Album Review – Ragehammer / Into Certain Death (2020)

It’s time to head into certain death to the sound of the new album by this insane Polish brigade, offering us all ten slabs of sincere and brutal Blackened Thrash Metal violence.

Kraków, Poland’s own Black/Thrash Metal institution Ragehammer is finally back to the battlefront after four years of studio inactivity (since the release of their 2016 opus The Hammer Doctrine) and a year-long live hiatus with the same lineup comprised of The Hellstörm on vocals, Bestial Avenger on the guitars, Corpsebutcher on bass and Mortar on drums to once again spit with scorn at the trend-ridden scene, where aesthetics took over the ethics, armed with their sophomore full-length album entitled Into Certain Death. Recorded, mixed and mastered by Mikołaj Żentara at No Solace, featuring an enraged artwork by Devinez, and consisting of ten slabs of sonic violence with variable pain levels in the characteristic of sincere and brutal Blackened Thrash Metal style which continues the path Ragehammer chose when starting almost 10 years ago, Into Certain Death will offer the listener exactly what the band has always promised to provide in their rebellious career, a raw, warlike fusion of Black and Thrash Metal without compromises, unnecessary distance or mercy, and of course a very good reason for getting drunk and raising our horns in the name of evil.

Metal troopers are marching to the beats by Mortar in the uprising intro Beneath the Red Suns, suddenly exploding into a lesson in Blackened Thrash Metal titled We Are the Hammer, with Bestial Avenger extracting endless savagery and electricity form his stringed weapon, therefore providing The Hellstörm exactly what he needs to shine with his raspy, berserk growls. Moreover, when they speed things up it’s time to simply crush your skull into the pit, and there’s no sign of those four horseman slowing their music down as they blast a furious hybrid of Black, Death and Thrash Metal titled Jesus Goat, with Corpsebutcher and Mortar being thunderous with their respective bass punches and blast beats. In Peace let’s say the name of the song doesn’t match with its infuriated rhythm, with the band bringing forward a potent display of extreme music led by Bestial Avenger’s razor-edged riffage while The Hellstörm vociferates rabidly from start to finish in great blackened, thrashing fashion, whereas the band’s frontman roars viciously in his mother tongue in the sick Black and Thrash Metal extravaganza titled Na Pewną Śmierć, which is Polish for the album’s title “into certain death”, tailored for admirers of the heaviest side of thrash, with Mortar sounding utterly demented behind his drum set.

In the fulminating 616. TerrorKorps the band drinks from the same wicked fountain as thrashing masters Exodus and Slayer, but of course with the band’s own Polish twist, while the stringed duo Bestial Avenger and Corpsebutcher will at the same time pierce your ears and smash your head with their extreme aggression and speed. It’s clear that slamming is their business, and business is good, as in the high-octane Fear Toxin we’re treated to more of the infernal screams by The Hellstörm and the unstoppable drums by Mortar in what’s perhaps the song with the most Black Metal riffs of all, while tribal beats and a hellish atmosphere are offered to the listener in Omega Red, sounding darker and more introspective than its predecessors, and showcasing another brutal job done by Bestial Avenger armed with his devilish guitar. Ragehammer keep distilling their demonic hybrid of extreme styles in the fast and furious Dragon City, where the rebellious gnarls by The Hellstörm are effectively supported by his bandmates’ backing vocals while Mortar doesn’t stop hammering his drums not even for a single second. And finally, a Stygian, somber intro darkly evolves into a massive wall of sounds in the imposing 8-minute aria titled Prophet of Genocide Part II (Mother Winter Eternal), the sequel to “Prophet of Genocide” from their 2012 demo War Hawks, with The Hellstörm investing into more anguished vocal lines while its second half presents Ragehammer’s usual sonic devastation.

I bet you can’t wait to join Ragehammer and head into certain death to the sound of their warlike metal music, and in order to do so simply pay the guys a visit on Facebook and (soon) purchase a copy of their breathtaking new album from the Pagan Records’ BandCamp or webstore in CD or LP format. The Hellstörm, Bestial Avenger, Corpsebutcher and Mortar nailed it once again with Into Certain Death, elevating their status in their homeland (and anywhere else in the world where ass-kicking extreme music is appreciated) from just a promise to one of the best and most entertaining acts of the underground scene, beautifully translating into their wicked creations exactly what Blackened Thrash Metal is all about.

Best moments of the album: We Are the Hammer, Jesus Goat and 616. TerrorKorps.

Worst moments of the album: None.

Released in 2020 Pagan Records

Track listing
1. Beneath the Red Suns 1:45
2. We Are the Hammer 3:58
3. Jesus Goat 3:29
4. Peace 4:25
5. Na Pewną Śmierć 4:28
6. 616. TerrorKorps 4:00
7. Fear Toxin 4:38
8. Omega Red 5:46
9. Dragon City 4:47
10. Prophet of Genocide Part II (Mother Winter Eternal) 8:54

Band members
The Hellstörm – vocals
Bestial Avenger – guitars
Corpsebutcher – bass
Mortar – drums

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