Metal Chick of the Month – Nadja Peulen

Say it, Nadja! We’re out for blood!

As part of our annual tradition here at The Headbanging Moose, the first metal chick of the year must be a badass bass player to properly kick things off with a lot of thunder and heaviness just the way we like it in Heavy Metal, and in 2020 that couldn’t be any different than that, of course. Having said that, get ready to venture through the realms of Alternative and Nu Metal with the one and only Nadja Peulen, a German-born bassist and backing vocalist currently based in Los Angeles, California, in the United States known for bringing tons of groove to our avid ears as the bassist for American metallers Coal Chamber from 1999 to 2000, again between 2002 and 2003, and one last time after a huge band hiatus from 2013 until 2016 when the group disbanded once and for all.

Born on January 10, 1975 somewhere in the always beautiful Germany, our 1.73m-tall blue-eyed, red-haired bassist started her life in music at a very early age due to her family travelling a lot and staying at several different places, always on the road in the name of Rock N’ Roll, always surrounded by distinct people, and always attending music concerts. Of Polish and German descent, Nadja grew up in the Netherlands and listened to a lot of 70’s music such as Motown, disco and classic rock at home because of her parents, being highly influenced by those styles in her current way of playing bass. Originally starting out studying art with aspirations to be a painter, Nadja naturally decided to switch to music, playing drums before becoming a bassist and continuing her career as a drummer after moving to Los Angeles when she was only 18, learning from renowned drummers and jamming with several different musicians (while at the same time working in different jobs such as tiling bathrooms and working as a waitress in a strip bar).

After a while, when Nadja decided she wanted to get more into songwriting, she was given a bass guitar (a cheap $100 one, by the way) and started playing with one finger only, gradually evolving to a couple more fingers and never having a single lesson in her life. Three months later, she was already in an all-girl band named Tail, playing around Hollywood for a couple of years at Whisky a Go Go, The Viper Room and whatever clubs were there at the time. After a couple of years, Nadja was invited to join Los Angeles-based Nu Metal outfit Coal Chamber in 1999 while bassist Rayna Foss-Rose was on maternity leave, and again after the recording of the 2002 album Dark Days when Rayna left the band for good, playing live with the band in several domestic and international tours with bands like Drowning Pool co-headlining the tours. Despite not having recorded the bass lines in Dark Days, Nadja is featured in the official video for Fiend, one of the band’s most well known songs which is thought to be about how the band and the Nu Metal genre were getting heavily criticized at the time. In addition, Nadja was also featured as the band’s bass player in the excellent concert Live at the Maritime Hall, San Francisco, CA, 1999 in the bonus DVD from the 2005 special re-release of their 1997 debut album Coal Chamber.

Then after a long period of silence from 2003 until 2011, Coal Chamber reunited for a short run of international shows with bassist Chela Rhea Harper instead of Nadja, but our talented red-haired bassist officially returned to the band in October 2013 shortly before the band signed to Napalm Records to record a new album. “Beyond happy and excited today to announce my return on bass with Coal Chamber,” Nadja wrote on the day of her official return to the band. “I’ve missed my brothers and can’t wait to rock the stage with them again and see all of you!” It was in May 2015 that Coal Chamber released their fourth album in thirteen years and their only studio album with Nadja on bass, entitled Rivals, adding a touch of Groove Metal to their musicality while at the same time distancing themselves from their previous Gothic Metal style. From Rivals, you can enjoy Nadja’s rumbling bass punching you in the face in songs like Another Nail In The Coffin, Suffer In Silence (featuring Ministry’s driving force Al Jourgensen on guest vocals), and I.O.U. Nothing.

Apart from her awesome stints with Coal Chamber, Nadja was also the bass player and backing vocalist for a Los Angeles-based Theatrical/Alternative Avantgarde Rock duo known as Vera Mesmer, together with vocalist, guitarist and keyboardist Christopher Mesmer, formerly of Reveille, as well as guest drummer Bones Elias (Julien K, formerly of Dead by Sunrise), from 2010 until 2013. Vera Mesmer left two very interesting releases to the world before the duo parted ways in 2013, those being the 2012 EP Orphans and the 2013 single Down the Hole, showing a different and very theatrical storytelling side of both Chris and Nadja, as you can see for example in the official video for the song Back from the Dead. “We’re constantly brainstorming and creating. We’ve completely let go of templates and we don’t stick to the genre game,” said Nadja about the artistic freedom she found with Vera Mesmer while the band was still active. “We encompass all music styles while still undeniably retaining that Vera Mesmer sound.”

You can also find Nadja lending her thunderous bass lines to a project entitled Roadrunner United from 2005 to 2008, having recorded the excellent single and video The End together with Dino Cazares (Fear Factory), Roy Mayorga (Stone Sour) and Matt Heafy (Trivium), among others, for the 2005 album The All-Star Sessions, as well as the 2008 DVD featuring a making of and a live concert with several artists such as Ville Valo (HIM), Scott Ian (Anthrax) and Tim “Ripper” Owens, with Nadja kicking some serious ass in songs like Type O Negative’s all-time classic Black No. 1 together with Ville Valo on vocals, Andreas Kisser on lead guitar, Dino Cazares on rhythm guitar, Joey Jordison on drums and Rob Caggiano on keyboards, and Tired ‘n Lonely together with Mina Caputo on vocals, Matt Baumbach on lead guitar, Acey Slade on rhythm guitar, Joey Jordison on drums and Rob Caggiano on keyboards. Furthermore, between 2004 and 2006, Nadja was also featured in the music videos for the songs (Rock) Superstar and What’s Your Number? as part of the backup band with Tim Armstrong (Rancid) and Christian Olde Wobbers (Fear Factory), both by American Hip-Hop group Cypress Hill.

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As already mentioned, Nadja has a wide and eclectic taste for music, with her primary influences lying along the Trip Hop, Industrial and Alternative Rock and Metal vein the likes of Massive Attack, Killing Joke, The Cult, Faith No More, Jane’s Addiction, Ministry, Iggy Pop and The Stooges, David Bowie, Lynyrd Skynyrd, Grand Funk Railroad and Stevie Wonder, with the one and only Iggy Pop being part of one of the most exciting moments in her career. A friend of hers called Whitney, who used to play guitar for Iggy Pop, invited Nadja for a jamming session one day, but she initially said no. “Why don’t you come down to the Swinghouse and jam with me and a couple of friends?”, said Whitney, and she promptly answered “Well I’m in bed. My bass is dusty and I’m watching TV. I really don’t feel like jamming with you right now.” Whitey called back a couple of times and finally said, “Well, it’s Iggy and he wants to jam with you.” Nadja didn’t believe her friend, saying “Yeah you’re fucking with me. You just want me to come down there and hang out.” Then she got another phone call from Iggy’s manager, which turned out to be his son Eric. He said, “Yeah, Iggy Pop is down here and he really, really wants to jam with you.” She still thought it was a prank, when she finally got a phone call from Iggy himself where she recognized his voice and nearly pissed her pants. Iggy said, “Nadja, I have heard a lot of really good things about you. I want to jam with you. Come down here – can you be here in 10 minutes?” Needless to say, Nadja joined her idol and they jammed for a few hours, with Nadja later saying in one of her interviews that she was always afraid to meet someone like Iggy Pop because she believed a person like that would probably be an asshole and she would never be able to listen to his music the same way. However, he was really nice to her, a humble guy exactly how anyone would expect.

Regarding her life on the road with Coal Chamber, Nadja mentioned in one of her interviews that she really loved playing the songs Another Nail In The Coffin and Bad Blood Between Us live with the band, both from the album Rivals, and that she would have loved to be in a tour co-headlined by Coal Chamber, System Of A Down and Korn, the latter with whom Coal Chamber only played at the same festivals such as Heavy Montreal in 2015 and Graspop Metal Meeting in 2013. When questioned about the fact she was the only female on the tours with Coal Chamber, she said that it was indeed challenging as she had for example to get dressed in the bathroom of the bus, which was a very small space. However, Nadja also said she was fine being the only girl in a “boy’s club”, complementing by saying that being utterly professional was what kept everything working well. Also, on a side note, Nadja mentioned being on stage, being in that moment, is when her mind stops and she can achieve some peace of mind, having also achieved that peace by doing yoga, more specifically Kundalini Yoga, a school of yoga influenced by Shaktism and Tantra schools of Hinduism.

Nadja also launched in 2003 her own T-shirt and apparel company called CruelTees, selling her products not only online but also through stores such as Hot Topic. Owner and head designer of CruelTees, Nadja has always loved painting and sketching, having even been in Art Academy before quitting it to move to Los Angeles, with her designs fusing dark Gothic and wild Rock N’ Roll images with clever slogans. However, if you click on the official website for CruelTees, it will redirect you to her website Sonic Dominion without any products available. There are a few items in her webshop, though, but nothing related to CruelTees. Perhaps Nadja is working on a new collection for the future? If you’re curious to know more about CruelTees and ask Nadja for any updates on the brand, you can message her directly through her official website contact form, and who knows, maybe you’ll be one of the first to receive news on a new series of CruelTees shirts and apparel.

Endorsed by Schecter Guitars, Mesa Boogie, Dean Markley Strings, Monster Energy Drink and Monster Cable, our skillful bassist, who by the way thinks labeling a music style is not really that relevant, commented in one of her interviews that she’s happy to see an increasing number of female bass players (as well as guitarists and drummers) out in the market playing with their bands, which is always a good thing in heavy music, also saying she likes the fact that several of those bassists are adopting the finger style when playing their instruments, something that was a taboo in the past. Nadja herself is a finger bass player, as mentioned before, and the fact this old school technique is becoming popular again brings a lot of joy to her heart. And last but not least, Nadja’s relationship with her fans is quite healthy, with some of her fans even becoming her personal friends. She said that she can’t obviously answer everything to everyone due to her busy schedule, as she doesn’t consider herself an Internet person with enough time for social media. She actually doesn’t enjoy engaging on social media on a personal level, focusing on her work as a musician and as a designer instead. We have to agree with Nadja on that, and if you want to know more about her professional career you can either follow her on Facebook, Twitter and Instagram, or watch some of her interviews and other videos on YouTube like the BIAS FX demo, an interview during Heavy Montreal in 2015, an interview to INDIEPOWER TV! in 2015, or an interview she gave to Dean Markley at NAMM also in 2015. What are you waiting for to let one of the most badass female bassists of all time show you all she got? Nadja kicks some serious ass, and she will crush you like an insect with her thunderous bass, no doubt about that.

Nadja Peulen’s Official Facebook page
Nadja Peulen’s Official Instagram
Nadja Peulen’s Official Twitter
Nadja Peulen’s Official YouTube channel
Coal Chamber’s Official Facebook page
Coal Chamber’s Official Instagram
Coal Chamber’s Official Twitter

“To me being on stage and playing music is one of the best things because I have a very busy mind – I’m always thinking.” – Nadja Peulen

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