Album Review – Inferno / Basado En Hechos Reales (2019)

An up-and-coming thrashing beast from Spain returns with another sensational round of old school, unrelenting Thrash Metal, telling stories of violence, death and corruption from our rotten society.

Born in 2009 as a cover band from the ashes of several underground groups from the Spanish city of Ceuta, but writing their own original material since 2011 after some important lineup changes, the unstoppable Thrash Metal unity known as Inferno has been on a row in the past few years, having released their six-track debut EP Arrodíllate in 2014 and their first full-length album Genética Humana in 2017, both receiving very positive feedback from the press and from fans on heavy music in general. After such solid start, it was more than obvious that this thrashing beast from Spain would strike again in a not-so-distant future, which is exactly what’s happening now in 2019 with their sophomore release, the pulverizing Basado En Hechos Reales, which translates to English as “based on true events”.

Comprised of frontman Juan Manuel León, guitarists Ángel “Koto” Bermúdez and Antonio González, bassist Carlos Bermejo and drummer Miguel Osuna, Inferno take no prisoners in their quest for extreme music, playing as loudly, fast and aggressively as they can without giving us a single second to breathe. Recorded, mixed and mastered by their own guitarist Koto and featuring an old school cover artwork designed by Indonesian artist Wibowo Yudo Baskoro (Five Milligrams), who has already worked with bands like Napalm Death, Possessed, Morbid Saint and Massacre, Basado En Hechos Reales is an electrifying ode to all things thrash, perfectly representing all the band’s passion and commitment to such entertaining sub genre of heavy music.

An ominous Gregorian chant kicks off the blasphemous havoc entitled Ruega Por Nosotros (or “pray for us” in English), with Koto and Antonio cutting our skin deep with their riffs while frontman Juan Manuel vociferates the song’s harsh and anti-religious words rabidly, setting the tone for the also hammering Tu Sucio Dinero (“your dirty money”), with the rumbling bass punches by Carlos kicking us in the face mercilessly. Put differently, it’s raw, visceral and frantic Thrash Metal that lives up to the legacy of the genre, not to mention how potent the beats by Miguel sound throughout the entire song. And as aforementioned there’s no time to breathe with another kick-ass tune titled Como A Marionetas (“like puppets”), where we’re all invited to get smashed into the circle pit to more of their old school thrashing music, with highlights to the razor-edged guitar riffs and solos by Koto and Antonio.

Are you tired already? Because Inferno will hit you hard with their Spanish-spoken version of the early days of Testament and Exodus entitled Vuestra Ceguera (“your blindness”), where Miguel is an unstoppable stone crusher on drums while the guitars exhale harmony and brutality at the same time, whereas in Apriétate El Bozal (“squeeze the muzzle”) we face a high-octane fusion of sounds as if Metallica and Megadeth form the 80’s had a Spanish Chuck Billy as their vocalist (thanks to the great job done by Juan Miguel with his raspy, enraged vocals), with all destruction being boosted by the pulverizing drums by Miguel. There’s no sign of slowing down, as they continue their Thrash Metal party in Espiral De Mentiras (“spiral of lies”), where the guitar lines are in perfect sync with the vocals during the entire song, followed by Condenado A Vivir (“condemned to live”), an 80’s-inspired Bay Area Thrash hymn tailored for slamming into the circle pit, having a cold beer with your friends or simply banging your head nonstop like a beast. In addition, Juan Manuel sounds even more ferocious and demented on vocals than before, with the music flowing infernally until all is said and done.

Inferno’s source of energy seems to be endless as they add tons of horsepower to another piercing creation named Sin Domesticar (“without taming”), a sonic tribute to everyone that’s antisocial, rude and grim, with the Thrash Metal riffs and beats blasted by the band matching perfectly with the song’s sick lyrics, followed by Exterminio (“extermination”), where Juan Manuel roars and barks like a demonic entity in a fusion of Thrash and Death Metal highly recommended for diehard fans of extreme music. Lastly, in order to finish the extermination of the human race proposed in the previous song we have the fantastic Noches Sin Tregua (“nights without truce”) as the icing on the cake, with Miguel simply destroying his drum set while the band’s stringed trio provide Juan Manuel all he needs to thrive, vociferating violently like there’s no tomorrow without showing any mercy for our souls. Put differently, the album couldn’t have ended in a more fun and demolishing way, I might say.

Are you ready to slam into the pits of hell to the thunderous Thrash Metal made in Spain by Inferno? If the answer is yes, simply go check what those talented metallers are up to on Facebook, including their live concerts (the best thing in metal music, of course), and buy your copy of Basado En Hechos Reales from their own BandCamp page, as well as from the Necromance Records’ BandCamp page or webstore. Basado En Hechos Reales is, as its name already says, based on all sad but true stories of corruption, death and violence from our decaying society, and the guys from Inferno certainly deserve our utmost recognition for gathering all that evil and putting together such entertaining album of classic Thrash Metal for our total delectation.

Best moments of the album: Ruega Por Nosotros, Condenado A Vivir and Noches Sin Tregua.

Worst moments of the album: None.

Released in 2019 Necromance Records

Track listing
1. Ruega Por Nosotros 4:01
2. Tu Sucio Dinero 3:00
3. Como A Marionetas 3:10
4. Vuestra Ceguera 2:56
5. Apriétate El Bozal 3:41
6. Espiral De Mentiras 4:00
7. Condenado A Vivir 3:21
8. Sin Domesticar 3:20
9. Exterminio 3:05
10. Noches Sin Tregua 3:22

Band members
Juan Manuel León – vocals
Ángel “Koto” Bermúdez – guitar
Antonio González – guitar
Carlos Bermejo – bass
Miguel Osuna – drums

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