of The Heart, with the stunning Dutch goddess Simone Simons also appearing in two songs of the album, Madonna’s Frozen, Adele’s Skyfall.

Apart from all those bands and projects, Amanda has also been involved with several iconic acts either live or as a guest musician in some of their studio albums. For instance, in 2008, she toured America with Dutch Symphonic Metal icons Epica, while Simone Simons recovered from a staph infection; she was also one of the live guest vocalists for Tobias Sammet’s metal opera Avantasia world tours in 2008, 2010, 2013 and 2016, where she performed both backing vocals and lead vocals for a few songs; she was featured on Douglas R. Docker’s space metal opera Docker’s Guild in 2012 in a duet with Goran Edman on the debut album The Mystic Technocracy – Season 1: The Age of Ignorance, and again in 2016 in the Flash Gordon Suite on the album The Heisenberg Diaries – Book A: Sounds of Future Past; and also played the part of the “Queen of the Nile” in an album titled The Book of Gates, by a metal opera project from the Middle-East named EON, produced by Lebanese guitarist Amadeus Awad. And the list goes on and on with Amanda lending her beautiful voice to several interesting songs recorded by bands like After Forever, Edguy, Lunatica, Serenity, Wolfpakk, Shaman, DesDemon, Hollow Haze, Sebastien, Soulspell, and many, many others.

When asked about her experience working with several renowned artists such as Alice Cooper, Ian Gillan and Eric Martin due to her role in projects like Rock Meets Classic and Avantasia, Amanda answered that working with all those metal icons is always a pleasure for her, as she always enters a new situation or project with a very open mind and loves to be surprised by those artists, not to mention she also said most of them are amazing human beings. In addition, when asked which musician or artist she would love to work with in the future, Amanda mentioned some important names in music such as John Fogerty, the mastermind behind Creedence Clearwater Revival; Grace Slick, an American musician and former model, widely known in Rock N’ Roll history for her role in San Francisco’s burgeoning psychedelic music scene in the 60’s, being the voice of bands like Jefferson Airplane and Starship; and as a solo artist she would also love to work with Paul Simon and Tori Amos. As you can see although those musicians listed by Amanda are not your regular metal icons, they do have a huge influence on countless metal artists and bands from different styles, proving once again heavy music is not and can never be isolated from the rest of the world of music.

Regarding her inspirations for her music and lyrics and her full creative process, Amanda said she doesn’t really have a “normal process” as far as songwriting goes, with her songs beginning sometimes as a chorus or a verse, sometimes as just the lyrics with the body of the composition coming later, and sometimes the song will come to her from start to finish in its entirety. She complemented by saying that as a songwriter, the lyrics are of extreme importance to her, and that her songs are always very emotional because she doesn’t believe in writing or performing anything that can’t make people feel along with her. All her songs are personal-based, talking about human struggles and relationships, whether it was something she went through, a dream, or inspired by someone or something, and all being “little windows” into the innermost workings of Amanda Somerville.

Last but not least, apart from all her projects and adventures in music in general, Amanda still found some time in June 2014 to be part of a German television show named Keep Your Light Shining, which aired from the end of May to June 2014 by ProSieben, singing the song Addicted To You by Avicii (and you can also see her personal message about the show HERE). She said she accepted the challenge because she enjoys getting out of her comfort zone, pushing herself to her own limits. However, the show had to make some special arrangements for her due to her touring schedule and other details, as she was only able to join their third show. Many people asked her why she was doing that, because she didn’t need it, but she said she actually wanted to participate on the show as a new experience for her. Moreover, despite the final result not being very positive for her, she said she wasn’t sad or anything like that as in the end she was the only member with a career while some of the others went backstage and cried their hearts out. What’s next for Amanda Somerville? Now with the twins she will probably take some time off from all her endeavors in heavy music, but I’m sure it won’t take long for us metalheads to have the pleasure of listening to her beautiful voice once again accompanied by some flammable guitar riffs and headbanging beats in another ass-kicking song, band or project.

Amanda Somerville’s Official Facebook page
Amanda Somerville’s Official Twitter
Amanda Somerville’s Official Instagram
Amanda Somerville’s Official YouTube channel

“I’ve never really been able to force a song. I don’t believe in doing anything contrived, especially when it comes to songwriting. I think it’s a blasphemy to one’s art. Music is my emotional outlet and I let it take me wherever it leads.” – Amanda Somerville

Metal Chick of the Month – Fernanda Lira

Join the army, get in the violent mosh!

There’s nothing better than revving up the engines of 2018 with the thunderous sound blasted by one of the meanest and most humble bassists in contemporary Thrash Metal, a woman who not only kicks some serious ass with her roaring bass guitar, but who’s also an accomplished Extreme Metal vocalist, growling and gnarling like a beast anywhere she goes for our total delight. With that said, please welcome as our first metal chick of the year the stunning and electrifying Brazilian musician Fernanda Lira, better known as the lead singer and bassist for Brazilian all-female Thrash Metal power trio Nervosa. And you better be ready, because Fernanda will accelerate your heart and mercilessly rock you like a hurricane with all her passion for heavy music, her devilish screams and, above all, the groovy wallops of her mighty bass.

Fernanda B. Lira was born on September 9, 1989 in São Paulo, one of the world’s most populous cities with over 20 million inhabitants in its metropolitan area, having discovered her love for heavy music and for playing bass guitar at the age of 13, being influenced by her father, who was also a bass player (and with whom she remembers “jamming” with his acoustic guitar or “playing drums” on the leather couch as a child while he played) and a huge fan of bands like KISS and Venom, and by her biggest idol since childhood, Iron Maiden’s one and only Steve Harris. Furthermore, she never attended classes to learn how to play bass, always using her instincts and utter dedication to develop her skills as a musician, blending all that with her endless energy and aggressiveness to make her playing style truly unique. And despite deciding she wanted to be in a band when she was around 15 years old, Fernanda undertook several other endeavors before becoming (and even when she was already) the frontwoman for Nervosa, as for example studying journalism at Faculdade Cásper Líbero (the oldest journalism school in Latin America), working as an English teacher, and presenting a show called Heavy Nation on Rádio UOL together with her friend Julio Feriato from 2012 until 2015, among other projects.

Highly inspired by the aforementioned Steve Harris and by other renowned bassists such as Geezer Butler, Steve Di Giorgio, Geddy Lee, Ron Royce and Markus Grosskopf, our badass Fernanda eliminated the use of picks and dedicated herself to playing with her fingers, also trying to take down from the bass the function of only “marking” the rhythm of the music. Moreover, regarding her vocal inspirations, Fernanda has always tried to learn how to sing by imitating her metal idols Tarja Turunen, Michael Kiske and Geoff Tate; however, after she started working with more aggressive vocal-inspired bands, she began to migrate to a different style of singing, leaning towards a similar style used by extreme music singers Tom Araya (the iconic vocalist and bassist for Thrash Metal behemoths Slayer) and Schmier (from Teutonic Thrash Metal legends Destruction).

Before joining Nervosa, Fernanda was part of two other Brazilian metal bands, both hailing from the city of São Paulo, those being the all-female Heavy Metal act Hellgard (who played more melodic material the likes of Helloween and Edguy), from 2008 to 2009, and Thrash/Death Metal group HellArise, from 2009 to 2011, playing bass and doing some backing vocals, as well as playing bass live for a comedy Heavy Metal band known as Detonator e as Musas do Metal (which translates as “Detonator and the Muses of Metal”), in 2012. She recorded two demos in her pre-Nervosa era with those bands, one being a three-track demo with Hellgard titled Rise of a Kingdom, in 2009, and a four-track demo with HellArise named Human Disgrace, in 2010, with the title-track being re-recorded and re-released in 2016 already without Fernanda on bass. Apart from Hellgard, HellArise and obviously Nervosa, Fernanda was a guest musician for two distinct metal bands from Brazil in the past few years, Post-Black/Doom Metal act Fanttasma and Thrash Metal titans Torture Squad, and in both cases she acted as a guest vocalist, leaving her menacing bass guitar “dormant”, for lack of a better word. You can enjoy her potent vocals in the songs Metropolis and Life Is War, from Fanttasma’s 2013 album Another Sleepless Night, as well as in their 2014 single Voodoo, and in Torture Squad’s 2013 release Esquadrão de Tortura (throughout the entire album) and in their cover version for Coroner’s Divine Step, released as a bonus track for their 2017 opus Far Beyond Existence. And last but not least, she’s also featured in the song Carcaça de Outro Alguém, together with a band called Fire Strike, as part of a tribute album to the cult Brazilian Horror Punk band Zumbis do Espaço; in a partnership with Brazilian guitarist and producer Denis Di Lallo in a song called Struggle to Survive; and in countless live performances with distinct bands and musicians, like for example playing Slayer’s all-time classic Black Magic with Brazilian Thrash/Death Metal band Desaster.

It’s finally time to talk a little about her career with Nervosa, one of the most promising bands not only in Brazilian metal but in the entire world of Thrash and Death Metal. After quitting her previous bands, our raven-haired growler was already searching for an all-female thrash act when she met guitarist Prika Amaral, who already had Nervosa as a project and was in pursuit of a bassist and singer to bring the band into being, which ended up happening in 2010. And Nervosa have been on a roll since their inception, releasing their debut EP titled Time of Death, in 2012, followed by the full-length albums Victim of Yourself, in 2014, and more recently the underground masterpiece Agony, one of the top 10 metal albums of 2016 from our list. From all those three flammable releases by Nervosa, you can slam into the circle pit together with Fernanda and the girls to the songs Masked Betrayer, Death, Hostages and Guerra Santa (with a nice explanation of what this song is all about by Fernanda herself). As a matter of fact, in one of her interviews, our ass-kicking bassist explained in more details the concept behind Guerra Santa, which is Portuguese for “holy war”. According to Fernanda, this song “talks about all the intolerance that goes on when the subject is religion. Although this is not like a Black Metal song talking against God, Jesus or any religion because I totally respect people’s beliefs. So, this song is not against religion but against the way religion can be harmful sometimes; I mean, religions should be preaching about love, respect, being kind to the next of kin, doing good stuff but sometimes they preach about intolerance against like sexual orientation, races, other cultures – destroying temples of other religions – so what kind of good they bring?”

When asked about the fast and growing success of a relatively young band like Nervosa, Fernanda mentioned that metal is always renewing itself, and everything that’s new in metal, such as three girls playing furious and aggressive Thrash Metal like Nervosa, ends up catching a lot of attention from metalheads all over the world. In addition, she believes that, as part of the process, in some years that’s going to become more natural with more and more girls getting involved with metal. In my humble opinion, I strongly believe their music is what’s really driving their success in the heavy music scene, especially when Nervosa are performing live, and you can get a very good taste of their crushing thrash live in several videos on YouTube, such as the songs Time of Death at Estúdio Showlivre in 2012 in Brazil; Justice Be Done at Seis Tercios Sesiones in Colombia in 2014; Masked Betrayer, Victim of Yourself and Nasty Injury at Ao Vivo no Casarão in Brazil in 2013; and in distinct full live performances like their 2016 concerts in Bulgaria and Serbia, and in special their demolishing concert at Rock Al Parque in 2017, arguably the largest free rock festival not only in Colombia but in the entire continent. And Fernanda loves that life on the road and being on stage, having already visited a lot of different countries and cities, despite the fact she never has enough time to walk around and get to know more about the place she’s playing that night nor about its culture or people.

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As expected, Fernanda has already been asked numerous times how it feels to be an all-female band and about the growing importance of women in metal music. She said that, at the end of the day, we’re all metalheads nurturing the same passion and admiration for Heavy Metal. She complemented by saying she doesn’t really care about being gendered, because in her opinion being called an all-female Thrash Metal band is just a way to describe a specific genre, like Folk Metal, Black Metal, and so on, given the fact that there aren’t many known bands like Nervosa in the market, and although it was a little difficult in the beginning because they’re playing an extreme style dominated by men in a sexist country like Brazil, people are changing their view of women in metal, supporting them, respecting them and encouraging other women to play heavy music. Moreover, she said there’s still a long way to go regarding this matter because there are many conservative metalheads that do not fully accept girls playing heavy music yet, but that’s something metal as a subversive kind of music can certainly change, with fans of heavy music being in their majority very open-minded, intelligent and cultural people. In addition to that, Fernanda said she has always felt like playing only with girls, as she has always dreamed about that and has always been inspired by girls in metal. All her previous bands were all-female groups, and she knew that it was something new that would help her and her bands stand out in metal.

Another interesting topic discussed by our charming growler in some of her interviews is the usage of the Portuguese language in her lyrics, something you can easily find in other heavy music styles like Punk Rock and Hardcore, with amazing bands like the unparalleled Ratos de Porão applying the Portuguese language to their music almost to perfection, but that’s not very common in Thrash, Death and Black Metal. Although Nervosa have two songs in Brazilian Portuguese, those being Urânio em Nós (from Victim of Yourself) and Guerra Santa (from Agony), she said she has always listened to metal in English despite the fact she was born and lives in Brazil, obviously due to the fact most major metal bands sing in English, and that writing lyrics in English is much more natural and easier for her than in Portuguese. And besides, she believes that the English language helps her spread her opinion and ideas much better than Portuguese to a wider audience worldwide (despite the fact that nowadays it’s quite easy to translate anything in any language), making people think, debate, agree or disagree about the topics and subjects contained in her lyrics.

If there’s one thing you can definitely spend hours watching on YouTube, those are several interviews Fernanda gave in both English and Portuguese to the most diverse channels, shows and websites, and in all of them you’ll be able to notice how fun and honest she is not only as a musician but also as a regular human being. I’ve selected a few of those videos for you, including an interview she gave during Nervosa’s performance at Obscene Extreme festival in the Czech Republic in 2015; her chat with the online show From Hero To Zero in 2016 during Nervosa’s European tour with Destruction, where she talks about how difficult it is to make a living out of metal in Latin America, among other topics; and my favorite (and most distinct) of all, Fernanda, together with João Gordo (the idiosyncratic frontman for Ratos de Porão) and vegan chef Willyan Balbino, preparing a vegan twist to a Brazilian popular food snack named “coxinha”, a savory dough shaped into a drumstick around a creamy chicken salad filling then battered and fried, but in this specific case as Panelaço do João Gordo is a vegan show the coxinha was prepared with jackfruit instead of chicken. They obviously talk about heavy music and other stuff, but the star of the show in the end is the jackfruit coxinha (even for a “meatatarian” like myself, those coxinhas look beyond delicious).

And closing our small tribute to the talented Fernanda, when asked about what her recommendations are for bands that are starting their career in heavy music, she said the best option in the beginning is for the bands to promote their music in their homeland, focusing on what’s around them first before going for bigger markets like the USA and Europe. Nervosa have hundreds of thousands of Facebook and Instagram likes, but most of them come from their fanbase in Brazil and the rest of South America. She strongly believes it’s essential to have a huge support from where you come from, with the only issue in their own case being the fact that it’s really hard to make heavy music in Brazil due to the lack of money, opportunities and support from the media. However, as an obstinate metalhead that she is, she believes in the power and unity of metal fans in Latin America, who are always buying albums, merchandise and attending concerts with more intensity than in other parts of the world, being proud of the scene and proudly carrying the flag of Brazilian metal anywhere she goes with Nervosa. And that, my friends, is how you join professionalism and passion in the best possible way.

Fernanda Lira’s Official Facebook page
Fernanda Lira’s Official Facebook fan page
Fernanda Lira’s Official Instagram
Nervosa’s Official Website
Nervosa’s Official Facebook page
Nervosa’s Official Twitter
Nervosa’s Official YouTube channel
Nervosa’s Official Instagram

“All of my best stories and memories are because of metal. I was born and raised in metal. So, all my boyfriends, all my friends, and experiences are related to metal. That’s why I’m so intense on the stage, I feel like I’m living the dream.” – Fernanda Lira


Metal Chick of the Month – Fallon Bowman

Then we lay there… Embracing our last stare… On a moonlit afternoon…

As The Headbanging Moose is based in Toronto, Canada, probably the most multi-cultural city in the world, there’s nothing better than having as our last metal chick of the year of 2017 a woman of Dutch and Indonesian descent that was born in Cape Town, South Africa, but that currently resides here in Toronto, playing an also diverse range of musical styles such as Alternative Metal, Nu Metal, Rock, Industrial and even Electronica. This woman, who’s a skillful vocalist and guitarist, goes by the name of Fallon Bowman, known for her involvement with the bands Kittie, Pigface and Amphibious Assault, as well as a solo career which she’s been pursuing since around 2011. Having said that, are you ready to bang your head to the electrifying music by the exotic Fallon?

Born on November 16, 1983 in Cape Town, a port city on South Africa’s southwest coast, on a peninsula beneath the imposing Table Mountain, Fallon has been active in the world of alternative and heavy music since 1996, when at the age of fourteen years old she helped to form Canadian Alternative Metal act Kittie with classmate Mercedes Lander and Mercedes’ sister, Morgan Lander, playing guitar and performing backing vocals for the band from their inception in 1996 until August 2001, when she left the band. As a matter of fact, her passion for music actually started a few years before Kittie, when she was around 10 years old, when she was fascinated with a guitar her grandfather had at his home in South Africa. However, she mentioned the guitar was not her first choice, as at first she wanted to be a drummer when she was around 12, but her parents were against it and she ended up getting a guitar from them after they saw her performance playing the song Violet, by Hole, at a school assembly with a friend using a friend’s guitar. Getting back to Kittie, Fallon has already explained several times in different interviews why she left the band, saying she was unhappy with some things in the band so she felt that maybe it was time for her to depart. Our dauntless guitarist recorded two albums with Kittie, those being the full-length Spit, in 1999, and the EP Paperdoll, in 2000, comprised of a remix of Spit’s song Paperdoll and five songs from Spit recorded live on June 15, 2000 at the Hultsfred Festival in Sweden.

Regarding the writing and meaning of the song Choke in Spit, Fallon said that it is “about someone telling you that they love you so much, and they put you up on a pedestal and make you feel great, then they turn around and say “screw you”, and you can sense that feeling while listening to the song (which you can do HERE). Furthermore, just to give you an idea of the impact of the release of Spit, right after that Kittie went on tours with bands such as Chevelle, Slipknot, Suicidal Tendencies, and Shuvel, also performing at Ozzfest and at the 2001 SnoCore festival. Hence, if you want to listen to Fallon playing her flammable guitar with Kittie, I recommend the songs Brackish and Charlotte, both taken from Spit.

Right after her departure from Kittie, Fallon experienced a period of stress due to splitting up with her friends from the band, but she managed to overcome that difficult situation after a while and got involved with her two next endeavors, the distinct bands Pigface and Amphibious Assault. Pigface is an industrial music supergroup formed in 1990 by Martin Atkins (Ministry, Killing Joke) and William Rieflin (Ministry, KMFDM, R.E.M., King Crimson), featuring tons of guest musicians such as our metal babe Fallon. She ended up recording several tracks with Pigface for their 2003 album Easy Listening…, which led her to begin writing music again due to the enjoyment she had during the recording process. She then purchased a sequencer and began exploring the industrial music genre that she admired but had never actively pursued, also filling her basement in the following months with drum machines and synthesizers, which in the end led to the writing of the songs for District Six, the debut album by her upcoming industrial project Amphibious Assault, mixing lots of heavy elements and aspects with her passion for industrial music. The name of the project was chosen during a flight from Toronto to New Jersey, when Bowman, at the age of seventeen, was skimming through a Tom Clancy novel when she came upon the term “amphibious assault”, with the whole project being, according to our talented musician herself, her personal “homage” to her KMFDM days, when she was obsessed with them. Amphibious Assault went on for a few years, from 2003 until 2007, with two full-length albums released, the aforementioned District Six in 2003 and On Better Days and Sin-Eating in 2006. If you want to take a listen at this more electronic side of Fallon, I recommend you check the songs Tears In Rain, District 6, The Importance Of Finding Narcissism, Mistakes, Breaks, Way Too Lates, and Benedictine, among many others.

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After the end of Amphibious Assault, Fallon mentioned that a new project was about to become a reality, tentatively named “Oh No, Torpedo!”, but that in the end became her solo project Fallon Bowman & The Grace Dynasty (with The Grace Dynasty being a five-piece band that included Rhim of The Birthday Massacre on drums), playing a series of live shows before announcing their forthcoming debut album, titled Human, Conditional, from 2011. However, right after the recording of the album was done, it was decided that the project would drop “The Grace Dynasty” from its name, being then just known as Fallon Bowman. You can take a detailed listen at Human, Conditional at Bowman’s own BandCamp page, with songs like the title-track Human, Conditional and Rio de Janeiro being a good sample of how her latest project sounds like.

Regarding her vocal range and her skills as a musician, Fallon mentioned in one of her interviews she’s highly influenced by R&B (thanks to her sister and parents), which allows her to do more than “just” scream and yell while singing, and that she hadn’t taken any singing lesson until she left Kittie. She said that her vocal teacher taught her all sorts of essential lessons about maintaining pitch while moving, and that she incorporated those into her performances to give it a more theatrical vibe. In addition, she also mentioned the emotion she transpires during her live performances is something that just happens, it’s very organic and it arises from the same place her lyrics and pain come from. And even in the middle of that sea of emotions, Fallon has time to sharpen her playing skills, being able to play guitar, keyboards, bass and sing (and getting there in regards to the piano), all helping her become a better composer. And did you know she has a degree in archeology? Well, that’s something almost no one actually knew until she was the subject of a prank for an episode of the short-lived Animal Planet series Freak Encounters a few years ago.

Fallon’s influences in music are just as diverse as her own background, with our talented multi-instrumentalist being highly influenced by R&B when it comes to her vocal style, but of course she also draws a lot of inspiration from electronic and rock music, saying that she loves the contrast between angelic singing and harder music. In terms of names, she said her taste for music varies from Whitney Houston to Deftones, from Calvin Harris to VNV Nation to Nirvana, and so on, mentioning that there’s beauty in all types of music. When asked about a band that she would have loved to tour with from the past, she promptly mentioned Nirvana, saying that meeting Kurt Cobain would have been a mind-blowing experience and that Nirvana, alongside with Hole, were the bands that made her want to be a musician. Furthermore, Fallon still had time to create her own dream band, that being David Gahan from Depeche Mode on vocals, Danny Carey from Tool on drums, Ryan from Mudvayne on bass, and Jimi Hendrix on guitar. How awesome do you think that supergroup would sound?

When asked about all changes that have impacted the music industry since she started her career back in 1996, she said when Kittie started they had almost no focus on the internet, as there wasn’t Facebook or anything like that at that time, saying it was all about street teams made up of fans that would spread the word about each band, something that doesn’t happen anymore nowadays. Fallon has been trying to learn about new apps and platforms to promote her music, and you can find her in several places, as for example you can buy her music on BandCamp, something that didn’t exist at all in the 90’s. Well, she’s also on Facebook, Twitter, Instagram and YouTube, so let’s say she has adapted to this new reality in the music business as much as her taste in music has changed and evolved, right? Well, now let’s wait and see what the future holds for this young and restless musician, hoping that she keeps “invading” all current and new types of social media sites and music apps with her uniqueness and electricity.

Fallon Bowman’s Official Facebook page
Fallon Bowman’s Official Twitter
Fallon Bowman’s Official Instagram
Fallon Bowman’s Official YouTube channel
Fallon Bowman’s Official BandCamp

“I didn’t consciously think of what I was doing as a step for me as a woman of colour – it was more simple than that – being a teenager wanting to be a rockstar. In retrospect however, no one besides maybe Skin was doing that style of music and was also a woman of colour. It’s a bit mind blowing really. There was really no one else doing that at that level.” – Fallon Bowman


Metal Chick of the Month – Dagny Susanne

Malice, come closer to me!

The month of November in the Northern Hemisphere is always a synonym to colder temperatures and darker days, a sign that winter is coming and that all the happiness and warmth of the summer are long gone and will take even longer to return. Having said that, there’s nothing better than listening to some old school, menacing Scandinavian Black Metal to “celebrate” the Stygian season that’s about to begin, especially if it’s the Black Metal crafted by our metal chick this month, the multi-talented Swedish Valkyrie known as Dagny Susanne, the mastermind behind the top-notch extreme music project Nachtlieder. By the way, Nachtlieder is German for “night songs” or “songs of the night”. Do I need to say more?

Born on September 9, 1986 in Kiruna, the northernmost town in Sweden, situated in the province of Lapland, but currently residing in the multi-cultural Swedish city of Gothenburg where she moved about a decade ago, Dagny Susanne (whose real full name is Karin Dagny Susanne Hansson) mentioned she never had any friends who were into heavy music nor could buy any albums in her hometown because there wasn’t a record store there at that time, being “forced” to download music using Napster with a modem, which obviously made her discovery of metal painfully slow. Furthermore, growing up in Kiruna affected her personality and the way she currently sees things both in good and bad ways, but her interest in metal, in meeting musicians and starting a band motivated her to move to Gothenburg. However, nowadays Dagny feels a little nostalgic when talking about her beloved Kiruna, saying that not only it’s a beautiful and serene place, but it also inspires you to work, clearing your head and putting you in a good state of mind due to its calmness and distance from bigger cities like Gothenburg and Stockholm. For instance, just to give you an idea of how isolated Kiruna is, Luleå, the biggest town in the same region, is nothing more, nothing less than three hours away from it.

Since 2008, Dagny has been embellishing the world of extreme music with her Black Metal outlet Nachtlieder, being responsible for the songwriting, the lyrics, all vocal parts and pretty much all other instruments except for the drums, played in almost all her releases by her longtime friend Martrum (also known as Dödsdyrk, from bands such as Minion and Wicked). After the release of two demos in 2009 and a promo album in 2010, Dagny and her Nachtlieder became a much bolder and intense entity after unleashing upon humanity the full-length albums Nachtlieder, in 2013, and more recently The Female of the Species, in 2015, with the latter having the Biblical character of Eve, the female of the species, as the central character in the album’s narrative as mentioned in our review for the album. However, the original idea of the album was taken from the book “The Female of the Species”, by American writer Joyce Carol Oates, a collection of novellas about women committing different acts of violence for various reasons, slightly changing to the narrative about Eve after Dagny began to reference the phenomenon of “Satanic feminism” where Satan, a symbol for liberation, is also used as a feminist icon in her lyrics. In addition, Dagny said that, as she used to work in a public library, she reads a lot and that has a significant influence on her lyrics (but not on her music, thought), starting with small text fragments before coming up with what the lyrics should be about.

If you want to take a good listen at the music by Dagny and her Nachtlieder, I highly recommend you go to BandCamp, YouTube or Spotify to do so, being suddenly embraced by her visceral Black Metal such as in the excellent songs Eve, Beyond Death, Leave the View To the Rats and A Meager Escapism. The only “issue” with Natchlieder is that you won’t be able to find any live material or footage online, as Dagny hasn’t been able to form a full-bodied band yet. She obviously wants to perform live some time, but there are a few barriers to that such as the availability of musicians in her circle of friends that would be willing to play her music, and if those musicians would be reliable enough to replicate her music to an acceptable level to her.

Prior to becoming Nachtlieder, our Swedish black metaller was the bass player for Gothenburg-based Death/Black/Thrash Metal band Wicked from 2006 to 2010, having recorded with them a demo titled Chaos in 2007, the single Gospel of Sickness in 2009 and the split album Abominations, Chaos and Bestial Warfare in 2009 together with the bands Adokhsiny, Land of Hate, Надимач and Wargoatcult. She mentioned that she learned a lot from that time as it was her first extreme band, in special about arrangements and the role of the bass guitar in a band. The band unfortunately disbanded after their lead singer moved out of town with his family, but all three members are still friends and try to meet as much as possible whenever they’re in the same city. Apart from Wicked and obviously Nachtlieder, you can find Dagny in a couple of bands and projects as a guest musician, being the bassist and guitarist for the 2016 album Winds of Transilvania, by American/Swedish Black Metal project Nattsvargr (led by American vocalist Noctir); and doing some vocals and violin for a German Ambient Black/Doom Metal band named Black Autumn.

Dagny also has a very interesting (and obviously strong) connection with Black Metal from her homeland, having discovered the genre in her teens and consequently listening to Swedish bands for hours and hours, in special her favorite of all, Dissection. For instance, she mentioned that Dissection’s first gig after guitarist, vocalist and main songwriter Jon Nödtveidt (R.I.P.) got out of prison was the first big concert she ever went to. When asked about the general concept of cold and dark winter days being the reason why Scandinavian Metal is so unique, our Swedish diva said that there are of course bands that succeeded in portraying the extreme conditions and contrasts that exist in the northern parts of Scandinavia through their music, but that you can also see a significant difference between the metal scene in Norway, Sweden and Finland. Furthermore, when asked what defines Black Metal as a genre, Dagny said that when she wrote her bachelor in musicology about Black Metal she tried to identify the elements that define the music, finding that certain intervals were used both in chord progressions and melodies, therefore making Black Metal a music style for her no matter what the lyrical content is. For example, she said that if Black Metal is all about Satanism as several people think, then a band like Immortal, one of the biggest and most influential exponents of the genre, wouldn’t be Black Metal.

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As usual, I love to know about our metal girls’ opinions about women and sexism in the metal universe, and Dagny has a strong position about those topics, especially for playing a music style vastly dominated by men. First of all, she mentioned that gender isn’t the only thing that matters, citing other details such as age, profession, place of birth and residence and ethnicity, among others, as reasons why different people doing the exact same thing will certainly receive very distinct feedback from the society. However, she said she has already faced some not-so-subtle sexist comments directly to her face such as “chicks can’t play”, as well as the feeling of not being fully respected by guys whenever she was the only woman in the group. In addition, she said that although she doesn’t know for sure why the number of one-woman Black Metal bands is extremely low compared to one-man Black Metal projects, she feels that it might be due to the different networks between men and women and the conscious and subconscious differences in social sex. “From the day we’re born we’re not encouraged to do the same things and this includes the music we should listen to and perform and the instruments we should play”, said Dagny. Also, she thinks the well-established expression “’female-fronted metal” (which I confess I end up using quite often i my reviews and discussions) doesn’t really make sense at all, like the term “female vocals” instead of “clean vocals” when the singer is not a man, and that applies to Nachtlieder as very few people would associate those expressions with the type of music she plays.

As any musician in our modern-day society, Dagny also has to deal with illegal downloads of her music, but she doesn’t see those as a huge threat to music in general as many others do. She said that the biggest trouble for artists like her concerning illegal downloading is that they can’t keep track of their listeners, and knowing who her listeners are and that there are people out there who appreciate her music is always a boost to her creative process. She thinks that people who can afford it should prioritize paying for their music consumption, and the ones who can’t pay for it should at least be part of an informal “marketing campaign” by sharing the bands’ Facebook and BandCamp pages, leaving positive comments on YouTube, among other small but meaningful acts. The only thing that really bothers her in this case is when an album leaks before the release date, as she finds that really disrespectful towards the hardworking labels and artists. Furthermore, Dagny also considers the way music is shared by fans on the internet extremely positive for independent artists like herself, saying that for example fan initiatives like the Facebook community Death Metal Girls and the YouTube series The Female Vocalists of Extreme Music are great options for headbangers who want to broaden their knowledge of female artists in metal.

Lastly, one might think that a musician like Dagny, coming from the northernmost part of Sweden and playing the ominous Black Metal by Nachtlieder, must draw most or all of her inspiration in the night, but in reality that’s not what happens to her during her creative process. Dagny said she’s inspired by her instrument and what she’s playing at the moment, with the calm and relaxed feeling from the middle of the night being of course something she loves but that due to her working schedule is not something she can fully enjoy anymore. For instance, one of my favorite songs from The Female of the Species, the fantastic Nightfall, was written at night and had parts of its lyrics inspired by the first part in the Arnold Schoenberg opera Pierrot Lunaire, also known as “Moonstruck Pierrot”. I guess everyone reading this tribute to Dagny has already gotten “moondrunk” in life, feeling dizzy or lightheaded after staying awake for an entire night, but of course very few of us are capable of delivering such vibrant and captivating music by ourselves like this high-skilled woman who left her hometown, the distant city of Kiruna, to conquer the world of extreme music with her undisputed, raw and totally awesome Black Metal.

Nachtlieder’s Official Facebook page
Nachtlieder’s Official YouTube channel
Nachtlieder’s Official BandCamp page

“My own purpose with feminism is not to blame the trouble in the world on a specific group of people, but to raise the questions. Make people think about how they treat others and why. It’s all about recognizing human value, in the metal scene, but most of all outside of it. I’m certainly responsible too and no one is without flaws. We’re all products of the societies we live in.” – Dagny Susanne


Metal Chick of the Month – Cristina Scabbia

Follow me, follow me… As I trip the darkness…

If you write her name with an “h”, she will kick your ass mercilessly. That’s probably the most fun way to introduce you to our beyond special Metal Chick of the Month, the electrified Italian rocker Cristina Scabbia, one of the most influential and reputable women in the entire world of heavy music and the perfect choice for celebrating four metallic and totally awesome years of The Headbanging Moose webzine this October. Owner of a distinct and very potent voice, Cristina Scabbia, whose full name is Cristina Adriana Chiara Scabbia, was born on June 6, 1972 in the cosmopolitan city of Milan, a metropolis in Italy’s northern Lombardy region and a global capital of fashion and design. Best known as one of the two vocalists for Italian Alternative Rock/Metal band Lacuna Coil, Cristina is not only an accomplished singer and lyricist, but also a writer, a fashion model and, above all, a true headbanger who loves what she does and who has already devoted a good part of her life to Heavy Metal and Rock N’ Roll.

Cristina was not even 20 years old when she began singing professionally as a touring musician for other bands and providing backing vocals, in 1991. Later that year, she met vocalist Andrea Ferro and bass player Marco Coti Zelati, who would be the future founding members of Lacuna Coil, in Milan’s Midnight Club, and there’s no way of talking about Cristina without talking about her unique connection with Lacuna Coil. Actually, when the band started it was called Sleep of Right, having recorded a song called Bleeding Souls for the Noise of Bolgia compilation in 1995. The band soon changed its name to Ethereal, playing an interesting mix of Gothic and Doom Metal, with Cristina being initially employed only as a session singer, being asked to record backup vocals for the choruses of their demo tape, but the band members liked the way the male and female vocals sounded together and they asked her to be a permanent member then. After several lineup changes and after releasing a two-track demo in 1996, Ethereal were signed by Century Media Records at the end of 1997 and had to change their name to Lacuna Coil (which means “empty spiral”), as Ethereal was already taken by a band from Greece.

After the name change in 1997, Lacuna Coil became a reference in Alternative Rock and Metal worldwide, having already released eight studio albums, those being In a Reverie (1999), Unleashed Memories (2001), Comalies (2002), Karmacode (2006), Shallow Life (2009), Dark Adrenaline (2012), Broken Crown Halo (2014), and more recently Delirium (2016), as well as the EP’s Lacuna Coil (1998), Halflife (2000), Shallow Live: Acoustic at Criminal Records (2010) and The House of Shame / Delirium (2016). In addition to that, the band also released a DVD in 2008, titled Visual Karma (Body, Mind and Soul). Each album by Lacuna Coil is very unique, presenting a different sonority from the others, with the band always adding new elements to their music and experimenting with new sounds. If you want to have a journey through the various phases of the band, paying a detailed attention to the evolution of Cristina (whose highest note ever hit is claimed to be an A7) as a singer and a performer, you should definitely check their songs Falling Again (from In a Reverie), Senzafine (from Unleashed Memories), Swamped (from Comalies), Depeche Mode’s Enjoy the Silence (from Karmacode), I Like It (from Shallow Life), Trip to Darkness (from Dark Adrenaline), Nothing Stands in Our Way (from Broken Crown Halo), and Blood, Tears, Dust (from Delirium). As a matter of fact, there are so many official videos as well as bootlegs online with Cristina and Lacuna Coil you can literally spend hours or even days just watching everything nonstop.

Apart from her solid career with Lacuna Coil, Cristina can be seen in several distinct projects from the most diverse bands and genres, and in all of them she adds her personal touch of rebelliousness, passion and electricity. First let’s talk about her participation in metal-related bands and projects, and then let’s show what she can do when she’s not in her metallic mode. In 2007, Cristina lent her voice to the song S.O.S. (Anything but Love), from the album Worlds Collide by Finnish Symphonic Heavy Metal band Apocalyptica, and the result was so interesting she ended up playing several live concerts with them in the coming years. And it seems the year of 2007 was very fruitful for her career outside Lacuna Coil, as she also recorded what’s probably her biggest non-Lacuna Coil hit, the revamped version of the all-time classic power ballad “A Tout le Monde”, this time named A Tout le Monde (Set Me Free), by American Speed Metal titans Megadeth, featured on their excellent album United Abominations. Needless to say, every time Megadeth and Cristina were in the same city or festival, they ended up playing that amazing song together for the delight of the fans at the venue, as I was able to enjoy during the 2012 version of Gigantour with Megadeth, Motörhead, Volbeat, and Lacuna Coil here in Canada.

You can also find Cristina in unique metal projects such as the character “The Mother” on the 2013 album The Theory of Everything, by Dutch Progressive Metal/Rock band Ayreon, and as a guest vocalist on the song Scars, by Thrash/Groove Metal project Metal Allegiance, from their 2015 self-titled album. In addition, Cristina is also one of the musicians interviewed on the 2007 documentary Over the Madness, a DVD that follows the career of British Doom/Death Metal icons Paradise Lost, including interviews from present and past band members, plus a host of others such as the aforementioned Cristina, Martin E. Ain, Aaron Stainthorpe and Alex Skolnick, presenting the band’s history from its formation up to 2006, in chronological order.

In regards to her contributions to non-metal acts, you can enjoy the charming and powerful vocals by Cristina on different songs such as Beautiful Lie, as a duet with Italian singer Emiliano Audisio (Line 77) to be part of the soundtrack for the 2013 Italian film Passione Sinistra; Nell’acqua, with Rezophonic; an alternate version of Watch Over You, with Alter Bridge; Basta!, with L’Aura and Rezophonic; Can You Hear Me?, also with Rezophonic; and I’m That, with Franco Battiato. By the way, when Cristina sang with L’Aura it was in 2008 at Festival di Sanremo, one of the most important pop festivals in Italy (if not the most important one). And you can also find some nice videos online of Cristina singing together with a Queen tribute band called Queenmania, such as in the all-time classics Bohemian Rhapsody and Under Pressure. And in addition to all that, she also used to write an advice column in the popular rock magazine Revolver, alongside the iconic American drummer Vinnie Paul (Pantera, Hellyeah).

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If you follow The Headbanging Moose you might have seen Cristina’s name as an inspiration for several of our previous metal chicks, just showing how important she is to the expansion of the presence of women in heavy music, but of course as any normal person she also has her idols and favorite bands in music. Among her main influences and names who contributed to her becoming a singer and pursuing a career in Heavy Metal, Cristina mentioned legendary bands such as Metallica, Megadeth, Pantera, Motörhead, as well as darker bands like Paradise Lost and Type O Negative. By the way, some of her favorite songs, those that really make a good amount of adrenaline rush through her body, are Motörhead’s Ace of Spades and Type O Negative’s My Girlfriend’s Girlfriend, which despite being very distinct songs I have to agree that they surely put a smile on the face of anyone who enjoys some good old rock and metal. Of course Cristina as any other talented and professional artist listens to a lot of non-metal music, in special music from her homeland Italy, which in the end helps her diversify her vocals from song to song, explore new horizons and remain vibrant and relevant to the world of heavy music.

Slightly changing the focus to her personal life, many of you might think it’s a dream to date a woman like her, but as in any relationship there are always some hurdles and barriers to be overcome in order to keep the passion and love going on. Cristina has been in a relationship with Slipknot and ex-Stone Sour guitarist Jim Root for over 10 years already, but keeping that relationship fresh is not an easy task due to distance between them as they’re both very busy musicians who are always on tour (not to mention the fact that Root lives in Florida while Cristina resides in Italy). “Well, my lifestyle is challenging already,” Cristina explained. “Because I travel a lot and I work very hard. So you have to learn to live your life in a different way, but in a way that works for you. So for me to even think about a normal relationship would be something weird.” Before dating Root, she was in a relationship with Lacuna Coil’s own bassist Marco, and when they broke up let’s say it wasn’t easy for them to keep working together as a band, but fortunately as decent adults they overcame that “issue” and now they’re very good friends, loving each other in a different level.

Another interesting topic discussed by Cristina in one of her interviews was related to the recent deaths of Chester Bennington and Chris Cornell, where she expressed her opinion about mental illnesses, from depression to dementia to other types of mental conditions, saying we should never judge the others’ decisions as there’s so much to understand about the whole situation before reaching any conclusion. That was also explored on Lacuna Coil’s latest album Delirium. “When we did Delirium, it was really important for us to treat it in the most respectful and delicate way possible,” said Cristina. “Because you can try to send a positive message and to try to tell people, ‘Oh, you should be positive all the time, you should be happy, you should overcome depression,’ and everything, but it’s not as easy as you speak. It’s way deeper than that and more complicated than this.”

As any good Italian woman, in special if that woman is born in the city of Milan, Cristina loves stylish clothes, trying on new make-up, taking care of her dark hair and everything else that’s a synonym to fashion. For instance, she considers her beauty and make-up signature the one she herself calls a “raccoon look”, or as described by Cristina, “a heavy sort of smokey eyes style with carbon black eyeshadow surrounding both whole eyes and heavily in the lower part of the eye as well.” She also mentioned that, because she likes to combine styles and to work with contrasts, she likes to observe everything around her and go to runway shows in Milan, listing as some of her style icons the always trendy Madonna and the very elegant and dark British and Irish designer Daphne Guinness. Furthermore, she said her make-up and outfit behavior is in constant change due to new products, styles and techniques that are always appearing in the market, stating that while thinking about a new look for her concerts she always takes into account several important factors such as if the clothes are easy to carry around, if they’re washable, and if they allow her to move a lot onstage. Also in the fashion world, American photographer Jeremy Saffer (an old-time friend of Cristina) invited her to be her calendar girl for the Halloween 2015 Special Edition of XPRESSIONS magazine, with the final result being beyond stunning, of course, being sold out in a really short time.

Regarding her preparation for getting onstage and spending a long time on the road during Lacuna Coil’s extremely busy agenda worldwide, Cristina said she doesn’t exercise a lot, saying she’s some sort of “lazy bum”, and that concentration is the most important part of the process for her together with some warming up exercises to keep her voice in good shape. She said travelling all the time and managing everything is definitely not for everyone, but it can be very rewarding if you love what you do. One funny thing connected to that hectic lifestyle is that Cristina collects all her flight boarding cards, saying that one day it will be nice to see and to show others how much she’s traveled in her life. And, in terms of the apps she uses regularly, apart from Facebook, Instagram, Periscope and Twitter, she’s also been using an app named Master Tour, which she considers very helpful for whoever does her type of job, keeping you updated on tours and schedules like a tour book in your smartphone. Hence, if you’re a touring musician, why not trying the same app as the successful Cristina Scabbia, right?

Lastly, when asked if she considers herself a role model for young girls, she said she doesn’t see herself as one but that all the love she gets from fans when she’s on the road makes her sometimes believe she might be indeed an inspiration for all of them. She always tells them that they have to believe in themselves because, no matter what, it is impossible to make everyone happy, so the key is to make ourselves happy and conscious of our own unique potential, with her motto in life being “live in the present and make it beautiful. I never think too much about the past or the future. The past is… gone and we will never be able to plan the future the perfect way.’’ What do you think about Cristina and her way of life? Do you agree with what she does and thinks in music and life in general? Well, there are tons of interesting interviews and videos of Cristina online to help you know more about her, such as this one from Loudwire called Wikipedia: Fact or Fiction?, where she even tells if her highest note being an A7 is true or not. It seems that the world of heavy music and also the whole cyberworld can never get enough of the one and only Italian stunner Cristina Scabbia (without an “h”, per favore).

Cristina Scabbia’s Official Facebook page
Cristina Scabbia’s Official Twitter
Cristina Scabbia’s Official Instagram
Lacuna Coil’s Official Facebook page
Lacuna Coil’s Official YouTube channel
Lacuna Coil’s Official Instagram

“You have to sing with your heart, you have to sing with passion, you have to be sincere in what you’re singing, and you have to be totally convinced of what you’re doing. Most of all, you have to realize that this is a hard job that not everyone can take, so don’t look at the shiny part only, because there is a lot of work involved and a lot of sacrifice, so be ready for that as well..” – Cristina Scabbia


Metal Chick of the Month – Patricia Pons

I am a mecha, eternal live. Everything dies while I’m still alive.

The summer might be almost over on the Northern Hemisphere, but here at The Headbanging Moose we’ll help you keep things warm with the fiery and multi-talented Spanish singer Patricia Pons, the frontwoman of Valencia-based Melodic Death Metal squad SynlakrosS, and obviously the chosen metaller to be our Metal Chick of the Month. Owner of a powerful voice and displaying a wild and flammable look by blending several styles such as Gothic and cyberpunk in her attire, Patricia is ready to conquer the world of Heavy Metal together with her bandmates through the uniqueness of their music, and I’m sure you’ll love to read about how she does that, how she prepares for the band’s live performances, among other fun topics. Are you ready to enter the cyberworld of Patricia and her SynlakrosS?

Born on December 10, 1984 in Valencia, a port city located on Spain’s southeastern coast and the third-largest Spanish city after Madrid and Barcelona, Patricia loves metal music, anime and arts from the bottom of her heart, and if possible she wants to have them all at the same time, just to give you an idea of how creative and talented our multi-colored hair growler is. Also a proud vegan, Patricia makes sure she spreads the word of veganism and its benefits anywhere she goes, again connecting that philosophy to her music and arts whenever possible. First, let’s talk about her career as the frontwoman of Spanish act Synlakross, which basically represents her life in heavy music since she entered the band in 2010. Actually, before SynlakrosS, she was part of a band named Kakuseisha, a project that didn’t last long (due to the departure of its Italian guitar player) where she played keyboards and was also responsible for the melodic and guttural backing vocals.

According to the band itself, SynlakrosS (stylishly spelled with capital S at the end) is a “storytelling” Melodic Death Metal band formed in 2008 in Valencia, Spain “whose proposal seeks to inject a good dose of energy through songs that transport your mind to a world of adventure with a good deal of rebellion.” Although the band was conceived in 2008 by bassist Pablo “Roro” and drummer Tiko Martinez (who by the way played together with Patricia in Kakuseisha), it was only after 2010 when the band reached its desired shape and form that things started to take off for those Spanish metallers, having already released a self-titled demo in 2011, their first full-length album Melodichrome in 2013 and more recently the full-length Death Bullets for a Forajido, in 2016. In 2015, SynlakrosS won the metal award at the Granitorock Festival, receiving national recognition and opening the doors for the band to share the stage in 2016 with Canadian metallers The Agonist. Patricia herself describes the music by SynlakrosS as “Passionate Metal”, or even “Killer Metal Music”, because they simply love what they do. If you want to see and listen to Patricia kicking ass with SynlakrosS, there are several official videos and fan-filmed footage from their live performances. For instance, you can enjoy the official videos for the songs Billy The Kid and Paper In A History, the audio for their excellent cover version for Nightwish’s classic Wish I Had An Angel, the playthrough video of the song Beauty From The Deep, as well as excerpts from their amazing live performance at Granitorock Festival in 2015 with the songs On The Bridge TV and Dragon Egg.

Apart from SynlakrosS, Patricia has already lent her powerful voice to a song named The Great Heresy, featured on the 2015 album Fuck Your God by Canadian Black Metal one-man army Episcopal Holocaust, sounding very different from her regular work with SynlakrosS, as Melodic Death Metal and Black Metal, despite being both part of the overall concept of extreme music, are not usually associated and have very little in common musically speaking. And, by the way, it’s amazing for The Headbanging Moose to see she has some sort of connection with Canada. In addition to that, she’s also more-than-ready to join Spanish Melodic Thrash Metal band Keldark as a guest vocalist on the song Fear the Fear, which will be part of their upcoming album The Brotherhood, to be released later this year.

Patricia’s main influences in music might sound very different from one another, but if you pay good attention to the details of each one of her favorite artists you’ll see her own voice is some sort of amalgamation of all their styles with her own personal twist. Among her biggest influences, we’ll find names such as Floor Jansen (After Forever, Nightwish), Dani Filth (Cradle of Filth), Kate Bush, Tori Amos, Anders Friden (In Flames), Dez Fafara (DevilDriver, Coal Chamber), Jonathan Davis (Korn), Sandra Nasic (Guano Apes), Cristina Scabbia (Lacuna Coil) and Liv Kristine (Theatre of Tragedy, Leaves’ Eyes), and their respective bands, as well as other bands like Nobuo Uematsu, Koji Kondo and Dream Theater. For instance, the first album she bought with her own money was the classic Fallen, by Evanescence, and the first concert she’s ever attended as a fan was In Flames. In one of her interviews, Patricia made sure she explained a little about her main influences, saying she never listened to them singing just as men or women, she focused on the voice itself and enjoyed every part from their performances.

She’s also influenced and inspired by a ton of other non-music stuff, including books, videogames, films, anime and manga, with her favorite movie being The Matrix, her favorite book being Clive Barker’s 1988 horror novel Cabal, and her favorite writers being Edgar Allan Poe, E. T. A. Hoffmann, H. P. Lovecraft and Mary Shelley, among others, all present not only in her music but also in her stunning looks. In addition, Patricia mentioned in one of her interviews that her personal visual trademark is also highly influenced by the fact that she’s a woman proud of being in Heavy Metal (and proud of being a woman, of course), and she wants people to see that when looking at her. That’s also visible in her hair style, always showcasing unique, vibrant colors by Manic Panic España, the iconic hair coloring company that works with 100% vegan dyes with zero ammonia, such as Siren’s Song and Psychedelic Sunset, two of her favorite colors.

Regarding her live performances with SynlakrosS, as aforementioned they had the pleasure of opening for Canadian metallers The Agonist during their Spanish dates in Sevilla, Madrid and Bilbao in 2016, but they’ve also played in several other locations in Spain like Avilés, Barcelona, Valencia, A Coruña, and so on. However, Patricia wants the music by SynlakrosS to reach new heights, allowing them to play all over Europe as well as in many other parts of the world. In order to provide the audience the best experience possible with the music by SynlakrosS, Patricia said she not only does a series of vocals warm-ups, just like any other vocalist, but she also works on all types of physical warm-ups and stretching, as she’s a very dynamic musician with a flammable stage performance.

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When asked about the metal scene in Spain, Patricia believes that, although Spanish Metal is underrated, the only thing musicians and bands like SynlakrosS can do to change this situation is to work hard, creating high-quality music and touring as much as possible until people see the true value of their music, as well as understand the importance of learning English, as in Spain that’s their pending subject. In addition, she mentioned that the support underground bands have from the media is almost nonexistent, as big magazines and radio stations only talk about international (and sometimes national) big old bands, also saying that unfortunately if you’re a small band and you want promotion, you have to pay for it no matter how amazing and well-done your music is. When specifically asked about the Valencian Metal scene, Patricia said that although they have some amazing bands in the region, the scene is not a popular one. In her opinion, bands and metalheads in Valencia aren’t united and there’s some sort of competition between them. Lastly, when asked where the music style by SynlakrosS is more accepted, if it’s in the north or south of Spain, she said the reception from metal fans has always been great in both regions, mentioning cities like Bilbao and the whole region of Galicia as good examples of places where their experience was very positive in the north, and Seville in the south as having a very warmth and welcome attitude from the fans towards the band.

One topic that’s always discussed in heavy music is the growing presence and importance of women in heavy music, and of course Patricia has been doing her part in opening more space for women in a style usually dominated by men. She thinks that, although most women in metal are vocalists, there are more and more excellent female guitarists, bassists, drummers and other instrumentalists appearing in the scene every single day, all linked to the increasing interest of the society for metal music. However, one of the biggest problems for her is that, no matter how talented a female musician might be, there’s always an unsuitable question or comment from a sexist male fan directed to that female artist, such as “take off your shirt!” or “do you have a boyfriend?”, things that are completely off topic and add nothing to the music being presented. Even when she’s facing that type of situation, she keeps the atmosphere light by saying that when a man screams she’s beautiful, it’s because he hasn’t seen her at 8am with no makeup. That’s a very polite way to say “fuck off” to those inconvenient guys, don’t you think?

Patricia also said that instead of pointless questions like that, she would love to be asked why she became a vegan and why she doesn’t drink or smoke. She said that becoming a vegan was a spiritual change for her, while stopping drinking, smoking and using drugs started when she decided to focus on her voice and on being more professional as a musician. She said there was a case in her family where a person had issues with drugs, and that made her think about it, that it wasn’t what she wanted for her life. Regarding alcohol, she said no one in the band drinks before going out or playing live, being an example to other metalheads that you can still be crazy and have a great time without being drunk or high.

If you’re already a fan of SynlakrosS, what I’m about to say won’t be a surprise to you, but if you’re a newcomer to their world of Alternative Metal I’m sure you’ll be impressed by the fact that Patricia is a professional illustrator and designer, having graduated from EASD Valencia (or Escola d’Art i Superior de Disseny de València) in 2009 in Fashion Design, and doing merch for different metal bands and her own art with manga style with macabre, Gothic and fantastic inspiration. She’s, for instance, the designer responsible for all the graphic art found in SynlakrosS’ 2016 album Death Bullets for a Forajido, including the cover art, inspired by the Wild West concept mixed with the band’s metal essence. You can check a few pieces designed by Patricia on her own DeviantArt page, such as this amazing “Demon Girl”, and who knows, maybe if you have a band she can be the next artist to provide her lines and colors to represent your music.

Last but not least, it doesn’t matter if you understand Spanish or not, there are several interviews on YouTube with Patricia and the other guys from SynlakrosS where they talk about the band’s current status and future plans, their inspirations in music, the metal scene in Valencia and in Spain in general, the evolution of women in metal, among other topics. You can check for example the videos Keep Calm And Listen Synlakross con Entrevista!, 2 Rockeros Entrevista con SynlakrosS, and Tertulia con Synlakross, all showing a very relaxed and uncompromised side of the band, and all a good inspiration for lovers of rebellious and electrifying metal to learn one of the most important languages worldwide. In other words, wouldn’t you love to understand what the charming and skillful Patricia has to say about all kinds of topics?

Patricia Pons’ Official Facebook page
Patricia Pons’ Official Twitter
Patricia Pons’ Official Instagram
SynlakrosS’ Official Facebook page
SynlakrosS’ Official YouTube channel
SynlakrosS’ Official Instagram
SynlakrosS’ Official SoundCloud page

“In Spain, if you want promotion, in general, you have to pay, no matter how amazing and well done is your music.” – Patricia Pons


Metal Chick of the Month – Melissa Bonny

Feel the fire dancing with your soul, now you’re alive…

I honestly find impressive the huge amount of excellent metal bands hailing from the glamorous Switzerland, a country of only around 8 million inhabitants, but that has already provided the world remarkable acts such as Celtic Frost, Eluveitie, Gotthard, Hellhammer, Krokus, Sybreed and my favorite Swiss band of all time Triptykon, as well as tons of amazing underground groups already reviewed at The Headbanging Moose like Voice of Ruin, Henriette B, Way Of Changes and Black Diamonds. We already had a while ago the absolutely stunning Vanja Šlajh as our Metal Chick of the Month, and now it’s time to get back to the “Land of Milk and Honey” to pay a tribute to another fantastic Swiss metaller, a rising star named Melissa Bonny, lead singer of the up-and-coming Swiss bands Rage Of Light and Evenmore.

Born in Montreux, a traditional resort town on Lake Geneva in Switzerland, on January 23, 1993, Melissa started her life in music when she was only 6 years old by singing in a school choir for several years.  When she finished school, she spent most of her free time making music by herself or with some friends and took part in several events in her area, singing on stage, alone or accompanied. She also mentioned that one of her favorite pastimes was to make parodies of famous songs, and that the unexpected success of those parodies convinced her that she should move forward with her music career. That was when she started looking for a band, singing during a short time with a cover band from Valais, a canton in southern Switzerland, in 2012 before being recruited that same year by Symphonic Folk Metal band Evenmore as their lead vocalist, which gave her the opportunity to release her creativity while writing music and the chance to broaden her horizons and perform on great stages before well-known bands such as Lacuna Coil, Eluveitie and Xandria.

Owner of a potent and versatile voice, which allows her to sing as a mezzo-soprano or to do guttural growls the likes of Angela Gossow and Alissa White-Gluz, Melissa is highly influenced by several amazing metal acts, in special female-fronted groups like Delain, Eluveitie, Arch Enemy, Nightwish, Within Temptation, The Agonist, Amaranthe and Epica, as well as bands with a very epic and melodic sonority such as Kamelot and Sonata Arctica. For instance, among her favorite albums you’ll find several classic releases that perfectly represent her passion for dark and imposing metal music, including the albums The Black Halo by Kamelot, Origins and Helvetios by Eluveitie, and Shadows Of The Dying Sun by Insomnium. As you can see, Melissa nurtures a profound admiration for more contemporary Melodic Metal, where the music is joined by an exciting theatrical piece that became a trademark of almost all bands from her playlist.

Her list of favorite songs obviously includes many compositions found in her favorite albums, and you’ll notice that all of those songs have an epic vein, a potent punch and a detailed focus on the overall harmony. You can bang your head together with our dark-haired muse and feel the energy flowing from modern classics such as Kamelot’s March of Mephisto (featuring the one and only Shagrath, from Dimmu Borgir, as a guest vocalist) and The Haunting (featuring the stunning Simone Simmons, from Epica); Epica’s Storm the Sorrow; Arch Enemy’s You Will Know My Name; Sonata Arctica’s Only the Broken Hearts; Delain’s Get the Devil Out of Me; After Forever’s Energize Me; and my favorite from this list, The Agonist’s kick-ass hit Thank you Pain. We have to admit this is a damn good playlist of modern-day metal music, don’t you agree?

Although Melissa is already working on her own solo material, which had been left aside for several months, let’s focus on her two bands, Evenmore and Rage of Light, as those are already a reality in the world of heavy music and also where Melissa has been shining bright with her fantastic vocal range and mesmerizing looks. Let’s begin with Evenmore, a Symphonic Folk Metal band from Romont, a municipality and capital of the district of Glâne in the canton of Fribourg in Switzerland, formed in 2011 which, since its creation, has for ambition to offer its audience intense moments while listening to its musical creations. Apart from Melissa, the band is composed of guitarist Landry Pernet, bassist Frederic Jorand, drummer Florian Bard and pipes/whistles player Matthieu Bopp.

It was in June 2014 that Melissa and her bandmates from Evenmore relased their first EP, titled The Beginning, comprised of four distinct songs, including the excellent The Black Knight. Welcoming new instruments and aiming at creating a beautiful balance between metal and traditional music, Evenmore worked hard on developing their Celtic vein, culminating with the release of their first full-length album in 2016, named Last Ride, which received many positive feedback thanks to the versatility and the quality of its compositions, transporting the audience into a story that evolves song after song. From that album, you can enjoy Melissa’s unique vocals in the songs The Ride Begins, Eleana and Breaking The Silence. Furthermore, if you prefer watching the band live to actually confirm if they have what it takes to succeed in the world of metal, I recommend you go to YouTube to check some good quality footage from their live concerts, such as the songs Winter is Over at the Grande Salle de Cojonnex in Montreux in 2014, The Ride Begins at the famous Z7 in Pratteln in 2015, and also Last Breath at the Rocking Chair in Vevey in 2014. Hence, after listening to such powerful tunes, you’ll see why Evenmore already had the pleasure of sharing the stage with renowned acts like Lacuna Coil, Eluveitie and Xandria in their short but solid career.

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In regards to Swiss Trance Metal act Rage of Light, this hybrid project was actually conceived several years before our ebony growler joined the band in 2015. Rage Of Light was born in 2007 from the desire of its creator, multi-instrumentalist Jonathan Pellet, to combine two music styles that he loved for a long time, those being metal and trance, inspired by the Swiss trance scene of the early 2000’s and by the sound crafted by Melodic Death Metal bands. However, due to his duties with the bands Dysrider and Nodafreth, Jonathan had to put Rage of Light aside for a few years, until reigniting it again between 2011 and 2015 by writing new material and recruiting Melissa for the vocal duties and his bandmate from Nodafreth, Noé Schüpbach, for the guitars. The trio released in 2016 their debut EP, titled Chasing a Reflection (which can be enjoyed in its entirety HERE), comprised of four original songs, Beautiful Slave, Deception, Sick and Requiem, and a cover version for Lollipop (Candyman), a hit single from the 90’s originally recorded by Danish Dance-Pop group Aqua. You can compare Rage of Light’s version with the original one by clicking HERE, but I guess I don’t even need to point out that the new version by the Swiss power trio is a billion times better.

And it seems that Rage of Light truly enjoyed giving a new arrangement and taste to a classic hit, as earlier this year they released a stunning version for Amon Amarth’s unparalleled hymn Twilight of the Thunder God, which you can take a shot at the end of this tribute to Melissa. In my humble opinion, this is the perfect example of a cover song that’s already fantastic musically speaking, but that its official video makes it even more majestic thanks to the alluring solitude and passion exhaled by Melissa up in the Swiss Alps. If I were you, I would definitely keep an eye on Rage of Light’s BandCamp page, as I’m pretty sure this very entertaining project will soon publish more of their excellent material and maybe even another vibrant cover song for an old classic.

As aforementioned, Melissa is also working on a solo project which hasn’t taken its final shape and form yet, but that doesn’t mean you cannot have a good time watching her videos from her own YouTube channel, where she covers some of her favorite bands and artists, such as these versions for Kamelot’s March of Mephisto, Hozier’s Take Me To Church and Epica’s The Second Stone. If any of these cover songs are an indication of what’s her solo project is about to be, I guess we can be more than excited for her original material then, don’t you agree?

Melissa is obviously a very normal woman with more-than-usual habits, hobbies, likes and dislikes, just like any of us. In one of her interviews, she stated that among her favorite activities besides making music and her bands we’ll find travelling, hanging out with her friends, cooking, and watching several TV shows such as Vikings, The 100 and Game of Thrones. Well, let’s say those TV shows are indeed a great source of inspiration for Melissa when writing her music and obviously when performing live, as you can see in the official videos as well as all the unofficial footage of Evenmore playing live. Who knows, maybe one day the guys from Vikings or even Game of Thrones will get to watch her amazing performances with Evenmore and Rage of Light, and we can then enjoy our Swiss Valkyrie kicking ass on one of those shows with her stunning looks and magnificent voice.

Melissa Bonny’s Official Facebook page
Melissa Bonny’s Official Twitter
Melissa Bonny’s Official Instagram
Melissa Bonny’s Official YouTube channel
Evenmore’s Official Facebook page
Evenmore’s Official Twitter
Evenmore’s Official YouTube channel
Rage of Light’s Official Facebook page
Rage of Light’s Official BandCamp
Rage of Light’s Official YouTube channel

“Boredom follows me but I’m too fast!” – Melissa Bonny


Metal Chick of the Month – Marjolaine Bernard

Behind shivering drops of my soul… Dancing under a dry sky the void’s pouring inside…

Let’s take a flight to Paris, the capital and most populous city of France, where among several activities and attractions you can visit the Eiffel Tower, the Louvre Museum and the Notre Dame Cathedral, or simply find a traditional French café on the famous Avenue des Champs-Élysées to enjoy a nice, traditional croissant. If you’re a metalhead, there are also some excellent metal pubs and venues for you to go, such as Le Black Dog, James Hetfeeld’s and Le Cavern, and if you’re lucky enough you might enjoy a live concert by Wildpath, a female-fronted Symphonic Power Metal band formed in Paris in 2001 where, since 2008, our metal chick of the month has been giving life to their lyrics. I’m talking about French vocalist Marjolaine Bernard, a very talented and young musician who will certainly attract the attention of fans of melodic female voices like Floor Jansen and Tarja Turunen.

Born on June 4, 1983, Marjolaine started in the world of music at a very young age, first with the piano, then by joining a choir after watching a children’s concert, and since then she has never stopped singing. Furthermore, our French girl has been singing metal for a long time, being part of different small independent bands as a teenager and being clearly inspired by names like Floor and Tarja. However, Marjolaine stated that, despite Floor and Tarja (among other renowned vocalists) still being a reference to her, they’re not necessarily what she listens to nowadays and she doesn’t see herself as a Symphonic Metal singer, but just as a musician among other musicians trying to work with her voice in the best way possible, always in line with the music being played.

Marjolaine and her bandmates from Wildpath draw inspiration to create their music from several distinct sources, from electro to reggae, from metal to ambient music, like a giant melting pot. Furthermore, she mentioned she loves movie scores and soundtracks, being highly influenced by amazing composers such as Hans Zimmer and Danny Elfman, also getting ideas from music from video games. She said that metal is a style where you’re allowed to let go with musical expressions and experimentations, and that’s the path that’s being constantly explored by the band in recent years. Forging elements from rock, metal, electro, folk, symphonic and traditional music, always caring for harmony and energy, Wildpath are a band in continuous evolution, and Marjolaine’s voice is exactly what the music needs to become more lively and appealing, as you’ll see below when we talk about her career with the band.

However, before Wildpath, there was Ad Vitam Aeternam, which is Latin for “To (or Towards) Eternal Life”, a Melodic Gothic Metal band formed in 1999 in Paris with whom Marjolaine played until 2005. She recorded the album Abstract Senses with Ad Vitam Aeternam in 2004, that being the only official release by the band since their inception. You can take a listen at the entire album HERE, or also enjoy individual songs from the album such as Dementia and In The Throes of Apocalypse, always paying attention to how different the music style by Ad Vitam Aeternam was from Wildpath, which only shows how versatile Marjolaine is as a vocalist.

It was in the year of 2008 that she finally joined Wildpath, which as already mentioned was formed back in 2001 by keyboardist Alexis Garsault and guitarist Olivier Caron in Paris, having released their debut album Nyx Secrets in 2005 (without Marjolaine on vocals, obviously). After Marjolaine became the lead singer for Wildpath, the band released three full-length albums, Non Omnis Moriar in 2009 (which by the way had its name inspired by the Odes by Roman lyric poet Horace and means “I shall not all die” or “not all of me will die”), Underneath in 2011 and Disclosure in 2015, as well as a very special release featuring acoustic versions of tracks from previous albums in 2016, titled Still – Acoustic Live Experience. You can get a very good taste of how smooth and tuneful Marjolaine’s vocals are in songs such as Petrichor, The Raven, Absentia, Confined and Excinere, listen to the entire albums Disclosure and Underneath, enjoy the acoustic versions from Still for the songs Everlasting Wish and Unborn, or also have fun with Marjolaine and the others with two live “studio” versions for the songs Buried Moon and Secret’s Case.

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If you prefer Wildpath live in front of a bunch of metalheads, I recommend this 2012 version of Buried Moon and Dive live at Le Grand Rex in Paris during the IronSquid StarCraft 2 World Championship Finals, as well as Non Omnis Moriar live in Eloyes, France in 2010; Unborn and Ghost Memories live at Le Divan Du Monde in Paris in 2015; or even this full concert  in 2012 during a mini-festival named Metal Symphonic Quest II in Tours, a city located in the centre-west of France. The festival also had the bands Adrana, Lost Opera, Roman Rouzine The Tria and Eidon, but it was Wildpath who headlined the night. And if you think you need to go all the way to France to watch Wildpath live, you’re wrong, as in 2016 the band played their first gig in the UK at The Quinphonic Festival 2 at The Roadhouse Birmingham. How far do you think Marjolaine and Wildpath can go?

As a guest musician, Marjolaine was part of the only album released by French Melodic Heavy/Power Metal band Silent Fall, entitled Otherwise, from 2010, doing choir vocals in the whole album and main female vocals on the song This Could Have Been. If you’re curious to know how she was invited to be part of the album, the answer is quite simple. Olivier Caron, Wildpath’s own guitarist, was also the lead guitarist for Silent Fall, making it a lot easier for Marjolaine to add her vocals to their music in an effective and exciting way.

When asked about her favorite song of all time, including all types of music and eras, her answer was quite unique, citing the classic Sanvean: I Am Your Shadow (or simply Sanvean) by the iconic Australian musical project Dead Can Dance, featured on their first official live album Toward the Within, released in 1994, an album that contains 15 songs, of which only four appeared on their previous albums. Sanvean was later re-recorded by one of the masterminds behind Dead Can Dance, Lisa Gerrard, on her 1995 solo album The Mirror Pool. In regards to heavy music, her first rock album was the classic Angels Fall First, the debut studio album by Finnish Symphonic Metal band Nightwish. With cult songs such as Elvenpath, Beauty and the Beast and Astral Romance, it’s easy to understand why Marjolaine fell in love for Symphonic Metal, right?

Marjolaine was also questioned about her favorite or best moments as an artist, and albeit she said there have been already lots of amazing memories with Wildpath, one of her favorite experiences was a concert with a “quatour” (a special form of string quartet that developed in Paris around 1775 and became one of the leading genres of Parisian music until the French Revolution) and a choir at La Scène Bastille, saying that seeing a symphony coming alive was truly fantastic. In addition, she also listed as one of her favorite moments when the band played with French progressive guitarist Patrick Rondat, and lastly the band’s famous performance in 2015 at Le Divan du Monde.

As previously mentioned, among her main influences we’ll find names such as Floor and Tarja, with Floor in particular being a huge inspiration for Marjolaine as she’s one of the few contemporary female singers who can combine lyrical songs with very dynamic rock vocals in a precise manner. However, out of the metal and rock scene, her favorite singer is Lisa Gerrard, who apart from her work with Dead Can Dance was also responsible for several other renowned projects, including a Golden Globe Award for the music score to the film Gladiator, on which she collaborated with Hans Zimmer.

Another interesting fact about Marjolaine is that her stage outfit is created by one of her students, who proposed to create special clothes tailored for their live performances, working with the band’s colors and adding her own personal touch to the creations. That stylist is from a company called Le Paon, a new brand from the independent French scene. Marjolaine and the stylist collaborate with each other in the creation of the outfits, first discussing new ideas orally and then working together on drawings and other details, until the stylist begins working on the whole realization of the clothes. One of her first new looks debuted at the concert at Le Divan du Monde in 2015, and in her opinion it was already a great evolution from her previous costumes.

Lastly, when asked about places or regions she would like to play with Wildpath, Marjolaine answered she would love to go to Brittany (a cultural region in the north-west of France) because she has family there, or also other French cities such as Lyon. Outside of France, she mentioned Belgium, Switzerland and Luxemburg as countries she would love to visit with her band, as well as other more distant places like Japan and South America, but that the high cost of playing in those places make the trip almost impossible, at least for now. It’s interesting that she didn’t mention the United States or Canada on her list, two major markets for heavy music, in special our French-speaking province of Quebec here in Canada. Well, let’s hope she just “forgot” to mention Canada, and that one day we have the pleasure of seeing Wildpath kicking ass live in our home and native land.

Marjolaine Bernard’s Official Facebook page
Marjolaine Bernard’s Official Twitter
Wildpath’s Official Facebook page
Wildpath’s Official Twitter
Wildpath’s Official YouTube


Metal Chick of the Month – Mayara “Undead” Puertas

Sanity… What about Insanity…

Can you hear those demonic gnarls coming from Brazil, sounding like the putrid screams of an undead woman rising from her grave? That’s the powerful and mesmerizing guttural voice by our metallic girl this month, the talented Brazilian growler Mayara “Undead” Puertas, born Mayara Puertas and also known as May “Undead” Puertas or even May Undead, frontwoman of the iconic old school Brazilian Thrash/Death Metal band Torture Squad, and a woman that loves heavy music from the bottom of her blackened heart above all things. If this is the first time you’re getting to know the work by Mayara, you better be ready as the “Undead” is more than ready to kick your ass with her devilish growls and fiery onstage attitude (and I’m sure you’ll get addicted to the music by Torture Squad after that).

Born on March 16, 1993 in a region known as ABC Paulista, an industrial region located in the Greater São Paulo, Brazil, Mayara Puertas has always been connected to some sort of musical art since she was little, singing popular songs and playing the piano, guitar and electric guitar, always encouraged by her family and by studying old music books owned by her father, covering songs from Creedence Clearwater Revival, Secos e Molhados (an innovative Brazilian band formed in the beginning of the 70’s) and Kansas, for example. She never took any formal lessons to learn how to sing and to play those instruments, as she preferred learning everything by herself as a good self-taught musician that she is, adding her passion for music and her personal touch to shape her own style.

When she was around 12 or 13 years old, she already nurtured a strong interest for rock music, until a good friend of hers introduced her to Heavy Metal, bringing all his albums to her home where she could make copies of all of them. She instantly fell in love for bands like Iron Maiden, Manowar, Iced Earth, Blind Guardian, Hammerfall and Brazilian Celtic Metal band Tuatha de Danann, which as you can see have little to do with her singing style. Her curiosity and connection to heavy music only grew stronger and stronger in the coming years when she began searching for different bands and genres, including more brutal types of metal, finally finding in Thrash and Death Metal her true passion. Mayara then started to dedicate herself to learn more aggressive vocal techniques inspired by Extreme Metal titans such as Cannibal Corpse, Morbid Angel, Hypocrisy and Overkill, with some of her biggest influences being David Vincent (Morbid Angel), George “Corpsegrinder” Fisher (Cannibal Corpse), Rachel Heyzer (Infinited Hate, Occult, Sinister), Peter Tägtgren (Hypocrisy, Pain), Sabina Classen (Holy Moses) and Bobby “Blitz” Ellsworth (Overkill), a distinct selection of unique voices.

It was in 2013 when Mayara joined her first official band, Brazilian Death Metal act Necromesis, not only as a singer but by also recording some piano and acoustic guitars. As the screaming frontwoman of Necromesis, the “Undead” recorded the EP Echoes of a Memory in 2014 (which you can listen to in its entirety HERE) and the full-length album The Poet’s Paradox in 2015. You can enjoy Mayara’s beastly growling with Necromesis penetrating your ears in crushing songs such as Indifferent Echoes of Sensitivity and Desocial Inclusion, as well as this live version of the song Unlives as Undeads at a special event called I Domingo Metal BR in 2014 in São Paulo, Brazil. Her time with Necromesis also allowed her to tour several Brazilian cities, including a tour with American bands Master and Vital Remains, and being named one of the greatest Extreme Metal singers of the year of 2014.

In October 2015, after talking with Fernanda Lira (lead singer and bassist of the badass Brazilian Thrash Metal power trio Nervosa), Mayara was told she had been referred to be the vocalist of an important Brazilian Death Metal band, but she didn’t know exactly which one then. After a few weeks, she was contacted by Amílcar Christófaro, longtime drummer of Torture Squad, to officially join the band. That was a big surprise for Mayara, as she had always admired the work by those guys, following their career and attending their live concerts, and she knew it was going to be a great honor and an even greater responsibility to replace the iconic Vitor Rodrigues on vocals, who left the band in April 2012 to pursue new musical experiences. The other band members provided her all the necessary support for her to thrive as their new singer, making her confident enough to accept the challenge and add her touch of aggressiveness, electricity and passion to their always high-octane music, showing how professional and dedicated Torture Squad are, and how loyal they’ve always been to heavy music. Of course it wasn’t easy for her to adapt to her new life at first, as she had to rehearse with the band almost everyday, she had to quit her job and move to a new city, but all that extra effort was worth it thanks to the amazing receptivity she always gets from the diehard fans of the band, enjoying her live performances of old school Torture Squad songs as well as their new tunes already with her on vocals.

Mayara recorded her first official release with torture Squad in 2016, the EP titled Return of Evil, comprised of four unrelenting, original tracks (Return of Evil, Swallow Your Reality, Dreadful Lies and Iron Squad). If you want to know more about how the first Torture Squad album with Mayara on vocals came to life, I highly recommend you watch the online documentary named Behind the Evil, filmed in December 2015 during the recordings of Return of Evil at Na Cena Studios. Another amazing video online showcasing all the vocal potency by Mayara with the band, singing some of the band’s classics like Pull The Trigger and Mad Illusions, as well as an interview piece, can be seen HERE. After watching such powerful performance by Mayara, you’ll understand why her nickname is “Undead”, given to her by Amilcar during their first rehearsals due to the fact her growls sounded like the screams of an undead woman rising from her grave. She even said that became her “alter ego”, which she lets dominate her body and soul when she’s on stage performing.

In regards to touring with Torture Squad, a band that’s always doing extensive tours all over Brazil and also in Europe, Mayara said that when you’re on the road you have to get used to the fact that your house will be a van. There’s very little time to sleep, eat and take care of yourself, which means the band as a whole has to learn how to live in a harmonious way to make things work during the tours. She also said that her biggest concern is with her voice as there are many shows to do each tour, and she takes care of it by drinking lots of water and having fun with moderation. Also, our screaming metaller said that, despite the lack of time, she enjoys knowing a little more about the places where she plays with the band, most of which she would never have been able to visit if she wasn’t with torture Squad. Mayara is also the youngest member of the band; for instance, she wasn’t even born when the band started, but that doesn’t mean the difference in age is a barrier to her relationship with the other members of the band. She said their passion for metal unites them, helping them become a big metallic family, as well as the fact that she’s using her time with them to learn as much as possible from their expertise in the world of heavy music.

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If you prefer some action instead of all these never-ending words, you can find online a lot of high-quality footage of Mayara growling like a rabid beast as the frontwoman of Torture Squad, as you can see in the songs Inner Strength, and Black Sabbath’s classic Symptom of the Universe (with changed instruments); this series of videos recorded at the traditional Clash Club in São Paulo, Brazil, on February 27, 2016, where the band played, among others, the songs Living for the Kill/ Chaos Corporation, The Unholy Spell, and Horror and Torture/Pandemonium; or this amazingly done footage of Torture Squad kicking ass at De Verlichte Geest, in Roeselare, Belgium. You can also enjoy some online interviews with Mayara (if, of course, you understand Portuguese), as for example when they played at Tocandira Ritual Fest II in Macapá, a province located in the North of Brazil, in 2016; and her chat with the YouTube channel For headS for their Metal Live Drops programme, where she talks a little about how she became the lead singer for Torture Squad.

There’s already a brand new song online with Mayara on vocals, which is actually Torture Squad’s cover version of Motörhead’s high-octane classic Overkill that will be feature on a Brazilian tribute named “Going To Brazil… The Brazilian Tribute To Motörhead”, featuring several renowned Brazilian bands such as Nervochaos, Voodoopriest, Genocídio, Ratos de Porão, Claustrofobia and Hatefulmurder, among others, to be released later this year by British label Secret Service Records. And the wait for more Torture Squad with Mayara on vocals won’t be long, as the band has already announced they’ll release in July this year their eight studio album, titled Far Beyond Existence, containing ten ruthless songs with the “Undead” gnarling manically as their frontwoman. As the band has been updating their official Facebook page with videos and other details about the recordings of the new album, I highly recommend you like and follow them HERE to avoid missing anything.

As any modern musician, Mayara already lent her potent voice to some interesting bands and projects away from the Torture Squad world. For instance, she recorded additional vocals for the 2015 album Afterlife in Darkness, by Brazilian Death Metal band Depressed, and guest vocals for the song Time Enough at Last from the 2017 album Red Eyes, by Brazilian Thrash/Death Metal band Hatefulmurder. In addition to that, Mayara also recorded in 2015 a cover version of Bathory’s Man of Iron with Bathory Brazilian Tribute, and began working with bassist Patricia Schlithler (Hellarise, Harppia) in an Extreme Metal project named Gorgona (which I couldn’t find any additional details about online).

Despite the fact that our society is still extremely sexist, when asked about the increasing influence of women in heavy music Mayara said that although she has already experienced a few awkward situations in her life she still believes Heavy Metal and Rock N’ Roll are the two types of music that foster creativity and freedom of speech, therefore providing more room for women to grow and to be more and more respected by everyone. She mentioned she always receives a lot of positive feedback from both men and women, even inspiring fathers to take their daughters to Torture Squad concerts to show them they can be whatever they want in life, which is obviously a great thing not only for Mayara but for heavy music in general.

She was also asked about the feeling of being on stage with the band, singing in front of hundreds or thousands of crazy fans everywhere they go, and if there’s a big difference between fans in Brazil and in Europe. Mayara said the main difference is that, in Europe, you can see several distinct tribes mixed in the crowd, such as diehard fans of Punk Rock and Death Metal together, which in the end was excellent for her as she could connect to people with complete different tastes and opinions than hers, and that she wished that could also be a reality in Brazil, where the heavy music tribes are a lot more distant from each other. However, in terms of receptivity and electricity, she said both Brazilian and European headbangers are absolutely amazing and have a very good time during their shows.

Mayara is not only an extremely talented growler, but she’s also an entrepreneur, being the owner of an online store named Bloodline, specialized in custom clothing and accessories. She said she opened the store during a very difficult time of her life, when she was unemployed and needed to find an alternative source of income. If you want to know more about Bloodline, check their official website or Facebook page and, who knows, you might find something fancy that suits your style. In addition, she also works as a costume consultant for a company called Loud Factory, an audio and video producer focused on Heavy Metal and Rock N’ Roll. And that’s all about the talented Mayara, a woman that never gets tired of her “eat, sleep, scream like a beast, repeat” routine.

Mayara “Undead” Puertas’ Official Facebook page
Mayara “Undead” Puertas’ Official YouTube channel
Mayara “Undead” Puertas’ Official Instagram
Torture Squad’s Official Facebook page
Torture Squad’s Official YouTube channel
Torture Squad’s Official Twitter